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Canon EOS C300 Mark 1 (M1) Camcorder EF Mount, 2673 hours, Used

code: 533420000208TGSH
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Canon EOS C300 Mark 1 (M1) Camcorder EF Mount, 2673 hours, Used

3 month warranty

Good condition

 

Leave No Story Untold.

Bringing Canon's expertise and decades of experience designing sensors, lenses, image processing and design to the world of motion picture capture, the EOS C300 camera has been designed to meet the demanding needs of cinema industry professionals, providing a modular, portable and eminently adaptable system of cameras, lenses and accessories built for moviemaking in the 21st century.

 

Featuring a unique Super 35mm Canon CMOS sensor, revolutionary Canon DIGIC DV III Image Processor and 50 Mbps 4:2:2 codec, the EOS C300 provides outstanding cinema quality movie capture. Compact, modular and compatible with Canon's existing line-up of EF and new EF Cinema lenses as well as accessories from third parties, the stunningly simple to operate EOS C300 is designed to please cinematographers for any production large and small, on location or in the studio, from shoestring to Hollywood budgets. 

 

The EOS C300 has a Canon EF lens mount and is compatible with all of Canon's new EF Cinema lenses and current EF lenses, including compact primes, super telephotos, specialty tilt-shift, macro and fisheye - over 60 in all. Designed with SMPTE HD production standards, its MPEG-2 codec is an internationally recognized standard compatible with major NLE applications while additional features such as Canon Log ensure seamless integration with existing production workflows, making post-production easy. And with an entire support infrastructure designed to help you get the most from your equipment before, during and after production, the EOS C300 is ready to go to work. 

 

New Canon Super 35mm CMOS Sensor  

Modeled on the Super 35mm 3-perf motion picture film standard, the Canon CMOS sensor has an active image size of 24.4 x 13.5mm. It uses 3840 (H) x 2160 (V) photosites to perform the crucial optoelectronic transformation of digital imaging. Each photosite is a generous 6.4 x 6.4 micrometers in area and each has a microlens that ensures the highest efficiency in light transfer to the individual photodiode. Proprietary technologies within the photosite simultaneously lower the image sensor noise floor while enhancing the photon capacity of the photodiode - a combination that assures superb dynamic range. The image sensor employs an innovative readout technique that delivers full bandwidth individual RGB video components without the need for any debayering algorithms. Each of these components has a 1920 (H) x 1080 (V) sampling structure at up to 60 frames. From these original video components, a 1080-line 60i format or a 1280 (H) x 720 (V) at 60P HD format are selectively derived.

 

The EOS C300 incorporates the first Canon CMOS sensor designed specifically for high frame rate motion pictures, offering not only high resolution and shallow depth-of-field but also high sensitivity with low noise. Working together, Canon's Super 35mm sensor and DIGIC DV III Image Processor achieve a remarkably high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light.

 

Shooting in Canon Log mode, cinematographers can set the camera exposure value using their customary light meter practices. Canon Log is a special nonlinear transfer function embodied within the DIGIC DV III RGB video processing system. This transfer function is specifically designed to facilitate the post-production of digital images originating in Cinema EOS in a manner similar to the post-production of images digitally transferred from motion picture film (the contemporary DI process). By managing the disposition of quantization bits, Canon Log ensures excellent tonal reproduction within both highlight and low-light regions of a given digital image - maintaining a total dynamic range of 800%. These sophisticated video grading processes restructure a new digital representation achieving a sought-after creative look on a quality reference display.

 

Low Light/High ISO Ability 

A dark and stormy night? With the EOS C300, it's no problem. The combination of sensor and image processor render an extraordinary signal-to-noise ratio and as such make shooting at high ISO (up to ISO 16000) a breeze. 

 

Reduced Rolling Shutter and Moiré Artifacting  

The EOS C300 uses enhanced signal processing to minimize rolling shutter skews and to reduce moiré artifacts. A high-speed readout significantly reduces the subjective visibility of the vertical skewing on fast-moving horizontal subjects, a typical pitfall of the CMOS image sensor neutralized by Canon technology.

Imaging Sensor

Effective Pixels


3840 x 2460 pixels; Approx. 8.29 megapixels

Total Pixels


4216 x 2340 pixels; Approx. 9.86 megapixels

Sensor Type


CMOS

Sensor Size


Super 35; 24.6 x 13.8 (28.2 mm diagonal); 6.4 µm cell pitch

Scanning System


Progressive

Number of Sensors


1

Filter


RGB Primary Color Filter (Bayer Array)

Imaging Processor


Digic DV III

Lens System

Interchangeable Lens System


Choice of PL or EF mounts for compatibility with a wide variety of lens systems.

Zoom/Focus Preset


N/A

Shockless Zoom


N/A

Digital Teleconverter


N/A

ND Filter


Mechanical ND filter system with option of clear, 1/64. 1/16, and 1,4

Iris Dial


Iris Dial located on camera body for use with EOS EF Lenses with electronic Iris control

Peripheral Illumination Correction


Available on EF Mount model only

Exposure and Metering

Exposure Modes


Manual

Metering Modes


N/A

Gain


Normal Setting -6dB to 30 dB 

Fine Setting 0dB to 24 dB in 0.5 dB increments

ISO


320 to 80,000

Auto Gain Control (AGC)


N/A

Shockless Gain


N/A

Exposure Compensation/AE Shift


N/A

Shutter Modes


3 Modes: OFF; Speed; Angle; Slow Shutter; Clear Scan

Shutter Speed Range


59.94i/59.94p: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15, 1/30; CS: 59.94 Hz -250.70 Hz

29.97p: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15; CS: 29.97 Hz - 250.70 Hz

23.98p/24p: 1/24 to 1/2000 in 1/4or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.97 Hz - 250.70 Hz

50i/50p: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.70 Hz

25p: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.70 Hz

Shutter Angle Settings


59.94i/59.94p: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25

29.97p: 360, 240, 216, 180, 120, 108, 90, 60, 45, 30, 22.5, 15, 11.25

23.98p/24p: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25

50i/50p: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25

25p: 360, 300, 240, 180, 150, 120, 90, 75, 60, 45, 30, 22.50, 15, 11.25

Iris (Aperture) Range


EF Lens only and lens dependent

Focus

Focus Settings


Manual

Autofocus System


N/A

AF Modes


None

Recording/Codec

Signal System


NTSC and PAL

Compression


8 Bit MPEG-2 Long GOP

Maximum Bit rate


50Mbps (CBR)

Recording Options


Recording Options

Recording Media


CF Card (Type 1 Only); 2 Slots (Movie Files); UDMA supported

SD Card (Still Images (JPEG), Custom Picture Data*, Clip Metadata, and menu settings); SD/SDHC/SDXC Supported; MMC Cards are not supported

*Custom Picture Data and settings is not compatible with data from others Canon models

File Format


MXF (OP-1a)

File System


FAT 32

Maximum Clip Number


999 (per media)

Audio

Recording Format


Linear PCM; 2-Channel; 16-Bit; 48 kHz

Built-in Microphone


None

External Audio Inputs


2 - XLR inputs (Auto and Manual level settings)

External microphone terminal: (3.5 mm diameter)

Recording Channel Selection


This is used to set the allocation of the audio channels:

CH1/CH2: The CH1 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.

CH1/CH1: The CH1 signals are allocated to the L output channel, and the CH1 signals are allocated to the R output channel.

CH2/CH2: The CH2 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.

ALL CH/ALL CH: Signals obtained by mixing the CH1 and CH2 signals are allocated to the L and R output channels.

XLR Mic Trimming


Available; -12dB, -6 dB, 0dB or +12 dB

Limiter


Available

Recording Level Adjustment Range


- Infinity to +18dB

Phantom Power


Available; +48V

Headphone Adjustment


16 Settings; Volume is muted at lowest setting

Built-in Speaker


None

1KHz Tone


Available; -12, -18, or -20 dB

Features and Performance

Playback


Index Displays: Index Display, Normal, “OK Mark” Index, Check Mark Index, “Shot Mark” Index, Expand Index, Photo Index

Clip Playback: Forward Search (x5, x15, x60), Reverse Search (x5, x15, x60), Forward frame Advance, Reverse Frame Advance, Record Review, Clip Jump (Forward and Backward), Skip Playback

Playback Functions: Inter-media Copy (Single Clip, All Clips, Last Clip); Clip Delete (Single Clip, All Clips, Last Clip)

Still Image Playback: index, single playback, erasure, protect

Special Recording Functions


Relay Recording*; Double-Slot Recording**; Copying between Media

* Not available during Slow Motion 50 Mbps recording

** Not available in combination with Slow and fast motion recording

Photo Recording Mode


Available; Images captured to SD Card

Waveform Monitor


Available; 2 Modes (Standard and RGB Component)

Vectorscope


Available

Exposure/Focus Aids


Peaking (2 types), Zebra Pattern*, Magnify, Edge Monitor Focus Assist, Black and White Mode

*Can be output via the SDI or HDMI Jack (HD Only)

Interval Record


Available; ability to set time interval and number of frames to record

Interval can be set in 25 levels ranging from 1 second to 10 minutes.

(1s/2s/3s/4s/5s/6s/7s/8s/9s/10s/15s/20s/30s/40s/50s/1m/2m/3m/4m/5m/6 m/7m/8m/9m/10m)

NTSC 59.94i/29.97p/23.98p/24.00p: Selectable between 1, 3, 6, 9 frames

NTSC 59.94p: Selectable between 2, 6, 12 frames

PAL 50i/25p/50p: Selectable between 2, 6, 12 frames

Frame Record


Available; Records a set number of frames each time the record button is pressed

NTSC 59.94i/23.98p/24.00p: Selectable between 1, 3, 6, 9 frames

NTSC 59.94p: Selectable between 2, 6, 12 frames

PAL 50i/25p/50p: Selectable between 2, 6, 12 frames

Pre-Record


Yes, 3 seconds cache (Audio and Video)

Scan Reverse


When using a Depth of Field Converter or other lens adapters it flips or reverses the image automatically so it is recorded correctly.

Time code


*Drop Frame (DF) and Non-Drop Frame (NDF)

*Dropframe works with NTSC models only and is not available in 24P

Time Code Modes


Regeneration, Record Run, Free Run and External Source

Drop Frame and Non Drop Frame available

Auto White Balance (AWB)


Not Available

White Balance


Kelvin Setting 2,000K to 15,000K in 100K increments

White Balance Presets


Daylight (5,400K); Tungsten (3,200K); Kelvin 

White balance shift is available within Presets (-9 to +9)

Custom Picture Settings


23 Custom Picture settings

A total of nine 9 Customized Pictures are available in the camera and up to 20 can be saved to an SD card

Custom pictures can be adjusted using the following settings and saved for later recall:

Gamma, Black, Black Gamma, Low Key Saturation, Knee, Sharpness, Noise Reduction, Skin Detail, Selective Noise Reduction, Color Matrix, White Balance, Color Correction, Setup Level

Custom Pictures CP8 and CP9 ship with the following presets:

C8: Cinema - Suited for giving recorded media a film tone.

C9: EOS Standard - Used to match the quality of DSLR video shot in EOS standard mode

Custom Functions


Available, 9 total functions

Custom Display


Yes; LCD panel and EVF information display can be customized 

Total of 27 display and icons that can be turned on and off

Assign Buttons


15; Can be assigned functions as desired (30 functions Available)

Color Bars


Color bars compliant with SMPTE, EBU, or ARIB standards can be selected.

Minimum Subject Illumination


59.94 Hz Mode: 0.3 Lux

(f/1.2, 24 dB, 29.97p, 1/30 sec.)

50.00 Hz Mode: 0.25 Lux

(f/1.2, 24 dB, 25p, 1/25 sec.)

Sensitivity


F9 (ISO 640 (0db) 2000 lux, 89.9% Reflection, in 1080/59.94i mode)

F10 (ISO 640 (0db) 2000 lux, 89.9% Reflection, in 1080/50.00i mode)

S/N Ratio


ISO 850, Using Canon Log Gamma)

54B (Typical, 1920x1080

Dynamic Range


During Normal Shooting: 300%

*With Canon Log Gamma: 800%

*ISO 850 or above - gain 2.5dB or above

LCD Viewfinder

Top Handle

EF Mount

Side Handle

Power Supply

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