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RED Epic-M Dragon Camera 780 Hours and Accessories, Used

code: ST1478SH
  • £9,900.00
Item Available | Usually dispatched within 24 hours
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RED Epic-M Dragon Camera 780 Hours and Accessories, Used

3 months warranty

Good condition

Includes:

Red Mini Mag Side SSD (Note, not compatible with 1.8" SSD Cards)

FASTMEDIA V-Lock Battery Plate for RED Epic Dragon, 

REDVOLT Travel Charger - 790-0134

2x REDVOLT Battery

1x REDVOLT XL 

RED PRO SIDE HANDLE 

Red station mini 1.8" (note not compatible with mini side ssd module) AC power cable

Red EVF Cable 

Wooden Camera EVF Mount 

Side Plate Top Plate

 

The EPIC-M RED DRAGON is hand-assembled by a dedicated team in California using machined parts utilized in key locations.

This EPIC-M RED DRAGON COLLECTION features enough media, power and display options to get your production up and running. In addition to receiving an EPIC-M Pelican case, you’ll receive a REDMOTE® which will allow you to wirelessly control your camera with ease. The EPIC-M RED DRAGON COLLECTION brings it all together, so that you don’t have to.

New RED DRAGON cameras are equipped with the DSMC Interchangeable OLPF System. All new RED DRAGON cameras ship standard with the DSMC Skin Tone-Highlight OLPF. 


6K RESOLUTION

Every 6K frame is a 19 megapixel RAW image, which is up to 9x more pixels than 1080p HD. The amount of picture detail found in a 6K image goes beyond that of 35mm, comparing only to 65mm in image density. This means more precise VFX plates, reframing flexibility, and less aliasing artifacts and moiré. Even when outputting 6K footage to 4K or HD, your images will be cleaner and crisper compared to those captured at lower resolutions. When it comes to resolution, bigger is better.


16.5+ NATIVE STOPS

RED DRAGON sensors have a native dynamic range of over 16.5+ stops, giving you a huge advantage in challenging lighting conditions. An improved signal-to-noise ratio gives you confidence that your picture quality will be print and cinema ready from ISO 200 to 2000. Fewer filters, fewer IR issues, and less noise gives you more opportunities for perfect exposure.

 

Vibrant colors, smoother skin tones, and improved tonal variations are just a few of the advantages of the RED DRAGON color science. Brilliant hues and accurate subtleties stand out in every frame, producing RAW images that are true to life. The next generation of sensor technology requires the next generation of color science.

 

Epic M Red Dragon Film 6k Cameras are used to film one of the worlds biggest blockbusters like Hobbit, Spider-Man, Pirates of the Caribbean and more    

Sensor 19 Megapixel RED DRAGON®

Pixel Array 6144 (h) x 3160 (v)

Max Image Area 6144 (h) x 3160 (v)

Dynamic Range 16.5+ stops

S/N Ratio 80 dB

Lens Coverage 30.7 mm (h) x 15.8 mm (v) x 34.5 mm (d)

Max Depth of Field Equivalent to S35mm (Motion)/APS-H (Still) lenses

Project Timebase 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions

Acquisition Formats 1 Compression choices of 22:1 to 2:1

6K RAW (Full Frame, 2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Anamorphic 2x, 1.3x)

5.5K RAW (Full Frame, 2:1, 2.4:1, 16:9, 4:1, 8:1, and Anamorphic 2x, 1.3x)

5K RAW (Full Frame, 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Anamorphic 2x, 1.3x) 

4.5K RAW (Full Frame, 2:1, 2.4:1, 16:9, 3:2, 4:1, 8:1, and Anamorphic 2x, 1.3x) 

4K RAW (Full Frame, 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Anamorphic 2x, 1.3x) 

3.5K RAW (Full Frame, 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 4:1, 8:1, and Anamorphic 2x, 1.3x)

3K RAW (Full Frame, 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Anamorphic 2x, 1.3x) 

2.5K RAW (Full Frame, 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 4:1, 8:1, and Anamorphic 2x, 1.3x) 

2K RAW (Full Frame, 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Anamorphic 2x, 1.3x)

For more information on available acquisition formats, see the DSMC Operation Guide.

REDCODE® Compression 2

and Frame Rates Compression choices of 22:1 to 2:1

1–100 fps 6K

1–120 fps 5K

1–150 fps 4K

1–200 fps 3K

1–300 fps 2K

For more information on available REDCODE values and frame rates, see the DSMC Media Operation Guide

Delivery Formats 3 4K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin)

2K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin)

1080p RGB 4:2:2, 720p 4:2:2 : Quicktime, JPEG, Avid AAF, MXF

1080p 4.2.0, 720p 4:2:0 : H.264, .MP4

Program Output 3G-SDI (HD-SDI) Clean Feed

1080p RGB or 4:2:2, 720p 4:2:2

SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

Monitor Output 3G-SDI (HD-SDI) and HDMI with Frame Guides and Lookaround

1080p RGB or 4:2:2, 720p RGB or 4:2:2, 480p RGB or 4:2:2

SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

Monitoring Options RED Touch 5.0" LCD

RED PRO 7" LCD

RED Touch 7.0" LCD

RED Touch 9.0" LCD

BOMB EVF (LCOS) High Definition Viewfinder

BOMB EVF (OLED) High Definition Viewfinder

Digital Media (SSD) REDMAG™ 1.8", RED MINI-MAG®

Audio 2 channel, uncompressed, 24-bit, 48 kHz

Optional 4 channel, and AES/EBU digital audio

Remote Control REDLINK® Wireless, Ethernet, RS232, GPI Trigger

Construction Aluminum Alloy

Weight 5 lbs (BRAIN only)

Operating Temperature Range 0°C to 40°C (32°F to 104°F)

Storage Temperature Range –20°C to 50°C (–4°F to 122°F)

Tech specs reflect both current and projected information. Everything is subject to change.

1 Frame Rates may vary based on format and DSMC firmware version.

2 REDCODE compression values may vary during use based on selected frame capture rate.

3 From REDCINE-X PRO®

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