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Used Broadcast Equipment

DigiBroadcast is home to an amazing range of audio and visual broadcast equipment from industry-leading manufacturers including SennheiserSony and Panasonic. No matter what your requirement, you’ll find our range of film equipment, including used camcorders, lenses, tripods, headphones and more, all of which you’ll find in great condition and ready to operate immediately.

Our broadcast equipment is available at amazing prices, and we ensure that each and every one of our products is given a stringent examination to identify any faults and ensure that the equipment is in full working order. With a fantastic selection of second-hand cameras and camcorders available for all of your filming and broadcast needs, whether professional or a budding hobbyist, there’s a massive range of used VTR & DDRs, cameras, lenses, accessories, microphones and much more to pick from among our premium selection of pre-owned products.

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  • Reference: FMP57879RNSH

    Form Factor PCIe computer card Bus Interface PCI Express 2.0 x1 Peripherals Supported Industry standard USB 3.0, 2.0, and 1.1 peripherals Bus Powered Peripherals Supported HDs, SSDs, DVDs, and Blu-ray devices up to 2A per port(2) Cables Supported USB 3.0 with Standard-A male connector, USB 2.0 with Standard-A male connector(1) Chipset Fresco Logic RoHS Compliant...

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  • Reference: FMP57873ABBR

    The Touch & Go quick release camera plate and sliding balance platform mean that once you've clicked your camera into place, the entire platform adjusts to balance your setup. The Sachtler Speedbalance technology provides lightning fast weight compensation, making the Video 18 S2 a time-saver as well as a reliable part of your gear.

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  • Reference: FMP57871ABBR

    Sigma 18-35mm f1.8 DC Art HSM Lens Key Features: Impressively fast constant aperture of f/1.8 Features a minimum focusing distance of 28cm and a maximum magnification ratio of 1:4.3 making this lens ideal for close-ups Designed for APS-C (crop) sized sensors 35mm equivalent focal length: 28.8-56mm Hyper Sonic AF Motor for quiet, high-speed AF Includes...

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  • Reference: FMP57870ABBR

    The Sigma 50-100mm f/1.8 DC HSM Art Lens will win no awards for its zoom focal length range, but as of review time, no zoom lens has a wider aperture. And, at the 100mm end of the range, there is no equal even among the prime lens offerings. The f/1.8 max aperture, available over the...

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  • Reference: FMP57869ABBR

    Lens comes with: .     feet scale .     meters scale (separate) .     1.4x extender Optimo .     2.0x extender Optimo .     calibration shims .     lens holder (2 parts) vertical .     zoom stick .     NO lens horizontal holder (bridge) neither rods (15 or 19)

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  • Reference: FMP57867ABBR

    SUMMARY Focal Length: 7.6-168mm Lens Type: Telephoto Zoom, Wide Zoom Lens Mount: 2/3 Bayonet Type: Video

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  • Reference: FMP57866ABBR

    Key Features: 20x Zoom Ratio and 2x Extender Fast f/1.8 Max Aperture at 8.5-113mm Manual Focus and Servo Zoom Innerfocus and QuickZoom

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  • Reference: FMP57858ABBR

    Please call the sales team for more information on specifications.

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  • Reference: FMP57857ABSH

    Sony SxS-1 SBS32G1B 32GB Card Pack, used

    3 month warranty with the 3x SxS-1 cards

    These new SxS-1 memory cards feature the same high reliability and durability that users have become accustomed to, along with offering life time indication function when used with XDCAM or XDCAM EX equipment, and a wide range of operation/storage temperatures allowing users to shoot in severe conditions.

    The SBS32G1B is compatible with XDCAM EX equipment updated with the latest firmware. The 32G1B cards are also compatible with the new PMW-500 camcorder and PDW-HR1 field station with PDBK-MK1 SxS Memory Card adapter.

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  • Reference: FMP57856RNSH

    Size & Weight DIMENSIONS (W X H X D) Approx. 1.97 x 0.56 x 3.86 in WEIGHT Approx. 1.83 oz General Features INTERFACE SuperSpeed USB (USB 3.1 Gen 1) OPERATING TEMPERATURE RANGE 41°F to 104°F WARRANTY 1 year COMPATIBLE DEVICE XQD memory card ver. 1.0/ver. 2.0; SDXC/SDHC UHS-II memory card; SDXC/SDHC UHS-I memory card; SDXC/SDHC/SD...

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  • Reference: FMP57849RNSH

    Interface High-speed USB (USB 2.0 compliant) Power supply DC IN: 12 V (for supplied MPA-AC1 AC adaptor) Power consumption 3 W Dimensions (WxHxD) Approx. 104.5 x 30 x 132 mm (4 1/8 x 1 3/16 x 5 1/4 inches) with projection Mass Approx 200 g (7 oz) Operating temperature +5 to +40 C (+41 to...

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  • Reference: FMP57845ABSH

    Capacity: 120GB Interface: PCIe Gen2 + USB3.1 Operating Temperature: -25°C to +65°C Storage Temperature: -40°C to +85°C Weight: Approx. 10g Dimension (HxDxW): 29.6 x 38.5 x 3.8 mm Read Speed: 3.2Gbps (400MB/s) Write Speed: 2.8Gbps (400MB/s) 5x Tougher Up to 40minutes of 4K XAVC Intra 422 60p (600Mbps) recording with Sony's 4K video cameras Ultimately...

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  • Reference: FMP57846ABSH

    Capacity: 120GB Interface: PCIe Gen2 + USB3.1 Operating Temperature: -25°C to +65°C Storage Temperature: -40°C to +85°C Weight: Approx. 10g Dimension (HxDxW): 29.6 x 38.5 x 3.8 mm Read Speed: 3.2Gbps (400MB/s) Write Speed: 2.8Gbps (400MB/s) 5x Tougher Up to 40minutes of 4K XAVC Intra 422 60p (600Mbps) recording with Sony's 4K video cameras Ultimately...

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  • Reference: FMP57847ABSH

    Capacity: 120GB Interface: PCIe Gen2 + USB3.1 Operating Temperature: -25°C to +65°C Storage Temperature: -40°C to +85°C Weight: Approx. 10g Dimension (HxDxW): 29.6 x 38.5 x 3.8 mm Read Speed: 3.2Gbps (400MB/s) Write Speed: 2.8Gbps (400MB/s) 5x Tougher Up to 40minutes of 4K XAVC Intra 422 60p (600Mbps) recording with Sony's 4K video cameras Ultimately...

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  • Reference: FMP57844ABSH

    Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera System 

    Original accessories, great condition, 39 hours and a 3 month warranty


    Combined Sony's technology in Digital cinema camera Venice, FS series and a

    (Alpha) ILC cameras. Sony's full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone.


    The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.


    The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder.


    You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus.


    You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR's, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module.


    The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9.


    Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette.


    Capturing the Impossible


    Make sure your story's always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications.


    Shoot in Comfort, Expand your Horizons


    FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world's first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9.


    6K Full-Frame "Exmor R" Sensor for Stunning Picture Quality


    The camera's full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony's Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9's 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.


    DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release.


    Phenomenal 15+ Stops Dynamic Range for Limitless Expression


    FX9 offers an exceptional 15+ stops of dynamic range - beyond the normal range of human perception - allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene.


    RAW recording requires future firmware release and external recorder.


    Dual Baso ISO for stunning images in any light


    FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you're using slow lenses. Combining Dual Base ISO with the camera's electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions.


    ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode.


    Cinematic Colour Science with S-Cinetone


    S-Cinetone is the default look of FX9 that's tuned to meet the requirements of today's content creators with rich mid-range colours, alluring facial tones and a softer tonal look - developed with the same expertise as Sony's world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look.


    Selectable Frame Rates in Both Full-Frame & Super 35


    Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology.


    Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware


    In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode:

    selectable at 1-60fps


    Supported in future firmware update


    Supported in future firmware update. RAW output only


    Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal)


    Catch the Action with Enhanced Fast Hybrid AF


    Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera's full-frame sensor. Developed by Sony's α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces.


    The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects.


    Customisable AF Settings


    FX9's comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.


    7-level AF transition speeds from Fast - switching between subjects as quickly as possible - to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.


    5-level AF subject shift sensitivity ranges from Locked-on - ignoring other moving subjects in the frame - to Responsive that switches focus from one subject to another - ideal for snapping between race cars as they speed by.


    AF Assist


    You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind.


    One Push AF


    While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF.


    Autofocus with all E-Mount Lenses


    Experience smooth, responsive autofocus with every E-mount lens, including Sony's new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses.


    World's First Electronic Variable ND Filter for Full-Frame Sensor


    Realise even greater creative control with Sony's unique built-in electronic variable neutral density (ND) filter - a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects.


    The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment.


    Proven Ergonomics & Accessories Compatibility


    FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.*


    The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style - handheld, at waist level or shoulder mounted.


    The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap.


    16-bit RAW Capability


    16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9's exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional

    XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.**


    RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle


    Stable, Shake-Free Handheld Footage


    Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9's built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**.


    Catalyst Browse/Catalyst Prepare Ver.2019.2 is required.


    Resolution and angle of view reduced compared to native footage.




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  • Reference: FMP57848ABSH

    Capacity: 120GB Interface: PCIe Gen2 + USB3.1 Operating Temperature: -25°C to +65°C Storage Temperature: -40°C to +85°C Weight: Approx. 10g Dimension (HxDxW): 29.6 x 38.5 x 3.8 mm Read Speed: 3.2Gbps (400MB/s) Write Speed: 2.8Gbps (400MB/s) 5x Tougher Up to 40minutes of 4K XAVC Intra 422 60p (600Mbps) recording with Sony's 4K video cameras Ultimately...

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  • Reference: FMP57619RNSH

    Type: Closed-back Dynamic (Headphone) Cardioid Dynamic (Microphone) Driver Diameter: 40 mm (Headphone) Magnet: Neodymium (Headphone) Voice Coil: Copper-clad aluminum wire Frequency Response: 20-20,000 Hz (Headphone) 40-20,000 Hz (Microphone) Maximum Input Power: 1,600 mW at 1 kHz Sensitivity: 100 dB (Headphone) -57 dB (1.4 mV) re 1V at 1 Pa (Microphone) Impedance: 65 ohms (Headphone) 560 ohms (Microphone) Weight: 264...

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  • Reference: FMP57843RNSH

    General: Capacity : 256GB Form Factor : CFast Dimensions : 42.8 × 36.4 × 3.3 mm (1.69 × 1.43 x 0.13 inch) Weight : approx. 10 g Performance Sustained Read Speed : Up to 550 MB/s Sustained Write Speed : Up to 400 MB/s Reliability MTBF : 2,000,000 hours Data Reliability : Built-in EDC/ ECC...

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  • Reference: FMP57840MLBR

    Paralinx Arrow-X 1:2 s SDI Transmitter with Antennas, 2x Receiver with Antennas, Used

    The Paralinx Arrow-X SDI 1:2 Wireless System is a revolutionary HD Video Transmission system offering Realtime Wireless HD with robust long range for your Television, Film, Broadcast, Industrial or UAV/UAS application. The Paralinx Arrow-X SDI transmitter transmits full-HD

    1080p/60 with a range of up to 700' (215m) with default antennas (longer range possible with optional antennas) and still maintains an incredible sub 1ms latency glass-to-glass.


    Both the Arrow-X HDMI transmitter and receiver feature 2-Pin Lemo power connectors capable of a wide 7-17V unregulated input voltage. The Arrow-X features 3G-SDI input (transmitter) and dual 3G-HDSDI outputs (receiver).

    Much like the popular Paralinx Tomahawk, the Arrow-X transmits Full-HD video (up to 1080p/60 4:2:2) with less than 1 millisecond delay and is capable of handling up to 4 simultaneous receivers.

  • Reference: FMP57836RNSH

    Weight: 208g (0.5 lbs) Dimensions: 142.8 x 40.9 x 34.6 mm (5.6 x 1.6 x 1.4 in)

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    Now £200.00 Was: £226.00
  • Reference: FMP57828KSSH

    Overall Width: 21 cm  (8 1/3 inches) Length of floor section: 9 cm (3 1/2 inches) Length of lens-tubus: 5 - 12 cm (2 - 5 inches) Total length: 14 - 21 cm (5 1/2 - 8 1/2 inches) max. Filter Diameter: 82 mm  Weight: 0.7 kg (1.5 lbs)

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  • Reference: FMP57829KSSH

    Ball Flat: Flat Base Diameter: 43mm /1.69" Bubble Spirit Level (No.): 1 Colour: Black Dimensions: 8.5 x 11 x 38cm / 3.34 x 4.33 x 14.96" (L x W x H) Easy Link / Accessory Attachment: No Front Tilt: -90° / +65° Head Type: Video / Fluid Head Material: Aluminium, Stainless steel, ABS Plastic, TPE...

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  • Reference: FMP57833ABBR

    Leitz Thalia, 7 Lens Cine set, used

    Amazing quality, 3 month warranty

    The Leica Thalia prime lenses offer a consistently cinematic look and feel throughout the range of the 7 lenses.


    The lenses are incredibly lightweight and compact with a matched from diameter of 95mm and are available in PL mount with /i Technology metadata contacts. The unique always-round iris design creates a bokeh that is smooth, distinct and full of character. And although these are not vintage lenses, the Leica Thalias offer many of the characteristics that have led cinematographers to pair older lenses with digital sensors.

    They are smooth, forgiving, and clear without being overly sharp.


    The Leica Thalia is a prime cine lens with a PL mount that is compatible with the ARRI Alexa 65. 

  • Reference: FMP57830ABBR

    Sigma 14mm T2 FF High Speed Prime Cine Lens, used

    Good condition, 3 month warranty, has a small blemish, from rubbing on the lens cap, and a small scratch both on the front element.

    Neither mark seem to affect the optical quality of the lens but I’ve reduced the price to reflect this. 


    The Sigma 14mm T2 FF Prime Cine Lens is compatible with full frame, and while being more compact, it can offer superior resolution than other high-end prime sets do. With the five prime lenses from FF High Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts, and it is possible to meet the demands that professional movie creation requires.


    The high speed prime lenses are compatible with full frame sensors and, while being more compact, can offer higher resolution than other high-end prime sets do.

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