DigiBroadcast is home to an amazing range of audio and visual broadcast equipment from industry-leading manufacturers including Sennheiser, Sony and Panasonic. No matter what your requirement, you’ll find our range of film equipment, including used camcorders, lenses, tripods, headphones and more, all of which you’ll find in great condition and ready to operate immediately.
Our broadcast equipment is available at amazing prices, and we ensure that each and every one of our products is given a stringent examination to identify any faults and ensure that the equipment is in full working order. With a fantastic selection of second-hand cameras and camcorders available for all of your filming and broadcast needs, whether professional or a budding hobbyist, there’s a massive range of used VTR & DDRs, cameras, lenses, accessories, microphones and much more to pick from among our premium selection of pre-owned products.
General: Capacity : 256GB Form Factor : CFast Dimensions : 42.8 × 36.4 × 3.3 mm (1.69 × 1.43 x 0.13 inch) Weight : approx. 10 g Performance Sustained Read Speed : Up to 550 MB/s Sustained Write Speed : Up to 400 MB/s Reliability MTBF : 2,000,000 hours Data Reliability : Built-in EDC/ ECC...
Features: 327 degrees focus rotation with over 70 precise markings Calibrated focus marks available in feet or metric (easily interchangeable) Short MOD of 4' (1.2m) Adapted to extreme production environments (back focus temperature compensation system from -20°C to +45°C) Robust zoom / focus mechanism Mechanical components based on light-weight material with...
Lens comes with: . feet scale . meters scale (separate) . 1.4x extender Optimo . 2.0x extender Optimo . calibration shims . lens holder (2 parts) vertical . zoom stick . NO lens horizontal holder (bridge) neither rods (15 or 19)
Angenieux Optimo 15-40mm, Lens, used
3 month warranty
PL Mount lens
In Feet scale
Superb image quality from T2.6 open aperture Compact and very light (1.92 kg / 4.2lbs) Identical center of gravity on all Optimo lightweight zoom lenses enable quick lens interchange Perfect homogeneity of color, contrast and resolution. Low distortion No ramping, minimal breathing, very fast for 2.7x zoom ratios Close focus of (2ft / 0.6m) facilitates shooting in tight locations Internal focus, internal zoom, constant lens volume Precise and ergonomic focus ring with scale rotation of 320 degrees & over
50 focus marks.
Interchangeable focus scale ring from feet to meters Adapted to extreme production environments (back focus temperature compensation system from -20°C to +45°C) Compatible with Optimo 1.4x and 2x extenders 21-58mm T3.7 (with 1.4x) 30-80mm T5.2 (with 2x) Image coverage: S35+ (Ø 31.4 mm), expanded to Ø 35 mm when used with Optimo extenders (more info in DOWNLOAD section) Available in PL mount. Easily interchangeable to Panavision, Canon EF, mounts Compatible with ASU servo unit (integrated motors for FTZ remote control through industry standard control systems)
Great condition lens, 3 months warranty
Angenieux Optimo DP 16-42mm Zoom lens is specifically designed for digital super35 cameras. This wide angle zoom offers almost no breathing with a T2.8 aperture all the way through the zoom range.
Great condition lens, 3 month warranty
Angenieux Optimo DP 30-80mm Zoom lens is specifically designed for digital
super35 cameras. This standard angle zoom offers almost no breathing with a
T2.8 aperture all the way through the zoom range.
Arri ALEXA SXT Plus Camera, 205 hours, Kit, used
ARRI's ALEXA SXT Plus (Super Xtended Technology) cameras represent the next exciting step in the continuing evolution of the ALEXA family. Retaining the rock-solid foundation on which ALEXA is built, ALEXA SXT Plus cameras additionally offer ProRes 4K recording, improved image quality, powerful colour management and three fully independent HD-SDI outputs.
Ever since its launch, the ALEXA system's fundamental advantage has been its unique combination of the highest overall image quality with the most efficient workflows on set and in post. Based on extensive market feedback, the ALEXA SX PlusT line of cameras further improves upon those qualities, raising the widely-accepted gold standard set by ALEXA still higher.
The Alexa SXT 35mm-format film-style.
ARRI Amira Camcorder (1600 Hours) With Premium Licence, Used
3 month warranty
MPEG-2 recording, 50 MBit/s 422p@HL in MXF container: XDCAM HD workflow compatible
AMIRA multi-cam interface: camera remote control with Sony RCPs
Intervalometer: for sophisticated time lapse and stop motion recordings
WiFi remote control support: full camera control with WiFi devices
Viewfinder status overlay enhancements, other useability improvements and improved support for accessories
Support for Lexar CFast 2.0 cards: LC 128GB and LC 256GB 3600x cards
Sensor Type 35mm format ARRI ALEV III CMOS (28.17x18.13)
Sensor Pixel Count 3200x1800 (4K UHD, 3.2K) 2880 x 1620 (HD), 2868 x 1612 (2K), for monitoring with surround area: 3168 x 1772 (HD), 3154x1764 (2K),
3414 x 2198 (4K UHD, 3.2K)
Recording Pixel Count 1920x1080 ProRes HD and HD outputs, 2048 x 1152 ProRes 2K, 3200x1800 ProRes 3.2K, 3840 x 2160 Pro Res 4K UHD and UHD outputs*
Lens Mounts PL mount w/ Hirose connector and LDS, B4 mount w/ Hirose connector, EF mount, PL mount titan (ALEXA Mini)
Shutter Electronic shutter, 5.0° to 356.0°
Exposure Index EI 160 to EI 3200 (EI 800 base sensitivity)
Exposure Latitude 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Audio Recording 4 channels, 24 bit PCM, 48 kHz
Integrated motorized ND Filters FSND 0.6, 1.2, 2.1
Sound Level < 20 dB(A)
Weight ~ 4.1 kg/9.2 lbs (camera body with PL Lens mount)
Dimensions Length: 309mm/12.1", width: 139 mm/5.4" , height: 149mm/5.8"
(camera body with PL lens mount)
Environmental -20° C to +50° C (-4° F to +122° F)
Viewfinder AMIRA Multi Viewfinder MVF-1 (OLED and LCD)
Outputs Video 2x HD-SDI outputs: 1.5G, 3G and 6G; uncompressed HD/UHD video with embedded audio and metadata***
Outputs Audio 3,5mm headphone jack, Bluetooth audio
Outputs Power Hirose 12pin (for ENG type zoom lenses); 12V: D-tab, Hirose 4pin, Lemo 2pin; 24V: RS 3pin
Inputs Genlock, HD-SDI**, Timecode (In and Output), all BNC
Other Interfaces USB 2.0: For importing and storing AMIRA Look Files, user set up files, frame line files and feature license keys. Stores captured still image formats in DPX (.dpx, 10 bit) or JPEG (.jpg, 8 bit) format.
Stores log files. Also used for installing Software Update Packets (SUPs.; Ethernet LAN RJ-45 for camera remote control.
Recording Media CFast 2.0 memory cards
Recording Formats HD 1920x1080 (interlaced & progressive)
3.2K ProRes 3200x1800*
4K UHD 3840x2160*
Recording Framerates 0,75 - 100 Fps (progressive) HD, 2K
0,75 - 60 Fps 4K UHD & 3.2K*
MPEG-2: 23.98p, 25p, 29.97p, 50i, 59.94i
Recording Codecs (w/ embedded audio & metadata) ProRes
Looks 3 fix Looks (in camera adjustable)
Adjustable image parameters Knee, Gamma, Saturation, Black Gamma, Saturation by Hue
Import of custom 3D LUTs -
Focus and exposure control Peaking, Zebra, False colour
Whitebalance Auto WB
Wifi and Ethernet Camera Remote Control -
Audio monitoring Headphone output (mini jack)
Pre Record function -
Multicam interface Multicam interface
S16 lens mode S16 lens mode
* Requires installed 4K UHD license
** not available in 4K UHD mode
*** embedded audio only in 1,5G and 3G
Arri Zeiss Ultra Prime lenses, Set of 4, used
ARRI / ZEISS Ultra Prime Lenses have the widest focal range of prime lenses giving you the flexibility to get the coverage you want. The Ultra Prime lenses are lightweight standard speed lenses that are a perfect optical match to the high speed ARRI / ZEISS Master Prime lenses. They have been developed in a cooperation of ARRI and ZEISS.
AX1 is a powerful pixel controllable LED RGBW baton that can be mounted at event and film sites to light up people and objects or create indirect lighting effects. A highly creative device that offers an infinite range of possibilities.
In box: 1 Large Astera Peli Case (Containing):
4 Astera AX1 Pixel Tubes
8 Mini C-Clamps
8 Spigots 3/8 - 1/4
8 M5 Mini Eye Bolts
4 Safety Cables (Max W20kg, L70cm)
4 Metal Floor Stands (w/ x1 Circular 1/4 Screw Each)
1 IEC Cable
1 Internal Charger with 8 Way SC Charging Cable
1 Astera Quick Start Guide
1 Astera AX1 Content Sheet
1 Small Astera Peli Case (Containing):
1 Asterabox ART7 / CRMX Transmitter
1 Astera ARC1 IR Remote
1 DMX 5-Pin XLR-jack Cable
2 USB-Mini Charging Cable
1 AC/DC Adaptor Plug
Atomos HDR Sun Hood for Flame Series & Inferno (Black), open box
Atomos AO-ATOMSUN006 (AOATOMSUN006, AO/ATOMSUN006, AO ATOMSUN006, ATOMSUN006, ao-atomsun006) HDR Sun Hood for Flame Series & Inferno (Black)
This sunhood is designed to secure to the 1/4"-20 threaded hole on the top of the monitor using an included thumbscrew. The thumbscrew offers a 1/4"-20 female threaded hole on top so you don't lose the monitor's threaded hole. A viewing cover is also included that magnetically snaps to the sunhood to provide an even more concentrated viewing window.
Compatibility : Atomos Flame and Inferno Series Monitors Colour : Black
Type: Closed-back Dynamic (Headphone) Cardioid Dynamic (Microphone) Driver Diameter: 40 mm (Headphone) Magnet: Neodymium (Headphone) Voice Coil: Copper-clad aluminum wire Frequency Response: 20-20,000 Hz (Headphone) 40-20,000 Hz (Microphone) Maximum Input Power: 1,600 mW at 1 kHz Sensitivity: 100 dB (Headphone) -57 dB (1.4 mV) re 1V at 1 Pa (Microphone) Impedance: 65 ohms (Headphone) 560 ohms (Microphone) Weight: 264...
Blackmagic OLED URSA Viewfinder, Used
Blackmagic Camera 6.7 Update Information Add support for new URSA Broadcast gain settings.
Add support for new 4:5 and 1:1 frame guides.
Camera Update 6.4 - New features for URSA Viewfinder:
Improved support for URSA Mini Pro 4.6K G2 built in LUTs.
Improved overlays when used with URSA Mini Pro 4.6K G2.
Improved UI elements for drop frame timecode.
Improved UI elements for URSA Mini Pro 4.6K G2 USB-C record.
Improved iris readout.
Fixed record dot bug with status display.
High Resolution Viewfinder, Full HD display and glass optics makes precise focus easy The optional Blackmagic URSA Viewfinder has been designed to be the perfect match for Blackmagic URSA digital film cameras.
Blackmagic Design URSA Mini Pro 4.6K Digital Cinema Camera G1, used
Introducing URSA Mini Pro, a professional digital film camera that combines the incredible image quality of URSA Mini 4.6K with the features and controls of a traditional broadcast camera You get a massive number of ergonomically designed controls on the side of the camera so you can adjust most settings by feel, and without ever having to take your eyes off the action. URSA Mini Pro also features built in ND filters, a status display and a revolutionary new interchangeable lens mount that lets you change between EF photographic lenses or PL and B4 lenses. URSA Mini Pro records up to 60fps and features dual C-Fast 2.0 recorders as well as dual UHS-II SD Card recorders. URSA Mini Pro is lightweight and comfortable enough to use all day, has controls that are extremely fast to use, and image quality that’s far superior to broadcast cameras costing ten times more
Blackmagic Camera 5.1.1 Update
For the latest upgrades and improvements, you can download the latest Blackmagic firmware here. Details also available when clicking this link.
Digital Film Quality for Every Project
The perfect camera for digital film, broadcast, live production and more URSA Mini Pro is “three cameras in one” because it combines high end digital film quality with the ergonomics and features broadcasters need. It’s ideal for any kind of work from high end feature films, television shows and commercials, to independent films, broadcast news, and even studio and live production URSA Mini Pro features beyond Ultra HD 4.6K resolution plus 15 stops of dynamic range, all with a super wide colour gamut and DaVinci colour science so you always capture cinematic quality images. The super compact body features broadcast camera ergonomics and advanced operating software that make it faster to set up and use than any other camera Whether you’re on set, on location or shooting run and gun, URSA Mini Pro has the image quality and features you need to work on any type of project Two Incredible Models
Choose URSA Mini or URSA Mini Pro models. The URSA Mini family are powerful and robust cameras that are available in five different versions, so you can choose the camera that best suits your needs. Choose the affordable URSA Mini 4K and URSA Mini 4.6K models with cinema quality, fixed EF or PL lens mounts, and dual C-Fast card recorders. Or choose the all new, advanced URSA Mini Pro 4.6K that adds built in ND filters, an interchangeable lens mount, dual C-Fast UHS-II SD card recorders and powerful broadcast features and controls Revolutionary URSA Design
Big camera features that are fast to use in a lightweight, portable design URSA Mini Pro is designed to include everything you need in a handheld camera so you can take it anywhere unlike cheap plastic cameras, the evenly weighted camera body is made out of a super tough magnesium alloy. It’s a true professional camera with full redundancy on every control, even the power switch Plus, the tactile controls allow full setting changes without having to take the camera off your shoulder There’s an external high visibility LCD status display so you can see critical shooting information, and a 4” foldout touch screen for reviewing shots so you don’t have to carry an extra on-set monitor You get professional connections such as 12G-SDI, XLR audio, a built in high quality microphone and more. The optional electronic viewfinder and shoulder mount kit lets you go from tripod to handheld shooting in seconds, or you can turn URSA Mini Pro into the ultimate live production camera by adding an URSA Studio Viewfinder Built in ND Filters
High quality neutral density filters with IR compensation URSA Mini Pro features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The 2, 4 and 6 stop filters have been specifically designed to match the colorimetry and colour science of URSA Mini Pro, providing you with additional latitude, even under harsh lighting conditions. This lets you use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. The IR filters have been designed to filter both optical wave lengths and IR wave lengths evenly to eliminate IR contamination of the images that most ND filters can suffer from. The ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. The filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD Powerful Tactile Controls
Quickly change settings without taking the camera off your shoulder. Like the world’s best broadcast cameras, URSA Mini Pro features powerful tactile control buttons, switches, knobs and dials, giving you direct access to the most important camera settings. The controls are laid out in a logical order that makes them easy to remember, so you’ll be able to adjust settings, use ND filters, change frame rate and even snap a still photo without having to look at the buttons or take the camera off of your shoulder. The external controls are so fast to use, you don’t even have to stop shooting that’s what makes URSA Mini Pro both a powerful broadcast and studio camera, as well as a digital film camera Interchangeable Lens Mounts
Compatible with EF, PL and B4 lenses. Different projects require different lenses, which is why URSA Mini Pro features a new interchangeable lens mount Imagine shooting regular work using a photography lens but then being able to change to a PL mount cinema lens if you get a high end film job. URSA Mini Pro makes that easy because you can quickly switch between EF, PL and
B4 lenses, making it compatible with the widest possible range of professional lenses. That means you can work with high quality EF photographic lenses, large PL cinema lenses, and even B4 broadcast lenses, all with the same camera URSA Mini Pro comes with an EF mount and you can purchase optional PL and B4 lens mounts separately. With URSA Mini Pro, you get a single camera that works with virtually all professional lenses so you can choose precisely the lens you need Status Display
See critical shooting information in bright daylight. The status display is a high visibility LCD screen that’s designed to be easily seen, even in bright light the status display shows record timecode, locked timecode and reference timecode, along with the current shooting frame rate, shutter angle, aperture, white balance, ISO and IRIS. It also features a battery indicator, card recording status and audio meters for monitoring levels. The screen’s backlight can be turned on when you’re shooting in dimly lit locations, and off when you’re shooting outdoors and in bright light to increase contrast, making it easy to read under any condition Cinematic 4.6K Sensor
Capture incredible digital film images with 15 stops of dynamic range. When it comes to image quality, URSA Mini Pro operates at a higher resolution and dynamic range that goes well beyond traditional motion picture film. You get a 4.6K image sensor that captures up to 4608 x 2592 pixels, which is bigger than full DCI 4K The sensor features a massive 15 stops of dynamic range, making it perfect for high dynamic range (HDR) projects. The built in active refrigeration ensures maximum dynamic range and low noise so you get incredibly clean pictures with amazing detail in both the dark shadows and bright highlight areas. You can also choose the lower cost URSA Mini 4K model with 12 stops of dynamic range when you don’t need the performance and are on a tighter budget.
Super wide colour gamut and precision colour science URSA Mini Pro features an incredibly wide colour gamut that captures more of the visible colour spectrum than Rec. 2020, which is vastly larger than the P3 digital cinema colour space Third generation Blackmagic Design colour science is used to process the raw sensor data, enabling amazingly rich skin tones, natural colour response and enormous amounts of dynamic range. Whether you’re shooting a Hollywood blockbuster, an indie film, high end commercial, or a broadcast television show, URSA Mini Pro’s combination of resolution, dynamic range and colour gamut delivers amazingly rich and lifelike images High Frame Rate Recording
Capture the action with smooth flowing motion URSA Mini Pro can shoot at high frame rates and then play it back at the edit frame rate so you get smooth slow motion video that’s crystal clear. You can set the camera’s default shooting frame rate and also specify an “off speed” frame rate.
Switching between them is simply done with the touch of a button on the outside of the camera, making it incredibly fast to switch between standard and high frame rate shooting URSA Mini Pro can capture full resolution 4.6K recordings at up to 60 frames per second Non Stop Recording
Works with both C-Fast and SD card media URSA Mini Pro features both dual C-Fast 2.0 recorders and dual UHS-II SD card recorders so you can choose the media that works best for you. C-Fast cards are ideal for full resolution RAW recording, while SD and UHS-II cards are inexpensive and commonly available, making them perfect for recording ProRes Ultra HD files or RAW HD files. Simply choose the media type, insert the cards and start shooting with dual slots for each media type, you never have to stop recording because when the first card is full, it automatically continues onto the next card. You can even swap the full card for an empty one, all without having to stop recording URSA Mini Pro can record lossless 12-bit CinemaDNG RAW files for the highest possible quality, or 10-bit ProRes files for easy post production workflows with minimum storage requirements Built in Monitoring
Fold out touch screen for monitoring and camera controlThe built in 4” fold out touchscreen URSA Mini Pro and the 5” fold out touchscreen on URSA Mini are super bright, high resolution colour displays with a wide viewing angle that makes them perfect for monitoring and reviewing shots on set The screen can also show you a “heads up display” overlay with critical information such as format, frame rate, timecode, ISO and more. You even get a histogram, card recording status indicators and audio meters The fold out touchscreen lets you use the incredible new URSA Mini operating software so you get super-fast access to every camera function, ATEM broadcast switcher integration features for live broadcast, digital slate for metadata management and more Advanced URSA Mini Software
Incredibly fast software with revolutionary new user interface All URSA Mini cameras feature a new user interface that revolutionizes the way you work The advanced camera operating software lets you use simple tap and swipe gestures to control all features, setup, the digital slate and more. You get powerful and super-fast software with a unique heads up display that puts commonly used functions at your fingertips. Simply touch an on screen icon to make changes for things such as audio levels, white balance, shutter angle and more you’ll instantly see sliders and controls for making adjustments without ever having to navigate through any menus the new digital “slate” makes entering metadata faster than ever before with a built in dictionary, predictive entry and on screen keyboard. Using a professional digital film camera has never been faster Highly Customizable
Flexible enough to be rigged for any production Blackmagic URSA Mini cameras are completely customizable so you can create a rig that’s built specifically for your production you can add accessories like the Blackmagic URSA Viewfinder, URSA Studio Viewfinder and Blackmagic URSA Mini Shoulder Kit, or choose from hundreds of third party accessories. URSA Mini and URSA Mini Pro have 9 standard ¼” threaded mounting points on the top and bottom of the camera so you can mount it directly to a tripod as well as add accessories such as rails, sliders, matte boxes, microphones, ring lights, batteries and more. Whether you’re building a feature film rig or outfitting the camera for an ENG style shoot, URSA Mini has all of the mount points and connections you need High Resolution Viewfinder
Full HD display and glass optics makes precise focus easy. The optional Blackmagic URSA Viewfinder is designed to be the perfect match for URSA Mini Pro and URSA Mini cameras. You get a high resolution 1920 x 1080 colour OLED display matched with precision glass optics, adjustable diopter and built in digital focus chart so you get perfect focus every time. To preserve OLED screen life, there’s a built in sensor so the OLED only turns on when you’re looking through the viewfinder. The Blackmagic URSA Viewfinder is adjustable so it can be used on both the left or the right eye. There’s even a built in record light Blackmagic URSA Studio Viewfinder
Turn URSA Mini into a true professional studio camera. The URSA Studio Viewfinder is a true professional viewfinder for URSA Mini Pro and URSA Mini. You get a bright 7” screen with large handles and variable tension pivot points that let you smoothly adjust the viewfinder’s position and angle, even while you’re live on air. The tactile knobs and buttons give you direct control of settings so you can keep your eye on the action combined with the new software update for URSA Mini, the URSA Studio Viewfinder turns your URSA Mini into the ultimate live production camera you get support for talkback, tally, and program return, along with remote control of focus, iris, colour balance and more, all from your ATEM Switcher Professional Connections
Full size, durable connections that work with standard cables Blackmagic URSA Mini Pro features multiple connections such as 12G-SDI out, HD-SDI monitoring out, 2 LANC inputs, balanced XLR audio with phantom power, timecode in and reference input. On the front right side of the camera is a
12 pin Hirose control connector for broadcast lenses. There’s also a 4 pin XLR DC and an HD-SDI monitoring output that are located in the perfect position for connecting an optional viewfinder or on set monitor. The 12G-SDI output handles all formats up to 2160p60 using a single BNC cable, and also switches to 6G-SDI or HD-SDI depending on the shooting format.
Work with all formats up to 2160p60 over a single cable 12G-SDI is an incredible 8 times faster than regular HD-SDI which makes it fast enough for Ultra HD video at up to 60 frames per second, all over a single regular SDI cable the high quality BNC connections are multi rate so it can automatically switch and work with 6G-SDI, 3G-SDI, and regular HD-SDI equipment. That means URSA Mini Pro and URSA Mini are compatible with all of your existing HD and Ultra HD equipment so you can plug it into things like ATEM live production switchers, on-set monitors, decks and more Professional Audio
Built in production quality sound recording URSA Mini Pro has a high quality microphone and professional audio recorder built right in so you don’t have to carry around extra sound equipment use the built in stereo microphone to record natural location sound or connect professional microphones using the two XLR wide dynamic range mic inputs. The XLR connections have 48V of switchable phantom power so you can plug in everything from shot gun to wireless clip on mics for capturing every detail of the performance. You can quickly adjust levels using the external knobs and monitor audio using the onscreen audio meters.
Embedded metadata, store location, camera orientation, scene details and more. The built in touchscreen makes it astonishingly simple to set up and enter metadata for tagging clips. Metadata is saved directly in the video files so you don’t have to worry about managing extra sidecar files. You can import the files directly into software like DaVinci Resolve, Final Cut Pro and Avid Media Composer then use the metadata to sort, search and find the clips you need so you can spend more time on creative editing and less time managing mountains of media Flexible Power
Compatible with industry standard batteries and power URSA Mini Pro and URSA Mini cameras include a 4-pin XLR industry standard power connector that works with 12V to 30V external power supplies. That means it’s easy to use the camera with all of your existing power supplies and batteries all URSA cameras use the same battery power connector and mounting points on the rear of the camera so you can use a wide range of battery plates from manufacturers such as IDX, Frezzi, Anton Bauer and more. You can also add the optional Blackmagic URSA VLock Battery Plate for using popular V-Mount batteries.