DigiBroadcast is home to an amazing range of audio and visual broadcast equipment from industry-leading manufacturers including Sennheiser, Sony and Panasonic. No matter what your requirement, you’ll find our range of film equipment, including used camcorders, lenses, tripods, headphones and more, all of which you’ll find in great condition and ready to operate immediately.
Our broadcast equipment is available at amazing prices, and we ensure that each and every one of our products is given a stringent examination to identify any faults and ensure that the equipment is in full working order. With a fantastic selection of second-hand cameras and camcorders available for all of your filming and broadcast needs, whether professional or a budding hobbyist, there’s a massive range of used VTR & DDRs, cameras, lenses, accessories, microphones and much more to pick from among our premium selection of pre-owned products.
Angenieux 24-290mm, Lens, used
The Angenieux 24-290mm Optimo Zoom T2.8 features a PL Mount (conversion to EF or Panavision mount possible, but not included), with an extremely fast T2.8 max. aperture, with no ramping. The superb image quality while wide open has caused many to consider this lens a "variable prime".
This lens covers up to S35 3 perf. (Ø 30 mm) natively and expands to Ø 35mm when used with Optimo extenders (not included).
327 degrees focus rotation with over 70 precise markings Calibrated focus marks available in feet or metric (easily interchangeable) Short MOD of 4'
(1.2m) Adapted to extreme production environments (back focus temperature compensation system from -20°C to +45°C) Robust zoom / focus mechanism Mechanical components based on light-weight material with dedicated anti-abrasion coating Aberration correction properly carried out, high-tech corrective glass to improve performance Compatible with Optimo 1.4x and 2x extenders (not included) 35-420mm T4 (with 1.4x extender) 48-580mm T5.6 (with 2x extender) Available in PL mount, conversion to EF or Panavision mount possible (not included)
Focal Length: 24-290mm
Zoom Range: 12x
Geometric Aperture: f2.5
Photometric Aperture: T2.8
Minimum Object Distance: 4' (1.22m)
Weight: 24.25 lbs. (11kg)
Technical Specs • Aperture: T3.5 • Zoom ratio: 10x • Weight (approx.): 10.5 lbs (4.7 kg) • Length (approx.): 13 in (330 mm) • Close Focus: 5' 7" • Image coverage: 35mm (30 mm diagonal) • Front diameter: 136mm
Angenieux Optimo 15-40mm, Lens, used
3 month warranty
PL Mount lens
In Feet scale
Superb image quality from T2.6 open aperture Compact and very light (1.92 kg / 4.2lbs) Identical center of gravity on all Optimo lightweight zoom lenses enable quick lens interchange Perfect homogeneity of color, contrast and resolution. Low distortion No ramping, minimal breathing, very fast for 2.7x zoom ratios Close focus of (2ft / 0.6m) facilitates shooting in tight locations Internal focus, internal zoom, constant lens volume Precise and ergonomic focus ring with scale rotation of 320 degrees & over
50 focus marks.
Interchangeable focus scale ring from feet to meters Adapted to extreme production environments (back focus temperature compensation system from -20°C to +45°C) Compatible with Optimo 1.4x and 2x extenders 21-58mm T3.7 (with 1.4x) 30-80mm T5.2 (with 2x) Image coverage: S35+ (Ø 31.4 mm), expanded to Ø 35 mm when used with Optimo extenders (more info in DOWNLOAD section) Available in PL mount. Easily interchangeable to Panavision, Canon EF, mounts Compatible with ASU servo unit (integrated motors for FTZ remote control through industry standard control systems)
Arri ALEXA SXT Plus Camera, 205 hours, Kit, used
ARRI's ALEXA SXT Plus (Super Xtended Technology) cameras represent the next exciting step in the continuing evolution of the ALEXA family. Retaining the rock-solid foundation on which ALEXA is built, ALEXA SXT Plus cameras additionally offer ProRes 4K recording, improved image quality, powerful colour management and three fully independent HD-SDI outputs.
Ever since its launch, the ALEXA system's fundamental advantage has been its unique combination of the highest overall image quality with the most efficient workflows on set and in post. Based on extensive market feedback, the ALEXA SX PlusT line of cameras further improves upon those qualities, raising the widely-accepted gold standard set by ALEXA still higher.
The Alexa SXT 35mm-format film-style.
Arri Zeiss Ultra Prime lenses, Set of 4, used
ARRI / ZEISS Ultra Prime Lenses have the widest focal range of prime lenses giving you the flexibility to get the coverage you want. The Ultra Prime lenses are lightweight standard speed lenses that are a perfect optical match to the high speed ARRI / ZEISS Master Prime lenses. They have been developed in a cooperation of ARRI and ZEISS.
AX1 is a powerful pixel controllable LED RGBW baton that can be mounted at event and film sites to light up people and objects or create indirect lighting effects. A highly creative device that offers an infinite range of possibilities.
In box: 1 Large Astera Peli Case (Containing):
4 Astera AX1 Pixel Tubes
8 Mini C-Clamps
8 Spigots 3/8 - 1/4
8 M5 Mini Eye Bolts
4 Safety Cables (Max W20kg, L70cm)
4 Metal Floor Stands (w/ x1 Circular 1/4 Screw Each)
1 IEC Cable
1 Internal Charger with 8 Way SC Charging Cable
1 Astera Quick Start Guide
1 Astera AX1 Content Sheet
1 Small Astera Peli Case (Containing):
1 Asterabox ART7 / CRMX Transmitter
1 Astera ARC1 IR Remote
1 DMX 5-Pin XLR-jack Cable
2 USB-Mini Charging Cable
1 AC/DC Adaptor Plug
Blackmagic OLED URSA Viewfinder, Used
Blackmagic Camera 6.7 Update Information Add support for new URSA Broadcast gain settings.
Add support for new 4:5 and 1:1 frame guides.
Camera Update 6.4 - New features for URSA Viewfinder:
Improved support for URSA Mini Pro 4.6K G2 built in LUTs.
Improved overlays when used with URSA Mini Pro 4.6K G2.
Improved UI elements for drop frame timecode.
Improved UI elements for URSA Mini Pro 4.6K G2 USB-C record.
Improved iris readout.
Fixed record dot bug with status display.
High Resolution Viewfinder, Full HD display and glass optics makes precise focus easy The optional Blackmagic URSA Viewfinder has been designed to be the perfect match for Blackmagic URSA digital film cameras.
Blackmagic URSA MINI SHOULDER KIT - With LanParte Extension Arm
Blackmagic Design URSA Mini Shoulder Kit. Be ready to shoot anywhere! Kit includes shoulder pad with built in rosettes, rail mounts, integrated tripod quick lock release and top handle.
Key features Form-fitted for the Sony PMW-200 camcorder Tailor-made of waterproof near silent fabric Protection against bad weather conditions Full access to the controls, ports, memory cards, display, zoom and battery compartment Strong Easy-on-Easy-off construction with hook and loop fasteners and YKK® zippers Handmade in France, Europe
Canon C300 MKii Camcorder 450 Hours Used
Canon C300 MK II Camcorder Package 450 Hours, Used, Great Condition, 3 Month Warranty
*The following applies to new units of the camera*
The EOS C300 Mark II is a new 4K video camera allowing filmmakers and broadcast producers to realise their creative vision in stunning cinematic detail. Building on the unprecedented success of the acclaimed EOS C300, the more rugged EOS C300 Mark II features an advanced imaging engine with dual DIGIC DV5 processors, new professional codecs and outstanding dynamic range, making it the most capable, flexible and accessible Cinema EOS video camera to date.
Supreme 4K image quality and versatility
With the ability to record 10-bit 4:2:2 files internally at up to 410Mbps in 4K, or 10/12-bit 4:4:4 files in 2K/Full HD,withup to 15 stops of dynamic range,the EOS C300 Mark II provides footage suitable for extensive post-production work, producing crisper images across the full colour spectrum with reduced "colour bleed". The cameraoffers professional filmmakers and broadcasters alike the very best image quality,recording 4K in both broadcast (3840 x 2160) and DCI cinematic (4096 x 2160) resolutions.The EOS C300 Mark II can record high bitrate 4K files internally to dual CFast 2.0T media, while simultaneously recording 4K RAW files to an external recorder,offering the flexibility and universal appeal for production at the highest quality available today. Additionally,the ability to record 2K/Full HD Proxy files to an internal SD card, at the same time, further streamlines the production workflow process.
The new Canon-designed Super 35mm CMOS sensor and an increased ISO range up to ISO 102,400 deliver exceptional low light performance, allowing operators to capture low-noise footage across a variety of challenging environments without compromising on image quality.
To meet the requirements of a diverse range of shooting applications, the EOS C300 Mark II offers both full manual control, ideal for cinematic environments, as well as automatic modes. These include,enhanced Dual Pixel CMOS AF (now covering approx. 80% of the frame vertically and 80% horizontally), auto white balance and Face Detection AF, all making it easier for independent news gatherers and documentary filmmakers to shoot on the go.
Instant integration into professional workflows
Canon's new range of XF-AVC H.264 codecs, designed to be compatible with industry standard Non-Linear Edit systems, makes integrating both 4K and 2K/Full HD footage into workflows effortless, while maintaining the highest image quality.The range features XF-AVC intra for 4K, andXF-AVC Long GOP and Proxy options for 2K/Full HD recording,both of which utilise H.264 codec, offering post production flexibility and ease of use.Filmmakers can select the resolution and codec type that best suits their production,with the EOS
C300 Mark II capable of shooting at up to 30P in 4K or up to 120P in 2K/Full HD. The EOS C300 Mark II offers support for a wide range of colour space options, including BT.2020, the Canon Cinema Gamut and DCI-P3. The camerais also the first Cinema EOS model to feature brand new Canon Log2 technology, which enables the 15-stops of dynamic range, significantly widerthan previous Cinema EOS cameras.The camera offers new versatility for sound recording too, supporting 4-channel audio recording in 16 or 24 bitand 48 kHz.
Designed for versatility
The EOS C300 Mark II boasts the iconic Cinema EOS design DNA - a modular body that can be adapted to suit the needs of each shooter and filming situation, through the extensive range of compatible accessories.
Internally, the EOS C300 Mark II also includes built-in electronically controlled glass ND (neutral density) filters, which reduces the amount of light reaching the sensor by up to 10 stops in expansion mode.Compatibility with the RC-V100 remote control and optional Wi-Fi controlalso enables ease of use in a wider range of locations.
The camera's sensor read-out speed is now twice as fast as the original EOS C300, and further reduces rolling shutter distortion, allowing for crisp image capture in a moving environment, making it perfectly suited for capturing action sequences.
Leveraging Canon's rich heritage in lens design, the EOS C300 Mark II is compatible with more than 90 current EF and EF Cinema lenses allowing operators to use their existing EF mount lenses. In addition, the EOS C300 Mark II comes equipped with Canon Cine servo zoom lens support, delivering one of the most comprehensive selections of lens possibilities for movie and broadcast production available in the market today.For further flexibility, shooters can opt to change the lens mount from the default EF Mount,to EF Mount with Cinema Lock, or tothe industry standard PL mount, as a service option.
Good condition, 3 month warranty
Canon FPD-400D (FPD400D FPD 400 D) Digital focus servo demand
Canon's FPD-400D is a digital focus servo demand for use with Canon lens controller kits, such as the SS-41-20D, SS-42-20D, SS-41-IASD and SS-42-IASD. It provides precision focus control and is useful in a variety of professional broadcast applications.
Aperture - T1.9 Zoom Ratio / Range - 11x / 4.7mm - 52mm Built-in Extender - 2X Close Focus 12" / 0.3m (from front of lens) Close Focus 23" / 0.59m (from image plane) Front Diameter - 95mm Length - 9.5" / 241mm Weight - 4.29 lbs...
Canon HJ11 x4.7B IRSE Wide Angle Lens, Used Comes with 3 month warranty Good condition Canon HJ11ex4.7B IRSE e-HDxs 11x 2/3 In. EFP High Definition Ultra-Wide Angle Lens, with 2x Extender, Manual Focus, Servo Zoom and Iris provides the performance ENG and EFP shooters demand at every production platform budget level. The HJ11ex4.7B utilized breakthrough...
3 month warranty
It a strategic member of the family of seven HD portable EFP lenses offered by Canon that collectively offers an unusually broad range of creative options.
This particular lens was optimized for the highest EFP performance. Its relatively large input section includes innovative optical compensation to reduce focus breathing to an extremely low level. It is intended for producers and broadcasters having as their foremost priority a long focal length capability, wide-angle field of view, and exceptional optical performance. This has been achieved in a modest 5.65 lbs overall package.
The optional flexibility of Canon's Crossover aspect ratio switching system makes it a superb performer for both 16:9 widescreen and standard 4:3 image formats.
ABOUT THIS LENS
The HJ21ex7.8B has an established track record as the long lens of preference in a wide variety of reality television productions.
Combining a 21x zoom range with generous wide-angle of 65.2 degree horizontal (for the 16:9 aspect ratio) this lens has proven to be a superb workhorse that can address a wide range of field production projects. It is noted for its unusually low focus breathing. Its 3-group focusing system minimizes chromatic aberrations at wide-angle operation.
The design optimization strategies sought a high and balanced MTF profile over the entire image plane at an approximate F4.0 aperture setting.
Relative light distribution was optimized for F2.8 and above and this uniformity of brightness across the image plane combines with the high contrast and excellent picture sharpness to produce vividly clear HD pictures. Contrast was extended by superb control of black reproduction - with optical and mechanical design innovations that substantially reduced flare, veiling glare, and any internal reflections. Similar attention to minimization of ghost images and other highlight-related chromatic distortions caused by strong light sources on-axis and off-axis further extend the operational contrast range of the lens.
Very good condition
A great partner lens to the Canon HJ14, the Canon HJ22 boasts the longest focal length of Canon's portable HD lenses (without image stabilisation).
Focal range gives best of both worlds
With a focal length of 7.6-168mm, the HJ22 gives you the best of both worlds. It has a wide shooting angle combined with a long focal length, covering a range of shooting scenarios. And the focal length can be doubled to 336mm with the built-in 2x extender, giving you even more flexibility.
Lightweight and flexible
The Canon HJ22 is a lightweight lens, weighing less than 2kg, making it highly portable. Like its close relation, the HJ14, the HJ22 works with zoom and focus demand, which are included in the kit. And iris control allows remote operators to make key adjustments to exposure, leaving the cameraman free to concentrate on the shot.