Sony HXR-NX800 4K HDR Camcorder

Sony HXR-NX800 4K HDR Camcorder(HXR-NX800, HXR/NX800, HXR_NX800, HXRNX800, HXR NX800) Shoot, record, and stream in 4K HDR with 20x optical zoom, AI-powered Subject Recognition AF, and integrated 2.4 GHz/5 GHz* Wi-Fi. *5 GHz communication may be restricted in some regions and countries. Crisp details and vivid colors, every time Capture stunning 4K HDR footage with vibrant colors, textures, and outstanding detail. The HXR-NX800’s powerful 1.0-type Exmor RS™ stacked CMOS sensor provides high sensitivity and low noise, allowing up to 120fps* in 4K and 240fps in FHD. Full-pixel readout and BIONZ XR™ real-time image processing preserve every detail, while 709tone and S-Cinetone™ compatibility ensure easy color matching with Cinema Line and other Sony system cameras. *With approx. 23% crop. Please refer to the Operating Instructions for memory card requirements to ensure proper operation. Intelligent features for smarter shooting Sony’s innovative AI Processing Unit recognizes human subjects, while the Fast Hybrid AF system keeps your subject in focus at all times. The Electronic Variable ND Filter allows for optimal exposure in various lighting conditions, and the Auto ND function can automatically adjust exposure for you. Reliable streaming and remote operation Built-in 2.4 GHz and 5 GHz Wi-Fi, combined with Sony’s C3 Portal (paid) or XDCAM Pocket apps, enables simple, high-quality streaming directly from the camera. The Monitor and Control app lets you check angles and monitor your shots remotely via your smartphone or tablet—ideal for solo operators looking for an efficient, high-speed workflow. 1.0-type Exmor RS CMOS sensor For unparalleled imaging performance in a compact camcorder, the HXR-NX800 uses a large, approximately 14.0-megapixel 1.0-type Exmor RS CMOS sensor. Its unique stacked structure allows faster readout speeds and superior low-light performance, thanks to back-illuminated pixels. BIONZ XR image processing Sony’s BIONZ XR image processor ensures higher frame rates, faster autofocus, enhanced Auto Tracing White Balance (ATW) control, and superior noise reduction. This powerful processor extracts maximum performance from the high-resolution image sensor, delivering stunning 4K (3840 x 2160) 60p video through 5K oversampling with full-pixel readout. Enhanced White Balance Accuracy With the help of the AI Processing Unit, the Auto Tracing White Balance (ATW) on the HXR-NX800 has been refined to offer more precise control, even in challenging lighting conditions such as shadows. Advanced AI Processing Unit for next-generation AF Working in conjunction with BIONZ XR, the specialized AI Processing Unit uses deep learning to recognize human subjects with high precision based on form and posture. The Fast Hybrid AF system, which covers 81% of the frame, supports Subject Recognition AF and Real-time Tracking, ensuring the NX800 can effortlessly follow subjects throughout the frame. Auto Framing With Auto Framing enabled, the camera tracks recognized human subjects and adjusts the framing so they remain prominently positioned. This feature allows solo operators to focus on engaging with interviewees, as the camera handles framing adjustments autonomously. 4K 120fps for stunning slow-motion footage The Exmor RS sensor’s high readout speed enables 4K High Frame Rate (HFR) recording at up to 120fps and FHD at 240fps. You can achieve 4x slow motion in 4K at 30p or 5x slow motion at 24p. The high-speed AF system ensures your subject remains in focus throughout. Slow & Quick Motion** mode supports up to 4K 120fps and FHD 240fps recording. *With approx. 23% crop. 100fps/200fps in PAL mode. Please refer to the manual for memory card requirements. 20x optical zoom The 20x G Lens™ optical zoom covers everything from wide-angle interviews to telephoto sports shots. With a zoom range of 24-480 mm (35mm full-frame equivalent), the lens also supports Sony’s Clear Image Zoom technology, offering 30x zoom in 4K and 40x zoom in FHD. You can explore apertures of F2.8 (wide) to F4.5 (telephoto), with smooth and silent zooming. Advanced image stabilization Minimize the effects of camera shake with built-in image stabilization. In Active Mode*, optical and electronic stabilization work together to create smooth, stable footage even in handheld shooting. *Active Mode results in a slight image crop and is unavailable when recording at frame rates of 120 (100) fps or higher. Built-in Electronic Variable ND Filter The built-in Electronic Variable ND Filter adjusts seamlessly to different lighting conditions. You can move from 1/4 to 1/128 ND with a simple dial adjustment or rely on the Auto ND function to maintain the best exposure as you transition between environments. Accurate LCD monitor and OLED viewfinder The HXR-NX800 features a 3.5-type LCD monitor with approximately 27.6 million dots, offering outstanding brightness and clarity. The monitor can swing up and down as well as backward for a comfortable viewing angle. For clear viewing, the 0.39-type OLED viewfinder provides high contrast and approximately 23.6 million dots, blocking out extraneous light. Compact design and storage The HXR-NX800 is lightweight and compact, weighing approximately 1.93 kg (4 lb 4.1 oz.). When stored, its dimensions shrink for easier portability. The detachable microphone holder offers additional flexibility for travel. Flexible camera control Designed for maximum control, the HXR-NX800 features two independent control rings for focus/zoom and two dials for IRIS/ND Variable. It also has 12 assignable buttons for quick access to key functions, offering a customizable user experience. AUTO/MANUAL switch Adapt quickly to changing shooting conditions with the AUTO/MANUAL switch. In AUTO mode, the camera will automatically adjust key settings like ND Filter, Iris, Gain, Shutter, and White Balance. Cinematic and broadcast base looks Achieve cinematic or broadcast-quality visuals with pre-set looks like S-Cinetone, ITU709, 709tone, HLG Live, HLG Mild, and HLG Natural. You can also tweak black, matrix, and other settings to match the look of your production. Multiple recording options The HXR-NX800 offers a wide range of recording formats, including XAVC S-I for high-quality 10-bit 4:2:2 4K (QFHD) recording with Intra-Frame H.264, and XAVC HS-L (H.265) or XAVC S-L (H.264) for more efficient, extended recording times. Proxy recording in XAVC HS at up to 16 Mbps is also available, allowing for faster editing and previewing. Comprehensive connectivity The camera supports a variety of connections, including HDMI Type-A, USB Type-C®, LAN, REMOTE, and more. Wireless monitoring and remote control Built-in Wi-Fi allows for wireless monitoring and control via the free Monitor & Control app. You can adjust settings like focus and iris, record remotely, and more. 4-channel audio Capture up to four channels of audio through XLR connectors and the Multi Interface (MI) Shoe. Adjust levels using external dials for easy operation without needing to access the camera menu. Designed for live streaming The HXR-NX800 supports direct streaming to compatible services via a wired or Wi-Fi connection, with RTMP/RTMPS or SRT protocols ensuring efficient workflow for solo operators. Simple file transfers Upload proxy and original clips directly to a cloud or FTP server from the memory card. The C3 Portal (paid) application simplifies cloud transfers, ensuring quick access to files for editing and sharing. Dual memory card slots The camera’s dual memory card slots support CFexpress Type A and SD memory cards, allowing for simultaneous recording or relay recording for additional security. Dependable battery power The HXR-NX800 is compatible with BP-U35, BP-U70, and BP-U100 batteries, providing up to 120 minutes of continuous operation with the BP-U35. These batteries are also interchangeable with other Sony cameras. Internal fan and vents A built-in cooling fan and optimized vents ensure the camera maintains its optimal operating temperature. Accessibility A screen reader function provides audible feedback for menu navigation, while the screen magnifier feature increases the size of menus, playback, and recording screens. Sustainability Sony has implemented measures to reduce the environmental footprint of the HXR-NX800 throughout its lifecycle, from product development to packaging.

Sony PXW-Z200 4K HDR Camcorder

Sony PXW-Z200 4K HDR Camcorder(Sony PXW-Z200, PXW/Z200, PXW_Z200, PXWZ200, PXW Z200) Shoot, record, and stream in 4K HDR with a 20x optical zoom, AI-powered Subject Recognition AF, integrated 2.4 GHz/5 GHz* Wi-Fi, and 12G-SDI connectivity. Crisp details and vivid colors, every time Capture stunning 4K HDR footage with exceptional colors, textures, and details. The PXW-Z200’s powerful 1.0-type Exmor RS™ stacked CMOS sensor ensures high sensitivity and low noise, delivering up to 120fps* in 4K and 240fps in FHD. Full-pixel readout and BIONZ XR™ image processing maintain every detail, while 709tone and S-Cinetone™ compatibility make color-matching with Sony system cameras and Cinema Line seamless. Intelligent features for smarter shooting Sony innovations ensure you capture top-quality content. The advanced AI Processing Unit recognizes human subjects, while the Fast Hybrid AF system tracks and maintains precise focus. The Electronic Variable ND Filter allows for optimal exposure in various lighting conditions, with Auto ND handling adjustments automatically. Reliable streaming and broadcast-friendly connectivity Built-in 2.4 GHz/5 GHz* Wi-Fi works seamlessly with Sony’s C3 Portal (paid) or XDCAM Pocket apps for simple, high-quality streaming directly from the camera. The Monitor & Control** app enables remote operation from your smartphone or tablet. The PXW-Z200 also features built-in 12G-SDI for enhanced bandwidth, TC input/output, and XAVC (MXF) broadcast-friendly recording. 1.0-type Exmor RS CMOS sensor Delivering exceptional imaging performance for a compact camcorder, the PXW-Z200 features a 1.0-type Exmor RS CMOS sensor with approximately 14.0 effective megapixels. Its unique stacked structure improves readout speeds and enhances low-light performance. BIONZ XR image processing The BIONZ XR image processor, integrated within the sensor, ensures faster autofocus, higher frame rates, improved Auto Tracing White Balance (ATW), and superior noise reduction. The 5K oversampling with full-pixel readout transforms ample image data into stunning 4K (3840 x 2160) 60p video. Advanced AI Processing Unit for next-generation autofocus The PXW-Z200’s AI Processing Unit, combined with BIONZ XR, uses deep learning based on human form and posture data to deliver precise human subject recognition. The Fast Hybrid AF system offers 81% coverage, supporting Subject Recognition AF and Real-time Tracking, ensuring focus on subjects across the frame. 4K 120fps for stunning slow-motion footage The Exmor RS sensor enables high frame rate (HFR) recording, capturing 4K footage at up to 120fps and FHD at 240fps. This allows for 4x slow-motion in 4K at 30p or 5x slow-motion at 24p, with fast autofocus maintaining sharp focus throughout. 20x optical zoom The 20x power zoom G Lens™ covers a versatile range, from wide-angle interviews to telephoto close-ups. Clear Image Zoom technology boosts the zoom to 30x in 4K or 40x in FHD, while offering smooth, silent operation with maximum apertures of F2.8 (wide) to F4.5 (telephoto). Built-in Electronic Variable ND Filter Effortlessly adjust the built-in Electronic Variable ND Filter from 1/4 to 1/128 ND or use the Auto ND function for automatic exposure adjustments—ideal for dynamic shooting conditions. Compact design and portability The PXW-Z200’s lightweight, compact design makes it easy to transport. The main body weighs only 1.96 kg (4 lb 5.1 oz) and measures 175.6 mm x 201.3 mm x 371.1 mm. For storage, the dimensions shrink, and the detachable microphone holder adds further portability. Flexible camera control Two independent control rings for focus/zoom and two dials for IRIS/ND Variable provide easy control over exposure, focus, and zoom. The camera also features 12 user-assignable buttons for personalized settings and fast operation. Multiple recording formats The PXW-Z200 supports a range of recording formats, including XAVC (MXF), XAVC S-I for high-quality 10-bit 4:2:2 recording, XAVC HS-L (H.265), XAVC S-L (H.264), and proxy recording. These options provide flexibility for post-production and efficient file management. Dependable battery power The PXW-Z200 is compatible with Sony BP-U35, BP-U70, or BP-U100 lithium-ion batteries, delivering up to 90 minutes of continuous operation with a BP-U35. The batteries are also interchangeable with other Sony cameras like the PXW-Z280 and FX9. Wireless monitoring and remote control Built-in Wi-Fi supports wireless monitoring and remote control via the Monitor & Control app, enabling touch focus, iris adjustment, and more. Designed for live streaming Stream directly to live streaming platforms via Wi-Fi or a wired connection. Support for RTMP/RTMPS and SRT protocols makes it easy for solo operators to manage streaming and distribution, while apps like C3 Portal (paid) enhance workflow efficiency. Sustainability Sony has made efforts to reduce the environmental footprint of the PXW-Z200 across the product lifecycle, from development and supply chain to production and packaging.

Canon EOS R5 Mark II

Canon EOS R5 Mark II  Master the moment with incredible speed, resolution and all-round performance Experience incredible 45-megapixel resolution combined with blazing-fast speeds of up to 30fps and up to 8K 60p RAW video. This powerhouse excels in every genre of visual storytelling. Powered by DIGIC Accelerator technology, it features Dual Pixel Intelligent AF, next-generation Eye Control AF, and Action Priority mode. With a maximum ISO sensitivity of 51,200 (expandable to 102,400) and in-camera Neural Network noise reduction, you’ll achieve outstanding results even in low light. Plus, this highly connected camera allows you to deliver content quickly and reliably. The EOS R5 Mark II truly does it all, empowering you to conquer your creative ambitions. For photographers and filmmakers across genres—from wildlife and reportage to portraiture, filmmaking, interviews, and documentaries—the EOS R5 Mark II is the tool that will help you create your best work yet. DIGIC Accelerator meets DIGIC X for unparalleled performance The EOS R5 Mark II’s Dual Pixel Intelligent AF and Eye Control AF raise the bar for autofocus technology. It keeps fast-moving subjects in sharp focus, even when temporarily out of view. Action Priority mode tracks players in sports like football, basketball, and volleyball, adjusting the AF area in real-time to capture critical moments, such as a shot on goal from a fast pass. Where speed meets resolution No matter your creative vision, the EOS R5 Mark II delivers. Capture stunning 45-megapixel photos at 30fps with 15-frame Pre-Capture, or record impressive 8K 60p RAW video. Whatever your needs, this camera opens new possibilities for creativity. Switch to hybrid mode Shoot breathtaking 8K video using the full width of the EOS R5 Mark II’s sensor—perfect for cropping in post-production. The 8K 60p Light RAW format captures smooth motion, while 14-bit color depth ensures rich gradation and a wide dynamic range. Thanks to Dual Shooting, you can simultaneously capture 33.2-megapixel (16:9) stills at 7.5fps while recording Full HD video. Fast connectivity when it matters most Whether through Wi-Fi 6E1 or a tethered USB connection, you can quickly and reliably deliver your work to clients. An optional battery grip adds 2.5G BASE-T Ethernet for even faster connections. Advanced technology for powerful performance Packed with cutting-edge technology, including Canon’s revolutionary RF lens mount, the EOS R5 Mark II pushes creative boundaries. Its 8.5-stop Image Stabilizer lets you shoot handheld at slow shutter speeds, while customizable controls allow you to fine-tune the camera to your needs. All this is housed in a robust, agile design that inspires creativity from the moment you pick it up. Next-generation 45-megapixel stacked image sensor A new full-frame, back-illuminated stacked CMOS sensor delivers impressive resolution, dynamic range, and speed, with advanced video capabilities. Maximum ISO sensitivity of 51,200 (expandable to 102,400) is paired with in-camera neural network noise reduction for cleaner, more detailed JPEG images. DIGIC Accelerator The EOS R5 Mark II’s DIGIC Accelerator and DIGIC X processors work together to deliver exceptional performance. The system improves AF tracking of people, animals, and objects—even when briefly obscured. Action Priority mode intelligently anticipates key moments in sports like football, basketball, and volleyball, automatically adjusting the AF point. Simultaneous still and video capture Thanks to the power of the DIGIC Accelerator, you can capture high-quality stills and video simultaneously, processing large volumes of data with ease. In-camera upscaling and deep learning Harness deep-learning technology for in-camera upscaling, allowing images to be enlarged up to four times for high-resolution prints or cropping. This same technology also delivers remarkable noise reduction, resulting in smooth, detailed images even at high ISO sensitivities. Action Priority Focus Mode When using the EOS R5 Mark II’s advanced electronic shutter, the DIGIC Accelerator processor identifies critical moments in sports like football, basketball, and volleyball, automatically adjusting the AF area to capture decisive actions such as a shot made from a high-speed pass. Next-Generation Eye Control AF Choose your focus point or subject simply by looking at it. Enhanced optics and a refined line-of-sight algorithm make Eye Control AF even more accurate than in the EOS R3, and its broader field of effectiveness provides a more intuitive experience. Pre-continuous shooting The EOS R5 Mark II buffers 15 frames while the shutter release is half-pressed, storing them when you fully press the shutter. This ensures you capture moments even before you press the button. Slower shooting speeds increase the pre-capture time, giving you even more flexibility.

Sony FX-6 Alpha Full-frame 4K Cinema Line Camera - Body Only

Sony ILME-FX6 (ILME/FX6, ILME_FX6, ILMEFX6, ILME FX6) Alpha Full-frame 4K Cinema Line Camera - Body Only Sony FX6: Compact Cinema Capture The FX6 Full-Frame Camera from Sony was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own. 4K Full-Frame Exmor R Sensor The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings, using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes. This 10.2 MP image sensor features back-side illumination for excellent low-light performance, 627 focal plane points for speedy phase-detection autofocus, and full-frame lens compatibility that produces a rich, immersive look. The sensor's fast scan speed minimizes rolling shutter artifacts and supports high frame rates and quick autofocus responses. Compact, Single-Operator Design Weighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6", it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5" LCD monitor that boasts time-saving touchscreen access to key menu settings and versatile positioning for comfortable operating. In addition to improving the camera's overall stability, firmware update v1.10 adds 100p and 120p options to the Slow and Quick Motion frame rate menu when the codec is set to RAW or RAW and XAVC-I. Versatile Addition to Sony Cinema Line As part of Sony's Cinema Line, the FX6 shares key imaging features with established cameras like the VENICE and FX9. Common core attributes include a full-frame sensor, filmlike color science, a compact, lightweight form, professional connector interfaces, and advanced autofocus choices. Compared to the FX9, the FX6 differs in several specs; but many FX6 specs tick the same boxes and several improve upon the FX9: It matches the FX9's video capture up to DCI 4K60 Has the same S-Cinetone, S-Log3, and HLG gamma choices  Outputs 16-bit raw like the FX9 Sony E lens mount Offers the same 1/4 to 1/128 ND options Also provides 2-channel XLR audio inputs Wide ISO Range Choose from a base ISO of 800, a high-sensitivity 12,800 ISO for lower-light capture, and a 409,600 maximum ISO for true low-light settings. Electronically Variable ND Filters Shown with Optional Equipment Set the FX6's integrated neutral density (ND) filter system to auto for correctly exposed shots, even in changing light conditions Smoothly adjust the ND filter density manually in increments from 1/4 to 1/128 as you shoot Both options will produce properly exposed images without affecting your chosen depth of field Advanced XAVC Codec Options The FX6 is the first compact, full-frame camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also enables you to choose from a range of professional XAVC Intra and XAVC Long codecs at bit rates ranging from 35 to 600 Mb/s. Expressive Cinematic Look Sony's S-Cinetone gamma curve offers a cinematic look with filmlike color, softer tones, and pleasing skin tone reproduction. Not only is this cinematic look available for in-camera viewing, but it can also be captured and output with minimal or no grading at all for a time-saving post process. The S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine choices also streamline the process of matching FX6 footage with your VENICE or FX9 video and offer broad color-grading options. Image Stabilization and More with Catalyst and Metadata Pair the FX6 with Sony's Catalyst Prepare/Browse software to use metadata to stabilize your image, automatically rotate gimbal footage, and add flags for easier clip filtering in postproduction. Touchscreen 3.5" LCD Control The FX6's 3.5" LCD monitor offers both high-resolution viewing and the ease of touchscreen camera control. The LCD quick menu controls include key settings like Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO/Sensitivity, Shooting Mode, and Audio Levels. Reliable Design and Construction Constructed with a lightweight yet durable magnesium alloy chassis, the FX6 body offers maximum reliability and efficiently disperses heat to enable extended recording times. Exterior seams, buttons, and interfaces have been treated with updated sealing that improves the camera's dust and moisture resistance as well. 4-Channel Audio Recording The FX6 offers up to 4-channel audio recording by combining sources from the dual XLR inputs, the 2-channel multi-interface shoe input, and the stereo mic built into the camera's top handle. This enables the simultaneous use of an external microphone for recording your main audio source and the built-in microphone for ambient sound and/or voice memos by the operator. CFexpress Media Slots and Multiple Recording Modes The FX6's dual media slots accept both rugged, high-performance, high-capacity CFexpress Type A cards and widely available UHS-II/UHS-1 SDXC cards. Note that the CFexpress Type A cards are required for 100/120 fps UHD 4K capture and 150/180/200/240 fps HD high-speed capture. Modular, Grab-and-Go Design The modular design of the FX6 enables you to pare down to its compact body for gimbal or drone use, or it can be used with separately available accessories, such as a smart grip and smart handle for fingertip control when shooting handheld. A 3.5" LCD screen can be quickly positioned on the camera at multiple locations to provide comfortable, ergonomic viewing.  

Sony Burano 8K Camera

Sony Burano 8K Camera(BURANO) Versatile, lightweight, and compact full-frame 8K cinema camera with 16 stops of latitude, image stabilisation for PL and E-mount lenses. Easily configurable for solo and team production. A New Era in Cinematography BURANO is a new concept in cinema cameras. It takes VENICE’s superior image quality and usability but re-imagines it for solo and small team productions. 33% lighter than VENICE 2, more power efficient and supporting CFexpress media – it’s not just our smallest full-frame CineAlta camera, in many ways it’s our most technically advanced. Expect uncompromising image quality wherever you are, whatever the size of your crew. Smarter Shooting BURANO makes shooting highest quality 8K simpler than you can imagine. The world’s first PL mount compatible camera with a built-in stabilisation system*. A ground-breaking combination of our unique electronic variable ND filter system with in-body image stabilisation (IBIS) in a full-frame PL and E-mount cinema camera. For the first time in a full-frame CineAlta camera, Fast Hybrid and Subject Recognition AF with AI makes it easier to get the shots you want under the most demanding scenarios. With BURANO, you don’t need a studio or big crew to excel. Shoot The Way You Want BURANO adapts to be the camera you want to be whatever the shoot. A multi-purpose touchscreen LCD monitor, with flexible mounting system and a versatile, robust handle, allow you to easily configure BURANO for different shooting styles. A lightweight, compact chassis and ergonomic balance make it easy to switch between shoulder-mount, handheld, gimbal or drone operation. BURANO can be configured for large and small projects, solo or with an entire crew. It’s all your choice. Full-Frame 8.6K Sensor BURANO has a large 36x24mm full-frame image sensor that delivers high-quality images and superb rendition with wide latitude and a rich colour gamut. It achieves the beautiful bokeh and dynamic wide-angle shooting that only a full-frame sensor can provide. 8K image quality with a maximum resolution of 8632 x 4856 and, through oversampling, it can output phenomenal looking 4K content. Multiple Image Scan Modes BURANO supports 16:9 and 17:9 readouts in full-frame (8.6K) and Super 35mm (5.8K). Image scan modes include full-frame and Super35 as well as finely optimised down sampled and high-speed modes such as 6K 60p (FF crop), 5.8K 60p (S35), and 4K 120p (S35 crop*) catering for a wide range of production requirements. *Only 17:9 in Super 35 Cropped (S25c) mode 16 Stop Latitude With a wide latitude of 16 stops*, BURANO captures beautiful, low-noise images under almost any lighting conditions. The camera’s wide dynamic range captures everything from highlights to shadows expertly with superb colour rendition, giving operators maximum flexibility in colour grading. * S-Log3 shooting. Sony measurements. Wide Colour Gamut BURANO features Sony’s signature S-Gamut/S-Gamut.Cine wide colour space that, as with the VENICE 2, covers a gamut exceeding BT.2020 and DCI-P3. S-Log3 and X-OCN also dramatically enhances creative flexibility in post-production. As BURANO offers the same colour accuracy as VENICE 2 it’s easy to use both cameras together for a seamless and efficient post-production workflow. Dual Base ISO Cinematographers worldwide love VENICE 2’s ability to switch the sensor’s sensitivity to capture clean images even in low light conditions. BURANO supports the same Dual Base ISO 800 and 3200 as VENICE 2. This means clear images with low noise whether shooting in a brightly lit environments (ISO 800) or in challenging dimly lit scenarios (ISO 3200). With BURANO, it’s possibly to shoot amazing imagery with nothing more than candlelight. Internal 16-bit X-OCN LT and XAVC H recording Despite its compact dimensions, BURANO offers internal recording of X-OCN LT* as well as our new XAVC H and proven industry standard XAVC-I format. X-OCN is Sony’s compressed RAW format that records everything that the 8.6K sensor can capture in a broad latitude 16-bit scene linear file full of rich tonal gradation. X-OCN LT’s high efficiency reduces storage requirements and accelerates file transfer times for 8K content for a post-production workflow that’s comparable to a 4K project. BURANO also features 10-bit S-Log3 with XAVC H-I HQ recording at 1200 Mbps and XAVC H-I SQ recording at 800 Mbps for 8K30p image quality. This enables even great data savings and faster post-production workflow. * Not compatible with X-OCN XT and X-OCN ST recording formats New in-camera Looks for Ready-to-Use Footage BURANO has four new looks – Warm, Cool, Vintage and Teal and Orange – to choose between alongside the established s709 and 709 (800) looks in Cine EI mode. Creatively tuned to suit typical shooting scenarios, they give the operator a choice of distinctive, engaging looks at the touch of a button. Moreover, LUT data from a shoot can be embedded in those clips’ metadata for an efficient colour workflow. s709: Kodak 2383-like natural tones and colours s709(800): Standard 709 tone curve for accurate colour reproduction Teal and Orange A modern, colourful, contrasty reformulation of the classic film look. With a strong separation between cool backgrounds and warm skin tones, it’s an ideal look for productions with a focus on human subjects. Warm A soft, gentle look with amber highlights, and flattering for skin. Cool Evokes the chill of a shadow, and the blue of twilight – ideal for midnight blue or the coolness of a city at dawn. Vintage Transports the camera’s high resolution cinema quality into a previous era. The look applies a film-like bleach bypass and faded, pale sepia effect. Lens Mount Flexibility PL Lens Mount BURANO comes with the industry-standard PL lens mount and is compatible with Super 35mm and full-frame PL lenses (spherical and anamorphic). The lens mount includes contacts that support Cooke/i Technology, and lens information is recorded as metadata, frame by frame.  Lever Lock Type E-mount E-mount lenses can be fitted when the PL mount adapter is removed. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in most cases lens support rigs don’t need to be removed, saving time during a production. Sony’s ever-increasing range of E-mount lenses, from ultra-wide to ultra-telephoto, are supported by the BURANO’s advanced image stabilisation and AF capabilities – ideal for mobile and single-operator projects. Anamorphic Lens De-Squeeze function BURANO comes with an anamorphic de-squeeze function as standard. The monitoring menu gives a choice from 1.3x/2.0x, based on the anamorphic lens’ magnification. The result can be seen on the LCD monitor display, and on external monitors at FHD resolution. The camera monitor output supports SDI or HDMI for X-OCN shooting, and HDMI for non-X-OCN content. In-Body Stabilisation with PL mount lenses BURANO is the world’s first cinema camera that supports in-body optical image stabilisation (IBIS) for almost any attached lens, including for the first time PL. The new, compact image stabilisation system was originally developed for the Alpha series of mirrorless cameras. Featuring a gyroscopic sensor and control algorithm, it compensates for camera shake even for handheld shooting while walking. The stabilisation is so effective that it removes the need for any extra equipment for many applications. Stabilisation is even greater with E-mount lenses, allowing more difficult shots to be captured without blurring. Camera shake data can be passed to post production for precise alignment with CGI and in volume stages. Electronic Variable ND Filter Sony’s unique electronic Variable ND Filter has been redesigned to be both smaller and compatible with the built-in image stabilisation mechanism. It can smoothly and continuously change its density from 0.6 (1/4) to 2.1 (1/128). With physical ND filters no longer needed, operators can adjust the electronic filter density by simply rotating the ND dial. Operators can maintain a constant depth of field by adjusting the electronic ND filter and the iris control together. Continuous or stepped changes can be selected with the ND STEP/VARIABLE switch, depending on the application. The [Auto ND] function automatically adjusts the filter density to give a correct exposure, effectively allowing the use of the ND filter as an alternative Auto IRIS. Catch the action with Fast Hybrid AF* Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with BURANO’s full-frame sensor. Originally developed by Sony’s Alpha camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 627-point phase detection AF sensor covers approximately 88.7% of the whole image area, allowing consistently accurate, responsive AF tracking, even with shallow depth-of-field. AI Subject Recognition AF with touch* Our onboard AI processing unit recognises not only eye position but also accurately senses human torso and head positions. Subject Recognition AF automatically draws a frame around people’s faces when they are detected. Human pose estimation technology recognises body and head position, so you can even track a subject facing away from the camera or wearing a mask. Touch a person to focus on, and the camera will track that person precisely. Even in challenging situations like a bowed head or when hair covering a face, the camera accurately captures the eyes, so that operators can focus accurately even in the most difficult circumstances. * Over 70 E-mount lenses can use BURANO’s advanced Hybrid AF and AI Subject Recognition AF features Virtual Production made simple Up to 8K recording, 16-bit colours and a very fast sensor readout speed allow cinematographers to focus on the art of shooting virtual sets rather than technical compromises. The flawless synch with advanced Crystal LED controllers is unique in the industry. Dual CFexpress Type B Slots Sony’s new CFexpress card VPG400 allows for reliable capture at exceptional high data rates, including X-OCN LT recording in full 8K. BURANO’s dual media slots allow relay and simultaneous recording*, while versatile CFexpress Type B media are convenient for backing up and transferring data in the field. An additional SD card slot is for storing Proxy and camera setting information. * XAVC-only Smaller, Lighter, Stronger At 2.9 kg including the PL adaptor, BURANO is approximately 33% lighter than Sony’s top-of-the-line VENICE 2 digital cinema camera – a significant advantage when shooting hand-held or shoulder mounted, as well as when using with gimbal, drone, cranes and jibs. All the button and key layouts have been carefully considered to suit the new compact size and solo or team operation. The main cinematography controls are on the Operator Switch Side and can be illuminated for use in dark environments. The camera has tally lights in three positions, so operators can check status from four different directions. There’s also an optional audio beep for recording start and stop. Despite its compact size, BURANO is engineered to Sony’s highest standards of reliability with a housing constructed of sturdy magnesium alloy and aluminium for shooting in the harshest environments. Recording for hours on end is no problem with a highly efficient cooling system which is completely isolated from image sensor and other dust sensitive components. Exceptional ergonomics Intuitive Menu Control with Touch BURANO’s LCD Monitor has a quick access control menu for commonly accessed features. With a single touch, you can press to change key settings including: Codec, Imager Scan mode, Picture Size and frequency Base ISO/Sensitivity Shooting Mode Audio Levels Versatile Monitor BURANO features a 3.5 type LCD monitor that can be freely adjusted to suit the shooting style. A viewfinder loupe can be attached, autofocus is operated by touching the screen, and the display can also be mounted in a wide variety of ways to adapt to the project style. Smart Grip Flexibility Popular with operators around the world, the FS7/FX9 telescoping arm with grip control transformed shooting on the go and now with GP-VR100* we’ve made it even better for BURANO. The arm’s length is easily adjustable at the turn of a knob, while a quick-release lever adjusts the angle. Once perfectly adjusted for shooting from your shoulder or waist, Sony’s Grip Remote Control puts all the important controls at your fingertips with Zoom, Start/Stop and a range of Assign controls, including a dial you can use to adjust Iris. So, you can operate BURANO without taking your hand off the grip.

Sony FX30 Cinema Camera, body

Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

Sony FR7 Cinema Line Full-Frame PTZ camera

Sony ILME-FR7 (ILME/FR7, ILME_FR7, ILMEFR7, ILME FR7) FR7 Cinema Line Full-Frame PTZ camera The FR7 provides smooth pan, tilt and zoom (PTZ) control coupled with a full-frame image sensor and a high-quality E-mount lens line-up. Focal length and shallow depth of field provide creative freedom and combine with remote PTZ control capability to open a new world of creative potential. Remote control for creative camera placement  With its integrated, remotely controllable pan and tilt mechanism, the FR7 can be mounted on the ceiling or in other out-of-the-way locations. Follow your subjects or instantly recall pre-composed shot framings, for unprecedented creative potential.  Innovative remote control  With a newly developed Web App that enables easy access via QR code or URL input, you can set up the FR7 from a tablet or a PC through a web browser. You can also use the optional RM-IP500 for precise joystick-controlled pan, tilt and zoom operation. Advanced technology for cinematic expression Bearing the Cinema Line name, the FR7 incorporates key features that support cinematic expression. The FR7 features a back-illuminated 35 mm full-frame CMOS image sensor for the first time in a pan, tilt and zoom (PTZ) camera. Also the BIONZ XR™ contributes to superb image quality with high sensitivity, smooth gradations, and true-to-life colour.  Limitless creativity with E-mount lenses The FR7 features Sony's E-mount and can be used with all E-mount lenses. These include the superlative G Master series, known for its stunning resolution and beautiful bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm gives you comprehensive creative control. Cinema Line image quality The FR7's "Cinema Line" name identifies it as part of a renowned line-up of creative tools designed to unleash the true power of visual storytelling. It provides Custom and Cine EI modes that adjust camera operation to your workflow while maintaining consistency with other Cinema Line cameras. Staggering latitude for powerful expression The FR7 offers wide 15+ stop latitude to prevent blown highlights and crushed shadows. In Cine EI mode, base sensitivity can be set to either ISO 800 or 12800 for a consistent look regardless of lighting conditions. Astounding image quality in low light  The FR7 offers cleaner images in low light by taking full advantage of the sensor’s size and high sensitivity. ISO can be expanded as far as ISO 409600 when shooting in extremely low light conditions such as live concerts. Slow motion for extensive creative possibilities  Smooth 5x slow motion provides extensive creative possibilities, making every moment clearer and more dramatic. The FR7 allows internal slow-motion capture at up to 120 fps in 4K resolution, and up to 240 fps in full HD. 4K 60p 4:2:2 10-bit output  The FR7 supports clean, high-quality output via its HDMI and SDI OUT connectors. This makes it possible to record Apple ProRes 422 or Avid DNxHR® in 4K 60p 4:2:2 10-bit format with compatible external recorders via an HDMI or SDI cable. Support for S-Log3/S-Gamut3 The optional S-Log3 gamma curve and S-Gamut3.Cine let you capture the full colour gamut and dynamic range available to the sensor. They enable the retention of information in both highlights and shadows for flexibility in post-production. All-Intra recording for precise motion capture  The FR7 is capable of 4K internal recording with 10-bit depth and 4:2:2 colour sampling with All-Intra and Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom. An instant cinematic look with S-Cinetone™ S-Cinetone produces the natural mid-tones essential to healthy-looking skin, plus soft colours and gorgeous highlights. Beautiful cinematic images can be created in-camera, without extra colour grading. A wide variety of lenses to deliver your vision The FR7 features Sony's E-mount and can be used with high-quality E-mount lenses, including the superlative G Master series, known for its stunning resolution and softly dissolving bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm gives you full creative control. Exquisite, impressive bokeh Taking advantage of the camera's full-frame sensor and Sony’s extraordinary line-up of lenses, you can create expressive bokeh effects with a shallow depth of field – an impossibility with other PTZ cameras. Using a prime lens such as an F1.2 lens will help achieve cinematic-style visual effects where the subject stands out from the background dramatically.  The advantages of Sony’s lenses for video shooting  The best camera deserves the best lenses. Discover four unique advantages in using Sony’s E-mount lenses for video shooting. The combination of Sony's lenses and the FR7 will enhance your video creation experience. Lens support rods Two lens rods provided below the camera head allow attachment of standard 15 mm rod mountable accessories. Capture the scene from any angle The FR7 incorporates smooth pan, tilt and zoom functionality that can be remotely controlled, or recalled to preset positions. The pan angle range is from -170° to +170°, and the tilt angle range is from -30° to +195° when used in normal upright orientation. A full-featured dedicated Web App With a new dedicated Web App, you can use a tablet or a computer's web browser to pan, tilt, zoom, focus, record, and adjust all camera settings. You can access cameras in hard-to-reach locations with easy setup using each camera’s unique QR code. The Web App uses the same menu format as the FX6 for intuitive operation. High-performance remote controller RM-IP500 The FR7 can be paired with Sony's RM-IP500 remote controller for PTZ cameras, providing precise joystick-controlled pan, tilt and zoom operation. Speed adjustment knobs let you set the speed of pan, tilt, zoom and focus operations suitable for the subject and setting. Zoom can be controlled either via the joystick or a seesaw lever. Expand your creative options The FR7 supports multi-camera production with just a small staff. It can be mounted on a tripod, on the ceiling, or in limited-access locations so that subjects can be unobtrusively followed and recorded from a range of viewpoints. A single RM-IP5002 remote control unit can be used for a setup of up to 100 FR7 cameras (10 groups of 10 cameras) Fine-tuned control over camera movement  Pan and tilt speed can be continuously varied from 0.02 degrees per second to 60 degrees per second, for flexible subject tracking and production scenarios. Up to 100 preset camera positions The supplied remote controller, dedicated FR7 Web App and RM-IP500 can remember up to 100 camera presets (camera direction, zoom and focus). Presets can be recalled at the touch of a button. Clear Image Zoom3 to refine your angle of view  The FR7 includes Sony's Clear Image Zoom function, giving you the option to zoom into your subject with minimal image degradation even when using a non-powered zoom lens or prime lens. Reliable autofocus for remote shooting For remote setting, the FR7 locks onto fast-moving subjects quickly and tracks them tenaciously even in low light, using 627 selectable phase-detection AF points and the powerful BIONZ XR processor. Real-time Tracking for remote shooting Concentrate on composition and leave focusing up to the camera. In the FR7’s Web App, Touch Tracking starts autofocus for your chosen subject, complete with Real-time Tracking for professional and efficient production Real-time Eye AF for remote shooting  Underpinned by the BIONZ XR processor, the FR7 offers reliable AF performance, indispensable for remote shooting. Pinpoint eye focus tracks an eye even when subjects are looking up or down at a steep angle. Electronic Variable ND Filter for smooth remote operation  Sony's built-in electronic variable ND (neutral density) filter allows exposure control at a distance, for smooth operation in a remote setup. It allows seamless ND adjustment from 1/4 to 1/128 to control exposure remotely, and depth of field can be conveniently controlled while maintaining a consistent exposure. Breathing compensation The FR7 includes a Breathing Compensation function that minimises unwanted changes in angle of view, for better looking focus transitions. With compatible lenses, the angle of view is automatically kept consistent even when focusing, making it possible to achieve smooth and dramatic focusing effects Tally lights to facilitate multi-camera production The FR7's red and green tally lights make it easy to identify which camera is currently active (on-air) in a multi-camera setup. A red tally light can identify the on-air camera while a green tally light indicates the preview camera. Supplied infrared remote controller  The infrared remote controller included with the FR7 controls pan, tilt, zoom and focus (with presets available) as well as recording and playback. Dedicated ceiling mount bracket CIB-PCM The FR7 is compatible with the CIB-PCM ceiling mount bracket2 for easy overhead setup. The "Ceiling" option in the Web App flips the control directions, for natural operation even with the camera mounted upside down. Interfaces and IP transmission methods for a wide range of use cases The FR7 provides excellent connectivity for video output, IP streaming, and synchronisation with other devices. HDMI video output can be used for real-time monitoring, while SDI video output delivers a RAW signal to an external recording device. Camera control, video and audio transfer, and power supply can be carried out via a single LAN cable. Connecting to external devices Easily connect to external devices to provide timecode synchronisation, control tally light signals, and coordinate synchronisation signals in multi-camera setups.  TC IN connector Receives timecode from an external device to be used for synchronisation.  "Option" connector Connects tally light signals to an external device. GENLOCK connector Receives synchronisation signals from an external device for use in multi-camera setups. LAN and PoE++ connector The FR7 can be powered with an external PoE++ (Power over Ethernet Plus Plus) device via a standard network cable (CAT5e or higher), eliminating the need for separate power supply cabling. DC IN connector  If not using PoE++, the supplied AC adaptor connects to the FR7's "DC IN" connector to power the unit. The cord clamp on the rear panel of the FR7 can be used to prevent the power cable from being accidentally unplugged.  Support for multiple protocols to meet your streaming needs RTSP streaming allows video output from one camera to be simultaneously distributed to up to five viewers. SRT enables high-quality, low-latency video transfer even in unstable network conditions. And NDI|HX connects to NDI compatible devices such as switchers and media servers, supporting efficient live video production using Internet protocols.

Panasonic AG-CX350 4K Professional Camcorder

Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) 4K Professional Camcorder Panasonic developed the new CX Series of handheld camcorders, spearheaded by the AG-CX350, to fuse video, on-air broadcasting, and communication for the next generation. The AG-CX350 features 4K/UHD resolution, 10-bit depth, HDR-compatible image quality, and a host of recording formats for the ultimate creativity in a compact, lightweight body with low power consumption. It is also equipped with an RTMP/RTSP function for live streaming and NDI | HX-ready IP connectivity, to serve as a live camera, and clearly expands the usability of the handheld camcorder beyond conventional news gathering and recording applications to meet a wide range of professional needs. The AG-CX350’s lens is the widest-angle in the industry at 24.5mm, allowing the capture of wide-angle images with minimal distortion, whilst the optical zoom of 20x covers up to 490mm telephoto in all modes. The i.Zoom functionality enables seamless zooming of up to 32x in HD or 24x in UHD with no degradation in zoom, whilst the CX350 also comes with a digital 2x, 5x and 10x zoom. The AG-CX350 features HLG (Hybrid Log-Gamma) support for HDR capture, and can be selected from eight in-camera modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). The newly-developed 1-type MOS sensor offers a high-quality image with shallow depth of field and high sensitivity of F12 at 60Hz and F13 at Hz at 2000 TV lines. It supports multiformats, including UHD, HD and SD without cropping in all modes. The CX350 can be used to support live coverage of concerts and sports events, as well as for live streaming of breaking news with support of streaming services from Facebook and YouTube. The CX350 is also the first camera recorder that support NDI|HX, which allows for video transmission and camera control to be made via an IP connection, without having to use an external recorder.