Features
5.7K ProRes Capable Micro Four Thirds Hybrid Mirrorless Camera
Unrivalled Image Stabilisation
5.7K 30p internal video recording available in ProRes 422 HQ and ProRes 422
4:2:2 10-bit Cinema 4K 60p internal recording as well as simultaneous output in 4:2:2 10-bit Cinema 4K 60p over HDMI
Unrivalled Image Stabilisation: high-precision 5-axis gyro sensor with a new algorithm to achieve a powerful 7.5 stops of Body I.S.*1 and Dual I.S.2*2
Incredible Dynamic Range: 12+ stops of wide dynamic range for pre-installed V-Log recording, expanding to 13+ stops when using Dynamic Range Boost mode*3
4ch 48kHz or 96kHz 24-bit recording made possible*4 when an XLR microphone adaptor is attached
Video assist functions
Micro Four Thirds lense mount (MFT)
Equipped with double card slots: CFexpress card (Type B) / SD Memory Card UHS II V90
Lumix DC-GH6E PAN-DC-GH6E PANDCGH6E PAN DC GH6E PAN/DC/GH6E Body Only
Powerful, Professional Video Performance
Panasonic’s LUMIX GH Series is widely considered an epoch-making sensation, achieving outstanding video recording performance with advanced features that meet professional quality levels and standards. The new LUMIX GH6 continues this, with 5.7K 30p internal video recording available in ProRes 422 HQ and ProRes 422 for the first time in the LUMIX series using a CFexpress Type B card, which enables non-linear editing without transcoding.
With 5.7K 4:2:0 10-bit 60p/50p and 5.8K 30p/25p/24p 4:2:0 10-bit anamorphic 4:3 modes recorded utilising the full area of the sensor, the LUMIX GH6 offers higher resolution and higher bit rates than ever before and delivers the latest in high image quality, versatility, and range needed for film, TV, and all types of video production.
The LUMIX GH6 also achieves 4:2:2 10-bit Cinema 4K 60p internal recording as well as simultaneous output in 4:2:2 10-bit Cinema 4K 60p over HDMI.
4:2:0 10-bit 4K 120p (equivalent to 5x slow motion*1) and 4:2:2 10bit FHD 240p HFR (High Frame Rate) video recording with audio is available to enable creativity such as speed ramping. FHD maximum 300fps (equivalent to 12.5x slow motion*1) VFR (Variable Frame Rate) enables dynamic motion of a subject.
Overheating can be a fatal issue to continuous video recording especially when the resolution and the frame rates are increased but the LUMIX GH6 achieves unlimited video recording time*2 in all modes by optimising the heat-dissipating path with a forced-cooling fan mechanism.
*1 In 24p
*2 Under the guaranteed operating environment when using a battery. The recording time depends on the capacity of the battery and the recording media.
Panasonic’s Commitment to Continuous Improvement
Panasonic continues its commitment to continuous improvement of its LUMIX range via performance-enhancing firmware updates. In the future, a firmware update for GH6 will be released to support:
-Cinema 4K ProRes 422 HQ / ProRes 422-FHD ProRes 422 HQ / ProRes 422-USB-SSD direct recording-4K 120p HDMI Video output during Live View-Cinema 4K 120p HDMI RAW Video Data Output to ATOMOS Ninja V+
Unrivalled Image Stabilisation
For agile handheld shooting, the LUMIX GH6 adopts a new super high-precision 5-axis gyro sensor with a new algorithm to achieve a powerful 7.5 stops of Body I.S.*1 and Dual I.S.2*2.
The 5-axis Dual I.S. 2 works seamlessly to record natural, comfortable-to-see video footage. It applies appropriate compensation according to the type of movement by precisely judging the cause – whether it was generated by panning, tilting, or hand-shake. The B.I.S. compensates for camera movement even when an interchangeable lens without O.I.S. (e.g. a cine lens) is used.
With this powerful image stabilisation, even a 100-megapixel high-resolution image can be shot using the High Resolution mode without a tripod. In High Resolution mode, eight consecutive images are automatically shot while shifting the sensor using the Body I.S. (Image Stabiliser) mechanism and synthesised into a 100-megapixel equivalent (11552 x 8672-pixel) image that faithfully reproduces precise details to be saved as beautiful, highly realistic images not only in RAW but also in JPEG. With its compact, lightweight design and powerful Body I.S., the LUMIX GH6 makes shooting that was previously deemed impossible –such as handheld ultra-telephoto shooting– possible.
*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm film camera equivalent f=120mm), when H-ES12060 is used.
*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm film camera equivalent f=280mm), when H-FS14140 is used.
Incredible Dynamic Range
The LUMIX GH6 provides 12+ stops of wide dynamic range for pre-installed V-Log recording, expanding to 13+ stops when using Dynamic Range Boost mode*. With the new Dynamic Range Boost mode, a highly saturated image generated from the low ISO circuit and a low noise image generated from the high ISO circuit are synthesised at each pixel. The composite image achieves both low noise and high saturation, resulting in a clear and smooth HDR video with rich gradation.
The LUMIX GH6 also contains V-Log/V-Gamut for the first time in the LUMIX G Series Micro Four Thirds camera line-up to deliver a high dynamic range with broad colours. V-Log renders a very flat image while maintaining all colour information within the image, which allows for a greater level of editing flexibility in the post-production process. The GH6’s Live MOS sensor achieves a wide colour gamut known as V-Gamut. This is the GH6’s optimum colour space, which is wider than BT.2020.
Users will enjoy the GH6’s impressively accurate colour reproduction, with subtle gradations from dark areas to highlights, and precise control of colour data in post-production.
The LUMIX GH6 imports the renowned colourimetry of the Panasonic VariCam line-up of cinema cameras. V709 LUT (Look Up Table) with Rec.709 standard is available in the camera by default. As a further convenience, for the first time, V-Log View Assist (which can apply LUTs in real-time) supports the import of .CUBE as well as .VLT file formats.
* Available in Creative Video mode only, Minimum ISO 800 in standard mode/ISO2000 in V-Log/HLG.
A LUMIX First in Audio Recording Capability
The LUMIX GH6 delivers much improved audio recording performance, with 4ch 48kHz or 96kHz 24-bit recording made possible* when an XLR microphone adaptor is attached. This provides greater flexibility when shooting outdoors, for example, where multiple audio sources are present, or when recording backup audio. 2ch 48kHz 24-bit recording is also supported with the built-in mic as well as 2ch 96kHz 24-bit high-resolution recording* with an external mic.
The channel to use for headphones can also be switched during video recording and audio menus can be directly accessed with the Fn1 button on the top of the camera to easily check sound levels during 4-channel audio recording. For an external microphone, a Φ3.5mm stereo jack is provided.
* 4-channel audio recording is available in ProRes and MOV.
Practical Features for Easier Workflow
The LUMIX GH6 also offers a host of practical features. There are a variety of useful settings in Photo Style including different Cinelike gamma presets such as ‘Cinelike D2’ and ‘Cinelike V2’, which have similar gamma setting characteristics for film production.
In response to requests from professional users, video assist functions such as Waveform Monitor, Zebra Pattern, Luminance Spot Meter, Frame Marker, Anamorphic Desqueeze Display, Red REC Frame Indicator and Tally lamps are also available.
New to the LUMIX GH6 is the Safety Zone Marker, which shows a guide of 95%, 90% or 80% recording area, while the Center Marker allows you to choose the type of the marker. In the Colour Temperature Setting, the kelvin values can now be displayed on the recording screen
4K 60p timelapse videos can also be produced inside the camera. With the Exposure Levelling function, the exposure is automatically adjusted to prevent large changes in brightness between adjacent frames to produce equable timelapse footage.
MF assist during video recording* is now supported, enabling the user to enlarge the screen up to 6x to check the focus.
*Up to 60p. Does not work in Variable Frame Rate mode.
Next-Generation Engine and Sensor Technology
Panasonic has developed a new 25.2-megapixel Live MOS Sensor without LPF (Low-pass Filter) that boasts high resolution, high-speed signal readout that reduces rolling shutter and achieves wide dynamic range.
The new Venus Engine is also upgraded with advanced image processing technologies to render high-resolution imagery with natural noise texture and rich colour reproduction, which is a hallmark of LUMIX cameras.
The new engine delivers approximately twice the processing power, enabling high-speed processing of the new sensor's higher pixel counts and higher-resolution, higher-bit-rate video. This evolution includes three key technologies: New Intelligent Detail Processing, New 2D Noise Reduction, and High Precision 3D Noise Reduction for video. The new Intelligent Detail Processing detects the flat, detailed, and edged elements in a frame more accurately to produce a highly realistic image. The new 2D Noise Reduction suppresses chromatic noise and improves the texture of luminance noise to achieve clear and natural images even when shot at high sensitivity. With the High Precision 3D Noise Reduction for video, the detection capability of still and moving parts has been advanced, making it possible to optimise noise reduction while minimising afterimages. As a result, the image quality of video with dynamic motion is enhanced. In addition, high-precision Dual 3D Colour Control enhances colour reproduction by brightness level, saturation level and hue level for rich, faithful colour expression.
The combination of the new advanced sensor with enhanced saturation performance and the new engine makes it possible to render a clearer image even in 25.2-megapixel high resolution and lower minimum ISO sensitivity at ISO 100 [Photo: ISO 50(Extended) - 25600 / Video: ISO 50(Extended) -12800].
Intuitive Operability
The LUMIX GH6 adopts a 3.0-inch tilt and free-angle touch-control monitor in 3:2 aspect with 1,840K-dot high resolution. The tilt and free-angle screen allows for greater flexibility and convenient rotation even with a HDMI cable and USB cable connected to the camera.
To support high precision focusing, the LUMIX GH6 provides practical options for manual focusing. While focus is shifted with variable amount according to the rotation speed of the focus ring for non-linear setting, it is shifted with a designated amount according to the rotational quantum of the focus ring for linear setting. Sensitivity (amount of focus shift per rotational quantum) can be selected from 90 to 360 degrees by 30-degrees to enable intended focus operation.
The 3,680k-dot 0.76x live viewfinder uses a highly responsive, easy-to-see OLED display to capture even fast-moving subjects in fine detail. In addition, the high contrast display (approx. 10,000:1) presents the subject with fine gradations and high clarity throughout.
With the new sensor’s higher readout speed and the new Venus Engine’s superior processing power, the LUMIX GH6 also delivers AFS burst shooting using the electronic shutter at 75 frames per second with 25.2-megapixel resolution. The sensor’s higher readout speed also minimises rolling shutter distortion and captures images too fast for the naked eye to process.
Reliable Build Quality for Professional Use
The LUMIX GH6 is tough enough to withstand heavy field use with a magnesium alloy full die-cast front / rear frame and is not only splash-resistant*1 but dust-resistant and freeze-resistant down to -10 degrees Celsius/14 degrees Fahrenheit. The shutter unit is also durable for approx. 200,000 cycles. The Rec button is located on both the top and front of the camera, which makes it easy to start and stop recording even when shooting at a low angle or with a shoulder rig.
The LUMIX GH6 is equipped with double card slots. The CFexpress card (Type B) supports internal recording of high bitrate video at 800Mbps or more including 5.7K 30p ProRes 422 HQ and C4K 60p ALL-I. The SD Memory Card UHS II V90 supports internal recording of video at 600Mbps or less and it is also possible to choose the recording method from Relay Recording, Backup Recording, Allocation Recording using both SD Memory Card and CFexpress Card.
For the terminal, HDMI Type A is provided. Plus, a cable lock holder for the HDMI/USB cable is provided to prevent issues such as unplugging on location. The LUMIX GH6 supports USB 3.2 Gen 2 for high-speed writing and readout. The 2200mAh high-capacity battery can be recharged either via AC or USB according to the users’ convenience. It also complies with USB PD (Power Delivery) when the corresponding Battery Charger DMW-BTC15 is used. The LUMIX GH6 is also compatible with Time Code IN/OUT synchronisation through the flash synchro terminal and bundled BNC converter cable with BNC cable. This makes the non-linear editing of footage shot with multiple cameras easy.
Wi-Fi 5-GHz (IEEE802.11ac)*2 is enabled in addition to 2.4-GHz (IEEE802.11b/g/n). This provides a secure and stable connection not only with a smartphone/tablet but also with other devices on location for smooth remote control. The transmission speed of photo/video data is also increased by using the 5-GHz band. Compatibility with Bluetooth 5.0 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone or tablet with minimum power consumption. The settings of a LUMIX GH6 camera can also be copied and transmitted wirelessly to other GH6 cameras when using multiple cameras. The LUMIX Sync application for iOS/Android devices allows remote control of the camera using a smartphone or a tablet via easy wireless connection. In addition to wireless control via a Remote Shutter DMW-RS2 (sold separately), application software LUMIX Tether enables tethered shooting via USB. Users can control the camera by connecting it to a PC via USB, letting them view the image on a large PC screen while shooting. Profoto wireless transmitters “Air Remote TTL-O/P” and “Profoto Connect-O/P” can be used, enabling wireless connection and control of external strobes for professional shooting.*3
*1 Splash Resistant is a term used to describe an extra level of protection this camera offers against exposure to a minimal amount of moisture, water or dust. Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with water.
*2 5GHz Wi-Fi is not available in some countries.
*3 All functions may not be available depending on the situation.
Wide Range of Available Lenses
The Panasonic LUMIX G Series boasts a total line-up of 30 Micro Four Thirds lenses to choose from according to purpose. The latest LEICA DG VARIO-SUMMILUX 10-25mm F1.7 ASPH. (X-H1025) and LEICA DG VARIO-SUMMILUX 25-50mm F1.7 ASPH. (H-X2550) zoom lenses feature full-range F1.7 large aperture and are favoured by professional film creators as well as other single-focal-length F1.7 or F2.8 lenses. In addition, the LUMIX GH6 memorises the name and focal length of analog lenses such as anamorphic lenses or old lenses to automatically apply the suitable setting of the camera’s in-body image stabiliser when those lenses are used.
Panasonic has reviewed and updated the firmware of its lenses to optimise their use with the LUMIX GH6. It is possible to control AF operation by pressing the shutter button halfway, or by pressing the AF-ON button, when [200.00p] is set in high frame rate video mode when H-E08018/H-X1025/H-X2550/H-ES12060/H-ES50200/H-RS100400/H-XA025/H-ES200/H-HSA12035/H-FS12060/H-HSA35100/H-FSA45200/H-FSA100300 lenses are used. The H-NS043/H-X012/H-X015 lenses will follow these updates and they will also have Focus Ring Control and improved AF performance in 24.00p/23.98p mode. The firmware update of H-NS043/H-X012/H-X015 is scheduled for 1st March 2022.
Specifications
Type:
Image Sensor:
Still Image:
File size (Pixels):
Image quality: RAW / RAW+Fine / RAW+Standard / Fine / Standard
Colour space: sRGB, AdobeRGB
Motion Picture:
Audio format:
*When attaching Φ3.5mm microphone or DMW-XLR1 (sold separately). **When attaching DMW-XLR1 (sold separately).
MOV (*1) (*2) *HLG is selectable:
59.94Hz:
[5.8K] 5760x4320 (4:3):
[5.7K] 5728x3024 (17:9):
[4.4K] 4352x3264 (4:3):
[C4K] 4096x2160
*When Dynamic Range Boost is set to OFF.
[4K] 3840x2160:
*When Dynamic Range Boost is set to OFF.
[FHD] 1920x1080:
*When Dynamic Range Boost is set to OFF. **When Image Area of Video is set to FULL.
24.00Hz:
[5.8K] 5760x4320 (4:3):
[5.7K] 5728x3024 (17:9):
[4.4K] 4352x3264 (4:3):
[C4K] 4096x2160:
*When Dynamic Range Boost is set to OFF.
[4K] 3840x2160:
*When Dynamic Range Boost is set to OFF.
[FHD] 1920x1080
*When Dynamic Range Boost is set to OFF.
MP4 (*1):
59.94Hz:
[4K] 3840x2160:
*HLG is selectable.
[FHD] 1920x1080:
50.00Hz:
[4K] 3840x2160:
*HLG is selectable.
[FHD] 1920x1080
24.00Hz -
ProRes (*1) (*2):
59.94Hz:
[5.7K] 5728x3024 (17:9):
50.00Hz:
[5.7K] 5728x3024 (17:9):
24.00Hz:
[5.7K] 5728x3024 (17:9):
24.00p, 1.5Gbps (ProRes 422 HQ) / 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)
Variable Frame Rate:
MOV (*1) *HLG is selectable:
59.94Hz:
[5.7K] 5728x3024 (17:9)
*When Image Area of Video is set to FULL.
[C4K] 4096x2160:
*Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON.
[4K] 3840x2160
*Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON.
[FHD] 1920x1080:
*Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON.
*Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.
50.00Hz:
[5.7K] 5728x3024 (17:9):
*When Image Area of Video is set to FULL.
[C4K] 4096x2160:
*Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON.
[4K] 3840x2160
*Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON.
[FHD] 1920x1080:
*Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON.
*Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.
24.00Hz:
[5.7K] 5728x3024 (17:9):
*When Image Area of Video is set to FULL.
[C4K] 4096x2160:
*Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON.
[4K] 3840x2160:
*Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON.
[FHD] 1920x1080:
*Maximum output of sensor is 60fps when Dynamic Range Boost is set to ON.
*Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL.
Viewfinder:
Type: OLED Live View Finder
Pixels: Approx. 3.68 million dots
Field of view / Magnification:Approx. 100% / Approx. 1.52x / 0.76x (35mm camera equivalent)
with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 4:3
Eye point / Diopter adjustment: Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +3.0 (dpt)
Eye sensor: Yes
Rear monitor:
Type: TFT LCD monitor with static touch control
Monitor size: Tilt free-angle, 3.0-inch (7.6cm), 3:2 aspect
Pixels: Approx. 1.84 million dots
Field of view: Approx. 100%
Focus (*3):
Type: Contrast AF system
DFD technology: Yes
Focus mode: AFS (Single) / AFC (Continuous) / MF
AF mode: Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint
*Automatic Detection can be turned ON to switch between Human/ Face/Eye/ Animal+Human. Except when Pinpoint is set.
AF detective range: EV -4 - 18 (F2.0, ISO100 equivalent, AFS)
AF custom setting: AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction
AF assist light: Yes
AF lock: Set the Fn button in custom menu to AF lock
Focus ring control: Nonlinear / Linear* (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum)
*When a compatible lens is attached.
Others:
Exposure Control:
Light metering system: 1,728-zone multi-pattern sensing system
Light metering mode: Multiple / Center Weighted / Spot / Highlight Weighted
Metering range: EV0-18 (F2.0 lens, ISO100 equivalent)
Mode dial: Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* /
Custom: 1, 2, 3, 4 / Intelligent Auto
*The same exposure operations as P/A/S/M mode is available.
Exposure compensation: 1/3 EV step ±5EV (±3EV for motion picture)
Dynamic Range Boost: ON / OFF
ISO sensitivity (Standard output sensitivity):
Still image:
*Switchable between 1/3 or 1 EV step.
Motion picture
*Switchable between 1/3 or 1 EV step.
AE lock: Set the Fn button in custom menu to AE lock
Image Stabilization System
B.I.S. (5-axis / 7.5-stop*)
*Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm) when H-ES12060 is used.
Dual I.S. 2 (7.5-stop**)
**Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm camera equivalent f=280mm) when H-FS14140 is used.
White Balance:
White balance: AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Colour temperature setting 1, 2, 3,
4
White balance adjustment: Blue/Amber bias, Magenta/Green bias
Colour temperature setting: 2500-10000K in 100K
Shutter:
Type: Focal-plane shutter
Shutter speed:
Self timer: 10sec, 3 images / 2sec / 10sec / Custom Time
Remote control: Remote control by DMW-RS2 (sold separately)
Silent mode / Shutter type Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR)
Bracket:
AE bracket: 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst
Aperture bracket: 3, 5 or all positions
Focus bracket: 1 to 999 images, focus steps can be set in 10 levels
White balance bracket: 3 images in blue/amber axis or in magenta/green axis, colour temperature setting
Burst Shooting:
Burst speed:
Mechanical shutter / Electronic front curtain shutter:
Electronic shutter:
Number of recordable images:
*Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic.
**When using a card with CFexpress Type B
***When using a card with SD Speed Class with UHS-II UHS Speed Class 3 (U3).
SH RAW / RAW+JPEG / JPEG: 200 images
Time lapse shot: Yes
Stop motion animation: Yes
Flash:
Flash type: TTL External Flash (sold separately)
Flash mode: Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. /
Slow Sync./Red-eye Reduction / Forced Off *For iA only.
Flash synchronization: 1st Curtain Sync, 2nd Curtain Sync.
Flash output adjustment: 1/3EV step ±3EV
Synchronization speed: Less than 1/250 second
Wireless control: Yes (When using DMW-FL200L / FL360L / FL580L (sold separately), Wireless Channel: 1ch/2ch/3ch/4ch
Flash sync socket: Yes
Extra Tele Conversion: 2.0x (EX S), 1.4x (EX M) *Only for still image recording.
Photo Style:
Photo Style:
Picture adjustment
*Adjustable settings vary depending on the Photo Style mode.
Filter: Expressive / Retro / Old Days / High Key / Low Key / Sepia / Cross Process / Bleach Bypass
Motion Picture Function:
Master pedestal level: 31 steps
Luminance level:
Wave form monitor / Vectorscope: Selectable
LUT view assist Supported file types: .vlt, .cube
Monitor / HDMI
HLG view assist: Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF)
Anamorphic desqueeze display: 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF
Synchro scan: Yes
SS/Gain operation: Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB
Colour bars / 1kHz test tone: Yes (SMPTE / EBU / ARIB) / Yes
Knee control: Yes (in Like709 mode)
Red REC frame indicator: ON / OFF
Vertical Position Information: Still image / Motion picture (ON/OFF)
Level gauge: Yes
Function Button:
REC:
PLAY:
OSD language: Please refer to OSD Sheet
Print: PictBridge compatible
Interface:
USB: USB Type-C (SuperSpeed USB 10Gbps (USB 3.2 Gen2))
HDMI (*4):
HDMI: HDMI TypeA
Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is set to OFF.), 4ch (When [4ch Mic Input] is set to ON.)
Monitor-through: 4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit].)
4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit].)
Down Convert: Auto / C4K/4K / 1080p / 1080i / OFF
Playback:
*Only for still image playback. **Only for playback.
Remote input: φ2.5mm
Audio:
Build-in microphone: Stereo
Wind Noise Canceller: OFF / Standard / High
External microphone / External audio device input: φ3.5mm for external microphone / external audio device
XLR microphone: Yes with DMW-XLR1 (sold separately)
4ch mic input: Yes with DMW-XLR1 (sold separately)
Speaker: Monaural
Headphone output: φ3.5mm
Card slot:
*Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC
Memory Cards.
TC IN/OUT:
TC IN/OUT: Yes with BNC Converter Cable (bundled)
Count up: Rec Run / Free Run
Time code mode: Drop Frame / Non-Drop Frame (When system frequency [59.94Hz] is selected.)
HDMI time code output: ON / OFF
External TC setting: TC Synchronization / TC Output Reference
FAN: Auto1 / Auto2 / Fast / Normal / Slow / OFF* *OFF can be set when in iA/P/A/S/M mode.
LAMP: Tally Lamp (front/rear) / Card Access Light / Power Indicator / Charging Light/Network Connection Light
Wireless:
Wi-Fi
Bluetooth: Bluetooth® v5.0 (Bluetooth Low Energy (BLE))
Dust and Splash Resistance*: Yes.
*Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.
Power:
Battery: Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled)
USB power supply, USB power charging, USB power delivery
Battery life (CIPA standard):
When using CFexpress Card:
When using SD memory card:
Continuous recordable time (Motion picture) (*1):
When using CFexpress Card:
When using SD memory card:
Actual recordable time (Motion picture) (*1):
When using CFexpress Card MP4 [4K/60p]: Approx. 40 min with H-ES12060 / H-FS12060
MP4 [FHD/60p]: Approx. 45 min with H-ES12060 / H-FS12060
When using SD memory card MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060
MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060
DIMENSIONS / WEIGHT:
Dimensions (W x H x D) Approx. 138.4 x 100.3 x 99.6 mm / 5.45 x 3.95 x 3.92 inch (excluding protrusions)
Weight Approx. 823g / 1.81 lb (SD Memory Card x 1, Battery, Body)
Approx. 739g / 1.63 lb (Body only)
Operating Environment:
Operating temperature: -10oC to 40oC (14oF to 104oF)
Operating humidity: 10%RH to 80％RH
Standard Accessories:
Software:
Recording:
LUMIX Tether
LUMIX Sync
Playback / Editing
Standard accessories DC-GH6 Kit
In The Box
