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Panasonic Lumix DC-GH6E Camera body only

code: PAN-DC-GH6E
  • £1,415.66
  • RRP: £1,999.99
Availability   |   Usually dispatched within 24 hours
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Features

5.7K ProRes Capable Micro Four Thirds Hybrid Mirrorless Camera

Unrivalled Image Stabilisation

5.7K 30p internal video recording available in ProRes 422 HQ and ProRes 422

4:2:2 10-bit Cinema 4K 60p internal recording as well as simultaneous output in 4:2:2 10-bit Cinema 4K 60p over HDMI

Unrivalled Image Stabilisation: high-precision 5-axis gyro sensor with a new algorithm to achieve a powerful 7.5 stops of Body I.S.*1 and Dual I.S.2*2

Incredible Dynamic Range: 12+ stops of wide dynamic range for pre-installed V-Log recording, expanding to 13+ stops when using Dynamic Range Boost mode*3

4ch 48kHz or 96kHz 24-bit recording made possible*4 when an XLR microphone adaptor is attached

Video assist functions

  • Waveform Monitor
  • Zebra Pattern
  • Luminance Spot Meter
  • Frame Marker
  • Anamorphic Desqueeze Display
  • Red REC Frame Indicator
  • Tally lamps

Micro Four Thirds lense mount (MFT)

Equipped with double card slots: CFexpress card (Type B) / SD Memory Card UHS II V90

Lumix DC-GH6E PAN-DC-GH6E PANDCGH6E PAN DC GH6E PAN/DC/GH6E Body Only

Powerful, Professional Video Performance

Panasonic’s LUMIX GH Series is widely considered an epoch-making sensation, achieving outstanding video recording performance with advanced features that meet professional quality levels and standards. The new LUMIX GH6 continues this, with 5.7K 30p internal video recording available in ProRes 422 HQ and ProRes 422 for the first time in the LUMIX series using a CFexpress Type B card, which enables non-linear editing without transcoding.

With 5.7K 4:2:0 10-bit 60p/50p and 5.8K 30p/25p/24p 4:2:0 10-bit anamorphic 4:3 modes recorded utilising the full area of the sensor, the LUMIX GH6 offers higher resolution and higher bit rates than ever before and delivers the latest in high image quality, versatility, and range needed for film, TV, and all types of video production.

The LUMIX GH6 also achieves 4:2:2 10-bit Cinema 4K 60p internal recording as well as simultaneous output in 4:2:2 10-bit Cinema 4K 60p over HDMI.

4:2:0 10-bit 4K 120p (equivalent to 5x slow motion*1) and 4:2:2 10bit FHD 240p HFR (High Frame Rate) video recording with audio is available to enable creativity such as speed ramping.  FHD maximum 300fps (equivalent to 12.5x slow motion*1) VFR (Variable Frame Rate) enables dynamic motion of a subject.

Overheating can be a fatal issue to continuous video recording especially when the resolution and the frame rates are increased but the LUMIX GH6 achieves unlimited video recording time*2 in all modes by optimising the heat-dissipating path with a forced-cooling fan mechanism.

*1 In 24p

*2 Under the guaranteed operating environment when using a battery. The recording time depends on the capacity of the battery and the recording media.

Panasonic’s Commitment to Continuous Improvement

Panasonic continues its commitment to continuous improvement of its LUMIX range via performance-enhancing firmware updates. In the future, a firmware update for GH6 will be released to support:

-Cinema 4K ProRes 422 HQ / ProRes 422-FHD ProRes 422 HQ / ProRes 422-USB-SSD direct recording-4K 120p HDMI Video output during Live View-Cinema 4K 120p HDMI RAW Video Data Output to ATOMOS Ninja V+

Unrivalled Image Stabilisation

For agile handheld shooting, the LUMIX GH6 adopts a new super high-precision 5-axis gyro sensor with a new algorithm to achieve a powerful 7.5 stops of Body I.S.*1 and Dual I.S.2*2.

The 5-axis Dual I.S. 2 works seamlessly to record natural, comfortable-to-see video footage. It applies appropriate compensation according to the type of movement by precisely judging the cause – whether it was generated by panning, tilting, or hand-shake. The B.I.S. compensates for camera movement even when an interchangeable lens without O.I.S. (e.g. a cine lens) is used.

With this powerful image stabilisation, even a 100-megapixel high-resolution image can be shot using the High Resolution mode without a tripod. In High Resolution mode, eight consecutive images are automatically shot while shifting the sensor using the Body I.S. (Image Stabiliser) mechanism and synthesised into a 100-megapixel equivalent (11552 x 8672-pixel) image that faithfully reproduces precise details to be saved as beautiful, highly realistic images not only in RAW but also in JPEG. With its compact, lightweight design and powerful Body I.S., the LUMIX GH6 makes shooting that was previously deemed impossible –such as handheld ultra-telephoto shooting– possible.

*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm film camera equivalent f=120mm), when H-ES12060 is used.

*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm film camera equivalent f=280mm), when H-FS14140 is used.

Incredible Dynamic Range

The LUMIX GH6 provides 12+ stops of wide dynamic range for pre-installed V-Log recording, expanding to 13+ stops when using Dynamic Range Boost mode*. With the new Dynamic Range Boost mode, a highly saturated image generated from the low ISO circuit and a low noise image generated from the high ISO circuit are synthesised at each pixel. The composite image achieves both low noise and high saturation, resulting in a clear and smooth HDR video with rich gradation.

The LUMIX GH6 also contains V-Log/V-Gamut for the first time in the LUMIX G Series Micro Four Thirds camera line-up to deliver a high dynamic range with broad colours. V-Log renders a very flat image while maintaining all colour information within the image, which allows for a greater level of editing flexibility in the post-production process. The GH6’s Live MOS sensor achieves a wide colour gamut known as V-Gamut. This is the GH6’s optimum colour space, which is wider than BT.2020.

Users will enjoy the GH6’s impressively accurate colour reproduction, with subtle gradations from dark areas to highlights, and precise control of colour data in post-production.

The LUMIX GH6 imports the renowned colourimetry of the Panasonic VariCam line-up of cinema cameras. V709 LUT (Look Up Table) with Rec.709 standard is available in the camera by default. As a further convenience, for the first time, V-Log View Assist (which can apply LUTs in real-time) supports the import of .CUBE as well as .VLT file formats.

* Available in Creative Video mode only, Minimum ISO 800 in standard mode/ISO2000 in V-Log/HLG.

A LUMIX First in Audio Recording Capability

The LUMIX GH6 delivers much improved audio recording performance, with 4ch 48kHz or 96kHz 24-bit recording made possible* when an XLR microphone adaptor is attached. This provides greater flexibility when shooting outdoors, for example, where multiple audio sources are present, or when recording backup audio. 2ch 48kHz 24-bit recording is also supported with the built-in mic as well as 2ch 96kHz 24-bit high-resolution recording* with an external mic.

The channel to use for headphones can also be switched during video recording and audio menus can be directly accessed with the Fn1 button on the top of the camera to easily check sound levels during 4-channel audio recording. For an external microphone, a Φ3.5mm stereo jack is provided.

* 4-channel audio recording is available in ProRes and MOV.

Practical Features for Easier Workflow

The LUMIX GH6 also offers a host of practical features. There are a variety of useful settings in Photo Style including different Cinelike gamma presets such as ‘Cinelike D2’ and ‘Cinelike V2’, which have similar gamma setting characteristics for film production.

In response to requests from professional users, video assist functions such as Waveform Monitor, Zebra Pattern, Luminance Spot Meter, Frame Marker, Anamorphic Desqueeze Display, Red REC Frame Indicator and Tally lamps are also available.

New to the LUMIX GH6 is the Safety Zone Marker, which shows a guide of 95%, 90% or 80% recording area, while the Center Marker allows you to choose the type of the marker. In the Colour Temperature Setting, the kelvin values can now be displayed on the recording screen

4K 60p timelapse videos can also be produced inside the camera. With the Exposure Levelling function, the exposure is automatically adjusted to prevent large changes in brightness between adjacent frames to produce equable timelapse footage.

MF assist during video recording* is now supported, enabling the user to enlarge the screen up to 6x to check the focus.

*Up to 60p. Does not work in Variable Frame Rate mode.

Next-Generation Engine and Sensor Technology

Panasonic has developed a new 25.2-megapixel Live MOS Sensor without LPF (Low-pass Filter) that boasts high resolution, high-speed signal readout that reduces rolling shutter and achieves wide dynamic range.

The new Venus Engine is also upgraded with advanced image processing technologies to render high-resolution imagery with natural noise texture and rich colour reproduction, which is a hallmark of LUMIX cameras.

The new engine delivers approximately twice the processing power, enabling high-speed processing of the new sensor's higher pixel counts and higher-resolution, higher-bit-rate video. This evolution includes three key technologies: New Intelligent Detail Processing, New 2D Noise Reduction, and High Precision 3D Noise Reduction for video. The new Intelligent Detail Processing detects the flat, detailed, and edged elements in a frame more accurately to produce a highly realistic image. The new 2D Noise Reduction suppresses chromatic noise and improves the texture of luminance noise to achieve clear and natural images even when shot at high sensitivity. With the High Precision 3D Noise Reduction for video, the detection capability of still and moving parts has been advanced, making it possible to optimise noise reduction while minimising afterimages. As a result, the image quality of video with dynamic motion is enhanced. In addition, high-precision Dual 3D Colour Control enhances colour reproduction by brightness level, saturation level and hue level for rich, faithful colour expression.

The combination of the new advanced sensor with enhanced saturation performance and the new engine makes it possible to render a clearer image even in 25.2-megapixel high resolution and lower minimum ISO sensitivity at ISO 100 [Photo: ISO 50(Extended) - 25600 / Video: ISO 50(Extended) -12800].

Intuitive Operability

The LUMIX GH6 adopts a 3.0-inch tilt and free-angle touch-control monitor in 3:2 aspect with 1,840K-dot high resolution. The tilt and free-angle screen allows for greater flexibility and convenient rotation even with a HDMI cable and USB cable connected to the camera.

To support high precision focusing, the LUMIX GH6 provides practical options for manual focusing. While focus is shifted with variable amount according to the rotation speed of the focus ring for non-linear setting, it is shifted with a designated amount according to the rotational quantum of the focus ring for linear setting. Sensitivity (amount of focus shift per rotational quantum) can be selected from 90 to 360 degrees by 30-degrees to enable intended focus operation.

The 3,680k-dot 0.76x live viewfinder uses a highly responsive, easy-to-see OLED display to capture even fast-moving subjects in fine detail. In addition, the high contrast display (approx. 10,000:1) presents the subject with fine gradations and high clarity throughout.

With the new sensor’s higher readout speed and the new Venus Engine’s superior processing power, the LUMIX GH6 also delivers AFS burst shooting using the electronic shutter at 75 frames per second with 25.2-megapixel resolution. The sensor’s higher readout speed also minimises rolling shutter distortion and captures images too fast for the naked eye to process.

Reliable Build Quality for Professional Use

The LUMIX GH6 is tough enough to withstand heavy field use with a magnesium alloy full die-cast front / rear frame and is not only splash-resistant*1 but dust-resistant and freeze-resistant down to -10 degrees Celsius/14 degrees Fahrenheit. The shutter unit is also durable for approx. 200,000 cycles. The Rec button is located on both the top and front of the camera, which makes it easy to start and stop recording even when shooting at a low angle or with a shoulder rig.

The LUMIX GH6 is equipped with double card slots. The CFexpress card (Type B) supports internal recording of high bitrate video at 800Mbps or more including 5.7K 30p ProRes 422 HQ and C4K 60p ALL-I. The SD Memory Card UHS II V90 supports internal recording of video at 600Mbps or less and it is also possible to choose the recording method from Relay Recording, Backup Recording, Allocation Recording using both SD Memory Card and CFexpress Card.

For the terminal, HDMI Type A is provided. Plus, a cable lock holder for the HDMI/USB cable is provided to prevent issues such as unplugging on location. The LUMIX GH6 supports USB 3.2 Gen 2 for high-speed writing and readout.  The 2200mAh high-capacity battery can be recharged either via AC or USB according to the users’ convenience. It also complies with USB PD (Power Delivery) when the corresponding Battery Charger DMW-BTC15 is used. The LUMIX GH6 is also compatible with Time Code IN/OUT synchronisation through the flash synchro terminal and bundled BNC converter cable with BNC cable. This makes the non-linear editing of footage shot with multiple cameras easy.

Wi-Fi 5-GHz (IEEE802.11ac)*2 is enabled in addition to 2.4-GHz (IEEE802.11b/g/n). This provides a secure and stable connection not only with a smartphone/tablet but also with other devices on location for smooth remote control. The transmission speed of photo/video data is also increased by using the 5-GHz band. Compatibility with Bluetooth 5.0 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone or tablet with minimum power consumption. The settings of a LUMIX GH6 camera can also be copied and transmitted wirelessly to other GH6 cameras when using multiple cameras. The LUMIX Sync application for iOS/Android devices allows remote control of the camera using a smartphone or a tablet via easy wireless connection. In addition to wireless control via a Remote Shutter DMW-RS2 (sold separately), application software LUMIX Tether enables tethered shooting via USB. Users can control the camera by connecting it to a PC via USB, letting them view the image on a large PC screen while shooting. Profoto wireless transmitters “Air Remote TTL-O/P” and “Profoto Connect-O/P” can be used, enabling wireless connection and control of external strobes for professional shooting.*3

*1 Splash Resistant is a term used to describe an extra level of protection this camera offers against exposure to a minimal amount of moisture, water or dust. Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with water.

*2 5GHz Wi-Fi is not available in some countries.

*3 All functions may not be available depending on the situation.

Wide Range of Available Lenses

The Panasonic LUMIX G Series boasts a total line-up of 30 Micro Four Thirds lenses to choose from according to purpose. The latest LEICA DG VARIO-SUMMILUX 10-25mm F1.7 ASPH. (X-H1025) and LEICA DG VARIO-SUMMILUX 25-50mm F1.7 ASPH. (H-X2550) zoom lenses feature full-range F1.7 large aperture and are favoured by professional film creators as well as other single-focal-length F1.7 or F2.8 lenses. In addition, the LUMIX GH6 memorises the name and focal length of analog lenses such as anamorphic lenses or old lenses to automatically apply the suitable setting of the camera’s in-body image stabiliser when those lenses are used.

 

Panasonic has reviewed and updated the firmware of its lenses to optimise their use with the LUMIX GH6. It is possible to control AF operation by pressing the shutter button halfway, or by pressing the AF-ON button, when [200.00p] is set in high frame rate video mode when H-E08018/H-X1025/H-X2550/H-ES12060/H-ES50200/H-RS100400/H-XA025/H-ES200/H-HSA12035/H-FS12060/H-HSA35100/H-FSA45200/H-FSA100300 lenses are used. The H-NS043/H-X012/H-X015 lenses will follow these updates and they will also have Focus Ring Control and improved AF performance in 24.00p/23.98p mode. The firmware update of H-NS043/H-X012/H-X015 is scheduled for 1st March 2022.

Specifications

Type:

  • Type: Digital Single Lens Mirrorless camera
  • Lens mount: Micro Four Thirds mount

Image Sensor:

  • Type: Live MOS sensor (17.3 x 13.0 mm)
  • Camera effective pixels / Total pixels: 25.21 megapixels / 26.52 megapixels
  • AR (Anti Reflection) coating: Yes
  • Aspect ratio / Colour filter: 4:3 / Primary colour filter
  • Dust reduction system: Image sensor shift type
  • LATITUDE: Dynamic Range Boost ON: 13+ stops (V-Log), Dynamic Range Boost OFF: 12+ stops (V-Log)

Still Image:

  • Recording file format: JPEG (DCF, Exif 2.31), RAW
  • Aspect ratio: 4:3 / 3:2 / 16:9 / 1:1

File size (Pixels):

  • 4:3: 5776x4336(L) / 4096x3072(M) / 2944x2208(S) / 11552x8672(XL)* / 8192x6144(LL)* *High Resolution Mode.
  • 3:2: 5776x3848(L) / 4096x2728(M) / 2944x1960(S) / 11552x7696(XL)* / 8192x5464(LL)* *High Resolution Mode.
  • 16:9: 5776x3248(L) / 4096x2304(M) / 2944x1656(S) / 11552x6496(XL)* / 8192x4608(LL)* *High Resolution Mode.
  • 1:1: 4336x4336(L) / 3072x3072(M) / 2208x2208(S) / 8672x8672(XL)* / 6144x6144(LL)* *High Resolution Mode.

Image quality: RAW / RAW+Fine / RAW+Standard / Fine / Standard

Colour space: sRGB, AdobeRGB

Motion Picture: 

  • Recording file format: MOV: H.264/MPEG-4 AVC, H.265/HEVC, ProRes MP4: H.264/MPEG-4 AVC, H.265/HEVC

Audio format:

  • MOV: LPCM (2ch 48kHz/24-bit, 96kHz/24-bit*) (4ch 48kHz/24-bit**, 96kHz/24-bit**)
  • MP4: AAC (2ch 48kHz/16-bit)

*When attaching Φ3.5mm microphone or DMW-XLR1 (sold separately). **When attaching DMW-XLR1 (sold separately).

  • System frequency: 59.94Hz / 50.00Hz / 24.00Hz
  • Image area of video: Full / Pixel by Pixel

MOV (*1) (*2) *HLG is selectable:

59.94Hz:

[5.8K] 5760x4320 (4:3):

  • 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
  • 23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[5.7K] 5728x3024 (17:9):

  • 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
  • 47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
  • 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
  • 23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[4.4K] 4352x3264 (4:3): 

  • 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
  • 47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[C4K] 4096x2160

  • 119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
  • 59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
  • 59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
  • 47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
  • 47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
  • 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
  • 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
  • 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
  • 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

*When Dynamic Range Boost is set to OFF.

[4K] 3840x2160:

  • 119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
  • 59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
  • 59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
  • 47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) / 600Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
  • 47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
  • 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
  • 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
  • 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
  • 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

*When Dynamic Range Boost is set to OFF.

[FHD] 1920x1080: 

  • 239.76p, 800Mbps (4:2:2 10-bit ALL-Intra) / 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*/**
  • 239.76p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*/**
  • 119.88p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
  • 119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
  • 59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
  • 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
  • 59.94i, 100Mbps (4:2:2 10-bit ALL-Intra) / 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
  • 47.95p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
  • 47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
  • 29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
  • 29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
  • 23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
  • 23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

*When Dynamic Range Boost is set to OFF. **When Image Area of Video is set to FULL.

24.00Hz:

[5.8K] 5760x4320 (4:3):

  • 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[5.7K] 5728x3024 (17:9): 

  • 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
  • 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[4.4K] 4352x3264 (4:3):

  • 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

[C4K] 4096x2160:

  • 120.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
  • 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
  • 24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

*When Dynamic Range Boost is set to OFF.

[4K] 3840x2160:

  • 120.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
  • 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
  • 24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

*When Dynamic Range Boost is set to OFF.

[FHD] 1920x1080

  • 120.00p, 400Mbps (4:2:2 10-bit ALL-Intra) / 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
  • 120.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
  • 24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) / 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
  • 24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)

*When Dynamic Range Boost is set to OFF.

MP4 (*1):

59.94Hz:

[4K] 3840x2160:

  • 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)*
  • 29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)*
  • 23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)*
  • 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
  • 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

*HLG is selectable.

[FHD] 1920x1080: 

  • 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
  • 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
  • 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

50.00Hz:

[4K] 3840x2160:

  • 50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)*
  • 25.00p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)*
  • 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

*HLG is selectable.

[FHD] 1920x1080

  • 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
  • 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

24.00Hz -

ProRes (*1) (*2):

59.94Hz:

[5.7K] 5728x3024 (17:9):

  • 29.97p, 1.9Gbps (ProRes 422 HQ) / 1.3Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)
  • 23.98p, 1.5Gbps (ProRes 422 HQ) / 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)

50.00Hz:

[5.7K] 5728x3024 (17:9):

  • 25.00p, 1.6Gbps (ProRes 422 HQ) / 1.1Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)

24.00Hz:

[5.7K] 5728x3024 (17:9):

24.00p, 1.5Gbps (ProRes 422 HQ) / 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)

Variable Frame Rate:

MOV (*1) *HLG is selectable:

59.94Hz:

[5.7K] 5728x3024 (17:9)

  • 29.97p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
  • 23.98p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*When Image Area of Video is set to FULL.

[C4K] 4096x2160:

  • 59.94p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
  • 29.97p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
  • 29.97p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
  • 23.98p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
  • 23.98p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON.

[4K] 3840x2160

  • 59.94p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
  • 29.97p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
  • 29.97p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
  • 23.98p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
  • 23.98p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON.

[FHD] 1920x1080:

  • 59.94p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
  • 59.94p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
  • 29.97p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
  • 29.97p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
  • 23.98p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
  • 23.98p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON.

*Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.

50.00Hz:

[5.7K] 5728x3024 (17:9):

  • 25.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*When Image Area of Video is set to FULL.

[C4K] 4096x2160:

  • 50.00p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
  • 25.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
  • 25.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON.

[4K] 3840x2160

  • 50.00p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
  • 25.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
  • 25.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON.

[FHD] 1920x1080:

  • 50.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
  • 50.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
  • 25.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
  • 25.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON.

*Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.

24.00Hz:

[5.7K] 5728x3024 (17:9):

  • 24.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*When Image Area of Video is set to FULL.

[C4K] 4096x2160:

  • 24.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
  • 24.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON.

[4K] 3840x2160:

  • 24.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
  • 24.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON.

[FHD] 1920x1080:

  • 24.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
  • 24.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*

*Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON.

*Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.

Viewfinder:

Type: OLED Live View Finder

Pixels: Approx. 3.68 million dots

Field of view / Magnification:Approx. 100% / Approx. 1.52x / 0.76x (35mm camera equivalent)

with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 4:3

Eye point / Diopter adjustment: Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +3.0 (dpt)

Eye sensor: Yes

Rear monitor

Type: TFT LCD monitor with static touch control

Monitor size: Tilt free-angle, 3.0-inch (7.6cm), 3:2 aspect

Pixels: Approx. 1.84 million dots

Field of view: Approx. 100%

Focus (*3):

Type: Contrast AF system

DFD technology: Yes

Focus mode: AFS (Single) / AFC (Continuous) / MF

AF mode: Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint

*Automatic Detection can be turned ON to switch between Human/ Face/Eye/ Animal+Human. Except when Pinpoint is set.

AF detective range: EV -4 - 18 (F2.0, ISO100 equivalent, AFS)

AF custom setting: AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction

AF assist light: Yes

AF lock: Set the Fn button in custom menu to AF lock

Focus ring control: Nonlinear / Linear* (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum)

*When a compatible lens is attached.

Others:

  • AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Area AF Moving Speed,
  • Continuous AF (during motion picture recording),
  • Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode,
  • Shutter AF, Half Press Shutter, Quick AF, Eye Sensor AF, Loop Focus Frame, Enlarged Live Display (Video), Touch Shutter,
  • Touch AF/AE Function, Touch Pad AF, Lens Focus Resume

Exposure Control: 

Light metering system: 1,728-zone multi-pattern sensing system

Light metering mode: Multiple / Center Weighted / Spot / Highlight Weighted

Metering range: EV0-18 (F2.0 lens, ISO100 equivalent)

Mode dial: Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* /

Custom: 1, 2, 3, 4 / Intelligent Auto

*The same exposure operations as P/A/S/M mode is available.

Exposure compensation: 1/3 EV step ±5EV (±3EV for motion picture)

Dynamic Range Boost: ON / OFF

ISO sensitivity (Standard output sensitivity):

Still image:

  • [Normal]
  • Auto / 50 (Extended ISO) / 100-25600
  • [V-Log]
  • Auto / 125 (Extended ISO) / 250-12800

*Switchable between 1/3 or 1 EV step.

Motion picture

  • [Normal]
  • Dynamic Range Boost OFF (Base ISO 100): Auto / 50 (Extended ISO) / 100-12800
  • Dynamic Range Boost ON (Creative Video Mode) (Base ISO 800): Auto / 800-12800
  • [V-Log]
  • Dynamic Range Boost OFF (Base ISO 250): Auto / 125 (Extended ISO) / 250-12800
  • Dynamic Range Boost ON (Creative Video Mode) (Base ISO 2000): Auto / 2000-12800
  • [Hybrid Log Gamma]
  • Dynamic Range Boost OFF (Base ISO 250): Auto / 250-12800
  • Dynamic Range Boost ON (Creative Video Mode) (Base ISO 2000): Auto / 2000-12800

*Switchable between 1/3 or 1 EV step.

AE lock: Set the Fn button in custom menu to AE lock

Image Stabilization System

B.I.S. (5-axis / 7.5-stop*)

*Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm) when H-ES12060 is used.

Dual I.S. 2 (7.5-stop**)

**Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm camera equivalent f=280mm) when H-FS14140 is used.

White Balance:

White balance: AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Colour temperature setting 1, 2, 3,

4

White balance adjustment: Blue/Amber bias, Magenta/Green bias

Colour temperature setting: 2500-10000K in 100K

Shutter:

Type: Focal-plane shutter

Shutter speed:

  • Still image: Bulb (Max. 30 minutes), 1/8,000 - 60
  • Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60
  • Electronic shutter: Bulb (Max. 60 sec), 1/32,000 - 60
  • Motion picture: 1/25,000 - 1/25
  • Creative Video M mode / MF mode: 1/25,000 - 1/8

Self timer: 10sec, 3 images / 2sec / 10sec / Custom Time

Remote control: Remote control by DMW-RS2 (sold separately)

Silent mode / Shutter type Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR)

Bracket:

AE bracket: 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst

Aperture bracket: 3, 5 or all positions

Focus bracket: 1 to 999 images, focus steps can be set in 10 levels

White balance bracket: 3 images in blue/amber axis or in magenta/green axis, colour temperature setting

Burst Shooting:

Burst speed:

Mechanical shutter / Electronic front curtain shutter:

  • H: 14 frames/sec (AFS/MF), 8 frames/sec (AFC) (with Live View)
  • M: 6 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View)
  • L: 2 frames/sec (AFS/MF/AFC) (with Live View)

Electronic shutter:

  • SH75: 75 frames/sec (AFS/MF)
  • SH60: 60 frames/sec (AFS/MF)
  • SH20: 20 frames/sec (AFS/MF)
  • H: 14 frames/sec (AFS/MF), 7 frames/sec (AFC) (with Live View)
  • M: 6 frames/sec (AFS/MF) (with Live View), 5 frames/sec (AFC) (with Live View)
  • L: 2 frames/sec (AFS/MF/AFC) (with Live View)

Number of recordable images:

  • H/M/L*
  • RAW+JPEG: More than 40 images
  • RAW: More than 65 images**, More than 50 images***
  • JPEG: More than 95 images**, More than 90 images***

*Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic.

**When using a card with CFexpress Type B

***When using a card with SD Speed Class with UHS-II UHS Speed Class 3 (U3).

SH RAW / RAW+JPEG / JPEG: 200 images

Time lapse shot: Yes

Stop motion animation: Yes

Flash:

Flash type: TTL External Flash (sold separately)

Flash mode: Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. /

Slow Sync./Red-eye Reduction / Forced Off *For iA only.

Flash synchronization: 1st Curtain Sync, 2nd Curtain Sync.

Flash output adjustment: 1/3EV step ±3EV

Synchronization speed: Less than 1/250 second

Wireless control: Yes (When using DMW-FL200L / FL360L / FL580L (sold separately), Wireless Channel: 1ch/2ch/3ch/4ch

Flash sync socket: Yes

Extra Tele Conversion: 2.0x (EX S), 1.4x (EX M) *Only for still image recording.

Photo Style:

Photo Style:

  • Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L.
  • Monochrome S / Cinelike D2 / Cinelike V2 / Like709 / V-Log / Hybrid Log Gamma / My Photo Style 1-10

Picture adjustment

  • Contrast / Highlight / Shadow / Saturation / Colour Tone / Hue / Filter Effect / Grain Effect /
  • Colour Noise / Sharpness / Noise Reduction / ISO / WB

*Adjustable settings vary depending on the Photo Style mode.

Filter: Expressive / Retro / Old Days / High Key / Low Key / Sepia / Cross Process / Bleach Bypass

Motion Picture Function:

Master pedestal level: 31 steps

Luminance level:

  • 8-bit: 0-255 / 16-235 / 16-255
  • 10-bit: 0‒1023 / 64‒940 / 64‒1023

Wave form monitor / Vectorscope: Selectable

LUT view assist Supported file types: .vlt, .cube

Monitor / HDMI

HLG view assist: Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF)

Anamorphic desqueeze display: 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF

Synchro scan: Yes

SS/Gain operation: Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB

Colour bars / 1kHz test tone: Yes (SMPTE / EBU / ARIB) / Yes

Knee control: Yes (in Like709 mode)

Red REC frame indicator: ON / OFF

Vertical Position Information: Still image / Motion picture (ON/OFF)

Level gauge: Yes

Function Button:

REC:

  • Exposure Comp. / Dynamic Range Boost / Sensitivity / White Balance / Photo Style / Metering Mode / Aspect Ratio /
  • Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG /
  • Filter Effect / One Push AE / Touch AE / Exposure Mode / Synchro Scan / AF Mode / AF Detection Setting /
  • Detecting Subject / AF Custom Setting(Photo) / AF Custom Setting(Video) / Focus Limiter / Focus Limiter Range Set /
  • Focus Peaking / Focus Peaking Sensitivity / 1-Area AF Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK /
  • AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / Focus Area Set / Enlarged Live Display (Video) / Flash Mode / Flash Adjust. /
  • Wireless Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Ex. Tele Conv. /
  • Rec. File Format / Rec Quality / Rec Quality (My List) / Variable Frame Rate / Time Code Display / Audio Information /
  • Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Quality / Sound Rec Level Limiter /
  • 4ch Mic Input / XLR Mic Adaptor Setting / Sound Monitoring Channel / Image Stabilizer / E-Stabilization (Video) /
  • Boost I.S. (Video) / Image Area of Video / Focus Transition / Q.MENU / Rec/Playback Switch / Video Record /
  • Video Record (Creative Video) / LVF/Monitor Switch / Dial Operation Switch / Preview / Preview Aperture Effect /
  • Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost /
  • Monochrome Live View / Night Mode / LVF/Monitor Disp. Set / Video-Priority Display / Zebra Pattern /
  • LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist(Monitor) / HLG View Assist (HDMI) /
  • Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Colour Bars / Focus Ring Control/
  • Zoom Control / Step Zoom / Zoom Speed / Lens Information / Destination Card Slot / Wi-Fi / Fan Mode / Save to Custom Mode /
  • No Setting / Off (Disable Press and Hold) / Restore to Default

PLAY:

  • Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display /
  • RAW Processing / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch /
  • Video Record / Video Record (Creative Video) / Night Mode / Card Slot Change / Sound Monitoring Channel(Play) /
  • Wi-Fi / Fan Mode / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) /
  • No Setting / Off (Disable Press and Hold) / Restore to Default

OSD language: Please refer to OSD Sheet

Print: PictBridge compatible

Interface:

USB: USB Type-C (SuperSpeed USB 10Gbps (USB 3.2 Gen2))

HDMI (*4):

HDMI: HDMI TypeA

Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is set to OFF.), 4ch (When [4ch Mic Input] is set to ON.)

Monitor-through: 4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit].)

4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit].)

Down Convert: Auto / C4K/4K / 1080p / 1080i / OFF

Playback:

  • 59.94Hz: 8K/30p* / C4K/120p** / C4K/60p / C4K/30p / 4K/120p** / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p** / 480p**
  • 50.00Hz: 8K/25p* / C4K/100p** / C4K/50p / C4K/25p / 4K/100p** / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p** / 576p**
  • 24.00Hz: 8K/24p* / C4K/120p** / C4K/24p / 4K/120p** / 4K/24p / 1080/120p / 1080p

*Only for still image playback. **Only for playback.

Remote input: φ2.5mm

Audio:

Build-in microphone: Stereo

Wind Noise Canceller: OFF / Standard / High

External microphone / External audio device input: φ3.5mm for external microphone / external audio device

  • MIC (Plug-in Power) / MIC / LINE
  • Wind Cut: OFF / Low / Standard / High *When attaching DMW-MS2 (sold separately).
  • Special Mic: Stereo / Shotgun *When attaching DMW-MS2 (sold separately).

XLR microphone: Yes with DMW-XLR1 (sold separately)

4ch mic input: Yes with DMW-XLR1 (sold separately)

Speaker: Monaural

Headphone output: φ3.5mm

Card slot:

  • Slot 1: CFexpress Card (CFexpress Type B)
  • Slot 2: SD Memory Card / SDHC Memory Card* / SDXC Memory Card*

*Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC

Memory Cards.

TC IN/OUT:

TC IN/OUT: Yes with BNC Converter Cable (bundled)

Count up: Rec Run / Free Run

Time code mode: Drop Frame / Non-Drop Frame (When system frequency [59.94Hz] is selected.)

HDMI time code output: ON / OFF

External TC setting: TC Synchronization / TC Output Reference

FAN: Auto1 / Auto2 / Fast / Normal / Slow / OFF* *OFF can be set when in iA/P/A/S/M mode.

LAMP: Tally Lamp (front/rear) / Card Access Light / Power Indicator / Charging Light/Network Connection Light

Wireless:

Wi-Fi

  • 2.4GHz (STA/AP) (IEEE802.11b/g/n)
  • 5GHz (STA) (IEEE 802.11a/n/ac)
  • Security: WPA/WPA2/WPA3
  • Please refer to Wi-Fi sheet

Bluetooth: Bluetooth® v5.0 (Bluetooth Low Energy (BLE))

Dust and Splash Resistance*Yes.

*Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.

Power: 

Battery: Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled)

USB power supply, USB power charging, USB power delivery

Battery life (CIPA standard):

When using CFexpress Card:

  • Approx. 330 images, 750 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22
  • Approx. 350 images, 800 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22
  • *Using a Lexar CFexpress Type B card. Under the test conditions specified by Panasonic based on CIPA standard.
  • When the time to get in the sleep mode is set to 1 sec.

When using SD memory card:

  • Approx. 360 images, 850 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22
  • Approx. 380 images, 900 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22
  • *Using a Panasonic SDXC memory card. Under the test conditions specified by Panasonic based on CIPA standard.
  • When the time to get in the sleep mode is set to 1 sec.

Continuous recordable time (Motion picture) (*1):

When using CFexpress Card:

  • MP4 [4K/60p]: Approx. 80 min with H-ES12060 / H-FS12060
  • MP4 [FHD/60p]: Approx. 90 min with H-ES12060 / H-FS12060

When using SD memory card:

  • MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060
  • MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060

Actual recordable time (Motion picture) (*1):

When using CFexpress Card MP4 [4K/60p]: Approx. 40 min with H-ES12060 / H-FS12060

MP4 [FHD/60p]: Approx. 45 min with H-ES12060 / H-FS12060

When using SD memory card MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060

MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060

DIMENSIONS / WEIGHT:

Dimensions (W x H x D) Approx. 138.4 x 100.3 x 99.6 mm / 5.45 x 3.95 x 3.92 inch (excluding protrusions)

Weight Approx. 823g / 1.81 lb (SD Memory Card x 1, Battery, Body)

Approx. 739g / 1.63 lb (Body only)

Operating Environment: 

Operating temperature: -10oC to 40oC (14oF to 104oF)

Operating humidity: 10%RH to 80%RH

Standard Accessories:

Software:

Recording:

LUMIX Tether

  • This software is used to control a Panasonic digital camera from a computer. It allows you to change various settings of the camera,
  • perform remote recording, and save remotely recorded images to the PC. Check the site below to download and install the software.
  • http://panasonic.jp/support/global/cs/soft/download/d_lumixtether.html (For Windows / Mac)

LUMIX Sync

  • ・This software is used to control a Panasonic digital camera from a smartphone. Check the site below to download and install the software.
  • https://panasonic.jp/support/global/cs/dsc/ (For Android™ / iOS)

Playback / Editing

  • The software to process RAW file on computer is not bundled with this camera.
  • To do this, SILKYPIX Developer Studio is available for download at Ichikawa Soft Laboratory's website using computer connected to the Internet.
  • http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac)

Standard accessories DC-GH6 Kit

  • Body Cap, Hot Shoe Cover, Eye Cup, Flash Synchro Socket Cap, Shoulder Strap, Battery Pack, Battery Charger, AC Adaptor,
  • USB Connection Cable (A-C), Cable Holder, BNC Converter Cable
  • DC-GH6L Kit / DC-GH6M Kit
  • Body Cap, Hot Shoe Cover, Eye Cup, Flash Synchro Socket Cap, Shoulder Strap, Battery Pack, Battery Charger,
  • AC Adaptor, USB Connection Cable (A-C), Cable Holder, , BNC Converter Cable, Lens Cap, Lens Hood, Lens Rear Cap
  • ・The Operating Instructions for advanced features is available for downloaded at Panasonic LUMIX Customer Support Site using PC,
  • smartphone or tablet connected to the Internet.
  • (*1) About motion picture recording
  • - The cards that can be used for recording vary depending on the motion pictures bit rate and format type.
  • Motion pictures with 72Mbps or less: CFexpress card, SD memory card with SD Speed Class with Class 10 or Video Speed Class 10 or higher
  • Motion pictures with 200Mbps or less: CFexpress card, SD memory card with UHS-I /
  • UHS-II UHS Speed Class 3 (U3) or Video Speed Class 30 or higher
  • Motion pictures with 400Mbps or less: CFexpress card, SD memory card with Video Speed Class 60 or higher
  • Motion pictures with 600Mbps or less: CFexpress card, SD memory card with Video Speed Class 90
  • Motion pictures with 800Mbps or more, variable frame rate with ALL-Intra, or ProRes: CFexpress card
  • - A new file will be created to continue recording if the continuous recording time exceeds the following conditions.
  • Motion pictures with less than 72Mbps: 30 minutes
  • Motion pictures with 72Mbps or more: 3 hours 4 minutes
  • - A new file will be created to continue recording if the file size exceeds the following conditions.
  • [MP4] in [FHD]: 4GB
  • [MP4] in [4K]: 96GB
  • [MOV] in 600Mbps or less: 192GB
  • [MOV] in 800Mbps: 640GB
  • [ProRes] in [5.7K]: 640GB
  • - If the resolution is higher than C4K, the frame rate is higher than 60p or set to ProRes, the camera may stop the recording to protect itself.
  • Wait until the camera cools down.
  • (*2) High-res audio is selectable only when attaching Φ3.5mm microphone or DMW-XLR1 (sold separately).
  • (*3) About AF
  • - Continuous AF is not available for High Frame Rate video shooting above 120p (200p or 240p). It will be the AFS operation for 1-Area AF.
  • 200p High Frame Rate video shooting requires a firmware update for the compatible lens.
  • - Automatic Detection is not available for High Frame Rate video shooting above 60p (100p or 120p).
  • - Tracking and Automatic Detection are not available when using HDMI cable or USB connection cable for
  • High Frame Rate video shooting (100p or 120p) above 60p.
  • (*4) To output motion pictures with 4K or higher,use an Ultra High Speed HDMI cable (Type A–Type A plug, up to 1.5 m (4.9 feet) long).

In The Box

  • 1x Lumix DC-GH6E- Body only
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