Sony Burano Camera, 2 hours, Like-New

Sony Burano Camera, 2 hours, Like-New

Excellent / Like-New Condition – Fully Tested, 3 months warranty

 

Note: This camera comes with Sony's updated IR Cut Filter for improved colour reproduction under strong lighting conditions.

 

Please note that the competitive price of this Sony BURANO should not be taken as an indication of its condition. This camera is in excellent, like-new condition and has been fully tested and is working correctly.

We have priced this unit very competitively to achieve a quick sale, rather than because of any known fault or issue with the camera.

The camera is also fitted with Sony's updated IR Cut Filter, designed to improve colour reproduction under strong lighting conditions.

This represents an excellent opportunity to purchase a Sony BURANO in exceptional condition at a substantial saving compared with a new unit.

 

BURANO is a professional camera with a full-frame 8.6K sensor, providing high-quality images and a rich color gamut. It has multiple image scan modes, including full-frame and Super35, and offers a wide latitude of 16 stops for capturing beautiful, low-noise images in any lighting condition. BURANO also features Sonys signature S-Gamut/S-Gamut.Cine wide color space, Dual Base ISO sensitivity, and internal recording of X-OCN LT and XAVC H formats. It offers four new in-camera looks and is compatible with PL and E-mount lenses.

 

The cameras sensor can achieve 8K image quality with a maximum resolution of 8632 x 4856 and offers various image scan modes for different production requirements. With a wide dynamic range and color accuracy, BURANO allows for maximum flexibility in color grading. It also offers the option to switch between PL and E-mount lenses, making it a versatile choice for professional cinematographers.

ARRI Alexa Mini Camera Kit 4:3 & RAW 216 Hours, Used

ARRI Alexa Mini Camera Kit 4:3 & RAW 216 Hours, Used

Good condition

3 months warranty 

Compact, lightweight, and self-contained - ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family.

The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mount, allowing the use of B4 video, EF mount stills lenses, or with the even ARRI Signature Primes with the LPL mount for ALEXA Mini.

An ALEXA Mini can be operated in number of ways: by wireless remote control, as an A-camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body.

Designed with new-generation brushless gimbals, multicopters and other specialized rigs in mind, ALEXA Mini is light enough to be comfortably held at arm’s length in a hand rig, while its compact size also makes it ideal for tight shooting conditions, as well as underwater, aerial, car, action, and 3D shoots.

With an ALEXA Mini you can literally shoot everywhere with the best image quality.

The compact and lightweight ALEXA Mini is a highly versatile tool on set. In some productions it is used as a second or third camera, while in others it is the main camera throughout a shoot. As a result, it is frequently moved from one configuration to another. Any time savings that can be made during these transitions will have a big impact on the daily shooting schedule. 

Therefore, ARRI has developed a studio set for ALEXA Mini. It's core is the ARRI Compact Bridge Plate CBP-1, a base plate with integrated sliding bridge plate and shoulder pad. This allows for rapid, tool-less transitions between configurations - for example from TRINITY, MAXIMA, or Steadicam stabilizers to tripod heads or an operator’s shoulder. 

The Rear Accessory Bracket RAB-1 offers flexible attachment options for the Power Splitting Box Mk II, a power distribution unit available in Gold Mount and V-Mount versions, while the Side Accessory Bracket SAB-1 provides a simple interface for mounting accessories towards the rear of the camera. Many previously released ARRI camera accessories for the ALEXA Mini are fully compatible with the studio set.

Three ALEXA Mini license upgrades are available, allowing users to get the most out of the camera’s 4:3 ALEV 3 sensor.

The 4:3 License Key enables ALEXA Mini to record ProRes in 4:3, 4:3 cropped or 16:9 anamorphic and to de-squeeze both the viewfinder image and HD-SDI signal.

The ARRIRAW License Key allows for 2.8K 16:9 ARRIRAW recording. Open Gate ARRIRAW recording is possible with cameras that have both license keys installed.

The ARRI Look Library License Key offers 87 predefined creative color gradings, each in three intensities.

Sony J-30 Sdi Compact Digital Betacam Player, used

Sony ECM-680S Electret Condenser M/S Stereo Shotgun, used

Sony ECM-680S Stereo Shotgun Electret Condenser Microphone, Used

Condition: Good

The Sony ECM-680S is a professional MS (Mid-Side) stereo shotgun electret condenser microphone designed for broadcast, ENG/EFP, location recording and professional video production.

Offering both stereo and monaural operation, the ECM-680S provides flexibility for a wide range of production environments. In stereo mode, it captures natural ambience and spatial sound, making it ideal for location and environmental recording. When switched to monaural mode, its highly directional super-cardioid pickup pattern is well suited to dialogue, interviews and focused sound capture.

Sony's MS microphone technology combines excellent localisation with low inherent noise and a wide frequency response. Its compact and lightweight design also makes the ECM-680S suitable for both camera-mounted and boom-pole applications.

Canon HD Wide Converter 0.8X W80HD BGO-6670, used

Canon HD Wide Converter 0.8X W80HD BGO-6670, used

Good Condition

The Canon W80HD is a professional 0.8× HD wide-angle converter designed for compatible Canon broadcast lenses. It expands the field of view of the master broadcast lens while maintaining the original lens's f-number.

 

Designed for professional HD broadcast, ENG and EFP applications, the W80HD is a high-quality optical accessory for Canon 2/3-inch broadcast zoom lenses.

 

The W80HD changes the effective focal length of a compatible lens by a factor of 0.8×, providing a wider field of view. Canon documentation also confirms that the converter does not change the original lens's f-number.

 

Key Features

Genuine Canon professional broadcast accessory 0.8× wide-angle converter Designed for compatible Canon broadcast zoom lenses HD optical performance Expands the field of view without changing the original lens's f-number Suitable for professional ENG and EFP Designed for 2/3-inch broadcast lens systems Compatible with appropriate Canon adapter rings Ideal for sports, news, documentary and outside broadcast production Technical Specifications

 

 

 

Canon T15HD-II 1.5x zoom-through HD telephoto converter lens, used

Canon T15HD 1.5× HD Tele-Side Converter 

Excellent Condition

The Canon T15HD 1.5× HD Tele-Side Converter is a professional optical accessory designed to extend the telephoto reach of compatible Canon HD broadcast lenses. Providing a 1.5× focal length conversion, it enables camera operators to capture distant subjects with greater magnification without changing their existing broadcast lens.

Designed for professional HDTV production, the T15HD is particularly suited to sports broadcasting, wildlife filming, news gathering, ENG/EFP, live events and outside broadcast applications where additional telephoto reach is required.

Unlike conventional rear-mounted extenders, the T15HD is a front-mounted tele-side converter. Canon specifies that the original lens's f-number remains unchanged, allowing operators to achieve increased focal length without the corresponding change in maximum aperture normally associated with rear extenders.

The converter is optimised for the telephoto portion of the zoom range and is intended for use with compatible Canon broadcast lenses and the appropriate mounting adapter.

Sony DWR-S01D/DWT-B01 wireless mic kit, used

Sony DWR-S01D/DWT-B01 wireless mic kit, used

S01D 38-40 - freq 606.025 - 630mhz

DWT B01 33-40 - freq 566.025 - 630mhz

The Sony DWR-S01D is a professional dual-channel digital wireless receiver designed for Sony's DWX Series digital wireless microphone system. Its compact design makes it particularly suitable for professional broadcast, ENG/EFP, documentary, theatre and location sound applications.

 

The DWR-S01D uses space diversity reception and a dual-conversion superheterodyne circuit design to provide reliable wireless audio reception. It is capable of receiving two compatible Sony wireless transmitters simultaneously, making it a practical solution for professional two-microphone setups.

Key Features

Professional DWX Series digital wireless receiver Two-channel reception Space diversity reception for reliable wireless performance Dual-conversion superheterodyne receiver design Supports simultaneous operation with two DWT-B01 transmitters Professional digital wireless audio system BNC-R 50 Ω RF antenna connections D-sub 15-pin audio output Wireless remote-control capability via 2.4 GHz IEEE 802.15.4 Suitable for broadcast, ENG/EFP, theatre and location production Technical Specifications

Specification Details

Reception type Space diversity

Circuit system Dual-conversion superheterodyne

RF input BNC-R, 50 Ω

Sensitivity 20 dBμ or less

Audio delay 2.1 ms analogue output / 1.9 ms digital output

Audio output D-sub 15-pin

Dimensions Approx. 88 × 119 × 31.3 mm

Weight Approx. 280 g

Wireless remote control 2.4 GHz IEEE 802.15.4

Operating temperature 0–50°C

Storage temperature -20–60°C

Frequency Bands

 

The DWR-S01D was produced in different frequency versions, including:

U3032: 566–590 MHz

U4244: 638–662 MHz

CE62: 798–822 MHz

CE67: 838–862 MHz

 

The exact frequency range depends on the individual unit's model/frequency variant.

Applications

 

Ideal for:

 

Broadcast and television

ENG/EFP

Documentary production

Theatre and live events

Professional video production

Location sound

Camera-mounted wireless systems

Professional two-channel wireless microphone setups

 

 

Sony DWT-B01 Digital Wireless Bodypack Transmitter

 

The Sony DWT-B01 is a professional digital wireless bodypack transmitter from Sony's DWX Series. Designed for broadcast and professional production environments, it provides high-quality digital audio transmission in a compact bodypack format.

 

The transmitter supports a wide range of microphone and line-level input signals, with adjustable attenuation and selectable RF output power. It is suitable for use with lavalier microphones, headset microphones and other compatible professional microphone systems.

 

Sony's original specification lists 1 mW/10 mW selectable transmission power, 0–48 dB audio attenuation and operation from two AA alkaline batteries.

 

Key Features

Professional DWX Series digital wireless transmitter Compact and lightweight bodypack design Switchable 1 mW / 10 mW RF output Wide range of audio input levels Adjustable audio attenuation from 0–48 dB

3 dB attenuation steps

Sony 4-pin SMC9-4S microphone input

Built-in low-cut filter

Wireless remote-control functionality

OLED display

Powered by 2 × AA alkaline batteries

Supplied with a compatible lavalier microphone in the original Sony package Designed for professional broadcast and location production Technical Specifications

Specification Details

Product type Digital wireless bodypack transmitter

RF output power 1 mW / 10 mW selectable

Transmission system Crystal-controlled PLL synthesizer

Channel step 125 kHz

Antenna λ/4 flexible wire

Occupied bandwidth 192 kHz or less

Microphone input -22 dBu at 0 dB attenuation

Line input +24 dBu

Audio attenuation 0–48 dB

Attenuation steps 3 dB

Microphone connector Sony SMC9-4S, 4-pin

Input impedance 4.7 kΩ or higher

Frequency response 20 Hz–22 kHz

THD 0.03% or less

Dynamic range 106 dB or more

Power 3 V DC

Batteries 2 × AA/LR6 alkaline

Battery life Approx. 3.5 hours*

Dimensions Approx. 63 × 73 × 17 mm

Weight Approx. 125 g including batteries

 

*Sony's published battery-life figure is based on 25°C, 10 mW output, Sony LR6 alkaline batteries, wireless remote control switched off and display set to AUTO OFF.

 

Frequency

 

The DWT-B01 was produced in different frequency versions, so the exact operating frequency depends on the individual model/variant.

 

For a used unit, we strongly recommend including the frequency band or channel block shown on the transmitter label in your listing.

 

Ideal For

 

The Sony DWT-B01 is suitable for:

 

Television and broadcast production

ENG/EFP

Documentary production

Interviews

Presentations

Theatre

Live events

Professional video production

Location sound recording

Lavalier microphone applications

Original Supplied Accessories

 

Compatibility

 

The DWT-B01 is designed to work within Sony's DWX digital wireless system. Sony confirms that one DWR-S01D can receive two DWT-B01 transmitters simultaneously, provided they are configured to different compatible frequencies.

Sony PDW-U2 XDCAM disc drive unit, used

Sony PDW-U2 XDCAM disc drive unit, used

 

Excellent condition -

 

The Sony PDW-U2 is a compact, professional XDCAM Professional Disc drive designed for direct access to XDCAM media from a PC or Mac. It provides high-speed read/write access via USB 3.0 and supports a wide range of XDCAM recording formats, including XDCAM HD422, XDCAM HD, XDCAM SD, MPEG IMX and DVCAM. 

 

Ideal for broadcast, post-production, media archiving and professional video workflows, the PDW-U2 provides a convenient way to access, transfer and manage files stored on Sony Professional Disc media. 

 

Key Features

 

Supports XDCAM HD422, XDCAM HD and XDCAM SD formats Compatible with MPEG IMX and DVCAM recording formats Supports Professional Disc media up to 128GB Compatible with quad-layer write-once, dual-layer and single-layer Professional Discs USB 3.0 SuperSpeed interface for high-speed data transfer Also supports USB 2.0 Direct access to Professional Disc files from a connected PC or Mac Supports both read and write operations with compatible software/NLE systems Approximately 2.6× faster read and 1.5× faster write performance than the earlier PDW-U1 Compact and portable design Can be operated horizontally or vertically Supports XDCAM proxy video and audio Suitable for professional media ingest, transfer, editing and archiving workflows Supported Professional Disc Media

 

 The PDW-U2 supports: 

 

PFD128QLW — 128GB quad-layer write-once Professional Disc PFD50DLA — 50GB dual-layer Professional Disc PFD23A — 23GB single-layer Professional Disc

 

 At 50 Mbps XDCAM HD422, recording/playback capacity is approximately 95 minutes on PFD50DLA and 43 minutes on PFD23A. Sony specifies more than four hours of HD422 50 Mbps recording on the 128GB quad-layer media.

 

 Supported Recording Formats

 

 

 

Video:

 

 

 

MPEG HD422 — CBR, 50 Mbps

 

MPEG HD — HQ 35 Mbps, SP 25 Mbps, LP 18 Mbps MPEG IMX — 50/40/30 Mbps DVCAM — 25 Mbps Proxy Video — MPEG-4

 

 

 

Audio:

 

 

 

MPEG HD422 — 8 channels, 24-bit, 48 kHz

 

MPEG HD — 4/2 channels, 16-bit, 48 kHz

 

MPEG IMX — 8 channels, 16-bit/48 kHz or 4 channels, 24-bit/48 kHz DVCAM — 4 channels, 16-bit, 48 kHz Connectivity

 

 

 

USB: SuperSpeed USB 3.0

 

USB Connector: USB 3.0 Standard-B

 

Power: DC 12V via supplied AC adaptor 

 

The drive allows Professional Disc media to be accessed directly from a computer using USB. Sony provides XDCAM Drive Software for managing Professional Disc media and drive functions.

 

The Sony PDW-U2 is particularly suited to:

 

 

 

Broadcast video production

 

Television production

 

Post-production facilities

 

XDCAM media ingest

 

Professional video editing

 

Media transfer and backup

 

Long-term media archiving

Panasonic AG-HMR10E SD card recorder/player, used

Panasonic AG-HMR10E AVCCAM HD Portable Memory Card Recorder, used

The Panasonic AG-HMR10E is a professional portable HD memory card recorder from Panasonic's AVCCAM range, designed for broadcast, video production and professional field recording applications.

 

The compact, battery-powered recorder records high-definition video in AVCHD format using MPEG-4 AVC/H.264 compression onto SD and SDHC memory cards. It features HD-SDI input and output, HDMI output and USB connectivity, making it suitable for recording, monitoring, playback and backup of professional HD video signals.

 

The AG-HMR10E can also be connected to the optional Panasonic AG-HCK10G camera head, creating a compact remote-camera recording system.

 

Key Features

 

Panasonic AVCCAM professional HD recorder AVCHD / MPEG-4 AVC/H.264 recording HD-SDI input and output HDMI output 3.5-inch colour LCD monitor SD / SDHC memory card recording Records 1080 and 720 HD formats PH recording mode up to approximately 21 Mbps average / 24 Mbps maximum Professional timecode functionality USB 2.0 connectivity Headphone output and built-in speaker Battery or DC power operation Compatible with optional AG-HCK10G camera head Compact and lightweight design Suitable for broadcast, studio, OB, ENG/EFP and location production Specifications

Sony XDCAM discs 50gb x8, used

Sony XDCAM discs 50gb x8, used

Excellent condition 

 

Sony PFD-50DLA 50GB Professional Disc – Dual-Layer Rewritable x8 

The Sony PFD-50DLA is a professional 50GB dual-layer rewritable Professional Disc designed for Sony XDCAM broadcast and professional video equipment. 

Using Sony's Professional Disc optical recording technology, the PFD-50DLA provides reliable, high-capacity media for professional video recording, playback, delivery and archiving. It uses a 405 nm blue-violet laser and phase-change recording technology, with a durable cartridge designed for professional production environments.

 

The PFD-50DLA is compatible with Sony XDCAM equipment that supports dual-layer Professional Disc media. Always check the compatibility of your specific XDCAM device before purchase.

 

Key Features

50GB storage capacity

Dual-layer Professional Disc

Rewritable media

Designed for Sony XDCAM professional equipment

405 nm blue-violet laser technology

Phase-change recording

Maximum writing data transfer rate of 172 Mbps with two optical heads More than 1,000 erase/write cycles More than 1,000,000 read cycles Designed for professional broadcast and production environments Estimated shelf/archive life of 50 years or more under specified conditions Rugged protective cartridge design Technical Specifications

Specification       Details

Product type      Professional Disc

Model   PFD-50DLA

Capacity               50GB

Disc type              Dual-layer, rewritable

Recording method           Phase-change recording

Laser wavelength             405 nm, blue-violet

Track pitch           0.32 µm

Maximum writing transfer rate   172 Mbps

Disc diameter     120 mm

Cartridge dimensions      128.6 × 130.6 × 9.1 mm

Weight with cartridge     Approx. 183 g

Erase/write cycles            ≥1,000

Read cycles         ≥1,000,000

Raw byte error rate         ≤0.0002

Estimated shelf life           ≥50 years

Estimated archival life     ≥50 years

Operating temperature  -5°C to +55°C

Operating humidity         10–90% RH

Storage temperature       -10°C to +55°C

Storage humidity              5–90% RH

 

Specifications are based on Sony's Professional Disc documentation.

 

Approximate Recording Times

 

Recording time varies according to codec, bitrate, audio configuration and the XDCAM equipment being used.

 

Typical capacities include: 

Recording Format            Approx. Recording Time

XAVC HD 100 Mbps         46 minutes*

MPEG HD422 50 Mbps  95 minutes

MPEG HD 35 Mbps          145–150 minutes

MPEG HD 25 Mbps          185–200 minutes

MPEG HD 18 Mbps          248–265 minutes

MPEG IMX 50 Mbps        Approx. 100 minutes

MPEG IMX 40 Mbps        Approx. 120 minutes

MPEG IMX 30 Mbps        Approx. 150 minutes

DVCAM 25 Mbps              Approx. 185 minutes

 

Actual recording times can vary depending on the equipment, codec, number of audio channels and recording configuration.

 

*XAVC HD recording time is dependent on the supported XDCAM equipment and recording configuration.

 

Compatible Equipment

 

The PFD-50DLA is intended for use with Sony XDCAM equipment supporting dual-layer Professional Disc media.

 

It has been used with professional XDCAM recorders, camcorders and decks, including equipment from Sony's PDW series.

 

Please check your equipment's manual or specification before ordering to confirm PFD-50DLA compatibility.

 

Ideal For

 

The Sony PFD-50DLA is suitable for:

 

Professional broadcast

Television production

ENG/EFP

XDCAM recording

Professional video production

Programme delivery

Production masters

Media exchange

Long-term video archiving

Professional camera and deck workflows

Important Product Information

 

The PFD-50DLA is rewritable media, allowing the disc to be erased and recorded again. Sony specifies 1,000 or more erase/write cycles and 1,000,000 or more read cycles under its specified conditions.

 

For customers purchasing for archival or broadcast use, please ensure that their Sony XDCAM equipment specifically supports 50GB dual-layer Professional Disc media.

 

Product Summary

 

Sony PFD-50DLA – 50GB Dual-Layer Rewritable Professional Disc

 

A high-capacity professional optical recording medium for compatible Sony XDCAM broadcast equipment, offering 50GB storage, dual-layer recording, professional-grade durability and long-term archival capability.

Vinten Vision 12 tripod system, used

Vinten Vision 12 Professional Fluid Head with Carbon Fibre Tripod – 100mm Bowl, used

The Vinten Vision 12 is a professional broadcast fluid head designed for ENG, PSC, corporate and other professional video applications.

 

This system combines the renowned Vinten Vision 12 fluid head with a carbon-fibre tripod, providing a strong, stable and relatively lightweight camera support solution.

 

The Vision 12 uses Vinten's Serial Drag system, combining fluid drag with lubricated friction drag to provide smooth, controlled pan and tilt movement. The head also incorporates a spring-assisted counterbalance system designed to maintain camera balance through its tilt range. Historical Vinten documentation identifies the Vision 12 as a 100 mm bowl system.

 

Key features

Vinten Vision 12 professional fluid head

Professional broadcast/ENG/PSC specification

100 mm bowl mounting

Smooth fluid and friction pan & tilt drag

Spring-assisted counterbalance

360° pan capability

Professional quick-release camera plate

Adjustable pan and tilt controls

Telescopic pan handle

Carbon-fibre tripod legs

Robust Vinten construction

Suitable for professional camcorders and broadcast cameras

Ideal for studio, outside broadcast, ENG, PSC and corporate production

Cooper sound CS104 audio mixer with bag, used

Cooper Sound CS104 4-Channel ENG/EFP Field Audio Mixer – Professional Location Mixer

The Cooper Sound CS104 is a professional 4-channel portable audio mixer designed for ENG, EFP, film, television and location recording applications.

 

Built into a rugged metal chassis, the CS104 combines high-quality microphone preamplification, transformer-balanced audio circuitry and comprehensive monitoring in a compact field mixer. It features four input channels with individual level controls, a stereo master output and professional metering.

 

The CS104 is particularly well regarded for its audio quality, robust construction and suitability for demanding location recording work. The mixer incorporates Jensen input and output transformers, providing excellent audio performance and a wide dynamic range.

 

The original Cooper Sound documentation identifies the CS104 specifically as an ENG / EFP Audio Mixer.

The CS104 was also available with four balanced direct outputs, including versions/upgrades where the outputs could be configured pre- or post-fader, so I'd recommend checking the actual unit you're selling before listing this as standard equipment.

Motion Analysis HD Raptor-4 Digital Cameras with Lenses kit, used

Motion Analysis HD Raptor-4 Digital Cameras with Lenses kit, used

Excellent condition 

Motion Analysis HD Raptor-4 x8 Digital Cameras with Lenses with accessories and mounting – Up to 10,000 fps

Professional Motion Analysis HD Raptor-4 digital camera system, supplied with lenses and a protective hard carrying case.

 

Designed for high-speed motion analysis and scientific or industrial imaging applications, the Raptor-4 cameras are capable of recording at up to 10,000 frames per second (fps), allowing rapid events and high-speed movement to be captured and analysed in detail.

This set includes four Raptor-4 digital cameras with lenses, securely housed in a custom foam-lined protective case.

 

Panasonic AJ-P2E064XG 64GB E-Series P2 Solid State Flash Memory Card, used

Panasonic AJ-P2E064XG 64GB E-Series P2 Solid State Flash Memory Card, used

Good Condition, 3 months warranty 

The 64GB P2 Memory Card from Panasonic features fast 1.2 Gbps data transfer speeds. The P2 card is designed to be used even in harsh conditions, thanks to its wide operating temperature range (-4 to 140 °F) and 1500 Gimpact resistance.

 

Withstands impacts up to 1500 G and vibrations up to 15 G 

 

Flash memory error correction system

cards support writing up to AVC-Intra Class 200 of the AVC-ULTRA family as well as the currently available codecs with the existing P2 devices 

Canon ZSD-300M Zoom Servo Demand with CR-10 Clamp, used

Canon ZSD-300M Zoom Servo Demand with CR-10 Clamp, used

DPA ST2012 Stereo Pair with Holders and Windscreens

DPA ST2012 (ST-2012, ST/2012, ST_2012, ST 2012) ST2012 Stereo Pair with Holders and Windscreens

The 2012 Compact Cardioid Mic is the best all-around, generalist mic that you can find to cover a wide range of close-miking needs on the live stage. It is a robust and reliable condenser mic, best for single instrument pickup. Its specifically powerful characteristics make it an extremely flexible mic that will shine on many instruments, particularly those in the high-frequency range.

Durable, reinforced construction

The 2012 is constructed to withstand rough handling on a hectic live stage. It has a thicker, more robust body construction of brass that is very durable and known for its corrosion resistance and tolerance against metal fatigue. In addition to the heavy-duty materials used, the surfaces of the mic handle and grille are treated with a protective black chrome finish, which ensures more graceful ageing.

Unmatched transient response

The 2012, is a professional condenser mic, making it the best choice for those instruments that produce high frequencies. It has a far better transient response than any dynamic microphone, which allows it to pick up the most delicate sound with tremendous accuracy.

Uniform cardioid directionality

The 2012 has a cardioid capsule with DPA’s famously flat off-axis response. Besides a high gain-before-feedback, this characteristic makes it easier for sound engineers to handle bleed from other instruments at close proximity. The 2012 picks up off-axis sounds in a very natural and attenuated way.

Outstanding SPL handling

The 2012 can cope with both extremely high SPLs as well as capture very delicate sounds. With a max SPL, peak before clipping of 156 dB, the 2012, works well on many different instruments and can handle the loudest drums, guitars, horns and more.

DPA ST2015 Stereo Pair with Holders and Windscreens

DPA ST2015 (ST-2015, ST/2015, ST_2015, ST 2015) ST2015 Stereo Pair with Holders and Windscreens

The 2015 Wide Cardioid Microphone’s wider pick-up pattern offers an innovative way to pick-up the spacious and natural sound of the total drum kit or other instrument group. Its compact design, combined with its wide pickup area makes it an unobtrusive solution for live stage placement.

Overhead mics for ambient pick up on the live stage

In a live situation when a conventional cardioid pattern isn’t quite open enough, choose a pair of 2015 Compact Wide Cardioids. They work ideally as overheads to capture a balanced sound of the entire group of instruments, like a drum kit.

Also, when recording instrument groups with complex radiation patterns, the wide cardioid (also known as hemispheric, subcardioid or hypocardioid) design covers a greater sound angle and is an excellent choice.

Durable, reinforced construction

The 2015 is constructed to withstand rough handling on a hectic live stage. It has a thicker, more robust body construction of brass that is very durable and known for its corrosion resistance and tolerance against metal fatigue. In addition to the heavy-duty materials used, the surfaces of the mic handle and grille are treated with a protective black chrome finish, which ensures more graceful ageing.

Uniform cardioid directionality

The 2015 has a wide cardioid capsule with DPA’s famously flat off-axis response. Besides a high gain-before-feedback, this characteristic makes it easier for sound engineers to handle bleed from other instruments at close proximity. The 2015 picks up off-axis sounds in a very natural and attenuated way.

Spacious, wide cardioid pick-up pattern

The 2015 can be positioned near the drum kit, closer than you would normally place overhead microphones, and still capture sound evenly across the entire drum kit. This closer position results in stronger signal from the drum kit and therefore less bleed from the stage.

Natural and precise sound reproduction

Like all other DPA microphones, the 2015 delivers pure, transparent sound quality.

Compact design for unobtrusive placement on stage

Although the 2015 can be purchased as a single mic, it really shines as a matched stereo pair, selected with +/- 1.5 dB sensitivity tolerance. The compact design of this stereo pair ensures an open, natural sound pick-up without blocking any of the exciting action on stage.

Samyang 50mm F1.4 AS UMC Lens Canon EF Mount, used

Samyang 50mm F1.4 AS UMC Manual Focus Lens Canon EF Mount, Used

The Samyang 50mm F1.4 AS UMC is a fast manual-focus prime lens designed for Canon EF-mount cameras. Its bright F1.4 maximum aperture makes it particularly suitable for low-light shooting and provides excellent control over depth of field for portrait, video and creative photography.

The optical construction comprises 9 elements in 6 groups, including one glass aspherical element (ASP) and one hybrid aspherical element (H-ASP). This design helps minimise optical and colour aberrations while maintaining high resolution, contrast and image quality across the frame.

Samyang's Ultra Multi Coating (UMC) is applied to optimise light transmission while helping to reduce flare and ghosting.

With a minimum focusing distance of 0.45m, the lens allows photographers and filmmakers to work relatively close to their subject while retaining the natural perspective of a 50mm focal length.

 

The lens features an 8-blade aperture diaphragm, designed to produce an almost circular aperture when stopped down. Its robust body incorporates a high-strength aluminium alloy, providing a solid yet compact construction suitable for regular professional use.

Canon EF 24-70mm f/2.8 L USM Lens, used

Canon EF 24-70mm f/2.8 L USM Lens, used

The Canon EF 24-70mm f/2.8L USM is a professional L-series standard zoom lens designed to deliver outstanding image quality across a versatile 24-70mm focal length range. Combining wide-angle capability with short telephoto reach, it is an excellent all-round lens for portraiture, events, weddings, travel, landscapes and everyday professional photography.

Fast Constant f/2.8 Aperture

The lens features a constant f/2.8 maximum aperture throughout the entire zoom range, providing excellent performance in low-light conditions and greater control over depth of field. The large aperture also makes it possible to achieve attractive background blur while keeping the subject clearly defined.

Professional L-Series Optics

Designed as part of Canon's professional L-series, the EF 24-70mm f/2.8L USM uses 16 elements in 13 groups, including aspherical and UD lens elements. This advanced optical construction helps minimise chromatic aberrations and maintain excellent sharpness, contrast and colour reproduction throughout the zoom range.

Fast & Quiet USM Autofocus

Canon's ring-type Ultrasonic Motor (USM) provides fast, precise and quiet autofocus performance. Full-time manual focus override allows the photographer to make fine focus adjustments at any time without having to switch out of autofocus mode.

Versatile 24-70mm Zoom Range

The 24-70mm focal range covers everything from wide-angle compositions to natural-looking standard perspectives and short telephoto shots. This versatility makes it particularly suitable for photographers who need one high-performance lens for a wide variety of shooting situations.

Close Focusing Performance

With a minimum focusing distance of just 0.38m (1.3ft) and maximum magnification of 0.29x, the lens is capable of capturing detailed close-up images as well as conventional wide-angle, portrait and general photography.

Professional Build Quality

The robust construction is designed for demanding professional use, with enhanced sealing to help protect against dust and moisture. A large zoom ring and well-positioned controls provide comfortable and responsive handling.

 

Samyang 14mm T3.1 Full Frame Ultra Wide Angle Lens, used

Samyang 14mm T3.1 Full Frame Ultra Wide Angle Lens, used

Excellent Condition, 3 Month Warranty

Wide Angle Manual Focus Cine Lens

Samyang Optics 14mm T3.1 VDSLR ED AS IF UMC II is a wide angle manual focus cine lens designed for full frame sensor sizes.

 

Cine Lens Features

Samyang 14mm T3.1 VDSLR ED AS IF UMC II is carefully designed for professional film and video works so the focus gear ring is installed for follow focus system. You may change the aperture quietly and smoothly with the uncoupled aperture gear ring. The T number guiding the actual amount of light transmission and distance scales are marked on both sides of the lens to film much precisely. The lens operates in manual aperture system with low T number which enables natural shooting under various light exposure circumstances.

 

Optical Features

This lens features 14 lenses in 10 groups including 3 high-refractive and extra low dispersion lenses (HR ED), 1 hybrid aspherical lens (H-ASP) and 1 glass aspherical lens (ASP). H-ASP and ASP lenses minimize color aberration to realize exceptional image quality and high contrast for center and corner of image even when aperture is fully opened. HR ED lens of 14mm T3.1 VDSLR ED AS IF UMC II effectively controls the light dispersion to prevent flare and ghost. Ultra Multi Coating (UMC) technology of Samyang Optics optimizes the light penetration to also minimize flare and ghost.

 

Hardware Features

The frame of Samyang 14mm T3.1 II is compact and solid since it is made of high-strength aluminum alloy so trustworthy images can be captured even under inferior environment. Also, the attached petal-shaped lens hood shelter the lens from unnecessary lights. Available for 10 camera mounts: Canon EF, Nikon F, Pentax K, Sony A, Canon M, Fujifilm X, Samsung NX. Sony E, MFT 

 

Samyang Optics VDSLR lens line

Samyang 14mm T3.1 II is one of Samyang Optics VDSLR lens line for full frame image sensor size. The lenses produce the same image color and have a united location of aperture and focus gear ring to maximize the convenience when filming.

※ Size and design may vary depending on the mount of a lens

Canon EF 70-200mm f/2.8L USM Lens, used

Canon EF 70-200mm f/2.8L USM Lens, used

The professional photographer's telezoom lens.

The EF 70-200mm f/2.8 L USM is a professionally quality, fast-aperture telephoto zoom lens popular with wildlife and sports photographers, as well as those shooting weddings and portraiture.

A Zoom as Good as a Prime Lens

One of the finest telephoto zoom lenses in the EF range, offering optical performance comparable to a prime lens. Four UD-glass elements help correct chromatic aberrations, while multiple zoom groups and internal focusing deliver excellent image quality throughout the zoom range. The lens is also compatible with Canon Extender EF 1.4x and 2x.

Fast, Constant Maximum Aperture

The fast f/2.8 maximum aperture remains constant throughout the entire zoom range, making the lens well suited to shooting in low-light conditions. The wide aperture also provides excellent control over depth of field and background separation.

L-Series Quality

Part of Canon's professional L-series, this lens combines precision-designed EF optics with excellent handling and durability. Its construction is designed to provide reliable performance for demanding professional applications, with resistance to dust and moisture.

Ultrasonic Focusing

A ring-type Ultrasonic Motor (USM) provides fast, accurate and near-silent autofocus. Excellent holding torque helps ensure precise focusing without overshooting. Full-time manual focus override is also available, allowing focus adjustments without leaving AF mode.

Super Spectra Coating

Canon's Super Spectra coatings help maintain accurate colour balance and improve contrast while reducing flare and ghosting caused by unwanted internal reflections.

 

 

DPA 2017 Shotgun Microphone

DPA 2017 (20-17, 20/17, 20 17, 20_17) 2017 Shotgun Microphone

The 2017 Shotgun Microphone is an extremely directional mic that combines crystal clear, authentic sound and stable, consistent performance under harsh conditions. Its acoustical performance sets it apart from any competition. It has efficient off-axis rejection combined with an off-axis frequency response that is much more linear than most similar shotgun mics on the market. These are exactly the capabilities that result in authentic sound. In addition, the 2017 performs consistently in a variety of conditions, like cold weather and humid environments as well as in generally harsh situations.

Finally, although the interference tube surrounding the capsule is quite long, the entire mic is contained in a shorter, lighter mic housing than many other mics that it outperforms. This makes the 2017 a practical choice in a wide range of applications.

Accurate, natural sound

2017 is designed to ensure that the sound from the primary sound source combines effortlessly with natural sound captured off-axis. The sound is clear and lifelike, including the heavily-attenuated off-axis input. It exhibits the same non-coloration of the off-axis response, i.e., it sounds like what is coming in on-axis, just damped accordingly with the side and rear entries. Many other shotgun mics don’t pick up off-axis sound naturally, making, for example, the crowd noise sound more like a waterfall or even completely unrecognizable.

Extraordinary durability

The 2017 is constructed to withstand rough handling as well as difficult situations, such as cold climates and humidity. We have designed the encapsulating structure without moving mechanical parts and have found just the right thickness of material and ideal uniform pattern of slits on the grid. These things combined make the microphone extremely resistant to mechanical impact. In addition, the materials used in the capsule design and electronics ensure the mic is resistant to moisture, temperature and condensation issues.

The 2017 has a thick, robust body construction of brass that is exceptionally durable and known for its corrosion resistance and tolerance against metal fatigue. In addition, the surfaces of the mic are treated with a protective black chrome finish, which ensures more graceful ageing.

Outstanding off-axis rejection

2017, like all DPA’s directional mics, has outstanding performance off-axis. Due to the expertly designed interference tube technology, all off-axis input is highly attenuated. This means that the 2017 offers comparable directionality as comparable mics on the market, but due to the well-crafted design, the off-axis pickup is much more balanced as well as uniform. This gives the user a well-balanced compromise between natural off-axis sound and maximal off-axis rejection.

Extremely directional pick-up pattern

The 2017 is an extremely directional shotgun microphone. It shows impressive attenuation at 90° (around -10 dB) and maximal rejection around 125° (more than -20 dB). Its polar pattern provides a more even pickup of “on-scene” (0°) sound sources than many widely-used shotgun microphones and a larger rejection of out-of-scene noises, thereby achieving a better overall performance than many competing mics on the market.

DPA 2015 Compact Wide Cardioid Microphone

DPA 2015 (20-15, 20/15, 20 15, 20_15) 2015 Compact Wide Cardioid Microphone

The 2015 Wide Cardioid Microphone’s wider pick-up pattern offers an innovative way to pick-up the spacious and natural sound of the total drum kit or other instrument group. Its compact design, combined with its wide pickup area makes it an unobtrusive solution for live stage placement.

In a live situation when a conventional cardioid pattern isn’t quite open enough, choose a pair of 2015 Compact Wide Cardioids. They work ideally as overheads to capture a balanced sound of the entire group of instruments, like a drum kit.

Also, when recording instrument groups with complex radiation patterns, the wide cardioid (also known as hemispheric, subcardioid or hypocardioid) design covers a greater sound angle and is an excellent choice.

Durable, reinforced construction

The 2015 is constructed to withstand rough handling on a hectic live stage. It has a thicker, more robust body construction of brass that is very durable and known for its corrosion resistance and tolerance against metal fatigue. In addition to the heavy-duty materials used, the surfaces of the mic handle and grille are treated with a protective black chrome finish, which ensures more graceful ageing.

Uniform cardioid directionality

The 2015 has a wide cardioid capsule with DPA’s famously flat off-axis response. Besides a high gain-before-feedback, this characteristic makes it easier for sound engineers to handle bleed from other instruments at close proximity. The 2015 picks up off-axis sounds in a very natural and attenuated way.

Spacious, wide cardioid pick-up pattern

The 2015 can be positioned near the drum kit, closer than you would normally place overhead microphones, and still capture sound evenly across the entire drum kit. This closer position results in stronger signal from the drum kit and therefore less bleed from the stage.

Natural and precise sound reproduction

Like all other DPA microphones, the 2015 delivers pure, transparent sound quality.

Compact design for unobtrusive placement on stage

Although the 2015 can be purchased as a single mic, it really shines as a matched stereo pair, selected with +/- 1.5 dB sensitivity tolerance. The compact design of this stereo pair ensures an open, natural sound pick-up without blocking any of the exciting action on stage.

DPA 2012 Compact Cardioid Microphone

DPA 2012 (20-12, 20/12, 20 12, 20_12) 2012 Compact Cardioid Microphone

The 2012 Cardioid Microphone is a robust and reliable condenser mic for close miking. It is extremely flexible and will shine on many instruments. In addition to natural sound reproduction, the mic has uniform cardioid directionality and has been designed to withstand rough use on the live stage.

The 2012 is constructed to withstand rough handling on a hectic live stage. It has a thicker, more robust body construction of brass that is very durable and known for its corrosion resistance and tolerance against metal fatigue. In addition to the heavy-duty materials used, the surfaces of the mic handle and grille are treated with a protective black chrome finish, which ensures more graceful ageing.

The 2012, is a professional condenser mic, making it the best choice for those instruments that produce high frequencies. It has a far better transient response than any dynamic microphone, which allows it to pick up the most delicate sound with tremendous accuracy.

The 2012 has a cardioid capsule with DPA’s famously flat off-axis response. Besides a high gain-before-feedback, this characteristic makes it easier for sound engineers to handle bleed from other instruments at close proximity. The 2012 picks up off-axis sounds in a very natural and attenuated way.