8-pin/8-pin Remote Control Cable, 30 meter
Sony CCA-5-30/1 (CCA-5-30-1, CCA_5_30_1, CCA-5/30/1) 8-pin/8-pin Remote Control Cable, 30 meter Remote control cable for 700 series control panels. Applicable Models: HDCU-1000/1500 Camera Control Unit; CCU-790P/590P Camera Control Unit; RCP-700/701/750/751 Remote Control Panels; MSU-900/MSU-950 Master Setup Unit.
AO-ATOMCAB004 USB to Serial LANC Cable (6.5')
Atomos AO-ATOMCAB004 (AO/ATOMCAB004, AO_ATOMCAB004, AOATOMCAB004, ATOMCAB004, ao-atomcab004) USB to Serial LANC Cable (6.5') The Atomos USB Type-A to Serial LANC Calibration Cable allows you to connect virtually any Atomos monitor or monitor/recorder to a computer for use with select calibration systems. When using the Atomos calibration software, which is provided as a free download for Windows and Mac on the Atomos website, this cable can be used with the X-Rite i1 Display Pro calibration hardware. You can also use optional third-party calibration software, in which case the cable can be used with any calibration hardware compatible with that software, such as Datacolor Spyder systems in many cases. The cable features a USB Type-A connector on one end and has a 2.5mm LANC connector on the other end, making it compatible with almost every Atomos monitor. The cable measure 6.5′ long.
AtomFlex Pro HDMI 2.0 Micro HDMI to Full HDMI 40cm (80cm extended)
Atomos AO-ATOM4K60C2 (AOATOM4K60C2, AO/ATOM4K60C2, AO ATOM4K60C2, ATOM4K60C2, ao-atom4k60c2) AtomFlex Pro HDMI 2.0 Micro HDMI to Full HDMI 40cm (80cm extended) The AtomFLEX HDMI (Type-A) Male to Micro-HDMI (Type-D) Male Coiled Cable lets you transmit HDMI 2.0 signals between devices and components. The coiled design reduces clutter, and the die-cast metal micro-HDMI (type-D) connector provides a stable connection. This cable supports 4K video at up to 60 fps and HD video at up to 240 fps.
Atomos 5" Accessory Kit for Ninja V / Shinobi – Batteries, Charger, Case
Atomos AO-ATOMACCKT2 (AO/ATOMACCKT2, AO ATOMACCKT2, ATOMACCKT2, AO_ATOMACCKT2, ao-atomacckt2) 5" Accessory Kit for Shinobi, Shinobi SDI, Ninja V Monitors Atomos 5" Accessory Kit for Ninja V / Shinobi – Batteries, Charger, Case The Atomos 5" Accessory Kit is a complete solution designed to enhance the usability of your Atomos Ninja V, Ninja V+ and Shinobi monitors. Providing essential power, protection, and outdoor visibility, this kit ensures your monitor is ready for professional on-set use straight out of the box. Everything You Need in One Kit This all-in-one package includes key accessories required for reliable operation: 2 × NP-F750 Rechargeable Batteries – Extended runtime for long शूट sessions Fast Battery Charger & AC Power Supply – Keep your batteries ready at all times Sunhood – Improves screen visibility in bright outdoor conditions Screen Protector – Helps safeguard your display from scratches Travel Case – Secure storage and easy transport Built for Professional Workflows Designed specifically for Atomos 5” monitors Ideal for filmmakers, videographers, and content creators Ensures uninterrupted monitoring and recording Key Benefits Power your monitor anywhere with dual battery support Improve usability in outdoor shooting environments Protect and transport your equipment safely Reduce setup time with a complete accessory bundle Compatibility Atomos Ninja V / Ninja V+ Atomos Shinobi / Shinobi SDI Important Information This accessory kit is highly recommended for new Atomos users, providing all the essential components required for efficient and reliable operation in professional video production environments.
BMD CINEURSANMFRCAM Camera Fiber Converter
Blackmagic BMD-CINEURSANMFRCAM ( CINEURSANMFRCAM, BMDCINEURSANMFRCAM, BMD/CINEURSANMFRCAM, BMD CINEURSANMFRCAM ) Camera Fiber Converter Connect cameras to live switchers up to 2 km away with video, talkback, control and power, all over a single cable Blackmagic Camera Fiber Converter The Blackmagic Camera Fiber Converter attaches to the back of your URSA Mini or URSA Broadcast camera. In addition to converting all of the audio, video, camera control and talkback into fiber, it also adds professional studio camera controls to the back of your camera. You get control for return feeds, dual intercom controls with the ability to mix in program audio, record, focus and iris controls, headset connectors, audio and more. The camera converter also includes a VLock mount plate on the top for attaching accessories such as a professional Blackmagic Studio Viewfinder. The Blackmagic Camera Fiber Converter has connections for your Ultra HD camera feed, 3 HD return feeds, full remote camera control, PTZ, multiple channels of talkback, tally and more. Blackmagic Fiber Converters Extend and fully power cameras up to 2 km away using an open standard SMPTE fiber cable The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work. Place Cameras Anywhere Get cameras much closer to the action If you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology. SMPTE Fiber for Industrial Strength and Safety Built in multi layer fail safe instantly cuts power to eliminate danger Blackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel. Add Studio Camera Controls Transform broadcast cameras into dedicated studio cameras Studio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras. 10G Ethernet for IP Video Super fast, low latency ethernet link for video, audio and control The Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future. Dual Channel Talkback Two dual channel talkback intercoms with backup The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator. Designed for High End Broadcast Durable metal design, high end components and professional connections The Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed.
BMD CINEURSANWFRSTUD Studio Fiber Converter
Blackmagic BMD-CINEURSANWFRSTUD ( CINEURSANWFRSTUD, BMDCINEURSANWFRSTUD, BMD/CINEURSANWFRSTUD, BMD CINEURSANWFRSTUD ) Studio Fiber Converter Connect to remote cameras up to 2 km away with multiple channels of video, talkback, control and power all over a single cable Blackmagic Studio Fiber Converter The Blackmagic Studio Fiber Converter is used at the other end of your broadcast camera chain back in the studio or outside broadcast truck. It converts signals from the remote camera back into standard television industry connections that can be used with your live production switchers, audio mixers and talkback interfaces. It features a high capacity power supply to drive the cable so it can provide enough power for your camera and any accessories that you might add. The studio fiber converter includes connections for tally, two dual channel intercoms for industry standard 3rd party talkback systems, and even a backup engineering talkback channel in case the fiber goes down. You get a main Ultra HD camera feed plus 3 independent HD return feeds with full remote camera control, PTZ, tracker talkback and ethernet, all through a single SMPTE fiber cable. Plus, there is a large 5 inch LCD screen right next to the SMPTE fiber connection on the front panel for monitoring signals from the remote camera. This allows for easy patching and verification of the remote camera function. Blackmagic Fiber Converters Extend and fully power cameras up to 2 km away using an open standard SMPTE fiber cable The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work. Place Cameras Anywhere Get cameras much closer to the action If you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology. SMPTE Fiber for Industrial Strength and Safety Built in multi layer fail safe instantly cuts power to eliminate danger Blackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel. Add Studio Camera Controls Transform broadcast cameras into dedicated studio cameras Studio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras. 10G Ethernet for IP Video Super fast, low latency ethernet link for video, audio and control The Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future. Dual Channel Talkback Two dual channel talkback intercoms with backup The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator. Designed for High End Broadcast Durable metal design, high end components and professional connections The Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed.
Sony CCA-5-3 (CCA5-3, CCA/5-3, cca-5-3) Camera Control Cable - 3mThe CCA5 cable has 3 shielded pairs; (1) 75ohm coax and (2) conductors for power. Cable assembly uses Hirose style 8 pin connector. (DOESN'T WORK with SONY'S RMB150 Controller, does NOT monitor Video Out)
Control Cable for BVP and HDC Series Cameras
Sony CCA-5-10 (CCA5-10, CCA/5-10, cca-5-10) Control Cable for BVP and HDC Series CamerasThe Sony CCA-5-10 is a control cable that is specifically designed to drive Sony's line of BVP and HDC series cameras. The cable prevents multiple wires from getting tangled or tripped over, providing a clean and efficient means of connectivity.
Hybrid Optical Fiber Cable - 250m
Sony CCFN-250//U (CCFN250//U, CCFN/250//U, ccfn-250//u) Hybrid Optical Fiber Cable - 250mThe 820.2' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits
Hybrid Optical Fiber Cable - 50m
Sony CCFN-50//U (CCFN50//U, CCFN/50//U, ccfn-50//u) Hybrid Optical Fiber Cable - 50mThe 164' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits
MAG-2211121-01 HD-One DX500 Transmitter
Magenta MAG-2211121-01 (MAG2211121-01, MAG/2211121-01, mag-2211121-01) HD-One DX500 TransmitterHDMI Video and Audio Extension Transmitter
MICRO4K Coiled HDMI to Micro-HDMI Cable (24'')
Shape SH-MICRO4K (SH_MICRO4K ,SHMICRO4K, SH/MICRO4K, SH MICRO4K) (MICRO-4K, MICRO/4K) MICRO4K Coiled HDMI to Micro-HDMI Cable (24'') Interface high-definition devices with the MICRO4K Coiled HDMI to Micro-HDMI Cable from SHAPE. For component connections, it features a full-size HDMI connector on one end and a micro-HDMI connector on the other end. This cable is 24" when coiled and can be extended up to 36". Its coiled design allows the cable to work in installations where shorter cables are desired.
Blackmagic BMD-DISKMDOCK4/U10G (BMDDISKMDOCK4/U10G, BMD DISKMDOCK4/U10G, BMD/DISKMDOCK4/U10G, BMD-DISK/MDOCK4/U10G) MultiDock 10G Blackmagic MultiDock 10G is an advanced SSD dock that lets you access 4 separate SSDs via a single high speed 10 Gb/s USB‑C connection. Unlike cheap consumer adapters, Blackmagic MultiDock 10G has been specifically designed for the film and television industry and features a rack mount design with an independent SATA driver chip on each disk, ensuring much faster data transfer speeds. That's perfect for editors, colourists and media management on set! It can even be used for SSD compatibility on HyperDeck Extreme! Only Blackmagic MultiDock 10G gives you the industrial strength design you need for professional work. Premium All Metal Rack Mount Design Unlike cheap SSD docking cables, the Blackmagic MultiDock 10G is a compact 1 RU all metal design you can mount in any professional rack. Each disk slot features an illuminated disk indicator so you can see when disks are being accessed. The design is also repairable so you can replace the socket connector in each slot. Simply plug into any USB‑C Mac or Windows computer and there is no software to install. The rear panel features 2 USB‑C connections and a slide switch to allow selecting between using 4 disk slots on a single USB‑C connection, or 2 slots on each USB‑C connection for shared use. Plus, the built in AC power supply provides lots of power to run 4 SSDs or hard disks at the same time. Dock and Edit Blackmagic MultiDock supports up to 4 independent 2.5 inch SSDs so it’s possible to edit directly from the disks you recorded onto. Simply plug in your SSDs and they will mount on your Mac OS X and Windows computers like regular hard disks! Because Blackmagic MultiDock features 4 independent disk slots, you can mount all your media from a shoot all at the same time! Blackmagic MultiDock 10G is perfect for accessing media recorded with the URSA Mini Pro SSD Recorder. It's also the perfect solution to add SSD compatibility to HyperDeck Extreme 8K as it will let you interchange disks between HyperDeck Studio models. You can even stripe multiple disks together for a super-fast RAID array. Solid State Disks Solid state disks are the perfect storage solution for television because they are very fast and extremely large in size. Even a single solid-state disk is much faster than a disk array because the memory-based storage is accessed instantly without the mechanical lag, allowing a single SSD to record an entire event or film shoot. This means you get reliable, fast recording with the speed for the largest video files. With Blackmagic MultiDock 10G, it’s possible to plug in any brand of 2.5-inch solid state disk or if you need high capacity backup at low cost, a regular 2.5-inch laptop hard disk can be used. Best of all the driver is built into the operating system so no extra software is needed. Extreme 10GB/S USB-C Speed Blackmagic MultiDock uses advanced USB‑C technology so you get blazingly fast transfer speeds to your computer at up to 10 Gb/s with a single cable connection! That’s more than enough bandwidth to handle the highest resolution video formats including 8K in H.265 from HyperDeck Extreme 8K! MultiDock features a completely independent disk interface chip per disk slot so you never get slowdowns because of SATA bandwidth issues. Even though you get all 4 disks connected to a single USB‑C connection, you can also split Blackmagic MultiDock 10G and get 2 disks on one USB‑C connection and 2 disks on the second USB-C connection. That's perfect for dual computer use or increased speed. Flexible Raid Storage Unlike consumer disk arrays, Blackmagic MultiDock is a compact and robust 1 rack unit all metal design that can be quickly installed into equipment racks. The built-in power supply ensures no power is used from laptop batteries and it has enough power to run 4 high performance disks all at the same time for use in RAID configurations. Blackmagic MultiDock 10G even supports the RAID software built in to most operating systems, so you can customize your disk array for your needs. Each disk slot also features an attractive illuminated disk access indicator so you can see when your disks are being accessed. Use Any Software SSDs are so incredibly fast it's no longer necessary to use RAID arrays to get enough speed for editing. That means you can add up to 4 media disks to editing software such as DaVinci Resolve, Final Cut Pro X, Premiere Pro CC, Avid Media Composer, Autodesk Smoke and more. Blackmagic MultiDock 10G is also fantastic for backup as you can insert mechanical hard disks into the slots and backup direct to the disks. Mechanical hard disks are used on laptop computers and are extremely large and very low cost. If you're working with HyperDeck Extreme, you can also use Blackmagic MultiDock 10G to get compatibility with SSDs for interchange between HyperDeck models. Work with HyperDeck 8K HDR The secret to using Blackmagic MultiDock 10G with HyperDeck Extreme is the high-speed USB‑C port on the rear panel called External Disk. When you plug MultiDock into the HyperDeck External Disk port, it can see the SSDs and use them for recording. When using 2 HyperDeck Extreme units mounted side by side it’s possible to switch to 2 channel mode and use 2 disks with each HyperDeck. This also means it's possible to use 2 computers with a single MultiDock, one using each channel, or multiple rack mount servers can access the same MultiDock. When an SSD is inserted in MultiDock, it can be seen on the HyperDeck Extreme on-screen menus and you can select it for record and playback. Move Media Between Editing Systems If you're working in large facilities, then Blackmagic MultiDock allows media disks to be relocated simply by unplugging the disks and walking to a new location. That eliminates slow file copying and there is no need for complex network storage. This means you get the flexibility to change and move workflow as your client demands. You can even take your job from an editing room into a dedicated DaVinci Resolve colour correction room and then move to a larger theatre style room when your client arrives to review your job. With instant unplugging of media, you eliminate clunky devices hanging off cables plus you can always access the disks right from the front of the rack equipment.
Sony PWS-100RX1 (PWS100RX1, PWS/100RX1, pws-100rx1) Network RX Station for XDCAM It's an advanced system for cost efficient live streaming video and audio direct from XDCAM camcorders using 4G/LTE and Wi-Fi networks. It uses Sony's unique QoS (quality of service) technology or MPEG2-TS to maintain video and audio integrity during transmission. One unit can simultaneously control two SDI outputs, which can be used to stream live from two locations at the same time. Multiple systems can be used together for greater input and output loads. The PWS-100RX1 features reference and timecode input connectors, which enable synchronized operation with broadcast systems. In addition, it can output in a variety of broadcast formats, including 1080i and 720p. It comes with pre-installed Connection Control Manager software that enables easy connection to camcorders and delivers efficient handling of the live streams. The system works with a 4G/LTE or Wi-Fi dongle, or with the CBK-WA100 and CBK-WA101 wireless LAN adapter, all sold separately. As well as live streaming, the unit enables the streaming of MP4 or MXF files for efficient recording and editing. (The PXW-X180, PXW-X200, and PXW-X500 camcorders have built-in live streaming version upgrades.) Cost efficient live streaming of 1080i and 720p over 4G/LTE or Wi-Fi direct from XDCAM camcorders Employs Sony's QoS (quality of service) technology or MPEG2-TS to maintain video and audio integrity during transmission Two SDI outputs allow you to simultaneously manage two separate streams in and out Streaming of MP4 or MXF files for recording and editing
PWS-100TD1 Tape Digitizing Station
Sony PWS-100TD1 (PWS100TD1, PWS/100TD1, pws-100td1) Tape Digitizing Station The PWS-100TD1 Tape Digitize Station provides efficient management of the digitization of legacy tape archives – video encoding, tape error checking, file quality control and control of storage are all included. Supporting a number of different codecs, it can create A/V files in your house archive format with proxy’s for integration with existing MAM/Archive systems or shelf archive systems with the direct connection of up four Sony Optical Disc Archives (ODS-D77U). Digitization of up to four VTRs can be managed concurrently with the simple user interface provided in the PWS-100TD1.Efficient digitization of legacy video tapeTransfer up to four video tapes at a time with error checkingSimple-to-use one-box solutionConnect the VTRs, connect the storage, start the workCustomers can choose Direct transfer to Optical Disc Archive or transfer to existing Archive/MAMSupports existing MAM/Archive solutions or shelf storage solutions with Sony Optical Disc Archive (ODS-D77U)Proxy Generation for network previewCreate proxies as part of the digitization process for reviewing or use in the MAM/Archive system
Remote Control Panel for MSW-2000/1 Series MPEG IMX VTRs
Sony BKMW-101 (BKMW101, BKMW/101, bkmw-101) Remote Control Panel for MSW-2000/1 Series MPEG IMX VTRs The Sony BKMW-101 is an optional remote control panel for the MSW series of MPEG/IMX VTRs. This can be incorporated into any standard 19" rack mounting system as well as the RKM-102 desktop mount for added convenience.
Replacement LEMO Type to XLR Breakout Cable for Shogun
Atomos AO-ATOMCAB016 (AOATOMCAB016, AO/ATOMCAB016, AO ATOMCAB016, ATOMCAB016, ao-atomcab016) Replacement LEMO Type to XLR Breakout Cable for Shogun Lemo to XLR breakout cable for the Shogun Monitor/Recorder.
RS-422 9-pin Male to 9-pin Male Serial Control Cable - 16ft
Sony RCC-5G (RCC5G, RCC/5G, rcc-5g) (RS/422, RS_422) RS-422 9-pin Male to 9-pin Male Serial Control Cable - 16ftThe Sony RCC-5GUS is a 9-pin control cable for RS-422A control protocol. The cable is 5 meters long, or about 16 feet.
Atomos AO-ATOMLCDP03 (AO ATOMLCDP03, AO/ATOMLCDP03, AOATOMLCDP03, ATOMLCDP03, ao-atomlcdp03) Screen Protector for Ninja V This film protects the display of the Atomos Ninja V recorder from scratches. It is exactly fitted and can be easily attached to the display.
SD Record & Playback option PDW-HD1500
Sony PDBK-S1500 (PDBKS1500, PDBK/S1500, pdbk-s1500) SD Record & Playback option PDW-HD1500 The Sony PDBKS1500 is a software key designed specifically to work with the PDW-HD1500. The key updates and enhances the deck making it cable of recording and playing back XDCAM SD footage.
Single-Mode Fiber Optic Cable - 200m
Sony CCFC-S200 (CCFCS200, CCFC/S200, ccfc-s200) Single-Mode Fiber Optic Cable - 200mThe Sony CCFC-S200 Single-Mode Fiber Optic Cable is a 656' (200m) cable designed to be used with HD pan-tilt-zoom cameras, such as the BRC-Z330, to transmit uncompressed digital data. In conjunction with an HD optical multiplex unit (such as the BRU-SF10), the CCFC-2200 cable can transmit external sync, camera control, and audio signals without deterioration.
Straight Micro HDMI to Micro HDMI Cable (50cm)
Atomos AO-ATOMCAB012 (AOATOMCAB012, AO/ATOMCAB012, AO ATOMCAB012, ATOMCAB012, ao-atomcab012) Full HDMI to Full HDMI Straight Cable (50cm) Atomos straight micro HDMI to micro HDMI cable (50cm).
USB-C 3.1 Powered Docking Station
Atomos AO-ATOMDCK004 (AO/ATOMDCK004, AO ATOMDCK004, AOATOMDCK004, ATOMDCK004, ao-atomdck004) USB-C 3.1 Powered Docking Station A low-profile offload dock for your Atomos drive caddies, the Atomos USB-C 3.1 Powered Docking Station will be an elegant addition to your computer desk as well as compact accessory for your transport bag. It supports a single drive caddy at a time and efficiently offloads the drive contents direct to your computer via an integrated USB cable. Both Master Caddy and Master Caddy II models are supported. This powered model is an upgrade over the Atomos USB 3.0 docking station, additionally featuring support for an Atomos RAID Caddy power cable for if you ever need to connect a RAID caddy, and it's slightly smaller and shorter than the previous model. The integrated USB cable features one USB-C 3.1 and one USB 2.0 connector, with the latter provided for compatibility with older computers. Older computer models may require both ports to be connected for a sufficient supply of power. Compatible with Shogun, Samurai Blade, Ninja Blade and Ninja 2