Accsoon CineView M7H Pro Wireless Monitor

CineView M7H Pro Wireless Monitor CineView M7H Pro series All-in-One Wireless Smart Monitoring Ecosystem Master Color Accuracy Stunning, color-accurate professional 7-inch monitors crafted for professional uses.   Unrivaled display precision Each unit is factory-calibrated to achieve near-perfect color accuracy.   Edge-Lit Backlight System, for Precise Bright & Dark Control Achieving high brightness is easy, but maintaining accurate colors is challenging. CineView M7 series features a 1000:1 ultra-high contrast ratio combined with a fully laminated high-transmittance display, effortlessly handling both dark and bright scenes. Built with Edge-Lit backlight system with intelligent brightness control enables pixel-level precision, delivering true-to-life color reproduction without distortion.   High Bright Fully Laminated Display - True Colors Under Direct Sunlight CineView M7 series is equipped with high transparency screen, enhanced by exclusive DXC coating, increasing light transmittance to99%while significantly reducing reflectivity. Even in bright outdoor environments, the screen maintains exceptional clarity and color accuracy.   All in One Wireless Workstation CineView M7 Series features integrated long-range wireless video transmitter and receiver capabilities, seamlessly connecting to any Accsoon CineView transmitter. It leverages Accsoon’s patented Dual-Band transmission technology for ultra-low latency wireless monitoring. Nail every shot with cinematic grade tools like LUT box, false color and waveforms-all controlled through customizable buttons.   Compatibility with CineView TX/RX system*up to Dcl 4K60 wireless monitoring • In RX mode: can receive from CineView M7 Pro (TX) /M7H Pro (TX) or Master 4K / HE / SE / 2SDl. • In TX mode: can transmit to CineView M7 Pro (RX) /M7H Pro (Rx) / Master 4K, mobile devices.   Simultaneously and bi-directional record on the camera, as well as the monitor.   AF touch focus works in any zone, just tap to shift focus or drag the box to follow your subject.   The main parameter control menu brings up shutter speed, aperture, sensitivity (ISO) and white balance options in the top status bar of the monitor.   One Step Ahead Redefining Smart Monitoring CineView M7 Series powered by 8K high-performance processors and a smart operating system is designed to adapt to the evolving needs of modern production.   On-set Monitoring, Reimagined CineView M7 Series delivers cinematic standard calibrated color with 127-point 3D LUT precision. Its LUT Box function enables multi-screen color consistency via SDI/HDMI outputs, revolutionizing on-set color workflow.   Format Conversion Flexibility Engineered with ground breaking architecture, CineView M7 Series delivers high processing ability to handle 961+ video format combinations effortlessly - from 4K60 to 1080P, even different frame rate outputs.

DPA DPK4011 Piano Stereo Kit

DPA DPK4011 (DPK-4011, DPK/4011, DPK 4011, DPK_4011) DPK4011 Piano Stereo Kit DPK4011 Piano Stereo Kit is a versatile, compact piano kit, which is tailored specifically to accommodate the need for clean sound and limitless creativity. We have collected our award-winning pencil mics – 4011 Cardioid Microphones, renowned in recording studios and live applications around the world. This specialized stereo kit holds the mics and accessories you need to capture fantastic sound no matter what you need. The microphones are matched within ±1 dB. This kit was previously known as 3511ES Stereo Kit with Matched 4011ES Cardioid Microphones Placement and use Due to the compact design of the microphones, they fit perfectly inside both upright and grand pianos at all desired positions. Both open and closed lids.  The numerous fitting options contained in the kit allow for a wide range of mounting and placements, including hanging, fixed X/Y or ORTF. In addition, with the enclosed stereo boom, A/B positioning is also possible. The kit includes a shock mount that also acts as a swivel joint for fixed mounting on mic stands or with one of the enclosed magnets for internal placement.  4011 Cardioid Microphone The principal appeal of the 4011 Cardioid Microphone is its directional quality and attention to detail. This mic makes everything sound like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can manage incredibly high sound levels.   A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern.  

Godox F800R Flexible RGB LED Light with FA800 Air Softbox Kit

Godox GD-F800R-K2 (GD/F800R-K2, GD F800R K2, GD/F800R/K2, GDF800RK2) F800R Flexible RGB LED Light with FA800 Air Softbox Kit The Godox F800R-K2 4'x4' is a 460W IP54 waterproof, lightweight, powerful, and ultra-slim LED mat panel light for professional cinematography. It features a CRI of ≥ 96 and a TLCI of ≥ 98, ensuring impeccable colour accuracy. Supporting industry-standard protocols like DMX512 and CRMX, it also offers seamless control via the Godox Light App and Bluetooth. Designed for large-scale film and TV productions, broadcasting, and commercial video, it excels in both studio and outdoor environments. The F800R-K2 kit includes an inflatable soft diffuser, delivering beautifully soft and even lighting. Full-Colour Brilliance In Every Scene The Godox F800R continues KNOWLED's legacy of great brightness and saturation, delivering cinema-grade colour and light intensity. With a wide colour-temperature range of 1,800-10,000K, as well as Green/Magenta adjustment, this foldable light mat is perfect for illuminating people, rendering skin tones, and producing dynamic scene lighting.  Full IP54 Weather-Resistance The F800R ultra-slim LED panel light is designed to last with its IP54 certification, meaning that it is completely protected from dust and water from the light head down to the controller box. It ensures you get the best, most reliable lighting performance, whatever the weather.  New Enhanced Bracket The KNOWLED RGB F-series panel comes with a newly upgraded metal bracket with added rigidity and physical protection while still maintaining its ease of use. The redesigned, flatter X-bracket allows the light mat to fit into tighter spaces, offering increased versatility.  Available in Five Sizes The KNOWLED RGB F-series is available in five sizes, each designed to fit industry-standard diffusion fabrics and truss systems. These tunable-colour light mats are consistent across the entire range, making it easy to swap sizes or power arrays on set. Each size can also be linked together to create custom lighting setups. All panels fold down for hassle-free storage and transportation. These LED light mats' sizes include the 1'x2' F100R, the 2'x2' F200R, the 1'x4x F200SR, the 2'x4' F400R, and the 4'x4' F800R. Multiple Lighting Controls The Godox F800R features a built-in LumenRadio module for stable and efficient wireless connection via the CRMX protocol. This ultra-slim LED panel light also supports Bluetooth connectivity and on-board controls. It is also compatible with Ethernet Art-Net and ACN protocols. Power, Anytime, Anywhere The F800R RGB LED light mat can be powered by V-mount batteries, which makes it perfect for use in locations where you do not have easy access to mains AC power.  Unrivalled Cinema-Grade Colour Accuracy The Godox F400R has a CRI of ≥96+ and a TLCI of ≥97. This means that the it will render colours accurately, making it ideal for broadcast usage. This foldable light mat is perfect for illuminating TV studios and movie sets. Colour Consistency Across All Units. The KNOWLED RGB F-series has been engineered to produce impeccable colour consistency with no visible colour shifts throughout the full range. Whether you are using one of the larger panels alongside one of the smaller panels, you can rest assured that KNOWLED's advanced Colour Calibration Management system delivers reliable, professional performance with all of your lighting projects.  Endless Shapes, Compact Size  The Godox F-series can be used with or without the airbag attached or mounted to its frame. The airbags inflate and deflate quickly, making the lights more compact and space-efficient compared to traditional diffused setups. When not in use, this ultra-slim LED panel light folds down for easy storage. Store it in your travel case for shipping to save space, ensuring quick setup and efficient storage.

DJI Osmo Pocket 4P Vlog Combo

DJI CP.OS.00000662.01 (CP/OS/00000662/01, CP-OS-00000662-01, CP-OS/00000662/01, CPOS0000066201) Osmo Pocket 4P Vlog Combo Elevate Your Storytelling with 17 Stops of Dynamic Range and True 3x Optical Zoom The next generation of handheld content creation has officially arrived. The all-new DJI Osmo Pocket 4P Vlog Combo Kit redefines what is possible for creators on the move, bundling DJI’s most advanced pocket gimbal camera with a complete suite of pro-grade audio, lighting, and monitoring accessories. Designed specifically for professional videographers, lifestyle vloggers, cinematic documentarians, and independent content creators, this all-in-one production kit delivers Hollywood-caliber production value from a form factor that fits comfortably in the palm of your hand. Revolutionary Dual-Sensor Imaging Engine At the absolute core of the Osmo Pocket 4P is a groundbreaking dual-camera architecture that changes the landscape of pocket stabilization forever. Moving away from traditional single-lens layouts, the Pocket 4P features a primary 1-inch CMOS Wide-Angle Camera (20mm equivalent, $f/2.0$) paired seamlessly with a secondary 1/1.28-inch CMOS Mid-Telephoto Camera (60mm equivalent, $f/1.8$). For the first time in a handheld camera of this size, you can capture wide, sweeping environmental establishing shots, and instantly push to a native, lossless 3x optical zoom to compress the background and shoot tack-sharp portraits with natural, organic bokeh. Whether you are capturing broad architectural designs or tight, expressive facial interviews, this multi-focal lens system handles every scenario without a single drop in resolution. Cinematic LOFIC Highlight Recovery & 10-Bit D-Log 2 Harsh midday sun and complex night photography are no longer a challenge. By integrating advanced LOFIC (Lateral Overflow Integration Capacitor) technology directly onto the primary 1-inch sensor, the DJI Pocket 4P delivers an unprecedented 17 stops of dynamic range. This allows the camera to effortlessly retain deep shadow data while completely neutralizing highlight clipping—such as bright skies or neon signs—that would destroy detail on lesser sensors. Combined with full 10-bit color depth and the professional D-Log 2 color space, editors can confidently push color grading to match high-end mirrorless and cinema cameras perfectly in post-production. Pro-Tier High-Speed Frame Rates & Artificial Intelligence Action sequences and smooth cinematic slow-motion are handled with flawless precision. The Osmo Pocket 4P captures breathtaking 4K resolution at up to 60fps, and scales up to an elite 4K at 240fps for hyper-fluid slow-motion playbacks. This extreme computing power is stabilized by DJI’s iconic, upgraded 3-axis mechanical gimbal system, making shaky handheld camera work a thing of the past. Furthermore, the new Smart Follow 8.0 AI tracking algorithm ensures that your subject stays locked perfectly dead-center. The intelligent software tracks faces, bodies, and fast-moving objects evenly across the entire zoom spectrum—even when jumping dynamically between the wide-angle and 3x telephoto lenses. The Complete Vlog Combo Accessories Ecosystem The Vlog Kit configuration is meticulously curated to eliminate the need for third-party add-ons, giving you a complete broadcast studio out of a single box. DJI Mic Mini 2 Transmitter: Ensure pristine, ultra-crisp audio. This ultra-lightweight, clip-on wireless microphone pairs natively with the Pocket 4P, recording high-fidelity 48kHz, 16-bit sound with onboard environment noise cancellation. Viewfinder Remote Controller: Step away from the camera and remain in absolute control. This modular wireless remote features a dedicated display and joystick, allowing you to frame shots, adjust parameters, and pan the gimbal from afar. Snap-on LED Fill Light: Achieve flattering skin tones in total darkness. The magnetic fill light mounts securely to provide adjustable, balanced lighting with variable color temperatures. Mini Tripod & Carrying Case: The stable base unfolds instantly for stationary vlogs or long-exposure time-lapses, while the structured, weather-resistant storage bag neatly protects your entire layout during travel. Lightning-Fast Power and Next-Gen Connectivity Built for rigorous daily deployment, the camera is powered by an optimized 1,545 mAh Li-ion battery delivering up to 210 minutes of continuous recording. When you run low on power, the high-efficiency Power Delivery (PD) protocol gets you back in the field faster than ever: charge from 0% to 80% in just 18 minutes, or hit a full 100% capacity in 32 minutes using a standard 65W PD block. Workflow efficiency is further enhanced by 103GB of fast internal storage, expandable up to 1TB via microSD. Offloading your day’s work is instantaneous, utilizing dual-band Wi-Fi 6 for rapid wireless sharing or a high-speed USB 3.1 wired connection capable of data transfer speeds up to 800MB/s.

Blackmagic UltraStudio Express Recorder 3G – capture from 3G-SDI and HDMI

Blackmagic BMDULSDEXREC3G (BMD-ULSDEXREC3G, BMD/ULSDEXREC3G, BMD/-ULSDEXREC3G, BMD ULSDEXREC3G) UltraStudio Express Recorder 3G – capture from 3G-SDI and HDMI UltraStudio Express Recorder 3G Get pocket sized 3G-SDI and HDMI video capture for your USB4 or Thunderbolt laptop or desktop computer! UltraStudio Express Recorder 3G features broadcast quality 10-bit video connections in both HDMI and 3G-SDI. It's compatible with all popular video software such as DaVinci Resolve plus AI image processing and live streaming software. UltraStudio 4K Extreme 3 features a built in multi format hardware encoder that lets you capture to H.265. H.265 delivers amazing quality and is the compression standard for distributing Ultra HD content online. You can also use H.265 compression for SD and HD video giving you smaller files at higher quality than other compression formats. The built in hardware encoder is designed to be upgradable so you get a future proof solution that can add new formats via software updates as they become available. With UltraStudio you can connect to virtually any video device! All UltraStudio models include SDI in and out, HDMI out for monitoring on TVs and projectors and analog YUV/NTSC/PAL video and balanced analog input for archiving from legacy analog broadcast tape decks. Plus the dual SDI outputs can switch to fill and key! All models include video reference for sync playback to broadcast systems, plus RS-422 remote. The UltraStudio 4K Mini and Extreme models add an extra HDMI input plus a balanced analog audio out for connecting to in-studio audio monitoring. UltraStudio 4K Extreme's larger design accommodates 4 channel analog audio via XLR connections, 2 channels of AES/EBU digital audio and dedicated timecode connections. Software: Software Included Media Express, Disk Speed Test, LiveKey, Blackmagic Desktop Video Utility and Blackmagic driver on Mac OS and Windows. Media Express, Blackmagic Desktop Video Utility and Blackmagic driver on Linux. Internal Software Upgrade Firmware built into software driver. Software driver loads upgrades at system start or via updater software.

Blackmagic UltraStudio Express Monitor 3G

Blacmagic BMDULSDEXMON3G (BMD-ULSDEXMON3G, BMD/ULSDEXMON3G, BMD_ULSDEXMON3G, BMD ULSDEXMON3G)  UltraStudio Express Recorder 3G Get pocket sized 3G-SDI and HDMI video capture for your USB4 or Thunderbolt laptop or desktop computer! UltraStudio Express Recorder 3G features broadcast quality 10-bit video connections in both HDMI and 3G-SDI. It's compatible with all popular video software such as DaVinci Resolve plus AI image processing and live streaming software. Software: Software Included Media Express, Disk Speed Test, LiveKey, Blackmagic Desktop Video Utility and Blackmagic driver on Mac OS and Windows. Media Express, Blackmagic Desktop Video Utility and Blackmagic driver on Linux. Internal Software Upgrade Firmware built into software driver. Software driver loads upgrades at system start or via updater software.

Sonnet Echo 13 Thunderbolt 5 SSD Dock - 4TB

Sonnet SONECHDK134TB5 (SONECHDK134TB5, SONECHDK134TB5, SONECHDK134TB5, SONECHDK134TB5) Echo 13 Thunderbolt 5 SSD Dock - 4TB.Universal Thunderbolt 5 Dock with Ridiculously Fast Internal High Performance SSD Storage - 4TBSonnet Echo™ 13 Thunderbolt™ 5 SSD Dock delivers next level storage performance — 6000 MB/s with Thunderbolt 5 computers, 3400 MB/s when used with a Thunderbolt 4 or 3 computer — with your choice of pre-installed Kingston® M.2 NVMe® SSD storage. Connections? Echo 13 has you covered with four Thunderbolt 5 ports, four USB-A ports, one 2.5Gb Ethernet port, one headphone jack, SD and microSD card slots, plus 8K display support.Your Peripherals and Power Your Computer with One CableConnect your Thunderbolt devices, monitor(s), USB peripherals, and Ethernet cable to the dock and then link them all to your computer with a single Thunderbolt cable. Got a laptop computer? Echo 13 Thunderbolt 5 SSD Dock will even power it with up to 140W of charging power. When it is time to leave, just unplug the Thunderbolt cable, grab your computer, and go.Tomorrow’s Performance. TodayEcho 13 Thunderbolt 5 SSD Dock features the connections you expect from a Thunderbolt dock plus the ridiculously fast SSD storage you need. Transform a single cable connection from your computer into three Thunderbolt 5 peripheral ports. With up to 80Gb/s of bi-directional data speed — twice as fast as Thunderbolt 4 — and up to 120Gb/s for higher display bandwidth, you'll revolutionize your productivity.Internal SSD M.2 NVMe StorageThe built-in M.2 NVMe SSD adds an additional 1TB, 2TB, or 4TB Thunderbolt 5 certified Kingston PCIe 4.0 NVMe SSD storage capacity to your system without the need to connect another device to the Echo dock or the computer. Access data at up to 6100 MB/s — ideal for pro content creation and application storage — and effortlessly store large files, media libraries, or your Time Machine® backups.Faster Ethernet Transfers Across Existing CablingFeaturing 2.5 Gigabit Ethernet, Echo 13 Thunderbolt 5 SSD Dock supports 2.5Gb/s link speed over common Cat 5e (or better) cabling when used with a compatible Ethernet switch or NAS with 2.5Gb Ethernet support, saving you the cost of another adapter. You can get great performance gains — 250 percent the speed of Gigabit Ethernet — without rewiring! In case you’re connecting to a switch or NAS without 2.5Gb Ethernet support, the Sonnet dock also supports 1Gb/s and 100Mb/s link speeds.10Gbps USB Ports for Bus-powered DevicesEcho 13 Thunderbolt 5 SSD Dock features three USB 3.2 Gen 2 (10Gbps) Type A ports — one on the front, two on the back— to support super-fast USB NVMe SSDs at up to full speed. And unlike some other docks, the Echo 13 doesn’t skimp on power either — each port provides up to 7.5W, ensuring bus-powered devices will operate without fail.Thunderbolt Certified for Mac, Windows, ChromeBook, and iPad ProEcho 13 Thunderbolt 5 SSD Dock is certified for use with Apple® M series Mac computers; Thunderbolt 3 Intel® Mac computers; Thunderbolt 5 and most Thunderbolt 4 Windows computers; Thunderbolt 5 and 4 Chromebook computers; and M series iPad Pro tablets.Thunderbolt Port Connections – Connect Two 8K or Three 4K MonitorsDepending on your computer’s video capability, the Echo dock’s Thunderbolt ports can support one (always 4K, 5K or 6K) monitor, two 8K monitors, or up to three 4K monitors. You can plug in Thunderbolt 3, 4 and 5 or USB-C monitors directly. Or, you may connect other display types (HDMI, DisplayPort, etc.) by using a Thunderbolt-compatible adapter (solds separately).Charge Your Laptop Without Its Power AdapterConnected to your portable computer with the included Thunderbolt 5 cable, Echo 13 Thunderbolt 5 SSD Dock provides up to 140W of power (Power Delivery), meaning it can power and charge your computer while connected, even when not in use, allowing you to leave your computer’s power adapter packed away.Handy Charging PortsEcho 13 Thunderbolt 5 Dock front panel Thunderbolt 5 peripheral port provides 60W of power to quick charge your iPhone®, iPad®, or other device that charges via USB, even when your computer is off or sleeping. All three 10Gbps USB-A ports provide 7.5 watts of power for charging those devices, too.Connect. Secure• Connect - Thunderbolt 5 Cable IncludedSonnet includes a Thunderbolt cable with Echo 13 Thunderbolt 5 SSD Dock that supports Thunderbolt 5’s maximum bandwidth and power charging capability. This cable is compatible with all Thunderbolt 5, 4, 3, and USB4 computers.• Lock Your Dock - Kensington Security Lock ReadyWith up to 4TB of valuable data inside, you may want to secure the Echo dock with a Kensington Security Lock (sold separately).

Godox FLS10 Knowled 10inch Fresnel Lens

Godox GD-FLS10 (GD/FLS10, GD_FLS10, GDFLS10, GD FLS10) FLS10 Knowled 10inch Fresnel Lens The Godox FLS10 10" Optical Fresnel Lens Focusing Adapter Spotlight (sometimes known as a Flooter) enables you to focus and amplify the effective output of your lighting by up to 19 times. The beam angle of the FLS10 fresnel lens can be adjusted, allowing you to either produce a small pool of light or a wide flood of light, giving you access to a plethora of lighting options. The Godox FLS10 fresnel lens is also great for throwing light over greater distances, making it a perfect accessory for use in larger film and theatrical productions. There are also detachable barn doors available for it (sold separately), designed to control the spill and direction of the light, maximising light control. The FLS10 Fresnel lens is the perfect accessory for cinematographers, independent filmmakers, and theatrical productions that need their lighting to be able to travel over long distances. The Godox FLS10 10" Fresnel Lens Focusing Adapter Spotlight can also be used for still photography, especially for photographers working in commercial, advertising, and fashion photography.

Godox AT200BI Knowled Air Tube Light with CB98

Godox GD-AT200BI (GD/AT200BI, GD_AT200BI, GDAT200BI, GD AT200BI) AT200BI Knowled Air Tube Light with CB98 The Godox KNOWLED AT200Bi is an Innovative Low-profiled Foldable Air Tube Light that is all about achieving amazingly soft lighting in a portable form factor. Seamlessly combining a foldable LED light mat with an inflatable softbox, the Godox AT200Bi’s expansive light-emitting surface, ensures gentle, even, virtually shadowless illumination, making it the ideal soft light source for photographers, budding independent filmmakers, as well as veteran lighting gaffers and cinematographers. Featuring a wealth of features such as a CRI and TLCI of 96+, DMX512 control (and CRMX with the TimoLink RX Receiver - sold separately), and IP65 Weather-resistance, makes the Godox Knowled AD200Bi air tube light able to seamlessly integrate into a Broadcasting studio, professional filmmaker’s or cinematographer’s pipeline and workflow. A Convenient, Foldable Masterpiece. The main body of the AT200Bi is an LED light mat with a lightweight, foldable design. This makes it a highly portable LED light source. This allows it to seamlessly integrate and adapt to a wide range of shooting environments, unlocking limitless creative possibilities. Innovative, Modular Design. The AT200Bi bi-colour air tube light sports a modular design, allowing for the effortless separation of the air softbox from the LED main light mat. This unique feature enhances user convenience and ensures hassle-free maintenance. In cases where the air softbox gets damaged, it can be repaired or replaced independently of the main light mat, thus minimising additional expenses. Handheld or Suspended. The KNOWLED AT200Bi foldable air tube light features a lightweight body and built-in handles, enabling it to be handheld by a lighting assistant for shooting scenarios where using a traditional stand isn’t feasible or practical. It also featured a detachable stand mount, enabling it to be mounted C-Stand or a boom stand. IP65 Weather-Resistance. Boasting a weather-resistance of IP65, the KNOWLED AT200Bi light body is your ally in rain or shine. Envelop your creativity in its brilliance, even amid challenging outdoor environments.

Godox AM1600R-48K KNOWLED 1600W RGB 4X8 Inflatable Light

Godox GD-AM1600R-48K (GD/AM1600R-48K, GD/AM1600R/48K, GDAM1600R48K, GD AM1600R 48K) AM1600R-48K KNOWLED 1600W RGB 4X8 Inflatable Light The Godox KNOWLED AM1600R 48K 4'x8' 1600W Inflatable RGB LED Cine Light is a high-performance, weather-resistant lighting solution designed for professional film and television production. This powerful full-colour RGB LED mat panel delivers outstanding colour accuracy with a CRI of ≈96 and a TLCI of ≈95, ensuring true-to-life colour rendering on set. Lightweight and portable, its inflatable design makes it easy to set up in both studio environments and challenging outdoor locations. With an IP54 weatherproof rating, built to withstand demanding production conditions. The AM1600R supports industry-standard DMX512 and CRMX protocols as well as convenient wireless control via the Godox Light App using Bluetooth. Ideal for cinematographers, gaffers, and lighting technicians working on feature films, TV series, commercials, and broadcast productions, the Godox KNOWLED AM1600R combines flexibility, durability, and professional-grade performance in one innovative lighting tool. Large-Scale Cinematic Lighting Solution The AM1600R's 1600W of raw output produces soft, full-colour lighting with CCT, HSI, RGBW, GEL, and FX colour modes. Its Green/Magenta adjustment allows for exact tint calibration to match the ambient lighting of any shooting environment. Its large size, combined with its 4x8 diffuser, enables it to produce soft, smooth, evenly diffused lighting. Modular Design The KNOWLED AM1600R comes in two sizes: the 4'x8' model for increased brightness and an 8'x8' version that delivers softer light with broader coverage. Both variants share the same controller box, simplifying the process of assembling large light arrays. Its modular design features Velcro fasteners for quick panel swaps, while D-rings on the rear facilitate easy connection or extension of panels to accommodate various shooting needs. Resist Wear, Tear, and Scratches The KNOWLED AM1600R's inflatable butterfly frame uses advanced materials made with precision manufacturing to dramatically improve scratch and abrasion resistance, ensuring you get many years of use out of it. This helps tackle the common issue of air leaks and punctures due to damage that has occurred on set No Truss? No Hassle! Thanks to its robust durability and structural integrity, the AM1600R can be safely suspended without requiring truss supports or rigging. Simply connect the included pump to 8 Psi, and the light is ready for use in as little as three minutes. This makes it an excellent choice for shoots in locations where truss systems are impractical or unavailable. Lasts Up To 15 Days Without Re-Inflation The KNOWLED AM1600R has been engineered for superior airtightness, maintaining its form for up to 15 days without requiring re-inflation. This reliability eliminates the need for daily air top-ups, making it ideal for extended production schedules.

Godox C10R-K8 Knowled Smart Bulb RGBWW Creative Bulb 8 Light Kit

Godox GD-C10R-K8 (GD-C10R-K8, GD-C10R-K8, GD-C10R-K8, GD-C10R-K8) C10R-K8 Knowled Smart Bulb RGBWW Creative Bulb 8 Light Kit The Godox KNOWLED C10R K8 Eight-LED E27 Cinematic RGBWW Creative Light Bulb Kit is perfect for cinematographers, filmmakers and lighting gaffers that require a high CRI light bulb, for setting up practical set lighting that can complement their main lighting set-up, to add mood and ambience to their sets. It features an HSI mode, which enables you to adjust the hue and saturation of the light, giving you access to virtually any colour you can think of. It also has a CCT mode, enabling you to adjust the colour temperature of the light anywhere between 2500K and 5800K, enabling you to match the light to the colour temperature of your ambient lighting. It also has a CRI of 96+ and a TLCI of 97+, making the C10R RGBWW LED Light Bulb suitable for broadcast usage. The Godox C10R light bulb is a great tool for Cinematographers, independent filmmakers, and photographers to add a little spice to their projects. Your Practical Little Friend The C10R creative LED light bulb is perfect for practical set lighting. Its standard E27 Edison screw connection enables it to be easily screwed into virtually any light fixture used to dress your movie set, enabling you to control the mood and atmosphere, making your cinematography a more captivating experience for your audience.  Cinema-Grade  The KNOWLED C10R RGBWW creative light bulb has a high CRI rating of 96 and a TLCI rating of 97. This ensures that your colours are reproduced faithfully and accurately, bringing vividness and realism to your movie scenes without any flickering, elevating your work to a whole new level. Variable Colour Temperatures The KNOWLED C10R RGBWW creative bulb guarantees consistent light output regardless of its temperature or battery level. With its colour temperature ranging between 2000K and 10000K, combined with magenta-green adjustment, the bulb seamlessly blends with ambient lighting, enhancing your shots with visual interest. Flexible Power Options The Godox C10R creative light bulb can be powered by either AC or DC. As well as being powered by your traditional E27 Edison light sockets in various regions,  they can also be powered by external power banks using their USB Type-C interface.  On-Board Controls The KNOWLED C10R features on-board brightness and colour controls, enabling you to change the hue and the brightness, directly on the bulb itself.

Godox QT600IIIM Pro High-Speed Studio Flash Head with LED Modelling Lamp

Godox GD-QT600IIIM (GD-QT600IIIM, GD-QT600IIIM, GD-QT600IIIM, GD-QT600IIIM) QT600IIIM Pro High-Speed Studio Flash Head with LED Modelling Lamp The GODOX QT600III is a 600Ws High-Speed Super-Fast Studio Flash Head in Photography that uses Insulated-Gate Bipolar Transistor (IGBT) technology to achieve extremely short flash durations of up to 1/26,100 of a second, as well as ultra-fast recycle times enabling you to shoot at up to 20 Frames Per Second. This allows you to capture perfectly sharp images of fast-moving subjects such as dancers, sports personalities and even water splashes with the greatest ease. It also features a Bright Built-in 40W LED modelling lamp, enabling you to easily preview your lighting better than ever before. Featuring a built-in 2.4GHz receiver and a variety of different flash modes, including High-Speed Sync (HSS), Rear-Curtain Sync and Multi-Flash mode. It is perfect for people who shoot Sports, Action, Dance, Fashion, Food, Product and Advertising photography. It is especially good for photographing children. Capture Motion Like Never Before The QT600III studio flash head utilises Insulated-Gate Bipolar Transistor Technology (IGBT) to enable it to produce a super-fast flash duration of up to 1/26,100 of a second (T0.1), enabling you to perfectly freeze fast-moving subjects with perfect sharpness. Great for photographing water splashes, powder and more. Phenomenal Speed The QT600III studio flash head features super-fast recycling times, enabling you to shoot at rates of up to 20 frames per second, ensuring that you will never miss the perfect shot. Ideal for photographing dancers and sports personalities. Stroboscopic Flash Mode The Stroboscopic flash feature enables you to capture motion in a unique way. It works by firing multiple flash bursts in rapid succession. When combined with a slow shutter speed, it enables you to capture amazing images of your subject in motion in a single exposure, as shown in the image below. High-Speed Sync Mode The Godox QT600III powerful flash head features a High-Speed Sync (HSS) mode, which enables you to synchronise your flash at higher shutter speeds than what is normally possible (up to 1/8000 of a second). This mode is useful for times when you would like to shoot at wider apertures, or if you need a faster shutter speed to kill any excess ambient light in your scene. Rear-Curtain Sync The Godox QT600III studio flash head features Rear-Curtain Sync, which enables you to capture stunning motion-trail effects when paired with slow shutter speeds. This mode causes the flash to fire at the end of the exposure, as opposed to the start, producing natural-looking motion blur effects that appear behind your subject. With standard front-curtain Sync, the motion-blur effect appears in front of your subject, which can look a little strange in your final image. Stable-Colour Mode The Godox QT600III flash head light features a Stable-Colour Mode to ensure that you get as little colour-temperature variation between different flash powers. This is especially useful when shooting colour-critical work such as for Advertising, Fashion Lookbooks, and Product Catalogues, etc. LED Modelling Lamp The QT600III powerful studio flash head now features a built-in 40W LED Modelling lamp (which is approximately 1.3 stops brighter than the older 150W halogen modelling bulbs). LED modelling lamps are brighter, run cooler and are more energy-efficient than traditional Halogen lamps. They also have a considerably longer lifespan. This makes the QT600III safe to use with modifiers that enclose the bulb, such as snoots, without you having to worry about the modifier becoming too hot to handle. Power and Precision at Your Command The QT600III photography flash headlight features an improved 9-stop power range, enabling you to adjust the power anywhere between full and 1/256 power in increments of 1/10 of a stop. Whether you want an intense burst of light for use as a main light or a subtle kiss of light, the QT600III is guaranteed to deliver.

Godox QT400IIIM Pro High-Speed Studio Flash Head with LED Modelling Lamp

Godox GD-QT400IIIM (GD/QT400IIIM, GD_QT400IIIM, GDQT400IIIM, GD QT400IIIM) QT400IIIM Pro High-Speed Studio Flash Head with LED Modelling Lamp The Godox QT400IIIM is a 400Ws Professional High-Speed Sync Studio Flash Strobe Light that uses Insulated-Gate Bipolar Transistor (IGBT) technology to achieve extremely short flash durations of up to 1/29,600 of a second, as well as ultra-fast recycle times, enabling you to shoot at up to 20 frames per second. This allows you to capture perfectly sharp images of fast-moving subjects such as dancers, sports personalities, and even water splashes with the greatest ease. It also features a bright, built-in 40W LED modelling lamp, enabling you to easily preview your lighting better than ever before. It features a built-in 2.4GHz receiver and a variety of different flash modes, including high-speed sync (HSS), rear-curtain sync and multi-flash mode. It is perfect for people who shoot sports, action, dance, fashion, food, product, and advertising photography. The Godox QT400IIIM uses Insulated-Gate Bipolar Transistor Technology (IGBT) to deliver ultra-fast flash durations up to 1/29,600 of a second (T0.1), ideal for freezing motion like water splashes or powder with sharp detail. Phenomenal Speed The QT400IIIM features super-fast recycling times, enabling you to shoot at rates of up to 20 frames per second, ensuring that you will never miss the perfect shot. Ideal for photographing dancers and sports personalities. Stroboscopic Flash Mode The Stroboscopic Flash feature enables you to capture motion creatively by firing multiple flashes in rapid succession. When combined with a slow shutter speed, it enables you to capture amazing images of your subject in motion in a single exposure, as shown in the image below. High-Speed Sync Mode The Godox QT400IIIM studio strobe light features High-Speed Sync (HSS), allowing flash use at shutter speeds up to 1/8000 of a second. This mode is useful for times when you would like to shoot at wider apertures or if you need a faster shutter speed to kill any excess ambient light in your scene. Rear-Curtain Sync The Godox QT400IIIM features Rear-Curtain Sync, which enables you to capture stunning motion-trail effects when paired with slow shutter speeds. This mode causes the flash to fire at the end of the exposure, as opposed to the start, producing natural-looking motion blur effects that appear behind your subject. With standard front-curtain sync, the motion-blur effect appears in front of your subject, which can look a little strange in your final image. Stable-Colour Mode The QT400IIIM flash strobe light includes a stable-colour mode, minimising colour temperature shifts across different power levels—ideal for colour-critical work like advertising, fashion lookbooks, and product catalogues. LED Modelling Lamp The Godox QT400IIIM high-speed sync flash now features a built-in 40W LED modelling lamp (which is approximately 1.3 stops brighter than the older 150W halogen modelling bulbs). LED modelling lamps are brighter, run cooler, and are more energy-efficient than traditional halogen lamps. They also have a considerably longer lifespan. This makes the QT400IIIM safe to use with modifiers that enclose the bulb, such as snoots, without you having to worry about the modifier becoming too hot to handle.

Godox QT1200IIIM Pro High-Speed Studio Flash Head with LED Modelling Lamp

Godox GD-QT1200IIIM (GD/QT1200IIIM, GD_QT1200IIIM, GDQT1200IIIM, GD QT1200IIIM) QT1200IIIM Pro High-Speed Studio Flash Head with LED Modelling Lamp The Godox QT1200III is a 1200Ws High-Speed Super-Fast Studio Powerful Stroboscopic Flash Head that uses Insulated-Gate Bipolar Transistor (IGBT) technology to achieve extremely short flash durations of up to 1/26,100 of a second, as well as ultra-fast recycle times enabling you to shoot at up to 20 Frames Per Second. This allows you to capture perfectly sharp images of fast-moving subjects such as dancers, sports personalities and even water splashes with the greatest ease. It also features a Bright Built-in 40W LED modelling lamp, enabling you to easily preview your lighting better than ever before. It features a built-in 2.4GHz receiver and a variety of different flash modes, including High-Speed Sync (HSS) Rear-Curtain Sync and Multi-Flash mode. it is perfect for people who shoot Sports, Action, Dance, Fashion, product, and Advertising photography. It is especially good for photographing children. Capture Motion Like Never Before - Super Fast Flash Head  The QT1200III Flash Head utilises Insulated-Gate Bipolar Transistor Technology (IGBT) to enable it to produce super-fast flash durations of up to 1/26,100 of a second (T0.1), enabling you to perfectly freeze fast-moving subjects with perfect sharpness. Great for photographing water splashes, powder and more. Phenomenal Speed The QT1200III Flash Head features super-fast recycling times, enabling you to shoot at rates of up to 20 frames per second, ensuring that you will never miss the perfect shot. Ideal for photographing dancers and sports personalities. Stroboscopic Flash Mode The Stroboscopic Flash feature enables you to capture motion in a unique way. It works by firing multiple flash bursts in rapid succession. When combined with a slow shutter speed, it enables you to capture amazing images of your subject in motion in a single exposure, as shown in the image below. High-Speed Sync Mode The Godox QT1200III Flash Head features a High-Speed Sync (HSS) mode, which enables you to synchronise your flash at higher shutter speeds than what is normally possible (up to 1/8000 of a second). This mode is useful for times when you would like to shoot at wider apertures, or if you need a faster shutter speed to kill any excess ambient light in your scene. Rear-Curtain Sync The Godox QT1200III features a Rear-Curtain Sync, which enables you to capture stunning motion-trail effects when paired with slow shutter speeds. This mode causes the flash to fire at the end of the exposure, as opposed to the start, producing natural-looking motion blur effects, that appear behind your subject. With standard front-curtain Sync, the motion-blur effect appears in front of your subject, which can look a little strange in your final image. Stable-Colour Mode The Pixapro QT1200III Flash Head features a Stable-Colour Mode to ensure that you get as little colour-temperature variation between different flash powers. This is especially useful when shooting colour-critical work such as for Advertising, Fashion Lookbooks, and Product Catalogues, etc. QT1200III Flash Head with LED Modelling Lamp The QT1200III now features a built-in 40W LED Modelling lamp, (which is approximately 1.3-stops brighter than the older 150W halogen modelling bulbs). LED modelling lamps are brighter, run cooler and are more energy-efficient than traditional Halogen lamps. They also have a considerably longer lifespan. This makes the QT1200III safe to use with modifiers that enclose the bulb, such as snoots, without you having to worry about the modifier becoming too hot to handle. Power and Precision at Your Command The QT1200III features an improved 9-Stop power range, enabling you to adjust the power anywhere between full and 1/256 power in increments of 1/10 of a stop. Whether you want an intense burst of light for use as a main light or a subtle kiss of light, the QT1200III is guaranteed to deliver.  

Godox S60BI 60W Focusable Dimmable LED Light

Godox GD-S60BI (GD-S60BI, GD-S60BI, GD-S60BI, GD-S60BI) S60BI 60W Focusable Dimmable LED Light The GODOX S60Bi Focusing LED Light is a 60W 2800K ~6500K Bi-Colour light source that gives you the ability to continuously vary the beam angle anywhere between 6° and 55°. You can get the ideal spotlight size by adjusting the rotary knob on the back. This enables you to either throw the light over a greater distance or flood an area with light. This compact, lightweight LED light features an optical lens system that projects a silky-smooth graduated ball of light, ideal for use as a spotlight or for highlighting specific parts of the scene. The S60Bi LED spotlight is perfect for Cinematographers, Lighting Directors, as well as Photographers who want to emphasise specific parts of the scene or to add mood to their imagery. Unprecedented Control and Precision The beam angle of the S60Bi focusing LED light features a dial at the side of the light, which enables you to adjust the beam angle of your light anywhere between 6° and 55°. This enables you to change the look and feel of the lighting, without necessarily having to change the modifier or light fixture. Impeccable Colour Accuracy The Godox S60Bi LED spotlight features excellent colour rendition capabilities. With a Colour Rendition Index (CRI) of 96, you can rest assured that colours will be accurately replicated in your video footage or photographs. With a Television Lighting Consistency Index (TLCI) of 97, the S60Bi is suitable for television production and broadcast use. Silent Mode The S60Bi focusing LED light has a Silent mode, which is ideal for situations where fan noise can be problematic, such as when shooting video interviews. This will save you lots of time in post since you would not have to worry about having to remove fan noise. 8 Lighting Effect Pre-Sets The Godox S60Bi LED spotlight features an array of 8 different lighting effects, which enable you to easily replicate the various types of lighting scenarios, such as flashes, storms, TV sets, broken bulbs, etc., ideal for theatrical productions and cinematography. Multiple Control Options The S60Bi focusable LED light can be controlled in one of three different ways. You can control the S60Bi directly using the control panel on the light itself, you can use the 2.4GHz Wireless Remote control (Available Separately), or via Bluetooth using a GODOX Light smartphone app. DMX Support The S60Bi supports DMX control, which enables you to control a single unit or multiple units from a DMX control console. This makes the Godox S60Bi focusing LED light ideal for larger video productions, broadcasting or theatrical performances. Power it Anywhere The S60Bi LED spotlight features a separate controller box with a built-in V-Mount battery plate, which enables you to power the S60Bi via a V-Mount battery (sold separately), enabling it to be powered away from mains power. Plethora of Accessories The S60Bi focusing LED light has a plethora of different accessories available for it, to further increase its functionality. These accessories include a projection attachment, Gobos, shutter-blades and an Iris Diaphragm to enable you to project, control and shape the light. There are also scrims available to either partially or fully control the intensity of light.

Godox S60 LED Focusing Light

Godox GD-S60 (GD/S60, GD_S60, GDS60, GDS60) S60 LED Focusing Light The Godox S60 Focusing LED Light is a 60W 5600K Daylight-Balanced light source designed for photography that gives you the ability to continuously vary the beam angle anywhere between 6° and 55°. This enables you to either throw the light over a greater distance or to flood an area with light. This compact, lightweight LED light features an optical lens system that projects a silky-smooth graduated ball of light, ideal for use as a spotlight or for highlighting specific parts of the scene. Perfect for Cinematographers, as well as Photographers who want to emphasise particular parts of the scene or add mood to their imagery. Unprecedented Control and Precision The beam angle of the S60 features a dial at the side of the light to adjust the beam angle of your light anywhere between 6° and 55°. This enables you to change the look and feel of the lighting without having to change the modifier or light fixture. Impeccable Colour Accuracy With a Colour Rendition Index (CRI) of 96, you can rest assured that colours will be accurately replicated in your video footage or photographs. With a Television Lighting Consistency Index (TLCI) of 97, the Godox S60 is suitable for television production and broadcast use. Silent Mode Silent mode is ideal for situations where fan noise can be problematic, such as when shooting video interviews, to save you lots of time in post-production. 8 Lighting Effect Pre-Sets 8 different lighting effects to easily replicate the various types of lighting scenarios, such as flashes, storms, TV sets, broken bulbs, etc., ideal for theatrical productions and cinematography. Multiple Control Options The Godox S60 focusable LED light can be controlled in one of three different ways. Directly using the control panel, using the 2.4GHz Wireless Remote control (Available Separately), or via Bluetooth using a GODOX Light smartphone app. DMX Support DMX control allows you to control a single unit or multiple units from a DMX control console. This makes the Godox S60 LED light ideal for various types of photography, larger video productions, broadcasting, or theatrical performances. Power it Anywhere Separate controller box, with a built-in V-Mount battery plate to power the S60 LED Lighting In Photography via a V-Mount battery (sold separately) away from mains power.  Plethora of Accessories The S60 focusing LED light has a plethora of different accessories available for it to further increase its functionality. These accessories include a projection attachment, Gobos, shutter blades, and an Iris Diaphragm to enable you to project, control and shape the light. There are also scrims available to either partially or fully control the intensity of light.  

Godox S30 Focusing LED Light

Godox GD-S30 (GD/S30, GD_S30, GDS30, GD S30) S30 Focusing LED Light The Godox S30 LED Focus Light is a 30W 5600K Daylight-Balanced light source that gives you the ability to continuously vary the beam angle anywhere between 6° and 55°. This enables you to either throw the light over a greater distance or to flood an area with light. This compact, lightweight LED light features an optical lens system that projects a silky-smooth graduated ball of light, ideal for use as a spotlight or for highlighting specific parts of the scene. The S30 Focusable LED Light is perfect for Cinematographers, as well as Photographers who want to emphasise specific parts of the scene or to add mood to their imagery.  Daylight Balanced  The S30 Focusable LED Light is a daylight-balanced light at 5600K and has a brightness of 12,000 Lux @1m (when zoomed to 6°) to 2,600 Lux @1m (when zoomed out to 55°). Impeccable Colour Accuracy S30 has a CRI (Colour-Rendering Index) rating of 96 for accurate colour reproduction. The Godox S30 LED Light also has a TLCI (Television Lighting Consistency Index) rating of 97 for impeccable colour consistency. It makes it suitable for professional broadcast use, as well as for cinematography and smaller productions. Multiple Light control options The S30 30W LED Focus Light has a variety of ways to control the light. It can be dimmed with a power range of 10% up to 100% power. The Beam angle can be zoomed in and out anywhere between 6° and 55° to produce Silky-Smooth Graduated Zoomable lighting. The Light from the S30 can be controlled by using the included set of 8-Way Barn-Doors to flag the light. So it doesn’t hit parts of the scene you don’t want it to.

Godox TL60-K2 RGB LED Tube Twin Kit with CB39

Godox GD-TL60-K2 (GD/TL60-K2, GD/TL60/K2, GD TL60 K2, GD_TL60_K2) TL60-K2 RGB LED Tube Twin Kit with CB39 The Godox TL60-K2 is a Multifunctional Bi-colour RGB LED Tube Strip Light Twin Kit, which enables you to choose between 36,000 colours, to help enhance the mood of your footage or photography. With their Multiple colour modes and lighting effects, the creative possibilities are only limited by your imagination. With a CRI rating of 96 and a TLCI of 98, the Godox TL60-K2 RGB LED light is suitable for professional broadcast use, as well as for hobbyist filmmakers or photographers. The Godox TL60 LED tube strip light is ideal for Television production and filmmaking, as well as for portrait, fashion, and product photography. No Need for Coloured Gels Since the Godox TL60 is an RGB LED light, you can select between 36,000 hues and shades, enabling you to change the colour of the light to virtually any colour you can dream of, to help set the mood of your film or photo. The TL60 LED tube light also features 40 built-in Lee and Rosco Gel filters pre-set to select between, enabling you to precisely replicate specific colours in the Rosco or Lee gel filter range. Bi-Colour Feature The Colour Temperature of the TL60 LED tube strip light can be adjusted anywhere between 2700K and 6500K. This enables you to match the colour temperature of the Godox TL60, with the colour temperature of the ambient lighting in your shooting environment, so you do not get undesirable mixed lighting in your scene. Impeccable Colour Accuracy The TL60 handheld tube light features excellent colour rendition capabilities. With a Colour Rendition Index (CRI) of 96, you can rest assured that colours will be accurately replicated in your video footage or photographs. With a Television Lighting Consistency Index (TLCI) of 98, the Godox TL60 tube lights are suitable for television production and broadcast use. 39 Lighting Effect Pre-Sets The TL60 RGB tube strip light features an array of 39 different lighting effects, which enable you to easily replicate various lighting scenarios, such as Police car lights, Fire, Candlelight, Lightning, TV sets, Fireworks, plus many more. Multiple Control Options The Godox TL60 can be controlled in one of three different ways. You can control the TL60 tube light directly using the control panel on the light itself, you can use the 2.4GHz Wireless Remote control (Available Separately), or via Bluetooth using the GODOX Light smartphone app. DMX Support The TL60 LED tube strip light supports DMX control, which enables you to control a single unit or multiple units from a DMX control console. This makes it ideal for larger video productions and for broadcasting. Built-In Rechargeable Battery The TL60 RGB tube strip light features a built-in 14.4V/2600mAh Lithium battery with a runtime of approximately 2 hours on full power, great for extended shoots. The Godox TL60 also comes with a mains power adapter, which enables it to be plugged in for continuous usage. The Godox TL60 RGB LED tube strip light twin kit, an essential addition to the RGB Tube light kit for both budding and professional filmmakers and photographers.

Godox TL30-K4 RGB Tube Quad Kit with CB22

Godox GD-TL30-K4 (GD-TL30-K4, GD-TL30-K4, GD-TL30-K4, GD-TL30-K4) TL30-K4 RGB Tube Quad Kit with CB22 The Godox TL30-K4 Bi-Colour RGB Tube Light Powered Quad Kit, consists of four super-lightweight and compact RGB LED light tubes, which enable you to select between 36,000 colours. The TL30 RGB LED Tube also has a Bi-Colour feature, allowing you to adjust the colour temperature anywhere between 2700K and 6500K. This enables you to match the TL30s with the colour temperature of the ambient lighting in your shooting environment. With multiple colour modes and lighting effects, the creative possibilities are virtually endless. With a CRI rating of 97 and a TLCI of 99, the TL30-K4 LED tube lights are suitable for professional broadcast use, as well as for hobbyist filmmakers or photographers. The TL30-K4 RGB LED tube light kit is ideal for Television production and filmmaking, as well as for portrait, fashion, and product photography.  No Need for Coloured Gels Since the Godox TL30-K4 is an RGB LED light, you can select between 36,000 hues and shades, enabling you to change the colour of the light to virtually any colour you can dream of, to help set the mood of your film or photo. Bi-Colour Feature The Colour Temperature of the TL30-K4 RGB tube light can be adjusted anywhere between 2700K and 6500K. This enables you to match the colour temperature of the TL30-K4 with the colour temperature of the ambient lighting in your shooting environment, so you do not get undesirable mixed lighting in your scene. Impeccable Colour Accuracy With a Colour Rendition Index (CRI) of 97, you can rest assured that colours will be accurately reproduced in your video footage or photographs. Its Television Lighting Consistency Index (TLCI) of 99 also makes it suitable for broadcast use. Ideal for Television and Movie productions The TL30-K2 RGB pavotube light has multiple mounting options to choose from. It features built-in magnets, which allow it to be securely attached to a metal surface to open up a whole new world of light placement possibilities. Each end of the lighting unit also features a standard ¼-inch screw thread, enabling it to be mounted to a light stand, boom, tripod, etc. Mount Virtually Anywhere The TL30-K4 RGB tube light has multiple mounting options to choose from. It features built-in magnets, which allow it to be securely attached to a metal surface to open up a whole new world of light placement possibilities. Each end of the lighting unit also features a standard ¼-inch screw thread, enabling it to be mounted to a light stand, boom, tripod, etc. Compact Design The TL30-K4 pavo LED light has an incredibly compact design. Weighing in at approximately 300g and measuring a mere 30cm in length, the Godox TL30 is perfect for being placed in discreet areas, making sure your subject receives perfect light coverage. Light App Compatibility The Godox TL30-K4 features Bluetooth connectivity, enabling it to be controlled using the Godox Light smartphone app, at ranges of up to approximately 30m. Perfect for remotely controlling single or multiple lights. Built-In Rechargeable Battery The TL30 pavo tube light features a built-in 3.6V/2900mAh Lithium battery with a runtime of approximately 1 hour on full power, great for extended shoots.

Godox TL30-K2 RGB Tube Twin Kit with CB23

Godox GD-TL30-K2 (GD/TL30-K2, GD/TL30/K2, GDTL30K2, GD TL30 K2) TL30-K2 RGB Tube Twin Kit with CB23 The Godox TL30-K2 RGB Pavotube Light Twin Set consists of two super-lightweight and compact RGB LED light tubes, which enable you to select between 36,000 colours. The TL30-K2 also has a Bi-Colour feature, allowing you to adjust the colour temperature anywhere between 2700k K and 6500K. This enables you to match the TL30-K2 with the colour temperature of the ambient lighting in your shooting environment. With multiple colour modes and lighting effects, the creative possibilities are virtually endless. With a CRI rating of 97 and a TLCI of 99, the TL30-K2 are suitable for professional broadcast use, as well as for hobbyist filmmakers or photographers. The TL30-K2 pavotube light is ideal for Television production and filmmaking, as well as for portrait, fashion, and product photography.  No Need for Coloured Gels Since the TL30-K2 is an RGB LED light, you can select between 36,000 hues and shades, enabling you to change the colour of the light to virtually any colour you can dream of, to help set the mood of your film or photo. Bi-Colour Feature The Colour Temperature of the TL30-K2 RGB Pavotube Light can be adjusted anywhere between 2700K and 6500K. This enables you to match the colour temperature of the TL30-K2 with the colour temperature of the ambient lighting in your shooting environment, so you do not get undesirable mixed lighting in your scene. Impeccable Colour Accuracy With a Colour Rendition Index (CRI) of 97, you can rest assured that colours will be accurately reproduced in your video footage or photographs. Its Television Lighting Consistency Index (TLCI) of 99 also makes it suitable for broadcast use. Ideal for Television and Movie productions Mount Virtually Anywhere The TL30-K2 RGB pavotube light has multiple mounting options to choose from. It features built-in magnets, which allow it to be securely attached to a metal surface to open up a whole new world of light placement possibilities. Each end of the lighting unit also features a standard ¼-inch screw thread, enabling it to be mounted to a light stand, boom, tripod, etc. Compact Design The TL30-K2 pavotube light has an incredibly compact design. Weighing in at approximately 300g and measuring a mere 30cm in length, the Godox TL30-K2 RGB tube light is perfect for being placed in discreet areas, making sure your subject receives perfect light coverage. Light App Compatibility The Godox TL30-K2 RGB tube light features Bluetooth connectivity, enabling it to be controlled using the Godox Light smartphone app,  at ranges of up to approximately 30m. Perfect for remotely controlling single or multiple lights. Built-In Rechargeable Battery The Godox TL30-K2 features a built-in 3.6V/2900mAh Lithium battery with a runtime of approximately 1 hour on full power, great for extended shoots.

Godox V1S Sony Round Flash Kit

Godox GD-V1S (GD/V1S, GD_V1S, GDV1S, GD V1S) V1S Sony Round Flash Kit The Godox V1 is a Revolutionary TTL Round Head Flash Light. V1’s round flash head enables it to produce smooth-gradated lighting, with natural-looking fall-off, and more pleasing results. The Godox V1 Speedlite also features a magnetic modifier mount, enabling it to be used with a plethora of magnetic modifiers available for it. Powered by a High-Capacity 7.2V/2600mAh Rechargeable Lithium-ion Battery, and featuring TTL and High-Speed Sync, Stroboscopic Multi-Flash, and a built-in 2.4GHz flash receiver, the Godox V1 Round-Head Flash Light is perfect for shooting weddings, portraits, events, fashion, sports, fitness, and advertising. TTL Flash Light The V1 TTL Round-Head Flash Light produces smooth-gradated lighting, with natural fall-off, as opposed to the harsh lighting produced by traditional rectangular speedlites. This makes the Godox V1 Speedlite perfect for events, weddings, and portraits. Magnetic Modifier Mount The V1 Round Head Flash features a magnetic accessory mount, enabling it to use a variety of different modifiers, such as the ones included in the Godox AK-R1 Accessory Kit (sold separately). This kit includes a Diffuser Dome, Fresnel Lens, Bounce Card, Barn-doors, etc., for added versatility Pre-Visualisation Made Easy The Godox V1 Speedlite features a built-in 2W SMD LED modelling lamp with ten levels of brightness. This enables you to pre-visualise your shot before you take it. It can also be used to assist focus in dark situations. Incredible Zoom Range The V1 TTL Flash Light has a zoom range of between 28mm and 105mm. It can either be set to automatically zoom with your lens (if used on-camera), or it can be set manually, giving you maximum creative control of the beam angle. Super Flexible The V1 Round-Head Flash Light can be tilted anywhere between -7° and 120° on the vertical axis, and between 0 and 330° on the horizontal axis, enabling it to be pointed in virtually any direction that you require. Rechargeable Battery The Godox V1 comes with a 7.2V/2600mAh rechargeable lithium-ion battery, capable of producing approximately 480 full-powered shots per charge. Hot-Shoe Lock The Godox V1 features the more modern switch-lock style hot-shoe mounting mechanism, as opposed to the older screw lock, making mounting the Li-ion580 III TTL Speedlite faster and more secure than ever before.  

Godox WT40R RGBWW Dive Light

Godox GD-WT40R (GD/WT40R, GD_WT40R, GDWT40R, GD WT40R) WT40R RGBWW Dive Light The Godox WT25R is an IP68 RGBWW Waterproof LED Dive Light suitable for use at Depths of down to 40m. This makes it perfect for Underwater Photography or Filmmaking, SCUBA and Free-Diving, and Snorkelling content creation. The WT25R is an RGBWW LED Light, which means you have access to thousands of light colours without the need for coloured gels. It also has a wide variable colour temperature range of 1,800K and 10,000K, allowing you to match the colour temperature of the ambient lighting in your shooting environment. With a CRI and TLCI rating of 96 and 37, built-in Lighting Effect Presets, the Godox WT25R is perfect for filming aquatic or marine wildlife documentaries, or video or photography sessions at the pool. They can also be used as an emergency backup light for divers Explore the Majesty of the Depths The Godox WT25R LED dive lights have a waterproof rating of IP68, allowing them to be used at depths of 40m. This makes the WT-Series Dive lights suitable for use in the open ocean, in a lake, in a swimming pool, or out in the rain. Perfect for taking underwater photography or filmmaking (such as shooting aquatic/marine wildlife documentaries), SCUBA and Free-Diving, and snorkelling content creation. They can also be used as an emergency backup light for divers.  Beautifully Dreamy Marine Lighting Create breathtaking underwater images with a mysterious fantasy atmosphere with ease, using the WT25R series LED dive lights. Each light produces beautifully soft, even lighting across the light tube. Thousands of Colours at your Finger Tips With the WT25R LED dive lights, you have access to thousands of light colours, all from the press of a few buttons. It has HSI, RGBWW and Gel modes, which simulate real-world coloured gels available on the market. This enables you to create to your heart's content, with virtually no limitations.  Wide Colour Temperature Range The WT25R series LED dive lights feature a CCT mode, enabling you to adjust the colour temperature of the light anywhere between 1800K and 10,000K. Perfect for either matching the colour temperature of the ambient light or for creative, cinematic effects. Illuminated Buttons The Godox WT25R LED dive video light features back-lit buttons, making it easier to see what you’re doing when you are down in the dark depths of the ocean. Impeccable Colour Accuracy With a Colour Rendition Index (CRI) of 96, you can rest assured that colours will be accurately replicated in your video footage or photographs. With a Television Lighting Consistency Index (TLCI) of 98, the WT25R LED dive video light is suitable for television production and broadcast use.  37 Effect Pre-Sets The WT25R series dive lights feature 37 built-in lighting effects, which can be used to simulate various cinematic lighting effects, all of which (except for one) have three modes. These lighting effects include Lightning, fireworks, Candles, Fire, a broken bulb, TV, police cars, parties, fireworks, etc. Wireless Control at Your Fingertips The WT25R LED dive video lights can be controlled via the Godox smartphone app, which enables you to remotely adjust the brightness and colour temperature of the light or use one of its many lighting effects ( the Bluetooth can only be used above water). Every Second Counts The WT25R LED dive video light features a built-in rechargeable lithium battery, giving you approximately 2 hours of run time underwater and 10 hours of run time above water at full brightness. This enables you to keep creating, without having to worry about being left in the dark abyss.

Godox WT25R RGBWW Waterproof Dive Light

Godox GD-WT25R (GD/WT25R, GD_WT25R, GDWT25R, GD WT25R) WT25R RGBWW Waterproof Dive Light The Godox WT25R is an IP68 RGBWW Waterproof LED Dive Light suitable for use at Depths of down to 40m. This makes it perfect for Underwater Photography or Filmmaking, SCUBA and Free-Diving, and Snorkelling content creation. The WT25R is an RGBWW LED Light, which means you have access to thousands of light colours without the need for coloured gels. It also has a wide variable colour temperature range of 1,800K and 10,000K, allowing you to match the colour temperature of the ambient lighting in your shooting environment. With a CRI and TLCI rating of 96 and 37, built-in Lighting Effect Presets, the Godox WT25R is perfect for filming aquatic or marine wildlife documentaries, or video or photography sessions at the pool. They can also be used as an emergency backup light for divers Explore the Majesty of the Depths The Godox WT25R LED dive lights have a waterproof rating of IP68, allowing them to be used at depths of 40m. This makes the WT-Series Dive lights suitable for use in the open ocean, in a lake, in a swimming pool, or out in the rain. Perfect for taking underwater photography or filmmaking (such as shooting aquatic/marine wildlife documentaries), SCUBA and Free-Diving, and snorkelling content creation. They can also be used as an emergency backup light for divers.  Beautifully Dreamy Marine Lighting Create breathtaking underwater images with a mysterious fantasy atmosphere with ease, using the WT25R series LED dive lights. Each light produces beautifully soft, even lighting across the light tube. Thousands of Colours at your Finger Tips With the WT25R LED dive lights, you have access to thousands of light colours, all from the press of a few buttons. It has HSI, RGBWW and Gel modes, which simulate real-world coloured gels available on the market. This enables you to create to your heart's content, with virtually no limitations.  Wide Colour Temperature Range The WT25R series LED dive lights feature a CCT mode, enabling you to adjust the colour temperature of the light anywhere between 1800K and 10,000K. Perfect for either matching the colour temperature of the ambient light or for creative, cinematic effects. Illuminated Buttons The Godox WT25R LED dive video light features back-lit buttons, making it easier to see what you’re doing when you are down in the dark depths of the ocean. Impeccable Colour Accuracy With a Colour Rendition Index (CRI) of 96, you can rest assured that colours will be accurately replicated in your video footage or photographs. With a Television Lighting Consistency Index (TLCI) of 98, the WT25R LED dive video light is suitable for television production and broadcast use.  37 Effect Pre-Sets The WT25R series dive lights feature 37 built-in lighting effects, which can be used to simulate various cinematic lighting effects, all of which (except for one) have three modes. These lighting effects include Lightning, fireworks, Candles, Fire, a broken bulb, TV, police cars, parties, fireworks, etc. Wireless Control at Your Fingertips The WT25R LED dive video lights can be controlled via the Godox smartphone app, which enables you to remotely adjust the brightness and colour temperature of the light or use one of its many lighting effects ( the Bluetooth can only be used above water). Every Second Counts The WT25R LED dive video light features a built-in rechargeable lithium battery, giving you approximately 2 hours of run time underwater and 10 hours of run time above water at full brightness. This enables you to keep creating, without having to worry about being left in the dark abyss.

Godox VSA-36K 36° Projection Lens Attachment Complete Kit

Godox GD-VSA-36K (GD/VSA-36K, GD/VSA/36K, GDVSA36K, GD VSA 36K) VSA-36K 36° Projection Lens Attachment Complete Kit The Godox VSA Series Spotlight Attachment Kit (19K/26K/36K) has been put together to give Filmmakers, Cinematographers and Theatrical Productions a powerful tool for producing creative and cinematic lighting effects to add mood and depth to their productions. With a selection of three interchangeable lens optics designed with sheer precision, the Godox VSA spotlight attachment series ensures you get a super-crisp beam with little to no aberrations, for unrivalled clarity. With the option of being used in conjunction with Coloured Gels (available separately) and Gobos, the possibilities are only limited by your imagination. Robust Build-Quality  The Godox VSA spotlight attachment series features a durable die-cast aluminium alloy body mounted to a dependable yoke bracket, enabling it to be mounted to a C-Stand, Combo Stands, or even mounted overhead on a ceiling truss system. Its robust build and design will give you the confidence and reassurance of long-lasting accuracy and versatility. Precision Optics The VSA spotlight attachment series uses the finest in high-quality optics. Made from specially coated glass, designed to eliminate chromatic aberration. This enables the Godox VSA series to produce amazingly crisp projections without affecting the colour temperature of the light. Interchangeable Lens Optics There are three optional lens optics available for the Godox VSA spotlight attachment system. These optics include a 19°, a 26°, and a 36°, giving you access to projections with varying beam angles and light coverage areas. Great for getting your creative juices flowing, whilst maintaining the highest in light transmission efficiency. Built-in Shutter Blades The VSA spotlight attachment series features built-in shutter blades, enabling you to shape and control the light with or without gobos. Ideal for highlighting labels in product photography, or for creative lighting effects. Comes with Three GOBOs The VSA Spotlight series ships with a set of three laser-cut metal gobos, which enable you to project various shapes and patterns onto your background or subject. This enables you to add creative and cinematic effects to your productions, to elevate them to the next level. You can also purchase additional Gobos separately. Bowens S-Type Fitting The Godox VSA spotlight attachments series comes equipped with the popular Bowens S-Type mount, enabling it to be used with a wide range of studio lights. This opens up a whole new world of creative possibilities. For the best user experience, we recommend using it in conjunction with an LED light, no greater than 300W in power.

Godox VSA-26K 26° Projection Lens Attachment Complete Kit

Godox GD-VSA-26K (GD/VSA-26K, GD/VSA/26K, GD VSA 26K, GDVSA26K) VSA-26K 26° Projection Lens Attachment Complete Kit The Godox VSA Series Spotlight Attachment Kit (19K/26K/36K) has been put together to give Filmmakers, Cinematographers and Theatrical Productions a powerful tool for producing creative and cinematic lighting effects to add mood and depth to their productions. With a selection of three interchangeable lens optics designed with sheer precision, the Godox VSA spotlight attachment series ensures you get a super-crisp beam with little to no aberrations, for unrivalled clarity. With the option of being used in conjunction with Coloured Gels (available separately) and Gobos, the possibilities are only limited by your imagination. Robust Build-Quality  The Godox VSA spotlight attachment series features a durable die-cast aluminium alloy body mounted to a dependable yoke bracket, enabling it to be mounted to a C-Stand, Combo Stands, or even mounted overhead on a ceiling truss system. Its robust build and design will give you the confidence and reassurance of long-lasting accuracy and versatility. Precision Optics The VSA spotlight attachment series uses the finest in high-quality optics. Made from specially coated glass, designed to eliminate chromatic aberration. This enables the Godox VSA series to produce amazingly crisp projections without affecting the colour temperature of the light. Interchangeable Lens Optics There are three optional lens optics available for the Godox VSA spotlight attachment system. These optics include a 19°, a 26°, and a 36°, giving you access to projections with varying beam angles and light coverage areas. Great for getting your creative juices flowing, whilst maintaining the highest in light transmission efficiency. Built-in Shutter Blades The VSA spotlight attachment series features built-in shutter blades, enabling you to shape and control the light with or without gobos. Ideal for highlighting labels in product photography, or for creative lighting effects. Comes with Three GOBOs The VSA Spotlight series ships with a set of three laser-cut metal gobos, which enable you to project various shapes and patterns onto your background or subject. This enables you to add creative and cinematic effects to your productions, to elevate them to the next level. You can also purchase additional Gobos separately. Bowens S-Type Fitting The Godox VSA spotlight attachments series comes equipped with the popular Bowens S-Type mount, enabling it to be used with a wide range of studio lights. This opens up a whole new world of creative possibilities. For the best user experience, we recommend using it in conjunction with an LED light, no greater than 300W in power.

Godox VSA-19K 19° Projection Lens Attachment Complete Kit

Godox GD-VSA-19K (GD/VSA-19K, GD/VSA/19K, GDVSA19K, GD VSA 19K) VSA-19K 19° Projection Lens Attachment Complete Kit The Godox VSA Series Spotlight Attachment Kit (19K/26K/36K) has been put together to give Filmmakers, Cinematographers and Theatrical Productions a powerful tool for producing creative and cinematic lighting effects to add mood and depth to their productions. With a selection of three interchangeable lens optics designed with sheer precision, the Godox VSA spotlight attachment series ensures you get a super-crisp beam with little to no aberrations, for unrivalled clarity. With the option of being used in conjunction with Coloured Gels (available separately) and Gobos, the possibilities are only limited by your imagination. Robust Build-Quality  The Godox VSA spotlight attachment series features a durable die-cast aluminium alloy body mounted to a dependable yoke bracket, enabling it to be mounted to a C-Stand, Combo Stands, or even mounted overhead on a ceiling truss system. Its robust build and design will give you the confidence and reassurance of long-lasting accuracy and versatility. Precision Optics The VSA spotlight attachment series uses the finest in high-quality optics. Made from specially coated glass, designed to eliminate chromatic aberration. This enables the Godox VSA series to produce amazingly crisp projections without affecting the colour temperature of the light. Interchangeable Lens Optics There are three optional lens optics available for the Godox VSA spotlight attachment system. These optics include a 19°, a 26°, and a 36°, giving you access to projections with varying beam angles and light coverage areas. Great for getting your creative juices flowing, whilst maintaining the highest in light transmission efficiency. Built-in Shutter Blades The VSA spotlight attachment series features built-in shutter blades, enabling you to shape and control the light with or without gobos. Ideal for highlighting labels in product photography, or for creative lighting effects. Comes with Three GOBOs The VSA Spotlight series ships with a set of three laser-cut metal gobos, which enable you to project various shapes and patterns onto your background or subject. This enables you to add creative and cinematic effects to your productions, to elevate them to the next level. You can also purchase additional Gobos separately. Bowens S-Type Fitting The Godox VSA spotlight attachments series comes equipped with the popular Bowens S-Type mount, enabling it to be used with a wide range of studio lights. This opens up a whole new world of creative possibilities. For the best user experience, we recommend using it in conjunction with an LED light, no greater than 300W in power.

Godox Mini BeamLight B60 Knowled for Bowen Mount with Flat LED Mount for M600R M600BiPro

Godox GD-BeamLight-B60 (GD/BeamLight-B60, GD/BeamLight/B60, GDBeamLightB60, GD BeamLight B60) Mini BeamLight B60 Knowled for Bowen Mount with Flat LED Mount for M600R M600BiPro The Godox KNOWLED BeamLight B60 is a Cinema-Grade Parallel Beam Light Reflector, designed for use with the KNOWLED M600R Cine Lights. With its cutting-edge optical design, the BeamLight B60 produces a 5° near-parallel beam of light, minimising light falloff and enabling you to throw light over greater distances. It also significantly increases the effective light output from your light source, giving you more flexibility. This makes it perfect for replicating natural sunlight over long distances. The Godox BeamLight B60 is perfect for cinematographers, gaffers, and DPs looking to get the most out of their Godox M600R LED Cine lights. Near-Parallel Beam of Light Utilising the latest cutting-edge optical technology, paired with precision engineering, the Godox BeamLight B60 produces an incredibly narrow 5° beam angle. This enables the BeamLight B60 to produce a powerful, near-parallel light beam with minimal light fall-off. When used in conjunction with the LiteFlow Cine lighting Reflectors, the BeamLight B60 can be used to create stunning natural-looking results. Throw Light Over Long Distances Due to its unique optical design, the BeamLight B60 significantly increases the throw distance of light for KNOWLED M600R. Perfect for when you would like to illuminate the top of a building from the ground. Built to Withstand the Demands of Filmmaking The Beamlight B60 features a protective housing, designed to prevent deformation. This helps to ensure that they can consistently deliver optimal performance over time.

Godox Mini BeamLight Max60 Knowled for G-Mount with Flat LED Mount

Godox GD-BeamLight-Max60 (GD/BeamLight-Max60, GD/BeamLight/Max60, GDBeamLightMax60, GD BeamLight Max60) Mini BeamLight Max60 Knowled for G-Mount with Flat LED Mount The Godox KNOWLED BeamLight Max60 is a high-performance cinema-grade parallel light beam reflector designed for G-Mount lighting fixtures like the MG1200Bi and MG1200R Cine Lights. Featuring advanced optical technology, it produces a 5° near-parallel light beam, minimising light falloff and extending throw distances. This reflector enhances light output, replicating natural sunlight and delivering unmatched brightness for cinematography. Near-Parallel Beam of Light Utilising the latest cutting-edge optical engineering, the BeamLight Max60 delivers a narrow 5° beam angle, creating powerful, near-parallel light with minimal light spill. Its design allows cinematographers to achieve stunning, natural-looking results, perfect for large-scale productions. When used in conjunction with the LiteFlow Cine lighting reflector, the BeamLight Max60 parallel beam light system can be used to create stunning natural-looking results. Throw Light Over Long Distances Due to its unique optical design, the BeamLight Max60 significantly increases the throw distance of light for KNOWLED G-Mount lights, such as the KNOWLED MG1200R and MG1200Bi. When combined with the MG2400Bi, the BeamLight Max60 can output a brightness comparable to traditional 12K HMI, whilst only using a fraction of the power. Significantly more brightness, with considerably less power. Built to Withstand the Demands of Filmmaking The Beamlight Max60 features a protective housing, designed to prevent deformation. This light beam reflector helps to ensure that they can consistently deliver optimal performance over time.

Godox BeamLight Max90 Knowled Ultra Power LED Beam Light Reflector with Fight Case

Godox GD-BeamLight-Max90 (GD/BeamLight-Max90, GD/BeamLight/Max90, GDBeamLightMax90, GD BeamLight Max90) BeamLight Max90 Knowled Ultra Power LED Beam Light Reflector with Fight Case The GODOX KNOWLED BeamLight Max90 is a Cinema-Grade Parallel-Beam Lighting Reflector, designed for use with Godox G-Mount fitting lighting Fixtures such as the KNOWLED MG1200Bi, and the MG2400Bi Cine Lights. With its cutting-edge optical design,  the BeamLight Max90 produces a 5° near-parallel beam of light, minimising light fall-off and enabling you to throw light over greater distances. It also significantly increases the effective light output from your light source, giving you more flexibility.  This makes it perfect for replicating natural sunlight over long distances. The GODOX BeamLight  Max90 is perfect for Cinematographers, Gaffers and DPs looking to get the most out of their Godox G-Mount LED Cine lights. Near-Parallel Beam of Light Utilising the latest cutting-edge optical technology, paired with precision engineering, the Godox KNOWLED BeamLight Max90 produces an incredibly narrow 5° beam angle. This enables the BeamLight Max90 to produce a powerful, near-parallel light beam with minimal light fall-off. When used in conjunction with the LiteFlow Cine lighting Reflectors, the BeamLight Max90 can be used to create stunning, natural-looking results. Throw Light Over Long Distances Due to its unique optical design, the BeamLight Max90 significantly increases the throw distance of light for KNOWLED G-Mount lights, such as the KNOWLED MG2400Bi and MG1200Bi. When combined with the MG2400Bi, the BeamLight Max90 can output a brightness comparable to traditional 12K HMI, whilst only using a fraction of the power. Significantly more brightness, with considerably less power. Godox G-Mount Compatibility Equipped with the innovative Godox G-Mount, the BeamLight Max90 is compatible with current models of G-Mount light fixtures such as the MG1200Bi and MG2400Bi. It will also be compatible with future G-Mount Fitting LED light fixtures. This ensures that the BeamLight Max90 will last you for years to come.

Godox All-in-One Professional Outdoor Battery Flash

Godox GD-AD600PROII (GD/AD600PROII, GD_AD600PROII, GDAD600PROII, GD AD600PROII) All-in-One Professional Outdoor Battery Flash The Godox AD600ProII Professional Outdoor Battery-Operated Studio Flash is an evolution of the original AD600Pro, featuring a plethora of added features for a superior professional user experience. It features one-tap synchronisation with the X3 Trigger, coloured group identification indicators, and an enhanced high-contrast colour TFT screen, making it easier to use in virtually any lighting conditions. Whilst maintaining the AD600Pro's reliable performance, the AD600ProII outdoor flash light boasts improved Recycle times of 0.01 to 0.9 seconds. It also supports High-Speed Synchronisation of up to 1/8000 seconds. Featuring support for the Godox 2.4GHz Wireless X Flash Triggering System, the AD600ProII battery-operated flash light seamlessly integrates with TTL auto flash systems across multiple camera brands, including Canon E-TTLII, Nikon i-TTL, Sony, Olympus, Panasonic, FUJIFILM, Pentax, and Leica. One-Tap Sync, Seamless Link The AD600ProII's new "One-Tap Sync" function enables instant synchronisation with the X3 Flash Trigger. Simply tap the wireless sync on the X3 and select the sync icon on the Godox AD600ProII, and they'll synchronise wirelessly in mere seconds. No more need to manually switch Channels and IDs. The AD600ProII battery-operated studio flash is also compatible with other Godox triggers, such as XproII and X2T, giving you unparalleled flexibility. 16 Groups, 16 Colours The AD600ProII outdoor battery-operated studio flash has now been upgraded to 16 groups. Each group is now represented by a different colour, displayed on both the flash and on the X3 trigger itself. This innovative feature allows you to easily identify which lights are in which group. This makes managing your light groups in multi-light setups an easier, more intuitive experience Colour Screen, Smoother Controls The AD600ProII outdoor battery-operated studio flash boasts a new vibrant TFT colour screen, with enhanced brightness and contrast, ensuring that you get optimal visibility, even in challenging lighting scenarios. The AD600ProII's control panel has also been further streamlined, allowing for quick and convenient access. The Power ON/OFF button is now placed directly on the panel, and the modelling light button only needs a 1-second press to enable and disable it.

Blackmagic Cloud Store Mini 16TB

Blackmagic DWCLDE-CLDMINI16 (DWCLDE/CLDMINI16, DWCLDE_CLDMINI16, DWCLDECLDMINI16, DWCLDE CLDMINI16) Cloud Store Mini 16TB High Performance Network Storage for Film and Television Blackmagic Cloud Store gives you high performance network storage designed for the film and television industry! Plus it understands Blackmagic Cloud media sync and supports DaVinci Resolve proxy files. This means the moment a film crew starts shooting, the camera media will sync within seconds so the post production team can start working! With an incredibly fast flash based memory core, lots of users can all work at the same time. That’s perfect for sharing large media files between editors, colourists, audio engineers and VFX artists! You can even build a broadcast replay system by connecting multiple HyperDeck recorders and DaVinci Resolve 19. There’s even a status monitor output! Designed for Film and Television Blackmagic Cloud Store is the perfect storage solution for film and television. It’s designed to handle the large media files used in film and television where multiple editors, colourists, audio engineers and VFX artists all work on the media at the same time. It even handles massive 12K Blackmagic RAW digital film files. Each user gets zero latency and they don’t need to store files on their local computer. That’s perfect for DaVinci Resolve. Plus Blackmagic Cloud, Dropbox and Google Drive support allows media to be synchronized to different locations globally so each location gets the fastest editing experience possible. It’s also perfect for live replay with DaVinci Resolve 19. Post Production Perfect for post production, you get the speed to handle massive digital film files and lots of simultaneous users. Plus Blackmagic Cloud sync downloads proxy files in seconds, followed by camera RAW files. Even from remote cameras on set. Replay Build a live replay solution using multiple HyperDecks recording over a network to Blackmagic Cloud Store, while DaVinci Resolve powers the playback. DaVinci Resolve 19 has new replay features that can also upload replays as social media posts. Blackmagic Cloud Blackmagic Cameras can upload to the Blackmagic Cloud website as they shoot. This means you get clips delivered right into the DaVinci Resolve bin. Blackmagic Cloud Store constantly syncs media so everyone on the network can access the latest shots. Two Extremely Powerful Models Blackmagic Cloud Store Mini High performance rack mount flash storage, features 8 and 16 TB models, 4 card RAID 0 flash memory core, 10G Ethernet, 1G Ethernet, USB-C and Blackmagic Cloud sync for distributing files globally. Blackmagic Cloud Store Max Extremely high performance flash storage, with 24 and 48TB models, 12 card RAID 0 flash memory core, 4 x 10G Ethernet, 100G Ethernet, USB-C and Blackmagic Cloud sync for distributing files globally. Portable and Quiet Design Blackmagic Cloud Store Mini and Max models feature a rack mount design that’s very portable and whisper quiet. The Blackmagic Cloud Store Mini is half rack width, has a single 10G Ethernet connection and features an internal array of 4 flash memory cards working in parallel for higher speed. While the Blackmagic Cloud Store Max model is a full rack width design with 12 flash memory cards, an extremely fast 100G Ethernet connection and 4 x 10G Ethernet connections. If you need to access files quickly, then the USB-C even operates as a network connection, simply by plugging it into your computer. There is also a monitoring video output with a live graphic view of the storage status. Flash Memory Allows Multiple Simultaneous Users Blackmagic Cloud Store models feature large parallel flash memory cores with lots of space for your media files. That’s fantastic for film and television production as you get high performance, large capacity, all in a portable design. M.2 flash memory cards are used for extreme reliability, high access speeds and zero seek times. The Mini model has 4 x M.2 cards and the Max model has 12 x M.2 cards arranged in a massive parallel RAID 0 group for extreme performance. That ensures enough speed to keep up with dozens of users. Only this massive parallel memory core has enough speed for large banks of HyperDeck recorders and dozens of editing workstations, all operating at the same time. High Performance for Digital Film Files With very high speed 10G and 100G Ethernet connections, Blackmagic Cloud Store is very fast. The internal memory core has been designed to saturate the 10G Ethernet ports to their theoretical maximum speed, even with multiple users connected. It’s so fast, most computers cannot keep up. Plus file access is very low latency, so responsiveness is fast. That’s possible because of the parallel processing used by the memory core. Even at maximum speed, the Blackmagic Cloud Store is extremely quiet with very little cooling fan noise. Even when editing large 12K digital film RAW files. It’s so fast, multicam editing is very smooth, even with dozens of connected editing workstations. Sync to Blackmagic Cloud for Global Media Now you can install a local cache of media uploaded to the Blackmagic Cloud website or Dropbox and Google Drive. This makes working faster because files are distributed globally, to as many sites as you need. Blackmagic Cloud Store will constantly work to stay in sync. You also save space on editing workstations because the files are downloaded to the Blackmagic Cloud Store so everyone on your network can access them. If you’re working with remote cameras, such as URSA Broadcast, URSA Cine or the Blackmagic Camera iPhone app, then these files will upload to Blackmagic Cloud and then download to the Blackmagic Cloud Store in seconds. That’s also fantastic for multi site media backup. Add Cloud Service Make sure your Blackmagic Cloud Store is connected to the internet. Enter your Blackmagic Cloud ID, Dropbox or Google Drive account details, so the Cloud Store can gain access to allow sync. Set Sync Folders Next you need to set the sync folders. That tells the Blackmagic Cloud Store where to sync its files to the remote account. You can also have multiple sync folders. Set Sync Direction Now set the sync direction. One direction is good when you have local files you want to share, but not enough room for everyone’s files. Both directions means everyone gets the same set of files. Distribute Files Globally with Blackmagic Cloud With support for the Blackmagic Cloud website, Dropbox and Google Drive sync, you can use Blackmagic Cloud Stores to share media files globally. That’s important when working with large datasets or massive digital film and video files. Editing requires access to media dozens of times a second, so internet connections can be too slow to handle it. Plus the internet has too much latency to access large files remotely. However, using the internet to sync media to local storage totally eliminates delays and latency. That’s because everyone has a local copy of the files on their network. With Blackmagic Cloud Store, you get constant media file sync, even if your computer is turned off. Real Time Storage Video Monitoring The most exciting feature is the live HDMI monitoring output. The Blackmagic Cloud Store Max also has an SDI monitoring output. Simply connect a TV or monitor to get a live status update of the store. The storage map shows a graphic representation of the memory core in real time with reads and writes shown dynamically. It’s fun to watch. There are also graphs that show data transfers on the Ethernet connections. The main space indicator shows you the capacity of the memory core and the current usage. Plus, you can even add a custom name to the store. The status of the media sync to the Blackmagic Cloud website is also shown. Errors are shown as well, including power supply status. High Performance 10G Ethernet The Blackmagic Cloud Stores have very fast 10G Ethernet ports, which are only found on expensive workstation computers. On the Blackmagic Cloud Store Max, you get 4 independent 10G Ethernet ports that can all sustain maximum 10G data speeds even when all 4 ports are connected to separate computers and used at the same time. With 10G Ethernet, you get 10 times the speed of regular Ethernet. Plus most computers can be upgraded to add 10G Ethernet. The internal parallel flash storage and data pipelines are so fast, each 10G Ethernet port will run to its maximum capacity. Even when connected to an Ethernet switch with dozens of users accessing files at the same time. Even Faster 100G Ethernet The Blackmagic Cloud Store Max model includes 100G Ethernet for adding more connections. Simply connect a Blackmagic Ethernet Switch 360P to the 100G Ethernet to get 16 extra 10G Ethernet connections. This means you can add lots of HyperDeck Studio ISO recorders, with each recorder connected to the switch. Each HyperDeck recording is then combined in the switch and sent to the Blackmagic Cloud Store Max via the 100G Ethernet connection. This high speed 100G connection lets you work in professional codecs such as ProRes and DNx. You can also build large creative workgroups with lots of edit workstations. The 100G connection can be used with copper or optical fiber cables. Connect via USB-C for Quick File Access Modern laptop computers are so thin, they often don’t even have an Ethernet connection. That means you need an adapter to connect to an Ethernet network. These adapters are annoying and make it harder to just plug your computer into the storage to access a file. Blackmagic Cloud Store models have a USB-C to Ethernet adapter built in and you can access it simply by plugging your computer into the USB-C port on the store. Plus USB-C cables are much nicer than stiff Ethernet cables. Once you have connected the Cloud Store’s USB-C connection to your computer, you have an Ethernet connection direct to the storage. That means you can just plug in to quickly grab files when you need them urgently. Repairable Design for Long Life Blackmagic Cloud Store is easy to repair by any qualified maintenance engineer. The design is based on a single PCB that attaches to the M.2 memory cards and power supply. This means the flash memory cards can be easily replaced. Plus Blackmagic Cloud Store runs Blackmagic OS so it applies wear leveling, so each M.2 card won’t see excessive data writes. You can also see any problems in the software utility and HDMI monitor output. Plus in future, as new and larger M.2 flash memory cards are released, the Blackmagic Cloud Store can be upgraded so it has much larger capacity. That’s possible because M.2 flash memory cards are an open standard and available from any computer dealer. No Subscription or Maintenance Costs One of the big advantages of the Blackmagic Cloud Store is its private storage that you fully control. There are no subscriptions to sign up for. There are no monthly license fees. There is no tracking of your usage or data. You don’t need to use a paid, cloud based web service to maintain the storage settings because Blackmagic Cloud Store includes a free software utility that runs on Mac and Windows. That means you can run a private network, totally disconnected from the internet. This is critical for many security standards where computer networks cannot be connected to the external internet. With Blackmagic Cloud Store, you get performance, portability, and total freedom. Free Software for Mac and Windows When you need to change settings, you can use the Blackmagic Cloud Store utility that’s available on Mac and Windows. By default, the Blackmagic Cloud Store is set to DHCP, so you can connect it to your network and start transferring files. You don’t even need an IT tech to get started. However, the Blackmagic Cloud Store Utility also opens up a whole range of settings you can customize, including the ability to add custom logins and passwords for each user, plus you can enable file download via FTP or web browsers. You can also update network settings and add security certificates. The utility is where you set up sync to the Blackmagic Cloud website as well as Dropbox and Google Drive. Live Production HyperDeck ISO Recorders Now it’s easy to get high end multi channel ISO recording by recording from an array of HyperDeck recorders directly into Blackmagic Cloud Store. Plus HyperDeck Studios work in all common codecs including H.264, H.265, DNx and ProRes. HyperDeck Studio recorders now support recording to network storage so you can build an array of HyperDeck Studios that record into the Blackmagic Cloud Stores while multiple DaVinci Resolve systems can edit the same media, all at the same time. DaVinci Resolve is free to download so it’s easy to expand to as many workstations as you need. Even as the files are recording, DaVinci Resolve can still edit the media, so it’s perfect for live action replay. Add Connections with the Blackmagic Ethernet Switch The Blackmagic Ethernet Switch 360P is the first Ethernet switch designed for the film and television industry. It has extremely high performance plus low latency. All the Ethernet connections are on the rear, which means the cables are neater, hidden from users and more secure. You get 16 fast 10G Ethernet ports and 2 high speed 100G Ethernet QSFP sockets for copper cables or optical fiber modules. Plus there’s a router panel built into the front so it can also be used to build small portable 2110 IP systems using a familiar video routing user interface. Users won’t even know they’re routing SMPTE-2110. It’s a simple plug and play solution with everything needed for television work. Get News Editing and Replay in DaVinci Resolve 19 DaVinci Resolve 19 has exciting new media player, news cutting and replay features. Adding a Blackmagic Cloud Store lets you combine HyperDeck recorders, DaVinci workstations and remote cameras delivering media via the Blackmagic Cloud website. Then the new multi source viewer allows you to browse media visually, as clips with matching timecodes are displayed in a multiview. That’s perfect when shots are arriving in real time from remote cameras. New "on air" controls use a key channel to enable a downstream keyer in a switcher, so a single button can automate the playout to air. You can even add an auto stinger. Only Blackmagic Cloud Store has been designed to support DaVinci Resolve 19.

Blackmagic Cloud Store Mini 8TB

Blackmagic DWCLDE-CLDMINI08 (DWCLDE/CLDMINI08, DWCLDE_CLDMINI08, DWCLDECLDMINI08, DWCLDECLDMINI08) Cloud Store Mini 8TB High Performance Network Storage for Film and Television Blackmagic Cloud Store gives you high performance network storage designed for the film and television industry! Plus it understands Blackmagic Cloud media sync and supports DaVinci Resolve proxy files. This means the moment a film crew starts shooting, the camera media will sync within seconds so the post production team can start working! With an incredibly fast flash based memory core, lots of users can all work at the same time. That’s perfect for sharing large media files between editors, colourists, audio engineers and VFX artists! You can even build a broadcast replay system by connecting multiple HyperDeck recorders and DaVinci Resolve 19. There’s even a status monitor output! Designed for Film and Television Blackmagic Cloud Store is the perfect storage solution for film and television. It’s designed to handle the large media files used in film and television where multiple editors, colourists, audio engineers and VFX artists all work on the media at the same time. It even handles massive 12K Blackmagic RAW digital film files. Each user gets zero latency and they don’t need to store files on their local computer. That’s perfect for DaVinci Resolve. Plus Blackmagic Cloud, Dropbox and Google Drive support allows media to be synchronized to different locations globally so each location gets the fastest editing experience possible. It’s also perfect for live replay with DaVinci Resolve 19. Post Production Perfect for post production, you get the speed to handle massive digital film files and lots of simultaneous users. Plus Blackmagic Cloud sync downloads proxy files in seconds, followed by camera RAW files. Even from remote cameras on set. Replay Build a live replay solution using multiple HyperDecks recording over a network to Blackmagic Cloud Store, while DaVinci Resolve powers the playback. DaVinci Resolve 19 has new replay features that can also upload replays as social media posts. Blackmagic Cloud Blackmagic Cameras can upload to the Blackmagic Cloud website as they shoot. This means you get clips delivered right into the DaVinci Resolve bin. Blackmagic Cloud Store constantly syncs media so everyone on the network can access the latest shots. Two Extremely Powerful Models Blackmagic Cloud Store Mini High performance rack mount flash storage, features 8 and 16 TB models, 4 card RAID 0 flash memory core, 10G Ethernet, 1G Ethernet, USB-C and Blackmagic Cloud sync for distributing files globally. Blackmagic Cloud Store Max Extremely high performance flash storage, with 24 and 48TB models, 12 card RAID 0 flash memory core, 4 x 10G Ethernet, 100G Ethernet, USB-C and Blackmagic Cloud sync for distributing files globally. Portable and Quiet Design Blackmagic Cloud Store Mini and Max models feature a rack mount design that’s very portable and whisper quiet. The Blackmagic Cloud Store Mini is half rack width, has a single 10G Ethernet connection and features an internal array of 4 flash memory cards working in parallel for higher speed. While the Blackmagic Cloud Store Max model is a full rack width design with 12 flash memory cards, an extremely fast 100G Ethernet connection and 4 x 10G Ethernet connections. If you need to access files quickly, then the USB-C even operates as a network connection, simply by plugging it into your computer. There is also a monitoring video output with a live graphic view of the storage status. Flash Memory Allows Multiple Simultaneous Users Blackmagic Cloud Store models feature large parallel flash memory cores with lots of space for your media files. That’s fantastic for film and television production as you get high performance, large capacity, all in a portable design. M.2 flash memory cards are used for extreme reliability, high access speeds and zero seek times. The Mini model has 4 x M.2 cards and the Max model has 12 x M.2 cards arranged in a massive parallel RAID 0 group for extreme performance. That ensures enough speed to keep up with dozens of users. Only this massive parallel memory core has enough speed for large banks of HyperDeck recorders and dozens of editing workstations, all operating at the same time. High Performance for Digital Film Files With very high speed 10G and 100G Ethernet connections, Blackmagic Cloud Store is very fast. The internal memory core has been designed to saturate the 10G Ethernet ports to their theoretical maximum speed, even with multiple users connected. It’s so fast, most computers cannot keep up. Plus file access is very low latency, so responsiveness is fast. That’s possible because of the parallel processing used by the memory core. Even at maximum speed, the Blackmagic Cloud Store is extremely quiet with very little cooling fan noise. Even when editing large 12K digital film RAW files. It’s so fast, multicam editing is very smooth, even with dozens of connected editing workstations. Sync to Blackmagic Cloud for Global Media Now you can install a local cache of media uploaded to the Blackmagic Cloud website or Dropbox and Google Drive. This makes working faster because files are distributed globally, to as many sites as you need. Blackmagic Cloud Store will constantly work to stay in sync. You also save space on editing workstations because the files are downloaded to the Blackmagic Cloud Store so everyone on your network can access them. If you’re working with remote cameras, such as URSA Broadcast, URSA Cine or the Blackmagic Camera iPhone app, then these files will upload to Blackmagic Cloud and then download to the Blackmagic Cloud Store in seconds. That’s also fantastic for multi site media backup. Add Cloud Service Make sure your Blackmagic Cloud Store is connected to the internet. Enter your Blackmagic Cloud ID, Dropbox or Google Drive account details, so the Cloud Store can gain access to allow sync. Set Sync Folders Next you need to set the sync folders. That tells the Blackmagic Cloud Store where to sync its files to the remote account. You can also have multiple sync folders. Set Sync Direction Now set the sync direction. One direction is good when you have local files you want to share, but not enough room for everyone’s files. Both directions means everyone gets the same set of files. Distribute Files Globally with Blackmagic Cloud With support for the Blackmagic Cloud website, Dropbox and Google Drive sync, you can use Blackmagic Cloud Stores to share media files globally. That’s important when working with large datasets or massive digital film and video files. Editing requires access to media dozens of times a second, so internet connections can be too slow to handle it. Plus the internet has too much latency to access large files remotely. However, using the internet to sync media to local storage totally eliminates delays and latency. That’s because everyone has a local copy of the files on their network. With Blackmagic Cloud Store, you get constant media file sync, even if your computer is turned off. Real Time Storage Video Monitoring The most exciting feature is the live HDMI monitoring output. The Blackmagic Cloud Store Max also has an SDI monitoring output. Simply connect a TV or monitor to get a live status update of the store. The storage map shows a graphic representation of the memory core in real time with reads and writes shown dynamically. It’s fun to watch. There are also graphs that show data transfers on the Ethernet connections. The main space indicator shows you the capacity of the memory core and the current usage. Plus, you can even add a custom name to the store. The status of the media sync to the Blackmagic Cloud website is also shown. Errors are shown as well, including power supply status. High Performance 10G Ethernet The Blackmagic Cloud Stores have very fast 10G Ethernet ports, which are only found on expensive workstation computers. On the Blackmagic Cloud Store Max, you get 4 independent 10G Ethernet ports that can all sustain maximum 10G data speeds even when all 4 ports are connected to separate computers and used at the same time. With 10G Ethernet, you get 10 times the speed of regular Ethernet. Plus most computers can be upgraded to add 10G Ethernet. The internal parallel flash storage and data pipelines are so fast, each 10G Ethernet port will run to its maximum capacity. Even when connected to an Ethernet switch with dozens of users accessing files at the same time. Even Faster 100G Ethernet The Blackmagic Cloud Store Max model includes 100G Ethernet for adding more connections. Simply connect a Blackmagic Ethernet Switch 360P to the 100G Ethernet to get 16 extra 10G Ethernet connections. This means you can add lots of HyperDeck Studio ISO recorders, with each recorder connected to the switch. Each HyperDeck recording is then combined in the switch and sent to the Blackmagic Cloud Store Max via the 100G Ethernet connection. This high speed 100G connection lets you work in professional codecs such as ProRes and DNx. You can also build large creative workgroups with lots of edit workstations. The 100G connection can be used with copper or optical fiber cables. Connect via USB-C for Quick File Access Modern laptop computers are so thin, they often don’t even have an Ethernet connection. That means you need an adapter to connect to an Ethernet network. These adapters are annoying and make it harder to just plug your computer into the storage to access a file. Blackmagic Cloud Store models have a USB-C to Ethernet adapter built in and you can access it simply by plugging your computer into the USB-C port on the store. Plus USB-C cables are much nicer than stiff Ethernet cables. Once you have connected the Cloud Store’s USB-C connection to your computer, you have an Ethernet connection direct to the storage. That means you can just plug in to quickly grab files when you need them urgently. Repairable Design for Long Life Blackmagic Cloud Store is easy to repair by any qualified maintenance engineer. The design is based on a single PCB that attaches to the M.2 memory cards and power supply. This means the flash memory cards can be easily replaced. Plus Blackmagic Cloud Store runs Blackmagic OS so it applies wear leveling, so each M.2 card won’t see excessive data writes. You can also see any problems in the software utility and HDMI monitor output. Plus in future, as new and larger M.2 flash memory cards are released, the Blackmagic Cloud Store can be upgraded so it has much larger capacity. That’s possible because M.2 flash memory cards are an open standard and available from any computer dealer. No Subscription or Maintenance Costs One of the big advantages of the Blackmagic Cloud Store is its private storage that you fully control. There are no subscriptions to sign up for. There are no monthly license fees. There is no tracking of your usage or data. You don’t need to use a paid, cloud based web service to maintain the storage settings because Blackmagic Cloud Store includes a free software utility that runs on Mac and Windows. That means you can run a private network, totally disconnected from the internet. This is critical for many security standards where computer networks cannot be connected to the external internet. With Blackmagic Cloud Store, you get performance, portability, and total freedom. Free Software for Mac and Windows When you need to change settings, you can use the Blackmagic Cloud Store utility that’s available on Mac and Windows. By default, the Blackmagic Cloud Store is set to DHCP, so you can connect it to your network and start transferring files. You don’t even need an IT tech to get started. However, the Blackmagic Cloud Store Utility also opens up a whole range of settings you can customize, including the ability to add custom logins and passwords for each user, plus you can enable file download via FTP or web browsers. You can also update network settings and add security certificates. The utility is where you set up sync to the Blackmagic Cloud website as well as Dropbox and Google Drive. Live Production HyperDeck ISO Recorders Now it’s easy to get high end multi channel ISO recording by recording from an array of HyperDeck recorders directly into Blackmagic Cloud Store. Plus HyperDeck Studios work in all common codecs including H.264, H.265, DNx and ProRes. HyperDeck Studio recorders now support recording to network storage so you can build an array of HyperDeck Studios that record into the Blackmagic Cloud Stores while multiple DaVinci Resolve systems can edit the same media, all at the same time. DaVinci Resolve is free to download so it’s easy to expand to as many workstations as you need. Even as the files are recording, DaVinci Resolve can still edit the media, so it’s perfect for live action replay. Add Connections with the Blackmagic Ethernet Switch The Blackmagic Ethernet Switch 360P is the first Ethernet switch designed for the film and television industry. It has extremely high performance plus low latency. All the Ethernet connections are on the rear, which means the cables are neater, hidden from users and more secure. You get 16 fast 10G Ethernet ports and 2 high speed 100G Ethernet QSFP sockets for copper cables or optical fiber modules. Plus there’s a router panel built into the front so it can also be used to build small portable 2110 IP systems using a familiar video routing user interface. Users won’t even know they’re routing SMPTE-2110. It’s a simple plug and play solution with everything needed for television work. Get News Editing and Replay in DaVinci Resolve 19 DaVinci Resolve 19 has exciting new media player, news cutting and replay features. Adding a Blackmagic Cloud Store lets you combine HyperDeck recorders, DaVinci workstations and remote cameras delivering media via the Blackmagic Cloud website. Then the new multi source viewer allows you to browse media visually, as clips with matching timecodes are displayed in a multiview. That’s perfect when shots are arriving in real time from remote cameras. New "on air" controls use a key channel to enable a downstream keyer in a switcher, so a single button can automate the playout to air. You can even add an auto stinger. Only Blackmagic Cloud Store has been designed to support DaVinci Resolve 19.

Godox LA300R RGB LED Video Light LITEMONS WHITE

Godox GD-LA300R (GD/LA300R, GD_LA300R, GDLA300R, GD LA300R) LA300R RGB LED Video Light LITEMONS WHITE The GODOX Litemons LA300R is a 330W Budget-Friendly, Ultra-Compact and Powerful RGB Studio COB LED light. Since the LA300R is an RGB light, you have access to thousands of colours, enabling you to produce lighting to suit any mood. It also has a CCT variable colour temperature mode, which enables you to select a colour temperature anywhere between 1800K - 10,000K, enabling you to either match the colour temperature of the ambient lighting, or set a certain mood or ambience to your shots. With a CRI of 95+ and a TLCI of 94+, the Godox LA300 is suitable for professional broadcast usage, as well as for cinematography, video interviews and YouTubing. It is also suitable for still photography, including portraits and products, etc.

Godox FL150R Flexible LED Light Mat 30x120cm

Godox GD-FL150R (GD/FL150R, GD_FL150R, GDFL150R, GD FL150R) FL150R Flexible LED Light Mat 30x120cm The Godox FL150R is a Slim-Profiled Flexible LED Light Mat, suitable for both stills and video. With a CRI (colour rendering index) of 96 for accurate colour reproduction, and a TLCI (Television Lighting Consistency Index) of 98 for impeccable colour consistency. Since the Godox FL150R LED light panel is a Variable Colour-Temperature Bi-Colour panel, you can adjust the colour temperature anywhere between 5600K (Daylight) and 3300K (Tungsten), which is perfect for times when you need to balance the light with tungsten lighting. Featuring a flexible body, they can be flexed, rolled, and placed into areas that would be impossible for traditional rigid LED panels, making practical lighting on-set a lot easier. Perfect for professional broadcast use, as well as for cinematography and TV productions. It is also suitable for still photography, such as portraits and product photography. Your Flexible Companion One of the key features of the Godox FL150R LED light mat is its ultra-slim profile and flexible body, which enables it to be placed in areas that would be very difficult or impossible with traditional LED light panels. This makes high-impact practical lighting a lot easier. They can be rolled up and placed in lampshades to augment the ambient lighting, or behind objects such as furniture, for added effect. Limitless Possibilities Due to the flexible nature of the FL150R slim-profiled LED light mats, they can be rolled, shaped, and contorted into virtually any shape you can imagine, for virtually limitless flexibility in your lighting. Multiple panels can also be connected to achieve broader and softer lighting. Impeccable Colour Rendering The Godox FL150R LED panel lights have a CRI rating of 96+ and a TLCI rating of 98+. This means that colours will be reproduced accurately in your photos and footage. The FL series LED panels are also suitable for Broadcast usage. Variable Colour Temperature The Godox FL150R LED light panels feature variable colour temperatures, enabling them to be adjusted anywhere between 3300K and 5600K, enabling you to easily match the colour temperature of your ambient lighting or to add mood and ambience to your projects.

Godox V1ProS Sony Camera Flash with SU-1

Godox GD-V1ProS (GD/V1ProS, GD_V1ProS, GDV1ProS, GD V1ProS) V1ProS Sony Camera Flash with SU-1 The Godox V1Pro TTL Li-ion Round Head Camera Flash Speedlight is an updated version of the V1, which features a revolutionary round shape instead of the traditional rectangular shape. The Godox V1Pro's round flash head enables it to produce smooth-gradated lighting with natural-looking fall-off and more pleasing results. The V1Pro TTL speedlight also features a magnetic modifier mount, enabling it to be used with a plethora of magnetic modifiers available for it. Powered by a High-Capacity 7.2V/2980mAh Rechargeable Lithium-ion Battery and featuring TTL and High-Speed Sync, Stroboscopic Multi-Flash, and a built-in 2.4GHz flash receiver, the Godox V1Pro is perfect for shooting Weddings, Portraits, Events, Fashion, Sports, Fitness and Advertising. Up to 100 Continuous Full-Powered Shots The V1Pro round head speedlight has redefined what's possible in photography. Breaking free from the constraints of thermal protection, the Godox V1Pro can produce a staggering one hundred full-powered consecutive flashes, allowing your creativity to run wild without missing any key moments. The New and Innovative SU-1 External Flash The pioneers at Godox have created the revolutionary detachable fill flash, called the SU-1. This allows a Godox V1Pro round head to serve as both the bounce flash and fill flash simultaneously. Its detachable design also gives you a more compact and lightweight flash solution when required. Buttery-Smooth Graduated Lighting The V1Pro’s round head lens design enables it to produce smooth-gradated lighting with natural falloff, as opposed to the harsh lighting produced by traditional rectangular speedlites. This makes the Godox V1Pro on-camera flash perfect for events, weddings, and portraits. Compatible with the Godox 2.4GHz X-system The V1Pro TTL speedlite is fully compatible with the Godox 2.4GHz ONE System, enabling it to be triggered using either an X1 (ST-III),  X2 (ST-III+), XPro (ST-IV), XProII, or X3 flash triggers, with full TTL or manual capabilities. It can also be used in conjunction with other flashes in the Godox X Trigger System. The Godox V1Pro round head flash is compatible with Canon, Nikon, Sony, Olympus, Panasonic, and Fuji camera systems.

Godox V1ProC Canon Camera Flash with SU-1

Godox GD-V1ProC (GD/V1ProC, GD_V1ProC, GDV1ProC, GD V1ProC) V1ProC Canon Camera Flash with SU-1 The Godox V1Pro TTL Li-ion Round Head Camera Flash Speedlight is an updated version of the V1, which features a revolutionary round shape instead of the traditional rectangular shape. The Godox V1Pro's round flash head enables it to produce smooth-gradated lighting with natural-looking fall-off and more pleasing results. The V1Pro TTL speedlight also features a magnetic modifier mount, enabling it to be used with a plethora of magnetic modifiers available for it. Powered by a High-Capacity 7.2V/2980mAh Rechargeable Lithium-ion Battery and featuring TTL and High-Speed Sync, Stroboscopic Multi-Flash, and a built-in 2.4GHz flash receiver, the Godox V1Pro is perfect for shooting Weddings, Portraits, Events, Fashion, Sports, Fitness and Advertising. Up to 100 Continuous Full-Powered Shots The V1Pro round head speedlight has redefined what's possible in photography. Breaking free from the constraints of thermal protection, the Godox V1Pro can produce a staggering one hundred full-powered consecutive flashes, allowing your creativity to run wild without missing any key moments. The New and Innovative SU-1 External Flash The pioneers at Godox have created the revolutionary detachable fill flash, called the SU-1. This allows a Godox V1Pro round head to serve as both the bounce flash and fill flash simultaneously. Its detachable design also gives you a more compact and lightweight flash solution when required. Buttery-Smooth Graduated Lighting The V1Pro’s round head lens design enables it to produce smooth-gradated lighting with natural falloff, as opposed to the harsh lighting produced by traditional rectangular speedlites. This makes the Godox V1Pro on-camera flash perfect for events, weddings, and portraits.

Godox Scrim Flag Panel Kit 60x90cm

Godox GD-SF6090KIT (GD/SF6090KIT, GD_SF6090KIT, GDSF6090KIT, GD SF6090KIT) Scrim Flag Panel Kit 60x90cm Unlike traditional flag panels with their large, fixed frames, the Godox SF6090 2'x3' (60x90cm) Professional Foldable and Versatile Scrim Flag Kit features three-sided collapsible steel frames, which can be folded down to fit into a small carry case for easy transportation and hassle-free storage. The Godox SF6090 scrim flag kit includes 5x different types of fabric, enabling you to block, diffuse, or reduce the light hitting your subject, giving you access to the ultimate light control system. The frame is also open-ended, so there is nothing to cast a shadow when used with the diffusion silks or net screens. This kit consists of 5x flag frames and 5x different types of fabric covers to put onto the frames. The Godox SF6090 scrim flag kit also comes with 2x small circular flags (Dot Flags) and 2x small rectangular flag panels (Finger Flags) for use with smaller subjects or for fine-tuning the lighting. The Godox SF6090 Foldable and Versatile Scrim Flag Kit is perfect for cinematographers and photographers who are looking for a quick and easy solution for controlling their lighting. Foldable and Versatile The SF6090 scrim flag kit contains 5 flag frames and fabric screens to assemble for shaping, blocking, or diffusing the light, as well as 2 fingers and 2 dots to allow more precise adjustments of light on small objects. Ample Control of Lighting Effects. Below is a list of the effect each type of flag gives: Black Single and Double Net Screens The black single and double net screens are used to reduce the amount of light falling onto your subject, without reducing specularity. These are ideal for use in situations where you need to reduce the amount of light on one subject without affecting the other. 1-Stop and 2-Stop Silk Screens The 1-stop silk screen produces a moderate amount of diffusion. It reduces contrast and specularity, as well as opening up areas in shadow. The 2-stop silkscreen does the same thing to a greater degree to further reduce contrast and specularity and opens up the shadows a little more also. Solid Black Fabric The solid black fabric enables you to block light completely from hitting parts of your subject or set. The Godox SF6090 scrim flag kit can also be used to cast shadows onto your subject for added mood and effect.Industry-Standard Color-Coding The Godox SF6090 kit uses the industry-standard colour-coding scheme, enabling you to quickly select the correct flag when on-set.  

Godox Scrim Flag Panel Kit 45x60cm

Godox GD-SF4560KIT (GD/SF4560KIT, GD_SF4560KIT, GDSF4560KIT, GD SF4560KIT) Scrim Flag Panel Kit 45x60cm Unlike traditional flag panels with their large, fixed frames, the Godox SF4560 Professional Foldable Scrim Flag Light Diffuser Kit features three-sided collapsible steel frames, which can be folded down to fit into a small carry case for easy transportation, and hassle-free storage. This Godox SF4560 scrim flag kit include 5x different types of fabric, enabling you to block, diffuse, or reduce the light hitting your subject, giving you access to the ultimate light control system. The frame is also open-ended, so there is nothing to cast a shadow when used with the diffusion silks or net screens. The SF4560 foldable scrim flag light diffuser kit consists of 5x flag frames and 5x different types of fabric covers to put onto the frames. The kit also comes with 2x small circular flags (Dot Flags) and 2x small rectangular flag panels (Finger Flags) for use with smaller subjects or for fine-tuning the lighting. The Godox SF4560 scrim flag kit is perfect for cinematographers and photographers who are looking for a quick and easy solution for controlling their lighting. Compact & Versatile   The SF4560 scrim flag light diffuser kit contains 5 flag frames and fabric screens to assemble for shaping, blocking, or diffusing the light, as well as 2 fingers and 2 dots to allow more precise adjustments of light on small objects. Ample Control of Lighting Effects. Below is a list of the effect each type of flag gives: Black Single & Double Net Screens The black single and double net screens are used to reduce the amount of light falling onto your subject, without reducing specularity. These are ideal for use in situations where you need to reduce the amount of light on one subject, without affecting the other. 1-Stop and 2-Stop Silk Screens The 1-stop silk screen produces a moderate amount of diffusion. It reduces contrast and specularity, as well as opening up areas in shadow. The 2-stop silkscreen does the same thing to a greater degree to further reduce contrast and specularity and opens up the shadows a little more also.  Solid Black Fabric The solid black fabric enables you to block light completely from hitting parts of your subject or set. It can also be used to cast shadows onto your subject for added mood and effect.

Godox TimoLink TRX Wireless DMX Transceiver

Godox GD-TimolinkTRX (GD/TimolinkTRX, GD_TimolinkTRX, GDTimolinkTRX, GD TimolinkTRX) TimoLink TRX Wireless DMX Transceiver The Godox TimoLink TRX is a wireless DMX transceiver that converts standard wired DMX consoles into wireless controllers. It supports CRMX-compatible fixtures and can integrate non-CRMX lights using TimoLink RX receivers. Bluetooth connectivity allows control via the Godox KNOWLED App on iPad or Android devices. The system includes automatic frequency hopping for stable transmission up to 300 m. Rotatable connectors and a mode menu with “Set” and “Reset” buttons provide flexible installation and easy device configuration.

Godox KNOWLED LiteFlow K1 Cine Light Reflector System

Godox GD-LiteFlowK1 (GD/LiteFlowK1, GD_LiteFlowK1, GDLiteFlowK1, GD LiteFlowK1) KNOWLED LiteFlow K1 Cine Light Reflector System The Godox KNOWLED LiteFlow K1 is a cine light reflector system designed for precise control of reflected light. It provides four grades of reflectivity and multiple panel sizes, enabling a wide range of light diffusion and redirection options. The system maintains the original colour temperature of the light source and supports both artificial and natural sunlight. Lightweight panels with protective corner bezels simplify handling and installation. The rail mounting system and included connectors allow mounting on standard studio stands and grip equipment. The LiteFlow system is suitable for extending light paths, controlling hard or soft shadows, and shaping light for cinematic applications.

Godox KNOWLED LiteFlow50 50x50cm Cine Light Reflector Panel Kit

Godox GD-LiteFlow50-Kit (GD/LiteFlow50-Kit, GD/LiteFlow50/Kit, GDLiteFlow50Kit, GD LiteFlow50 Kit) KNOWLED LiteFlow50 50x50cm Cine Light Reflector Panel Kit The KNOWLED LiteFlow50 is a 50 × 50 cm cine light reflector panel designed to redirect or diffuse light for film and video production. The system offers four levels of reflectivity (D1–D4) to produce hard, moderately diffused, or soft light as required. It maintains accurate colour temperature without introducing colour casts and supports both artificial studio lights and natural sunlight. Panels can be mounted on various stands and grip systems and include protective corner bezels for safer handling. The design allows light to be bounced effectively, extending the light path and creating natural fall-off.

Godox KNOWLED LiteFlow25 25x25cm Cine Light Reflector Panel Kit

Godox GD-LiteFlow25-Kit (GD-LiteFlow25-Kit, GD-LiteFlow25-Kit, GD-LiteFlow25-Kit, GD-LiteFlow25-Kit) KNOWLED LiteFlow25 25x25cm Cine Light Reflector Panel Kit The KNOWLED LiteFlow Cine Lighting Reflector System is a new and innovative cinematic light control system, that introduces a fresh perspective on illumination. With outstanding reflectivity, and coming in a Multitude of Sizes and Various Degrees of Diffusion, the LiteFlow25 25x25cm Cine Light Reflector Panels are highly versatile. The LiteFlow system offers remarkable light quality, convenience, and control designed to streamline your workflow on set. The lighting solution that Cinematographers, directors of Photography, and gaffers have been waiting for. Natural Cinematic Lighting Sometimes, illuminating your subject or scene directly can result in lighting that looks "very artificial". The Godox KNOWLED LiteFlow Cine Light reflector panels utilise the power of the inverse square law, to extend the transmission distance of light, enabling you to bounce the light around your set for a more natural look. Simply point your main light at one of the reflector panels, which will then bounce the light to illuminate your subject, resulting in a more natural look. you can also place smaller LiteFlow panels around the set, enabling you to more to highlight other points of interest in your scene. This gives you the flexibility to create complex lighting scenarios, without necessarily needing a multitude of lights on-set. Harness the Power of the Sun As well as being used with artificial studio lighting, the LiteFlow Cine Light reflector system is also great for use in outdoor environments. simply use a single or multiple LiteFlow panels to redirect the natural sunlight to illuminate your subject(s), and other points of interest in your scene. It will even let you redirect natural sunlight into fight spaces. Four Levels of Reflectivity With a mere 3% power loss, the LiteFlow Cine Light Reflector system boasts exceptional reflectivity, producing impeccable light quality. Each of the four LiteFlow Cine Light Reflector Panels comes with different reflectivity ratings (D1, D2, D3, and D4), which produce different results depending on your lighting needs

Godox F800R KIT 1 Knowled Flexible RGB LED Light 120x120cm

Godox GD-F800R (GD/F800R, GD_F800R, GDF800R, GD F800R) F800R KIT 1 Knowled Flexible RGB LED Light 120x120cm The Godox F800R is a 4'x4' flexible RGB full-colour LED mat panel designed for film, television, and video production. It delivers 900W output with a wide colour-temperature range of 1,800–10,000K and Green/Magenta adjustment, providing high CRI and TLCI for accurate colour rendering. The panel supports wireless control via CRMX, Bluetooth, and the Godox Light App, and is compatible with DMX512, Art-Net, and ACN protocols. The F800R features a foldable, lightweight construction with bend-resistant LEDs and a reinforced metal frame for easy rigging. Its IP54 rating ensures operation in dusty or wet environments, and it runs on 48V DC power.

Godox F600BI Knowled Flexible LED Light 120x120cm

Godox GD-F600BI (GD/F600BI, GDF600BI, GD F600BI, GD_F600BI) F600BI Knowled Flexible LED Light 120x120cm The Godox KNOWLED F600Bi is a high-power, bi-colour flexible LED mat designed for film, television, and commercial video production. It delivers up to 600 W output with adjustable colour temperature between 2800 K and 6500 K. The light supports DMX512 control, 2.4 GHz wireless via the RC-R9 remote, and Bluetooth control through the Godox Light App. Its foldable 120×120 cm panel provides soft, even illumination and can be positioned in confined or difficult spaces. The LED mat offers flicker-free operation for slow-motion filming and features IP65-rated weather resistance. Four dimming curves allow precise intensity adjustments, and the included X-frame mounts to standard light stands.

Godox F400R KIT 1 Knowled Flexible RGB LED Light 60x120cm

Godox GD-F400R (GD/F400R, GDF400R, GD F400R, GDF400R) F400R KIT 1 Knowled Flexible RGB LED Light 60x120cm The Godox F400R is a 2x4' RGB cine LED light mat designed for film, broadcast, and commercial video applications. It delivers 460W of output with a wide colour temperature range from 1,800K to 10,000K and includes Green/Magenta adjustment. The panel features a CRI ≥ 96 and TLCI ≥ 98 for accurate colour rendering. It can be controlled wirelessly via LumenRadio CRMX, Bluetooth, or the Godox Light App and is compatible with DMX512 and Ethernet protocols. The F400R supports V-mount battery operation and includes a foldable, lightweight design with a reinforced X-bracket for flexible mounting and storage.

Godox F400BI Knowled Flexible LED Light 60x120cm

Godox GD-F400BI (GD/F400BI, GD_F400BI, GDF400BI, GD F400BI) F400BI Knowled Flexible LED Light 60x120cm The Godox KNOWLED F400Bi is a high-power, flexible bi-colour LED mat light designed for film, television, and commercial video production. It delivers up to 400 W of soft, even illumination across a 60 × 120 cm panel, with adjustable colour temperature from 2700 K to 6500 K. The unit supports DMX512, CRMX (with TimoLink Receiver), 2.4 GHz wireless control, and Bluetooth operation via the Godox Light App. The LED mat provides flicker-free output suitable for slow-motion filming, with four selectable dimming curves for precise light control. It features a foldable design for placement in confined spaces and an aluminium X-Frame for mounting on standard stands. The LED mat itself is IP65 rated for water resistance, while the controller box is not.

Godox F200SR KIT 1 Knowled Flexible RGB LED Light 30x120cm

Godox GD-F200SR (GD/F200SR, GD_F200SR, GDF200SR, GD F200SR) F200SR KIT 1 Knowled Flexible RGB LED Light 30x120cm The Godox F200SR is a high-powered, foldable RGB LED light mat panel designed for film, television, and commercial video applications. It delivers 200W of output with a wide colour temperature range of 1,800–10,000K, supporting accurate colour rendering with CRI ≥96 and TLCI ≥98. The panel features Green/Magenta adjustment and can be controlled via DMX512, CRMX, or the Godox Light App through Bluetooth. It is IP54-rated for dust and water resistance and can be powered by V-mount batteries for on-location use. The flexible design and enhanced metal X-bracket allow placement in tight or difficult spaces while maintaining stability.

Godox F200R KIT 1Knowled Flexible RGB LED Light 60x60cm

Godox GD-F200R (GD/F200R, GD_F200R, GDF200R, GD F200R) F200R KIT 1Knowled Flexible RGB LED Light 60x60cm The Godox F200R is a foldable 2'x2' RGB LED light mat designed for studio and location use. It delivers high colour accuracy with a CRI of ≥96 and TLCI of ≥97, and a wide colour temperature range of 1,800–10,000K with Green/Magenta adjustment. The panel supports wireless control via CRMX, Bluetooth, and the Godox Light App, and can also be operated through DMX512. Its IP54 rating provides dust and water resistance for outdoor applications. The F200R can be powered by V-mount batteries and features a reinforced X-bracket for versatile mounting. The panel folds for compact storage and maintains consistent colour across multiple units.  

Godox F200BI Knowled Flexible LED Light

Godox GD-F200BI (GD/F200BI, GD_F200BI, GDF200BI, GD F200BI) F200BI Knowled Flexible LED Light The Godox F200Bi is a 200 W bi-colour foldable LED mat panel designed for film, television, and broadcast production. Its foldable 60×60 cm design allows flexible placement in tight or unusual spaces, while providing soft, even lighting. Colour rendition is high, with CRI and TLCI values of ≥96. The panel supports DMX512 control, LumenRadio CRMX (with TimoLink receiver), 2.4 GHz wireless via RC-R9 remote, and Bluetooth via the Godox Light App. Four dimming curves are available for precise light adjustment. The LED mat delivers flicker-free output at any frame rate or shutter angle, and its IP65-rated panel allows use in outdoor or humid conditions.

Godox F100R KIT 1 Knowled Flexible RGB LED Light 30x60cm

Godox GD-F100R (GD/F100R, GD_F100R, GDF100R, GD F100R) F100R KIT 1 Knowled Flexible RGB LED Light 30x60cm The Godox F100R 1x2' is a flexible RGB LED light mat designed for professional film, broadcast, and video applications. It delivers adjustable output across a wide colour temperature range of 1,800–10,000K, with Green/Magenta correction, and maintains high colour fidelity with a CRI of ≥96 and TLCI of ≥98. The light mat can be controlled via DMX512, CRMX, Bluetooth, or the Godox Light App, and includes a V-mount battery option for portable use. Its IP54 rating ensures reliable operation in various environmental conditions. The panel is foldable for compact storage and features an enhanced metal bracket for secure mounting.

Godox Knowled Pixel Tube Light 4inch

Godox GD-TP4R (GD/TP4R, GD_TP4R, GDTP4R, GD TP4R) Knowled Pixel Tube Light 4inch The Godox KNOWLED TP4R is a 4-foot RGBWW pixel LED tube designed for cinematic and practical lighting applications. It provides adjustable colour temperatures from 2000K to 10,000K and full hue control across 360°, supporting precise and versatile lighting setups. The high pixel density allows for smooth per-pixel motion and realistic lighting effects. It supports multiple control methods including DMX, wireless CRMX, LumenRadio, and the Godox Light App, with 8-bit and 16-bit operation modes for fine colour and brightness control. The light features 17 built-in effects and can be mapped for lifelike projections, aiding digital compositing and VFX workflows. It is IP65-rated and shockproof up to 1m, with a flip-capable LCD display for convenient operation.

Godox Knowled Pixel Tube Eight-Light Kit TP4R with Flight Case CB79

Godox GD-TP4R-K8 (GD/TP4R-K8, GD/TP4R/K8, GDTP4RK8, GD TP4R K8) Knowled Pixel Tube Eight-Light Kit TP4R with Flight Case CB79 The Godox KNOWLED TP4R-K8 is a professional RGBWW pixel LED tube lighting kit designed for cinematic and studio applications. Each tube supports a colour temperature range from 2000K to 10,000K and full 360° hue control, with 17 built-in lighting effects including dynamic pixel effects. The kit can be controlled via DMX, CRMX wireless, or LumenRadio systems and supports 8-bit and 16-bit modes for precise colour and brightness management. The tubes are IP65-rated and shockproof up to 1 m, with an onboard LCD screen that can be flipped 180° for convenience. The included TP-P600 power box allows connection and simultaneous power management of all eight tubes.

Godox Knowled Pixel Tube Four-Light Kit TP4R with CB77

Godox GD-TP4R-K4 (GD/TP4R-K4, GD/TP4R/K4, GDTP4RK4, GD TP4R K4) Knowled Pixel Tube Four-Light Kit TP4R with CB77 The Godox Knowled TP4R-K4 is a 4' pixel LED tube video light kit consisting of four individual tubes. Each tube provides RGBWW output with a colour temperature range of 2000K to 10,000K and full hue control across 360°. The lights feature high pixel density, enabling per-pixel control and realistic cinematic effects. Control options include wired DMX, wireless CRMX, LumenRadio, and the Godox Light App. The kit supports built-in lighting effects and video mapping for practical lighting and VFX integration. Each tube is IP65-rated for weather resistance and shockproof up to 1 m. The onboard LCD display can be flipped 180° for convenience.

Godox TP2R Knowled Pixel Tube Light 2inch

Godox GD-TP2R (GD/TP2R, GD_TP2R, GDTP2R, GD TP2R) TP2R Knowled Pixel Tube Light 2inch The Godox KNOWLED TP2R is a 2’ wireless RGBWW pixel LED tube light designed for cinematic lighting applications. It features high pixel density with individual pixel control, enabling realistic lighting effects and video projection mapping. The colour temperature ranges from 2,000K to 10,000K with full hue adjustment, and it offers 17 built-in lighting effects, including dynamic pixel modes. Control options include wireless CRMX, LumenRadio, wired DMX, and app integration via Godox Light App, LumiAir, Blackout, and MadMapper. The light is IP65-rated, shockproof to 1 m, and includes an onboard LCD screen with 180° flip functionality.

Godox Knowled Pixel Tube Four-Light Kit TP2R with CB76

Godox GD-TP2R-K4 (GD/TP2R-K4, GD/TP2R/K4, GDTP2RK4, GD TP2R K4) Knowled Pixel Tube Four-Light Kit TP2R with CB76 The Godox Knowled TP2R-K4 is a 2’ RGBWW pixel LED tube light designed for cinematic and practical lighting applications. It features high pixel density for smooth per-pixel motion and realistic lighting effects. Colour temperature is adjustable from 2000K to 10,000K, with full 360° hue control and 17 built-in lighting effects. The tube supports wireless CRMX, LumenRadio, DMX control, and the Godox Light App, and is compatible with mapping software for projecting video content. It is IP65-rated, shockproof up to 1m, and includes an onboard LCD screen with a 180° flip function for convenient monitoring.

Godox P300R SOFT Knowled Pixel Panel LED Light 1x1

Godox GD-P300R (GD/P300R, GDP300R, GD P300R, GD_P300R) P300R SOFT Knowled Pixel Panel LED Light 1x1 The Godox KNOWLED P300R is a high-output RGBWW LED pixel panel designed for film, television, and virtual production. It features four independently controllable pixels, enabling custom pixel mapping and dynamic lighting effects. The panel supports variable colour temperature from 1,800K to 10,000K with high colour accuracy (CRI ≥96, TLCI ≥96, CQS ≥95). Control options include DMX512, RDM, ArtNet, sACN, LumenRadio CRMX, and the Godox KNOWLED app. The built-in cooling system manages the 350W output efficiently. Flicker-free operation allows for high-speed and slow-motion filming.

Godox MS60R KNOWLED LED Light

Godox GD-MS60R (GD/MS60R, GD_MS60R, GDMS60R, GDMS60R) MS60R KNOWLED LED Light The Godox KNOWLED MS60R is a compact RGB LED video light designed for flexible placement in studio or location lighting setups. It supports multiple colour control modes, including CCT and full RGB operation, allowing precise adjustment of colour and effects. Wireless CRMX control is built in via a LumenRadio chip, with additional remote control available through the Godox KNOWLED and Light mobile applications. NFC functionality enables quick connection to supported control apps. The light can be powered using a removable rechargeable battery, mains power, or an optional E27 socket adapter, depending on the setup requirements. A dedicated lens-reflector is included to significantly increase usable light output when required.

Godox MS60R 4K KNOWLED LED Four Light Kit

Godox GD-MS60R-4K (GD/MS60R-4K, GD/MS60R/4K, GDMS60R4K, GD MS60R 4K) MS60R 4K KNOWLED LED Four Light Kit The Godox KNOWLED MS60R 4K is a compact RGB LED video light kit consisting of four units suitable for cinematic, theatrical, and studio use. Each light weighs 311g and supports multiple colour modes including CCT, HSI, X-Y, and FX. Power can be supplied via removable batteries, mains, or E27 sockets with the included adapter. Brightness can be enhanced using the lens reflector or DL5 Lite Parallel Beam Booster with SZL2 zoom lens. Wireless control is available through CRMX, NFC, and the Godox KNOWLED or Light Apps. The kit includes a magnetic modifier set and is compatible with various light-shaping accessories.  

Godox MS60R 2K KNOWLED LED Two Light Kit

Godox GD-MS60R-2K (GD/MS60R-2K, GDMS60R-2K, GD MS60R-2K, GDMS60R-2K) MS60R 2K KNOWLED LED Two Light Kit The Godox KNOWLED MS60R 2K Twin Kit comprises two super-compact RGB LED video lights designed for flexible placement in studio or location environments. Each light supports multiple colour modes, including CCT, HSI, X-Y, and FX, enabling precise colour and effects control. The units feature integrated CRMX via a LumenRadio chip, allowing wireless control from compatible consoles, as well as operation through the Godox KNOWLED and Light mobile apps. NFC functionality enables fast pairing with supported control apps. Power can be supplied via a removable battery, mains power using the GaN-based adapter, or an optional E27 socket adapter. The MS60R system supports a dedicated magnetic and optical modifier ecosystem for beam shaping and output control.

Godox MS60BI KNOWLED LED Light

Godox GD-MS60BI (GD/MS60BI, GD_MS60BI, GDMS60BI, GD MS60BI) MS60BI KNOWLED LED Light The Godox KNOWLED MS60Bi is a compact bi-colour LED video light designed for flexible integration into professional lighting systems. It features adjustable output across a 2800K to 6500K colour temperature range and includes built-in FX modes. The light supports multiple power sources, including a removable battery, mains power via an external adapter, and E27 socket operation when used with an optional adapter. Wireless control is available through integrated CRMX using a LumenRadio chip, as well as via the Godox KNOWLED and Godox Light mobile applications. NFC functionality allows quick pairing and configuration within supported control systems.

Godox MS60BI 4K KNOWLED LED Four Light Kit

Godox GD-MS60BI-4K (GD/MS60BI-4K, GD_MS60BI-4K, GDMS60BI-4K, GD MS60BI-4K) MS60BI 4K KNOWLED LED Four Light Kit The Godox KNOWLED MS60Bi Four-Light Kit is a compact bi-colour LED lighting system designed for professional video and production environments. Each light delivers 60 W output with an adjustable colour temperature range from 2800K to 6500K and built-in FX modes. The lights support CRMX wireless control through an integrated LumenRadio chip, alongside Bluetooth app control using the Godox KNOWLED and Light apps with NFC pairing. Flexible power options allow operation via rechargeable batteries, mains power, or E27 socket solutions when used with compatible accessories. The system is part of the KNOWLED MS/RS-series ecosystem, supporting a wide range of optical and magnetic light modifiers.

Godox MS60BI 2K KNOWLED LED Two Light Kit

Godox GD-MS60BI-2K (GD/MS60BI-2K, GD_MS60BI-2K, GDMS60BI-2K, GD MS60BI-2K) MS60BI 2K KNOWLED LED Two Light Kit The Godox KNOWLED MS60Bi 2K Twin Kit consists of two compact bi-colour LED video lights designed for integration into professional lighting systems. Each light delivers 60 W output with an adjustable colour temperature range from 2800K to 6500K, along with built-in FX modes. The lights support wireless CRMX control through an integrated LumenRadio chip and can also be managed via the Godox KNOWLED and Godox Light apps, with NFC for fast connection. Multiple power solutions are supported, including removable rechargeable batteries, mains power via a GaN-based adapter, and optional E27 socket operation. The system is compatible with a dedicated range of optical and magnetic modifiers for controlled light shaping.

Godox M600R Knowled COB LED Light with BR45 and CS20

Godox GD-M600R (GD/M600R, GD_M600R, GDM600R, GD M600R) M600R Knowled COB LED Light with BR45 and CS20 The Godox Knowled M600R is a 720W RGBWW COB LED hard light designed for cine and broadcast lighting applications. It provides variable colour temperature from 2500K to 10,000K, with full RGB, HSI and CCT control, including green/magenta adjustment for colour balancing. Output is adjustable from 0.1% to 100% with selectable dimming curves and flicker-free performance suitable for high-speed filming. The light delivers high colour accuracy with CRI 96+ and TLCI 97+. It supports multiple professional control protocols including DMX512, CRMX, sACN and Art-Net, with optional app control via Bluetooth when used with the TimoLinkTRX. The light body and controller are IP54 rated for use in challenging environments.

Godox M300BI Knowled LED Light with CB49

Godox GD-M300BI (GD/M300BI, GD_M300BI, GDM300BI, GD M300BI) M300BI Knowled LED Light with CB49 The Godox KNOWLED M300Bi is a 330 W bi-colour LED studio light designed for professional video and broadcast applications. It provides adjustable output from 0 to 100% with fine 0.1% control and selectable dimming curves for precise light management. The bi-colour design allows colour temperature adjustment between 2800 K and 6500 K, with high colour accuracy rated at CRI 96+ and TLCI 97+. The light supports multiple control methods including onboard controls, Bluetooth app control, optional wireless remote, and DMX512. It can be powered by AC mains or by two V-mount batteries for location use and features a quiet active cooling system. A Bowens S-Type mount enables compatibility with a wide range of light modifiers.

Godox MG2400BI-K2 Knowled LED Light with Flight Case FC05

Godox GD-MG2400BI-K2 (GD/MG2400BI-K2, GD/MG2400BI/K2, GDMG2400BIK2, GD MG2400BI K2) MG2400BI-K2 Knowled LED Light with Flight Case FC05 The Godox MG2400Bi is a high-power bi-colour LED videography light designed for broadcast, film, and theatrical applications. It delivers a stable 2600W output across all colour temperatures, with CRI and TLCI values exceeding 96 for accurate colour reproduction. The unit supports DMX512, CRMX, Bluetooth, and Ethernet control, and can be operated via Godox remote controllers or the KNOWLED App. Its G-Mount system recognises connected modifiers and automatically adjusts colour temperature for consistency. The MG2400Bi features a separate controller box, an 8m connection cable, and a detachable cooling fan for efficient heat management. Flicker-free performance ensures high-framerate shooting, while the light is IP54-rated and operates in extreme environmental conditions.

Godox MG1200R K3 Knowled RGB LED Light with Flight Case

Godox GD-MG1200R-K3 (GD/MG1200R-K3, GD/MG1200R/K3, GDMG1200RK3, GD MG1200R K3) MG1200R K3 Knowled RGB LED Light with Flight Case The Godox KNOWLED MG1200R is a high-power RGB LED cine light designed for professional film and broadcast environments. It delivers 1500W of output with a wide 1800K–10000K colour temperature range and full-colour RGB control. Output can be adjusted from 0.1% to 100% with fine dimming resolution and stable, flicker-free performance. The fixture supports multiple colour and effects modes, including CCT, HSI, RGBW, GEL, and FX. Integrated control options include DMX, CRMX, Ethernet, Bluetooth, and onboard operation, allowing integration into complex lighting networks. The MG1200R uses the Godox G-mount system for compatibility with dedicated high-output modifiers.

Atomos Ninja RAW 5" HDMI Recorder with CFexpress

Atomos Ninja RAW HDMI & CFexpress 5-inch monitor-recorder with camera control Atomos Ninja RAW is a compact 5-inch HDR monitor-recorder built for high-quality capture and precise on-set monitoring in filmmaking, broadcast, and content creation. Featuring a bright 1500-nit HDR touchscreen, it delivers excellent visibility in both indoor and outdoor environments. Direct HDMI recording enables Apple ProRes and ProRes RAW capture straight from the camera sensor to CFexpress Type B or external USB-C storage for fast, reliable performance. Ninja RAW supports professional codecs including ProRes RAW, ProRes RAW HQ, ProRes 422, ProRes 422 HQ, and ProRes LT, with seamless compatibility across leading NLE platforms. USB-C camera control (for supported models) provides access to start/stop, ISO, shutter, aperture, and white balance directly from the touchscreen. Advanced monitoring tools include EL Zone™ false colour, waveform, vectorscope, and focus peaking, while creative features such as Onion Skin overlay enable frame-accurate alignment for VFX, animation, and continuity-critical production.   With dual USB-C ports for storage or network adaptors, flexible power options for studio or field use, and a rugged production-ready design, Ninja RAW combines professional monitoring and advanced ProRes RAW recording in a compact, next-generation device.

BirdDog MAKI Live 4K Streaming Camera with NDI® | HX & Built-in Battery

MAKI Live- 4K Portable Live Streaming camera with NDI | HX, 3x Optical Zoom, HALO Tally, WiFi 6 and inbuilt battery MAKI Live is a compact, professional 4K portable live streaming camera designed for creators who need broadcast-quality video anywhere. Ideal for live streaming, teaching, podcasting, worship, and remote production, MAKI Live combines powerful imaging, wireless connectivity, and all-day portability in one easy-to-use system. Capture crisp, professional-grade 4K video with vibrant colour and fine detail, powered by BirdDog’s imaging expertise. The 3× optical zoom allows full-resolution framing without image degradation, while ultra-fast TOF autofocus locks onto subjects instantly—even during fast movement or changing lighting conditions. Designed for true mobility, MAKI Live features a built-in battery delivering up to 6 hours of continuous operation, eliminating the need for external power or cables. Integrated Wi-Fi and NDI® | HX support enables low-latency, high-efficiency video streaming over IP networks, making it easy to integrate into modern wireless production workflows. The signature HALO Tally system provides a bright, 360° on-air indicator, clearly showing when and which camera is live—perfect for professional multi-camera setups. AI gesture control lets you adjust framing with simple hand movements, while advanced AI noise reduction and built-in microphones ensure clear, natural audio. MAKI Live works seamlessly with the optional MAKI Studio iPad app and Control Surface, enabling intuitive multi-camera switching, streaming, and control from a single portable interface. Free MAKI Live control apps and BirdUI provide full access to camera settings and functions. With a standard 1/4″-20 mounting thread, MAKI Live can be mounted on tripods, clamps, or handheld rigs, making it adaptable to any setup.   Simply power it on, connect, and go live. No cables. No clutter. Just professional 4K streaming—anywhere.  

DJI Avata 2 Fly Smart Combo - 1 Battery

DJI CP.FP.00000266.01 (CP-FP-00000266-01, CP/FP/00000266/01, CPFP0000026601, CP FP 00000266 01) Avata 2 Fly Smart Combo - 1 Battery The DJI Avata 2 Fly More Combo with three batteries brings refined performance, upgraded technology, and greater creative control for both beginners and experienced FPV pilots. Designed for precision flying at low altitudes and through confined spaces, the drone offers a seamless FPV experience enhanced by new one-button acrobatic maneuvers. Its onboard camera captures clean 12MP photos and vibrant 4K HDR video, offering both a standard and dramatic 155° ultrawide field of view. To support dynamic flying, the Avata 2 features a durable integrated prop guard and an upgraded binocular fisheye visual positioning system for improved navigation and obstacle sensing. DJI Goggles N3 Included in the combo are the DJI Goggles N3, designed to provide a fully immersive first-person-view experience. The goggles support eyeglass users, making FPV accessible to a wider audience. A live video feed transmits to a Full HD 1080p60 display with a 54° field of view, enabling a realistic cockpit-like feel. Thanks to O4 video transmission, the live feed can be received from distances up to 8.1 miles. Additional features include a quick defogging mode and the ability to livestream footage directly to a smartphone with an optional USB-C connection. DJI RC Motion 3 Controller The DJI Avata 2 Fly More Combo includes the DJI RC Motion 3, which enables intuitive single-handed control through natural hand and wrist movements. This controller also interacts with the Goggles N3 interface using a built-in AR cursor for seamless menu navigation. With motion-based steering and precise responsiveness, the flying experience feels natural, direct, and deeply immersive. One-Button Acrobatic Flight Pilots can easily experiment with dynamic aerial action using one-button acrobatic functions that perform flips, rolls, and high-speed drift maneuvers. These automated stunts bring cinematic motion to videos without requiring advanced piloting skills.   Safety Features Safety has been further enhanced with backward and downward binocular visual sensors, replacing the single directional sensor found in the previous model. An integrated prop guard adds extra protection, making the drone suitable for indoor and obstacle-dense environments. Automatic return-to-home activates when the battery reaches a low level or the signal is lost, ensuring safe operation. Stabilized Footage To keep fast-paced FPV footage smooth and steady, DJI integrates both RockSteady and HorizonSteady stabilization. RockSteady reduces vibration during aggressive movement and windy conditions, while HorizonSteady maintains a level horizon even during full 360-degree rolls. O4 Long-Range Video Transmission Featuring DJI’s new O4 transmission, the Avata 2 supports extended-range operation with strong signal stability. The aircraft can transmit live footage up to 1080p100 with low latency as low as 24 ms and bit rates up to 60 Mb/s. A 2-transmitter, 4-receiver antenna array provides robust performance and interference resistance. LightCut App Compatibility The Avata 2 works seamlessly with the LightCut mobile app, which offers automated editing powered by AI. Without requiring footage downloads, the app analyzes flight patterns and camera angles to apply VFX overlays, color restoration, sound effects, transitions, and ready-to-share final cuts through its Sky VFX and One-Tap Edit features. Turtle Mode If the drone flips during flight or landing, Turtle Mode automatically repositions it for takeoff, allowing quick recovery and minimizing downtime.

DJI Avata 2 Fly Smart Combo - 3 Batteries

DJI CP.FP.00000265.01 (CP-FP-00000265-01, CP/FP/00000265/01, CP/FP/00000265-01, CPFP0000026501) Avata 2 Fly Smart Combo - 3 Batteries The DJI Avata 2 Fly More Combo with three batteries brings refined performance, upgraded technology, and greater creative control for both beginners and experienced FPV pilots. Designed for precision flying at low altitudes and through confined spaces, the drone offers a seamless FPV experience enhanced by new one-button acrobatic maneuvers. Its onboard camera captures clean 12MP photos and vibrant 4K HDR video, offering both a standard and dramatic 155° ultrawide field of view. To support dynamic flying, the Avata 2 features a durable integrated prop guard and an upgraded binocular fisheye visual positioning system for improved navigation and obstacle sensing. DJI Goggles N3 Included in the combo are the DJI Goggles N3, designed to provide a fully immersive first-person-view experience. The goggles support eyeglass users, making FPV accessible to a wider audience. A live video feed transmits to a Full HD 1080p60 display with a 54° field of view, enabling a realistic cockpit-like feel. Thanks to O4 video transmission, the live feed can be received from distances up to 8.1 miles. Additional features include a quick defogging mode and the ability to livestream footage directly to a smartphone with an optional USB-C connection. DJI RC Motion 3 Controller The DJI Avata 2 Fly More Combo includes the DJI RC Motion 3, which enables intuitive single-handed control through natural hand and wrist movements. This controller also interacts with the Goggles N3 interface using a built-in AR cursor for seamless menu navigation. With motion-based steering and precise responsiveness, the flying experience feels natural, direct, and deeply immersive. One-Button Acrobatic Flight Pilots can easily experiment with dynamic aerial action using one-button acrobatic functions that perform flips, rolls, and high-speed drift maneuvers. These automated stunts bring cinematic motion to videos without requiring advanced piloting skills. Safety Features Safety has been further enhanced with backward and downward binocular visual sensors, replacing the single directional sensor found in the previous model. An integrated prop guard adds extra protection, making the drone suitable for indoor and obstacle-dense environments. Automatic return-to-home activates when the battery reaches a low level or the signal is lost, ensuring safe operation. Stabilized Footage To keep fast-paced FPV footage smooth and steady, DJI integrates both RockSteady and HorizonSteady stabilization. RockSteady reduces vibration during aggressive movement and windy conditions, while HorizonSteady maintains a level horizon even during full 360-degree rolls. O4 Long-Range Video Transmission Featuring DJI’s new O4 transmission, the Avata 2 supports extended-range operation with strong signal stability. The aircraft can transmit live footage up to 1080p100 with low latency as low as 24 ms and bit rates up to 60 Mb/s. A 2-transmitter, 4-receiver antenna array provides robust performance and interference resistance. LightCut App Compatibility The Avata 2 works seamlessly with the LightCut mobile app, which offers automated editing powered by AI. Without requiring footage downloads, the app analyzes flight patterns and camera angles to apply VFX overlays, color restoration, sound effects, transitions, and ready-to-share final cuts through its Sky VFX and One-Tap Edit features. Turtle Mode If the drone flips during flight or landing, Turtle Mode automatically repositions it for takeoff, allowing quick recovery and minimizing downtime.    

Panasonic AG-CX18EJ Compact 4K 10bit 60p camcorder with IP connectivity

AG-CX18EJ Compact 4K 10bit 60p camcorder with IP connectivity (AG-CX18EJ) The AG-CX20 and AG-CX18 models camcorders feature state-of-the-art optical technology, in addition to a lightweight and compact chassis design that delivers increased mobility, and high-quality video production. Wide angle zoom lens for precise shooting The camcorders offer superior optical performance thanks to a powerful integrated 25mm (35mm camera equivalent.) wide angle to 600mm (AG-CX20 only.) telephoto zoom lens, with 24x optical zoom. They feature a 4-Drive Lens System that operates each lens group independently, in addition to two manual focus rings. All four cameras feature both Optical and Electric Image Stabilisation to detect and correct any unwanted camera shake through five axes, including rotational blurring. This is especially useful when shooting subjects from very high and low angles. All models provide superior focusing speed, stability, and tracking performance when shooting in both 4K and FHD, thanks to the Face Detection AF/AE feature that provides precise focusing and exposure for subjects. IP-based video for seamless streaming The high-end CX20 model will support full-HD live streaming through the next-generation, IP-based SRT protocol (To be added by firmware update.), with the CX20 and CX18 delivering simultaneous SDI/HDMI outputs. Panasonic’s CX20 also supports NDI®* HX2 IP connectivity for high-quality, low-latency live streaming in a network environment, without the need for external converters. Both the CX20 and CX18 support Real-Time Messaging Protocol (RTMP) (Supported protocols: RTSP/RTP/RTMP/RTMPS.), allowing content to be streamed live directly to social media platforms and video sharing sites, such as YouTube. Listening to the needs of the industry Panasonic’s intimate knowledge of what directors and cinematographers require from high-performance camcorders when shooting on location have been reflected within the improvements made to all four models, further increasing usability and functionality. Compact design for superior mobility The unique design of all four models enables heat to be dispersed from the front panel thanks to a slimline fan. This increases reliability and enables the body to be as small as possible. The CX20 and CX18 include Panasonic’s VW-HU1 handle unit, featuring a two-channel XLR audio input and control, and bright, adjustable LED light for shooting in low light conditions. Users can also easily operate lens zoom from the handle unit. All four camcorders support multiple bit rates and formats for a variety of requirements. When configured for 10 bit recording with an HDMI output, all models deliver 4K 60p 4:2:2 output with an external recorder. All camcorders support the MOV, MP4 and AVCHD formats, whilst the CX20 supports the P2 MXF workflow.

BirdDog 3x X4EU White + Keyboard Bundle

BirdDog X4E Ultra Bundle (White) – Pure Precision for Modern Productions Elevate your studio with the sleek, white-finish BirdDog X4E Ultra Bundle — featuring three X4E Ultra White cameras and one KBD controller for total multi-camera control. This elegant bundle delivers professional 4K60 performance, effortless network integration, and precision PTZ control — wrapped in a refined, contemporary design that fits beautifully into premium broadcast and corporate spaces. Why the White Edition Stands Out:   Three perfectly colour-matched X4E Ultra White cameras for clean, uniform visuals in bright or minimalist environments. One KBD controller for seamless operation of all cameras from a single workstation — ideal for fixed studios, boardrooms, or multi-angle productions. Combines BirdDog’s advanced imaging, AI tracking, and NDI® | HX3 performance in a wired-first design for maximum reliability.

BirdDog X4E Ultra UHD PTZ Camera - White

  X4E Advantage: Performance Without Compromise The X4E is a cutting-edge 4K60 camera that delivers BirdDog’s renowned image quality, precision robotics, and advanced AI automation — all in a wired-first design. With NDI® | HX3, a Sony 1/1.8" sensor, HALO Tally, E-Ink Display, and multiple connection options (SDI, HDMI, USB-C, and IP), the X4E ensures professional-grade results for every application. Power it via PoE or DC for maximum reliability, efficiency, and seamless integration into any production workflow. HALO Tally: Confidence in Every Shot BirdDog’s signature HALO Tally system gives you the most visible and intuitive tally indicator available. Encircling the lens with a bright, daylight-visible border, HALO ensures on-camera talent instantly knows which camera is live — enhancing communication, precision, and production flow. AI Tracking: Intelligent, Adaptive Control The X4E’s advanced AI tracking provides smooth, accurate motion that intuitively locks onto your subject. Designed to learn and adapt, it delivers consistently precise results for live streaming, education, corporate events, and studio production — always matching the pace of your workflow. NDI® | HX3: Efficiency Meets Excellence Powered by BirdDog’s best-in-class NDI® | HX3 technology, the X4E achieves stunning 4K60 image quality with ultra-low latency and minimal bandwidth usage. It’s engineered for performance in demanding IP production environments, ensuring smooth, stable, and broadcast-ready streaming every time. Power Simplified: PoE or DC Built for long-term dependability, the X4E can be powered via PoE or DC input, eliminating battery dependency and reducing maintenance. The result: streamlined setup, fewer components, and continuous, professional-grade performance. E-Ink Display: Always Clear, Always On The always-visible E-Ink Display keeps key camera info at your fingertips — from IP addresses to customizable labels* — even when powered off. This smart detail simplifies setup and management, keeping teams organized and efficient. *Custom branding feature coming soon. Perfectly Paired with X4 Ultra X4E and X4 Ultra share the same powerful foundation. Deploy X4 Ultra when mobility is key and X4E where fixed reliability is essential — or combine both for a flexible, unified production ecosystem.    

BirdDog X4E Ultra UHD PTZ Camera - Black

The X4E Advantage — Pure Performance. Zero Compromise. The BirdDog X4E is a next-generation 4K60 camera engineered for uncompromising performance. It delivers the same acclaimed BirdDog image quality, precision robotics, and advanced AI automation as the X4 Ultra — now optimized in a wired-first design. Featuring NDI® | HX3, a Sony 1/1.8” sensor, HALO Tally, an E-Ink Display, and versatile connectivity through SDI, HDMI, USB-C, and IP, the X4E integrates seamlessly into any professional production environment. Powered via PoE or DC, it’s built for reliability, longevity, and all-day operation. HALO Tally — Visibility Meets Precision. Professional productions demand instant visual feedback. BirdDog’s signature HALO Tally surrounds the lens with a bright, daylight-visible ring — giving on-camera talent clear confirmation of which unit is live. It’s an intuitive, elegant system that keeps your team in perfect sync. AI Tracking — Smarter Control. Smoother Results. With BirdDog’s intelligent AI tracking, the X4E locks onto subjects naturally and consistently. Its adaptive algorithms deliver smooth, cinematic motion for lectures, live events, and fixed studio broadcasts alike — learning and refining as your workflow evolves. NDI® | HX3 — Maximum Quality, Minimal Bandwidth. Leveraging BirdDog’s industry-leading implementation of NDI® | HX3, the X4E achieves stunning image fidelity with ultra-low latency and efficient network use. It’s streaming performance you can depend on — engineered to exceed NDI certification standards and optimized for demanding IP infrastructures. Power Simplified — PoE or DC. Eliminate the clutter of external power supplies. The X4E operates through Power over Ethernet or DC input, offering plug-and-play simplicity and fewer failure points — ensuring consistent, professional-grade uptime. E-Ink Display — Always On. Always Informative. Even when powered off, the E-Ink Display stays readable — showing IP addresses, labels, and status at a glance. This smart interface keeps every unit identifiable and organized during setup or downtime. (Custom branding support coming soon.) Perfectly Paired with X4 Ultra.   Built on the same DNA, X4E and X4 Ultra complement each other seamlessly — one wired for reliability, the other wireless for freedom. Together, they form the ultimate hybrid production ecosystem for any modern studio.

HedBox MEGABANK-4S Intelligent Digital Quad Battery Charger System

HedBox HEDMEGABANK4S (HED-MEGABANK-4S, HED/MEGABANK/4S, HED/MEGABANK-4S, HED MEGABANK 4S) MEGABANK-4S Intelligent Digital Quad Battery Charger System Hedbox MEGABANK-4S is an Intelligent Digital Quad Battery Charger system with four V-Mount (V-Lock) Batteries featuring simultaneous charging and UPS/Power Bank capabilities. LED status indicators provide clear, accurate and precise reporting while integrated support stands ensure stable operation when only one battery is mounted. The included 4-pin XLR female to male DC Power Cable (RPC-DC4X4) enables the MEGABANK-4S to be used as a Power Bank, providing power to the DC output from the AC-input or fitted V-Lok batteries. DC output power of up to 14.5V 4.5A 75W is available. When running as a Power Bank should the AC-input fail, then the power to the DC is seamlessly switched to a fitted battery, and then to the second battery upon depletion of the first battery, then to the third battery upon depletion of the second battery, and to the forth battery upon depletion of the third battery. This UPS and Continuous Power Supply feature provides a valuable and constant DC power supply for audio, video and lighting equipment with total independence of the regular grid power supply. FULL LED Display Screen LED display provides a clear, accurate, and precise display of power status, charging status, battery channel status, and power bank mode of all 4 Channels. The displayed charging mode (Adapter UPS LED Light ON) provides a clear insight into which channel (CH1, CH2, CH3, or CH4) of the power bank mode is active. With a bright and intense light, the readout function is enabled in the dark. DC Out 16.5V / 4.5A With a 4-pin XLR female connector on the front panel, the GIGABANK system provides extra DC output for supplying constant power to external units like professional camcorders, video monitors, LED lights, and other professional broadcast products. Connected with specially designed Hedbox professional high flexibility power cable RPC-DC4X4-4pin XLR female to male (included in the box), the charger can be used as an AC-DC adaptor of DC 14.5V/4.5A, 75W output. 4-ch Sequential Power Mode Hedbox GIGABANK offers a 4-channel sequential power mode. It allows you to work with 1, 2, 3, or even 4 batteries in the system. When using a 2-channel battery for power, the system will use the battery in channel 1 first, and then the battery in channel 2 when it is first discharged. If using full power bank mode in all 4-channel batteries, the system uses all 4 batteries in the system, discharging the batteries in sequences 1 / 2 / 3, and finally the last 4th battery. This method provides an uninterrupted power supply without delay. Charging Technology Intelligent Charging Systems of MEGABANK integrate the control systems within the charger and the electronics within the battery to allow precision control over the charging process. As a safety precaution with high-capacity batteries, a pre-charging stage (trickle charge) is used. Constant current/constant voltage (CC/CV) charging mode is an effective way to charge lithium batteries. It is used to charge the battery from 0% to 80% (RED light ON). When the battery is charged to 80%, impulse voltage charging (GREEN Light ON) takes over until the battery reaches 100%. The charger CPU automatically adjusts the charging current to be lower than the max charging current that the battery can accept. When the battery is fully charged, this state is stopped. High-Quality Aluminium V-lock release Adopting technology that allowed us to use a high-quality aluminum alloy V-lock release, the lock and unlock provide up to 10,000 cycles for a V-mount battery on the plate.

Samyang AF 18mm F2.8 Sony FE - 8011

Samyang AF 18mm F2.8 Sony FE - 8011 Autofocus, full frame, compact, ultra wide-angle lens - Sony FE Mount   Tiny But Super Wide Breathtakingly lightweight with super wide angle of view, Tiny but amazing in performance. The AF 18mm F2.8 FE is the first ultra-wide-angle lens from the Tiny series lineup. Its unbelievable lightweight (145g), super wide-angle of view (100Ëš), easily holdable in one hand, high performance and spectacular design make this lens perfect for mirrorless cameras and offer incomparable satisfaction to the users.   A Tiny, Ultra-Lightweight Lens At 145g (excl. hood & cap), this is the most lightweight & compact lens in the current AF 18mm wide-angle segment. Without a heavy lens weighing you down, you can effortlessly photograph every precious moment.   A Prime Lens with 8 Specialized Elements A prime lens that contains 8 specialized elements out of 9 in total (3 aspherical, 2 high refractive, 3 low dispersion) means a high level of sharpness, with low chromatic aberration and minimal distortion, for excellent landscape pictures, indoor shots, travel photos, and astrophotography...all in high definition, with clear colours, allowing a beautiful finish to any photograph.   Employs a Linear Stepping Motor The lens delivers fast & stable autofocusing by using a Linear Stepping Motor. The enhanced Samyang AF turns every moment into a work of art you can experience.   A Wide-Angle Lens with Depth With the full-frame 100Ëš angle of view of the AF 18mm F2.8 FE, you can capture sweeping vistas in one magnificent shot. Its ability to demonstrate a broad depth and perspective enables every photographer to show off their creative side.   The Ultimate Travel Companion With minimal size, a wide angle-of-view and amazing definition, travellers can capture every magical vacation moment. The lens combines Samyang’s signature refinement and colour rendering, all in one lightweight lens, made for travel.   A Multi-Use Lens for Any Occasion Whether you want to capture nature’s magnificence with a gimbal for stabilized filming, or even a drone, the AF 18mm F2.8 FE is the perfect compact lens to fulfil all your photography needs.

Samyang AF 14-24mm F2.8 Sony FE - 8018

Samyang AF 14-24mm F2.8 Sony FE - 8018 Versatile Super-Wide ZOOM Lens - FE   The AF 14-24mm F2.8 FE is a super-light and compact super-wide zoom lens, measuring only 88.8mm (3.5in) in length and weighing 445g. Even when fully zoomed out, the lens remains compact.   The lens, a remarkable joint development between Schneider-Kreuznach and LK Samyang, offers outstanding performance in every situation while maintaining a compact design.   Experience the ultimate super wide-angle zoom lens (114.2º - 84.1º), engineered for a true 14mm focal length. Perfect for capturing the beauty of landscapes, cityscapes, night skies, architecture, interiors, and environmental portraits, this lens inspires creativity in every shot.   Superb Resolution Crisp and Clear, Even in the Dark Experience superb resolution across the entire expansive frame—from the center to the far edges. With an advanced optical design of 15 elements in 11 groups, it delivers exceptional sharpness even at its wide-open f/2.8.   Its effective correction of chromatic aberration and sagittal coma positions it as the go-to lens for capturing breathtaking nightscapes and astrophotography.   Super Precise Fast, Quiet, and Accurate Autofocus Featuring a SAMYANG linear stepping motor, this lens provides fast and silent autofocus performance. Its accurate focus tracking guarantees sharp images, even when photographing fast-moving subjects.   Super Close-Up Go Closer, Go Bolder With a consistent minimum focusing distance of just 0.18m from 14mm to 24mm, you can achieve up to 0.26x magnification for impactful close-up shots. An ultra-wide perspective enhances scale, making nearby objects stand out dramatically against a beautifully blurred background.   Filter Play. No Limits This lens stands out from conventional ultra-wide zooms by allowing the easy attachment of 77 mm front filters. This feature lets you use polarizers and ND filters to achieve desired effects and enhance image quality.   User-Friendly Features The lens is designed with user-friendly focus and zoom rings, alongside a reliable AF/MF switch on the barrel, ensuring that you can make quick adjustments to your settings with ease.   Custom Button The default setting for the custom button is the focus lock. While you hold the button, the current focus is locked, and releasing it will disable this function. You also have the flexibility to customize this button to suit your preferred function through the camera body settings at any time. Aperture Ring Additionally, with the Samyang Lens Manager, you can confidently use the focus ring as an aperture ring in autofocus (AF) mode, giving you enhanced control and flexibility in your photography. Easy Firmware Update The lens is equipped with a USB port that allows for seamless firmware updates via a direct cable connection. This ensures easy access to the latest software features and performance enhancements.   Weather Sealing The lens features weather-sealing, providing protection against water droplets, light rain, snow, and dust. *The lens is not guaranteed to be dust- and drip-resistant in all situations and under all conditions.

Samyang AF 35-150mm F2-2.8 Sony FE - 8017

Samyang AF 35-150mm F2-2.8 Sony FE - 8017 Autofocus, full frame, wide-angle to short-telephoto zoom lens - Sony FE Mount The Samyang AF 35–150mm F2–2.8 is a fast, all-round zoom lens designed for versatility and performance. With a bright F2 aperture at 35mm and F2.8 at 150mm, it covers five key focal lengths—35mm, 50mm, 85mm, 135mm, and 150mm—making it ideal for portraits, events, travel, and commercial shoots. Incorporating Samyang’s 2nd Generation premium design, the lens fully supports Sony mirrorless features including Hybrid AF, Eye AF, Direct Manual Focus (DMF), and AF Assist for seamless operation. Offering a wide zoom range in a single compact lens, it eliminates the need to switch lenses frequently, enhancing convenience for photographers who want flexibility without compromising image quality. Optimized for portraiture, it also performs exceptionally well for everyday and professional content creation. The lens construction features 21 elements in 18 groups, including 2 ASP, 1 HB, 3 HR, and 6 ED elements, ensuring outstanding optical performance, sharpness, and contrast from edge to edge. The Linear Stepping Motor (STM) provides fast, precise, and near-silent autofocus, perfect for both stills and video, while maintaining accurate focus tracking from close-up to infinity. Its bright aperture also enables creative depth of field, higher shutter speeds, and cleaner low-light shots. With an F2–F2.8 aperture and 9 diaphragm blades, the lens produces a smooth, creamy bokeh that beautifully separates the subject from the background. The elegant 2nd Generation design introduces Samyang’s hidden red ring, improved tactile feedback for focus and zoom rings, and a lock switch to secure the lens at 35mm during transport. Advanced functionality includes two soft focus buttons that can store focus points and three customizable mode switches programmable via the Samyang Lens Station, offering added creative control for different shooting styles. For video creators, the lens supports Dolly Zoom effects, cinematic autofocus with smooth transitions, linear manual focus control, and digital par-focal technology that maintains focus while zooming—features typically found in high-end cine lenses.   Built for durability, the lens features weather sealing at 11 key points, protecting it from dust, light rain, and snow for reliable outdoor performance. With a minimum focusing distance of 0.33m at 35mm and 0.85m at 150mm, it excels at close-up photography, capturing striking portraits, product shots, and food imagery with pleasing background blur.

Samyang V-AF 20mm T1.9 Sony FE - 6852

Unified Form Factor – Compact & Lightweight The Samyang V-AF series is designed with a unified form factor across five focal lengths (from ultra-wide to medium-telephoto), ensuring seamless compatibility with gimbals and drones. Measuring only 73 × 70mm and weighing under 300g, it allows quick lens changes without the need to rebalance or reset your equipment—perfect for fast-paced shoots. Tally Lamp – Enhanced Convenience A built-in tally lamp positioned on the front and mount index provides an instant visual indicator of recording status. This feature makes video production easier and more efficient, even in compact setups or single-operator environments. 8K Support & Consistent Color Tone The V-AF lineup delivers 8K resolution in a compact, lightweight body, ideal for handheld, gimbal, drone, or studio shooting. Every lens in the series is color-matched, ensuring uniform tones when switching between focal lengths. The 9-blade aperture produces soft, natural bokeh for a cinematic look. Custom Switch & Button   Equipped with a Focus Save feature—typically found in professional cinema lenses—the V-AF also includes a custom switch and button that can be expanded via firmware updates. These functions offer video-specific control options, making it a perfect choice for filmmakers, students, and aspiring cinematographers.

Samyang V-AF 45mm T1.9 Sony FE - 6855

Unified Form Factor – Compact & Lightweight Design The Samyang V-AF series is engineered for maximum compatibility with gimbals and drones, featuring a unified form factor across five focal lengths (Ultra-Wide to Medium-Telephoto). Measuring just 73 × 70mm and weighing under 300g, it allows effortless lens swaps without rebalancing your rig — perfect for fast-paced shooting environments. Tally Lamp – Streamlined Video Workflow A built-in tally lamp on both the front and mount index clearly indicates when recording is in progress, ensuring smoother production flow. Ideal for compact setups or solo creators, this feature eliminates guesswork and improves usability in tight spaces. 8K Resolution & Consistent Color Tone Designed to support 8K ultra-high resolution, the V-AF series combines premium optical quality with a lightweight build, making it ideal for handheld, gimbal, drone, or studio use. All lenses are color-matched to maintain consistent tones across the range, while the 9-blade aperture produces smooth, cinematic bokeh for natural background blur. Custom Switch & Button for Creators   The lens includes a Focus Save feature—commonly found in professional cinema equipment—and a customizable mode that can be expanded via firmware updates. Tailored for filmmakers, students, and content creators, it delivers advanced cinematic control and flexibility in a compact design.

DJI Mavic 4 Pro Int. Flight Battery

DJI Mavic 4 Pro Int. Flight Battery(CP.MA.00000845.01) Whether you need a replacement or to increase the day's flight time, the Intelligent Flight Battery for Mavic 4 Pro from DJI will provide you up to 51 minutes of flying on a full charge. Inside, the battery offers 6654mAh of capacity and 95Wh of energy delivery.

IDX SP-2F Kit

IDX SP-2F (SP/2F, SP_2F, SP2F, SP 2F) SP-2F Kit Тhе ІDХ ЅР-2F Кіt іnсludеѕ twо 9900mАh ЅL-F70 bаttеrіеѕ аnd аn LС-2А сhаrgеr. ЅL-F70 bаttеrіеѕ аrе соmраtіblе wіth thе Ѕоnу L-ѕеrіеѕ, оffеrіng Х-Тар аnd UЅВ оutрutѕ fоr роwеrіng multірlе dеvісеѕ. Тhе LС-2А сhаrgеr ѕuрроrtѕ 7.4V Саnоn, Раnаѕоnіс, аnd Ѕоnу bаttеrіеѕ, fеаturіng thеrmаl mоnіtоrіng аnd оvеrсhаrgе рrоtесtіоn. Тhіѕ kіt рrоvіdеѕ а соmрасt, vеrѕаtіlе ѕоlutіоn fоr rеlіаblе роwеr оn ѕеt. SL-F70 (9900mAh Sony L-Series Battery with X-Tap & USB) Extra high-capacity 7.2V Lithium Ion battery compatible with all equipment and accessories using the Sony L-series battery. Equipped with 2 additional outputs, X-Tap & USB, to provide power to multiple accessories at once. X-Tap is an IDX proprietary output port and is different from D-Tap (7V vs 12V), but can also be a charge port using our LC-XT1 portable charger. C-XTAP2 is also available to create your own cable for your setup. LC-2A (7.4V Battery Charger w/ Interchangeable Plates) Designed with interchangeable battery interface plates, the 2-Channel LC-2A can simultaneously charge a wide range of 7.4V Canon, Panasonic, and Sony batteries. The LC-2A comes equipped with thermal monitoring and quick-charge safeguard ensuring that charging will automatically stop when the battery is fully charged.

IDX 28.8V 308Wh High Load B-Mount Battery

IDX HV-160B (HV/160B, HV160B, HV_160B, HV 160B) 28.8V 308Wh High Load B-Mount Battery IDX System Technologies proudly introduces the HV-160B and HV-320B 28.8V Li-ion B-Mount Batteries, part of the advanced IDX CinePower line. Designed for professional filmmakers, these high-capacity 160Wh and 320Wh batteries deliver reliable power to B-Mount cameras and video accessories. Built for performance and versatility, the HV Series features a robust B-Mount interface for seamless connection to cameras, lights, and other B-Mount gear. Each battery also includes D-Tap, USB-A, and USB-C ports to power multiple devices simultaneously. Supporting USB PD (Power Delivery) technology, the batteries allow up to 100W charging and 60W discharging, ensuring efficient power transfer and compatibility with digital camera interfaces. Equipped with newly developed high-energy cells, the IDX HV-160B and HV-320B offer superior durability and deliver over 10A of current for demanding professional applications.  

IDX 14.54V 289Wh High Load V-Mount with 2x DTap

IDX CUE-J300 (CUE/J300, CUEJ300, CUE_J300, CUE J300) 14.54V 289Wh High Load V-Mount with 2x DTap With nearly 300Wh of capacity, the CUE-J300 battery contains the most watt hours IDX has ever put into a single battery. Its impressive performance is perfect for use with high-draw lights, power-hungry cameras, and suitable for all types of production applications. The CUE-J300 is a high-capacity battery with a double-housing structure that ensures strength unique to a large battery and comes equipped with a new safety mechanism between cells to achieve IDX quality. Like all prior CUE series batteries, the CUE-J300 comes standard with 2x D-Tap output rated at 100W max each to power 12V accessories taking a high load, which can be used to power small lights and power-saving monitors. The CUE-J300 has a battery charge check status with a 5-level LED display, which lights up only when pressing the check button (when on: battery is fully charged, when on: battery charging required). IDX CUE-J300 users will not find themselves short on power!

BirdDog O4 Outdoor 4K PTZ Camera - Grey

BirdDog BDO4GR (BD-O4GR, BD/O4GR, BD_O4GR, BD O4GR) O4 Outdoor 4K PTZ Camera - Grey The BirdDog O4 is a professional-grade outdoor PTZ camera built to deliver reliable performance where conventional systems fall short. Its rugged die-cast, IP66-rated housing is engineered for extreme environments, operating flawlessly between –40 °C and +60 °C. A built-in heater prevents condensation, while hydrophobic, smudge-resistant lens coatings ensure clear optics without the need for wipers—guaranteeing uninterrupted operation in rain, dust, snow, or heat. Built for image excellence, the O4 features a 1/1.8" CMOS sensor capable of capturing 4K60 with exceptional color accuracy, flexible gamma, exposure, and wide dynamic range controls. A 30× optical zoom (extendable to 60× in HD) enables precise long-range coverage, while a 500 m infrared laser combined with automatic B/W night mode ensures visibility even in complete darkness. Installation is streamlined with a sealed undercarriage design that conceals all cabling, incorporating built-in strain relief and three weatherproof flanges. Power options include PoE++ for simplified single-cable setups or external DC input. Connectivity is versatile, offering 12G-SDI, HDMI, and SFP+ fiber to accommodate IP, hybrid, and baseband workflows. The advanced streaming architecture supports simultaneous Full NDI® and NDI® HX3, alongside dual streaming of NDI with SRT, RTMP, or RTSP for maximum workflow flexibility. AI-powered autotracking provides customizable motion profiles—fast and responsive for sports or smooth and controlled for events and worship—delivering natural, human-like framing. Fully integrated into the BirdDog ecosystem, O4 works seamlessly with BirdUI, Central, Connect, and the BirdDog Keyboard (KBD), and is firmware-ready for NDI 6.2. From stadiums and smart-city surveillance to perimeter security, outdoor worship, and large-scale live productions, the BirdDog O4 combines all-weather durability with broadcast-quality imaging and installer-friendly design. It is outdoor production, redefined.

BirdDog O4 Outdoor 4K PTZ Camera - White

BirdDog BDO4W (BD-O4W, BD/O4W, BD_O4W, BD O4W) O4 Outdoor 4K PTZ Camera - White The BirdDog O4 is a professional-grade outdoor PTZ camera built to deliver reliable performance where conventional systems fall short. Its rugged die-cast, IP66-rated housing is engineered for extreme environments, operating flawlessly between –40 °C and +60 °C. A built-in heater prevents condensation, while hydrophobic, smudge-resistant lens coatings ensure clear optics without the need for wipers—guaranteeing uninterrupted operation in rain, dust, snow, or heat. Built for image excellence, the O4 features a 1/1.8" CMOS sensor capable of capturing 4K60 with exceptional color accuracy, flexible gamma, exposure, and wide dynamic range controls. A 30× optical zoom (extendable to 60× in HD) enables precise long-range coverage, while a 500 m infrared laser combined with automatic B/W night mode ensures visibility even in complete darkness. Installation is streamlined with a sealed undercarriage design that conceals all cabling, incorporating built-in strain relief and three weatherproof flanges. Power options include PoE++ for simplified single-cable setups or external DC input. Connectivity is versatile, offering 12G-SDI, HDMI, and SFP+ fiber to accommodate IP, hybrid, and baseband workflows. The advanced streaming architecture supports simultaneous Full NDI® and NDI® HX3, alongside dual streaming of NDI with SRT, RTMP, or RTSP for maximum workflow flexibility. AI-powered autotracking provides customizable motion profiles—fast and responsive for sports or smooth and controlled for events and worship—delivering natural, human-like framing. Fully integrated into the BirdDog ecosystem, O4 works seamlessly with BirdUI, Central, Connect, and the BirdDog Keyboard (KBD), and is firmware-ready for NDI 6.2. From stadiums and smart-city surveillance to perimeter security, outdoor worship, and large-scale live productions, the BirdDog O4 combines all-weather durability with broadcast-quality imaging and installer-friendly design. It is outdoor production, redefined.

BirdDog XL Ultra 4K60 UHD PTZ Camera - White

BirdDog BDXLUW (BD-XLUW, BD/XLUW, BD_XLUW, BD XLUW) XL Ultra 4K60 UHD PTZ Camera - White This isn’t just another PTZ — it’s a powerhouse built around a massive 4/3" CMOS sensor, the kind typically reserved for high-end cinema and DSLR cameras. Combined with a 20× optical zoom (40× in HD), OLPF, and ND filters, the XL delivers true cinematic depth, exceptional low-light performance, and razor-sharp clarity that redefines what a PTZ can do. But the XL goes beyond sensor size. Its innovative dual-camera design pairs a main PTZ with a 100° panoramic camera, both shooting in 4K60, both independently adjustable, and both capable of simultaneous output. One system, two perspectives, limitless creative freedom. AI tracking is powered by an advanced neural processor, ensuring natural framing with human-like precision. Premium-grade motors and a next-generation thermal system guarantee whisper-smooth, near-silent movement — keeping the focus on your subject, not the hardware. Connectivity leaves no compromises: 12G-SDI, HDMI, SFP+ fiber, PoE++, and balanced XLR audio. Simultaneous Full NDI® and NDI® HX3 streaming, plus dual-stream support with SRT, RTMP, or RTSP, make it ready for any workflow — broadcast, AV, XR, or virtual production. Signature BirdDog details elevate the XL Ultra even further: customizable RGB Halo Tally, dual side e-ink displays, and a rear numbering tally system. It’s a PTZ that not only performs like cinema but looks the part too. From studios and XR stages to houses of worship and arena productions — the XL Ultra is built to lead.

BirdDog XL Ultra 4K60 UHD PTZ Camera - Black

BirdDog BDXLUB (BD-XLUB, BD/XLUB, BD_XLUB, BD XLUB) XL Ultra 4K60 UHD PTZ Camera - Black This isn’t just another PTZ — it’s a powerhouse built around a massive 4/3" CMOS sensor, the kind typically reserved for high-end cinema and DSLR cameras. Combined with a 20× optical zoom (40× in HD), OLPF, and ND filters, the XL delivers true cinematic depth, exceptional low-light performance, and razor-sharp clarity that redefines what a PTZ can do. But the XL goes beyond sensor size. Its innovative dual-camera design pairs a main PTZ with a 100° panoramic camera, both shooting in 4K60, both independently adjustable, and both capable of simultaneous output. One system, two perspectives, limitless creative freedom. AI tracking is powered by an advanced neural processor, ensuring natural framing with human-like precision. Premium-grade motors and a next-generation thermal system guarantee whisper-smooth, near-silent movement — keeping the focus on your subject, not the hardware. Connectivity leaves no compromises: 12G-SDI, HDMI, SFP+ fiber, PoE++, and balanced XLR audio. Simultaneous Full NDI® and NDI® HX3 streaming, plus dual-stream support with SRT, RTMP, or RTSP, make it ready for any workflow — broadcast, AV, XR, or virtual production. Signature BirdDog details elevate the XL Ultra even further: customizable RGB Halo Tally, dual side e-ink displays, and a rear numbering tally system. It’s a PTZ that not only performs like cinema but looks the part too. From studios and XR stages to houses of worship and arena productions — the XL Ultra is built to lead.  

Canon EOS C50 Cinema Camera

Canon 7034C011AA (70-34C0-11AA, 70/34C0/11AA, 70-34C0/11AA, 70 34C0 11AA) EOS C50 Cinema Camera The Canon EOS C50 is designed for creators who thrive under pressure—built for professionals working solo or in small crews. From interviews to social content, weddings to indie films, this ultra-lightweight camera earns its spot on every production. As Canon’s smallest professional cinema camera, it opens the door to true cinematic storytelling. Powered by a 7K Full Frame sensor, the EOS C50 delivers Open Gate RAW recording, 32MP stills, and pro-level connectivity in a sleek, modular design. Positioned between the EOS R5 C and C70, it bridges the gap between Canon’s V Series and Cinema EOS lineup, offering creators advanced video performance without fully stepping into high-end cinema gear. It’s Canon’s fifth RF-mount Cinema EOS model and the second hybrid in the series, blending mirrorless flexibility with cinema-grade features. Cinematic 7K Full Frame Capture Capture breathtaking detail with Canon’s 7K Full Frame CMOS sensor, Dual Base ISO (800/6400), and 15+ stops of dynamic range. Shoot 32MP stills at 40fps with ISO up to 64,000, or create oversampled 4K with Canon’s signature color science. Open Gate Flexibility Record in 12-bit RAW (6960x4640, 3:2) for ultimate versatility—perfect for widescreen, vertical, or anamorphic formats. Switch seamlessly between Full Frame, Super 35mm, and Super 16mm crop modes. RF Mount Versatility Take advantage of Canon’s RF mount with access to prime, zoom, hybrid, and cinema lenses, plus metadata support, fast AF/IS, and full compatibility with PL/EF lenses via adapters. Precision Autofocus Experience lightning-fast autofocus with Dual Pixel CMOS AF II, enhanced face, eye, and animal tracking, EOS iTR AF X, Focus Guide, and fully customizable AF speed controls. High Frame Rates Record Cinema RAW Light up to 7K 60p, plus 4K 120p and 2K 180p. Capture oversampled 4K 10-bit XF-AVC or HEVC in multiple formats, with CFexpress Type B and UHS-II SD card slots for smooth workflows and proxy recording. Professional Connectivity Includes HDMI, timecode, mic and headphone ports, USB-C, and a detachable handle with dual XLR inputs. Built-in Wi-Fi and USB-C enable IP streaming, UVC/UAC output, remote control, and Multi-Function Shoe support. Compact, Ergonomic Design Canon’s most compact Cinema EOS features a 3" articulating touchscreen, detachable top handle, 14 assignable buttons, tally lamp, active cooling, and multiple mounts—ideal for handheld use, gimbals, or drones. Multi-Camera Ready Seamlessly integrate with Canon’s XC Protocol accessories and apps for live production, studio control, or multi-cam setups with timecode sync and unified settings management. Future-Ready for VFX & VR The EOS C50 supports real-time lens metadata for virtual production, fully compatible with Unreal Engine and After Effects. Pair it with Canon’s RF 5.2mm Dual Fisheye to capture immersive 180° VR experiences.

Libec multi-protocol converter for LXePed 2, LXePed Studio & LXePedPRO

Libec multi-protocol converter for LXePed 2, LXePed Studio & LXePedPRO(MPC-1) Libec MPC-1 multi-protocol converter for LX-ePed 2, LX-ePed 2 Studio and LX-ePed PRO, enables control of electric pedestals via PTZ controller and via the original PC application, LX-ePed PC APP, offering a wide range of optional settings. With support for IP connectivity, the system also enables remote operations, making Libec pedestals even more versatile and suitable for a variety of shooting scenarios. The MPC-1 supports the following Internet protocols: XC (Canon), VISCA over IP (SONY), AW (Panasonic). This smart device allows LX-ePed 2, LX-ePed 2 Studio, and LX-ePed PRO to be connected to IP over closed and secure networks, such as a VPN, for remote operations. IP-compatible PTZ controllers can raise/lower connected electric pedestals with the joystick. The MPC-1 supports the following serial communications: NU (Canon), VISCA (SONY), AW (Panasonic). Compatible PTZ controllers can raise/lower the top column of the electric pedestal connected with the joystick. The dedicated PC application “LX-ePed PC APP” provides additional optional settings, including upper column speed adjustment and presetting of precise positions. For serial communication, directly connect the MPC-1 to a PC via a USB cable. For IP communication, connect the MPC-1 to the Internet via a LAN cable.   Because the MPC-1 is equipped with an LCD monitor and user-friendly buttons, the various settings can be completed only with the MPC-1, without using a computer or other devices. The setup page is simple and smart, allowing quick transition between protocols. The MPC-1 is specifically designed to have a specific power source, not to be powered by the electrical pedestals. This is because a separate power source will provide a constant voltage to the MPC-1, ensuring a strong and stable connection.

Libec Electric pedestal with Floor Spreader for PTZ cameras

Libec Electric pedestal with Floor Spreader for PTZ cameras(LX-ePed2) Raise and lower your mounted camera of choice with this LX-ePed 2 Electric Pedestal Column with Ground Spreader from Libec thanks to its handheld controller and working height range of 37.5 to 97.2". Mount a camcorder, PTZ, or other recording device on the tripod using the 1/4"-20 and 3/8"-16 screws on its 100mm ball head and 22 lb load capacity. LAN ports on both the pedestal column and controller unit allow the devices to communicate using the included LAN cable. The cable features a length of 98.4', allowing you to operate at a distance. The elevation rocker on the controller allows for the intuitive raising and lowering of the tripod's center column up to 15.7". Continuous operation can be performed for three minutes at a time. An optional MPC-1 multi-protocol converter makes the system compatible with PTZ controllers and PC applications for precise adjustment. The included ground spreader provides additional security to the system, and an AC/DC power adapter provides power.

Libec HS-450MQ Tripod System with Mid-Level Spreader

Libec HS-450MQ Tripod System with Mid-Level Spreader(HS-450MQ) This HS-450MQ Tripod System from Libec features 2-stage legs with an 88.1 lb load capacity, a 75mm fluid head, a compatible mid-level spreader, three rubber feet, and a carrying case to bring it to the set. Intuitive adjustment of pan, tilt, and counterbalance makes for a customizable experience. Aluminum construction creates a lightweight and durable tripod design. Libec H45 75mm Ball and Flat Base Video Head with Pan Handle (26.5 lb Payload) Integrate a fluid head into your tripod configuration with various adjustment features using this H45 75mm Ball and Flat Base Video Head with Pan Handle from Libec. An included pan handle makes for easy movement up and down or side to side. Independent pan and tilt adjustments make movements intuitive and smooth. The H45 head has a load capacity of 26.5 lb and an adjustable counterbalance range of 9.9 to 23.1 lb. Your camera is secured via a 1/4"-20 screw and locating pin, and additional 3/8"-16 and 1/4"-20 screws are included for further attachments. The head also comes with a long sliding plate with one 3/8"-16 screw and one 1/4"-20 screw. An illuminated bubble level ensures your configuration is level when mounted onto tripod legs. The H45 is compatible with Manfrotto or Sachtler heads. Libec QL40B 2-Stage Lightweight Aluminum Tripod with 75mm Bowl The QL40B 2-Stage Lightweight Aluminum Tripod with 75mm Bowl from Libec is a durable tripod capable of accommodating larger cine rigs thanks to its 88.1 lb load capacity. A 75mm bowl head allows you to integrate a wide variety of fluid heads into your tripod configuration. A 21.6 to 71.6" working height range of the 2-stage legs can be adjusted using the flip-style quick locks. Three 1/4"-20 and 3/8"-16 threads on the legs allow you to integrate additional accessories. Libec BR-2B Mid-Level Spreader for RT20C and RT30B Tripods   The BR-2B Mid-Level Spreader from Libec is designed to offer added stability to RT20C and RT30B tripods. It installs onto the mid-level leg stage and can adjust the length of each arm by sliding them out and tightening them with locking knobs. Best used on uneven surfaces where ground spreaders won't lie flat, the BR-2B also keeps the tripod's legs from twisting.

Libec HS-350MQ Tripod System with mid-level spreader

Libec HS-350MQ Tripod System with mid-level spreader(HS-350MQ) This HS-350MQ Tripod System from Libec features 2-stage legs with an 88.1 lb load capacity, a 75mm fluid head, a compatible mid-level spreader, three rubber feet, and a carrying case to bring it to the set. Intuitive adjustment of pan, tilt, and counterbalance makes for a customizable experience. Aluminum construction creates a lightweight and durable tripod design. Libec H35 75mm Ball and Flat Base Video Head with Pan Handle (17.6 lb Payload) Integrate a fluid head into your tripod configuration with various adjustment features using this H35 75mm Ball and Flat Base Video Head with Pan Handle from Libec. An included pan handle makes for easy movement up and down or side to side. Independent pan and tilt adjustments make movements intuitive and smooth. The H35 head has a load capacity of 17.6 lb and an adjustable counterbalance range of 6.6 to 16.5 lb. Your camera is secured via a 1/4"-20 screw and locating pin, and additional 3/8"-16 and 1/4"-20 screws are included for further attachments. The head also comes with a long sliding plate with one 3/8"-16 screw and one 1/4"-20 screw. An illuminated bubble level ensures your configuration is level when mounted onto tripod legs. The H35 is compatible with Manfrotto or Sachtler heads. Libec QL40B 2-Stage Lightweight Aluminum Tripod with 75mm Bowl The QL40B 2-Stage Lightweight Aluminum Tripod with 75mm Bowl from Libec is a durable tripod capable of accommodating larger cine rigs thanks to its 88.1 lb load capacity. A 75mm bowl head allows you to integrate a wide variety of fluid heads into your tripod configuration. A 21.6 to 71.6" working height range of the 2-stage legs can be adjusted using the flip-style quick locks. Three 1/4"-20 and 3/8"-16 threads on the legs allow you to integrate additional accessories. Libec BR-2B Mid-Level Spreader for RT20C and RT30B Tripods The BR-2B Mid-Level Spreader from Libec is designed to offer added stability to RT20C and RT30B tripods. It installs onto the mid-level leg stage and can adjust the length of each arm by sliding them out and tightening them with locking knobs. Best used on uneven surfaces where ground spreaders won't lie flat, the BR-2B also keeps the tripod's legs from twisting. Compatibility Libec RT20C and RT30B tripods Libec Lightweight Rubber Foot for RT20C Tripod (Set of 3) These Lightweight Rubber Feet for RT20C Tripod from Libec provide improved traction on polished floors and other slick surfaces when using the RT20C carbon fiber tripod. They attach and remove quickly and prevent marring surfaces. Libec RC-40 Carrying Case The Libec RC-40 Carrying Case (Black) is a non-padded, vinyl case designed to carry a Libec RT-40 tripod with an RH-40 tripod head attached. It is carried by a handle or a removable, adjustable shoulder strap.    

Libec Tripod System with Mid-Level Spreader

Libec Tripod System with Mid-Level Spreader(HS-250MQ) This HS-250MQ Tripod System from Libec features 2-stage legs with an 88.1 lb load capacity, a 75mm fluid head, a compatible mid-level spreader, three rubber feet, and a carrying case to bring it to the set. Intuitive adjustment of pan, tilt, and counterbalance makes for a customizable experience. Aluminum construction creates a lightweight and durable tripod design. Libec H25 75mm Ball and Flat Base Video Head with Pan Handle (11 lb Payload) Integrate a fluid head into your tripod configuration with various adjustment features using this H25 75mm Ball and Flat Base Video Head with Pan Handle from Libec. An included pan handle makes for easy movement up and down or side to side. Independent pan and tilt adjustments make movements intuitive and smooth. The H25 head has a load capacity of 11 lb and an adjustable counterbalance range of 3.7 to 9.9 lb. Your camera is secured via a 1/4"-20 screw and locating pin, and additional 3/8"-16 and 1/4"-20 screws are included for further attachments. An illuminated bubble level ensures your configuration is level when mounted onto tripod legs. The H25 is compatible with Manfrotto or Sachtler heads. Libec QL40B 2-Stage Lightweight Aluminum Tripod with 75mm Bowl The QL40B 2-Stage Lightweight Aluminum Tripod with 75mm Bowl from Libec is a durable tripod capable of accommodating larger cine rigs thanks to its 88.1 lb load capacity. A 75mm bowl head allows you to integrate a wide variety of fluid heads into your tripod configuration. A 21.6 to 71.6" working height range of the 2-stage legs can be adjusted using the flip-style quick locks. Three 1/4"-20 and 3/8"-16 threads on the legs allow you to integrate additional accessories. Libec BR-2B Mid-Level Spreader for RT20C and RT30B Tripods The BR-2B Mid-Level Spreader from Libec is designed to offer added stability to RT20C and RT30B tripods. It installs onto the mid-level leg stage and can adjust the length of each arm by sliding them out and tightening them with locking knobs. Best used on uneven surfaces where ground spreaders won't lie flat, the BR-2B also keeps the tripod's legs from twisting. Compatibility Libec RT20C and RT30B tripods Libec Lightweight Rubber Foot for RT20C Tripod (Set of 3) These Lightweight Rubber Feet for RT20C Tripod from Libec provide improved traction on polished floors and other slick surfaces when using the RT20C carbon fiber tripod. They attach and remove quickly and prevent marring surfaces. Libec RC-40 Carrying Case   The Libec RC-40 Carrying Case (Black) is a non-padded, vinyl case designed to carry a Libec RT-40 tripod with an RH-40 tripod head attached. It is carried by a handle or a removable, adjustable shoulder strap.

Libec HS-150MQ Tripod System w/ mid-level spreader

Libec HS-150MQ Tripod System w/ mid-level spreader(HS-150MQ) This HS-150MQ Tripod System from Libec features 2-stage legs with an 88.1 lb load capacity, a 75mm fluid head, a compatible mid-level spreader, three rubber feet, and a carrying case to bring it to the set. Intuitive adjustment of pan, tilt, and counterbalance makes for a customizable experience. Aluminum construction creates a lightweight and durable tripod design. Libec H15 75mm Ball and Flat Base Video Head with Pan Handle (6.6 lb Payload) Integrate a fluid head into your tripod configuration with various adjustment features using this H15 75mm Ball and Flat Base Video Head with Pan Handle from Libec. An included pan handle makes for easy movement up and down or side to side. Independent pan and tilt adjustments make movements intuitive and smooth. The H15 head has a load capacity of 6.6 lb and an adjustable counterbalance range of 1.7 to 4.4 lb. Your camera is secured via a 1/4"-20 screw and locating pin, and additional 3/8"-16 and 1/4"-20 screws are included for further attachments. An illuminated bubble level ensures your configuration is level when mounted onto tripod legs. The H15 is compatible with Manfrotto or Sachtler heads. Libec QL40B 2-Stage Lightweight Aluminum Tripod with 75mm Bowl The QL40B 2-Stage Lightweight Aluminum Tripod with 75mm Bowl from Libec is a durable tripod capable of accommodating larger cine rigs thanks to its 88.1 lb load capacity. A 75mm bowl head allows you to integrate a wide variety of fluid heads into your tripod configuration. A 21.6 to 71.6" working height range of the 2-stage legs can be adjusted using the flip-style quick locks. Three 1/4"-20 and 3/8"-16 threads on the legs allow you to integrate additional accessories. Libec BR-2B Mid-Level Spreader for RT20C and RT30B Tripods The BR-2B Mid-Level Spreader from Libec is designed to offer added stability to RT20C and RT30B tripods. It installs onto the mid-level leg stage and can adjust the length of each arm by sliding them out and tightening them with locking knobs. Best used on uneven surfaces where ground spreaders won't lie flat, the BR-2B also keeps the tripod's legs from twisting. Compatibility Libec RT20C and RT30B tripods Libec Lightweight Rubber Foot for RT20C Tripod (Set of 3) These Lightweight Rubber Feet for RT20C Tripod from Libec provide improved traction on polished floors and other slick surfaces when using the RT20C carbon fiber tripod. They attach and remove quickly and prevent marring surfaces. Libec RC-40 Carrying Case   The Libec RC-40 Carrying Case (Black) is a non-padded, vinyl case designed to carry a Libec RT-40 tripod with an RH-40 tripod head attached. It is carried by a handle or a removable, adjustable shoulder strap.

Libec NX-300MQ Tripod System w/ Mid-Level Spreader

Libec NX-300MQ Tripod System w/ Mid-Level Spreader(NX-300MQ) This NX-300Q Tripod System from Libec features 2-stage legs with an 88.1 lb load capacity, a 75mm fluid head, a compatible ground spreader, and a carrying case to bring it to the set. Intuitive adjustment of pan, tilt, and counterbalance makes for a customizable experience. Aluminum construction creates a lightweight and durable tripod design. Libec NH30 75mm Ball/Flat Base Video Head with Pan Handle (22 lb Payload) Designed to support small camera rigs weighing up to 22 lb, the NH30 75mm Ball/Flat Base Video Head with Pan Handle from Libec features a unified ball/flat mount design. The base of the tripod can fit either in a standard 75mm bowl or on a flat mount with a 3/8"-16 screw. Having both options available means you can transfer the head from a tripod with a bowl mount to a flat mount slider.   To achieve proper balance, the NH30 head includes a snap-on/off camera plate that can slide up to 1.2" of fore/aft adjustment, and it features 1/4"-20 and 3/8"-16 camera mounting screw options. The screw and locating pin are moveable to orient the plate on the camera to achieve the best possible balance. Once the camera is balanced, the continuous counterbalance and pan/tilt drag controls provide smooth movement. On the side, there are 1/4"-20 and 3/8"-16 threads to mount a variety of accessories such as a light, monitor, or extension arm. Included with the NH30 is a pan handle that can be placed on the right or left side of the head by screwing it onto one of the mounts. The LED-illuminated bubble level helps to level the camera on uneven surfaces, even in low light. Libec QL40B 2-Stage Lightweight Aluminum Tripod with 75mm Bowl The QL40B 2-Stage Lightweight Aluminum Tripod with 75mm Bowl from Libec is a durable tripod capable of accommodating larger cine rigs thanks to its 88.1 lb load capacity. A 75mm bowl head allows you to integrate a wide variety of fluid heads into your tripod configuration. A 21.6 to 71.6" working height range of the 2-stage legs can be adjusted using the flip-style quick locks. Three 1/4"-20 and 3/8"-16 threads on the legs allow you to integrate additional accessories. Libec Long Sliding Plate S for TH-X, TH-Z, NH10 & NH30 Heads This Long Sliding Plate S from Libec helps to properly balance a heavier camera or camera rig with a longer lens on select tripod heads. This 9.4" long plate is constructed from an aluminum alloy and offers a 3.7" sliding range. It is compatible with Libec TH-X, TH-Z, NH10, and NH30 heads, as well as select Manfrotto and Sachtler heads.

Accsoon CineView Master 4K TX 4K60 Wireless Video Transmission System

Accsoon ACSWIT07TX (ACS-WIT07TX, ACS/WIT07TX, ACS WIT07TX, ACS_WIT07TX) CineView Master 4K TX 4K60 Wireless Video Transmission System (Transmitter only) Experience high quality details with CineView Master 4K. From input to output, this fully end-to-end 4K60 solution offers stunning 4K resolution at a fluid 60 frames per second, perfect for monitoring, recording, live-streaming and any other video productions. Cutting-Edge Wireless Technology Pioneering Multi-Frequency Transmission Accsoon Tri-Band transmission technology is a quantum leap forward from the previous Dual-Band transmission technology. Based on the proprietary RTMS 4.0 protocol developed by Accsoon, it integrates 2.4GHz, 5GHz, and all-new 6GHz frequencies, enabling intelligent dynamic adjustment of audio and video data across three bands, promising greater robustness, faster connection times, lower latency, and the ability to gracefully manage multiple connections. Accsoon Tri-Band Transmission vs. SDR Greater interference resistance Wider bandwidth Better transmission efficiency 25 ms Best in Class Latency Follow the Moment, Focus the Frame Accsoon CineView Master 4K significantly reduces latency from input to output to only 25ms. This near real-time performance is notably faster and directly addresses the demands of cinematographers, camera operators and assistants, ensuring precision and efficiency in fast-paced filming environments, enhancing overall productivity in professional filmmaking. Maximized Creative Range Within Reach Accsoon CineView Master 4K with its original revolutionary Tri-band transmission technology and innovative hardware design, achieves an impressive 2.5 km ultra-long transmission distance. Distance is no barrier to the CineView Masrer 4K. Not only does it work over vast distances, it does so with incredible stability, pushing the limits to make it the highest performing Accsoon system to date. Direct On-camera Video Output to Your iPhone/iPad Superb Image Quality Resolution Up to 4K60 Apple Standard Display iPhone and iPad displays have been designed, tested, and manufactured for Apple quality and performance standards. Charge Your iOS Device Charge the connected iPhone or iPad at the same time over Lightning or USB-C. Wired Connection Without Latency Create smoothly and seamlessly, with every detail in real time. Camera to Cloud Easily share your creations to Frame.io through the C2C integration, enabling real-time automatic uploads from almost any camera to the cloud. Compatible with: iPhone/iPad equipped with Apple A14 proccesor and above [3] Versatile Wireless Connections for Any Production Crew CineView Master 4K Receiver Delivers stable, high-quality video transmission for sharp and smooth on-site monitoring. Wireless Monitoring Made Easy with Accsoon SEE App Adapts to versatile shooting needs, stays flexible and efficient even during fast movements. Empowered 8K Processor Wireless Optimized to Perfection Accsoon developed the proprietary RTMS 4.0 protocol to work with the new High-Performance A/V Processor with 8K capabilities. In combination the protocol and the processor represent a remarkable 400% increase in processing capabilities. Driving even greater performance for synchronized multi-video streams, the processor can effortlessly manage Tri-Band multi-stream video transmission even under the most demanding conditions. Measured when shooting 1080p/60fps video under low bitrate. Measured when shooting 1080p/60fps video under low bitrate with FCC compliance in an unobstructed, interference-free environment. iPhone 12 above and later; iPad Pro 12.9-inch Gen 3 above and later; iPad Pro 11-inch Gen 3 above and later; iPad Gen 9 above and later; iPad Air Gen 4 above and later; iPad mini 6. Requires separate purchase.

Accsoon CoMo SE 2.4GHz Full-duplex Wireless Intercom System - 1 Host 2 Remote

Accsoon ACSMIC031H2R (ACS-MIC031H2R, ACS/MIC031H2R, ACS MIC031H2R, ACS_MIC031H2R) CoMo SE 2.4GHz Full-duplex Wireless Intercom System - 1 Host 2 Remote The Accsoon CoMo SE is a 2.4GHz full-duplex wireless intercom system, engineered for seamless communication with a range of up to 1312ft(400m). It supports up to 5 users to communicate together, ensuring reliable and efficient coordination in diverse applications. With the advanced ENC(Environment Noise Cancellation) and 30+ hours of noise-free communication, Accsoon CoMo SE is professional in dependable, long-lasting performance. Up to 400m Transmission Range No Limitation in Communication Accsoon CoMo SE boasts an impressive transmission range of up to 400 meters, ensuring reliable connectivity even over extended distance. This extended range capability makes it ideal for various applications where maintaining strong, consistent signals is critical, offering users the flexibility and confidence to operate efficiently within a broad area. External Antenna Design for Wireless Stability With external antenna design, the Accsoon CoMo SE maintains an operational range of up to 1312ft/400m in a dependable connection between host and remote headsets. Exceptional Battery Life up to 30+ Hours The Accsoon CoMo SE offers an exceptional battery life of over 30 hours, ensuring long-lasting performance for extended use without frequent recharging, providing users with the convenience and reliability needed for continuous operation. Environment Noise Cancellation for Voice Clarity The Accsoon CoMo SE features advanced ENC (Environment Noise Cancellation) technology, effectively reducing background noise to deliver crystal-clear audio quality. This cutting-edge noise cancellation ensures that your communication remains uninterrupted and focused, even in noisy environments.

Accsoon CineView Master 4K60 Wireless Video Transmission System - RX

Accsoon ACSWIT07RX (ACS-WIT07RX, ACS/WIT07RX, ACS WIT07RX, ACS_WIT07RX) CineView Master 4K60 Wireless Video Transmission System - RX (Receiver only) Experience high quality details with CineView Master 4K. From input to output, this fully end-to-end 4K60 solution offers stunning 4K resolution at a fluid 60 frames per second, perfect for monitoring, recording, live-streaming and any other video productions. Cutting-Edge Wireless Technology Pioneering Multi-Frequency Transmission Accsoon Tri-Band transmission technology is a quantum leap forward from the previous Dual-Band transmission technology. Based on the proprietary RTMS 4.0 protocol developed by Accsoon, it integrates 2.4GHz, 5GHz, and all-new 6GHz frequencies, enabling intelligent dynamic adjustment of audio and video data across three bands, promising greater robustness, faster connection times, lower latency, and the ability to gracefully manage multiple connections. Accsoon Tri-Band Transmission vs. SDR Greater interference resistance Wider bandwidth Better transmission efficiency 25 ms Best in Class Latency Follow the Moment, Focus the Frame Accsoon CineView Master 4K significantly reduces latency from input to output to only 25ms. This near real-time performance is notably faster and directly addresses the demands of cinematographers, camera operators and assistants, ensuring precision and efficiency in fast-paced filming environments, enhancing overall productivity in professional filmmaking. Maximized Creative Range Within Reach Accsoon CineView Master 4K with its original revolutionary Tri-band transmission technology and innovative hardware design, achieves an impressive 2.5 km ultra-long transmission distance. Distance is no barrier to the CineView Masrer 4K. Not only does it work over vast distances, it does so with incredible stability, pushing the limits to make it the highest performing Accsoon system to date. Direct On-camera Video Output to Your iPhone/iPad Superb Image Quality Resolution Up to 4K60 Apple Standard Display iPhone and iPad displays have been designed, tested, and manufactured for Apple quality and performance standards. Charge Your iOS Device Charge the connected iPhone or iPad at the same time over Lightning or USB-C. Wired Connection Without Latency Create smoothly and seamlessly, with every detail in real time. Camera to Cloud Easily share your creations to Frame.io through the C2C integration, enabling real-time automatic uploads from almost any camera to the cloud. Compatible with: iPhone/iPad equipped with Apple A14 proccesor and above [3] Versatile Wireless Connections for Any Production Crew CineView Master 4K Receiver Delivers stable, high-quality video transmission for sharp and smooth on-site monitoring. Wireless Monitoring Made Easy with Accsoon SEE App Adapts to versatile shooting needs, stays flexible and efficient even during fast movements. Empowered 8K Processor Wireless Optimized to Perfection Accsoon developed the proprietary RTMS 4.0 protocol to work with the new High-Performance A/V Processor with 8K capabilities. In combination the protocol and the processor represent a remarkable 400% increase in processing capabilities. Driving even greater performance for synchronized multi-video streams, the processor can effortlessly manage Tri-Band multi-stream video transmission even under the most demanding conditions. Measured when shooting 1080p/60fps video under low bitrate. Measured when shooting 1080p/60fps video under low bitrate with FCC compliance in an unobstructed, interference-free environment. iPhone 12 above and later; iPad Pro 12.9-inch Gen 3 above and later; iPad Pro 11-inch Gen 3 above and later; iPad Gen 9 above and later; iPad Air Gen 4 above and later; iPad mini 6. Requires separate purchase.  

Accsoon CineView 2 SDI 1500ft Wireless Video Transmission System - TX/RX

Accsoon ACSWIT08S (ACS-WIT08S, ACS/WIT08S, ACS WIT08S, ACS_WIT08S) CineView 2 SDI 1500ft Wireless Video Transmission System - TX/RX Unmatched Stability with Extended Range The CineView 2 is the latest innovation in Accsoon’s renowned CineView series, building on patented U.S. Dual-Band 2.4GHz + 5GHz technology. Featuring a brand-new antenna design, it delivers seamless 1080P 60fps video and audio transmission over an impressive 1500ft (450m) line-of-sight range, all while maintaining ultra-low latency under 50ms. Reliable Dual-Band Transmission with Enhanced Range Proven in the field, Accsoon’s Dual-Band transmission technology—now paired with a redesigned antenna—ensures unmatched stability, even across longer distances. Next-Gen Antenna Design for Superior Signal Strength Continuing to redefine wireless performance, the CineView 2’s upgraded antenna system outperforms the CineView SE and HE, pushing the range further to a remarkable 1500 feet with rock-solid reliability. Ultra-Compact and Lightweight With a sleek, compact form factor and weighing just 210g, the CineView 2 is easier to carry and quicker to rig—ideal for fast-paced production environments. Stream to Four Devices Simultaneously Each CineView 2 transmitter supports wireless video streaming to up to four devices—whether CineView receivers or smart devices (iOS and Android)—giving your crew full monitoring flexibility on set. Silent Operation for Quiet Shoots Designed without a fan, the CineView 2 offers silent operation while maintaining efficient heat dissipation—perfect for professional sets where quiet is critical. Seamless Compatibility with Existing CineView Models CineView 2 is fully backward compatible with CineView SE, HE, and Quad models, enabling users to mix and match systems as needed.

Angelbird 1TB AV PRO CFexpress 4.0 Type A Memory Card

Angelbird 1TB AV PRO CFexpress 4.0 Type A Memory Card(AB-AVP1T0CFXAMK2) Ultra high-speed media for Sony cameras with up to 8K+ RAW cinemagrade video and extended burst photography. The AV PRO CFexpress A with VPG 400 certification is designed for demanding production environments with reliable speed and performance that supports professional Sony Alpha and FX workflows.  Engineered for Sony’s range of CFexpress Type A cameras, the card offers a sustained write speed of 800 MB/s, stable stream technology, advanced thermal management, and in-house data recovery service. It also supports firmware updates directly on the card for ongoing camera compatibility and optimal performance.

Accsoon CineView 2 SDI RX 1500ft Wireless Video Transmission System

Accsoon ACSWIT08SRX (ACS-WIT08SRX, ACS/WIT08SRX, ACS WIT08SRX, ACS_WIT08SRX) CineView 2 SDI RX 1500ft Wireless Video Transmission System Exceptional Stability with Extended Range The CineView 2 is the latest evolution in Accsoon’s renowned CineView series. Building upon Accsoon’s patented Dual-Band 2.4GHz + 5GHz technology and incorporating a newly engineered antenna system, the CineView 2 delivers seamless 1080p 60fps video and audio transmission over an impressive 1500ft (450m) line-of-sight — all while maintaining ultra-low latency of under 50ms. Reliable Dual-Band Transmission Over Longer Distances Proven Wireless Stability Thanks to its refined Dual-Band connectivity and upgraded antenna design, the CineView 2 offers rock-solid performance, even at extended distances. Redesigned Antennas for Enhanced Signal Strength Accsoon continues to set the benchmark for wireless video transmission. The newly optimized antennas significantly improve signal strength and stability, outperforming previous models like the CineView SE and HE — now offering up to 1500 feet of transmission range. Compact, Lightweight, and Portable At just 210g, the CineView 2 is smaller and more portable than ever, making it quicker to rig and easier to transport — perfect for run-and-gun setups. Multi-Device Monitoring Made Easy Each CineView 2 transmitter can stream video to up to four devices simultaneously, including a mix of CineView RX units and mobile devices (iOS and Android), offering flexible monitoring options on set. Silent Operation for Professional Shoots Designed with passive cooling in mind, the CineView 2 eliminates fan noise, ensuring a silent shooting experience — ideal for film sets where audio integrity is critical. Cross-Compatible with the CineView Family The CineView 2 offers full backward compatibility with existing CineView SE, HE, and Quad models, enabling users to mix and match systems effortlessly based on their production needs.

Panasonic AW-UB50E 4K Multipurpose Box Camera

Panasonic AW-UB50E 4K Multipurpose Box Camera(PANAWUB50E) The 4K multi-purpose camera AW-UB50 delivers high-quality video and simplifies video production process whether it is corporate, education or live entertainment. Delivering stunning, vivid colour reproduction, the UB50 uses a 24.2-million pixel full-frame MOS sensor and supports IP-based transmission standards such as NDI® HX2[1].   The UB50 has been optimised for cinematic video production, featuring a shallow depth of field. The model offers real-time recognition autofocus technology, enabling the camera to automatically identify the subject and keep them in focus.   Installation flexibility is front-of-mind in the design. Both models feature a compact chassis, with a sub-10cm height, width and depth, enabling installation in the tightest of spaces. It can also be used for hand-held shooting with a Gimbal, providing greater flexibility for operators.   When linked with remote camera systems on the same network, the UB50 is fully compatible with Panasonic’s AK-HRP1010 remote operation panel, with future support planned with the AW-RP150GJ remote camera controller and Panasonic live switchers. The cameras can also act as a tally control. By installing a colour profile compatible with the Panasonic AW-UE160 4K integrated camera, it is easy to match colours in mixed operation with remote cameras.

Accsoon SeeMo Pro Adapter for iOS devices

Accsoon ACSUIT02S (ACS-UIT02S, ACS/UIT02S, ACS UIT02S, ACS_UIT02S) SeeMo Pro Adapter for iOS devices The SeeMo Pro is a monitoring/recording/streaming adapter for iOS devices that can accept HD signals up to 1080p 60fps over either HD SDI or HDMI. With HD SDI input and loop out, the SeeMo Pro SDI is incredibly power-efficient and can flexibly power iPhones and iPads. In combination with the Accsoon SEE app, it transforms iPad or iPhone into a fully featured production monitor with a complete set of professional tools. Transforms iOS Devices Into Production Monitors The Accsoon SeeMo Pro SDI is a small box that goes in-between your camera or other SDI/HDMI source and your iOS device via Lightning or USB-C cable. Professional Monitoring Solution Superb Image Quality on Latest iPhones and iPads. Live Streaming Without Limits Facebook YouTube Twitch Tik-Tok Power Your iOS Device Discover the Enhanced Power Capability of SeeMo Pro 5v | 2.4A Flexible Powering (NPF/DC) The SeeMo Pro runs off standard NP-F style batteries or via a 2-pin DC connector. NP-F style batteries 2-pin DC connector Rugged Build For Professional Work SeeMo Pro SDI features a tough lightweight aluminum body with multiple 1/4”-20 anti-rotation mounting points for flexibility. Get More Out Of Accsoon See App Gray Histogram LUTs Mirror Zebra False Colour Overlay Waveform Colour Range Audio level Marker Focus Peaking RGB Screenshot Grids Desqueeze Accsoon SDK Partners Switcher Studio TVU Networks Prolycht Zacuto

PrompterPeople Robo PTZ Teleprompter w/ 24" 16:9 3G-SDI, HDMI High Bright Monitor

Robo PTZ Teleprompter w/ 24" 16:9 3G-SDI, HDMI High Bright Monitor(ROBO-24HB) Under the spotlight of innovation, the ROBO 24" High-Bright 3G-SDI Auto-Reversing PTZ Teleprompter stands as a pinnacle of design and functionality, tailored for larger PTZ camera systems like the Sony FR-7 or dual standard-sized PTZ cameras positioned side-by-side. This advanced teleprompter is meticulously crafted to accommodate modern self-contained robotic cameras, including the Sony FR-7, Panasonic AW-HE100, Panasonic AW-UE150, and the Sony BRC series. Its universal compatibility ensures seamless integration with every PTZ camera currently available on the market. The ROBO Prompter is engineered to fully enclose the robotic camera, allowing for unrestricted camera movement while maintaining easy access to controls. Its 24" 16:9 LED LCD display supports VGA, DVI, HDMI inputs, and offers an optional 3G-SDI input, catering to diverse connectivity needs. The wide mirror frame facilitates extensive camera panning, making it ideal for traditional teleprompting, PowerPoint presentations, and tele-presence applications via Skype or VOIP. This design ensures a perfect eye-line connection between the presenter and remote viewers, making it an excellent choice for remote studios, boardrooms, and distance learning environments. Crafted with US-made optical quality glass and housed in a durable all-metal enclosure, the ROBO Prompter eschews the use of cloth, fabric, or canvas, ensuring longevity and reliability. Weighing between 20-24 lbs when installed, it is robust yet manageable. The teleprompter is US-designed, assembled, and supported, reflecting a commitment to quality and expertise in installed systems. The ROBO Prompter is compatible with the Panasonic AW-UE150K and Sony FR7, and it ships with a Sony FR7 - Panasonic AW-UE150 4K sled preinstalled. It includes two 3" riser blocks for accommodating smaller PTZ cameras. For those requiring dual smaller PTZ cameras to fit side-by-side, an upgradeable sled is available. Simply make an order note to switch to the 2 Small Camera PTZ Sled Kit for a free upgrade, though additional costs apply if both sled kits are desired. The prompting monitor features a 24" diagonal auto-reversing high brightness display with 1000 NIT, supporting 3G-SDI, VGA, HDMI, and BNC inputs/outputs, along with a 4-pin XLR power input. It is operable with an AC adapter, V-Mount, or Gold-Mount battery, ensuring flexibility in power options. When using Prompter People Auto-Reversing monitors, the need for additional software to flip the display is eliminated. However, third-party monitors may require the Flip Function in the Flip Q Software.   The tripod dimensions are thoughtfully designed, with a total weight of 23.5 lbs including glass and full assembly without the monitor. The dimensions are 27.5" in length (26" without the spout cover), 24.5" front top width, 25" front bottom width, 19.5" back bottom width, 12" back top width, and a height of 17.5". This comprehensive design ensures stability and ease of use, making the ROBO 24" High-Bright 3G-SDI Auto-Reversing PTZ Teleprompter a superior choice for professionals seeking reliability and versatility in teleprompting solutions.

Accsoon CineView HE TX HDMI Wireless Video Transmitter

Accsoon ACSWIT04HETX (ACS-WIT04HETX, ACS/WIT04HETX, ACS WIT04HETX, ACS_WIT04HETX) CineView HE TX HDMI Wireless Video Transmitter The CineView SE is a wireless video transmitter and receiver, with new best in class latency at under 50ms, the CineView SE can transmit a video source via SDI & HDMI up to 1080p 60fps inputs/outputs. It transmits the signal on 2.4GHz+5GHz Dual-Band frequencies simultaneously for increased signal stability and sends video at an impressive maximum range of 1200ft line-of-sight. Market proved wireless stability The CineView SE utilizes dual-band transmission technology, which allows it to stream video via 2.4GHz and 5GHz Wi-Fi at the same time. The receiver can then intelligently identify interference and combine the two streams to form the complete audio and video stream. Superlow. Superfar The CineView SE is the most powerful model ever created for a faster, more responsive feel. Add to that a strong and powerful enough signal that can transmit up to 1200ft distance. Compact and lightweight. Easy to rig Rugged design with a 1.3-inch OLED display that fits in the palm of your hand. The solid aerospace-grade aluminum construction keeps the weight of the units down to a minimum. Lower power draw for longer shootings Choose between an NP-F style battery, a DC input port (7.4V~16.8V) as well as a USB-C power source (5V). Enjoy monitoring on up to 4 different devices Dedicated Receiver iPhone, iPad, Android phone and tablet iMac, Macbook(M1)

Hawk-Woods BP-98X Battery

Hawk-Woods BP-98X Battery(BP-98X) Introducing the Hawk-Woods BP-98X 14.4V Battery – a compact, high-performance power solution  tailored for Sony Camcorders and Blackmagic Design Pyxis users. This battery offers unmatched flexibility, perfect for professionals needing reliable power during long shoots. With versatile output options, the BP-98X ensures all your gear stays powered up, keeping your workflow uninterrupted. The Hawk-Woods BP-98X provides a robust, efficient, and portable power solution for filmmakers and videographers, keeping you powered and prepared for any project, big or small. USB-C Power Delivery The BP-98X includes a powerful 45W USB-C port, ideal for charging devices like laptops, tablets, or smartphones quickly. It also supports charging the battery itself through this port, adding extra convenience. USB-A Power Output In addition to USB-C, the BP-98X is equipped with a USB-A port perfect for powering smaller devices such as smartphones, tablets, or portable lights. This ensures you're ready for multiple charging needs on set. D-Tap Power Outputs Equipped with two D-Tap ports, this battery can power various accessories simultaneously, offering unregulated 11-16.8V output—features usually found in larger V-mount or G-mount batteries. Clear Power Monitoring The BP-98X comes with a clear four-LED power gauge and a straightforward button interface, making it easy to check your battery levels at a glance. Long Lasting Performance With 98Wh capacity and 6600mAh, this battery is built for extended use, reducing the need for frequent recharges and supporting longer filming sessions with ease. Seamless Integration Designed for easy compatibility with Hawk-Woods chargers & most industry standard chargers. The BP-98X effortlessly fits into your existing gear setup, ensuring hassle-free power management. Fast Charing Capability The BP-98X supports full 45W USB-C Power Delivery for charging and discharging. This allows users to fast-charge the battery significantly reducing downtime between shoots. Memory & Protection The battery's microprocessor stores essential data for tracking, and the BP-98X offers Total Battery Protection, including safeguards for overdischarge, over-current, overvoltage, short-circuits, and thermal risks. Compatible with:- Sony EX1- Sony EX3- Sony F3- Sony FS5- Sony FX6- Sony FX9- Sony Z190- Sony Z280- Blackmagic Pyxis

Accsoon CineView HE RX HDMI Wireless Video Receiver

Accsoon ACSWIT04HERX (ACS-WIT04HERX, ACS/WIT04HERX, ACS WIT04HERX, ACS_WIT04HERX) CineView HE RX HDMI Wireless Video Receiver The CineView SE is a wireless video transmitter and receiver, with new best in class latency at under 50ms, the CineView SE can transmit a video source via SDI & HDMI up to 1080p 60fps inputs/outputs. It transmits the signal on 2.4GHz+5GHz Dual-Band frequencies simultaneously for increased signal stability and sends video at an impressive maximum range of 1200ft line-of-sight. Market proved wireless stability The CineView SE utilizes dual-band transmission technology, which allows it to stream video via 2.4GHz and 5GHz Wi-Fi at the same time. The receiver can then intelligently identify interference and combine the two streams to form the complete audio and video stream. Superlow. Superfar The CineView SE is the most powerful model ever created for a faster, more responsive feel. Add to that a strong and powerful enough signal that can transmit up to 1200ft distance. Compact and lightweight. Easy to rig Rugged design with a 1.3-inch OLED display that fits in the palm of your hand. The solid aerospace-grade aluminum construction keeps the weight of the units down to a minimum. Lower power draw for longer shootings Choose between an NP-F style battery, a DC input port (7.4V~16.8V) as well as a USB-C power source (5V). Enjoy monitoring on up to 4 different devices Dedicated Receiver iPhone, iPad, Android phone and tablet iMac, Macbook(M1)

Accsoon CineView M7 Pro 7inch 4K60 Wireless transmission Monitor

Accsoon ACSMIT01 (AC-SMIT01, AC/SMIT01, AC SMIT01, AC_SMIT01) CineView M7 Pro 7inch 4K60 Wireless transmission Monitor The Accsoon CineView M7 Pro is a rugged 7″ touchscreen smart monitor that combines full-featured HDMI/SDI monitoring and recording (up to 4K60 in H.264/H.265) with an integrated dual-band wireless TX/RX module supporting 350 m range and ~60 ms latency—everything powered by a robust Android-based platform with GPU and NPU acceleration. Featuring a sharp 1920 × 1200 Gorilla Glass Victus display with 100% Rec.709 coverage, 1000-nit brightness, and Delta E < 2 color accuracy, it also includes pro monitoring tools (False Color, Histogram, Zebras, Waveform, Vectorscope), LUT box functionality, cross-conversion, Wi‑Fi 6 with RTMP/SRT streaming, and flexible power via NP‑F, USB‑C PD, or DC input.

Accsoon TopRig S60 Motorized Camera Slider for Video Shooting - 60cm

Accsoon ACSAAS03 (AC-SAAS03, AC/SAAS03, AC SAAS03, AC_SAAS03) TopRig S60 Motorized Camera Slider for Video Shooting - 60cm Precision in Motion Suitable for either telephoto or macro probe lenses. Speed Control Made Simple An intuitive control knob that allows speed control from 0.1cm/s to 5cm/s. Great Power Various models of micro-single and light movie cameras can be supported at maximum bear load 2.5kg vertically and 4kg horizontally. Built-in Panel Button Control Speed Adjustment Power On/Off Loop Mode Setting AB Points Setting Start/Stop Noise Free TopRig S40/S60 is equipped with a high quality brushless motor which features powerful yet precise control and operates without noise. Smooth Start/Stop Smooth Start/Stop to ensure a complete stable video footage. NP-F Battery or DC Power Low power consumption & longer working hours. Multi-angle Movement New guide wheel tensioning design ensures continuous work and meets a variety of shooting patterns.

Accsoon TopRig S40 Motorized Camera Slider for Video Shooting

Accsoon ACSAAS01 (AC-SAAS01, AC/SAAS01, AC SAAS01, AC_SAAS01) TopRig S40 Motorized Camera Slider for Video Shooting Precision in Motion Suitable for either telephoto or macro probe lenses. Speed Control Made Simple An intuitive control knob that allows speed control from 0.1cm/s to 5cm/s. Great Power Various models of micro-single and light movie cameras can be supported at maximum bear load 2.5kg vertically and 4kg horizontally. Built-in Panel Button Control Speed Adjustment Power On/Off Loop Mode Setting AB Points Setting Start/Stop Noise Free TopRig S40/S60 is equipped with a high quality brushless motor which features powerful yet precise control and operates without noise. Smooth Start/Stop Smooth Start/Stop to ensure a complete stable video footage. NP-F Battery or DC Power Low power consumption & longer working hours. Multi-angle Movement New guide wheel tensioning design ensures continuous work and meets a variety of shooting patterns.

Accsoon CineView M7 7inch 4K60 Smart Touchscreen Monitor

Accsoon ACSMITX1 (AC-SMITX1, AC/SMITX1, AC SMITX1, AC_SMITX1) CineView M7 7inch 4K60 Smart Touchscreen Monitor The Accsoon CineView M7 is a rugged 7″ smart touchscreen monitor powered by a robust Android-based OS, featuring a sharp 1920 × 1200 Gorilla Glass Victus display with 100% Rec.709 color accuracy, 1000-nit brightness, 1500:1 contrast, and Delta E < 2 precision—ideal for accurate on-set monitoring. It offers professional HDMI and 3G‑SDI I/O, internal recording up to 4K60 (H.264/H.265 to SD, USB‑C, or SSD), and can function as a LUT box with 1D/3D LUT support (up to 4096 points) for real-time color grading. Built for versatility and mobile workflows, the M7 includes False Color, Histogram, Zebras, Waveform, Vectorscope, SDI‑HDMI cross/up/down‑conversion, Wi‑Fi 6 streaming (RTMP/SRT), dual NP‑F slots, USB‑C PD, DC power inputs, plus mic/headphone jacks and Bluetooth audio support—all in a heat-dissipating aluminum housing with multiple mounting options.    

Accsoon CoMo Wireless Intercom System - 1 Host 4 Remote

Accsoon ACSMIC021H4R (AC-SMIC021H4R, AC/SMIC021H4R, AC_SMIC021H4R, AC SMIC021H4R) CoMo Wireless Intercom System - 1 Host 4 Remote The Accsoon CoMo is a headset-based full-duplex 1.9GHz wireless intercom system with 1312ft (400m) range, allowing up to 9 users to work and communicate together. With the all-new product design and enhancement from dual-mic ENC, Accsoon CoMo provides over 10+ hours of noise-free communication experience. Industry-leading Wireless Stability and Ultra Long Transmission Range Accsoon is bringing its industry-leading wireless stability to its first wireless intercom system. 400m/1312ft The external antenna design allows the Accsoon CoMo to keep a reliable connection between host and remote headsets and an operating range of up to 400m/1312ft. Dual-Mic Environment Noise Cancellation for Voice Clarity Dual-mic is combined with advanced Environment Noise Cancellation (ENC) which detects ambient sounds and reduces it, leaving speech much clearer and more comprehensible. Ergonomic Design For All-Day Wearing Accsoon is designed with a wide range of physical adjustment for differing head sizes. Worn on both left and right. Zero Sound-leakage Allowing for easy operation and no interruption when shooting in quiet environments.

Accsoon CoMo Wireless Intercom System - 1 Host 6 Remote

Accsoon ACSMIC021H6R (AC-SMIC021H6R, AC/SMIC021H6R, AC_SMIC021H6R, AC SMIC021H6R) CoMo Wireless Intercom System - 1 Host 6 Remote The Accsoon CoMo is a headset-based full-duplex 1.9GHz wireless intercom system with 1312ft (400m) range, allowing up to 9 users to work and communicate together. With the all-new product design and enhancement from dual-mic ENC, Accsoon CoMo provides over 10+ hours of noise-free communication experience. Industry-leading Wireless Stability and Ultra Long Transmission Range Accsoon is bringing its industry-leading wireless stability to its first wireless intercom system. 400m/1312ft The external antenna design allows the Accsoon CoMo to keep a reliable connection between host and remote headsets and an operating range of up to 400m/1312ft. Dual-Mic Environment Noise Cancellation for Voice Clarity Dual-mic is combined with advanced Environment Noise Cancellation (ENC) which detects ambient sounds and reduces it, leaving speech much clearer and more comprehensible. Ergonomic Design For All-Day Wearing Accsoon is designed with a wide range of physical adjustment for differing head sizes. Worn on both left and right. Zero Sound-leakage Allowing for easy operation and no interruption when shooting in quiet environments. Links up to 9 (1 Host and 6 Remote) Accsoon CoMo is so versatile that can link up to 9 users to work and communicate together

Accsoon CoMo Wireless Intercom System - 1 Host 8 Remote

Accsoon ACSMIC021H8R (AC-SMIC021H8R, AC/SMIC021H8R, AC_SMIC021H8R, AC SMIC021H8R) CoMo Wireless Intercom System - 1 Host 8 Remote The Accsoon CoMo is a headset-based full-duplex 1.9GHz wireless intercom system with 1312ft (400m) range, allowing up to 9 users to work and communicate together. With the all-new product design and enhancement from dual-mic ENC, Accsoon CoMo provides over 10+ hours of noise-free communication experience. Industry-leading Wireless Stability and Ultra Long Transmission Range Accsoon is bringing its industry-leading wireless stability to its first wireless intercom system. 400m/1312ft The external antenna design allows the Accsoon CoMo to keep a reliable connection between host and remote headsets and an operating range of up to 400m/1312ft. Dual-Mic Environment Noise Cancellation for Voice Clarity Dual-mic is combined with advanced Environment Noise Cancellation (ENC) which detects ambient sounds and reduces it, leaving speech much clearer and more comprehensible. Ergonomic Design For All-Day Wearing Accsoon is designed with a wide range of physical adjustment for differing head sizes. Worn on both left and right. Zero Sound-leakage Allowing for easy operation and no interruption when shooting in quiet environments. Links up to 9 (1 Host and 8 Remote) Accsoon CoMo is so versatile that can link up to 9 users to work and communicate together.

Portkeys LH7P 7" High-Bright Touchscreen Monitor w/ Wireless Control

Portkeys LH7P 7" High-Bright Touchscreen Monitor w/ Wireless Control (PK/LH7P, PKLH7P, PK LH7P, PK_LH7P)  The Portkeys LH7P is a professional 7-inch high-bright touchscreen camera monitor designed for filmmaking, broadcast, content creation and professional video production workflows. Featuring a bright 1000-nit display, HDMI connectivity and responsive touchscreen operation, the LH7P provides reliable on-camera monitoring for directors, camera operators, focus pullers and content creators working in studio or outdoor shooting environments. The monitor supports wireless camera control functionality and professional monitoring tools, making it ideal for cinema cameras, mirrorless cameras, DSLR rigs and broadcast production setups.   Compact and lightweight, the LH7P is suitable for handheld rigs, gimbals, cinema production, ENG workflows and mobile filmmaking applications. * Wireless control does not mean wireless video transmission; the video signal cable must still be connected. Suitable For   Filmmaking Cinema production Broadcast workflows Content creation Focus pulling Director monitoring Gimbal setups DSLR & mirrorless camera rigs

Portkeys PT6 5.2-inch On-camera Monitor

Portkeys PK-PT6 (PK/PT6, PKPT6, PK PT6, PK_PT6) PT6 5.2-inch On-camera Monitor The Portkeys PT6 is a lightweight 5.2-inch on-camera touchscreen monitor with an impressive budget/feature ratio, all in a very compact form factor. The housing of the PT6 is made of robust polycarbonate and ABS that helps keeps the weight down to only 165g/5.82oz (without battery). This monitor has a maximum brightness of 600nits, perfect for shooting indoors or in a controlled studio environment. The 10-bit (8+2 FRC) panel covers 100% of the DCI-P3 color space, which means no color banding, accuracy, and true-to-life color reproduction. This 5.2-inch monitor has a FullHD 1920 x 1080 resolution, a large 178° viewing angle, and a 1500:1 contrast ratio. On the left side of the monitor, you’ll find an HDMI input port that can take resolutions up to 4K DCI at 24fps or 4K UHD at up to 30fps. On the right end side, an HDMI output port with a maximum resolution of 1080p60 allows you to output a clean video feed. Furthermore, the HDMI output can also display a video signal with a 3D LUT, anamorphic de-squeeze, and image adjustments such as contrast, brightness, and tone modifications. But don’t let the compact form factor of the PT6 fool you, as it is packed with many professional monitoring tools, including: Exposure tools: Luma and RGB Waveform, Histogram, and Zebra to accurately expose the image. 3D LUT monitoring and 3D LUT HDMI output. You can load custom LUTs via the USB port on the left side of the monitor. False Color and ARRI False Color mode. A new Peaking algorithm with a Peaking Frame feature so your camera’s UI can stay clear. Customized image crop to zoom in anywhere in the image. Framing guides, grids, aspects. Audio meters, and you can also monitor your audio signal via the 3.5mm headphone jack on the left side of the PT6. Anamorphic image de-squeeze with all the standard ratios (1.33x, 1.5x, 2.0x) and the possibility to enter a custom aspect ratio from 0.25 to 4.0x. Stretch leg tool: when shooting vertically, you can stretch the bottom part of the image. Sharpness, chroma, brightness, backlight, tint, and color temperature adjustments. In terms of power, you’ll find a dual built-in battery plate at the back of the monitor that accepts either Sony NP-F or Canon LP-E6 batteries. With an extremely low power draw of only 6W, a single Canon LP-E6 battery pack can give you up to three hours of battery life!  

Portkeys LH7H 7-inch Touchscreen Monitor

Portkeys PK-LH7H (PK/LH7H, PKLH7H, PK LH7H, PK_LH7H) LH7H 7-inch Touchscreen Monitor The Portkeys LH7H is a feature-rich, entry-level 7-inch monitor designed for filmmakers and content creators seeking a daylight-viewable solution. Weighing just 245g (8.6oz) without battery, its lightweight yet durable construction is made from Polycarbonate and ABS. The unit includes four user-assignable function buttons and multiple 1/4”-20 mounting points, making it easy to integrate into any camera or rig setup. With a peak brightness of 1,000 nits, the LH7H ensures excellent visibility even in bright outdoor environments. The 10-bit (8+2 FRC) Full HD 1920 x 1080 display offers accurate color reproduction with a wide viewing angle and a 1000:1 contrast ratio. It supports 4K HDMI input (up to 4K DCI 24p, 4K UHD 30p, and 1080p 60p) and Full HD HDMI output, with 4K-to-1080p oversampling for enhanced image clarity and detail. Powering the LH7H is simple and flexible. A built-in Sony NP-F battery plate offers hours of operation with low power consumption of just 8W. For continuous power on professional rigs, a 7-24V 5.5mm barrel input is available. The multi-functional USB-A port lets you load custom 3D LUTs, update firmware, and functions as a 5V/2A power input/output. Despite its compact size, the LH7H is loaded with professional monitoring features: 3D LUT monitoring and HDMI LUT output, with easy USB loading via the included USB drive ARRI-style False Color and customizable user-defined false color settings with adjustable IRE levels Advanced Peaking algorithm with Peaking Frame to keep your camera UI uncluttered Cropping tool for targeted image zoom Framing tools, including guides, aspect masks, grids, and auto image flip Image Capture & Overlay for shot matching and continuity checks Anamorphic de-squeeze for 1.33x, 1.5x, 2.0x, and custom ratios (0.25–4.0x) Stretch Leg function for vertical shooting, with HDMI output support Full control over sharpness, chroma, brightness, backlight, tint, and color temperature settings The Portkeys LH7H is a reliable, full-featured monitoring companion built to meet the needs of modern video production – without weighing you down.  

Portkeys LEYE SDI 3G-SDI and HDMI 2.4-inch Electronic Viewfinder

Portkeys PK-LEYE-SDI (PK/LEYE-SDI, PK/LEYE/SDI, PKLEYESDI, PK LEYE SDI) LEYE SDI 3G-SDI and HDMI 2.4-inch Electronic Viewfinder The Portkeys LEYE SDI is a compact, lightweight, and highly capable electronic viewfinder designed for professionals seeking reliability, versatility, and affordability. Weighing just 265g (9.34oz), this rugged EVF adds minimal weight to your camera rig while offering a powerful feature set ideal for mirrorless, DSLR, and cinema cameras. Crisp, Bright Display Featuring a 2.4-inch LCD with a 1440 x 900 resolution and 450 nits brightness, the LEYE SDI delivers sharp, vibrant images—even in bright outdoor conditions. Whether you're framing shots or pulling focus, this EVF helps you monitor with confidence. Flexible Video Input Options 1 x 4K HDMI input – Ideal for mirrorless and DSLR cameras 1 x 3G-SDI input – Professional-grade locking connector for cinema camera compatibility Comfortable & Customizable Eyepiece The LEYE SDI includes a soft, durable eyecup made from PU leather and sponge, secured with Velcro for quick replacement. The integrated sunshade door protects the display from sun damage when not in use. An adjustable Red Oak diopter ring offers a wide -3 to +8 diopter range to accommodate various eyesight needs. Mounting Versatility Three 1/4"-20 threaded mounts with locating pins Built-in NATO rail for quick rig integration Perfect for shoulder rigs, cages, or direct camera mounts. Professional Monitoring Tools Despite its small size, the LEYE SDI is packed with essential monitoring features: Exposure tools: Luma/RGB Waveform, Histogram, False Color, Zebra Advanced Focus Assist: New peaking algorithm with regional peaking and image crop 3D LUT Monitoring: Load custom LUTs via USB port Framing Tools: Guides, aspect ratios, grids, image flip Anamorphic De-Squeeze: Standard (1.33x, 1.5x, 2.0x) + custom ratios (0.25x to 4.0x) Audio Monitoring: On-screen audio meters Image Adjustments: Sharpness, chroma, brightness, tint, backlight, and color temperature Reliable Power Options Canon LP-E6 battery plate (low 5W power draw = extended use) 7–24V 4-pin aviation power input with locking connector (Includes D-Tap to 4-pin aviation power cable) Whether you’re on set or in the field, the LEYE SDI keeps up with long shoot days without hassle. The Portkeys LEYE SDI is a future-proof, feature-rich EVF that offers the monitoring flexibility, control, and image clarity demanded by modern filmmakers—all in a compact and cost-effective form.

Portkeys BM5IV 5.5" 2000nit Touchscreen Wide Color Gamut On-camera Monitor

Portkeys PK-BM5-IV (PK/BM5-IV, PK/BM5/IV, PKBM5IV, PK BM5 IV) Portkeys BM5IV 5.5" 2000nit Touchscreen Wide Color Gamut On-camera Monitor Portkeys BM5IV 5.5" 2000nit SDI HDMI Touchscreen Monitor The Portkeys BM5IV is a professional 5.5-inch high-bright on-camera monitor designed for filmmakers, camera operators, focus pullers and content creators. Featuring a 2000-nit daylight-viewable touchscreen display, wide colour gamut, HDMI and 3G-SDI input/output, the BM5IV provides accurate monitoring for cinema, broadcast, ENG and production workflows.   Built with a durable aluminium housing, the BM5IV is ideal for use on cinema cameras, DSLR, mirrorless rigs, handheld setups and gimbals. It also supports professional monitoring tools including waveform, vectorscope, peaking, false colour and 3D LUT monitoring. Suitable For   Filmmaking Broadcast production Cinema cameras DSLR & mirrorless cameras Director monitoring Focus pulling ENG production Gimbal setups

Portkeys BM5IV WR 5.5-inch Wide Color Gamut On-camera Monitor

Portkeys PK-BM5-IV-WR (PK/BM5-IV-WR, PK/BM5/IV/WR, PKBM5IVWR, PK BM5 IV WR) BM5IV WR 5.5-inch Wide Color Gamut On-camera Monitor Portkeys BM5IV WR – 5.5" Ultra-Bright On-Camera Monitor with Wired & Wireless Camera Control The Portkeys BM5IV WR is a robust 5.5-inch on-camera monitor built for professionals who demand precision, durability, and versatility. Powered by the latest CINENORM OS, it offers both wired and wireless camera control, a daylight-viewable touchscreen, and an extensive set of monitoring tools—all in a rugged, compact design. Built to Withstand the Demands of the Field Constructed entirely from rugged aluminum with a toughened front glass, the BM5IV WR is designed for harsh shooting environments. Thin bezels provide a sleek profile, and at just 358g (12.62oz) without battery, it remains lightweight and easy to mount on any rig. Vibrant, Accurate Display The 2,000-nit ultra-bright display is clearly visible even in direct sunlight, while the 10-bit (8+2 FRC) panel ensures smooth gradations, vivid colors, and no banding. The 1920 x 1080 Full HD resolution, 178° viewing angle, and 1000:1 contrast ratio deliver rich visuals for precise monitoring. Each unit is factory-calibrated, and users can load custom calibration LUTs via USB with an X-Rite color probe if needed. Professional-Grade Monitoring Tools The BM5IV WR is packed with high-end monitoring features, including: Exposure tools: Zebra, False Color, ARRI False Color, LOG False Color, User-defined modes, full-screen waveform, histogram Image analysis: Luma/RGB waveform, vectorscope, histograms, audio meters Focus assist: Advanced peaking algorithm, edge enhance, grayscale/color peaking, zoom-in focus Color tools: 3D LUT monitoring/output via SDI, HDR (HLG) mode, USB LUT loading Framing tools: Guides, grids, crosshair, check field, rectangle crop, aspect ratio markers Anamorphic de-squeeze: Standard (1.33x, 1.5x, 2.0x) and custom ratios (0.25x to 4.0x) Image Capture & Overlay: Save a snapshot from HDMI or SDI input and overlay it with adjustable opacity Flexible I/O and Video Processing The monitor includes: 2 x HDMI input/output (up to 4K DCI 60p) 1 x 3G-SDI input 1 x 3G-SDI output (clean feed or with LUT/peaking) It supports HDMI↔SDI cross-conversion and dual video signal monitoring with multiple viewing modes: Picture-in-Picture Dual horizontal/vertical Left horizontal & right vertical Left vertical & right horizontal Perfect for multi-camera shoots or simultaneous framing in 16:9 and 9:16 for social media content. Camera Control Capabilities More than just a monitor, the BM5IV WR provides camera control for over 80 models from 8 major brands, including: RED (DSMC2, KOMODO, KOMODO-X, V-RAPTOR, V-RAPTOR XL) – RED-approved; wireless control with full camera settings and touch-to-focus ARRI Alexa Mini – Wireless control Nikon Z8/Z9 – Wireless control This makes it an ideal solution for cinematographers, DPs, directors, focus pullers, and solo creators who need powerful control and high-end monitoring in a single device.

Portkeys LEYE III 2.4-inch LCD Electronic Viewfinder

Portkeys PK-LEYE-III (PK/LEYE-III, PK/LEYE/III, PKLEYEIII, PK LEYE III) LEYE III 2.4-inch LCD Electronic Viewfinder The LEYE III from Portkeys is a compact 4K HDMI EVF designed for professional filmmakers. Featuring a 2.4" LCD with 1440 x 900 resolution, 450 cd/m² brightness, and a 1100:1 contrast ratio, it delivers sharp, vibrant visuals even in bright environments. The EVF supports video input up to DCI 4K30 via HDMI. Its diopter adjustment range of -3 to +8 accommodates various eyesight needs. The LEYE III includes essential software tools such as waveform, histogram, scaling, image flip, zoom, guides, and crop. You can import 3D LUTs via the USB Type-A port, with optional waveform detection pre- or post-LUT application. Built with a rugged metal housing, the unit offers versatile mounting options: ARRI-style anti-twist mount, NATO rail, or a 1/4"-20 thread. A passive heatsink ensures efficient heat dissipation during extended use. Power options include a self-locking 4-pin aviation-grade D-Tap cable and a built-in Canon LP-E6 battery plate. Accessories include an HDMI right-angle adapter, USB drive for firmware updates, and a soft flat eye sponge ideal for eyeglass wearers. 2.4" LCD, 1440 x 900 resolution, 8-bit color, 450 cd/m² brightness, 1100:1 contrast Supports up to DCI 4K30 video input via HDMI USB Type-A port for 3D LUT import and firmware updates Advanced tools: image flip, false color, histogram, scaling, peaking, crop, zebra, grids -3 to +8 adjustable diopter ARRI-style, NATO, and 1/4"-20 mounting options Durable all-metal construction Passive cooling system Power via included D-Tap cable or Canon LP-E6 battery

Portkeys LH5P II 5.5-inch Gamut On-camera Monitor

Portkeys PK-LH5P- II (PK/LH5P- II, PK/LH5P/II, PKLH5PII, PK LH5P II) LH5P II 5.5-inch Gamut On-camera Monitor The Portkeys LH5P II is a feature-rich 5.5-inch on-camera monitor designed as an accessible entry point into both wired and wireless camera control. Built with durability in mind, it features an all-aluminum housing and toughened front glass, ensuring long-lasting performance on set. Despite weighing just 285g (10.05oz) without battery, it offers a robust toolset for demanding shoots. With a peak brightness of 2,000 nits, the LH5P II remains clearly visible even in direct sunlight. Its 10-bit (8+2 FRC) panel delivers rich, accurate colors without banding, with 100% Rec.709 and 85% DCI-P3 color space coverage. Each unit is factory color-calibrated to ensure consistency and reliability. The 5.5-inch Full HD (1920 x 1080) display boasts a wide 178° viewing angle and a 1000:1 contrast ratio, providing sharp, vibrant visuals from virtually any angle. The monitor supports input/output up to 4K DCI at 24p, 4K UHD at 30p, and Full HD 1080p at 60p via its 4K HDMI input and output ports. Power flexibility is a core strength of the LH5P II. It features a built-in Sony NP-F battery plate for portable use and a 5-pin aviation power input (7–24V) for extended runtime with external batteries. An included D-Tap to 5-pin aviation cable simplifies this setup. This same power port can also output 5V 1A to power small accessories. Additional features include four user-assignable function buttons, camera control (including record start/stop), and a full suite of professional monitoring tools—all housed in a lightweight, rugged design built for field reliability.

Portkeys BM7 II DS 7-inch High-Bright Monitor

Portkeys PK-BM7-II-DS (PK/BM7-II-DS, PK/BM7/II/DS, PKBM7IIDS, PK BM7 II DS) BM7 II DS 7-inch High-Bright Monitor The Portkeys BM7 II DS is a rugged 7-inch on-camera monitor that builds on the legacy of the popular BM5 III WR, offering an expanded feature set in a larger format. It retains key professional tools like a bright, daylight-viewable touchscreen, four customizable function buttons, wired and wireless camera control, and now adds a larger screen, more I/O options, and advanced monitoring capabilities. Constructed from durable aluminum and protected with reinforced glass, the BM7 II DS is designed to withstand the rigors of demanding sets. Weighing just 460g (16.2oz), it’s lighter than many 5-inch monitors on the market, while offering a larger viewing area. 1/4″-20 mounting points with ARRI locating holes on the top and bottom ensure flexible rigging options. With a brightness of 2,200 nits and a Full HD 1920x1080 resolution, the BM7 II DS excels in outdoor environments. The 10-bit (8+2 FRC) display delivers rich color reproduction without banding and supports 100% Rec.709 and 85% DCI-P3 color space coverage. Each unit is factory-calibrated for accurate color fidelity. Despite its size and brightness, the monitor consumes only 15W of power and features a dual NP-F battery plate with hot-swapping support—only one battery is required to run the monitor at full capacity. It also includes two power input options: a 2-pin LEMO and a locking 5.5mm barrel connector (with D-Tap cable included). Connectivity is comprehensive: two 3G-SDI inputs, one SDI output, and HDMI input/output. HDMI-to-SDI cross-conversion ensures seamless signal routing. Both SDI and HDMI outputs can deliver a clean feed or a video signal with a 3D LUT applied. The BM7 II DS supports dual-input monitoring with various split-screen modes: horizontal, vertical, and hybrid layouts. You can even view a single source cropped in 16:9 and 9:16 simultaneously—perfect for creating content for both traditional and social platforms. Advanced Camera Control: Wireless Control (2.4GHz WiFi): Compatible with RED Komodo, V-RAPTOR, and various Sony models (A7S III, A7 IV, FX3, FX30, etc.) Bluetooth Control: Supported for Blackmagic BMPCC 4K/6K/6K Pro Wired Control: Available for cameras from Sony, Canon, Panasonic, Blackmagic, and Z CAM Follow Focus Integration: Direct motor control via TILTA Nucleus N/M, with on-screen focus scale display  

Portkeys LH7P 7" inch High-Bright Touchscreen Monitor - White

Portkeys PK-LH7P-W (PK/LH7P-W, PK/LH7P/W, PKLH7PW, PK LH7P W) LH7P 7" inch High-Bright Touchscreen Monitor -  White The Portkeys LH7P is an affordable 7-inch monitor designed for Sony and Blackmagic Design users, offering wireless camera control and professional-grade monitoring features. Built from durable yet lightweight ABS and polycarbonate, it weighs just 245g (8.6oz) without a battery—ideal for portable rigs and field use. With a daylight-viewable touchscreen, four customizable function buttons, and three 1/4"-20 mounting points (bottom, left, and right), the LH7P integrates seamlessly into any camera setup, enhancing your efficiency on set. The LH7P delivers a Full HD 1920 x 1080 resolution, 10-bit (8+2 FRC) color depth, and 1000:1 contrast ratio, with a wide viewing angle and 1,000 nits of brightness—perfect for outdoor visibility. It supports 4K HDMI input (DCI 24p, UHD 30p) and Full HD 1080p up to 60p, with 4K-to-1080p oversampling for improved image detail. A Full HD HDMI output is also included. Power options include a built-in Sony NP-F battery plate and a 5.5mm barrel input (7–24V) for continuous external power. With only 9W of power draw, the monitor can run for hours on a single battery. Professional Monitoring Tools: 3D LUT support with HDMI output; load custom LUTs via the USB port and included USB key. False Color modes including ARRI and customizable IRE values. Advanced Peaking algorithm with Peaking Frame to maintain a clear camera UI. Cropping, Framing Guides, Aspect Markers, Grids, and Auto Image Flip. Image Capture & Overlay: save and overlay screenshots for continuity or shot reference. Anamorphic De-Squeeze: standard (1.33x, 1.5x, 2.0x) and custom (0.25–4.0x) ratios. Stretch Leg Tool for vertical shooting, with HDMI output support. Manual Adjustments: sharpness, chroma, brightness, backlight, tint, and color temperature. Built-in Wireless Camera Control: The LH7P includes a built-in 2.4GHz WiFi module (no external antenna required) for wireless control of select Sony cameras, such as the A7S III, A7 IV, A7R V, A1, FX3, FX30, ZV-1, and more. Adjust ISO, aperture, shutter, zoom, and frame rate directly on the touchscreen, start/stop recording, and tap to focus. A built-in Bluetooth module allows camera control of Blackmagic Design BMPCC 4K, 6K, and 6K Pro models. Note: Wireless camera control refers only to settings and triggering. Video signal must still be transmitted via HDMI.

Atomos A-Eye PTZ Remote Control

Atomos AOATOMAECT01 (AO-ATOMAECT01, AO/ATOMAECT01, AO_ATOMAECT01, AO ATOMAECT01) A-Eye PTZ Remote Control The dedicated remote-control hub enables advanced multi-camera operation, preset switching, and remote production control over IP. Versatile and compatible All A-Eye models include NDI|HX3, support H.265, H.264, and MJPEG compression, and feature a wide range of output options including HDMI, 3G-SDI, USB, and IP streaming via RTSP, RTMP, and ONVIF. Power over Ethernet (PoE+) support means a single cable can deliver power, video, and control—simplifying setup and reducing cable clutter. One of the key advantages of the A-Eye series is its use of industry-standard protocols and physical connections, allowing it to slot into existing multi-camera environments with ease. Whether you’re upgrading one camera or expanding an entire setup, A-Eye Cameras and Control integrates seamlessly with third-party PTZ systems—making it the perfect addition to any professional workflow, exiting system or brand new installation. Built for every workflow With real-time AI-powered tracking and advanced PTZ motion (±170° pan and -30° to +90° tilt range), A-Eye cameras follow your subject with fluid, precise movement—perfectly framing every step, whether you’re streaming a live concert, teaching a class, or presenting to a global audience. Content creation A-Eye brings hands-free professionalism to solo creators—great for vlogs, cooking, beauty, or fitness content. Education Instructors move naturally between boards, screens, and students, while A-Eye keeps the framing perfect for remote learners. Business & enterprise Presenters move freely across the room or stage, knowing A-Eye is capturing every word and gesture. Live events From keynote speakers to musicians, A-Eye delivers dynamic wide and close-up shots, automatically. House of worship A-Eye makes it simple to share every word and gesture of worship with remote congregations—capturing services naturally and respectfully. Sports & coaching Coaches and analysts capture the action with ease, tracking movement and zooming in for analysis or live streaming.

Sennheiser EW-DP ENG SET (S1-7) 606.2 - 662 MHz

Sennheiser  EW-DP ENG SET (S1-7)(700043) EW-DP is the digital successor of the G4 portable sets. It is a versatile and feature-rich system for videography, filmmaking, newsgathering and any other audio for video application in which reliability and simplicity are key. Fully digital UHF system designed for filmmaking & video applications Industry leading 134 dB dynamic range for distortion free transmission Integrated Bluetooth for synchronization and control Intelligent battery management provides operating time (hours:minutes) Extended battery life: up to 12h on transmitter, 7h on receiver Magnetic, stackable, and versatile mounting options Up to 56 MHz bandwidth for flexibility in any RF environment Exceptionally low latency (1.9 ms) Plug-on transmitter: XLR & 3.5 mm inputs, +48V & recording via microSD External charging and powering via USB-C (receiver only)   Smart Assist app for monitor & control

DZOFILM Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens PL/EF Mount

DZOFilm DZO-7220004W (DZO-7220004W, DZO-7220004W, DZO-7220004W, DZO-7220004W, DZO-Pictor-12-25-T2.8-White, DZO/Pictor/12/25/T2.8/White, DZO Pictor 12 25 T2.8 White, DZOPictor12-25T2.8White) Pictor 12-25mm T2.8 Super35 Parfocal Zoom Lens PL/EF Mount DZOFilm 12–25mm: Expanding the Cinematic Perspective The 12–25mm ultra-wide-angle lens extends beyond the limits of human vision, capturing an expansive visual spectrum. Its dramatic perspective effect emphasizes the foreground while enhancing depth of field and creating a sense of visual tension, making it ideal for immersive storytelling. Exceptional Optical Design with Minimal Distortion Engineered with precision, this lens significantly reduces distortion, even at its widest aperture, ensuring sharp, majestic, and surreal imagery. This makes it perfect for grand, cinematic compositions without sacrificing optical integrity. Close-Up Shooting with a Unique Perspective With a minimum focusing distance of 0.4m (15.74")—less than an arm’s length—the lens allows for tight close-ups even in confined spaces. The carefully controlled curvature of field maintains image accuracy, pulling the audience closer to the subject and enhancing emotional engagement. Deeper Depth of Field, Expansive Backgrounds A wider field of view (FOV) and deeper depth of field (DOF) enable filmmakers to capture more of the surrounding environment, clearly defining the relationship between subjects and their surroundings. By expanding the perceived distance between objects and the background, the lens enhances the artistic sense of space, creating dynamic and visually compelling frames. With its versatility, precision, and immersive optical performance, the 12–25mm lens is an essential tool for filmmakers seeking expansive, cinematic visuals with depth and realism.

BirdDog MAX Broadcast & Conferencing 4K PTZ Camera - Black

Birddog MAX Broadcast & Conferencing 4K PTZ Camera - Black (BDMAXB, MAX)  The Camera that Redefines Meetings and Productions Introducing MAX, the PTZ camera designed to bridge the gap between everyday webcams and full-blown production cameras. Whether you're looking to enhance your video meetings or level up your professional broadcasts, MAX delivers stunning performance and versatility in a beautifully designed package, with a best-in-class wide-angle lens perfect for rooms of any size.   From Webcam to Production Camera – Versatility at Its Best MAX effortlessly transitions between roles, functioning as both a high-quality webcam and a powerful production camera. Thanks to its HDMI and NDI outputs, you can integrate MAX into any workflow—be it a simple video call or a complex production. Its compatibility with NDI means that it seamlessly fits into modern IP video workflows, while the HDMI output ensures straightforward connectivity with traditional AV setups.   Seamless Integration with POD for Unified Communications Workflows When paired with POD, MAX redefines what’s possible in unified communications (UC) by combining professional-grade performance with effortless usability. Designed to work seamlessly with NDI workflows, POD eliminates the complexity of traditional software setups, making MAX the ultimate solution for platforms like Zoom, Teams, and Google Meet.   Here’s why the MAX and POD combination stands out:   NDI Integration Made Easy: Leverage the power of MAX’s NDI capabilities without the hassle of complex software or configuration. POD connects MAX directly to your computer via USB, enabling it to appear as a high-quality UVC webcam while maintaining NDI functionality for advanced workflows. Switch Between Cameras with Ease: POD allows users to effortlessly switch between multiple MAX cameras or other video sources, making it ideal for dynamic presentations, multi-angle video calls, and hybrid events. Software-Free Simplicity: Say goodbye to cumbersome software requirements. POD provides a hardware-based solution that bridges NDI cameras to UC platforms seamlessly, saving time and reducing technical challenges. API-Driven Scalability: For advanced setups, POD offers API integration, enabling full customization within AV systems like Crestron or Q-SYS. This ensures flexibility for larger or more complex environments. By combining MAX’s broadcast-level video quality and professional pan-tilt-zoom control with POD’s hardware-based simplicity and API capabilities, this pairing delivers the best of both worlds. Whether you’re running a single meeting room, creating multi-camera setups, or integrating into enterprise-grade AV systems, MAX and POD offer scalable, reliable, and user-friendly solutions that transform video communications into polished, professional-grade productions.   Sustainably Built with Ocean-Bound Plastics (OBP) At BirdDog, sustainability is a core value, and MAX embodies that commitment. The camera is made from ocean-bound plastics (OBP), directly contributing to the reduction of plastic waste in our oceans. Our packaging is made of recycled cardboard and our ink is all soy-based. By choosing MAX, you're not just investing in top-tier technology; you're also making an eco-conscious choice that helps protect our planet.   MAX also operates with remarkably low power consumption, ensuring that its environmental impact remains minimal throughout its lifecycle. This energy efficiency, coupled with its sustainable materials, makes MAX one of the most eco-friendly PTZ cameras on the market.   Elegant Design That Fits Any Space MAX isn’t just a powerhouse of performance—it’s also a work of art. With its sleek, modern design and best-in-class wide-angle lens, it integrates effortlessly into any room, from boardrooms to broadcast studios. MAX enhances the aesthetic of any space, blending in perfectly with your room’s architecture without drawing unnecessary attention. It’s a camera that looks as good as it performs.   Affordable Excellence One of MAX’s most impressive qualities is its price-to-performance ratio. By offering high-end features like NDI and HDMI outputs, eco-friendly materials, and a professional-grade design at a competitive price point, MAX makes premium video production accessible to all. You don’t have to choose between a basic webcam or a costly production camera—MAX gives you both.   Closing the Gap Between Webcam and Production PTZ In the world of video production, MAX closes the gap between a simple webcam and a full-fledged production PTZ camera. It allows you to have the flexibility of a webcam with the advanced features of a production camera—all in one sleek, easy-to-use device. Whether you’re running a live stream, recording content, or conducting meetings, MAX is equipped to handle it all.

Panasonic Lumix Panasonic Battery Grip DMW-BG2E (S1RII)

Panasonic Battery Grip DMW-BG2E (S1RII) Battery grip compatible with DC-S1RM2E

HedBox NINA M Mini V-Mount Battery

HedBox NINA M Mini V-Mount Battery (HEDNINAM) The NINA series of Hedbox stands for High Performance and High Safety Design mini Battery Pack. The new and revolutionary IDR System provides full control and display of the battery status. On the high-contrast OLED Display, the Battery Capacity, Remaining Time, Circle usage, and Charging function are visible during the day and night.   Through its additional 2xD-Tap DC output the NINA can deliver power to all additional accessory devices. An extra USB-A and USB-C power input allows the charging of the battery with regular USB chargers. Also the same can be used as Power output for mobile phones, tablets, or other accessories using one single battery.

DZOFILM Marlin 1.6x Expander PL Lens to L Mount Camera

DZOFilm DZO-EXPLL-BLK (DZO/EXPLL-BLK, DZO/EXPLL/BLK, DZOEXPLLBLK, DZO EXPLL BLK)(DZO-Marlin-1.6x-Expander-PL-L, DZO/Marlin/1.6x/Expander/PL/L, DZO Marlin 1.6x Expander PL L, DZOMarlin1.6xExpanderPLL) Marlin 1.6x Expander PL Lens to L Mount Camera Expand Your Vision, Explore The Envision - DZOFILM Marlin 1.6x Expander. Converts Super 35 Pictor Zoom lenses to cover Full Frame or Vista Vision. Multiplies focal length by 1.6x with only 1.5 stops light loss. Maintains superb image quality without decreasing resolution. Marlin enables the use of S35 lenses to compatible with FF and Vista Vision cameras, which facilitates the use of lenses for more possibilities. Minor flange back adjustment through this ring, no need to use shims(Excl. PL-PL, PL-LPL versions). In order to achieve the best image performance, the FBD can be quickly adjusted without removing the lens and camera. Detachable supporting base and stainless steel mount. Marlin is compatible with a wide variety of lenses in the market. The distance from the flange plane of lens to the rear shall less than PL: 19.64mm. (Marlin Adapter Clearance Check tool can be downloaded and check the suitability).

DZOFILM Marlin 1.6x Expander for PL Lens-PL Mount Camera

DZOFilm DZO-EXPLPL-BLK (DZO/EXPLPL-BLK, DZO/EXPLPL/BLK, DZOEXPLPLBLK, DZO EXPLPL BLK)(DZO-Marlin-1.6x-Expander-PL-PL, DZO/Marlin/1.6x/Expander/PL/PL, DZO Marlin 1.6x Expander PL PL, DZOMarlin1.6xExpanderPLPL) Marlin 1.6x Expander for PL Lens-PL Mount Camera Increases the Focal Length And Magnifies the Image Circle by 1.6x Converts Super 35 Pictor Zoom lenses to cover Full Frame or Vista Vision. Multiplies focal length by 1.6x with only 1.5 stops light loss. Retains Outstanding Optical Performance and Operability Maintains superb image quality without decreasing resolution. Marlin enables the use of S35 lenses to compatible with FF and Vista Vision cameras, which facilitates the use of lenses for more possibilities. A Special Ring Achieves Quick Flange Back Adjustment Minor flange back adjustment through this ring, no need to use shims(Excl. PL-PL, PL-LPL versions). In order to achieve the best image performance, the FBD can be quickly adjusted without removing the lens and camera. Solid and Sturdy Detachable supporting base and stainless steel mount. Alternative and Compact Mounting System Meets Multiple Needs PL-E/RF/L/LPL/PL, a total of 5 different mounts. Broad Compatibility Marlin is compatible with a wide variety of lenses in the market. The distance from the flange plane of lens to the rear shall less than PL: 19.64mm. (Marlin Adapter Clearance Check tool can be downloaded and check the suitability)

Panasonic AW-UE150AWEJ 4K Integrated PTZ Camera - White

Panasonic AW-UE150AWEJ 4K Integrated PTZ Camera - White   The AW-UE150A 4K PTZ camera has been designed to meet the needs of professional broadcasters and content creators, delivering advanced video quality, operability and efficiency in studio-based video productions.   The UE150A supports the NDI® High Bandwidth* protocol, enabling seamless IP-based, low-latency 4K video transmission. This is in addition to existing support for SRT and NDI® HX2 protocols, ensuring steady performance in unstable network conditions.   It is also compatible with 12G-SDI, 2x 3G-SDI, HDMI, and fibre output formats. This enables the UE150AW/AK to be easily integrated into a variety of on-site production systems, making it the perfect choice for both remote production and live streaming environments.   Exceptional performance and high-quality video Equipped with a high-sensitivity 1.0-type 4K MOS sensor, Panasonic’s UE150AW/AK delivers high quality video. Its wide-angle lens (75.1° horizontal), 20x optical zoom, and built-in auto-tracking functionality make it the ideal choice for a versatile range of installations.   The UE150AW/AK features an optical low-pass filter (OLPF) that reduces luminance and colour moiré when filming monitors or LED walls, whilst HDR (HLG) compatibility delivers true-to-life image reproduction.   Its enhanced Optical Image Stabilizer (OIS) minimises image shake during pan and tilt operations, and upgraded synchronisation of pan, tilt and zoom presets for a smoother camera operation.   Increased compatibility for any environment The UE150AW/AK is compatible with Panasonic’s AK-HRP1010GJ/HRP1015GJ Remote Operation Panel for seamless colour matching with studio cameras, increasing overall versatility and functionality within broadcasting setups.

Panasonic AW-UE150AKEJ 4K Integrated PTZ Camera - Black

The AW-UE150A 4K PTZ camera has been designed to meet the needs of professional broadcasters and content creators, delivering advanced video quality, operability and efficiency in studio-based video productions. The UE150A supports the NDI® High Bandwidth* protocol, enabling seamless IP-based, low-latency 4K video transmission. This is in addition to existing support for SRT and NDI® HX2 protocols, ensuring steady performance in unstable network conditions. It is also compatible with 12G-SDI, 2x 3G-SDI, HDMI, and fibre output formats. This enables the UE150AW/AK to be easily integrated into a variety of on-site production systems, making it the perfect choice for both remote production and live streaming environments. Exceptional performance and high-quality video Equipped with a high-sensitivity 1.0-type 4K MOS sensor, Panasonic’s UE150AW/AK delivers high quality video. Its wide-angle lens (75.1° horizontal), 20x optical zoom, and built-in auto-tracking functionality make it the ideal choice for a versatile range of installations. The UE150AW/AK features an optical low-pass filter (OLPF) that reduces luminance and colour moiré when filming monitors or LED walls, whilst HDR (HLG) compatibility delivers true-to-life image reproduction. Its enhanced Optical Image Stabilizer (OIS) minimises image shake during pan and tilt operations, and upgraded synchronisation of pan, tilt and zoom presets for a smoother camera operation.   Increased compatibility for any environment The UE150AW/AK is compatible with Panasonic’s AK-HRP1010GJ/HRP1015GJ Remote Operation Panel for seamless colour matching with studio cameras, increasing overall versatility and functionality within broadcasting setups.

Sennheiser EW-D SK (S1-7) 606.2 - 662 MHz

Sennheiser EW-D SK (S1-7) 606.2 - 662 MHz Versatile and feature-rich digital wireless system for those who sing, speak or play instruments that allows for seamless product pairing and management via the EW-D Smart Assist App. This bodypack transmitter is compatible with a wide range of Sennheiser headset microphones and clip-on/lavalier microphones. Features Digital transmission operating in the UHF spectrum greatly enhances range, reliability and scalability Smart Assist App connects via Bluetooth Low Energy for a streamlined setup and operation at a distance Auto scan creates reliable connections with minimal time and effort 134 dB audio input dynamic range eliminates need for sensitivity adjustments and preserves every detail Elimination of intermodulation enables channels to be placed in an equidistant tuning grid 600 kHz apart 56 MHz of tuning bandwidth and equidistant spacing enables up to 90 channels 2,240 selectable frequencies allow for fine tuning Lithium-Ion battery pack (sold separately) delivers up to 12 hours of operation (up to 8 hours of operation with 2x provided AA batteries) Top Specs Read More Dimensions 63 x 80 x 20 mm (without antenna) Weight (g) approx. 120 g Latency (ms) 1.9 ms

BirdDog PTZ Keyboard

BirdDog BDKBD (BD-KBD, BD/KBD, BD_KBD, BD KBD) PTZ Keyboard BirdDog KBD Controller offers PTZ camera operators a rugged, ergonomic design, a large multi-camera display, and direct access to essential functions. With a built-in tally display and physical feedback for camera switching, it’s intuitive and eco-friendly, made with Ocean-Bound Plastics and recyclable Aircraft-grade Aluminium. NDI, VISCA, ONVIF, RS-232, and RS-422 connectivity ensure versatility no matter what language you speak. Built for Seamless Control and Comfort KBD is crafted for those who rely on precision and ease in their workflow. With a rugged, ergonomic design, it’s built for comfort, featuring a hand-rest area and tactile controls for all-day use. Super-fine Control Mode When it’s time to fine-tune, you can easily shift the camera joystick into ‘fine-tune’ mode, increasing the sensitivity of the joystick by 10x, making reframing shots on air more artistic flair than nail-biting scare. Expanded Screen. Instant Camera Control The big screen allows you to monitor up to four cameras at once or focus on one full screen. Pairing and switching between cameras is just a single press away, with a tactile button that gives instant feedback under your finger, making transitions smooth and intuitive. The KBD’s screen offers live previews for NDI-HX2/HX3 cameras and key text-based details for others, ensuring seamless compatibility and clarity across your workflow. Built-in Tally Borders Pairing and switching between cameras is just a single press away, with tactile buttons providing instant feedback under your finger for smooth, intuitive transitions. When integrated with mixers like TriCaster or vMix, KBD’s built-in tally border shows the live camera directly on the keyboard, so you can stay focused without looking at other screens. Camera Setting Sync An industry-first feature, you can tune one camera to look exactly how you like, and then simply copy those settings directly to another camera of the same model (BirdDog X series function). Making it easy to dial your cameras in and take your production quality to the next level. Direct Access to Key Functions No more endless menu diving! KBD brings you straight to the essentials. With its streamlined layout, operators can access camera pairing, switching, and configuration in seconds. It’s all there, clear and accessible, thanks to user feedback that’s shaped a truly friendly experience. Ultimate Connectivity in an Eco-Friendly Design BirdDog KBD connects seamlessly through NDI, VISCA, ONVIF, RS-232, and RS-422, making it versatile for any setup. And with a commitment to sustainability, it’s made using ocean-bound plastics, reducing environmental impact. Affordable Innovation With enhanced features and a lower price than its predecessor, KBD is refined through user insight, offering unmatched comfort, control, and eco-consciousness for the modern PTZ camera operator.

Sony Alpha 1 II Full-frame Mirrorless Camera

Sony Alpha 1 II Full-frame Mirrorless Camera ILCE-1M2B, Alpha II, Sony ILCE-1M2B, Sony Alpha II, ILCE-1M2B camera The Sony Alpha 1 II is Sony's latest flagship full-frame mirrorless camera, designed to deliver exceptional speed, resolution, and advanced AI capabilities for professional photographers and videographers. Key Features: Sensor and Image Processing: 50.1-megapixel full-frame Exmor RS stacked CMOS sensor. Advanced BIONZ XR image processor for enhanced speed and performance. Continuous Shooting: Up to 30 frames per second (fps) continuous shooting with full autofocus (AF) and auto-exposure (AE) tracking. Pre-capture function allows recording up to one second before the shutter is pressed, ensuring critical moments are captured. Autofocus and AI Capabilities: Dedicated AI processing unit for improved subject recognition and tracking. Real-time Recognition AF with enhanced accuracy for humans, animals, birds, and vehicles. 759-point phase-detection AF system covering a wide area of the frame. Video Recording: 8K video recording at 30p with 10-bit 4:2:2 color depth. 4K recording up to 120p for high-quality slow-motion footage. Dynamic Active Mode for improved image stabilization during video capture. Design and Ergonomics: Body design inspired by the Sony A9 III, featuring a taller grip for improved handling. Vari-angle 3.2-inch LCD touchscreen for flexible shooting angles. Enhanced in-body image stabilization offering up to 8.5 stops of correction. Connectivity and Storage: Dual card slots supporting CFexpress Type A and SD UHS-II cards. Advanced connectivity options, including 2.5GBASE-T Ethernet and compatibility with 5G portable data transmitters for rapid data transfer and remote shooting capabilities. Additional Features: Anti-distortion shutter to minimize rolling shutter effects. Improved battery life with the NP-FZ100 rechargeable lithium-ion battery. Eco-friendly, plastic-free packaging in line with Sony's commitment to environmental sustainability. AC adapter not supplied, 27W AC adapter with PD required

Atomos Sun Dragon 5m Flexible Rope light

Atomos AOATOMSND002 (AO-ATOMSND002, AO/ATOMSND002, AO_ATOMSND002, AO ATOMSND002) Sun Dragon 5m Flexible Rope light Sun Dragon: Flexible, High-Output Rope Light for Versatile Lighting Control Seamless Illumination: Sun Dragon is a flexible LED rope light densely packed with LEDs, providing consistent, even lighting across its entire length. Creative Lighting Flexibility: Wrap it around objects for creative highlights or combine multiple Sun Dragons for coordinated lighting scenes—perfect for any setup. True-to-Life Color Accuracy with 5-Color LEDs: Featuring Red, Green, Blue, Amber, and White LEDs, Sun Dragon delivers full-spectrum, natural lighting that closely mimics daylight. High CRI and TLCI: With a CRI Ra ≥ 97 and a TLCI of 96, Sun Dragon ensures excellent color rendering, reducing the need for color correction in post-production. Weatherproof Durability: Waterproof to 1 meter and resistant to dust and rain, making it ideal for any environment, from outdoor shoots to challenging conditions. Advanced Control & Connectivity: Precise Lighting Control: Equipped with wireless and wired DMX, Sun Dragon offers customizable settings for brightness, color, and hue. Compatible with Atomos AirGlu and Bluetooth-enabled for control via iPad or iPhone, with both battery and AC power options. Flexible, Portable Design: Shapeable for Any Setup: Sun Dragon’s flexible structure allows you to create custom lighting configurations, from coiling it into a panel light to shaping it around objects for unique effects. Weighing only 1 kg, it’s easy to transport and set up. Bright, Compact Power: With a slim 3cm diameter and an intense 2000-lumen output at just 80W, Sun Dragon is both powerful and energy-efficient. Sun Dragon redefines lighting versatility, offering filmmakers a high-quality, affordable, and flexible HDR lighting solution that’s ready for any creative challenge. Software Correlated Colour Temperature (CCT) Controls: Easily match daylight, tungsten, or any color temperature in between for seamless lighting consistency. RGBAW Full-Colour Control: Adjust hue, saturation, and intensity, or use XY coordinates to create precise, vibrant lighting setups. Built-in Gel Emulation: Access cinematic lighting effects with realistic gel color matching. Source Matching Mode: Match the output of common lighting fixtures for consistent on-set lighting. Dynamic Lighting Effects: Built-in presets for effects such as fireworks, explosions, strobe, and more. Customizable Presets: Save and access favorite settings quickly using the Favourites function. Hardware DMX Input/Output: 5-pin XLR for standard DMX control compatibility. RJ45/Ethernet for Art-Net 4 & sACN: Wired control options for seamless integration with modern lighting systems. User-Friendly Interface: Six function buttons for quick menu access and a rotation knob for intuitive settings selection. Power Options: Power in/out for flexibility, with a V-lock battery mount for portable setups. Durable Construction: Made with aircraft-grade aluminum for durability and stability. Full-Color LED Screen: Clear, vibrant display for precise control. Retractable Metal Hanger: Rubberized hanger for easy mounting and secure positioning on set. The Sun Dragon controller combines advanced control options with a durable design, offering professionals the tools for versatile and creative lighting setups on any set.  

Samyang Remaster Slim Lens Kit - Sony FE-8037

Samyang SAMYANG8037 (SAMYANG-8037, SAMYANG/8037, SAMYANG_8037, SAMYANG 8037) Remaster Slim Lens Kit - Sony FE Remaster Slim: Modern Performance Meets Classic Inspiration Remaster Slim pays homage to classic P&S film camera lenses, reimagining the point-and-shoot experience with cutting-edge technology. This innovative modular lens system lets you easily switch between focal lengths, combining flexibility with a nostalgic nod to timeless design. Three Focal Lengths in One Compact Module Remaster Slim’s modular design provides three focal lengths—21mm, 28mm, and 32mm—that attach securely via a magnetic bayonet mount. This versatile range is ideal for everything from spontaneous snapshots to landscapes and street photography, offering a unique creative experience. A USB-C port ensures simple firmware updates, keeping your lens at peak performance. Sleek, Lightweight Design Weighing only 66.5g, the Remaster Slim (RS 32mm F2.8) is about half the weight of comparable lenses. Despite its compact build, it includes a Stepping Motor (STM) for fast, accurate autofocus, striking the perfect balance between functionality and portability. At just 19.5mm thick, this ultra-slim lens fits easily into your pocket, ready for capturing life’s moments wherever you go. Ideal for Daily Photography Inspired by classic point-and-shoot cameras, the Remaster Slim produces warm, rich images with a timeless feel. Compatible with Sony E mount full-frame mirrorless cameras, it adapts seamlessly to APS-C mode for a standard focal length, making it perfect for everyday shots, portraits, and a wide range of photography styles. Enhanced Control and Convenience The RS AF Module’s AF/MF switch allows you to switch focus modes effortlessly, with a dedicated focus ring for precise adjustments. Additionally, the built-in USB-C port streamlines firmware updates, ensuring your lens remains equipped with the latest enhancements and features for optimal performance.  

Panasonic HC-VX3E-K 4K Camcorder Black

Panasonic PANHCVX3EK (PAN HCVX3EK, PAN-HCVX3EK, PAN/HCVX3/EK, HC-VX3E-K) HC-VX3E-K 4K Camcorder Black.Experience outstanding video quality with the Panasonic HC-VX3 4K Camcorder, featuring advanced 4K recording capabilities and exceptional optical performance. This camcorder offers a versatile wide-angle lens—25mm in 4K and 28.9mm in 2K—paired with a powerful 24x optical zoom. Enjoy rapid, precise autofocus, making it an ideal choice for capturing sharp, professional-grade video.

Canon EOS C80 Cinema Camera RF Mount

Canon 6389C006 (63-89C0-06, 63/89C0-06, 63 89C0 06, 63_89C0_06) EOS C80 Cinema Camera RF Mount UNLEASH YOUR CREATIVE POTENTIAL Stay agile with the EOS C80, a compact and ergonomic powerhouse featuring a 6K full-frame BSI sensor, RF mount, and Dual Pixel CMOS AF II technology. It delivers exceptional image quality and versatility, perfect for cinema, live, and virtual production needs. A CLOSER LOOK AT THE EOS C80 Explore the standout features of the EOS C80 that elevate your professional video productions. 6K full frame BSI sensor The backside illuminated (BSI) sensor technology brings forth a striking balance of dynamic range and rich, natural color tones. Its triple base ISO system weaves together sharp clarity with low-noise performance, shaping visuals that feel both vivid and immersive. VIDEO PRODUCTION ELEVATED Full frame 6K BSI sensor Capture stunning visuals with Canon’s advanced backside illuminated (BSI) stacked CMOS sensor, offering next-level performance with triple base ISO (800 / 3200 / 12800), lifelike color reproduction, and an impressive 16 stops of dynamic range. Dual Pixel CMOS AF II with EOS iTR AF X Experience enhanced, faster autofocus technology with pinpoint accuracy and ultra-responsive tracking for faces, eyes, heads, bodies, and animals across the full sensor. Take full control with face-only recognition and customizable settings, ensuring your focus remains sharp and precise at all times. Compact, ergonomic and familiar design The updated, familiar design offers enhanced ergonomics, improved connectivity, and an upgraded joystick along with a multi-function shoe. Whether using the top handle or customizing your own rig, this camera provides the flexibility to shoot with ease, even in the most challenging conditions. Professional recording formats and high frame rates The EOS C80 supports 12-bit Cinema RAW Light LT recording at up to 6K 30P, and 4:2:2 10-bit at up to 4K 120P. It also offers oversampled 4K via XF-AVC, along with enhanced XF-AVC S and XF-HEVC S (MP4) formats, all featuring comprehensive metadata and structured filenames. Additionally, HDMI RAW output is available for use with compatible external recorders. RF mount Count on advanced prime, zoom, and cinema lenses for exceptional optical performance, real-time lens metadata, and lightning-fast AF/IS systems. Effortlessly use your PL and EF lenses with a Canon mount adapter for added versatility in your productions. Uncompromised connectivity The EOS C80 features professional on-body I/O options, including 12G-SDI, HDMI, 2x mini-XLR, Mic In, Remote, and Timecode ports. With built-in Wi-Fi and Ethernet, it supports real-time IP streaming (SRT / RTSP) and remote control via XC Protocol and the Multi-Camera Control app. The camera is also expandable through Canon’s Multi-Function Shoe for added versatility. Designed for the future The EOS C80 offers real-time lens metadata output and capture, ideal for virtual production (VP) and VFX workflows, with seamless integration with Unreal Engine and After Effects, including distortion correction data. Additionally, create immersive VR experiences using Canon’s RF 5.2mm F2.8L Dual Fisheye lens for unparalleled visual storytelling.

Sennheiser EW-D SKM-S Digital Wireless Base Set (U1/5) 823.2 - 831.8 MHz & 863.2 - 864.8 MHz

Sennheiser 508766 (50-87-66, 50 87 66, 50/87/66, 50/87-66) EW-D SKM-S Digital Wireless Base Set (U1/5) 823.2 - 831.8 MHz & 863.2 - 864.8 MHz A versatile wireless set designed for digital applications, featuring a stationary receiver and handheld transmitter compatible with a wide range of Evolution Wireless Digital microphone heads. This feature-packed digital wireless system is perfect for speakers and singers, offering seamless pairing and management through the EW-D Smart Assist App. Built with a durable metal housing, the robust bodypack transmitter is ideal for everyday stage use. Raising the bar Evolution Wireless Digital sets a new standard by offering more dynamic range than any other wireless system on the market. It automatically locks onto the most reliable signal within seconds and supports scalability of up to 90 channels, thanks to its 56 MHz tuning bandwidth. It's clear that this wireless system truly stands in a league of its own. Equidistant Spacing – simpler than it sounds Evolution Wireless Digital incorporates an equidistant tuning grid, a feature previously exclusive to our flagship Digital 6000 and Digital 9000 systems. Its high-quality components with exceptional linearity eliminate intermodulation between EW-D transmitters, enabling frequencies to be evenly spaced every 600 kHz. This simplifies frequency coordination, making it easy for both wireless novices and professionals, while also enhancing the system's scalability and impressive channel capacity. An engineer in your pocket With Bluetooth Low Energy, the Sennheiser Smart Assist app gives you full control at your fingertips. Enjoy a lightning-fast automated setup, mobile access to every system setting, and the ability to remotely monitor your equipment—all from your Android or iOS device. Save time, conserve energy, and perform with confidence.

Sennheiser EW-D SKM-S Digital Wireless Base Set (S1-7) 606.2 - 662 MHz

Sennheiser 508763 (50-87-63, 50/87/63, 50 87 63, 50/87-63) EW-D SKM-S Digital Wireless Base Set (S1-7)606.2 - 662 MHz  A versatile wireless set designed for digital applications, featuring a stationary receiver and handheld transmitter compatible with a wide range of Evolution Wireless Digital microphone heads. This feature-packed digital wireless system is perfect for speakers and singers, offering seamless pairing and management through the EW-D Smart Assist App. Built with a durable metal housing, the robust bodypack transmitter is ideal for everyday stage use. Raising the bar Evolution Wireless Digital sets a new standard by offering more dynamic range than any other wireless system on the market. It automatically locks onto the most reliable signal within seconds and supports scalability of up to 90 channels, thanks to its 56 MHz tuning bandwidth. It's clear that this wireless system truly stands in a league of its own. Equidistant Spacing – simpler than it sounds Evolution Wireless Digital incorporates an equidistant tuning grid, a feature previously exclusive to our flagship Digital 6000 and Digital 9000 systems. Its high-quality components with exceptional linearity eliminate intermodulation between EW-D transmitters, enabling frequencies to be evenly spaced every 600 kHz. This simplifies frequency coordination, making it easy for both wireless novices and professionals, while also enhancing the system's scalability and impressive channel capacity. An engineer in your pocket With Bluetooth Low Energy, the Sennheiser Smart Assist app gives you full control at your fingertips. Enjoy a lightning-fast automated setup, mobile access to every system setting, and the ability to remotely monitor your equipment—all from your Android or iOS device. Save time, conserve energy, and perform with confidence.

Sennheiser EW-D ME3 Lavalier Microphone Set (U1/5) 823.2 - 831.8 MHz & 863.2 - 864.8 MHz

Sennheiser 508716 (50-87-16, 50/8716, 50 87 16, 50/87-16) EW-D ME3 Lavalier Microphone Set (U1/5) 823.2 - 831.8 MHz & 863.2 - 864.8 MHz A complete digital wireless lavalier set designed for singers and speakers, featuring the acclaimed Sennheiser ME 3 cardioid headset microphone. This versatile, feature-packed digital wireless system is ideal for speakers and presenters, offering effortless product pairing and control through the EW-D Smart Assist App. Housed in durable metal, the sturdy bodypack transmitter and the discreet ME 3 clip-on cardioid microphone, known for its exceptional speech clarity, are perfect for daily use on stage. Raising the bar Evolution Wireless Digital sets a new standard by offering greater dynamic range than any other wireless system available today. With the ability to automatically lock onto the most reliable signal in seconds and scalability to support up to 90 channels, thanks to its 56 MHz tuning bandwidth, this system truly stands apart from the competition. Equidistant Spacing Evolution Wireless Digital incorporates an equidistant tuning grid, a feature previously reserved for our top-tier Digital 6000 and Digital 9000 systems. Its high-quality components with outstanding linearity prevent intermodulation between EW-D transmitters, enabling frequencies to be evenly spaced every 600 kHz. This makes frequency coordination effortless for both wireless novices and experienced professionals, while also enhancing the system's scalability and enabling a high channel count. Your personal engineer, right in your pocket. With the Sennheiser Smart Assist app powered by Bluetooth Low Energy, you have complete control at your fingertips. Enjoy a lightning-fast automated setup, mobile access to all system settings, and the convenience of remote monitoring—right from your Android or iOS device. Save time, conserve energy, and perform with confidence.

Sennheiser 508713 EW-D ME3 Lavalier Microphone Set (S1-7) 606.2 - 662 MHz

Sennheiser 508713 (50-87-13, 50 87 13, 50/8713, 50/87-13) EW-D ME3 Lavalier Microphone Set (S1-7) 606.2 - 662 MHz A complete digital wireless lavalier set designed for singers and speakers, featuring the acclaimed Sennheiser ME 3 cardioid headset microphone. This versatile, feature-packed digital wireless system is ideal for speakers and presenters, offering effortless product pairing and control through the EW-D Smart Assist App. Housed in durable metal, the sturdy bodypack transmitter and the discreet ME 3 clip-on cardioid microphone, known for its exceptional speech clarity, are perfect for daily use on stage. Raising the bar Evolution Wireless Digital sets a new standard by offering greater dynamic range than any other wireless system available today. With the ability to automatically lock onto the most reliable signal in seconds and scalability to support up to 90 channels, thanks to its 56 MHz tuning bandwidth, this system truly stands apart from the competition. Equidistant Spacing Evolution Wireless Digital incorporates an equidistant tuning grid, a feature previously reserved for our top-tier Digital 6000 and Digital 9000 systems. Its high-quality components with outstanding linearity prevent intermodulation between EW-D transmitters, enabling frequencies to be evenly spaced every 600 kHz. This makes frequency coordination effortless for both wireless novices and experienced professionals, while also enhancing the system's scalability and enabling a high channel count. Your personal engineer, right in your pocket. With the Sennheiser Smart Assist app powered by Bluetooth Low Energy, you have complete control at your fingertips. Enjoy a lightning-fast automated setup, mobile access to all system settings, and the convenience of remote monitoring—right from your Android or iOS device. Save time, conserve energy, and perform with confidence.

Sennheiser EW-D ME2 Lavalier Microphone Set (U1/5) 823.2 - 831.8 MHz & 863.2 - 864.8 MHz

Sennheiser 508706 (50-87-06, 50/8706, 50 87 06, 50/87-06) EW-D ME2 Lavalier Microphone Set (U1/5) 823.2 - 831.8 MHz & 863.2 - 864.8 MHz All-in-one digital wireless lavalier set for those who speak featuring Sennheiser's renowned ME 2 omni-directional clip-on microphone. Versatile and feature-rich digital wireless system for those who speak or present that allows for seamless product pairing and management via the EW-D Smart Assist App. With a metal housing, the robust bodypack transmitter and unobstrusive clip-on microphone ME 2 (omni-directional) with high speech intelligibility suit perfectly for daily use on stage. Raising the bar Evolution Wireless Digital breaks the boundaries by providing more dynamic range than any wireless system currently on the market. Automatically securing the most reliable signal in a matter of seconds and scalable up 90 channels thanks to 56 MHz of tuning bandwidth, it’s easy to see why this wireless system is in a class of its own. Equidistant Spacing – simpler than it sounds Evolution Wireless Digital features an equidistant tuning grid previously only found in our flagship Digital 6000 and Digital 9000 wireless systems. Quality components with exceptional linearity eliminate intermodulation between EW-D transmitters, allowing frequencies to be equally spaced every 600 kHz alongside each other. This simplifies frequency coordination for wireless beginners and seasoned professionals alike, and also contributes to the system’s scalability and impressively high channel count. An engineer in your pocket The power of Bluetooth Low Energy puts full control right in the palm of your hand with the Sennheiser Smart Assist app. Take advantage of a remarkably fast automated setup, mobile access to every system setting and the added benefit of remote monitoring, all from the convenience of your Android or iOS device. Save time, save energy and perform with confidence.  

Sennheiser EW-D ME2 Lavalier Microphone Set (S1-7) 606.2 - 662 MHz

Sennheiser 508703 (50-87-03, 50/8703, 50 87 03, 50/87-03) EW-D ME2 Lavalier Microphone Set (S1-7) 606.2 - 662 MHz All-in-one digital wireless lavalier set for those who speak featuring Sennheiser's renowned ME 2 omni-directional clip-on microphone. Versatile and feature-rich digital wireless system for those who speak or present that allows for seamless product pairing and management via the EW-D Smart Assist App. With a metal housing, the robust bodypack transmitter and unobstrusive clip-on microphone ME 2 (omni-directional) with high speech intelligibility suit perfectly for daily use on stage. Raising the bar Evolution Wireless Digital breaks the boundaries by providing more dynamic range than any wireless system currently on the market. Automatically securing the most reliable signal in a matter of seconds and scalable up 90 channels thanks to 56 MHz of tuning bandwidth, it’s easy to see why this wireless system is in a class of its own. Equidistant Spacing – simpler than it sounds Evolution Wireless Digital features an equidistant tuning grid previously only found in our flagship Digital 6000 and Digital 9000 wireless systems. Quality components with exceptional linearity eliminate intermodulation between EW-D transmitters, allowing frequencies to be equally spaced every 600 kHz alongside each other. This simplifies frequency coordination for wireless beginners and seasoned professionals alike, and also contributes to the system’s scalability and impressively high channel count. An engineer in your pocket The power of Bluetooth Low Energy puts full control right in the palm of your hand with the Sennheiser Smart Assist app. Take advantage of a remarkably fast automated setup, mobile access to every system setting and the added benefit of remote monitoring, all from the convenience of your Android or iOS device. Save time, save energy and perform with confidence.

Sennheiser EW-D 835-S Wireless Handheld Microphone Set (S1-7) 606.2 - 662 MHz

Sennheiser 508753 (50-87-53, 50/8753, 50 87 53, 50/87-53) EW-D 835-S Wireless Handheld Microphone Set (S1-7) 606.2 - 662 MHzAll-in-one digital wireless handheld set for those who sing or speak featuring Sennheiser's renowned e 835 capsule.Versatile and feature-rich digital wireless system for those who sing, speak or play instruments that allows for seamless product pairing and management via the EW-D Smart Assist App. Receive state-of-the-art live sound featuring Sennheiser‘s renowned e 835 capsule on a lightweight handheld transmitter with integrated mute switch.Raising the barEvolution Wireless Digital breaks the boundaries by providing more dynamic range than any wireless system currently on the market. Automatically securing the most reliable signal in a matter of seconds and scalable up 90 channels thanks to 56 MHz of tuning bandwidth, it’s easy to see why this wireless system is in a class of its own.'Equidistant Spacing – simpler than it soundsEvolution Wireless Digital features an equidistant tuning grid previously only found in our flagship Digital 6000 and Digital 9000 wireless systems. Quality components with exceptional linearity eliminate intermodulation between EW-D transmitters, allowing frequencies to be equally spaced every 600 kHz alongside each other. This simplifies frequency coordination for wireless beginners and seasoned professionals alike, and also contributes to the system’s scalability and impressively high channel count.An engineer in your pocketThe power of Bluetooth Low Energy puts full control right in the palm of your hand with the Sennheiser Smart Assist app. Take advantage of a remarkably fast automated setup, mobile access to every system setting and the added benefit of remote monitoring, all from the convenience of your Android or iOS device. Save time, save energy and perform with confidence.

Sony HXR-NX800 4K HDR Camcorder

Sony HXR-NX800 4K HDR Camcorder(HXR-NX800, HXR/NX800, HXR_NX800, HXRNX800, HXR NX800) Shoot, record, and stream in 4K HDR with 20x optical zoom, AI-powered Subject Recognition AF, and integrated 2.4 GHz/5 GHz* Wi-Fi. *5 GHz communication may be restricted in some regions and countries. Crisp details and vivid colors, every time Capture stunning 4K HDR footage with vibrant colors, textures, and outstanding detail. The HXR-NX800’s powerful 1.0-type Exmor RS™ stacked CMOS sensor provides high sensitivity and low noise, allowing up to 120fps* in 4K and 240fps in FHD. Full-pixel readout and BIONZ XR™ real-time image processing preserve every detail, while 709tone and S-Cinetone™ compatibility ensure easy color matching with Cinema Line and other Sony system cameras. *With approx. 23% crop. Please refer to the Operating Instructions for memory card requirements to ensure proper operation. Intelligent features for smarter shooting Sony’s innovative AI Processing Unit recognizes human subjects, while the Fast Hybrid AF system keeps your subject in focus at all times. The Electronic Variable ND Filter allows for optimal exposure in various lighting conditions, and the Auto ND function can automatically adjust exposure for you. Reliable streaming and remote operation Built-in 2.4 GHz and 5 GHz Wi-Fi, combined with Sony’s C3 Portal (paid) or XDCAM Pocket apps, enables simple, high-quality streaming directly from the camera. The Monitor and Control app lets you check angles and monitor your shots remotely via your smartphone or tablet—ideal for solo operators looking for an efficient, high-speed workflow. 1.0-type Exmor RS CMOS sensor For unparalleled imaging performance in a compact camcorder, the HXR-NX800 uses a large, approximately 14.0-megapixel 1.0-type Exmor RS CMOS sensor. Its unique stacked structure allows faster readout speeds and superior low-light performance, thanks to back-illuminated pixels. BIONZ XR image processing Sony’s BIONZ XR image processor ensures higher frame rates, faster autofocus, enhanced Auto Tracing White Balance (ATW) control, and superior noise reduction. This powerful processor extracts maximum performance from the high-resolution image sensor, delivering stunning 4K (3840 x 2160) 60p video through 5K oversampling with full-pixel readout. Enhanced White Balance Accuracy With the help of the AI Processing Unit, the Auto Tracing White Balance (ATW) on the HXR-NX800 has been refined to offer more precise control, even in challenging lighting conditions such as shadows. Advanced AI Processing Unit for next-generation AF Working in conjunction with BIONZ XR, the specialized AI Processing Unit uses deep learning to recognize human subjects with high precision based on form and posture. The Fast Hybrid AF system, which covers 81% of the frame, supports Subject Recognition AF and Real-time Tracking, ensuring the NX800 can effortlessly follow subjects throughout the frame. Auto Framing With Auto Framing enabled, the camera tracks recognized human subjects and adjusts the framing so they remain prominently positioned. This feature allows solo operators to focus on engaging with interviewees, as the camera handles framing adjustments autonomously. 4K 120fps for stunning slow-motion footage The Exmor RS sensor’s high readout speed enables 4K High Frame Rate (HFR) recording at up to 120fps and FHD at 240fps. You can achieve 4x slow motion in 4K at 30p or 5x slow motion at 24p. The high-speed AF system ensures your subject remains in focus throughout. Slow & Quick Motion** mode supports up to 4K 120fps and FHD 240fps recording. *With approx. 23% crop. 100fps/200fps in PAL mode. Please refer to the manual for memory card requirements. 20x optical zoom The 20x G Lens™ optical zoom covers everything from wide-angle interviews to telephoto sports shots. With a zoom range of 24-480 mm (35mm full-frame equivalent), the lens also supports Sony’s Clear Image Zoom technology, offering 30x zoom in 4K and 40x zoom in FHD. You can explore apertures of F2.8 (wide) to F4.5 (telephoto), with smooth and silent zooming. Advanced image stabilization Minimize the effects of camera shake with built-in image stabilization. In Active Mode*, optical and electronic stabilization work together to create smooth, stable footage even in handheld shooting. *Active Mode results in a slight image crop and is unavailable when recording at frame rates of 120 (100) fps or higher. Built-in Electronic Variable ND Filter The built-in Electronic Variable ND Filter adjusts seamlessly to different lighting conditions. You can move from 1/4 to 1/128 ND with a simple dial adjustment or rely on the Auto ND function to maintain the best exposure as you transition between environments. Accurate LCD monitor and OLED viewfinder The HXR-NX800 features a 3.5-type LCD monitor with approximately 27.6 million dots, offering outstanding brightness and clarity. The monitor can swing up and down as well as backward for a comfortable viewing angle. For clear viewing, the 0.39-type OLED viewfinder provides high contrast and approximately 23.6 million dots, blocking out extraneous light. Compact design and storage The HXR-NX800 is lightweight and compact, weighing approximately 1.93 kg (4 lb 4.1 oz.). When stored, its dimensions shrink for easier portability. The detachable microphone holder offers additional flexibility for travel. Flexible camera control Designed for maximum control, the HXR-NX800 features two independent control rings for focus/zoom and two dials for IRIS/ND Variable. It also has 12 assignable buttons for quick access to key functions, offering a customizable user experience. AUTO/MANUAL switch Adapt quickly to changing shooting conditions with the AUTO/MANUAL switch. In AUTO mode, the camera will automatically adjust key settings like ND Filter, Iris, Gain, Shutter, and White Balance. Cinematic and broadcast base looks Achieve cinematic or broadcast-quality visuals with pre-set looks like S-Cinetone, ITU709, 709tone, HLG Live, HLG Mild, and HLG Natural. You can also tweak black, matrix, and other settings to match the look of your production. Multiple recording options The HXR-NX800 offers a wide range of recording formats, including XAVC S-I for high-quality 10-bit 4:2:2 4K (QFHD) recording with Intra-Frame H.264, and XAVC HS-L (H.265) or XAVC S-L (H.264) for more efficient, extended recording times. Proxy recording in XAVC HS at up to 16 Mbps is also available, allowing for faster editing and previewing. Comprehensive connectivity The camera supports a variety of connections, including HDMI Type-A, USB Type-C®, LAN, REMOTE, and more. Wireless monitoring and remote control Built-in Wi-Fi allows for wireless monitoring and control via the free Monitor & Control app. You can adjust settings like focus and iris, record remotely, and more. 4-channel audio Capture up to four channels of audio through XLR connectors and the Multi Interface (MI) Shoe. Adjust levels using external dials for easy operation without needing to access the camera menu. Designed for live streaming The HXR-NX800 supports direct streaming to compatible services via a wired or Wi-Fi connection, with RTMP/RTMPS or SRT protocols ensuring efficient workflow for solo operators. Simple file transfers Upload proxy and original clips directly to a cloud or FTP server from the memory card. The C3 Portal (paid) application simplifies cloud transfers, ensuring quick access to files for editing and sharing. Dual memory card slots The camera’s dual memory card slots support CFexpress Type A and SD memory cards, allowing for simultaneous recording or relay recording for additional security. Dependable battery power The HXR-NX800 is compatible with BP-U35, BP-U70, and BP-U100 batteries, providing up to 120 minutes of continuous operation with the BP-U35. These batteries are also interchangeable with other Sony cameras. Internal fan and vents A built-in cooling fan and optimized vents ensure the camera maintains its optimal operating temperature. Accessibility A screen reader function provides audible feedback for menu navigation, while the screen magnifier feature increases the size of menus, playback, and recording screens. Sustainability Sony has implemented measures to reduce the environmental footprint of the HXR-NX800 throughout its lifecycle, from product development to packaging.

Atomos SHINOBI II

Atomos SHINOBI II Atomos has been developing amazing monitoring and recording technology for over a decade. Shinobi II has been redesigned with a new, slimline case and a 50% brighter HDR screen, yet it still manages to pack in all of Atomos' renowned screen processing technology and professional monitoring tools, plus exciting new hardware features like camera control. Take control of Canon, Panasonic or Sony cameras via USB-C, plus Z CAM cameras via optional USB-C to Serial cable. More vendors will be supported with future firmware releases. Due to its low power consumption and efficient hardware, Shinobi II will run all day on a single battery charge. Expose your shots accurately using our advanced exposure tools like false color, zebras, histograms, waveforms and vectorscopes. A multi-tool Analysis View gives you all the essential info at a glance. There’s even a selfie Mirror Mode for vloggers. Shinobi II is the perfect accessory to improve any photo or video production.   Camera control for an extensive list of cameras Harnesses the versatility of USB-C to control most recent mirrorless or DSLR cameras from Canon, Panasonic and Sony, as well as the popular compact cinema cameras from Z CAM's E2 line. There are plans to support cameras from Fujifilm, Nikon, OM System and SIGMA with future firmware updates.   Check camera status at a glance Use the Camera Status indicator to keep an eye on the camera’s internal record settings, battery status and remaining record time. The red edge display shows when the camera is recording internally, regardless of whether it's triggered by the camera or from the Shinobi II.   Get perfect exposure. Every time Combine Shinobi II's ability to adjust your camera lenses' aperture, shutter speed/angle and ISO with its built-in exposure tools such as false color, waveforms, zebras, or the histogram and achieve perfect exposure on every shot.   New AtomOS. New look. New possibilities Shinobi II runs under a version of our latest operating system, AtomOS 11. It not only looks amazing, but introduces a host of great new features.   We’ve made the tools more visible and improved the look of the icons so you know exactly what you’re selecting. It’s easier to use, more logical and feels more professional.        Overcome the limitations of small camera displays Enjoy the 50% brighter – 1500nit peak brightness, 5-inch, high-resolution HDR touchscreen, no matter if you're shooting in the studio or in bright sunlight.   Monitor a variety of input signals Shinobi II comes equipped with a single HDMI 1.4 port and allows you to monitor signals in various resolutions and frame rates. Most notably, 4K DCI and 4K UHD at up to 30p, and 1080p HD signals at up to 60p.   HDR monitoring and LUT support Use the HDR HLG and HDR PQ monitoring modes to preview what your camera's LOG output might look like in HDR, or upload up to 8 LUTs to Shinobi's built-in storage to preview your shots in your favorite looks.   Frame guides for every delivery medium Use a variety of cinema-style or social media-focused frame guides to compose your shots for every delivery medium. Shinobi II comes packed with presets for 2.41, 2.35, 1.91, 1.9, 1.85, 16:9, 9:16, 4:5, 2:3, 1:1, 5:4, 4:3, 3:2.   Lightweight and adaptable Despite adding even more hardware features, we managed to keep Shinobi II's weight down to an incredible 210 grams and added holes for locating pins at the bottom for more secure mounting in any situation. The battery compartment is placed at the center of the device to improve balancing and maneuverability, while the included HDMI & USB-C locking adapter allows you to use Atomos' new line of locking cables for rock-solid connectivity.   Flexible power options Power Shinobi II with NP-F style batteries, the optional battery eliminator in combination with our DC barrel to D-Tap cable, or via USB-C PD (10W input). You can also charge / power your camera via USB-C PD (13W output), all while using Shinobi II's camera control features.

BirdDog BDX5W X5 Ultra UHD PTZ Camera - White

BirdDog BDX5W (BD-X5W, BD/X5W, BD_X5W, BD X5W) X5 Ultra UHD PTZ Camera - White 4K60 Production PTZ Camera featuring NDI® | HX3, NDI® | HX2/3 Decoder, 12G-SDI, advanced mechanical drive, 2x e-ink display and HALO Tally - White X5 Ultra. In every way. Productions are demanding; the X5 Ultra makes demanding a walk in the park. Featuring unparalleled capability, quality, and performance – take your PTZ game up a notch with X5 Ultra. Imagine next-level robotic controls with ultra-fine and precise movement thanks to its category-busting advanced motor drive system. Movements on air are a breeze, and acceleration/deceleration of moves look natural and slick. Sporting BirdDog’s signature Halo tally system for true audience engagement, revolutionary built-in NDI® decoding*, all the video connectors, including 12G-SDI, dual e-ink displays make branding and maintenance a snap, all wrapped up with a stunning Sony 4K60 image sensor delivering the highest performance NDI® | HX3 possible. X5 Ultra. In every way. Halo Tally. A higher order of visual queue. Professional results need professional tools. The X5 Ultra sports the most visible and effective Tally system available. Up front, with a large, daylight-visible border keeping talent looking directly at the camera. Your cast and crew will always know where to look, keeping your audience engaged. AI Tracking. Built for now and the future. We aren’t playing catch-phrase bingo here. X5 Ultra takes AI auto-tracking and framing to the next level. Featuring an order of magnitude more neural processing capabilities, the out-of-the-box X5 Ultra has incredible AI powers but also the headroom to grow as AI progresses. Magic. NDI® | HX3. Performance meets convenience The X5 Ultra delivers superior network performance via our implementation of NDI® | HX3. Significantly reducing network impact while maintaining excellent image quality, meaning it is more friendly in more network environments. BirdDog’s NDI® | HX3 surpasses certification parameters, delivering quality and performance you can count on. Connectivity for days. Video productions all look different. We love NDI® because it allows a single network cable to operate everything, but sometimes it makes sense to take a different path. X5 Ultra makes this a snap. In a world of compromise, the X5 Ultra stands proud. With 12G-SDI output, dual HDMI outputs, multiple network formats, including NDI® | HX3, SRT, RTMP and RTSP, Webcam connectivity over USB, however you work and whatever demand in quality you have, X5 Ultra has got your back for today’s production… and tomorrow’s! Integrated NDI® | HX Decoder. It can’t get much more convenient! The X5 Ultra is part of the family of PTZ cameras featuring the first simultaneous NDI® | HX* Decoder designed specifically for confidence monitoring, return feeds, or teleprompter usage. We’ve pulled all this connectivity into a single cable, radically simplifying how you interface with your equipment. Less gear. Less hassle. Less complexity. Whether you're broadcasting live or delivering a CEO address, the integrated NDI® | HX decoder enables more engagement with less setup. *NDI® | HX2 and NDI® | HX3 supported. E-ink Label. Get Inked. The dual, always-on e-ink labels on the X5 Ultra are a game-changer. From network addresses for easy access to controls to customisable logos* to complement your brand image, this cool feature ensures that your set-up is clear and each camera is easily identifiable even when the power is off.

Sennheiser Cable-II-6

Sennheiser Cable-II-6 Unterminated end headset cable for Sennheiser HMD/ HME series The Sennheiser Cable-II-6 is a straight copper cable with a coiled segment that eliminates structure born noise. The unterminated end has six wires. Four wires for audio connection and 2 screened wires for the microphone signal.

Canon EOS R1

Canon EOS R1 For sports, news and action photographers, looking to shoot career-defining work, Canon developed the EOS R1 – their flagship camera with speed and advanced technologies at its core.   Shoot career-defining images and video, even when the pressure is on, capturing transient moments at up to 40fps with exceptional image quality and AF. Game-changing speed and precision is backed up by a simple, reliable workflow that lets you get your work to the client fast. Seamless hybrid functionality lets you shoot superb 6K 60p video and even capture stills and video simultaneously.   The EOS R1 lets you capture fleeting moments and freeze action at 1/64,000sec, while Action Priority focus mode recognises and anticipates moments in key sports. A back-illuminated, stacked sensor offers incredible sensitivity and virtually no rolling-shutter distortion.   24.2 megapixel, back-illuminated, stacked sensor The EOS R1 features a 24.2-megapixel full-frame sensor that uses a back-illuminated, stacked design to deliver superb sensitivity, brilliant resolution and incredible speed. A low-pass filter has 16-point separation that effectively reduces false colour and moiré while preserving fine detail. The EOS R1’s Dual Pixel Intelligent AF uses Cross-Type AF that is sensitive to both horizontal and vertical detail. These increases focusing accuracy and speed in low light and low-contrast conditions.    The speed you need Capture fleeting moments with a customisable continuous shooting speed of up to 40fps, a 1/64,000 sec. top shutter speed and virtually zero rolling-shutter distortion. Pre-capture lets photographers capture moments before the shutter release is pressed.   Focusing on performance Deep-learning and Cross-type AF identifies and tracks subjects with phenomenal accuracy. The DIGIC Accelerator processor powers Action Priority mode, which automatically determines the main subject in football, volleyball and basketball, moving AF areas accordingly.   Hybrid creativity Shoot superb 6K video using frame rates up to 60p and using a wide variety of formats. Dual Shooting lets you cover the same event with Full HD video and 17-megapixel (16:9) photos – capturing stills and video separately and simultaneously.   Get home in first place Win the race – getting photos and video back to your client right when they need them. Lightning-fast connectivity is easy to use when the pressure’s on. Wi-Fi 6E1 with MIMO antennas, and 2.5G BASE-T ethernet, deliver super-stable performance   The ultimate photographic assistant Our flagship EOS is packed with advanced technology, including an 8.5-stop Image Stabilizer, a best-in-class 9.44m-dot electronic viewfinder, and in-camera image upscaling and noise reduction. Be inspired by the superb build quality that pros around the world have come to love.   DIGIC Accelerator The EOS R1 sees DIGIC Accelerator and DIGIC X image processors working alongside each other for phenomenal performance. AF tracking of people, animals and objects is improved – even objects that are momentarily obscured from view are tracked continuously and kept in sharp focus. Action priority recognises key events in football, basketball and volleyball and moves the active AF area. Stills and video can be captured simultaneously, thanks to the DIGIC Accelerator’s ability to process large volumes of data at speed.   Action Priority focus mode When shooting photos with the EOS R1’s advanced electronic shutter, the camera’s DIGIC Accelerator processor lets it identify significant actions in three sports: football, basketball and volleyball. The camera automatically switches the active AF areas to a person performing the kind of a critical action that has traditionally been hard to shoot, such as a shot from a high-speed pass.   Go large, with In-camera upscaling Deep-learning means that images can be upscaled in-camera by up to four times, generating high-resolution versions for cropping or printing at huge sizes. The same deep-learning capability delivers incredible noise reduction for smooth, detailed images at high ISO sensitivities   Advanced 9.44m-dot electronic viewfinder The EOS R1’s electronic viewfinder (EVF) is superior to an optical viewfinder in many ways. It’s 9.44m-dot high resolution provides an exceptionally clear and detailed view of a scene, with blackout-free continuous shooting at up to 40fps. It’s comfortable for extended periods too, with variable magnification and a locking adjustable dioptre. A larger eyecup is available for complete immersion in the shooting experience.   Next-generation Eye Control AF Select an AF point, or a subject to track, simply by looking at it. The use of newly developed optics and a revised line-of-sight algorithm enhances the accuracy of the system, compared with the EOS R3, and broadens the angle over which the system is effective, for a more natural experience.   Creativity through technology Since 1989, Canon EOS-1 series cameras have led the way for professional sports, news and action photographers. As the result of 35 years of evolution the EOS R1 looks to the future as our flagship EOS camera.   Autofocus powered by deep learning The EOS R1 harnesses the power of deep-learning to identify subjects, while its DIGIC Accelerator processor tracks and captures them more accurately than ever. Action Priority mode can even identify the subject based on the action, helping you predict what is coming next.   Dual Pixel Intelligent AF with Cross-type AF points EOS R1 has Cross-type AF that is sensitive to horizontal and vertical detail. This gives more sensitivity and precision, especially in low light and low-contrast conditions.   Jaw-dropping image quality A new 24-megapixel sensor delivers incredible results. A lightning-fast, stacked CMOS design is sensitive in low light. A low-pass filter with 16 point separation reduces moiré and false colour while still capturing very detailed resolution.   Stills and video. Separately and simultaneously Designed for professional hybrid shooters covering events. With the EOS R1’s Dual Shooting function switched on, a press of the shutter-release button while shooting Full HD video captures 5616x3168 pixel (17MP) JPG photos at up to 10fps using the same shutter speed – all without interrupting video capture.   Extraordinary Performance - Now as standard Freeze fleeting moments in time like never before: 40 frames per second continuous shooting pairs with a lightning-fast 1/64,000 sec electronic shutter and minimal rolling shutter distortion for incredible results.   Go back in time with continuous shooting Half press the shutter release button to begin continuously buffering 20 frames. At the moment you take the shot, these ‘pre-captured’ frames are stored too. At EOS R1’s maximum 40fps shooting speed, this means you’ll record the half-second before you pressed the shutter release. At slower shooting speeds, the pre-capture time gets longer, giving you even more flexibility.

Canon EOS R5 Mark II

Canon EOS R5 Mark II  Master the moment with incredible speed, resolution and all-round performance Experience incredible 45-megapixel resolution combined with blazing-fast speeds of up to 30fps and up to 8K 60p RAW video. This powerhouse excels in every genre of visual storytelling. Powered by DIGIC Accelerator technology, it features Dual Pixel Intelligent AF, next-generation Eye Control AF, and Action Priority mode. With a maximum ISO sensitivity of 51,200 (expandable to 102,400) and in-camera Neural Network noise reduction, you’ll achieve outstanding results even in low light. Plus, this highly connected camera allows you to deliver content quickly and reliably. The EOS R5 Mark II truly does it all, empowering you to conquer your creative ambitions. For photographers and filmmakers across genres—from wildlife and reportage to portraiture, filmmaking, interviews, and documentaries—the EOS R5 Mark II is the tool that will help you create your best work yet. DIGIC Accelerator meets DIGIC X for unparalleled performance The EOS R5 Mark II’s Dual Pixel Intelligent AF and Eye Control AF raise the bar for autofocus technology. It keeps fast-moving subjects in sharp focus, even when temporarily out of view. Action Priority mode tracks players in sports like football, basketball, and volleyball, adjusting the AF area in real-time to capture critical moments, such as a shot on goal from a fast pass. Where speed meets resolution No matter your creative vision, the EOS R5 Mark II delivers. Capture stunning 45-megapixel photos at 30fps with 15-frame Pre-Capture, or record impressive 8K 60p RAW video. Whatever your needs, this camera opens new possibilities for creativity. Switch to hybrid mode Shoot breathtaking 8K video using the full width of the EOS R5 Mark II’s sensor—perfect for cropping in post-production. The 8K 60p Light RAW format captures smooth motion, while 14-bit color depth ensures rich gradation and a wide dynamic range. Thanks to Dual Shooting, you can simultaneously capture 33.2-megapixel (16:9) stills at 7.5fps while recording Full HD video. Fast connectivity when it matters most Whether through Wi-Fi 6E1 or a tethered USB connection, you can quickly and reliably deliver your work to clients. An optional battery grip adds 2.5G BASE-T Ethernet for even faster connections. Advanced technology for powerful performance Packed with cutting-edge technology, including Canon’s revolutionary RF lens mount, the EOS R5 Mark II pushes creative boundaries. Its 8.5-stop Image Stabilizer lets you shoot handheld at slow shutter speeds, while customizable controls allow you to fine-tune the camera to your needs. All this is housed in a robust, agile design that inspires creativity from the moment you pick it up. Next-generation 45-megapixel stacked image sensor A new full-frame, back-illuminated stacked CMOS sensor delivers impressive resolution, dynamic range, and speed, with advanced video capabilities. Maximum ISO sensitivity of 51,200 (expandable to 102,400) is paired with in-camera neural network noise reduction for cleaner, more detailed JPEG images. DIGIC Accelerator The EOS R5 Mark II’s DIGIC Accelerator and DIGIC X processors work together to deliver exceptional performance. The system improves AF tracking of people, animals, and objects—even when briefly obscured. Action Priority mode intelligently anticipates key moments in sports like football, basketball, and volleyball, automatically adjusting the AF point. Simultaneous still and video capture Thanks to the power of the DIGIC Accelerator, you can capture high-quality stills and video simultaneously, processing large volumes of data with ease. In-camera upscaling and deep learning Harness deep-learning technology for in-camera upscaling, allowing images to be enlarged up to four times for high-resolution prints or cropping. This same technology also delivers remarkable noise reduction, resulting in smooth, detailed images even at high ISO sensitivities. Action Priority Focus Mode When using the EOS R5 Mark II’s advanced electronic shutter, the DIGIC Accelerator processor identifies critical moments in sports like football, basketball, and volleyball, automatically adjusting the AF area to capture decisive actions such as a shot made from a high-speed pass. Next-Generation Eye Control AF Choose your focus point or subject simply by looking at it. Enhanced optics and a refined line-of-sight algorithm make Eye Control AF even more accurate than in the EOS R3, and its broader field of effectiveness provides a more intuitive experience. Pre-continuous shooting The EOS R5 Mark II buffers 15 frames while the shutter release is half-pressed, storing them when you fully press the shutter. This ensures you capture moments even before you press the button. Slower shooting speeds increase the pre-capture time, giving you even more flexibility.

Canon EOS R5 Mark II W/ RF 24-105mm f/4 L IS USM

Canon EOS R5 Mark II W/ RF 24-105mm f/4 L IS USM Master the moment with incredible speed, resolution and all-round performance Incredible 45-megapixel resolution meets breath-taking speed up to 30fps and up to 8K 60p RAW video. The result is a camera that excels in every genre of visual story telling. DIGIC Accelerator technology powers Dual Pixel Intelligent AF – now with next-generation Eye Control AF and Action Priority mode. A max ISO 51,200 sensitivity (extendable to ISO 102,400) is supported by in-camera Neural Network noise reduction, for amazing results in low light. And this super-connected camera lets you get content to the client quickly, reliably and easily. The EOS R5 Mark II masters it all and lets you conquer your creative ambitions.   For photographers and filmmakers of all genres from wildlife, reportage and portrait photography to filmmaking, interviewing and documentaries., the EOS R5 Mark II is a camera that empowers you to shoot your most creative work yet.       DIGIC Accelerator meets DIGIC X for exceptional performance   EOS R5 Mark II’s Dual Pixel Intelligent AF and Eye Control AF set new standards. Sharp focus is maintained on moving subjects, even when briefly obscured from view. Action Priority mode detects players in football, basketball and volleyball, moving the active AF area in response to specific actions – such as a shot on goal made from a high-speed pass.       Where speed meets resolution   Whatever the story, the EOS R5 Mark II speaks your language. Shoot incredible 45-megapixel photos at 30fps speed and 15-frame Pre-Capture, or capture sumptuous 8K 60p RAW video that truly impresses. Whatever your needs, the EOS R5 Mark II unlocks new ways to be creative. Switch to hybrid   Use the full width of the EOS R5 Mark II’s sensor to shoot sensational 8K footage – rich in detail and crop-friendly during editing. 8K 60p Light RAW portrays moving subjects with silky smooth motion. 14-bit colour depth offers fine gradation and wide dynamic range. With EOS R5 Mark II’s Dual Shooting function, you can simultaneously capture 33.2-megapixel (16:9) photos at 7.5fps while also shooting Full HD video. When the pressure is on, get connected fast   Get your photos and video back to your client more quickly and reliably than ever, whether you’re connected wirelessly with Wi-Fi 6E1 or tethered via USB. Choose an optional battery grip to connect via 2.5G BASE-T Ethernet.       Powerful performance built on advanced technology   The EOS R5 Mark II is brimming with advanced technologies, including our revolutionary RF lens mount, that empowers you to be more creative. An up to 8.5-stop Image Stabilizer lets you shoot hand held with slow shutter speeds, while customisable controls let you set up the camera to suit the scene and your shooting style. All this from an agile, robust design that inspires creativity from the moment you hold it. Advanced 45-megapixel stacked image sensor   A next-generation full-frame back-illuminated stacked CMOS sensor combines stunning resolution and dynamic range with incredible speed and video capabilities. A max ISO 51,200 sensitivity (extendable to ISO 102,400) is supported by in-camera neural network noise reduction, for cleaner, more-detailed jpeg images.   DIGIC Accelerator   The EOS R5 MARK II sees DIGIC Accelerator and DIGIC X image processors working alongside each other for phenomenal performance.   AF tracking of people, animals and objects is improved – even objects that are momentarily obscured from view are tracked continuously and kept in sharp focus   Action priority recognises key events in football, basketball and volleyball and moves the active AF point in anticipation   Stills and video can be captured simultaneously, thanks to the DIGIC Accelerator’s ability to process large volumes of data at speed Go large, with in-camera upscaling   Deep-learning means that images can be upscaled in-camera by up to four times, generating high-resolution versions for cropping or printing at huge sizes. The same deep-learning capability delivers incredible noise reduction for smooth, detailed images at high ISO sensitivities Action Priority focus mode   When shooting photos with the EOS R5 Mark II’s advanced electronic shutter, the camera’s DIGIC Accelerator processor lets it identify significant actions in three sports: football, basketball and volleyball. The camera automatically switches the active AF area to a person performing the kind of a critical action that has traditionally been hard to shoot, such as a shot from a high-speed pass.   Next Generation Eye Control AF   Select an AF area, or a subject to track, simply by looking at it. The use of newly developed optics and a revised line-of-sight algorithm enhances the accuracy of the system, compared with the EOS R3, and broadens the angle over which the system is effective, for a more natural experience.       Pre-continuous shooting   15 frames are buffered continuously while the shutter-release is half pressed, and written to memory card when you actually take the shot. This lets you capture images from the previous ½ sec, so you nail that decisive moment. At slower shooting speeds, the pre-capture time increases, giving you even more flexibility.    Canon 24-105mm f/4L   Featuring fast, silent, Nano USM technology, the RF 24-105mm f/4 L IS USM zoom offers photographers and filmmakers a small, lightweight and compact general-purpose lens with 5-stops of image stabilisation and high optical quality and constant aperture. A general purpose, practical zoom for every day photography and filmmaking The RF 24-105mm f/4 L IS USM zoom offers the perfect solution for photographers and filmmakers looking for a professional quality, go anywhere, capture everything lens that can satisfy a wide range of genres.       The RF mount:   The RF mount at the heart of the EOS R System is designed to maximise lens design possibilities and features a short back focus design and wide lens throat. This has made it possible for Canon engineers to design new lenses that weren’t possible before. The RF mount also transmits data faster via a 12-pin connector meaning quicker AF and lens processing using Digital Lens Optimiser stored in the lens itself.    The RF 24-105mm f/4 L IS USM zoom features an innovative Control Ring on the barrel, offering photographers used to manual cameras a familiar and intuitive traditional control over a wide range of customisable settings. This feature gives the photographer greater and faster connection with the camera and allows full concentration to be given to the subject. The Control Ring has a reassuring and familiar ‘click’ as it rotates which can be de-clicked at service, useful for filmmakers wishing to retain the silent characteristics of the lens.       A general purpose, practical zoom for every day photography and filmmaking:   With a hugely versatile 24-105mm focal length range that encompasses the everyday needs of most photographers and filmmakers, the RF 24-105mm f/4 L IS USM zoom is the primary go-to lens particularly suited to subjects such as landscapes, portraits and travel. A fixed f/4 constant aperture ensures exposure consistency throughout the entire zoom range and allows for a smaller, more compact lens design. Weighing in at just 700g, the RF 24-105mm f/4 L IS USM is lightweight, practical and perfect for agile, handheld photography and filmmaking when covering a variety of events and genres in the same day.

Samyang V-AF 6 Lens Anamorphic kit

Samyang V-AF 6 Lens Anamorphic kit Samyang V-AF Lens: Unified Form Factor - Compact & Light The V-AF increases compatibility with gimbals and drones by applying the unified form factors with its 5 different focal lengths (Ultra-Wide to Medium-tele). By providing a compact size of 73 X 70mm and a light-weight of less than 300g, there is no need to re-set the equipment when changing the lenses. Tally Lamp - Excellent Usability The lamp located on the front and mount index helps the user to check whether a video is recorded or not while shooting. It supports video content creation more conveniently even in a small space without a lot of equipment. Support 8K and the Same Colour Tone The new V-AF series supports resolutions up to 8K in a small and lightweight form, which is well suited for use with handheld gimbals and drones, as well as for studios and location productions. All lenses within the new V-AF series are colour-matched to avoid shifts when swapping lenses, and the 9 aperture blades allow for a natural-looking bokeh. Custom Switch & Button Features the 'Focus save' function usually in professional cine equipment and custom mode that adds function by firmware, which provides video-specific functions for students and amateur users who dream of cinematographers. V-AF ANAMORPHIC MF ADAPTER 1.7X: When coupled with a selected T1.9 V-AF lenses this exclusive accessory provides the brightest Anamorphic solution on the market Electronic contacts on the adapter provide easy operation and superior resolution V-AF 6 LENS CASE: Hard Case for 6 V-AF lenses, V-AF Anamorphic Adapter, V-AF MF Adapter & Lens Station

Atomos Ninja + Cast Bundle

Atomos Ninja + Cast Bundle   Features 4 x HDMI Switching & Streaming Dock including Ninja Bundle includes AtomX Cast and Ninja Xpand and transform Ninja in to a 4 x HDMI input switcher Overlay custom graphics, logos, lower thirds and content branding Picture in Picture effect for any combination of inputs WebCAST - Plug and Play UVC connection to your favourite software such as Zoom, MS Teams, Skype, OBS and more BroadCAST - quality switching and recording in ProRes, DNx and option for h.265 MultiCAST - Simultaniously Record, Stream and output to local displays Touch Screen and Physical buttons with LED staus indciators Separate HDMI outputs - Dedicated Program out and Multifunction on Ninja V/V+ for Multiview, Preview or Program Audio Input and switching options with support for embedded, analogue inputs and Audio follow Video

Sennheiser HME 27 Dual-Ear Around-Ear Broadcast Headset with Condenser Microphone (No Cable)

Sennheiser HME 27 Dual-Ear Around-Ear Broadcast Headset with Condenser Microphone (No Cable) The Sennheiser HME 27 Dual-Ear Around-Ear Broadcast Headset with Dynamic Microphone is ideal for TV and radio applications in noisy environments. The lightweight design offers extrasoft cushions and headband padding for long-lasting comfort during extended production days. The closed-back around-ear headphones and ActiveGard limiting technology (with three switchable attenuation settings) prioritize isolation, noise reduction, and hearing protection, while still providing high-decibel performance. The integrated condenser cardioid boom microphone gives you reliable broadcast sound quality up to 20 kHz and delivers excellent acoustic performance. Featuring a modular design, the HME 27 is compatible with a wide variety of cables and boom arms. The headset does not include a cable, which is required for operation. Key Features Accurate and linear sound reproduction for professional radio and TV applications in noisy environments Dual-ear on-ear headset Cardioid condenser microphone for reliable broadcast sound up to 20 kHz Comfortable lightweight design with extrasoft cushions for hours of use Switchable ActiveGard limiting technology for protected hearing (Off / 95 dB / 110 dB) Swivel earcup for single-sided listening Microphone can be worn either on right- or left-hand side Requires 48V phantom power for microphone Modular design with different optional cables and boom arms for highest flexibility  

Sennheiser HMD 300 S Single-Ear Over-Ear Broadcast Headset with Dynamic Microphone (No Cable)

Sennheiser HMD 300 S Single-Ear Over-Ear Broadcast Headset with Dynamic Microphone (No Cable)   The Sennheiser HMD 300 S Single-Ear Over-Ear Broadcast Headset with Dynamic Microphone is ideal for backstage communication. The lightweight design offers extrasoft cushioning and headband padding for long-lasting comfort during extended production days. The closed-back over-ear headphone and ActiveGard limiting technology (with three switchable attenuation settings) prioritize isolation, noise reduction, and hearing protection, while still handling high-decibel performance.   The integrated, dynamic supercardioid boom microphone gives you reliable broadcast sound quality up to 18 kHz and delivers excellent speech intelligibility. Featuring a modular design, the HMD 300 S is compatible with a wide variety of cables and boom arms. The headset does not include a cable, which is required for operation.   Key Features Accurate and linear sound reproduction optimized for speech intelligibility in professional backstage communications Single-ear over-ear headset Supercardioid dynamic microphone for reliable broadcast sound up to 18 kHz Comfortable, lightweight design with extrasoft cushions for hours of use Switchable ActiveGard limiting technology for protected hearing (Off / 95 dB / 110 dB) Microphone can be worn either on right- or left-hand side Foldable earcup design for easy, space-saving storage Modular concept of different optional cables and boom arms for highest flexibility

Metabones ARRI PL Lens to RF-mount T CINE Speed Booster ULTRA 0.71x

Metabones ARRI PL Lens to RF-mount T CINE Speed Booster ULTRA 0.71x(MB_SPPL-EFR-BT2) *** Please see that this unit is a special order item. Always Enhance and Never Degrade the Performance of the Attached Master Lens. Sharper corners, less distortion, reduced vignetting  New optical design:  advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting. Like the revolutionary original Metabones Speed Booster announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors and Super35 camcorder, such as Sony E-mount, Fuji X-mount cameras Sony FS7 MARKII, from 1.5x to 1.07x.  However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR/Prime lenses regardless of exit pupil distance.  (More information can be found in the press release here) New professional Mount-Rod Support Kit is also available (not included), which is compatible with all Metabones adapters with tripod foot. 

Metabones Canon EF Lens to RF-mount T CINE Speed Booster ULTRA 0.71x

Metabones Canon EF Lens to RF-mount T CINE Speed Booster ULTRA 0.71x(MB_SPEF-EFR-BT2) Use this Metabones Canon EF Lens to RF-Mount T CINE Speed Booster ULTRA 0.71x (EOS-R) to adapt Canon EF-mount full-frame lenses to the new Canon RF mount. Filmmakers are now able to mitigate most of the 4k video crop factor of EOS-R (1.75x) and EOS-RP (1.63x), and reduce it to 1.24x and 1.15x respectively to support the newly EOS C70 (Super 35mm sensor). The field of view is now much closer to still photo mode. The Speed Booster is not intended for still photography but will work if the camera is configured to APS-C mode. It uses an advanced 5-element/4-group optical design by Caldwell Photographic, incorporating ultra-high index, tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion, and reduced vignetting. The Speed Booster ULTRA has a magnification of 0.71x, effectively reducing the crop factor of 4k video on EOS-R and EOS-RP from 1.75x to 1.24x. It has a design that makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. The Speed Booster ULTRA performs extremely well with professional-grade f/2.8 zoom lenses such as the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon to produce 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively. Similarly, high-speed fixed focal length lenses including a 50mm f/1.2 will be transformed into a 35.5mm f/0.9 lens with excellent contrast and resolution from the center all the way to the edges of the image. Mechanical Patented positive-lock EF lens mount The tripod foot is detachable and compatible with Arca-Swiss, Markins and Photo Clam ball heads Flocking to reduce internal reflection Satin surface finish Aluminum alloy and brass construction with chromium plating Rubber gasket protects the RF mount connection from dust and moisture Electronic Autofocus speed is properly adjusted to account for and leverage the shorter focal length and the brighter maximum aperture Dual-pixel autofocus (DPAF) and video AF support It is powered by the camera body as with most lenses, no external power source required LED indicator shows communication status Build-in multi-function control wheel (turn/ push-in) for assignable functions (eg. ISO, shutter speed or aperture control, depth-of-field preview) Store EXIF data (lens name, focal length, and maximum/minimum aperture) for one manual lens in the adapter Image stabilization (IS) lens support Focal length and aperture are adjusted in EXIF Optical Increase maximum aperture by 1 stop with a maximum output aperture of f/0.9 Advanced 5-element/4-group optical design incorporating ultra-high index tantalum-based optical glass by Caldwell Photographic Increase MTF and makes lens 0.71x wider Compatibility Canon RF camera (under APS-C crop mode) EOS-R, EOS-RP, EOS-R5, EOS-R6, EOS-C70 RED Komodo camera Canon EF-mount lens Canon EF-extender (teleconverter) Carl Zeiss EF-mount lens Sigma EF-mount lens Tamron EF-mount lens Tokina EF-mount lens Contax N mount lenses modified to Canon EF by Conurus   Contax 645 NAM-1 adapter modified to Canon EF by Conurus

Metabones Canon FD to X-mount Speed Booster ULTRA 0.71x (Black Matt)

Metabones Canon FD to X-mount Speed Booster  ULTRA 0.71x (Black Matt)(MB_SPFD-X-BM3)The Canon FD Lens to FUJIFILM X-Mount Camera Speed Booster ULTRA from Metabones improves upon the original Metabones Speed Booster with a 5 element/4 group optical design that incorporates ultra-high refractive index tantalum-based glass for improved sharpness and reduced distortion and vignetting. The Speed Booster ULTRA allows a full frame Canon FD lens to be mounted to an APS-C format X-Mount camera and in doing so, increases the angle of view and increases the maximum aperture by approximately one f/stop.  When a lens intended for full frame sensors or 35mm film is mounted to a camera with an APS-C sized sensor, it transmits a larger area of light than the smaller sensor was built to accept and therefore the effective angle of view of the lens increases. The Speed Booster condenses light from the lens and projects it onto the APS-C sensor allowing the sensor to utilize all of the lens' light and effectively reduces the crop factor of and APS-C E-Mount camera from 1.5x to 1.07x, producing a full-frame angle of view with an APS-C sensor. A corresponding increase in the maximum aperture of one f/stop makes the lens more effective in low-light situations and able to create a shallow depth of field.  Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions are not retained using this speed booster.  Metabones Speed Boosters are quality made, using precision-machined brass with chromium plating on both the camera body and the lens side of the booster in order to ensure smooth mounting, quality aesthetic, and durability. A matte black interior reduces internal reflections and a black satin finish external surface matches with most camera bodies and lenses. This adapter has a tripod foot that is compatible with Arca Swiss, Markins, and Photo Clam ball heads, and can be removed if needed with an included hex key. Allows a full frame Canon FD lens to be mounted to an FUJIFILM X-mount APS-C format camera and in doing so, increases the angle of view and increases the maximum aperture by one f/stop.The Speed Booster ULTRA design incorporates ultra-high index tantalum-based optical glass for enhanced optical performance with improved corner sharpness and reduced distortion and vignetting. This glass technology and optical design perform extremely well with professional-grade f/2.8 zoom lenses and high-speed fixed focal length lenses such as a 50mm f/1.2 which will perform as a 35.5mm f/0.9 lens with high contrast and resolution from the center to the edges of the image.Precise fit and solid connection - lens has no play, gap or wiggling when mounted on speed booster and no adjustments are required to fit your lens. Both the camera-side and the lens-side of the speed booster are made of brass which is precision-machined and chrome-plated.The Speed Booster uses matte-black treatment to keep internal reflection to a minimum in order to maintain the maximum optical quality possible with the lens. The exterior features a black satin surface finish.Designed to reach infinity focus while maintaining the correct registration distance required to maintain optical quality of CRC lenses or lenses with floating elements.The speed booster features a detachable tripod foot which is compatible with Arca Swiss, Markins, Photo Clam ball heads. The booster may attach to a quick release plate or tripod using a 1/4"-20 screw.Although the lens will fit physically, automatic diaphragm (AE metering), or other auto functions will not be retained using this speed booster.Two hex keys included with the product, one to detach the tripod foot and another to tighten a mounting screw

Dedolight DPBA-L7 Parallel Beam intensifier LED monocolor, 7cm diameter Fits DLED4-D, DLED4-T, DLED7-D, DLED7-T

Dedolight DPBA-L7 (DPBA_L7, DPBAL7, DPBA/L7, DPBA L7) Parallel Beam intensifier LED monocolor, 7cm diameter Fits DLED4-D, DLED4-T, DLED7-D, DLED7-T  Dedolight - Parallel Beam attachment for DLED4-D, DLED4-T, DLED7-D, DLED7-T (Approx. mono color)      

Dedolight DPBA-L1821 Parallel Beam intensifier LED monocolor, 21cm diameter. Fits DLED12-D, DLED30-D. used with DPBA-21HON honeycomb

Dedolight DPBA-L1821 (DPBA_L1821, DPBAL1821, DPBA/L1821, DPBA L1821) Parallel Beam intensifier LED monocolor, 21cm diameter. Fits DLED12-D, DLED30-D. used with DPBA-21HON honeycomb This DPBA-L1819 Parallel Beam Intensifier increases light output up to an astonishing 351% (DLED30). Simply used by sliding in at the light's accessory slot and adjusting to the flood position; the new beam generated by this lens can be from 6° - 8° spread angles, depending on light model used. Parallel Beam Intensifiers, unique only to dedolight focusing lights, make using multiple Lightstream reflectors from one light source possible, as well as establishes a controlled virtual light source from the reflecting surface. "Lightstreaming" with Parallel Beam Intensifiers completely brings the reflectors to life in a systematic way with undeniably beautiful results. This tool provides a powerful new function your dedolight which nothing else can do on the market.       

Dedolight DPBA-L18 Parallel Beam intensifier LED monocolor, 18cm diameter Fits DLED12-D, DLED30-D.

Dedolight DPBA-L18 (DPBA L18, DPBA_L18, DPBAL18, DPBA/L18) Parallel Beam intensifier LED monocolor, 18cm diameter Fits  DLED12-D, DLED30-D. This DPBA-L18 Parallel Beam Intensifier increases light output up to 44% (DLED12-D). Simply used by sliding in at the light's accessory slot and adjusting to the flood position; the new beam generated by this lens is anywhere from 6°- 8°, depending on light model used. Parallel Beam Intensifiers, unique only to dedolight focusing lights, make using multiple Lightstream reflectors from one light source possible, as well as establishes a controlled virtual light source from the reflecting surface. "Lightstreaming" with Parallel Beam Intensifiers completely brings the reflectors to life in a systematic way with undeniably beautiful results. This tool provides a powerful new function your dedolight which nothing else can do on the market.       

BirdDog Maki Ultra 20X Zoom Box Camera - White

BirdDog Maki Ultra 20X Zoom Box Camera - White(BDPMKU20XW) Introducing the new MAKI Ultra - where compact innovation meets powerful performance. Named after the sushi roll, the handy MAKI Ultra box camera delivers big shots, in tight spaces. This little powerhouse packs in lightning-fast autofocus and 4K60 capabilities to ensure you catch every moment with stunning precision. With enhanced network reliability through NDI® | HX3 integration, you can trust MAKI Ultra to deliver top-quality video without breaking a sweat. Intuitive physical buttons located on the side of the camera give you seamless control, dive into your creative zone without getting bogged down in technical stuff Say hello to your new favourite sidekick for capturing moments in detail and in style – killing it Every. Single. Shot. 12x and 20x Zoom available.*NDI | HX2 and NDI | HX3 supported. TALLY LIGHT Professional results need professional tools. MAKI Ultra sports the most visible and effective Tally system available. Up front with a large, daylight visible border. Your cast and crew will always know where to look to keep your audience engaged and your look polished. COMPACT, YET MIGHTY The MAKI Ultra boasts a compact footprint helping you capture those unusual and engaging camera angles with ease. With MAKI Ultra you can deliver killer POV shots that put your audience right in the game at eSports events, or attach MAKI Ultra to a band rig to capture incredible angles of your drummers or instrumentalists, be they in a band or a house of worship. Wherever the action is, MAKI Ultra ensures you never miss a beat. NDI® | HX3 The X1 and X1 Ultra deliver superior network performance via NDI® | HX3 integration. Significantly reducing network impact while maintaining excellent image quality, meaning it's more friendly in more network environments. BirdDog’s NDI® | HX3 surpasses certification parameters, delivering quality and performance you can count on. SUPER-FAST AUTOFOCUS It’s fast AF. MAKI Ultra's super-fast autofocus is a game-changer for dynamic content and fast-paced environments. Equipped with a laser and powered by advanced automatic focusing algorithms, MAKI Ultra ensures rapid and accurate autofocus. Whether your subjects are zipping across the frame or moving closer and further away from the camera, MAKI Ultra keeps them sharp and in focus. Every. Single. Time. ON-BOARD BUTTONS   MAKI Ultra's intuitive physical buttons mean that once you’ve set it up, you can just reach in and make quick adjustments to zoom and focus and access the onscreen menu. No awkwardly placed controls or a walk back to your controller. One and done, on to the next task.

Hedbox MEGABANK 4M Professional Power Bank Set 600Wh

Hedbox MEGABANK 4M Professional Power Bank Set 600Wh(MEGABANK-4M, MEGABANK4M, MEGABANK/4M) Hedbox MEGABANK-4M is an Intelligent Digital Quad Battery Charger system with four V-Mount (V-Lock) Batteries featuring simultaneous charging and UPS/Power Bank capabilities. LED status indicators provide clear, accurate and precise reporting while integrated support stands ensure stable operation when only one battery is mounted. The included 4-pin XLR female to male DC Power Cable (RPC-DC4X4) enables the MEGABANK-4M to be used as a Power Bank, providing power to the DC output from the AC-input or fitted V-Lok batteries. DC output power of up to 14.5V 4.5A 75W is available. When running as a Power Bank should the AC-input fail, then the power to the DC is seamlessly switched to a fitted battery, and then to the second battery upon depletion of the first battery, then to the third battery upon depletion of the second battery, and to the forth battery upon depletion of the third battery. This UPS and Continuous Power Supply feature provides a valuable and constant DC power supply for audio, video and lighting equipment with total independence of the regular grid power supply.

Hedbox MEGABANK 4L Pro Power Bank Set 780Wh

Hedbox MEGABANK 4L Pro Power Bank Set 780Wh(MEGABANK-4L, MEGABANK4L, MEGABANK/4L) Hedbox MEGABANK-4L is an Intelligent Digital Quad Battery Charger system with four V-Mount (V-Lock) Batteries featuring simultaneous charging and UPS/Power Bank capabilities. LED status indicators provide clear, accurate and precise reporting while integrated support stands ensure stable operation when only one battery is mounted. The included 4-pin XLR female to male DC Power Cable (RPC-DC4X4) enables the MEGABANK-4L to be used as a Power Bank, providing power to the DC output from the AC-input or fitted V-Lok batteries. DC output power of up to 14.5V 4.5A 75W is available. When running as a Power Bank should the AC input fail, then the power to the DC is seamlessly switched to a fitted battery, and then to the second battery upon depletion of the first battery, then to the third battery upon depletion of the second battery, and to the forth battery upon depletion of the third battery. This UPS and Continuous Power Supply feature provides a valuable and constant DC power supply for audio, video and lighting equipment with total independence of the regular grid power supply.

Hedbox GIGABANK 4L Professional Power Bank Set 1200Wh

Hedbox GIGABANK 4L Professional Power Bank Set 1200Wh(GIGABANK) Hedbox GIGABANK is an Intelligent Digital Quad Battery Charger system with four V-Mount (V-Lock) Batteries featuring simultaneous charging and UPS/Power Bank capabilities. LED status indicators provide clear, accurate and precise reporting while integrated support stands ensure stable operation when only one battery is mounted. The included 4-pin XLR female to male DC Power Cable (RPC-DC4X4) enables the GIGABANK to be used as a Power Bank, providing power to the DC output from the AC-input or fitted V-Lok batteries. DC output power of up to 14.5V 4.5A 75W is available. When running as a Power Bank should the AC-input fail, then the power to the DC is seamlessly switched to a fitted battery, and then to the second battery upon depletion of the first battery, then to the third battery upon depletion of the second battery, and to the forth battery upon depletion of the third battery. This UPS and Continuous Power Supply feature provides a valuable and constant DC power supply for audio, video and lighting equipment with total independence of the regular grid power supply.

Dedolight DMTSB420-SR Tripple stud boom with sliding receptacle. Length 42 cm.

Dedolight DMTSB420-SR (DMTSB420SR, DMTSB420_SR, DMTSB420/SR, DMTSB420 SR) Tripple stud boom with sliding receptacle. Length 42 cm. The Triple Stud Boom with Sliding Receptacle from Dedolight is 42cm in length.      

Atomos Sun Dragon Light 5m

Atomos Sun Dragon Light 5m(AOATOMSND001) The Sun Dragon from Atomos is a 5-color HDR LED light with individual strips for red, green, blue, amber, and white, each of which is 16' in length. It delivers realistic and accurate results with a CRI of 99 and a TCLI of 98, as well as a color temperature ranging from 2800 to 6500K and 2000 lumens of brightness. The Sun Dragon is also IP68 rated for dust and water resistance and can also survive being submerged in up to 1' of water. It functions using wireless or wired connectivity and may be controlled using the included custom controller, an AirGlu controller, or via Bluetooth with compatible apps. Power is delivered using a battery or AC plug. Strong Color Fidelity Achieve realistic results with this 5-color LED system. Enhanced Shadow Details Say goodbye to micro shadows with the Sun Dragon's precise lighting and maximum brightness. Performance CRI of 99 and TCLI 98 for exceptional color accuracy Lightweight (2.2 lb) 16' strip length Waterproof for weather resistance and IP68 resistant dust and water resistance, with up to 1' submergence Seamless Control Wireless and cabled connectivity Custom controller included AirGlu controlled Bluetooth compatibility for control via apps Power Flexibility  Battery or AC powered.

Dedolight DP400IR2 Series 400 Iris assembly

Dedolight DP400IR2 (DP400I-R2,DP400I_R2, DP400I R2, DP400I/R2) Series 400 Iris assembly This 18-Leaf Iris Assembly is a front-attaching accessory for the Dedolight DP400 and DP1200 projectors and the Prolycht DP400KU185-P and DP400KU150-P projectors that uses a sliding tab to adjust the amount of light and its beam angle. At its narrowest diameter, a tab drops into place to completely block the light.   A new item in the dedolight projection arsenal, this is the DP400IR2 dedicated 18-leaf Iris assembly. This dedicated Iris assembly is compatible with the Dedo DP400 and 1200 projectors as well as Prolycht DP400KU185-P or DP400KU150-P projectors. Just like the other dedicated projection assemblies, this iris assembly mounts between the DP400CON or DP400CON-AP condensers and DP400LH lens holder. A sliding tab smoothly collapses or expands the iris to get the desired circle size. At its narrowest diameter, a tab drops into place to completely block the center and gives the appearance that the iris is fully closed. This allows users to do collapsing iris gags with no light passing through when the iris can't be collapsed further.      

Dedolight DP1.2 Imager projection attachment with 85 mm lens

Dedolight DP1.2 (DP12, DP1-2, DP1_2, DP1/2) Imager projection attachment with 85 mm lens  This is a must-have system for any dedolight user's style of production, especially product and tabletop work. The DP1.2 (update to the DP1.1) Universal Imager/Projector fits in the accessory slot (barn-doors slot) of any M-size lights (see list below). Dedolight added a key-stoning correction knob to this classic projector to adjust the image plane when the light is set at an angle. Just like its predecessor (DP1.1), the DP1.2 has a universal slot imager compatible with "M" size gobos (with the DPGH gobo holder), the DPIR 8-Leaf Iris, and the DPFS loose framing leaves for occasional shutter-work. The DPEYESET softener fits in the front of most lenses. Medium-size projectors are in 3 sections: the condenser, the universal receptacle assembly (or Built-in Framing Shutter Assy), and lens holder that slides within to adjust focus. The lens holder can be removed to accommodate the physically larger DPL150.1M, 150mm Eagle Eye lens. The DP1.2 comes with the 85mm prime and has a large assortment of lenses to achieve any projection size: 6 primes and 2 zooms, from 30mm to 185mm.  The DP1 Universal projector uses the same lenses as the DP2.  To configure your own projector if you already have a lens, select the DP1.2-0 version with the Universal projector only and no lens.        

Dedolight DT4 Power supply for DLED4-D-T-IR860-UV365-UV400 90-264 V AC, Great Britain cable

Dedolight DT_4, (D_T4, DT4, DT/4, D/T4) Power supply for DLED4-D-T-IR860-UV365-UV400 90-264 V AC, Great Britain cable The DT4 Power Supply from NEC is a small, lightweight AC power source for the DLED4 tungsten and daylight lig Dedolight DT4 (DT4, DT4, DT4, DT4) Power supply for DLED4-D-T-IR860-UV365-UV400 90-264 V AC, Great Britain cable ht heads. The 90 to 264 VAC self-seeking voltage unit can be used virtually anywhere there's electricity and provides stable power that's dimmable from 100 to 0%. The DT4 comes with an 8.2' mains cable and 4.6' head cable. Allows worldwide use from 90 to 264 VAC 50/60 Hz cycle plus continuous dimming AC power supply for DLED4 tungsten and daylight light heads.    

Dedolight DLED12-D-DMX Focusing LED light head, daylight incl. DMX power supply and AC power cable

Dedolight DLED12-D-DMX (DLED12 D-DMX, DLED12/D-DMX, DLED12_D-DMX, DLED12D-DMX) Focusing LED light head, daylight incl. DMX power supply and AC power cable  The DLED12.1-D-DMX Daylight LED Light Head from Dedolight is a powerful focusable LED fixture with a high CRI of >91. This version is daylight-balanced resulting in a color temperature of 5600K useful for matching to location lighting or your other fixtures. The DLED12.1 offers a focusing range from 65 to 8°, providing a flood to spot capability for a multitude of uses. Also, the light is dimmable from 100-0% and is compatible with DMX controls. The light is able to output 50,400 lux at 3' while set to spot and only draws about 225W, making it a very efficient light source. This power does produce enough heat to require an Active Heat Pipe cooling system with near silent fans. This ensures the fixture will remain in top shape while not adding much noise to the scene. The DLED12.1 is capable of holding a 6.6" diameter accessory, including a wide angle attachment that alters the beam angle, and comes with a yoke mount featuring a 5/8" receptacle and 1 1/8" stud. Operating position of ±90° from horizontal Wide-angle attachment changes focusing range to 85 to 54° Protection Class I and IP40 safety certifications Runs on universal 90-264 VAC power      

Dedolight DLED12-BI-DMX Focusing LED light head, bicolor incl. DMX power supply and AC power cable

Dedolight DLED12-BI-DMX (DLED12BI-DMX, DLED12 BI-DMX, DLED12_BI-DMX, DLED12/BI-DMX) Focusing LED light head, bicolor incl. DMX power supply and AC power cable The DLED12 DMX Bicolor LED Light Head from Dedolight is a focusable LED fixture with a high CRI of >95. This version is bicolor-balanced resulting in a color temperature from 2700-6500K useful for matching to location lighting or your other fixtures. The DLED12 offers a focusing range from 65 to 8°, providing a flood-to-spot capability for a multitude of uses. Also, the light is dimmable from 100-0% and is compatible with DMX controls. The light can output 90,900 lux at 3' while set to spot and only draws about 250W, making it a very efficient light source. This power does produce enough heat to require an Active Heat Pipe cooling system with near silent fans.        

Dedolight DLED7-BI-UV Fokusing 80W ultra-violet LED light head 365-400nm tunable, for max contrast ration

Dedolight DLED7-BI-UV (DLED7BI-UV, DLED7_BI-UV, DLED7/BI-UV, DLED7 BI-UV) Fokusing 80W ultra-violet LED light head  365-400nm tunable, for max contrast ration The Dedolight Focusing 80W Ultra-Violet LED Light Head is 364-400nm tunable for maximum contrast ratio.        

Dedolight DLED4-D Focusing LED light head, daylight

Dedolight DLED4-D (DLED4D, DLED4_D, DLED4/D, DLED4 D) Focusing LED light head, daylight Having paved the way with the on-camera Ledzilla LED and the 1 x 1' stand-mounted Felloni Dedolight continues to forge ahead with the introduction of the Mobile DLED4.1-D LED Light Head (Daylight). Again using aspheric lens elements results in an amazing 1:20 flood to spot ratio with a beam angle of 60-4 degrees that delivers 27,000 lux in spot mode at 3.0' with no UV radiation emitted. A wide angle attachment increases coverage 85-54 degrees. The 5600K daylight balance blends in seamlessly in outdoor situations and is ideal for location and ENG work, and as is characteristic of LED sources, generates negligible heat. The DLED4.1-D is powered by the 100 to 260 VAC DT4.0-1 or DT4.0-1-DMX which offers remote control of the light's 100-20% dimmable light intensity. A DC power supply is also available for battery power sources up 18V. A full line of accessories from scrims and filters to Dedolight Imager projection attachments is available. State-of-the-art LED light source with features exclusively developed by Dedolight Dedolight patented aspherical optics Daylight color balance is ideal for location work, guaranteeing maximum output and minimum time spent fumbling with filters Provides astoundingly high efficiency in output Unprecedented wider and tighter focusing range Dedolight clean beam concept. Controlled precision beam with no stray light outside the fixture and perfectly even light distribution within the beam Complete light-shaping control: Scrims, graduated gray filters, aspherical wide-angle attachments with rotating barndoor leaves Dedolight imager projection attachments for light framing, soft edge light framing with eye filters, gobo projection, background effect projection, slide projection          

Portabrace Porta Brace RS-HDC3500 Rain Cover for the Sony HDC-3500 Camera

Porta Brace RS-HDC3500 Rain Cover for the Sony HDC-3500 Camera(RS-HDC3500, RSHDC3500, RS/HDC3500) The Porta Brace Rain Slicker is designed to protect the Sony HDC-3500 camcorder from rain, dirt, and dust while in operation. Zippers, flaps, touch fasteners, and vinyl windows allow you to reach critical controls and view meters. The Rain Slicker is easy to put over the camera, microphone, windscreen, batteries, and pistol grip. A Rain Fly covers the entire top of the camera to seal the handle opening. The slicker is constructed of waterproof Taslan nylon with a soft tricot interior layer that protects the camera. In addition to being waterproof, the Taslan material is breathable and allows heat from the camera to escape while the cover is deployed. The adjustable neoprene lens gasket creates a tight seal around the lens, while an included detachable visor adds extra protection against droplets reaching the glass. The vinyl windows keep dirt and moisture out but allow quick visual checks on important meters, indicator lights, and switches. The main body is made from waterproof Taslan nylon material and is protected by a soft layer of nylon tricot, adding significantly to the durability of the coating. The battery end of the rain slicker has adjustable flaps which can be shortened to fit a slim battery, or lengthened to wrap around larger batteries. Wireless mics can also be accommodated. Sealed hook-and-loop fastener openings afford plenty of access to hand controls and the power supply while keeping your equipment dry.   A Rain Fly covers the entire top of the camera to seal the handle opening.

Shure Windjammer Rycote VP89M

Shure Windjammer Rycote VP89M(SHUA89MWJMR) Windjammer reduces unwanted wind noise when used with the VP89L End-Address Shotgun Condenser Microphone. Features include a drawstring and toggle for secure fitting and an additional 10 dB of wind noise attenuation.

Shure Windshield Kit for VP89L

Shure Windshield Kit for VP89L(SHUA89LWKIT) Windshield kit provides 25 dB of isolation from wind and handling noise when used with the VP89L End-Address Shotgun Condenser Microphone.

Shure Windshield Kit for VP89M

Shure Windshield Kit for VP89M(SHUA89MWKIT) Windshield kit provides excellent isolation from wind and handling noise. The kit includes suspension, windshield, and windjammer.

Shure Softie Windshield for VP89L

Shure Softie Windshield for VP89L(SHUA89LWSFT) Softie windshield provides 25 dB of wind protection in harsh environments without adverse effects on high frequency when used with the VP89L End-Address Shotgun Condenser Microphone.

Shure Double Lyre Boom Pole Mount for VP89L

Shure Double Lyre Boom Pole Mount for VP89L(SHUA89LMBA) Boom mount adapter secures a VP89L End-Address Shotgun Condenser Microphone to a boom pole. Features include Lyre technology for excellent isolation against handling noise and a soft-feel grip to prevent the microphone from twisting or slipping.

Marshall CV730-ND3 4K NDI PTZ Camera with 6.5mm-202mm 30x Zoom Lens - Black

Marshall CV730-ND3 (CV730ND3 CV730_ND3 CV730/ND3 CV730 ND3) 4K NDI PTZ Camera with 6.5mm-202mm 30x Zoom Lens - Black Incorporate this black CV730-ND3 NDI|HX3 PTZ Camera from Marshall Electronics into your conference space or lecture hall to capture UHD 4K video of your presenter to livestream via embedded NDI technology. The camera features a 1/1.8" 9.2 MP camera sensor and 30x optical zoom with smart autofocus technology which ensures the speaker remains in frame. Simultaneous 12G-SDI, HDMI, USB-B 3.0, and NDI outputs deliver video to a wide variety of sources depending on your workflow. PoE support allows for single-cable configurations using the RJ45 NDI port to both power the camera and stream UHD 4K video over your network connection. Control over the camera can be achieved via IP, the included remote, or RS-232 and RS-422 ports.        

Marshall VAC-12HUC HDMI to USB-C Converter

Marshall VAC-12HUC (VAC/12HUC, VAC_12HUC, VAC12HUC, VAC 12HUC) HDMI to USB-C Converter 10-bit input sampling makes a visible difference The VAC-12HUC converts HDMI 2.0 to USB-C (USB3.0/USB2.0) up to UHD 3840x2160p at 30fps. HDMI input has active loop-thru allowing the original high-quality source to be routed to monitors or other equipment as a pass thru. Common applications include live streaming, video conferencing and other PC or MAC-based applications. Power is supplied by the USB-C connection to the host computer reducing clutter and eliminating the need for an external power supply. The rugged and compact design makes for easy portability and mobility. The VAC-12HUC's simple plug-and-play design uses UVC protocol to enable itself as a Camera Device. UVC protocol allows the host computer to set the parameters for the USB stream such as resolution, frame rate and aspect ratio.

Shure Pistol Grip Mount for VP89S VP89M

Shure Pistol Grip Mount for VP89S VP89M(SHUA89MPG) Pistol grip mount provides isolation against handling noise for VP89S and VP89M End-Address Shotgun Condenser Microphones. The mount features a soft-feel grip in the clip to prevent the microphone from twisting or slipping.

Shure Windshield Kit for VP89S

Shure Windshield Kit for VP89S(SHUA89SWKIT) Windshield kit provides excellent isolation from wind and handling noise. The kit includes Lyre suspension, windshield, and windjammer.

Shure Windjammer Rycote VP82 VP89S

Shure Windjammer Rycote VP82 VP89S(SHUA89SWJMR) Windjammer reduces unwanted wind noise when used with a VP89S or VP82 Microphone.

Shure VP89S Premium Modular Shotgun Microphone Short

Shure VP89S Premium Modular Shotgun Microphone Short(SHUVP89S) Premium modular shotgun microphone offers superior preamplifier design with RF immunity for pick-up of audience response, talk shows, and concerts. The product includes a low-cut filter switch, wide pickup angle, and unmatched off-axis rejection.

Wise CFexpress 4.0 Type B Card - 512GB

Wise CFexpress 4.0 Type B Card - 512GB(WISECFX4B512) CFX4-B and CFX4-B PRO series CFexpress media enable rich dynamic range of 8K RAW continuous shooting for high-end DSLR, mirrorless and video cameras like a walk in the park. Operated in PCIe Gen 4 x2 interface, the cards provide blazing speeds more than 6 times faster than the best XQD memory media.

Wise CFexpress 4.0 Type B MkII Card - 2TB

Wise CFexpress 4.0 Type B MkII Card - 2TB(WISECFX4B2048M2) CFX4-B and CFX4-B PRO series CFexpress media enable rich dynamic range of 8K RAW continuous shooting for high-end DSLR, mirrorless and video cameras like a walk in the park. Operated in PCIe Gen 4 x2 interface, the cards provide blazing speeds more than 6 times faster than the best XQD memory media.

Wise CFexpress 4.0 Type B MkII Card - 4TB

Wise CFexpress 4.0 Type B MkII Card - 4TB(WISECFX4B4096M2) CFX4-B and CFX4-B PRO series CFexpress media enable rich dynamic range of 8K RAW continuous shooting for high-end DSLR, mirrorless and video cameras like a walk in the park. Operated in PCIe Gen 4 x2 interface, the cards provide blazing speeds more than 6 times faster than the best XQD memory media.

Wise CFexpress 4.0 Type B Card - 1TB

Wise CFexpress 4.0 Type B Card - 1TB(WISECFX4B1024) CFX4-B and CFX4-B PRO series CFexpress media enable rich dynamic range of 8K RAW continuous shooting for high-end DSLR, mirrorless and video cameras like a walk in the park. Operated in PCIe Gen 4 x2 interface, the cards provide blazing speeds more than 6 times faster than the best XQD memory media.

Wise Advanced CFexpress Type A CFX4-A256M2

Wise Advanced CFexpress Type A CFX4-A256M2 Engineered for Sony Alpha and FX lines, CFX4-A series unlocks the full potential of the cameras, supporting all video codecs including the slow-and-quick modes in finest HD / 4K in XAVC S-I format which requires up to 890 and 1200 Mbps respectively.

Marshall CV574 NDI 4K UHD Mini Broadcast Camera with 4.0mm Interchangeable Lens

Marshall CV574 (CV-574, CV/574, CV_574, CV 574) NDI 4K UHD Mini Broadcast Camera with 4.0mm Interchangeable Lens CV574 3840x2160p @ 25, 29.97, 30, 50, 59.94 & 60 / 1920x1080p @ 25, 29.97, 30, 50, 59.94 & 60 / 1920x1080i @ 50, 59.94 & 60 / 1280x720p @ 50, 59.94 & 60 CV574 networkable POV camera is a new addition to Marshall’s miniature camera lineup. Featuring NDI|HX3, the new Sony 1/2.8″ sensor and 4K UHD output, the CV574 delivers exceptional performance in any workflow. With the NDI|HX3 codec, the CV574 can deliver low latency, high quality video with no visible compression artifacts. Simultaneous output with HDMI and other IP output options including SRT, RTSP, MPEG-TS and HEVC. The included breakout cable enables audio input, power and control via RS-485 and the included control joystick. Alternatively, the CV574 supports PoE allowing for power, control and video over just 1 ethernet cable. A wide selection of M12 lenses complement the included 4.0mm M12 lens, allowing users to select the perfect lens for any scenario. CV574 is a durable and professional Mini camera with a variety of use-cases including sports broadcast, reality television & live stream events.

Sennheiser EW-D ME2/835-S SET (S1-7) 606.2 - 662 MHz

Sennheiser EW-D ME2/835-S SET (S1-7) 606.2 - 662 MHz Digital transmission operating in the UHF spectrum greatly enhances range, reliability and scalability Smart Assist App connects via Bluetooth Low Energy for a streamlined setup and operation at a distance Auto scan creates reliable connections with minimal time and effort 134 dB audio input dynamic range eliminates need for sensitivity adjustments and preserves every detail Elimination of intermodulation enables channels to be placed in an equidistant tuning grid 600 kHz apart 56 MHz of tuning bandwidth and equidistant spacing enables up to 90 channels 2,240 selectable frequencies allow for fine tuning Lithium-Ion battery pack (sold separately) delivers up to 12 hours of operation (up to 8 hours of operation with 2x provided AA batteries)

Rode Lightweight Headset Microphone - Large

Rode Lightweight Headset Microphone - Large(HS2B-LARGE) The RØDE HS2 is a low profile, ergonomic and lightweight headset microphone that provides clean, clear and pronounced audio for any application where the microphone needs to be in close proximity to presenter's mouth. The result of an extensive and complete redesign process, the RØDE HS2 features an adjustable corrosion resistant stainless spring-steel boom arm and headband connected to pliable hypoallergenic silicone ear strips for maximum flexibility and user comfort. Coated in a durable ceramic painted finish in either black (HS2-B) or pink (HS2-P) the HS2 is also available in two different sizes (small or large) to ensure the perfect fit and function for any individual. The headset is connected via a 1.2m (4') braid shielded, Kevlar® reinforced cable, terminating at a gold plated 3.5mm TRS output with a removable locking nut to ensure a secure connection to a wide range of recording devices and wireless transmitters, including the RØDE Filmmaker and News shooter kits. The HS2's light weight, comfortable fit, low self-noise, minimal appearance and user friendly omni-directional polar pattern make it an ideal microphone for film, television, video, theatre, house of worship and live vocal performance.

Portabrace Porta Brace Audio case for Sound Device 888 recorder

Porta Brace Audio case for Sound Device 888 recorder(AO-888) Carefully crafted carrying equipment for professional film & video crews

DJI RC Plus (Inspire 3)

DJI RC Plus (Inspire 3)(CP.IN.00000046.01) The 7-inch 1,200-nit high-bright monitor provides an extraordinary outdoor monitoring experience. There are several buttons and dials on the front, back, and top of the remote controller for fast operation. Button functions can be customized. When used together, the built-in battery of RC Plus and an external battery provide an operating time of up to six hours. RC Plus also supports battery hot-swapping. DJI Inspire 3 comes with professional accessories such as a strap and waist support for more comfortable and efficient long-duration use.

DJI Inspire 3 Propeller Guard

DJI Inspire 3 Propeller Guard(CP.IN.00000043.01) Protect your drone, people, and property by adding this Propeller Guard for Inspire 3 from DJI to your drone. The propeller guards provide a physical barrier around each spinning set of blades but do not hinder flight performance. Please note that with the guards in place, obstacle sensing can no longer be used.

DJI TB51 Battery

DJI TB51 Battery(CP.IN.00000029.01) The TB51 Intelligent Battery is equipped with high-performance, high-energy battery cells to provide robust power, and it uses an advanced battery management system. It also optimizes low-temperature performance of the cell with a built-in auto-heating system (this function can be enabled automatically by the aircraft or manually in the app).

DJI Mavic 3 Pro Fly More Combo (RC)

DJI Mavic 3 Pro Fly More Combo (RC)(CP.MA.00000660.01) Filmmakers get more control over what they capture with Mavic 3 Pro Drone with Fly More Combo & DJI RC from DJI. This flagship drone adds a third lens to the system, with a 70mm f/2.8 medium telephoto, enhancing your creative possibilities with more control of how much you capture of a subject and their surroundings. Remaining is the impressive 24mm Hasselblad wide-angle lens, with 5.1K resolution, and the 166mm telephoto, which has been upgraded to f/3.4 and 60 fps for more light sensitivity and smoother video. This tri-camera system joins other Mavic 3 technologies, such as O3+ long-range transmission, up to 43 minutes of flight, and omnidirectional sensing with APAS 5.0 to make the Mavic 3 Pro safe for even beginner pilots. Triple-Lens Camera System 24mm Hasselblad Wide-Angle: The 20MP Hasselblad camera remains, with its adjustable f/2.8 to f/11 aperture and large 4/3 CMOS sensor for reduced noise in low-light situations. It offers 5.1K video resolution at 50 fps and incorporates the Hasselblad Natural Color Solution (HNCS) to capture and produce true-to-life colors in your media. When post-processing, you can use D-Log, D-Log M, and HLG. 70mm Medium Telephoto: The new camera in the tri-cam system, this 48MP lens offers an f/2.8 aperture and 1/1.3" CMOS for excellent day and night shots. Video is captured in 4K at 60 fps, and you can get clearer midrange shots with a 3x optical zoom. D-Log M and HLG are supported for efficient post-production, and it's capable of taking advantage of Night, ActiveTrack, and Hyperlapse shooting modes. 166mm Telephoto: This 12MP full telephoto lens returns, but with an updated aperture of f/3.4, letting more light in for better low-light performance using its 1/2" CMOS. It also improves its 4K fps from 30 to 60 for smoother video and incorporates a 7x optical zoom for clear close-ups. Safe Flying   An omnidirectional obstacle sensing system with APAS 5.0 technology actively detects obstacles during flight and will automatically plot safe routes around them during flight.

Vocas L-mount to LPL adapter (Excl. 15 mm support)

Vocas L-mount to LPL adapter (Excl. 15 mm support)(0900-0118) L-mount to LPL adapter, excluding 15 mm rail support. This adapter allows the use of LPL lenses on L-mount cameras. The separate Vocas LPL mount cap is included.

Vocas L-mount to Lpl adapter including 15 mm support

Vocas L-mount to Lpl adapter including 15 mm support(0900-0117) L-mount to LPL adapter including 15 mm rail support. This adapter allows the use of LPL lenses on L-mount cameras. The rail support provides support for the lens mount, especially recommended when using heavy LPL lenses. The separate Vocas LPL mount cap is included.

Vocas Sony E-mount to PL adapter MK-II (Excl. 15 mm support)

Vocas Sony E-mount to PL adapter MK-II (Excl. 15 mm support)(0900-0024) Sony E-mount to PL adapter, excluding 15 mm rail support. This adapter is optimised for the usage of full-frame PL-lenses on a full-frame E-mount camera. The separate Vocas PL mount cap is included.

Vocas L-mount to PL adapter

Vocas L-mount to PL adapter(0900-0022) L-mount to PL adapter, excluding 15 mm rail support. This adapter allows the use of PL lenses on L-mount cameras. The separate Vocas PL mount cap is included.

Vocas full cage kit for Red Komodo(X)

Vocas full cage kit for Red Komodo(X)(0600-0115) Consists of two side cage brackets (0600-0100) and two top or bottom brackets (0600-0110). The side cage brackets can be mounted to the left and right side of the camera, using the two M4 attachment points the camera provides. Using the attachment points on top and at the bottom of the side brackets, the top or bottom brackets can be mounted either pointing to the front or the rear of the camera.   When the top bracket is pointing forward, it will keep the camera’s LCD screen fully clear.

Vocas 4,5" Adapter for diopter holder

Vocas 4,5" Adapter for diopter holder(0410-0122) The 4.5" Adapter Ring from Vocas is compatible with the modular Vocas 5-Axis Diopter Holder. Made from industrial plastic, this ring screws into the holder to retain one 4.5" diopter (close-up) filter.

Vocas tube handgrip kit

Vocas tube handgrip kit(0390-0008) Leather handgrip kit, including a handgrip combi rail bracket (0390-0006) and two short leather handgrips (0390-0004). The handgrip combi rail bracket (0390-0006) can be mounted to any 15 mm LWS, 15 mm studio and 19 mm rail supports. Both sides of the handgrip bracket are equipped with standard rosettes, to mount the comfortable leather handles. The leather handgrip kit is a universal handgrip kit and is compatible with any camera with 15 mm LWS, 15 mm studio and 19 mm rail support.

Vocas V-lock mount plate 4 pin Xlr connector

Vocas V-lock mount plate 4 pin Xlr connector(0370-0170) V-lock mount plate including cable for powering cameras with 4 pin XLR power socket through V-lock batteries. The plate features a 10A fuse and 1x unregulated D-Tap. The length of the power cable is 35 cm.

Vocas Canon Eos C70 top cheese plate

Vocas Canon Eos C70 top cheese plate(0350-1326) This accessory plate attaches directly to the top of the Canon EOS C70 camera offering a stable platform for using multiple accessories. Provided with many ¼” and 3/8” Arri style holes for attaching many kinds of accessories such as: Monitor arms, 15 mm tube holders (in all directions), top handles etc etc.

Vocas FX6 adjustable grip kit

Vocas FX6 adjustable grip kit(0255-7410) This kit allows the Sony side handgrip of the FX6 camera to be relocated in comfortable position when the camera is used as a shoulder camera. Including 3,5 mm extension cable, 25 cm.

Vocas Basic kit for Canon C300MkIII and C500MkII

Vocas Basic kit for Canon C300MkIII and C500MkII(0255-7300) Basic kit for the Canon C300MKIII and C500MKII camera, featuring a compact base plate with slidable shoulder pad. The 15 mm rails of the base plate enable the use of other accessories such as a matte box, follow focus and lens support.

Vocas Alister’s Eng kit for Sony Pxw-Fx9

Vocas Alister’s Eng kit for Sony Pxw-Fx9(0255-5100) Vocas Alister’s ENG kit for Sony PXW-FX9 existing of the H-cheese plate for top bars Sony PXW-FS7 / FS7 II / FX9 (0350-1368), two pieces Vocas Aluminum 15 mm rail, length: 250 mm (0350-9250), Straight handgrip 15 mm rail bracket (0390-0110), Double sided handgrip extender medium 110 mm (0390-0020) and Handgrip rosette adapter for Sony PXW-FX9 (0390-0190).The Sony FX9 camera can easily be upgraded with these Vocas accessories. Vocas developed a complete kit of accessories to have a good start operating the Sony FX9. In this kit you will find a top cheese plate with 15 mm rails in the shape of the letter H, which makes it possible to add a lot of accessories to the top of the camera without removing the original Sony top handgrip with its electrical functions and its build-in GPS.One accessory in this kit is the newly developed Handgrip rosette adapter that attaches directly to the Sony handgrip when the original Sony handgrip arm is removed.Together with all the other accessories in this kit, the Sony handgrip can be attached to the top rails in the top cheese plate, providing a very adjustable, yet sturdy solution.

Camrade CAM-RAINCVR-OBEFP-L RainCover OB-EFP Large

Camrade CAM-RAINCVR-OBEFP-L (CAM/RAINCVR-OBEFP-L, CAM/RAINCVR/OBEFP/L, CAMRAINCVROBEFPL, CAM RAINCVR OBEFPL) RainCover OB-EFP Large Through years of experience and working closely with camera operators from broadcast and production companies, we have improved the designs to perfect solutions for multiple applications. Protect outside broadcasting cameras against inclement weather with the rainCover OB/EFP Large. With this raincover for large set-ups with live production system cameras, you can now protect your equipment from the elements without sacrificing your shot. The rainCover OB/EFP Large is suitable for system cameras, attached on a tripod, pedestal, or any other camera support solution. The flexible black fabric helps the camera not to stand out in a crowd. The cover is perfect for use during both indoor and outside broadcast productions like sports, entertainment, festivals, religious gatherings, and other large events. The cover closures are all with hook and loop fasteners. This allows for a firm fix while still having the flexibility to adjust it to the width and length of your specific set-up. Durable and functional design Always take the camRade rainCover OB/EFP Large to outdoor events, so you do not get caught out when the weather turns. The cover is supplied in a waterproof zippered pouch, which you can use to store and transport the cover. It is easy to attach and detach the cover, thanks to the convenient design. Leave the bottom open for easy access or close again if the wind plays tricks. Clamps around the lens hood The one-piece rainCover closes around the lens with a rubber strip for a good seal with the camera. The vinyl window in front of the lens can be secured with hook and loop fasteners on top when not in use.

Camrade CAM-RAINCVR-OBEFP-S RainCover OB-EFP Small

Camrade CAM-RAINCVR-OBEFP-S (CAM/RAINCVR-OBEFP-S, CAM/RAINCVR/OBEFP/S, CAMRAINCVROBEFPS, CAM RAINCVR OBEFP S) CAM-RAINCVR-OBEFP-S Universal protection for a wide range of ENG-style outside broadcasting cameras with 5” or 7” viewfinder including (long) sun hood, ENG-lens and hand controls. Includes a water-resistant storage pouch. Protect ENG-style outside broadcasting cameras against inclement weather with the rainCover OB/EFP Small. With this raincover for large set-ups with live production system cameras, you can now protect your equipment from the elements without sacrificing your shot. The CamRade rainCover OB/EFP Small is suitable for system cameras, attached on a tripod, pedestal, or any other camera support solution. The flexible black fabric helps the camera not to stand out in a crowd. The cover is perfect for use during both indoor and outside broadcast productions like sports, entertainment, festivals, religious gatherings, and other large events. The cover closures are all with hook and loop fasteners. This allows for a firm fix while still having the flexibility to adjust it to the width and length of your specific set-up. Durable and Functional Design Always take the camRade rainCover OB/EFP Small to outdoor events, so you do not get caught out when the weather turns. The cover is supplied in a waterproof zippered pouch, which you can use to store and transport the cover. It is easy to attach and detach the cover, thanks to the convenient design. Leave the bottom open for easy access or close again if the wind plays tricks. Clamps Around the Lens Hood   The one-piece rainCover closes around the lens with a rubber strip for a good seal with the camera. The vinyl window in front of the lens can be secured with hook and loop fasteners on top when not in use.

Rycote Bidirectional Pencil Microphone

Rycote Bidirectional Pencil Microphone(RYC979009) The Rycote BD-10 is a Bidirectional (Figure of 8) Condenser Microphone designed mainly for M/S stereo and ambient recording as well as dual dialogue. Perfect for use with the SC-08, CA-08 or HC-15 for a complete Rycote M/S Stereo or DM/S stereo solutions. BD-10   The Rycote BD-10 is a Bidirectional (Figure of 8) condenser Microphone designed mainly for M/S stereo and ambient recording as well as dual dialogue. Perfect for use with the SC-08, CA-08 or HC-15 for a complete Rycote M/S Stereo or DM/S stereo solutions. Based around our signature low self-noise capsule it delivers the precision and quality that our range of microphones has become renowned for.

SHAPE Push Button VESA Monitor Mount for C-Stand & Baby Pin

SHAPE Push Button VESA Monitor Mount for C-Stand & Baby Pin(SH-VSAPB, SHVSAPB, SH/VSAPB) The SHAPE VESA monitor support mounts to industry standard 5/8’’ baby pins or C-stands and supports monitors with a 100 x 100 or 75 x 75 VESA pattern. This sturdy mount features a Push-Button tilt angle adjustment and a friction locking knob to lock and secure the monitor at the desired angle. Made of CNC machined aluminium, the mount includes a ratchet knob to secure it on the 5/8’’ baby pin or C-stand and a safety pin to allow its removal from the C-stand.

SHAPE Sony FX6 V-Mount pivoting battery plate

SHAPE Sony FX6 V-Mount pivoting battery plate(SH-VBFX6, SHVBFX6, SH/VBFX6) The SHAPE V-Mount pivoting battery plate for Sony FX6 attaches to the rear of the top plate (FX6TP) and supports a V-mount battery while leaving access to the camera’s standard battery compartment. Our V-mount battery plate provides the right battery voltage and amperage to use with your Sony FX6 camera. By pivoting the battery plate, you have access to the BPU battery of the camera and also allows hot-swap feature. A swivel system let you pivot the battery plate up and down. It features 1 D-Tap port for powering accessories. It also uses a digital fuse that monitors the D-Tap ports and disables them if they exceed the set current for accessories while leaving the camera running. It connects to the camera using the SHAPE 19.5V output D-Tap power cable for Sony FX6. The cable regulates the voltage from a D-Tap source to the proper 19.5 V required to power an FX6 camera. This allows you to power your camera using any V-mount battery with a D-Tap plug. The cable has a total end-to-end length of 15″ (38 cm). A universal cheeseplate with 1/4″-20 and 3/8”-16 threaded holes. The cheeseplate can tilt up and down with a patented 15 mm Push-button system to provide easy access to the rear connector and have access to the BPU battery.

SHAPE Cartoni tripod pan telescopic handle with push-button

SHAPE Cartoni tripod pan telescopic handle with push-button(SH-TRIPAN3, SHTRIPAN3, SH/TRIPAN3) The SHAPE tripod pan handle is perfect for all types of cameramen and allows you to comfortably position your Cartoni tripod on set in all types of situations such as in a limited space, a higher position or a tight closet. The telescopic handgrip with rosette can be attached to your Cartoni tripod. The arm features four points of articulation (2 Push-button and 2 ratchet knob) to adjust the arm position. The ratchet knob along the arm allows you to extend the arms up to 2 inches and rotate the handgrips throughout 360°. The one near the rosette gives you more option to position the arm for your comfort. For a shorter configuration, you can easily disassemble the push-button rubber handgrip from the telescopic arm and mount it to the rosette adapter. SHAPE is well known for its patented Push-button handle, now used by so many professionals in the industry. The technology was developed to give filmmakers quick and easy adjustment. By simply pressing the button, you are allowed a 360-degree rotation to place the handle in the best position for your use. Push, adjust, release, and then its lock. The Push-button system on the Handle articulating joint provides additional articulation near the rosette, while the second push-button articulation joint allows you to rotate and precisely position the rubber handgrips.

SHAPE Multi D-Tap V-Mount Plate 15mm LWS Rod Mount

SHAPE Multi D-Tap V-Mount Plate 15mm LWS Rod Mount(SH-MDTVM, SHMDTVM, SH/MDTVM) Power your camera and a variety of accessories from a single high-capacity V-mount battery with the Multi D-Tap V-Mount Battery Plate with 15mm LWS Rod Mount from SHAPE. The battery plate provides a V-mount for a single V-mount battery and four 14.4V, 10A regulated D-Tap outputs. The aluminum plate features an integrated 15mm LWS rod clamp to mount the plate onto standard, separately available 15mm LWS rods, and it secures using a locking lever.

SHAPE Lightweight Matte Box 4x5.6 with Single Filter Tray

SHAPE Lightweight Matte Box 4x5.6 with Single Filter Tray(SH-LWAKS, SHLWAKS, SH/LWAKS) A silicone matte box mounted on a CNC aluminum main frame with an outer diameter of up to 124 mm. It provides a wide field of view for a large variety of wide angle lenses. A single filter tray system with an easy access handle that allow one-handed filter change. The filter tray system opens up from the front by releasing the red safety pin. 4×4 filters can also be installed in the tray. The frame includes two stops at the bottom of the filter tray section to prevent the filter from falling through. Optional removable swing-away and height adjustable rod bloc can be installed for better control. An optional removable light carbon fiber french flag can be attached on top to prevent flares. A series of adaptor rings are included in the kit: Clamp-on adaptor ring: 124-87 mm Threaded aluminum adaptors rings: 87-82 mm / 87-77 mm / 87-72 mm / 87-67 mm Additional clamp-on adaptor rings available (Optional): 124-114 mm / 124-104 mm / 124-100 mm / 124-95 mm

SHAPE Camera Cage for RED Komodo

SHAPE Camera Cage for RED Komodo(SH-KOCAGE, SHKOCAGE, SH/KOCAGE) Improve the accessory mounting possibilities while protecting your RED KOMODO cinema camera with this SHAPE Camera Cage for RED KOMODO. The durable 3-piece cage is built around the top plate that you mount on your KOMODO, allowing you to mount the side riser panels and included 15mm rod clamps. Once mounted on your camera, you've created a sturdy external cage that provides accessory mounting holes, as well as ARRI-compatible rosettes on each side for mounting optional grips to help you when handholding the KOMODO. The cage is replete with 1/4"-20 accessory mounting threads for attaching a variety of available accessories, such as articulating arms. Additional 1/4"-20 and 3/8"-16 threaded holes with ARRI-style anti-twist divots allow you to attach accessories that stay secure and won't unexpectedly twist, which usually happens at the worst moment, ruining the shot. Two individual 15mm spring-loaded rod clamps can be mounted on the cage for adding rod-mounted accessories. The cage retains open access to all ports and controls on the camera, and it disassembles easily into three parts for transport and storage. Cage The advantage of the cage is that it provides a rigid external frame to your RED KOMODO camera for attaching accessories to your camera without stressing your camera's body. This allows you to accessorize without worrying about damaging your camera. Accessorize The cage allows you to add optional grips to your camera via the ARRI-style rosettes, making the RED KOMODO's body more handheld friendly. Rod Clamps   The individual rod clamps can be attached to the cage and allow you to mount optional 15mm rods. The clamps each use a spring-loaded lever for securing your rod on the clamp.

SHAPE Arri Dovetail Shoulder Mount with HAND15 Handles

SHAPE Arri Dovetail Shoulder Mount with HAND15 Handles(SH-HSMDV, SHHSMDV, SH/HSMDV) Easily secure your camera rig onto this ARRI Dovetail Shoulder Mount with Handles thanks to its ARRI-style dovetail plate and dual ARRI rosette handles. The entire system can accommodate 15mm LWS, 15mm studio, and 19mm studio bridge plates for wide compatibility. SHAPE ARRI Dovetail with Adjustable Shoulder Mount Designed to be compatible with all three industry-standard ARRI-Style bridge plates, this ARRI Dovetail with Adjustable Shoulder Mount from SHAPE offers a highly customizable mount for your camera rig. Spring-loaded stoppers on either end of the mount prevent the bridge from sliding off but allow for quick release when pressed. A shoulder pad on the bottom of the dovetail can be adjusted along the track to distribute the rig's weight effectively. Two ARRI rosettes at the front allow you to integrate handgrips of your choice. Constructed with CNC aluminum, the shoulder mount is designed to be durable.

SHAPE shoulder mount kit mattebox follow focus for panasonic GH6

SHAPE shoulder mount kit mattebox follow focus for panasonic GH6(SH-GH6SMKIT, SHGH6SMKIT, SH/GH6SMKIT) The cage is designed with several 1/4-20 threaded holes and seven 3/8in-16 threaded holes with anti-rotating Arri hole patterns. The design of the cage also allows easy access to all control buttons, side outputs, the memory card, the battery compartment, the lens release button and the camera hot shoe for the audio unit system. All doors and locks are fully usable when the camera is in the cage and its intelligent design allows you to operate the camera without having to remove the cable doors. In addition, the strap hooks can remain attached to the camera while being inserted into the cage. A detachable lock system to secure and hold in place your 4K FULL HDMI cable is included with the cage. The bottom of the cage has three 1/4-20 threaded holes to mount a quick release tripod plate to switch from a tripod to a shoulder configuration. The aluminium top handle included with the cage offers cold shoe mounting options for additional accessories. A second top handle can be added and attached on the sides of the cage for vertical shoots. A 15mm LW rod baseplate system is included and attached underneath the cage with four M4 screws. A height adjustable Metabones bracket is included at the front of the baseplate for additional support. The bottom of the baseplate has three threaded holes to attach quick-release tripod plates. Quick handle rod bloc (HAND5) Quick handle rod blocThe SHAPE Quick handle rod bloc is a professional video stabilization accessory with 2 camera handle grips, each providing an individual rotation angle of 360°. You can attach the handle to the camera platform using a simple screw knob. A simple Push-Button located at the articulation allows easy attachment and removal. Combined with the anodized aluminium rod bloc, the quick handle offers composite camera support for all 15 mm rods. You can achieve precise positioning by sliding the Quick Handle along the rods and tightening the small red knob located on the Rod Bloc. The rod bloc is designed with 2 screw-threaded holes allowing the mounting of the Quick Handle. SHAPE is well known for its patented Push-button handle, now used by so many professionals in the industry. The technology was developed to give film makers quick and easy adjustment. By simply pressing the button, you are allowed a 360-degree rotation to place the handle in the best position for your use. Push, adjust, release, and then its lock. Composite mini shoulder pad (SHPAD3) The SHAPE mini composite shoulder pad is padded for superior comfort and is made of slip-free material. It is designed with a 15 mm rod block on top allowing to hold 15 mm rods for camera and accessories to be attached. The screw knob allows to attach SHAPE counter-weight (PAD1, PADCW1). By adding extra male-female rods at the back, you can also attach a counter-weight behind the same rods. This way, your body can easily supports the weight of the camera and its accessories. The shoulder pad is also the perfect solution for switching rapidly from shoulder to tripod without having to remove the shoulder pad. It can remain on the camera rig permanently. Back pad (PAD1) 01 Pad1 Back Pad Product Picture 2000x2000The back pad (PAD1) features a powder coated anodized aluminum plate and arm which are attached to a thick padding on the side facing the user. It is compatible with the SHAPE Mini Composite Shoulder Pad (SHPAD3, SHPAD2, SHPAD1) and can be attach or remove easily from your rig via a 1/4-20 camera screw knob. Additionally, the back pad’s position can be adjusted to the user’s preference – up to 2″ vertically and 360° horizontally. The bottom of the back pad is designed with (2) 1/4-20 threaded holes, allowing to attach other accessories or counterweights. 15 mm 18 in rods (15TUBE18) One pair of SHAPE 15-mm aluminum rods for your compatible camera rig. Mount any 15-mm compatible accessories and form the support structure of your rig. SHAPE LIGHTWEIGHT SINGLE FILTER TRAY 4X5.6 MATTE BOX (LWAKS) A silicone matte box mounted on a CNC aluminium main frame with an outer diameter of up to 124 mm. It provides a wide field of view for a large variety of wide angle lenses. A single filter tray system with an easy access handle that allow one-handed filter change. The filter tray system opens up from the front by releasing the red safety pin. 4x4 filters can also be installed in the tray. The frame includes two stops at the bottom of the filter tray section to prevent the filter from falling through. Optional removable swing-away and height adjustable rod bloc can be installed for better control. An optional removable light carbon fiber french flag can be attached on top to prevent flares. A series of adaptor rings are included in the kit: Clamp-on adaptor ring: 124-87 mm Threaded aluminium adaptors rings: 87-82 mm / 87-77 mm / 87-72 mm / 87-67 mm Additional clamp-on adaptor rings available (Optional): 124-114 mm / 124-104 mm / 124-100 mm / 124-95 mm SHAPE kit focus single rod follow focus 15 mm LWs (FA123) Use the compact SHAPE Follow Focus Kit with Single 15 mm Rod Clamp with your camera setup to make focus pulling easy. The modular design allows you to add and remove any of the components without screws or tools, and its small profile allows the addition of a matte box or accessories around your lens.  At the core of the kit is a rubber, anti-slip follow focus wheels attached to a single aluminium 15 mm rod clamp. The clamp rotates to adjust to most lens sizes, and it's tightened by a locking lever. The clamp's rotation also allows the focus wheel to easily swing out of the way when changing lenses. Five drive gears are included to fit a variety of lens sizes: 0.5 MOD/78T, 0.6 MOD/64T, 0.8 MOD/38T, 0.8 MOD/43T, and 0.8 MOD/78T. The gears can be flipped from front to back to facilitate different lens configurations. A 49 mm rubber friction wheel is also included for the 0.5 MOD/78T gear which is most commonly used with DSLR lenses. For alternate fine-focus configurations, use the included speed crank or 11in whip, both of which attach to the center point of the knob. Four magnetic marking disks are included to attach to the focus wheel. At the center of the knob, an ARRI-standard accessory port for attaching separately available accessories such as a whip or a speed crank; All gears can be flipped to the front or back position which is helpful for compact lens configurations; Two rotation points (one on the rod and one on the body) allowing you to get the follow focus perfectly aligned vertically on the side of the camera body; Swing Arm Design allows you to simply pull the follow focus away from the lens for a quick lens change then you can push it back into place when you're ready;   A compact design takes little space, so you can still attach a matte box to the front;Use the swing arm to properly align the follow focus and then you can tighten the thumbscrew on the bottom to keep it in place.

SHAPE shoulder mount rig for panasonic GH6

SHAPE shoulder mount rig for panasonic GH6(SH-GH6SM, SHGH6SM, SH/GH6SM) The camera is mounted to the cage using a 1/4-20 screw. The cage is designed with several 1/4-20 threaded holes and seven 3/8in-16 threaded holes with anti-rotating Arri hole patterns. The design of the cage also allows easy access to all control buttons, side outputs, the memory card, the battery compartment, the lens release button and the camera hot shoe for the audio unit system. All doors and locks are fully usable when the camera is in the cage and its intelligent design allows you to operate the camera without having to remove the cable doors. In addition, the strap hooks can remain attached to the camera while being inserted into the cage. A detachable lock system to secure and hold in place your 4K FULL HDMI cable is included with the cage. The bottom of the cage has three 1/4-20 threaded holes to mount a quick release tripod plate to switch from a tripod to a shoulder configuration. The aluminium top handle included with the cage offers cold shoe mounting options for additional accessories. A second top handle can be added and attached on the sides of the cage for vertical shoots. A 15mm LW rod baseplate system is included and attached underneath the cage with four M4 screws. A height adjustable Metabones bracket is included at the front of the baseplate for additional support. The bottom of the baseplate has three threaded holes to attach quick-release tripod plates. Quick handle rod bloc (HAND5) The SHAPE Quick handle rod bloc is a professional video stabilization accessory with 2 camera handle grips, each providing an individual rotation angle of 360°. You can attach the handle to the camera platform using a simple screw knob. A simple Push-Button located at the articulation allows easy attachment and removal. Combined with the anodized aluminium rod bloc, the quick handle offers composite camera support for all 15 mm rods. You can achieve precise positioning by sliding the Quick Handle along the rods and tightening the small red knob located on the Rod Bloc. The rod bloc is designed with 2 screw-threaded holes allowing the mounting of the Quick Handle. SHAPE is well known for its patented Push-button handle, now used by so many professionals in the industry. The technology was developped to give filmakers quick and easy adjustment. By simply pressing the button, you are allowed a 360-degree rotation to place the handle in the best position for your use. Push, adjust, release, and then its lock. Composite mini shoulder pad (SHPAD3) The SHAPE mini composite shoulder pad is padded for superior comfort and is made of slip-free material. It is designed with a 15 mm rod block on top allowing to hold 15 mm rods for camera and accessories to be attached. The screw knob allows to attach SHAPE counter-weight (PAD1, PADCW1). By adding extra male-female rods at the back, you can also attach a counter-weight behind the same rods. This way, your body can easily supports the weight of the camera and its accessories. The shoulder pad is also the perfect solution for switching rapidly from shoulder to tripod without having to remove the shoulder pad. It can remain on the camera rig permanently. Back pad (PAD1) The back pad (PAD1) features a powder coated anodized aluminium plate and arm which are attached to a thick padding on the side facing the user. It is compatible with the SHAPE Mini Composite Shoulder Pad (SHPAD3, SHPAD2, SHPAD1) and can be attach or remove easily from your rig via a 1/4-20 camera screw knob. Additionally, the back pad’s position can be adjusted to the user’s preference – up to 2in vertically and 360° horizontally. The bottom of the back pad is designed with (2) 1/4-20 threaded holes, allowing to attach other accessories or counterweights. 15 mm 18 in rods (15TUBE18) One pair of SHAPE 15-mm aluminium rods for your compatible camera rig. Mount any 15-mm compatible accessories and form the support structure of your rig.

SHAPE kit with Mattebox follow focus for Panasonic GH6

SHAPE kit with Mattebox follow focus for Panasonic GH6(SH-GH6KIT, SHGH6KIT, SH/GH6KIT) Panasonic Lumix GH6 Cage (GH6CAGE) Made of CNC-machined aluminium, the cage is specifically designed for the Panasonic Lumix GH6 camera. The camera is mounted to the cage using a 1/4-20 screw. The cage is designed with several 1/4-20 threaded holes and seven 3/8in-16 threaded holes with anti-rotating Arri hole patterns. The design of the cage also allows easy access to all control buttons, side outputs, the memory card, the battery compartment, the lens release button and the camera hot shoe for the audio unit system. All doors and locks are fully usable when the camera is in the cage and its intelligent design allows you to operate the camera without having to remove the cable doors. In addition, the strap hooks can remain attached to the camera while being inserted into the cage. A detachable lock system to secure and hold in place your 4K FULL HDMI cable is included with the cage. The bottom of the cage has three 1/4-20 threaded holes to mount a quick release tripod plate to switch from a tripod to a shoulder configuration. The aluminium top handle included with the cage offers cold shoe mounting options for additional accessories. A second top handle can be added and attached on the sides of the cage for vertical shoots. A 15mm LW rod baseplate system is included and attached underneath the cage with four M4 screws. A height adjustable Metabones bracket is included at the front of the baseplate for additional support. The bottom of the baseplate has three threaded holes to attach quick-release tripod plates. SHAPE LIGHTWEIGHT SINGLE FILTER TRAY 4X5.6 MATTE BOX (LWAKS) A silicone matte box mounted on a CNC aluminium main frame with an outer diameter of up to 124 mm. It provides a wide field of view for a large variety of wide angle lenses. A single filter tray system with an easy access handle that allow one-handed filter change. The filter tray system opens up from the front by releasing the red safety pin. 4x4 filters can also be installed in the tray. The frame includes two stops at the bottom of the filter tray section to prevent the filter from falling through. Optional removable swing-away and height adjustable rod bloc can be installed for better control. An optional removable light carbon fiber french flag can be attached on top to prevent flares. A series of adaptor rings are included in the kit: Clamp-on adaptor ring: 124-87 mm Threaded aluminium adaptors rings: 87-82 mm / 87-77 mm / 87-72 mm / 87-67 mm Additional clamp-on adaptor rings available (Optional): 124-114 mm / 124-104 mm / 124-100 mm / 124-95 mm SHAPE kit focus single rod follow focus 15 mm LWs (FA123) Use the compact SHAPE Follow Focus Kit with Single 15 mm Rod Clamp with your camera setup to make focus pulling easy. The modular design allows you to add and remove any of the components without screws or tools, and its small profile allows the addition of a matte box or accessories around your lens.  At the core of the kit is a rubber, anti-slip follow focus wheels attached to a single aluminium 15 mm rod clamp. The clamp rotates to adjust to most lens sizes, and it's tightened by a locking lever. The clamp's rotation also allows the focus wheel to easily swing out of the way when changing lenses. Five drive gears are included to fit a variety of lens sizes: 0.5 MOD/78T, 0.6 MOD/64T, 0.8 MOD/38T, 0.8 MOD/43T, and 0.8 MOD/78T. The gears can be flipped from front to back to facilitate different lens configurations. A 49 mm rubber friction wheel is also included for the 0.5 MOD/78T gear which is most commonly used with DSLR lenses. For alternate fine-focus configurations, use the included speed crank or 11" whip, both of which attach to the center point of the knob. Four magnetic marking disks are included to attach to the focus wheel.

SHAPE Camera cage for Panasonic GH6

SHAPE Camera cage for Panasonic GH6(SH-GH6CAGE, SHGH6CAGE, SH/GH6CAGE) The SHAPE Cage and Top Handle for Panasonic GH6 is a formfitting cage specifically designed for the Panasonic Lumix GH6. Made of CNC-machined aluminum, the cage offers multiple 1/4"-20 and 3/8"-16 threaded holes with anti-rotating ARRI hole patterns. The cage allows for unobstructed access to all camera functions, including the memory card and battery compartment, side buttons, and the lens release button. A full-size HDMI cable lock keeps your video cable securely in place, and the camera can be fully operated without having to remove the cable doors. Three 1/4"-20 threaded holes on the bottom of the cage allow you to mount a quick release plate to facilitate switching from a tripod to a shoulder rig configuration. Cold shoe mounting options are available on the included aluminum top handle, and for vertical shoots, a second handle can be attached to the sides of the cage.      

SHAPE Arri Dovetail shoulder mount

SHAPE Arri Dovetail shoulder mount(SH-DOVSM, SHDOVSM, SH/DOVSM) The SHAPE ARRI Dovetail shoulder mount is the newly designed unit meant to be combined with ARRI style bridge plates in all 3 industry standards, (15mm LWS, 15mm Studio & 19mm Studio). The bridge plate can be adjusted front to back, depending on the weight distribution of the camera, and can be locked in the desired position with the side lever. The same can be done with the padding itself, underneath the dovetail section. You can position the padding and lock it in place with its side lever. Spring loaded stoppers are included at the front and back of the shoulder mount to prevent the top bridge plate from sliding out. To release entirely the bridge plate, simply push down on the button and the bridge plate is free. Made of sturdy CNC aluminum, the dovetail section is 12 1/2 inch long and allows a 10 1/2 inches of travel for the bridge plate. It provides stability and can be combined with a variety of our handles given the two ARRI rosettes at the front part of the shoulder mount.

SHAPE Canon C70 Baseplate, Cage with Handles+Matte Box+Follow Focus Pro

SHAPE Canon C70 Baseplate, Cage with Handles+Matte Box+Follow Focus Pro(SH-C70KIT, SHC70KIT, SH/C70KIT) The L-shaped handle features a solid connection to your top plate using mounting screws. It also features the SHAPE Push-Button Technology, enabling you to balance the weight and rotate the handle in the position you need for a 360-degree axis. The handle is constructed from anodized aluminium and it is lined with a smooth, wooden finger grip made from Canadian maple. It features numerous 3/8″-16 ARRI-style anti-twist accessory threads. The front section of the handle features a cold shoe designed to receive a spring-loaded cold shoe foot. This spring-loaded cold shoe foot is designed with a tilting mount bracket with 1/4″-20 threaded screw to mount accessories like a monitor, a video light, or a microphone weighing up to 4.4 lb. Moreover, each end is secured with a knurled locking knob. Once the accessory is mounted, you can tilt it forward or backward and place it at the desired angle. The position is lockable with the included Allen key.

SHAPE Baseplate with Cage, Left-Side Handle & Follow Focus Pro

SHAPE Baseplate with Cage, Left-Side Handle & Follow Focus Pro(SH-C52BRFFP, SHC52BRFFP, SH/C52BRFFP) This kit includes a shoulder mount baseplate with 15mm rod system, a form fitting cage with Arri rosette , a rosette handle with black push-button, and a follow focus pro. The baseplate includes an integrated shoulder mount that allows you to convert your tripod-mounted camera into a handheld shoulder rig. The bottom of the cage attaches to the rear of the camera to support it on the baseplate. The 15mm rods allow you to mount additional accessories like a matte box and follow focus. The push-button handle attaches to the baseplate and can rotate using the rosette joints for the most comfortable position. Canon C500 Mark II, C300 Mark III V-lock quick release baseplate (C52BP) Canon C500 Mark II, C300 Mark III camera cage (C52CAGE) Add accessories and handheld functionality to your Canon EOS C500 Mark II camera with this kit made of CNC aluminium. It includes a form fitting side plate with Arri rosette , a top plate and a rear insert plate connecting together to protect your camera. The kit features several 1/4-20 and 3/8-16 threaded holes with anti rotating holes. The top plate is also designed to fit the native Canon EOS C500 Mark II handle. Canon C500 Mark II, C300 Mark III adapter plate (C52AP) The Canon EOS C500 Mark II Adapter Plate let you quickly attach your camera to your rig. The position of the captive screws perfectly matches the threaded holes of the Canon EOS C500 Mark II camera base. Canon C500 Mark II, C300 Mark III top plate (C52TP) Lightweight and robust CNC machined aluminium top plate designed to fit with the native Canon EOS C500 Mark II top handle. The top plate offers 1/4-20 and 3/8-16 threads with Arri standard anti rotating holes, which can be used to attach options around the camera. The top plate comes with a 3/16’’ Hex wrench and (4) captive screws ¼-20 3/8 to attach the top plate to the camera Top side: (8) ¼-20 and (2) 3/8-16 threaded holes with Arri anti rotating holes Top side: (18) ¼-20 threaded holes Sides: (10) ¼-20 threaded holes with Arri anti rotating holes Double Quick Handle ARRI Rosette Single Shadow (HAND2S) Left or right ARRI Rosettes handgrips that can be attached to cameras or camera support hardware that has standard ARRI rosettes. The arm features three points of articulation (2 Push-button, 1 ratchet knob) allowing you to adjust the arm for your comfort. The arm attach to your camera or support via an ARRI compatible rosette with spring-loaded locking levers, which allow you to lock your arms in place. The arm is also designed with (2) ¼-20 and (2) 3/8-16 threaded holes with locking attachment stoppers for additional mounting options and to strongly secure the camera accessories in position. SHAPE is well known for its patented Push-button handle, now used by so many professionals in the industry. The technology was developed to give filmmakers quick and easy adjustment. By simply pressing the button, you are allowed a 360-degree rotation to place the handle in the best position for your use. The Push-button system on the Handle articulating joint provides additional articulation near the rosette, while a second push-button articulation joint allows you to rotate and precisely position the rubber handgrips. Follow Focus Pro (FFPRO) Manufactured in sleek black aluminium anodized, this special edition professional follow focus unit combines sleek look with trusted engineering and a classic design. The SHAPE Follow Focus Pro is an industry workhorse and has already proven itself on countless tough shoots all over the world, so you needn’t worry about it letting you down. SHAPE engineering is internationally renowned and there is one of the most robust motion picture accessories ever built. It mounts on 15 mm rods and features an adjustable arm which puts the gear at the optimal position for the lens, no matter what the diameter is. The unit snaps onto 15 mm rods, allowing for quick attachment, removal, and repositioning. Two 0.8 pitch gears come included and give you a choice of either 28 teeth or 43 teeth - depending on the throw distance of the lens. Additional features include two adjustable hard stops, removable marking disc, and an industry standard accessory port for using optional whips and cranks. While the Follow Focus Pro contains the essentials for pulling focus on any type of project production, the choice of either 15 mm rod adaptors means that you can SHAPE the system to meet your particular requirements. 15 mm 8" rods (15TUBE8) Pair of 15 mm rods 8" long that fit studio and LWS 15 mm rod clamps, allowing you to use available rod mounted accessories. The rods are machined from hollow aluminium tubes and feature chamfered ends that make it easier to insert into 15 mm rod clamps, even if the rod isn't perfectly aligned or is at a slight angle to the rod clamp. 15 mm 4" rods (15TUBE4) This pair of SHAPE 15 mm Aluminium Rods (4") connect into your camera rig, extend it, and let you add various SHAPE and third-party accessories compatible with 15 mm rods. With these two rods and with a few fundamental accessories, you can most certainly even begin building your own rig from scratch. The rods are each 15 mm in diameter, 4 inches long, hollow, non-threaded, and made of reliable aluminium coated with a clear finish.

Dedolight Telephoto Projection Lens

Dedolight Telephoto Projection Lens(DPL185M) Metal barrel, f3.5. Has the longest focal length of the Dedolight projection lenses.

Dedolight Soft Case Kit with Four Reflector Surfaces

Dedolight Soft Case Kit with Four Reflector Surfaces(SEFL-4) Reflected light for creative elements and backgrounds. The multi-mirror reflectors can be bent and shaped for a multitude of light effects for projection, not only on the background, but also on persons. Neutral effects can simulate light spots and speckles as they can be seen when sunlight or moonlight falls through leaf structures of trees or bushes. Laminated color effect filters look super simple, but offer an amazing variety of effects. The light heads can be used in their original version or in conjunction with the parallel beam attachment for expanded power use and additional variation of effects. When using the parallel beam attachments, the useful light is doubled. Not only in the mini set, also in the big studio such effects can be used. Easy and quick setup for the professional in television, video and in photography.

Dedolight Large EFLECT Mirror Kit #1

Dedolight Large EFLECT Mirror Kit #1(SEFL-1) Reflected light for creative elements and backgrounds. The multi-mirror reflectors can be bent and shaped for a multitude of light effects for projection, not only on the background, but also on persons. Neutral effects can simulate light spots and speckles as they can be seen when sunlight or moonlight falls through leaf structures of trees or bushes. Laminated color effect filters look super simple, but offer an amazing variety of effects. The light heads can be used in their original version or in conjunction with the parallel beam attachment for expanded power use and additional variation of effects. When using the parallel beam attachments, the useful light is doubled. Not only in the mini set, also in the big studio such effects can be used. Easy and quick setup for the professional in television, video and in photography.

Dedolight Parallel Beam Intensifier for Light Heads

Dedolight Parallel Beam Intensifier for Light Heads(DPBA-714) This DPBA-714 Parallel Beam Intensifier increases light output up to 313% (DLH4). Simply used by sliding in at the light's accessory slot and adjusting to the flood position; the new beam generated by this lens can be from 4° - 8° spread angles, depending on light model used. Fits DLED7-BI, DLED7-D, DLED7-T, DLED4-BI, DLED4-D, DLED4-T or DLH4.

Dedolight Lightstream Reflector Kit

Dedolight Lightstream Reflector Kit(SLR7R-4) The Dedolight SLR7R-4 Lightstream Reflector Kit is the perfect lighting solution for photographers and videographers. This soft bag kit includes 4 reflectors in the compact size of 7x10 cm, making it easy to transport and use on location. The kit consists of reflectors #1, #2, #3, and #4, as well as extra accessories for versatile lighting options. The high efficiency of the reflectors in this system is due to their reflective values, with an impressive 95-98% of light being effectively reflected. When used with Parallel Beam adaptors, the quality of light and shadows becomes uniquely realistic, adding depth and dimension to your shots. The Dedolight SLR7R-4 Lightstream Reflector Kit features four different reflector types, each with a different surface for specific lighting effects. Reflector #1 is the closest to a very hard reflector, redirecting light without changing the beam size or character. It has a surface structure that provides reflection with a minimal exit angle of about 4°. Reflector #2 has a wider exit angle of 12°, making it more suitable for use with secondary reflectors with larger surfaces. Although it shows slightly less light intensity at the object, the total amount of reflected light remains consistent at 95-98%. For a gentler reflection, Reflector #3 covers an angle of 50°, while Reflector #4 has the widest angle of 95° and produces the most gentle reflection. This results in lower light levels reaching the object, making it ideal for close-up shots. In fact, when compared to commonly used styrofoam, Reflector #4 has comparable light intensity values reaching the object. The use of reflectors #3 and #4, or styrofoam, minimizes the effect of the square law when talent is moving. This is because the reflector surface itself becomes a light source, changing the influence of the square law and ensuring consistent exposure values. With the Dedolight SLR7R-4 Lightstream Reflector Kit, you can achieve professional lighting results with ease.

Swit CL-40D Bi-Colour Led Panel Light

Swit CL-40D Bi-Colour Led Panel Light(CL-40D, CL40D, CL/40D) The Swit 40W ultra portable bi-color fanless panel light is an innovative solution for videomakers seeking unprecedented lighting versatility. This slim and compact 40W two-tone LED panel redefines portability without compromising power. Its high brightness and soft diffusing capability ensures a professional-level lighting experience, creating a flattering, natural look for your videos. The CL-40D slim and mini size not only adds an element of practicality to your equipment, but also opens up new possibilities for capturing stunning images in any environment.  CL-40D offers a light output of 40W, a luminance of 1150Lux at 1 meter distance, a wide beam angle of 64°, and supports PWM digital dimming from 0 to 100%, smoothly and non-flickering. CL-40D consists of 40W of 2700K LEDs and 40W of 6500K LEDs and provides 40W power at any color temperature from 2700K to 6500K.The CL-40D has 2 knobs to adjust color temperature and dimming. The LCD screen displays exact values and power status.  For convenient set-up, the CL-40D supports several power supply types: V-mount battery, USB-C and 15 V DC. An AC-DC adapter is included in the package. The CL-40D comes with a snap-on handle that allows it to be quickly installed on the back of the lamp and mounted on any standard 5/8″ bracket. The bracket supports ±90° rotation on the stand. The CL-40D comes with 4 barn doors and a high-quality bag for storage and transport.

Canon Rf 24-240mm F4-6.3 Lens

Canon Rf 24-240mm F4-6.3 Lens(3684C005) The photographic lens Canon RF 24-240mm F4-6.3 IS USM with RF mount, covering an impressive wide-angle to super-telephoto range, is a true all-in-one lens for nearly any shooting situation. Its 10x zoom range is complemented by an Optical Image Stabilizer, which compensates for up to five stops of camera shake to better realize sharp imagery when shooting handheld.   Dynamic IS of the Canon RF 24-240mm F4-6.3 also benefits video recording, and better compensates for footage shot while walking or moving. Benefitting both stills and video is a Nano USM autofocus motor, which delivers quick, quiet, and precise focusing performance. Additionally, the lens also features a unique customizable Control Ring, which can be configured to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.

Canon 18-150mm F3.5-6.3 - Rf-S stm lens

Canon 18-150mm F3.5-6.3 - Rf-S stm lens(5564C005) With a powerful 18-150mm zoom range the RF-S 18-150mm F3.5-6.3 IS STM lens is an affordable wide-to-telephoto zoom that packs several lenses in one, perfect for APS-C R System cameras. With super-quiet STM focusing that’s fast and responsive, it’s a great general-purpose lens for landscapes, wildlife, travel, sports photography and even great close-ups thanks to an optical design that lets you focus as close as 12 cm. Compact, and lightweight, it has a streamlined look with all function switches controlled directly from the camera for a simplified design while a 4.5-stop optical Image Stabilizer adds extra versatility to help overcome camera shake, even in low-light.

Canon Rf 24mm F1.8 Macro Is Stm lens

Canon Rf 24mm F1.8 Macro Is Stm lens(5668C005) This compact and lightweight 24mm lens combines a wide-angle field-of-view with a fast aperture for shooting creatively, even in low light. A 5-stops Optical Image Stabilizer¹ allows longer shutter speeds for hand-held shooting and slick video with more stabilisation (6.5-stops) on offer when used with an EOS R series camera featuring an In Body Image Stabilizer. A minimum focusing distance of 14 cm (0.5x magnification or half life-size) is a real advantage for creative wide-angle and lets you get extra close, showing your subject within its environment. A customisable Control Ring and a separate Focus Ring allows fine control of focusing, ISO, aperture or changing AF method.

Canon Drop-In Variable ND Filter

Canon Drop-In Variable ND Filter(3446C001) A neutral density filter for controlling exposure in movies and prolonging shutter speeds for a variety of creative movement effects in photographs.

Canon RF 5.2mm Dual Fisheye RF VR Lens

Canon RF 5.2mm Dual Fisheye RF VR Lens(5554C005) Capture views that are more than virtual Capture the world in virtual reality thanks to the RF 5.2mm F2.8L DUAL FISHEYE; a compact, stereoscopic L-series RF lens capable of capturing super-sharp content that – with the rest of Canon’s EOS VR SYSTEM, including a camera and software solution – transforms footage into a truly breathtaking visual experience, immersing you within the environment. Canon RF 5.2mm F2.8L DUAL FISHEYE lens A virtual reality lens that simplifies the capture and post-production of professional 180° VR content. Experience the video below through using a VR headset (for a fully immersive and stereoscopic experience), a mobile device or computer. An inspirational story captured by VR Director, Mary Matheson and Director of Photography, Richard Stegmann. Amazingly practical (3D) 180° VR capture The compact, single mount design simplifies quick camera setups for professional stereoscopic 180° VR capture, when using compatible high resolution, Full Frame, RF mount cameras, such as the EOS R51 and R5 C. Efficient and simplified workflow Featuring a stereoscopic 190° field of view, two offset circular fisheye images are perfectly synchronised and recorded side-by-side onto a single Full Frame sensor, ready for Canon’s powerful EOS VR Utility2/plug-in2 to seamlessly process for final edit, requiring no additional stitching. RAW (8K / 60P) video workflow Compatible RAW video files taken with supported cameras (including 8K / 60P RAW LT files from the EOS R5 C) are automatically processed within EOS VR Utility, further simplifying a RAW workflow with higher frame rates. High quality image capture Featuring perfectly aligned, dual forward facing fisheye lenses, the RF 5.2mm F2.8L DUAL FISHEYE utilises two UD elements per lens to correct for aberrations plus Canon’s special SWC coatings to reduce ghosting and flare, even in backlit conditions. Fast f/2.8 aperture for low light shooting The RF 5.2mm F2.8L DUAL FISHEYE performs superbly in low light thanks to a fast f/2.8 aperture with accurately synchronised exposure and precise control via a dual Electro Magnetic Diaphragm (EMD) design. L-series build and weather resistance Because it’s an L-series lens, the RF 5.2mm F2.8L DUAL FISHEYE is built for professional use. It is dust and splash resistant and features fluorine coatings to repel water and dirt on the lens surface. Gel filter holder for precise exposure control   The RF 5.2mm F2.8L DUAL FISHEYE has a rear-mounted gelatin filter holder for pre-cut ND gels which can be used to help precisely control light levels when in use on 180° VR video productions.

Sony LA-EA5 Adapter - A-Mount Lens to E-Mount Body

Sony LA-EA5 Adapter - A-Mount Lens to E-Mount Body(LAEA5.SYU) Ѕоnу hаѕ рrоduсеd mаnу mоunt аdарtеrѕ thаt аllоw thе uѕе оf dіffеrеnt lеnѕеѕ оn vаrіоuѕ Ѕоnу bоdу, but untіl nоw thеrе wаѕn't аn А-Моunt Lеnѕ tо Е-Моunt Воdу. Еntеr thе Ѕоnу LА-ЕА5 Аdарtеr. Тhіѕ аdарtеr еnаblеѕ thе uѕе оf Ѕоnу А-mоunt lеnѕеѕ оn Е-mоunt mіrrоrlеѕѕ саmеrа bоdіеѕ whіlѕt mаіntаіnіng full lеnѕ funсtіоnаlіtу іnсludіng аutоfосuѕ оn ЅЅМ, ЅАМ, аnd еvеn АF lеnѕеѕ wіthоut аn іntеrnаl mоtоr. Ѕоnу hаѕ орtіmіѕеd thе аdарtеr tо ѕuрроrt рhаѕе-dеtесtіоn аutоfосuѕ whісh іn turn mаіntаіnѕ rеаl-tіmе trасkіng аnd еуе АF, аnd еvеn 11 fрѕ соntіnuоuѕ ѕhооtіng wіth АF/АЕ trасkіng. Ѕоnу еvеn еnаblеѕ АF аnd АЕ trасkіng whеn uѕеd wіth lеnѕеѕ wіth nо іntеrnаl mоtоr (Ѕоnу А7R ІV аnd А6600). Тhе аdарtеr hаѕ а ѕlіm аnd unоbtruѕіvе суlіndrісаl dеѕіgn thаt ѕеаmlеѕѕlу аttасhеѕ tо уоur саmеrа bоdу.

Sony FE 16-35mm f2.8 G Master II Lens

Sony FE 16-35mm f2.8 G Master II Lens(SEL1635GM2.SYX) Introducing the FE 16-35 F2.8 GM II, the game-changing G Master wide-angle zoom lens from Sony. Designed to meet the evolving needs of photographers and videographers, this lens combines unrivalled optical performance, lightning-fast autofocus, and exceptional versatility in a more compact and lightweight form. Its advanced manufacturing technology ensures high resolution, reduced chromatic aberration, and minimized flare and ghosting, making it perfect for capturing outstanding images. With four XD Linear Motors, this lens offers extraordinary AF performance, agile tracking, and even breathing compensation making it ideal for both Photography and filmmaking. As the world's smallest and lightest F2.8 wide-angle zoom, it provides unequaled mobility and reduces the total system weight when combined with other bright lenses. Experience superior control and reliability with its dust and moisture-resistant design and fluorine coating. The SEL1635GM2 empowers creators to realize their creative vision with cutting-edge lens technology.

Canon CN-R 50mm T1.3 L F Prime Lens

Canon CN-R 50mm T1.3 L F Prime Lens(6402C001AA) Offering exceptional optical performance, excellent colour reproduction, professional robust design and ultra-fast lens data communication, Canon CN-R Prime lenses are perfect for RF mount cameras such as the EOS R5 C and EOS C70. The lenses range from 14mm to 135mm and are well-suited for professional video productions including drama, documentaries and music videos. RF Mount cinema lenses for professional productions Step into cinematic filmmaking with a range of RF Mount Cine Prime lenses that offer ultra-fast, real-time metadata capture plus all-new features such as in-camera electronic distortion correction. Uncompromised full-frame creativity Bring a new dimension to your creativity with lenses that boast T-stops up to T1.3 with broad focal lengths covering ultra-wide to telephoto, all with shallow depth-of-field. These lenses can also be utilised on Super 35mm sensor RF mount cameras for extra versatility. Exceptional optical performance Meet the demanding requirements of professional 4K, 8K and HDR productions. These lenses produce exceptional clarity with minimal focus breathing, alongside authentic warm colour and skin tone reproduction. Mechanical precision in a compact design With a smooth and consistent 300-degree focus rotation, consistent gear positions / front diameter and a compact, robust and drip-proof design, offering a no-compromise lightweight solution for professional productions. Refined ergonomics, redefined handling Confidently secure your lenses without the need for an adapter when utilising RF mount Cinema EOS cameras such as the EOS C70 and EOS R5 C. With a newly developed fixed ring design, CN-R Prime lenses make handheld operation more comfortable, intuitive, and efficient.

Canon CN-R 85mm T1.3 L F Prime Lens

Canon CN-R 85mm T1.3 L F Prime Lens(6403C001AA) Offering exceptional optical performance, excellent colour reproduction, professional robust design and ultra-fast lens data communication, Canon CN-R Prime lenses are perfect for RF mount cameras such as the EOS R5 C and EOS C70. The lenses range from 14mm to 135mm and are well suited for professional video productions including drama, documentaries and music videos. RF Mount cinema lenses for professional productions Step into cinematic filmmaking with a range of RF Mount Cine Prime lenses that offer ultra-fast, real-time metadata capture plus all-new features such as in-camera electronic distortion correction.  Uncompromised full frame creativity Bring a new dimension to your creativity with lenses that boast T-stops up to T1.3 with broad focal lengths covering ultra-wide to telephoto, all with shallow depth-of-field. These lenses can also be utilised on Super 35mm sensor RF mount cameras for extra versatility. Exceptional optical performance Meet the demanding requirements of professional 4K, 8K and HDR productions. These lenses produce exceptional clarity with minimal focus breathing, alongside authentic warm colour and skin tone reproduction.  Mechanical precision in a compact design With a smooth and consistent 300-degree focus rotation, consistent gear positions / front diameter and a compact, robust and drip-proof design, offering a no-compromise lightweight solution for professional productions. Refined ergonomics, redefined handling Confidently secure your lenses without the need for an adapter when utilising RF mount Cinema EOS cameras such as the EOS C70 and EOS R5 C. With a newly developed fixed ring design, CN-R Prime lenses make handheld operation more comfortable, intuitive, and efficient.

Canon CN-R 135mm T2.2 L F Prime Lens

Canon CN-R 135mm T2.2 L F Prime Lens(6404C001AA) Offering exceptional optical performance, excellent colour reproduction, professional robust design and ultra-fast lens data communication, Canon CN-R Prime lenses are perfect for RF mount cameras such as the EOS R5 C and EOS C70. The lenses range from 14mm to 135mm and are well suited for professional video productions including drama, documentaries and music videos. RF Mount cinema lenses for professional productions Step into cinematic filmmaking with a range of RF Mount Cine Prime lenses that offer ultra-fast, real-time metadata capture plus all-new features such as in-camera electronic distortion correction.  Uncompromised full frame creativity Bring a new dimension to your creativity with lenses that boast T-stops up to T1.3 with broad focal lengths covering ultra-wide to telephoto, all with shallow depth-of-field. These lenses can also be utilised on Super 35mm sensor RF mount cameras for extra versatility. Exceptional optical performance Meet the demanding requirements of professional 4K, 8K and HDR productions. These lenses produce exceptional clarity with minimal focus breathing, alongside authentic warm colour and skin tone reproduction.  Mechanical precision in a compact design With a smooth and consistent 300-degree focus rotation, consistent gear positions / front diameter and a compact, robust and drip-proof design, offering a no-compromise lightweight solution for professional productions. Refined ergonomics, redefined handling Confidently secure your lenses without the need for an adapter when utilising RF mount Cinema EOS cameras such as the EOS C70 and EOS R5 C. With a newly developed fixed ring design, CN-R Prime lenses make handheld operation more comfortable, intuitive, and efficient.

Canon Rf 10-20mm f/4 L Is Stm Lens

Canon Rf 10-20mm f/4 L Is Stm Lens(6182C005AA) Redefining the professional ultrawide-angle zoom lens with the RF 10-20mm F4L IS STM. Wider, smaller and with more features than its rivals, this lens empowers photographers and filmmakers with the performance they need to realise their creative ambitions. Whatever you shoot, and wherever you shoot it, the RF 10-20mm F4L IS STM gives you extra creative options for photography and filmmaking. Ultrawide focal lengths from 10mm to 20mm let you put more in the frame and create dramatic perspectives. An advanced Image Stabilizer lets you shoot pin-sharp photos handheld in low light, as well as gimbal-smooth video. All this from a pro-grade lens that weighs just 570g – light enough to earn a permanent place in your bag. The ultimate ultrawide for photos and video Get more in the frame and create dramatic perspectives – Add  extra foreground interest and shoot tight interiors and architecture. It’s great for creative establishing shots when filmmaking too. Ultrawide, ultraportable Weighing just 570g, the RF 10-20mm F4L IS STM deserves a permanent place in your bag. Take the ultrawide viewpoint to more places more often and take a different perspective to usual. Every detail – just how it should be Expect incredible sharpness and clarity with virtually no distortion – so straight lines remain straight, even at the edges of the frame. All thanks to an advanced optical formula. Stabilisation that just works Photo or video. Centre or edge. A Peripheral Control Image Stabilizer gives up to five stops of protection against camera shake – six stops with an EOS featuring in-body stabilisation. Built for the professionals A constant f/4 maximum aperture gives consistent exposures through the zoom range. A lens function button and control ring allow instinctive shooting. Naturally, the RF 10-20mm F4L IS STM is resistant to dust and moisture too. Ultrawide, ultracompact The RF 10-20mm F4L IS STM is the widest AF zoom ever made for a full-frame camera*, with an angle of view up to 130˚. The RF mount’s short back-focus and large lens-mount allow amazing image quality from a compact design.  In fact, the RF 10-20mm F4L IS STM is 610g lighter, and 2cm smaller in width and length, than the EF11-24mm F4L USM, despite offering a wider angle of view and more technology, such as IS.   The lens has three glass-moulded aspherical elements for high-resolution performance. Advanced lens coatings minimise ghosting and flare.