DigiBroadcast is home to an amazing range of audio and visual broadcast equipment from industry-leading manufacturers including Sennheiser, Sony and Panasonic. No matter what your requirement, you’ll find our range of film equipment, including used camcorders, lenses, tripods, headphones and more, all of which you’ll find in great condition and ready to operate immediately.
Our broadcast equipment is available at amazing prices, and we ensure that each and every one of our products is given a stringent examination to identify any faults and ensure that the equipment is in full working order. With a fantastic selection of second-hand cameras and camcorders available for all of your filming and broadcast needs, whether professional or a budding hobbyist, there’s a massive range of used VTR & DDRs, cameras, lenses, accessories, microphones and much more to pick from among our premium selection of pre-owned products.
Imaging Image Sensor: 3-Chip 1/2" CMOS Sensor Effective Sensor Resolution: 3840 x 2160 Signal-to-Noise Ratio: 63 dB Minimum Illumination: 0.0013 lux Lens Focal Length: 5.6 to 95.2mm 35mm Equivalent Focal Length: 30.3 to 515mm Optical Zoom Ratio: 17x Maximum Aperture: f/1.9 Minimum Aperture: f/16 Filter...
HELIUM 35.4 Megapixel CMOS 16.5+ stops REDCODE RAW up to 8K Full Frame (8192 x 4320) and 60 fps REDCODE RAW up to 8K 2.4:1 (8192 x 3456) and 75 fps Apple ProRes 422 HQ up to 4K (4096 × 2160) and 29.97 fps ...
Sensor Type - Super 35 format ARRI ALEV III CMOS sensor with Bayer pattern color filter array Sensor Maximum Resolution and Size - 3200 x 1800 28.25 x 18.17 mm / 1.112 x 0.715" ⌀ 33.59 mm / 1.322" Sensor Frame Rates - 0.75 - 200 fps Weight - ∼4.1 kg / ∼9.2 lbs
Videographers used to shooting video in a typical ENG-style will be very comfortable with the servo. Cinematographers will also be right at home with this lens. With the detachable drive removed, the lens is set to accept industry standard cine motors and matte boxes. Plus, the lens has all the lens data output that appeals...
Used - good condition
3 month warranty
Includes lens caps for front, rear elements and lens hood with cap
At 2kg, the B4-mount HJ14ex4.3B IASE is THE wide-angle workhorse of the broadcast industry. It has proved itself time and time again to be a tried and tested tool for capturing HD content. Features Dual servo for zoom and focus.
3 month warranty, good condition
Sony XDCA-FS7 (XDCAFS7, XDCA FS7, XDCA/FS7, xdca-fs7)
(PXW_FS7,PXW/FS7) (PXW_FS7K, PXW/FS7K) Extension Unit for the PXW-FS7 and PXW-FS7K 4K Video Cameras
This extension Unit offers multicamera support for the PXW-FS7 4K video camera, including Apple ProRes 422 encoding
While the PXW-FS7 XDCAM camera comes with internal XAVC and MPEG-2 recording on XQD media you can attach the optional XDCA-FS7 Extension Unit. The box is attachable via a MultiPin connector so there are no hassles about cables.
The Extension Unit offers additional I/O connectors like Timecode and Genlock for multi-camera operation or the possibility to use common V-Mount batteries. It also allows RAW data output to record 12-bit RAW footage on the AXS-R5 (in combination with HXR-IFR5), or another third party RAW recorder via the FS RAW Interface. The XDCA-FS7 will encode the video stream into the Apple ProRes 422 codec, which is then recorded on to the internal XQD media.
Apple ProRes 422 recording
A built-in Full HD ProRes encoding function enables ProRes-format recording to an XQD card in the camera.
Firmware update, early 2015.
Allows 12-bit RAW recording on an external recorder
The XDCA-FS7 is needed for PXW-FS7 to record 12-bit RAW footage on the
AXS-R5 (in combination with HXR-IFR5), or another third party RAW recorder.
The RAW data will be outputted via the FS RAW Interface on the extension unit and is fully compatible with the NEX-FS700 RAW data.
Enables Timecode and Genlock for multi-camera operation or the possibility to use common V-Mount batteries.
3 month warranty, very good condition
Sony PXW-FS7M2 (PX-WFS-7M2, PXWFS7M2, PXW/FS7M2, pxw-fs7m2) Mark II 4K XDCAM Super 35mm Camcorder
Expanding on the original FS7, Sony's PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The camera incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount is ideal for using heavier-long cine-zooms without the need for additional lens support.
Just behind the lens mount sits an electronic variable ND system that provides a clear filter and 3 user definable presets. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps.
The camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However,
MPEG-2 recording does not support the high data rates the camera is capable of generating when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera's functions and features an adjustable length support arm.
Sensor The 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide color gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording.
XAVC comes in two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient, recording at modest bit rates and XAVC Long also substantially extends the recording time while attaining very high quality and low noise.
The Camera supports two signal processing modes; Cine-EI and Custom.
Cine-EI offers three color grading spaces for electronic cinematography production. The Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x
2160 with Y, Cb, Cr color subsampling. You can set the PXW-FS7M2 to record onboard and monitor on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with a 709 monitor LUT applied.
The PXW-FS7M2 is equipped with a locking E-Mount that provides improved stability and strength compared to a standard E-Mount. It features a safety interlock system that helps prevent accidental disengagement of your lens from the camera body. The locking mount also reduces lens play compared to a standard E-Mount and the locking mount is strong enough to support long cine and ENG zooms that normally require a lens support.
It accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers.
The shallow flange distance of the E-Mount allows you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well as many others with simple mechanical adapters.
Electronic Variable ND
Behind the lens mount sits a retractable clear filter. When you engage the internal ND filters, the clear filter retracts and a stepless electronic ND filter drops into place maintaining the proper flange focal distance. You can program the electronic ND filter to act as three individual filters and rotating the filter knob will step between these presets.
Additionally, you can manually adjust the density of the filter from 2 to 7 stops. One of the advantages of the electronically variable ND filter is that you can use the iris on your lens to set your depth of field, and then make exposure adjustments with the ND, as it does not introduce any color shift as the strength of the ND changes.
Magnesium Construction The camera body is made from magnesium, which is
lighter and stronger than aluminum. This allows the camera body to weigh only four pounds. It also incorporates a shoulder pad and is designed to sit on the operator's shoulder by extending the support arm of the SmartGrip, which allows the camera to be held in front of the operator without requiring a support rig.
SmartGrip The camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start/Stop, and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility, and it has been re-designed for additional extension adjustment.
Redesigned Viewfinder and Mic Holder Mount
With the PXW-FS7M2 the viewfinder and mic holder mount has been repositioned. The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows you to swap out the included rod with a longer rod (not included), allowing you to move the position of the viewfinder or mic holder relative to the camera. You can adjust the position of the viewfinder so a left-eye shooter can use their left eye, while the camera is resting on their right shoulder.
In addition, the viewfinder itself now rides on a square mounting rod that ensures level operation.
The PXW-FS7M2 records internally in both DCI 4K and UHD 4K at up to
59.94 fps, and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160) can be recorded internally without the need of an external recorder.
Media Card Slots The camera features two XQD media slots that support simultaneous or relay recording. The XQD card slots are shallower on the
PXW-FS7M2 compared to the FS7, making inserting and removing media cards easier.
Genlock and Timecode
Genlock and timecode breakout is available with an optional XDCA-FS7, this also allows for raw and ProRes recording with optional recorders.
Apple ProRes 422 recording A built-in Full HD ProRes encoding function enables ProRes-format recording to an XQD card in the camera. Firmware update, early 2015. Allows 12-bit RAW recording on an external recorder The XDCA-FS7 is needed for PXW-FS7 to record 12-bit RAW footage on the AXS-R5 (in combination...
• Dimensions (W x H x D) : 156 x 239 x 247 mm (body without protrusions) • Power Requirements : DC 12 V • Power Consumption : Approx. 19W (while recording XAVC-I QFHD 59.94P, SELP28135G Lens, Viewfinder ON, not using external device) • Operating Temperature :0°C to 40°C ,32°F to 104°F • Storage Temperature...
EK 100 G4 Frequency range: GB: 606 - 648 MHz Dimensions : Approx. 82 x 64 x 24 mm Compander : Sennheiser HDX THD, total harmonic distortion: ≤ 0.9 % Weight (incl. batteries): approx. 160 g Audio output: 3.5 mm jack socket: +12 dBu (mono, unbalanced) Signal-to-noise ratio: ≥ 110 dBA Switching bandwidth: up to 42...
Power Supply (rated) 7.4V DC (battery pack), 8.4V DC (DC-IN) Recording/Codec Signal System: NTSC and PAL Compression: 8 Bit MPEG-2 Long GOP Color Space: 4:2:2 at 50Mbps recording Maximum Bit Rate: 50Mbps (CBR) Canon Log Gamma: Available File Format: MXF (OP-1a) Recording Options 50Mbps (CBR) 4:2:2 422P@HL 1920x1080: 59.94i/29.97p/23.98p; 50i/25p; True 24 (24.00) 1280x720: 59.94i/29.97p/23.98p;...
Image Sensor Sensor Super35mm type CMOS System RGB primary colour filter (Bayer array) Total pixels per sensor 9.84 megapixels Effective pixels per sensor Approx. 8.85 megapixels when 4096 x 2160/2048 x 1080 resolution selected Approx.8.29 megapixels when 3840 x 2160 or 1920 x 1080 resolution selected Dynamic Range During normal shooting: 300% With Canon Log...
The PMW-500 is Sony Professional’s first XDCAM HD422 Camcorder with solid state recording. It supports full-HD 422 50-Mbps MXF record and playback based on highly developed MPEG-2 Long GOP compression technology. Uniquely, it can also be switched to record in HD 420 35-Mbps MP4 format which makes for seamless integration when used alongside XDCAM EX...
Dual Video Inputs: With HDMI and SDI inputs, VidiU Go seamlessly connects with both consumer and professional cameras, in addition to popular video switchers from Newtek, Roland, vMix, and more. Instant Live Streaming: Sometimes you need to go live in a pinch so we've simplified the boot up and configuration process so you can be...
Its highly compatible to a wide range of Sennheiser wireless microphones, be it analog or digital and can connect to virtually every Sennheiser wireless system including G3, 2000 series, 3000/5000 series and digital 9000. With the built-in web server, setup is easily managed using any browser including imports and exports of the entire configuration. The...
Control Connectors: RJ-45: 100Base-TX Standard Tally: D-Sub 37-Pin (In/Out) RS-422A Compatible with these Models: MVS8000A DVS9000 MFS2000 Operating Temperature: 41-104°F (5-40°C) Power Requirements: 100-240 VAC, 50/60 Hz Power Consumption: 0.5-0.7A Dimensions (WxHxD): 17.4 x 1.8 x 20.5 (44.4 x 4.4 x 52 cm) Weight: 18.7 lb (8.5 kg)
Came TV(SB4040, SB4040, S/B4040, S B4040)
Our foldable softboxes are easy to set up and breakdown providing a diffused output. The inside of the softbox has a highly reflective surface that bounces the light through the diffusion panel(s). Each soft box has a pair of diffusion panels an outer and inner one. In most situations the outer panel will be enough to provide a nice diffused light and the inner one can be added to provide an even more diffuse output.
Included is a zippered pouch for the foldable softbox and a zippered outer soft case to hold the speed ring, diffusion filters and the softbox. This package keeps your softbox organized and allows for easy transport when on location.
Overview 23" broadcast-standard, widescreen LCD monitor The new LMD-232W is a 23 inch wide screen LCD monitor aimed for broadcast and professional applications. The LMD-232W utilises WXGA LCD panel to provide high-brightness and high-contrast images with natural colour reproduction. Sony unveils its new line-up of elegant two-piece LCD monitors. Separating the LCD monitor unit from...
Camera Sensor 1-Chip 1/4" CMOS Optics Zoom Optical: 20x Digital: 40x Recording System NTSC Recording Media x SD/SDHC/SDXC Still Image Resolution JPEG: 2944 x 1656 Display Display Type LCD Touchscreen Yes Screen Size 2.7" Features Image Stabilization Optical Lux 5 (1/30 sec) 3 (1/15 sec) Built-In Mic Yes Built-In Speaker Yes Input/Output Connectors Inputs 1...