5733C006 XA60 4K UHD Professional Camcorder package a

Canon 5733C006 (57-33C-006, 57/33/C006, 57 33 C006, 57_33_C006) XA60 4K UHD Professional Camcorder Canon XA60 4K UHD Professional Camcorder package a includes: 1x Canon XA60 camcorder 1x Canon BP-828 High Capacity 2670mah Battery Pack The Canon XA60 is a professional video camera with a great balance of image quality and portability, ideal for news gathering, documentary, and a wide range of shooting applications. No matter where you are, you can shoot high-quality 4K UHD footage that can easily be incorporated into a wider professional workflow thanks to an HDMI output. With outstanding Over Sampled HD processing, advanced autofocus, a Canon 20x optical zoom lens, and HD live streaming in UVC¹ via USB-C over a computer, the Canon XA60 lets you shoot footage easily and record onto SD, SDHC, and SDXC cards or share it later in either XF-AVC or MP4 formats. Shoot, record, stream Shoot high-quality 4K UHD video with the compact XA60. As well as outstanding Over Sampling HD processing, advanced autofocus, a Canon 20x optical zoom lens, and HD live streaming in UVC1 via USB-C over a computer, Capture high-quality footage in either XF-AVC or MP4 formats. Compact professional 4K UHD camcorder Capture stunning 4K UHD and superior Full HD images thanks to a 4K 1/2.3" type CMOS sensor and DIGIC DV6 image processor. Over Sampling HD processing delivers Full HD images from the 4K sensor. XF-AVC and MP4 for flexible recording Choose from XF-AVC or MP4 recording formats. Record XF-AVC 4K UHD 160Mbps at 25P, plus Full HD 45Mbps at 50P/50i/25P. For smaller files, record MP4 4K 150Mbps at 25P and Full HD 35Mbps or 17Mbps at 50P/25P. 4K 20x optical zoom lens The Canon lens covers a 29.3mm wide angle (35mm equivalent) plus a powerful 612mm reach with Dynamic IS. A digital zoom boosts to 800x with 5-axis image stabilisation. Professional inputs and outputs Output options include simultaneous backup and relay recording via dual SD card and Infrared mode. For specialist capture, record Slow Motion in Full HD 0.5x or Fast Motion in 4K/Full HD up to 1200x. Colour match with other Canon cameras via the custom picture menu. Fast, precise focusing with face detection Adjustable focusing speeds and an advanced Hybrid AF system give fast and precise focusing. Use the 3.5-inch LCD display to set focus by touching the AF point required. Face Detection AF and Face Tracking are available while Manual Focus is set via the focus/zoom ring. Livestream and more Stream HD footage via UVC1 over a computer or add a date and time stamp with OSD recording. Two XLR terminals on a detachable handle plus a 4-channel linear PCM bring pro audio options.

5733C006 XA60 4K UHD Professional Camcorder package b

Canon 5733C006 (57-33C-006, 57/33/C006, 57 33 C006, 57_33_C006) XA60 4K UHD Professional Camcorder Canon XA60 4K UHD Professional Camcorder package b includes: 1x Canon XA60 camcorder 1x Canon BP-828 High Capacity 2670mah Battery Pack 1x Canon CG-800 Battery Charger The Canon XA60 is a professional video camera with a great balance of image quality and portability, ideal for news gathering, documentary, and a wide range of shooting applications. No matter where you are, you can shoot high-quality 4K UHD footage that can easily be incorporated into a wider professional workflow thanks to an HDMI output. With outstanding Over Sampled HD processing, advanced autofocus, a Canon 20x optical zoom lens, and HD live streaming in UVC¹ via USB-C over a computer, the Canon XA60 lets you shoot footage easily and record onto SD, SDHC, and SDXC cards or share it later in either XF-AVC or MP4 formats. Shoot, record, stream Shoot high-quality 4K UHD video with the compact XA60. As well as outstanding Over Sampling HD processing, advanced autofocus, a Canon 20x optical zoom lens, and HD live streaming in UVC1 via USB-C over a computer, Capture high-quality footage in either XF-AVC or MP4 formats. Compact professional 4K UHD camcorder Capture stunning 4K UHD and superior Full HD images thanks to a 4K 1/2.3" type CMOS sensor and DIGIC DV6 image processor. Over Sampling HD processing delivers Full HD images from the 4K sensor. XF-AVC and MP4 for flexible recording Choose from XF-AVC or MP4 recording formats. Record XF-AVC 4K UHD 160Mbps at 25P, plus Full HD 45Mbps at 50P/50i/25P. For smaller files, record MP4 4K 150Mbps at 25P and Full HD 35Mbps or 17Mbps at 50P/25P. 4K 20x optical zoom lens The Canon lens covers a 29.3mm wide angle (35mm equivalent) plus a powerful 612mm reach with Dynamic IS. A digital zoom boosts to 800x with 5-axis image stabilisation. Professional inputs and outputs Output options include simultaneous backup and relay recording via dual SD card and Infrared mode. For specialist capture, record Slow Motion in Full HD 0.5x or Fast Motion in 4K/Full HD up to 1200x. Colour match with other Canon cameras via the custom picture menu. Fast, precise focusing with face detection Adjustable focusing speeds and an advanced Hybrid AF system give fast and precise focusing. Use the 3.5-inch LCD display to set focus by touching the AF point required. Face Detection AF and Face Tracking are available while Manual Focus is set via the focus/zoom ring. Livestream and more Stream HD footage via UVC1 over a computer or add a date and time stamp with OSD recording. Two XLR terminals on a detachable handle plus a 4-channel linear PCM bring pro audio options.

5733C006 XA60 4K UHD Professional Camcorder package c

Canon 5733C006 (57-33C-006, 57/33/C006, 57 33 C006, 57_33_C006) XA60 4K UHD Professional Camcorder Canon XA60 4K UHD Professional Camcorder package c includes: 1x Canon XA60 camcorder 1x Canon BP-828 High Capacity 2670mah Battery Pack 1x Canon CG-800 Battery Charger   1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN The Canon XA60 is a professional video camera with a great balance of image quality and portability, ideal for news gathering, documentary, and a wide range of shooting applications. No matter where you are, you can shoot high-quality 4K UHD footage that can easily be incorporated into a wider professional workflow thanks to an HDMI output. With outstanding Over Sampled HD processing, advanced autofocus, a Canon 20x optical zoom lens, and HD live streaming in UVC¹ via USB-C over a computer, the Canon XA60 lets you shoot footage easily and record onto SD, SDHC, and SDXC cards or share it later in either XF-AVC or MP4 formats. Shoot, record, stream Shoot high-quality 4K UHD video with the compact XA60. As well as outstanding Over Sampling HD processing, advanced autofocus, a Canon 20x optical zoom lens, and HD live streaming in UVC1 via USB-C over a computer, Capture high-quality footage in either XF-AVC or MP4 formats. Compact professional 4K UHD camcorder Capture stunning 4K UHD and superior Full HD images thanks to a 4K 1/2.3" type CMOS sensor and DIGIC DV6 image processor. Over Sampling HD processing delivers Full HD images from the 4K sensor. XF-AVC and MP4 for flexible recording Choose from XF-AVC or MP4 recording formats. Record XF-AVC 4K UHD 160Mbps at 25P, plus Full HD 45Mbps at 50P/50i/25P. For smaller files, record MP4 4K 150Mbps at 25P and Full HD 35Mbps or 17Mbps at 50P/25P. 4K 20x optical zoom lens The Canon lens covers a 29.3mm wide angle (35mm equivalent) plus a powerful 612mm reach with Dynamic IS. A digital zoom boosts to 800x with 5-axis image stabilisation. Professional inputs and outputs Output options include simultaneous backup and relay recording via dual SD card and Infrared mode. For specialist capture, record Slow Motion in Full HD 0.5x or Fast Motion in 4K/Full HD up to 1200x. Colour match with other Canon cameras via the custom picture menu. Fast, precise focusing with face detection Adjustable focusing speeds and an advanced Hybrid AF system give fast and precise focusing. Use the 3.5-inch LCD display to set focus by touching the AF point required. Face Detection AF and Face Tracking are available while Manual Focus is set via the focus/zoom ring. Livestream and more Stream HD footage via UVC1 over a computer or add a date and time stamp with OSD recording. Two XLR terminals on a detachable handle plus a 4-channel linear PCM bring pro audio options.

5733C006 XA60 4K UHD Professional Camcorder package d

Canon 5733C006 (57-33C-006, 57/33/C006, 57 33 C006, 57_33_C006) XA60 4K UHD Professional Camcorder Canon XA60 4K UHD Professional Camcorder package D includes: 1x Canon XA60 camcorder 1x Canon BP-828 High Capacity 2670mah Battery Pack 1x Canon CG-800 Battery Charger   1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Rode NTG2 shotgun microphone The Canon XA60 is a professional video camera with a great balance of image quality and portability, ideal for news gathering, documentary, and a wide range of shooting applications. No matter where you are, you can shoot high-quality 4K UHD footage that can easily be incorporated into a wider professional workflow thanks to an HDMI output. With outstanding Over Sampled HD processing, advanced autofocus, a Canon 20x optical zoom lens, and HD live streaming in UVC¹ via USB-C over a computer, the Canon XA60 lets you shoot footage easily and record onto SD, SDHC, and SDXC cards or share it later in either XF-AVC or MP4 formats. Shoot, record, stream Shoot high-quality 4K UHD video with the compact XA60. As well as outstanding Over Sampling HD processing, advanced autofocus, a Canon 20x optical zoom lens, and HD live streaming in UVC1 via USB-C over a computer, Capture high-quality footage in either XF-AVC or MP4 formats. Compact professional 4K UHD camcorder Capture stunning 4K UHD and superior Full HD images thanks to a 4K 1/2.3" type CMOS sensor and DIGIC DV6 image processor. Over Sampling HD processing delivers Full HD images from the 4K sensor. XF-AVC and MP4 for flexible recording Choose from XF-AVC or MP4 recording formats. Record XF-AVC 4K UHD 160Mbps at 25P, plus Full HD 45Mbps at 50P/50i/25P. For smaller files, record MP4 4K 150Mbps at 25P and Full HD 35Mbps or 17Mbps at 50P/25P. 4K 20x optical zoom lens The Canon lens covers a 29.3mm wide angle (35mm equivalent) plus a powerful 612mm reach with Dynamic IS. A digital zoom boosts to 800x with 5-axis image stabilisation. Professional inputs and outputs Output options include simultaneous backup and relay recording via dual SD card and Infrared mode. For specialist capture, record Slow Motion in Full HD 0.5x or Fast Motion in 4K/Full HD up to 1200x. Colour match with other Canon cameras via the custom picture menu. Fast, precise focusing with face detection Adjustable focusing speeds and an advanced Hybrid AF system give fast and precise focusing. Use the 3.5-inch LCD display to set focus by touching the AF point required. Face Detection AF and Face Tracking are available while Manual Focus is set via the focus/zoom ring. Livestream and more Stream HD footage via UVC1 over a computer or add a date and time stamp with OSD recording. Two XLR terminals on a detachable handle plus a 4-channel linear PCM bring pro audio options.

5734C005 Legria HF G70 4K Camcorder package a

Canon Legria HF G70 4K Camcorder package a includes: 1x Canon Legria HF G70 4K Camcorder   1x Canon BP-828 High Capacity 2670mah Battery Pack Start your filmmaking journey in glorious 4K with the compact and lightweight Canon LEGRIA HF G70. A powerful 20x optical zoom with image stabilizing technology lets you shoot on the move, enjoying shake-free footage from all distances that even corrects roll and tilt. An 8-blade aperture achieves cinema-worthy blurred highlights, for a better aesthetic when shooting creatively. Dramatic effects are well within reach, too, with slow and fast motion recording and a custom picture menu to match colour with other Canon cameras. And when you want to share your video feed, Livestream the HD footage in UVC via USB-C over a computer. Trust in a Canon 4K sensor A 4K sensor and DIGIC DV6 image processor deliver crisp, sharp UHD images for 4K televisions while an 8-blade aperture achieves cinema-style out-of-focus highlights. Frame your shot with the 3.5-inch LCD or hold the camera to your eye and use the built in EVF. Take creative control Add impact to your films with dynamic wides and close ups captured with the powerful 20x optical zoom and advanced image stabilisation. Customise the camera with five assignable buttons, and use the built-in ND filters to adjust exposure for wider apertures or slower shutter speeds. Fast, precise focusing with face detection The LEGRIA HF G70 features an advanced Hybrid AF system with focusing speed adjustable for either Fast or Smooth AF. Using the 3.5-inch LCD display, set the focus by simply touching the AF point you need. For even greater accuracy and convenience, especially with busy environments where you need to keep a subject in shot, Face Detection AF and Face Tracking is available while Manual Focus can be achieved via the control ring on the lens. MP4 recording The LEGRIA HF G70 supports MP4 for playing through a compatible TV. It also records 4K UHD 150Mbps at 25P, plus Full HD 35Mbps or 17Mbps at 50P/25P. Wide range of Shooting functions A host of outputs and recording options include, Slow Motion recording in Full HD 0.5x, Fast Motion recording in 4K/Full HD up to 1200x plus an array of Scene Modes. A custom picture menu enables colour matching with other Canon cameras while audio scene mode adds sound recording tuned to your environment. Simultaneous backup and relay recording via dual SD card slots is also included. Full HD UVC streaming is available via the USB-C output.

5734C005 Legria HF G70 4K Camcorder package b

Canon Legria HF G70 4K Camcorder package b includes: 1x Canon Legria HF G70 4K Camcorder 1x Canon BP-828 High Capacity 2670mah Battery Pack 1x Canon CG-800 Battery Charger Start your filmmaking journey in glorious 4K with the compact and lightweight Canon LEGRIA HF G70. A powerful 20x optical zoom with image stabilizing technology lets you shoot on the move, enjoying shake-free footage from all distances that even corrects roll and tilt. An 8-blade aperture achieves cinema-worthy blurred highlights, for a better aesthetic when shooting creatively. Dramatic effects are well within reach, too, with slow and fast motion recording and a custom picture menu to match colour with other Canon cameras. And when you want to share your video feed, Livestream the HD footage in UVC via USB-C over a computer. Trust in a Canon 4K sensor A 4K sensor and DIGIC DV6 image processor deliver crisp, sharp UHD images for 4K televisions while an 8-blade aperture achieves cinema-style out-of-focus highlights. Frame your shot with the 3.5-inch LCD or hold the camera to your eye and use the built in EVF. Take creative control Add impact to your films with dynamic wides and close ups captured with the powerful 20x optical zoom and advanced image stabilisation. Customise the camera with five assignable buttons, and use the built-in ND filters to adjust exposure for wider apertures or slower shutter speeds. Fast, precise focusing with face detection The LEGRIA HF G70 features an advanced Hybrid AF system with focusing speed adjustable for either Fast or Smooth AF. Using the 3.5-inch LCD display, set the focus by simply touching the AF point you need. For even greater accuracy and convenience, especially with busy environments where you need to keep a subject in shot, Face Detection AF and Face Tracking is available while Manual Focus can be achieved via the control ring on the lens. MP4 recording The LEGRIA HF G70 supports MP4 for playing through a compatible TV. It also records 4K UHD 150Mbps at 25P, plus Full HD 35Mbps or 17Mbps at 50P/25P. Wide range of Shooting functions A host of outputs and recording options include, Slow Motion recording in Full HD 0.5x, Fast Motion recording in 4K/Full HD up to 1200x plus an array of Scene Modes. A custom picture menu enables colour matching with other Canon cameras while audio scene mode adds sound recording tuned to your environment. Simultaneous backup and relay recording via dual SD card slots is also included. Full HD UVC streaming is available via the USB-C output.

5734C005 Legria HF G70 4K Camcorder package c

Canon Legria HF G70 4K Camcorder package c includes: 1x Canon Legria HF G70 4K Camcorder 1x Canon BP-828 High Capacity 2670mah Battery Pack 1x Canon CG-800 Battery Charger 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card Start your filmmaking journey in glorious 4K with the compact and lightweight Canon LEGRIA HF G70. A powerful 20x optical zoom with image stabilizing technology lets you shoot on the move, enjoying shake-free footage from all distances that even corrects roll and tilt. An 8-blade aperture achieves cinema-worthy blurred highlights, for a better aesthetic when shooting creatively. Dramatic effects are well within reach, too, with slow and fast motion recording and a custom picture menu to match colour with other Canon cameras. And when you want to share your video feed, Livestream the HD footage in UVC via USB-C over a computer. Trust in a Canon 4K sensor A 4K sensor and DIGIC DV6 image processor deliver crisp, sharp UHD images for 4K televisions while an 8-blade aperture achieves cinema-style out-of-focus highlights. Frame your shot with the 3.5-inch LCD or hold the camera to your eye and use the built in EVF. Take creative control Add impact to your films with dynamic wides and close ups captured with the powerful 20x optical zoom and advanced image stabilisation. Customise the camera with five assignable buttons, and use the built-in ND filters to adjust exposure for wider apertures or slower shutter speeds. Fast, precise focusing with face detection The LEGRIA HF G70 features an advanced Hybrid AF system with focusing speed adjustable for either Fast or Smooth AF. Using the 3.5-inch LCD display, set the focus by simply touching the AF point you need. For even greater accuracy and convenience, especially with busy environments where you need to keep a subject in shot, Face Detection AF and Face Tracking is available while Manual Focus can be achieved via the control ring on the lens. MP4 recording The LEGRIA HF G70 supports MP4 for playing through a compatible TV. It also records 4K UHD 150Mbps at 25P, plus Full HD 35Mbps or 17Mbps at 50P/25P. Wide range of Shooting functions A host of outputs and recording options include, Slow Motion recording in Full HD 0.5x, Fast Motion recording in 4K/Full HD up to 1200x plus an array of Scene Modes. A custom picture menu enables colour matching with other Canon cameras while audio scene mode adds sound recording tuned to your environment. Simultaneous backup and relay recording via dual SD card slots is also included. Full HD UVC streaming is available via the USB-C output.

5735C005 XA75 4K UHD Professional Camcorder package c

Canon 5735C005 (57-35C-005, 57/35C-005, 57/35C/005, 57 35C 005) XA75 4K UHD Professional Camcorder Canon 5735C005 XA75 4K UHD Professional Camcorder package c includes: 1x Canon XA75 4K UHD camcorder 1x Canon BP-828 High Capacity 2670mah Battery Pack  1x Canon CG-800 Battery Charger 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN The Canon XA75 is a 4K professional video camera that packs a lot of pro features into a beautifully compact body. Suitable for documentary filmmaking and journalism and many more applications, this professional camcorder is intuitive with palm-sized operability and all controls easily reached with thumb and fingers. Shoot high-quality video with outstanding Over Sampled HD processing and entrust Dual Pixel CMOS AF and a Canon 15x optical zoom lens to always deliver sharp, accurate results. And if you want to share a live HD feed immediately, livestream your footage in UVC¹ via USB-C over a computer. Recorded high-quality 4K UHD footage – in either XF-AVC or MP4 formats – can easily be incorporated into a wider professional workflow, thanks to 3G-SDI and HDMI outputs. Compact professional 4K UHD camcorder Capture stunning 4K UHD and superior Full HD images thanks to a 1.0-inch Type CMOS 4K sensor and DIGIC DV6 image processor. Over Sampling HD processing delivers Full HD images from the sensor. XF-AVC and MP4 for flexible recording Choose from XF-AVC or MP4 recording formats. Record XF-AVC 4K UHD 160Mbps at 25P, plus Full HD 45Mbps at 50P/50i/25P. For smaller files, record MP4 4K 150Mbps at 25P and Full HD 35Mbps or 17Mbps at 50P/25P. 4K 15x optical zoom lens The Canon lens covers a 25.5 – 382mm (35mm equivalent) range. A digital zoom boosts to 300x with 5-axis image stabilisation. Professional inputs and outputs Output options include 3G-SDI, simultaneous backup and relay recording via dual SD card and Infrared mode. For specialist capture, record Slow Motion in Full HD 0.5x or Fast Motion in 4K/Full HD up to 1200x. Colour match with other Canon cameras via the custom picture menu. Fast, precise focusing with face detection Adjustable focusing speeds and advanced Dual Pixel CMOS AF give fast and precise focusing. Use the 3.5-inch LCD display to set focus by touching the AF point required. Face Detection AF and Face Tracking are available while Manual Focus is set via the focus/zoom ring. Livestream and more Stream HD footage via UVC1 over a computer or add a date and time stamp with OSD recording. Two XLR terminals on a detachable handle plus 4-channel linear PCM bring pro audio options.

5735C005 XA75 4K UHD Professional Camcorder package d

Canon 5735C005 (57-35C-005, 57/35C-005, 57/35C/005, 57 35C 005) XA75 4K UHD Professional Camcorder Canon 5735C005 XA75 4K UHD Professional Camcorder package d includes: 1x Canon XA75 4K UHD camcorder 1x Canon BP-828 High Capacity 2670mah Battery Pack  1x Canon CG-800 Battery Charger 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Rode NTG2 Shotgun Microphone  The Canon XA75 is a 4K professional video camera that packs a lot of pro features into a beautifully compact body. Suitable for documentary filmmaking and journalism and many more applications, this professional camcorder is intuitive with palm-sized operability and all controls easily reached with thumb and fingers. Shoot high-quality video with outstanding Over Sampled HD processing and entrust Dual Pixel CMOS AF and a Canon 15x optical zoom lens to always deliver sharp, accurate results. And if you want to share a live HD feed immediately, livestream your footage in UVC¹ via USB-C over a computer. Recorded high-quality 4K UHD footage – in either XF-AVC or MP4 formats – can easily be incorporated into a wider professional workflow, thanks to 3G-SDI and HDMI outputs. Compact professional 4K UHD camcorder Capture stunning 4K UHD and superior Full HD images thanks to a 1.0-inch Type CMOS 4K sensor and DIGIC DV6 image processor. Over Sampling HD processing delivers Full HD images from the sensor. XF-AVC and MP4 for flexible recording Choose from XF-AVC or MP4 recording formats. Record XF-AVC 4K UHD 160Mbps at 25P, plus Full HD 45Mbps at 50P/50i/25P. For smaller files, record MP4 4K 150Mbps at 25P and Full HD 35Mbps or 17Mbps at 50P/25P. 4K 15x optical zoom lens The Canon lens covers a 25.5 – 382mm (35mm equivalent) range. A digital zoom boosts to 300x with 5-axis image stabilisation. Professional inputs and outputs Output options include 3G-SDI, simultaneous backup and relay recording via dual SD card and Infrared mode. For specialist capture, record Slow Motion in Full HD 0.5x or Fast Motion in 4K/Full HD up to 1200x. Colour match with other Canon cameras via the custom picture menu. Fast, precise focusing with face detection Adjustable focusing speeds and advanced Dual Pixel CMOS AF give fast and precise focusing. Use the 3.5-inch LCD display to set focus by touching the AF point required. Face Detection AF and Face Tracking are available while Manual Focus is set via the focus/zoom ring. Livestream and more Stream HD footage via UVC1 over a computer or add a date and time stamp with OSD recording. Two XLR terminals on a detachable handle plus 4-channel linear PCM bring pro audio options.

AGUX90 4K Camcorder Package C

Panasonic AGUX90 4K Camcorder package C © INCLUDES:   1x Panasonic AGUX90 4K Camcorder (PAN-AGUX90) 1x Sandisk SDSDXVE-064G-GNCIN Extreme PLUS SDHC 64GB 90MB/s memory card (SDSDXVE-064G-GNCIN) 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema CAM-R&GB-CINEMA 1x Rode NTG2 shotgun microphone (NTG2) 1x Rode WS6 Deluxe Windshield (WS6) 1x Rode Pistol Grip PG2-R (PG2-R) 1x Digibroadcast 12 inch XLR 3 pin cable (12INCHXLR3PIN)     *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

AGUX90 4K Camcorder Package D

Panasonic AGUX90 4K Camcorder package D © INCLUDES:   1x Panasonic AGUX90 4K Camcorder (PAN-AGUX90) 1x Sandisk SDSDXVE-064G-GNCIN Extreme PLUS SDHC 64GB 90MB/s memory card (SDSDXVE-064G-GNCIN) 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema CAM-R&GB-CINEMA 1x Rode NTG2 shotgun microphone (NTG2) 1x Rode WS6 Deluxe Windshield (WS6) 1x Rode Pistol Grip PG2-R (PG2-R) 1x Digibroadcast 12 inch XLR 3 pin cable (12INCHXLR3PIN) 1x Acebil i-605dx Tripod (i-605dx)     *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

AGUX90 4K Camcorder package E

Panasonic AGUX90 4K Camcorder package E © INCLUDES:   1x Panasonic AGUX90 4K Camcorder (PAN-AGUX90) 1x Sandisk SDSDXVE-064G-GNCIN Extreme PLUS SDHC 64GB 90MB/s memory card (SDSDXVE-064G-GNCIN) 1x Camrade Run and Gun Bag  for Cinema style cameras up to 47 cm (CAM-RGCIN) 1x Rode NTG2 shotgun microphone (NTG2) 1x Rode WS6 Deluxe Windshield (WS6) 1x Rode Pistol Grip PG2-R (PG2-R) 1x Digibroadcast 12 inch XLR 3 pin cable (12INCHXLR3PIN) 1x Acebil i-605dx Tripod (i-605dx) 1x Sennheiser HD 200 PRO Studio Headphones 507182 1x Sennheiser ew 112P G4-GB Omni-directional Wireless Lavalier Microphone System 507614     *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

AU-EVA1 Compact 5.7K Super 35mm Cinema Camera package d

Panasonic PAN-AUEVA1EJ ( PAN/AUEVA1EJ, PAN AUEVA1EJ, PANAUEVA1EJ, pan-aueva1ej) (AU/EVA1, AUEVA1, AU  EVA1, au-eva1) Compact 5.7K Super 35mm Cinema Camera package D includes: 1x Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera (PAN-AUEVA1EJ) 1x Angel Bird AB-MP-EVA1 256GB Match Pack for the Panasonic EVA1 (2 x 128GB) (AB-MP-EVA1) 1x IDX SL-VBD96 7.2V / 70Wh / 9600mAh Lithium Ion Battery (SL-VBD96) 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema (CAM-R&GB-CINEMA) 1x Acebil i-605DX tripod (i-605DX) *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 5.7K Super 35mm Sensor The Panasonic AU-EVA1 contains a newly designed 5.7K Super 35mm-sized (5720 x 3016, approx. 17.25 million pixels) sensor for capturing true cinematic images. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down sampled to 4K, UHD, 2K, and even 720p. The increased colour information results in a finer, more accurate finished image. Dual Native ISO of 800 & 2500 The EVA1 includes dual native ISO like the VariCam 35, VariCam LT and VariCam Pure. Utilising a process that allows the sensor to be read in a fundamentally different way, dual native ISO extracts more information from the sensor without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity without an increase in noise, or other artifacts. Dual native ISO is allowing cinematographers to use less light on set, saving time and money, as well as allowing for a great variety of artistic choices. V-Log / V-Gamut The ability to capture accurate colours and rich skin tones is a must for any filmmaker. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colours with a capability of creating 14 stops of dynamic range. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film. The EVA1 will also import the celebrated colourimetry of the VariCam line. High Frame Rate Recording 4K 60 fps / 2K 240 fps Users can choose between MOV wrapped codecs up to 10-bit 422 even in 4K, as well as AVCHD. Capturing internally in 4K, UHD, 2K, Full HD and HD, the EVA1 offers up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps (cropped area) for high-speed capturing. Cinematic Run & Gun Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. The adjustable handgrip offers several controls, including menu, REC start/stop, iris and two user defined buttons. The LCD monitor features a touch-panel function and allows flexible mounting. Low-Cost Media / SD Card Recording EVA1 records to two SD card slots, with the option to capture footage with Relay Rec (continuous record) or Simul Rec (simultaneous dual record). There’s also one shot record, which enables single frame video for stop motion capture. EF-Mount Lenses The camera utilises a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. E.I.S. & Integrated ND Filters Electronic Image Stabilisation (EIS) is employed to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control over infrared. Professional Features As a professional video production tool, the EVA1 offers dual balanced XLR audio inputs with Dolby Audio™* encoding. 4K-capable video outputs in both HDMI and SDI. where each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. Timecode In/Out is also supported on the EVA1 unlike some other cameras in its class. With the addition of the AJ-WM50 WIFI adapter, all EVA1 menu functions can be controlled remotely on IOS or Android using the dedicated app.

AU-EVA1 Compact 5.7K Super 35mm Cinema Camera package F

Panasonic PAN-AUEVA1EJ ( PAN/AUEVA1EJ, PAN AUEVA1EJ, PANAUEVA1EJ, pan-aueva1ej) (AU/EVA1, AUEVA1, AU  EVA1, au-eva1) Compact 5.7K Super 35mm Cinema Camera package F includes: 1x Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera (PAN-AUEVA1EJ) 1x Angel Bird AB-MP-EVA1 256GB Match Pack for the Panasonic EVA1 (2 x 128GB) (AB-MP-EVA1) 1x IDX SL-VBD96 7.2V / 70Wh / 9600mAh Lithium Ion Battery (SL-VBD96) 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema (CAM-R&GB-CINEMA) 1x Canon EF 17-40mm f/4L UsM Ultra Wide Angle Zoom Lens (ef-17-40mm-f4l-usm) 1x Rode NTG2 shotgun microphone (NTG2) 1x Rode WS6 deluxe windshield for NTG2 (WS6) 1x Rode PG2-R pistol grip (PG2-R) 1x Digibroadcast 12inch 3pin XLR cable (12INCHXLR3PIN) *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 5.7K Super 35mm Sensor The Panasonic AU-EVA1 contains a newly designed 5.7K Super 35mm-sized (5720 x 3016, approx. 17.25 million pixels) sensor for capturing true cinematic images. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down sampled to 4K, UHD, 2K, and even 720p. The increased colour information results in a finer, more accurate finished image. Dual Native ISO of 800 & 2500 The EVA1 includes dual native ISO like the VariCam 35, VariCam LT and VariCam Pure. Utilising a process that allows the sensor to be read in a fundamentally different way, dual native ISO extracts more information from the sensor without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity without an increase in noise, or other artifacts. Dual native ISO is allowing cinematographers to use less light on set, saving time and money, as well as allowing for a great variety of artistic choices. V-Log / V-Gamut The ability to capture accurate colours and rich skin tones is a must for any filmmaker. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colours with a capability of creating 14 stops of dynamic range. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film. The EVA1 will also import the celebrated colourimetry of the VariCam line. High Frame Rate Recording 4K 60 fps / 2K 240 fps Users can choose between MOV wrapped codecs up to 10-bit 422 even in 4K, as well as AVCHD. Capturing internally in 4K, UHD, 2K, Full HD and HD, the EVA1 offers up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps (cropped area) for high-speed capturing. Cinematic Run & Gun Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. The adjustable handgrip offers several controls, including menu, REC start/stop, iris and two user defined buttons. The LCD monitor features a touch-panel function and allows flexible mounting. Low-Cost Media / SD Card Recording EVA1 records to two SD card slots, with the option to capture footage with Relay Rec (continuous record) or Simul Rec (simultaneous dual record). There’s also one shot record, which enables single frame video for stop motion capture. EF-Mount Lenses The camera utilises a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. E.I.S. & Integrated ND Filters Electronic Image Stabilisation (EIS) is employed to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control over infrared. Professional Features As a professional video production tool, the EVA1 offers dual balanced XLR audio inputs with Dolby Audio™* encoding. 4K-capable video outputs in both HDMI and SDI. where each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. Timecode In/Out is also supported on the EVA1 unlike some other cameras in its class. With the addition of the AJ-WM50 WIFI adapter, all EVA1 menu functions can be controlled remotely on IOS or Android using the dedicated app.

AU-EVA1 Compact 5.7K Super 35mm Cinema Camera package G

Panasonic PAN-AUEVA1EJ ( PAN/AUEVA1EJ, PAN AUEVA1EJ, PANAUEVA1EJ, pan-aueva1ej) (AU/EVA1, AUEVA1, AU  EVA1, au-eva1) Compact 5.7K Super 35mm Cinema Camera package G includes: 1x Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera (PAN-AUEVA1EJ) 1x Angel Bird AB-MP-EVA1 256GB Match Pack for the Panasonic EVA1 (2 x 128GB) (AB-MP-EVA1) 1x IDX SL-VBD96 7.2V / 70Wh / 9600mAh Lithium Ion Battery (SL-VBD96) 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema (CAM-R&GB-CINEMA) 1x Canon EF 17-40mm f/4L UsM Ultra Wide Angle Zoom Lens (ef-17-40mm-f4l-usm) 1x Rode NTG2 shotgun microphone (NTG2) 1x Rode WS6 deluxe windshield for NTG2 (WS6) 1x Rode PG2-R pistol grip (PG2-R) 1x Digibroadcast 12inch 3pin XLR cable (12INCHXLR3PIN) 1x Acebil i-605DX tripod (i-605DX) *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 5.7K Super 35mm Sensor The Panasonic AU-EVA1 contains a newly designed 5.7K Super 35mm-sized (5720 x 3016, approx. 17.25 million pixels) sensor for capturing true cinematic images. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down sampled to 4K, UHD, 2K, and even 720p. The increased colour information results in a finer, more accurate finished image. Dual Native ISO of 800 & 2500 The EVA1 includes dual native ISO like the VariCam 35, VariCam LT and VariCam Pure. Utilising a process that allows the sensor to be read in a fundamentally different way, dual native ISO extracts more information from the sensor without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity without an increase in noise, or other artifacts. Dual native ISO is allowing cinematographers to use less light on set, saving time and money, as well as allowing for a great variety of artistic choices. V-Log / V-Gamut The ability to capture accurate colours and rich skin tones is a must for any filmmaker. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colours with a capability of creating 14 stops of dynamic range. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film. The EVA1 will also import the celebrated colourimetry of the VariCam line. High Frame Rate Recording 4K 60 fps / 2K 240 fps Users can choose between MOV wrapped codecs up to 10-bit 422 even in 4K, as well as AVCHD. Capturing internally in 4K, UHD, 2K, Full HD and HD, the EVA1 offers up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps (cropped area) for high-speed capturing. Cinematic Run & Gun Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. The adjustable handgrip offers several controls, including menu, REC start/stop, iris and two user defined buttons. The LCD monitor features a touch-panel function and allows flexible mounting. Low-Cost Media / SD Card Recording EVA1 records to two SD card slots, with the option to capture footage with Relay Rec (continuous record) or Simul Rec (simultaneous dual record). There’s also one shot record, which enables single frame video for stop motion capture. EF-Mount Lenses The camera utilises a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. E.I.S. & Integrated ND Filters Electronic Image Stabilisation (EIS) is employed to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control over infrared. Professional Features As a professional video production tool, the EVA1 offers dual balanced XLR audio inputs with Dolby Audio™* encoding. 4K-capable video outputs in both HDMI and SDI. where each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. Timecode In/Out is also supported on the EVA1 unlike some other cameras in its class. With the addition of the AJ-WM50 WIFI adapter, all EVA1 menu functions can be controlled remotely on IOS or Android using the dedicated app.

AU-EVA1 Compact 5.7K Super 35mm Cinema Camera package H

Panasonic PAN-AUEVA1EJ ( PAN/AUEVA1EJ, PAN AUEVA1EJ, PANAUEVA1EJ, pan-aueva1ej) (AU/EVA1, AUEVA1, AU  EVA1, au-eva1) Compact 5.7K Super 35mm Cinema Camera package H includes: 1x Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera (PAN-AUEVA1EJ) 1x Angel Bird AB-MP-EVA1 256GB Match Pack for the Panasonic EVA1 (2 x 128GB) (AB-MP-EVA1) 1x IDX SL-VBD96 7.2V / 70Wh / 9600mAh Lithium Ion Battery (SL-VBD96) 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema (CAM-R&GB-CINEMA) 1x Canon EF 17-40mm f/4L UsM Ultra Wide Angle Zoom Lens (ef-17-40mm-f4l-usm) 1x Rode NTG2 shotgun microphone (NTG2) 1x Rode WS6 deluxe windshield for NTG2 (WS6) 1x Rode PG2-R pistol grip (PG2-R) 1x Digibroadcast 12inch 3pin XLR cable (12INCHXLR3PIN) 1x Acebil i-605DX tripod (i-605DX) 1x Sennheiser HD 200 PRO Studio Headphones (507182) 1x Sennheiser Sennheiser ew 100 ENG G4-GB  (507638) *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 5.7K Super 35mm Sensor The Panasonic AU-EVA1 contains a newly designed 5.7K Super 35mm-sized (5720 x 3016, approx. 17.25 million pixels) sensor for capturing true cinematic images. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down sampled to 4K, UHD, 2K, and even 720p. The increased colour information results in a finer, more accurate finished image. Dual Native ISO of 800 & 2500 The EVA1 includes dual native ISO like the VariCam 35, VariCam LT and VariCam Pure. Utilising a process that allows the sensor to be read in a fundamentally different way, dual native ISO extracts more information from the sensor without degrading the image. This results in a camera that can switch from a standard sensitivity to a high sensitivity without an increase in noise, or other artifacts. Dual native ISO is allowing cinematographers to use less light on set, saving time and money, as well as allowing for a great variety of artistic choices. V-Log / V-Gamut The ability to capture accurate colours and rich skin tones is a must for any filmmaker. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colours with a capability of creating 14 stops of dynamic range. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film. The EVA1 will also import the celebrated colourimetry of the VariCam line. High Frame Rate Recording 4K 60 fps / 2K 240 fps Users can choose between MOV wrapped codecs up to 10-bit 422 even in 4K, as well as AVCHD. Capturing internally in 4K, UHD, 2K, Full HD and HD, the EVA1 offers up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps (cropped area) for high-speed capturing. Cinematic Run & Gun Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. The adjustable handgrip offers several controls, including menu, REC start/stop, iris and two user defined buttons. The LCD monitor features a touch-panel function and allows flexible mounting. Low-Cost Media / SD Card Recording EVA1 records to two SD card slots, with the option to capture footage with Relay Rec (continuous record) or Simul Rec (simultaneous dual record). There’s also one shot record, which enables single frame video for stop motion capture. EF-Mount Lenses The camera utilises a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. E.I.S. & Integrated ND Filters Electronic Image Stabilisation (EIS) is employed to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. The EVA1 also allows the IR Cut filter to be swung out of the path to the sensor at the push of a button. Unique photographic effects and night vision imagery are possible with this control over infrared. Professional Features As a professional video production tool, the EVA1 offers dual balanced XLR audio inputs with Dolby Audio™* encoding. 4K-capable video outputs in both HDMI and SDI. where each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. Timecode In/Out is also supported on the EVA1 unlike some other cameras in its class. With the addition of the AJ-WM50 WIFI adapter, all EVA1 menu functions can be controlled remotely on IOS or Android using the dedicated app.

Blackmagic Cinema Camera 6K package a

Blackmagic Cinema Camera 6K(BMD-CINECAM60KLFL) package a includes: 1x Blackmagic Cinema Camera 6K BMD-CINECAM60KLFL 1x Blackmagic NP-F570 compatible battery BMD-BATT-NPF570/CAM *Digibroadcast has put together some bespoke Blackmagic packages for our clients based on our own research and surveys and holds the right to protect all of its content © Introducing a new generation in cinematography. The new Blackmagic Cinema Camera 6K is an extremely high end digital film camera that produces precise skin tones and rich organic colours. The camera features a massive full frame 24 x 36mm 6K sensor with wide dynamic range, a very flexible L-Mount for lenses and a built in optical low pass filter that's custom designed to match the sensor. You also get fast CFexpress media and the camera can even use Pocket Cinema Camera accessories. When you are doing cloud and mobile work, the camera records both deep bit depth Blackmagic RAW and H.264 proxies at the same time. No other camera includes this level of technology, image quality and portability. GET THE "HOLLYWOOD LOOK" WITH DIGITAL FILM. Blackmagic Cinema Camera 6K has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colours, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video. LARGE FORMAT CINEMATIC DIGITAL FILM SENSOR. Blackmagic Cinema Camera 6K features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic colour science means you get the same imaging technology as expensive digital cinema cameras. FULL FRAME FLEXIBILITY The large full frame sensor in Blackmagic Cinema Camera 6K lets you work in a variety of film formats and aspect ratios without sacrificing quality. Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality. NEXT GENERATION L‑MOUNT. Blackmagic Cinema Camera 6K features an L-Mount, an advanced lens mount designed to accommodate full frame sensors while ensuring compatibility with new and vintage lenses. With a large diameter of 51.6mm, L-Mount works with the latest full frame lenses from manufacturers such as Leica, Panasonic and Sigma. Plus, a very short flange distance of only 20mm means you can easily add adapters for a variety of lens mounts without impacting image quality. Imagine using modern high speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses. With L-Mount, you get a single mount that works with virtually any lens for unlimited creative choice. SHOOT INCREDIBLE HIGH DYNAMIC RANGE (HDR) IMAGES The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic Cinema Camera 6K has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colours than the standard DCI-P3 colourspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading. DUAL GAIN ISO FOR EXCEPTIONAL LOW LIGHT PERFORMANCE In digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night. The Blackmagic Cinema Camera 6K features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights. MULTIPLE RESOLUTIONS AND FRAME RATES Blackmagic Cinema Camera 6K can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels. Blackmagic Cinema Camera 6K will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4838 x 4032. You can even shoot 120 fps in 1080HD. With Blackmagic Cinema Camera 6K, you’ll always be able to shoot the right resolution for the job. LIGHTWEIGHT CARBON FIBER POLYCARBONATE COMPOSITE The elegant design of Blackmagic Cinema Camera 6K packs an incredible number of high end digital film features into a miniaturized, handheld design based on the Pocket Cinema Camera platform. Made from lightweight carbon fiber polycarbonate composite, the camera has a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5" LCD makes it possible to get perfect focus at 6K resolution. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker. Fingertip Shooting Controls The front and top of the Blackmagic Cinema Camera 6K features record start/stop and still photo buttons along with dedicated controls for iris, ISO, white balance and shutter speed. The main power switch is located on the top next to a row of 3 customizable function buttons. Back Panel Controls Conveniently placed below the right thumb rest, you can quickly change shooting speed with the high frame rate button, zoom into the image with the magnifying glass, access setup menus and quickly play back shots for review. MULTIFUNCTION GRIP WITH FINGERTIP CONTROLS The multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments. Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command. The Blackmagic Cinema Camera 6K features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false colour and more. SHOOT IN VERTICAL ASPECT RATIO Now you can easily create cinematic content for TikTok, YouTube Shorts and more. Simply rotate the Blackmagic Cinema Camera 6K to shoot vertical aspect ratios such as 9:16 and 4:5. The on screen HUD rotates so critical information, such as frame rate, shutter angle and frame guides, are easy to view, even when the camera’s turned upside down. You can even switch on frame guides so important details stay in shot for different aspect ratios. When you import your files into DaVinci Resolve, clips are automatically tagged as vertical so they appear correctly in your timeline. Once you’ve finished your project, it’s easy to upload to your channel with direct exporting to TikTok and YouTube. POST PRODUCTION FRIENDLY FILE FORMATS Blackmagic Cinema Camera records in Blackmagic RAW to preserve control of detail, exposure and colour during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes. Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for colour, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows. ECORD TO CFEXPRESS CARDS OR EXTERNAL DISKS The Blackmagic Cinema Camera 6K features a built in CFexpress card recorder, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card. The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software. BLACKMAGIC RAW | THE QUALITY OF RAW AND THE SPEED OF VIDEO Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and colour throughout the production pipeline from camera to edit, colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality. Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance. Colour Temperature Setting the colour temperature tells the camera how to interpret white and other colours in an image. Instead of saving images with colour values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio. Contrast Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and colour correcting. ISO Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post. Tint Adjusting tint is another way you can affect the overall colour balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colours in different directions. Exposure In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed. LARGE 5" LCD MONITOR Blackmagic Cinema Camera 6K features a large, bright 5 inch HDR touchscreen that makes it easy for you to frame shots and accurately focus, whatever the conditions. That means you don’t have to carry around an external monitor. On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can quickly apply 3D LUTs for monitoring shots with the desired colour and look. The LCD monitor can even be tilted up to 180 degrees flat and down to 47 degrees so it's easy to monitor your shot from virtually any position. Plus, its HDR display features 1500 nits of brightness, so you can always frame your shot, even in bright sunlight. TOUCHSCREEN FOR FAST SETUP The large LCD touchscreen displays critical information on the heads up display, or HUD, as well as access to camera setup menus. The HUD lets you see and adjust settings such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more with a single tap. You can show or hide the HUD by simply swiping up or down. Adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so you can tap any item and instantly change settings without searching through confusing menus. You can also access settings such as the digital slate, to quickly add metadata to any shot. POWERED BY BLACKMAGIC OS With the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more. GENERATION 5 COLOUR SCIENCE Featuring the same generation 5 colour science as the high end URSA Mini Pro 12K, the Blackmagic Cinema Camera 6K delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve. OPTIONAL VIEWFINDER FOR PROFESSIONAL SHOOTING Blackmagic Cinema Camera 6K supports an optional viewfinder to make outdoors and handheld shooting accurate and easy. You get an integrated high quality 1280 x 960 colour OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The EVF is extremely easy to connect to the Blackmagic Cinema Camera 6K as it simply mounts on top of the camera with a single screw. The viewfinder has a 70 degree swivel range and comes with 4 different types of eyecups for both left and right eyes. PROFESSIONAL CONNECTIONS FOR CUSTOM RIGS Though small and portable, the Blackmagic Cinema Camera 6K features a wide range of connections for audio, monitoring, power and more. The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10-bit output. That means you can connect an HDMI display for on set monitoring of images, with or without overlays that show critical information and camera status. There’s also mini XLR connections with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector. The USB-C connection lets you connect and record direct to your media disk. 4 BUILT-IN MICROPHONES AND PROFESSIONAL AUDIO INPUTS With professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again. Blackmagic Cinema Camera features 2 mini XLR inputs with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. These mini XLR connections allow you to record 2 separate audio tracks using 2 mics, without an external mixer. The four built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound in any location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. LOAD CUSTOM 3D LUTS TO RECREATE FILM LOOKS Digital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic Cinema Camera 6K works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more. USB-C FOR EXTERNAL DISKS AND ETHERNET CONTROL The Blackmagic Cinema Camera 6K features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and colour correction from the same disk straight away, eliminating file copying. You can also add a USB-C to Ethernet adapter to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network. GET MULTI CAMERA SHOOTS IN PERFECT SYNC Professional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync. Simply plug in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras. Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots. SHOOT STILL FRAMES UP TO 24.6 MEGAPIXELS In addition to shooting video, the Blackmagic Cinema Camera 6K can also capture high resolution stills. Simply press the dedicated stills button to record 24.6 megapixel images. Still images are saved as Blackmagic RAW, so you get a very high image quality, which is perfect for making high resolution professional prints or for later editing in DaVinci Resolve. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set. LOCALIZED IN 13 POPULAR LANGUAGES The Blackmagic Cinema Camera is designed to be used worldwide and supports 13 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language. WIRELESS BLUETOOTH CAMERA REMOTE CONTROL If you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless. POWER FROM BATTERIES, 12V DC AND RECHARGE VIA USB‑C Blackmagic Cinema Camera 6K uses high capacity NP-F570 batteries. These popular batteries come in a variety of capacities and are used around the world. A locking DC power connector is used so you won't have to worry about losing power during a shoot. Plus the included AC plug pack can power the camera or charge the battery when the camera is not in use. You also get a set of international socket adapters for worldwide use. Even the USB-C expansion port can trickle charge the battery, so you can use portable battery packs, mobile phone chargers or laptops. The optional battery grip lets you add extra batteries to dramatically extend the power of the camera so you can keep shooting all day. INCLUDES DAVINCI RESOLVE STUDIO   Blackmagic Cinema Camera 6K includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced colour correction, audio post and visual effects tools, all in a single software application. Now you can use the the same high end software that professional editors and colourists use.

Blackmagic Cinema Camera 6K package c

Blackmagic Cinema Camera 6K(BMD-CINECAM60KLFL) package c includes: 1x Blackmagic Cinema Camera 6K BMD-CINECAM60KLFL 1x Blackmagic NP-F570 compatible battery BMD-BATT-NPF570/CAM   1x Angelbird AV PRO CFEXPRESS SE CFexpress 2.0 TYPE B 512Gb Memory card AGB-AVP512CFXBSE 1x Blackmagic BMD-CINECAMPOCHDXBT2 Pocket Camera Battery Pro GripBMD-CINECAMPOCHDXBT2 *Digibroadcast has put together some bespoke Blackmagic packages for our clients based on our own research and surveys and holds the right to protect all of its content © Introducing a new generation in cinematography. The new Blackmagic Cinema Camera 6K is an extremely high end digital film camera that produces precise skin tones and rich organic colours. The camera features a massive full frame 24 x 36mm 6K sensor with wide dynamic range, a very flexible L-Mount for lenses and a built in optical low pass filter that's custom designed to match the sensor. You also get fast CFexpress media and the camera can even use Pocket Cinema Camera accessories. When you are doing cloud and mobile work, the camera records both deep bit depth Blackmagic RAW and H.264 proxies at the same time. No other camera includes this level of technology, image quality and portability. GET THE "HOLLYWOOD LOOK" WITH DIGITAL FILM. Blackmagic Cinema Camera 6K has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colours, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video. LARGE FORMAT CINEMATIC DIGITAL FILM SENSOR. Blackmagic Cinema Camera 6K features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic colour science means you get the same imaging technology as expensive digital cinema cameras. FULL FRAME FLEXIBILITY The large full frame sensor in Blackmagic Cinema Camera 6K lets you work in a variety of film formats and aspect ratios without sacrificing quality. Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality. NEXT GENERATION L‑MOUNT. Blackmagic Cinema Camera 6K features an L-Mount, an advanced lens mount designed to accommodate full frame sensors while ensuring compatibility with new and vintage lenses. With a large diameter of 51.6mm, L-Mount works with the latest full frame lenses from manufacturers such as Leica, Panasonic and Sigma. Plus, a very short flange distance of only 20mm means you can easily add adapters for a variety of lens mounts without impacting image quality. Imagine using modern high speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses. With L-Mount, you get a single mount that works with virtually any lens for unlimited creative choice. SHOOT INCREDIBLE HIGH DYNAMIC RANGE (HDR) IMAGES The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic Cinema Camera 6K has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colours than the standard DCI-P3 colourspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading. DUAL GAIN ISO FOR EXCEPTIONAL LOW LIGHT PERFORMANCE In digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night. The Blackmagic Cinema Camera 6K features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights. MULTIPLE RESOLUTIONS AND FRAME RATES Blackmagic Cinema Camera 6K can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels. Blackmagic Cinema Camera 6K will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4838 x 4032. You can even shoot 120 fps in 1080HD. With Blackmagic Cinema Camera 6K, you’ll always be able to shoot the right resolution for the job. LIGHTWEIGHT CARBON FIBER POLYCARBONATE COMPOSITE The elegant design of Blackmagic Cinema Camera 6K packs an incredible number of high end digital film features into a miniaturized, handheld design based on the Pocket Cinema Camera platform. Made from lightweight carbon fiber polycarbonate composite, the camera has a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5" LCD makes it possible to get perfect focus at 6K resolution. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker. Fingertip Shooting Controls The front and top of the Blackmagic Cinema Camera 6K features record start/stop and still photo buttons along with dedicated controls for iris, ISO, white balance and shutter speed. The main power switch is located on the top next to a row of 3 customizable function buttons. Back Panel Controls Conveniently placed below the right thumb rest, you can quickly change shooting speed with the high frame rate button, zoom into the image with the magnifying glass, access setup menus and quickly play back shots for review. MULTIFUNCTION GRIP WITH FINGERTIP CONTROLS The multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments. Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command. The Blackmagic Cinema Camera 6K features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false colour and more. SHOOT IN VERTICAL ASPECT RATIO Now you can easily create cinematic content for TikTok, YouTube Shorts and more. Simply rotate the Blackmagic Cinema Camera 6K to shoot vertical aspect ratios such as 9:16 and 4:5. The on screen HUD rotates so critical information, such as frame rate, shutter angle and frame guides, are easy to view, even when the camera’s turned upside down. You can even switch on frame guides so important details stay in shot for different aspect ratios. When you import your files into DaVinci Resolve, clips are automatically tagged as vertical so they appear correctly in your timeline. Once you’ve finished your project, it’s easy to upload to your channel with direct exporting to TikTok and YouTube. POST PRODUCTION FRIENDLY FILE FORMATS Blackmagic Cinema Camera records in Blackmagic RAW to preserve control of detail, exposure and colour during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes. Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for colour, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows. ECORD TO CFEXPRESS CARDS OR EXTERNAL DISKS The Blackmagic Cinema Camera 6K features a built in CFexpress card recorder, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card. The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software. BLACKMAGIC RAW | THE QUALITY OF RAW AND THE SPEED OF VIDEO Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and colour throughout the production pipeline from camera to edit, colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality. Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance. Colour Temperature Setting the colour temperature tells the camera how to interpret white and other colours in an image. Instead of saving images with colour values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio. Contrast Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and colour correcting. ISO Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post. Tint Adjusting tint is another way you can affect the overall colour balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colours in different directions. Exposure In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed. LARGE 5" LCD MONITOR Blackmagic Cinema Camera 6K features a large, bright 5 inch HDR touchscreen that makes it easy for you to frame shots and accurately focus, whatever the conditions. That means you don’t have to carry around an external monitor. On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can quickly apply 3D LUTs for monitoring shots with the desired colour and look. The LCD monitor can even be tilted up to 180 degrees flat and down to 47 degrees so it's easy to monitor your shot from virtually any position. Plus, its HDR display features 1500 nits of brightness, so you can always frame your shot, even in bright sunlight. TOUCHSCREEN FOR FAST SETUP The large LCD touchscreen displays critical information on the heads up display, or HUD, as well as access to camera setup menus. The HUD lets you see and adjust settings such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more with a single tap. You can show or hide the HUD by simply swiping up or down. Adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so you can tap any item and instantly change settings without searching through confusing menus. You can also access settings such as the digital slate, to quickly add metadata to any shot. POWERED BY BLACKMAGIC OS With the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more. GENERATION 5 COLOUR SCIENCE Featuring the same generation 5 colour science as the high end URSA Mini Pro 12K, the Blackmagic Cinema Camera 6K delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve. OPTIONAL VIEWFINDER FOR PROFESSIONAL SHOOTING Blackmagic Cinema Camera 6K supports an optional viewfinder to make outdoors and handheld shooting accurate and easy. You get an integrated high quality 1280 x 960 colour OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The EVF is extremely easy to connect to the Blackmagic Cinema Camera 6K as it simply mounts on top of the camera with a single screw. The viewfinder has a 70 degree swivel range and comes with 4 different types of eyecups for both left and right eyes. PROFESSIONAL CONNECTIONS FOR CUSTOM RIGS Though small and portable, the Blackmagic Cinema Camera 6K features a wide range of connections for audio, monitoring, power and more. The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10-bit output. That means you can connect an HDMI display for on set monitoring of images, with or without overlays that show critical information and camera status. There’s also mini XLR connections with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector. The USB-C connection lets you connect and record direct to your media disk. 4 BUILT-IN MICROPHONES AND PROFESSIONAL AUDIO INPUTS With professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again. Blackmagic Cinema Camera features 2 mini XLR inputs with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. These mini XLR connections allow you to record 2 separate audio tracks using 2 mics, without an external mixer. The four built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound in any location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. LOAD CUSTOM 3D LUTS TO RECREATE FILM LOOKS Digital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic Cinema Camera 6K works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more. USB-C FOR EXTERNAL DISKS AND ETHERNET CONTROL The Blackmagic Cinema Camera 6K features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and colour correction from the same disk straight away, eliminating file copying. You can also add a USB-C to Ethernet adapter to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network. GET MULTI CAMERA SHOOTS IN PERFECT SYNC Professional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync. Simply plug in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras. Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots. SHOOT STILL FRAMES UP TO 24.6 MEGAPIXELS In addition to shooting video, the Blackmagic Cinema Camera 6K can also capture high resolution stills. Simply press the dedicated stills button to record 24.6 megapixel images. Still images are saved as Blackmagic RAW, so you get a very high image quality, which is perfect for making high resolution professional prints or for later editing in DaVinci Resolve. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set. LOCALIZED IN 13 POPULAR LANGUAGES The Blackmagic Cinema Camera is designed to be used worldwide and supports 13 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language. WIRELESS BLUETOOTH CAMERA REMOTE CONTROL If you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless. POWER FROM BATTERIES, 12V DC AND RECHARGE VIA USB‑C Blackmagic Cinema Camera 6K uses high capacity NP-F570 batteries. These popular batteries come in a variety of capacities and are used around the world. A locking DC power connector is used so you won't have to worry about losing power during a shoot. Plus the included AC plug pack can power the camera or charge the battery when the camera is not in use. You also get a set of international socket adapters for worldwide use. Even the USB-C expansion port can trickle charge the battery, so you can use portable battery packs, mobile phone chargers or laptops. The optional battery grip lets you add extra batteries to dramatically extend the power of the camera so you can keep shooting all day. INCLUDES DAVINCI RESOLVE STUDIO   Blackmagic Cinema Camera 6K includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced colour correction, audio post and visual effects tools, all in a single software application. Now you can use the the same high end software that professional editors and colourists use.

Blackmagic Cinema Camera 6K package d

Blackmagic Cinema Camera 6K(BMD-CINECAM60KLFL) package d includes: 1x Blackmagic Cinema Camera 6K BMD-CINECAM60KLFL 1x Blackmagic NP-F570 compatible battery BMD-BATT-NPF570/CAM 1x Angelbird AV PRO CFEXPRESS SE CFexpress 2.0 TYPE B 512Gb Memory card AGB-AVP512CFXBSE 1x Blackmagic BMD-CINECAMPOCHDXBT2 Pocket Camera Battery Pro Grip BMD-CINECAMPOCHDXBT2   1x Blackmagic EVF for Pocket Cinema Camera 6K Pro BMD-CINECAMPOCHDMFTEVF *Digibroadcast has put together some bespoke Blackmagic packages for our clients based on our own research and surveys and holds the right to protect all of its content © Introducing a new generation in cinematography. The new Blackmagic Cinema Camera 6K is an extremely high end digital film camera that produces precise skin tones and rich organic colours. The camera features a massive full frame 24 x 36mm 6K sensor with wide dynamic range, a very flexible L-Mount for lenses and a built in optical low pass filter that's custom designed to match the sensor. You also get fast CFexpress media and the camera can even use Pocket Cinema Camera accessories. When you are doing cloud and mobile work, the camera records both deep bit depth Blackmagic RAW and H.264 proxies at the same time. No other camera includes this level of technology, image quality and portability. GET THE "HOLLYWOOD LOOK" WITH DIGITAL FILM. Blackmagic Cinema Camera 6K has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colours, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video. LARGE FORMAT CINEMATIC DIGITAL FILM SENSOR. Blackmagic Cinema Camera 6K features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic colour science means you get the same imaging technology as expensive digital cinema cameras. FULL FRAME FLEXIBILITY The large full frame sensor in Blackmagic Cinema Camera 6K lets you work in a variety of film formats and aspect ratios without sacrificing quality. Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality. NEXT GENERATION L‑MOUNT. Blackmagic Cinema Camera 6K features an L-Mount, an advanced lens mount designed to accommodate full frame sensors while ensuring compatibility with new and vintage lenses. With a large diameter of 51.6mm, L-Mount works with the latest full frame lenses from manufacturers such as Leica, Panasonic and Sigma. Plus, a very short flange distance of only 20mm means you can easily add adapters for a variety of lens mounts without impacting image quality. Imagine using modern high speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses. With L-Mount, you get a single mount that works with virtually any lens for unlimited creative choice. SHOOT INCREDIBLE HIGH DYNAMIC RANGE (HDR) IMAGES The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic Cinema Camera 6K has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colours than the standard DCI-P3 colourspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading. DUAL GAIN ISO FOR EXCEPTIONAL LOW LIGHT PERFORMANCE In digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night. The Blackmagic Cinema Camera 6K features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights. MULTIPLE RESOLUTIONS AND FRAME RATES Blackmagic Cinema Camera 6K can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels. Blackmagic Cinema Camera 6K will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4838 x 4032. You can even shoot 120 fps in 1080HD. With Blackmagic Cinema Camera 6K, you’ll always be able to shoot the right resolution for the job. LIGHTWEIGHT CARBON FIBER POLYCARBONATE COMPOSITE The elegant design of Blackmagic Cinema Camera 6K packs an incredible number of high end digital film features into a miniaturized, handheld design based on the Pocket Cinema Camera platform. Made from lightweight carbon fiber polycarbonate composite, the camera has a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5" LCD makes it possible to get perfect focus at 6K resolution. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker. Fingertip Shooting Controls The front and top of the Blackmagic Cinema Camera 6K features record start/stop and still photo buttons along with dedicated controls for iris, ISO, white balance and shutter speed. The main power switch is located on the top next to a row of 3 customizable function buttons. Back Panel Controls Conveniently placed below the right thumb rest, you can quickly change shooting speed with the high frame rate button, zoom into the image with the magnifying glass, access setup menus and quickly play back shots for review. MULTIFUNCTION GRIP WITH FINGERTIP CONTROLS The multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments. Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command. The Blackmagic Cinema Camera 6K features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false colour and more. SHOOT IN VERTICAL ASPECT RATIO Now you can easily create cinematic content for TikTok, YouTube Shorts and more. Simply rotate the Blackmagic Cinema Camera 6K to shoot vertical aspect ratios such as 9:16 and 4:5. The on screen HUD rotates so critical information, such as frame rate, shutter angle and frame guides, are easy to view, even when the camera’s turned upside down. You can even switch on frame guides so important details stay in shot for different aspect ratios. When you import your files into DaVinci Resolve, clips are automatically tagged as vertical so they appear correctly in your timeline. Once you’ve finished your project, it’s easy to upload to your channel with direct exporting to TikTok and YouTube. POST PRODUCTION FRIENDLY FILE FORMATS Blackmagic Cinema Camera records in Blackmagic RAW to preserve control of detail, exposure and colour during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes. Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for colour, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows. ECORD TO CFEXPRESS CARDS OR EXTERNAL DISKS The Blackmagic Cinema Camera 6K features a built in CFexpress card recorder, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card. The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software. BLACKMAGIC RAW | THE QUALITY OF RAW AND THE SPEED OF VIDEO Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and colour throughout the production pipeline from camera to edit, colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality. Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance. Colour Temperature Setting the colour temperature tells the camera how to interpret white and other colours in an image. Instead of saving images with colour values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio. Contrast Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and colour correcting. ISO Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post. Tint Adjusting tint is another way you can affect the overall colour balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colours in different directions. Exposure In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed. LARGE 5" LCD MONITOR Blackmagic Cinema Camera 6K features a large, bright 5 inch HDR touchscreen that makes it easy for you to frame shots and accurately focus, whatever the conditions. That means you don’t have to carry around an external monitor. On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can quickly apply 3D LUTs for monitoring shots with the desired colour and look. The LCD monitor can even be tilted up to 180 degrees flat and down to 47 degrees so it's easy to monitor your shot from virtually any position. Plus, its HDR display features 1500 nits of brightness, so you can always frame your shot, even in bright sunlight. TOUCHSCREEN FOR FAST SETUP The large LCD touchscreen displays critical information on the heads up display, or HUD, as well as access to camera setup menus. The HUD lets you see and adjust settings such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more with a single tap. You can show or hide the HUD by simply swiping up or down. Adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so you can tap any item and instantly change settings without searching through confusing menus. You can also access settings such as the digital slate, to quickly add metadata to any shot. POWERED BY BLACKMAGIC OS With the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more. GENERATION 5 COLOUR SCIENCE Featuring the same generation 5 colour science as the high end URSA Mini Pro 12K, the Blackmagic Cinema Camera 6K delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve. OPTIONAL VIEWFINDER FOR PROFESSIONAL SHOOTING Blackmagic Cinema Camera 6K supports an optional viewfinder to make outdoors and handheld shooting accurate and easy. You get an integrated high quality 1280 x 960 colour OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The EVF is extremely easy to connect to the Blackmagic Cinema Camera 6K as it simply mounts on top of the camera with a single screw. The viewfinder has a 70 degree swivel range and comes with 4 different types of eyecups for both left and right eyes. PROFESSIONAL CONNECTIONS FOR CUSTOM RIGS Though small and portable, the Blackmagic Cinema Camera 6K features a wide range of connections for audio, monitoring, power and more. The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10-bit output. That means you can connect an HDMI display for on set monitoring of images, with or without overlays that show critical information and camera status. There’s also mini XLR connections with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector. The USB-C connection lets you connect and record direct to your media disk. 4 BUILT-IN MICROPHONES AND PROFESSIONAL AUDIO INPUTS With professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again. Blackmagic Cinema Camera features 2 mini XLR inputs with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. These mini XLR connections allow you to record 2 separate audio tracks using 2 mics, without an external mixer. The four built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound in any location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. LOAD CUSTOM 3D LUTS TO RECREATE FILM LOOKS Digital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic Cinema Camera 6K works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more. USB-C FOR EXTERNAL DISKS AND ETHERNET CONTROL The Blackmagic Cinema Camera 6K features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and colour correction from the same disk straight away, eliminating file copying. You can also add a USB-C to Ethernet adapter to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network. GET MULTI CAMERA SHOOTS IN PERFECT SYNC Professional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync. Simply plug in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras. Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots. SHOOT STILL FRAMES UP TO 24.6 MEGAPIXELS In addition to shooting video, the Blackmagic Cinema Camera 6K can also capture high resolution stills. Simply press the dedicated stills button to record 24.6 megapixel images. Still images are saved as Blackmagic RAW, so you get a very high image quality, which is perfect for making high resolution professional prints or for later editing in DaVinci Resolve. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set. LOCALIZED IN 13 POPULAR LANGUAGES The Blackmagic Cinema Camera is designed to be used worldwide and supports 13 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language. WIRELESS BLUETOOTH CAMERA REMOTE CONTROL If you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless. POWER FROM BATTERIES, 12V DC AND RECHARGE VIA USB‑C Blackmagic Cinema Camera 6K uses high capacity NP-F570 batteries. These popular batteries come in a variety of capacities and are used around the world. A locking DC power connector is used so you won't have to worry about losing power during a shoot. Plus the included AC plug pack can power the camera or charge the battery when the camera is not in use. You also get a set of international socket adapters for worldwide use. Even the USB-C expansion port can trickle charge the battery, so you can use portable battery packs, mobile phone chargers or laptops. The optional battery grip lets you add extra batteries to dramatically extend the power of the camera so you can keep shooting all day. INCLUDES DAVINCI RESOLVE STUDIO   Blackmagic Cinema Camera 6K includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced colour correction, audio post and visual effects tools, all in a single software application. Now you can use the the same high end software that professional editors and colourists use.

Canon EOS R5C Mirrorless Camera Package C

Canon EOS R5C Mirrorless Camera package C includes: 1x Canon EOS R5C EOSR5C EOS-R5C EOS/R5C camera body 1x Canon 4132C002 LP-E6NH Lithium-Ion Battery 1x Angelbird AV PRO CFEXPRESS SE CFexpress™ 2.0 | TYPE B | 512Gb memory card AGB-AVP512CFXBSE 1x Canon Control Ring M-ADAP-EF-EOS-R Mount Adapter EF-EOS R For all the wedding videographers, drone camera operators, and multimedia journalists who have professional photo still and cinema video production needs, get ready for a new type of shooting experience with the EOS R5 C Mirrorless Cinema Camera from Canon. With a simple switch, the R5 C is a full featured still photo camera with all the settings of the R5 EOS mirrorless camera. When switched in the other direction, it becomes a full-frame 8K60 Cinema EOS camera that internally records 12-bit Cinema RAW Light footage. There's no more need to carry a second camera with you to your production when stills and video are available within a single compact design. The R5 C enhances a number of features in comparison to its siblings the R5 and C70, including 4K120 recording, HDMI RAW output, Canon Log 3 HLG/PQ support, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-power LP-E6NH battery, 13 reassign able buttons, and a multi-function shoe for XLR adapters. The camera also retains the reliable features of those cameras such as Wi-Fi/Bluetooth, footage compatibility with DaVinci Resolve and Canon apps, an electronic RF mount, CFexpress/SD card slots, a similar button layout, and more. And all this is packed into a tiny 1.7 lb body that is just asking to become your go-to drone camera. Two Cameras in One Body: Photo + Cinema 45MP Stills, Full-Frame 8K CMOS Sensor Photo/Video Switch Changes Settings Menu JPEG/C-RAW, 12-Bit Cinema RAW Light Dual Pixel CMOS AF with Eye Detection Cfexpress Type-B and SD UHS-II Slots Dual-Slot Record, Unlimited Record Time Timecode DIN Port, Multi-Function Shoe 4-Channel Audio Record with XLR Adapter 13 Reassign able Buttons Common Features & Technology as the EOS R5 Canon's 45MP full-frame CMOS imaging sensor is at the heart of the EOS R5 C camera's superb image quality, which also leads the way for impressive 8K60 RAW cinematic video shooting. Focus and speed are paramount in the EOS R5 C camera, providing impressive still-image continuous capture at speeds of up to 20 fps. Dual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects. With 1053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face, and Head Detection AF, or intuitively track the whole body, face, or eyes of cats, dogs, or birds with Animal Detection AF. For those with the need for speed, Canon has also included still-image vehicle subject detection to assist with accurate tracking of cars and motorcycles. Connectivity like 5 and 2.4GHz Wi-Fi and Bluetooth is also included for the transfer of still images.  

Canon XF705 4k Camcorder package e

Canon 3041C007AA  (XF/705 , XF-705 , XF 705) XF705 Camcorder package e includes 1x Canon XF705 4K Camcorder 3041C007AA 1x Core Nano-U98 HDV battery CORE-NANO-U98 1x Sandisk 256GB Extreme PRO UHS-I SDXC Memory Card SDSDXXY-256G-GN4IN 1x Camrade CAM-R&GB-LARGE run&gunBag Large bag CAM-R&GB-LARGE 1x Rode NTG2shotgun microphone NTG2 1x Rode RODEWS6 Deluxe Wind Shield RODEES6 1x Rode PG2R Pistol Grip Shock Mount -PG2R 1x 12inch 3Pin Male to Female Xlr Cable -12INCHXLR3PIN 1x Acebil i-605DX Tripod System -i-605DX  *Digibroadcast has put together some bespoke Canon packages for our clients based on our own research and surveys and holds the right to protect all of its content © Canon UK has launched the newest addition to its XF range of camcorders – the XF705. Equipped with the next-generation XF-HEVC format, XF705 offers 4K UHD 50P 4:2:2 10-bit recording to SD cards, with impressive image quality and superior levels of detail. Combined with a 1.0 type CMOS sensor and DIGIC DV6 processing, the XF705 delivers vastly improved noise performance, sensitivity and cinematic depth of field. With a host of enhanced HDR capabilities, including an advanced 12G-SDI interface and IP streaming, the XF705 is poised to revolutionise UHD HDR production workflows for the better. Versatile file formats to transform workflows: Underpinned by High Efficiency Video Codec (HEVC) video compression, and leveraging the industry standard Material eXchange Format (MXF) as the container, Canon has developed the XF-HEVC file format. HEVC offers a newer encoding technology that is about twice as efficient as mainstream H.264/AVC. By using XF-HEVC the XF705 streamlines the handling of 4K UHD data, offering the ability to record high-quality 4K UHD 50P 4:2:2 10-bit files directly to widely available SD cards. The XF705 is capable of recording HDR files internally using both the Hybrid Log Gamma (HLG) and Perceptual Quantisation (PQ) HDR formats. The camcorder also features extensive HDR assist functions to support the user when controlling exposure. The XF705 can also output a SDR signal at the same time as recording a HDR file internally to a SD card, enabling simultaneous HDR/SDR production. Equipped with an advanced 12G-SDI interface, which sends a high-quality and uncompressed UHD 50P signal over a single SDI cable, the XF705 also has the ability to stream 4K UHD HDR using the HEVC format via the network. Ideal for broadcast and video production applications, the XF705 meets the requirements of any user who needs to capture 4K UHD HDR video with a streamlined production workflow. Shoot with confidence: To make critical focus easier with the larger 1.0-type CMOS sensor, the XF705 also has Canon’s unique Dual Pixel CMOS AF. This provides accurate and fast autofocus with touch focus control, Face Detection AF and object tracking. The Dual Pixel Focus Guide also provides a graphical guide to support accurate focusing when manually adjusting the focus. Image capture starts with excellent optical systems and the XF705 offers incredible versatility combined with ease of use. It offers a 4K L-series quality lens which has a 15x optical zoom range, a maximum aperture of f/2.8, a wide angle of 25.5mm and effective IS to ensure maximum control for stable 4K UHD footage. This is combined with three independent control rings with end stops to ensure that the camcorder has the level of manual control that professionals expect.    

DJI Osmo Action 5 Pro Standard Combo

DJI Osmo Action 5 Pro Standard Combo(CP.OS.00000349.02) Capture steady, pristine video footage in up to 4K resolution wherever you are with the DJI Osmo Action 5 Pro Standard Combo. The Osmo Action 5 Pro features high-bright dual OLED screens, RockSteady and HorizonSteady stabilization systems, a 40MP sensor, a 4-hour battery life, and a waterproof camera body with an air pressure gauge. Other features include a 13.5-stop dynamic range, 8K photos, subject centering/tracking, OsmoAudio support, raw footage capture, a 155° field of view, 47GB built-in storage, and an SD card slot that supports up to 1TB cards. Capture Incredible 4K Footage and 40MP Images The DJI Osmo Action 5 Pro achieves stand-out, sharp images and videos with a next-generation 1/1.3-inch sensor, wide f2.8 aperture, and a high-performance 4nm chip. The Action 5 Pro now comes packed with a powerful 40MP resolution and 13.5 stops of high dynamic range for sharper, cleaner images in any brightness. With the Live Photos feature, you can also convert 3-second videos into dynamic photos, and the pre-record function retains exciting moments before a recording even begins. With outstanding 4K UHD resolution at up to 120fps, you can capture every high-energy moment in stunning clarity. Make the moment last longer with 32x Super Slow Motion. The Action 5 Pro's powerful 4nm chip enables frame-by-frame analysis and 4x frame interpolation, achieving 1080p/240fps (up to 960fps in post-production). Enjoy enhanced compositional space and greater cropping flexibility with the upgraded maximum video spec of 4K/120fps full-pixel recording in a 4:3 aspect ratio. The Action 5 Pro also features stereo audio recording with three microphones for omnidirectional sound, plus wind noise reduction software that delivers high-quality 48 kHz cinematic audio to match the visuals. This new-generation action camera also features a native connection with the DJI Mic 2, making wireless microphone set-up a breeze. DJI introduces subject tracking to an action camera with the Action 5 Pro, which intelligently detects the subject's position and dynamically adjusts the composition. It ensures the subject stays centred in every frame, whether shooting horizontally or vertically. HorizonSteady corrects horizontal tilts regardless of how intense your activity is, while HorizonBalancing will cover less extreme events with corrections up to 45°. Rocksteady 3.0 enables smooth footage even when shooting at 4K/120fps, ensuring you always have fluid, high-quality video. Record What the Eye Sees For an immersive experience, the Osmo Action 5 Pro has an ultra-wide-angle 155° field of view (FOV) to imitate the natural sight of the human eye. It features expert colour temperature calibration and image stabilisation to preserve this vision. The camera also delivers vivid and accurate colour reproduction, whether underwater or in a dark sports venue. The 10-bit D-Log M colour mode ensures a vast dynamic range of colours for editing. Preview this footage on the touchscreens with colour recovery so you can adjust vividness and brightness for detailed highlights and shadows. SuperNight mode also uses AI noise reduction algorithms for sharper, cleaner footage in extreme low light. Versatile Features, Built for Action The DJI Osmo Action 5 Pro offers flexible features to ensure it’s always ready for anything. The camera features dual water-resistant OLED touchscreens, eliminating the need to turn the camera to adjust settings when taking selfies, switching modes, or accessing playback. The magnetic quick release and native vertical shooting allow you to switch orientations or change your camera angle and placement quickly, so you never miss a moment. The camera caters to your needs with custom modes such as SnapShot to capture the most crucial moment and a Quick Switch button to switch modes rapidly. You can access voice prompts and voice control for hands-free operation. When using a multi-camera setup, the built-in timecode function will enable you to sync footage easily and encourage a seamless editing workflow. To support this process, the DJI Osmo Action 5 Pro is also compatible with the DJI Mimo App to control your camera and the LightCut App, which enables AI shooting and one-tap editing, offering a range of templates designed for various activities like surfing, snowboarding, or hiking. You can even live stream from your camera via Wi-Fi or hotspot on your smartphone, connecting to friends, family, or followers wherever you are. Take Your Content to the Next Level Capture your whole adventure thanks to the Osmo Action 5 Pro’s impressively long-lasting battery life, which delivers up to 4 hours of use in standard conditions. With fast-charging capabilities, you can even continue shooting when your battery runs low, as it takes just fifteen minutes of charging to power 2 hours of battery life. This action camera has a durable, waterproof build for optimal performance in any condition. Take the Osmo Action 5 Pro for a dive, as it can withstand depths of up to 20 metres without a case or any extra accessories. If snowboarding or skiing is more your thing, the freeze-resistant battery allows you to enjoy up to 3.6 hours of use in temperatures as low as -20°C. Compatible with Accessories   The Standard Combo comes with accessories that make capturing your adventures easy. These practical additions allow your action camera to be ready for use straight out of the box or mounted onto other gear. Various optional DJI Osmo Action accessories are available to customise your setup for specific activities, whether it's POV footage of surfing, cycling, hiking, or vlogging.

FX30 Cinema Camera, body package a

Sony FX30 Cinema Camera package a includes: 1x Sony FX30 Cinema Camera, body   1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh)    Leap into the world of filmmaking   Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

FX30 Cinema Camera, body package b

Sony FX30 Cinema Camera package B includes: 1x Sony FX30 Cinema Camera, body 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) 1x Sony CEA-G Series CFexpress Type A Memory Card 320GB Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

FX30 Cinema Camera, body package c

Sony FX30 Cinema Camera package C includes: 1x Sony FX30 Cinema Camera, body 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) 1x Sony CEA-G Series CFexpress Type A Memory Card 320GB 1x Sony MRW-G2 CFexpress Type A / SD Card Reader Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

FX30 Cinema Camera, body package d

Sony FX30 Cinema Camera package D includes: 1x Sony FX30 Cinema Camera, body 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) 1x Sony CEA-G Series CFexpress Type A Memory Card 320GB 1x Sony E-mount PZ 18-105mm F4 G OSS Lens  Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

FX30 Cinema Camera, body package e

Sony FX30 Cinema Camera package E includes: 1x Sony FX30 Cinema Camera, body 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) 1x Sony CEA-G Series CFexpress Type A Memory Card 320GB 1x Sony MRW-G2 CFexpress Type A / SD Card Reader 1x Sony E-mount PZ 18-105mm F4 G OSS Lens  Leap into the world of filmmaking Sony's acclaimed line-up of Cinema Line cameras sets the standard for filmmaking, with beautiful cinematic imagery, high performance and highly efficient workflow. Enjoy hassle-free shooting with S-Cinetone™ and S-Log3 for high level grading plus numerous other features. The compact FX30 makes filmmaking more accessible than ever for up-and-coming creators.

ILME-FX3 FX3 Full-frame Cinema Line Camera Package a

Sony ILME-FX3 (FX3, ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera Package a includes: 1x Sony ILME-FX3 FX3 Full-frame Cinema Line Camera   1x Sony CEA-G80T 80GB CFexpress Type A Memory Card Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

ILME-FX3 FX3 Full-frame Cinema Line Camera Package b

Sony ILME-FX3 (FX3, ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera Package B includes: 1x Sony ILME-FX3 FX3 Full-frame Cinema Line Camera 1x Sony CEA-G80T 80GB CFexpress Type A Memory Card 1x Sony MRW-G2 CFexpress Type A / SD Card Reader Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

ILME-FX3 FX3 Full-frame Cinema Line Camera Package c

Sony ILME-FX3 (ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera package c includes: 1x Sony ILME-FX3 FX3 Full-frame Cinema Line Camera 1x Sony CEA-G80T 80GB CFexpress Type A Memory Card    1x Sony MRW-G2 CFexpress Type A / SD Card Reader 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

ILME-FX3 FX3 Full-frame Cinema Line Camera Package D

Sony ILME-FX3 (ILME/FX3, ILME_FX3, ILMEFX3, ILME FX3, ILMEFX3.CEC, ILME-FX3 Alpha FX3, ilme-fx3) FX3 Full-frame Cinema Line Camera Package d includes: 1x Sony ILME-FX3 FX3 Full-frame Cinema Line Camera 1x Sony CEA-G80T 80GB CFexpress Type A Memory Card  1x Sony MRW-G2 CFexpress Type A / SD Card Reader 1x Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh)   1x Camrade CAM-R&GBACKP-MEDIUM run&gunBackpack Medium Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions. FX3 New Cinematic Freedom Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.  Full-frame image capture even in dim light The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading. Stunning bokeh and full-frame creativity Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor. Cinematic colour science of S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.  4K 120fps with every frame in focus Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 10-bit S-Log3 and HDR recording for smooth gradations S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 16-bit RAW HDMI output For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4. Enjoy rich detail and realistic colour The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures Designed for comfortable solo shooting Dependable, highly accurate autofocus The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2. Sophisticated tracking AF for steady focus Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms. Smooth transitions and touch focus control The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor. High-performance E-mount lenses for movies Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors. High-mobility performance wherever you go With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments. Attachable XLR handle A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots. In-camera image stabilisation Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.  [1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis) Image stabilisation and easier editing with Catalyst Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data. Expandability and operability for content creators Front and rear tally lamps Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera. Vari-angle LCD touch-panel monitor The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings. Essential controls for efficient solo shooting In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots. XLR adaptor and digital input for quality audio In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible. Remote camera control and network transfer A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting and streaming Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

ILME-FX6V FX6 Full-Frame Cinema Camera Body Only package a

Sony ILME-FX6V (ILMEFX6VDI.EU, ILME-FX6 Alpha, FX6 ILME-FX6, PXW-FX6, pxw-fx6) FX6 Full-Frame Cinema Camera Body Only package a © includes: 1x Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only (ILME-FX6V) 1x Sony 128GB 300MB/s SDXC UHS-II TOUGH SD Card (SFG1TG) Capture the impossible with expanded ISO sensitivity Capture usable images in near total darkness with an impressive ISO expanded range up to 4096001. The full-frame sensor coupled with innovative light gathering ensures limitless shooting possibilities. Stunning bokeh and full-frame creativity Realise beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. Cinematic colour science with S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX6. Precisely tuned to meet the requirements of today’s content creators with rich colour and natural skin tones, it produces fresh and vivid images straight out of camera without grading, while retaining plenty of latitude for post production. Large pixels deliver high sensitivity and low noise The full-frame, back-illuminated, 10.2-megapixel2 Exmor R™ CMOS image sensor offers impressive light-gathering capability. Fast readout speeds and a dynamic range of 15+ stops3 deliver superb image quality with wide sensitivity and reduced noise. Powerful BIONZ XRTM image processor  The BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high quality images faster and dramatically improves camera interface responsiveness. Impressive dynamic range for limitless expression At its base sensitivity of ISO8004, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 128004 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops3 of dynamic range ‒ beyond the perception of even the human eye in many conditions ‒ allowing for unprecedented creative freedom in colour grading and post. Fast Hybrid AF for accuracy and tenacity The wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (6275-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD)6. Real-time Eye AF and Face Detection supported Real-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot. Powerful focus control for solo shooters With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. Lens-ring AF subject selection When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. Autofocus operation resumes as soon as the user stops rotating the lens focus ring. Auto focus area/position For auto focus, you can set the target areaamong Flexible Spot, Zone, Wide and changethe position of the target area quickly duringshooting by simply touching the LCD monitor. 4K7 120fps with every frame in focus High Frame Rate shots can turn everyday action into a visual feast of elegant movement. The FX6 captures up to 120 frames per second (fps) at the 4K (QFHD) resolution. Slow and Quick (S&Q) modes give you full control over the captured frame rate from 1 to 120fps, allowing precise motion narratives, and up to a beautiful 5x Super Slow Motion (24fps output). Autofocus with Sony E-mount lenses Experience smooth, responsive autofocus with Sony E-mount lenses, with premium optical performance and operability for demanding cinematography applications. Unique actuator technology in Sony E-mount lenses provides faster and more precise AF performance, supporting your creative endeavors. Built-in electronic Variable ND Filter The FX6 features Sony’s unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1/4ND to 1/128ND linearly, or set to auto. Ideal in changeable environments, there’s no need to change filters as lighting conditions change or to maintain your depth of field. Lightweight, modular and robust Despite its amazingly light 0.89kg body, the magnesium-alloy FX6 is more than tough enough for the rigours of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button. Grab and shoot mobility Ideal for low angle shooting, the smart handle is part of the FX6’s modular design. It’s easy to reconfigure for any application, including mounting in a gimbal, drone, or underwater housing. Magnesium body and frame for high durability with light weight To perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility. Architecture to prevent thermal shut down The custom ventilation system and chassis design help to prevent the thermal shut down of shooting8 at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan9, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved. 10-bit 4:2:2 recording Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing. All-Intra encoding available As well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motion more accurately, and allow more efficient editing workflows. [1] All-Intra (All-I)  [2] Long GOP  [3] Group of Pictures 16-bit RAW SDI output  For demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates10. Shooting modes that match creator workflows The FX6 offers shooting modes with preset looks like S-Cinetone that produce great-looking shots in-camera, or S-Log3 / S-Gamut3 with Cine-EI mode that capture perfectly-exposed images for post production. Scene File function allows easy look changes on-site Four preset scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural) plus 16 slots for imported user 3D LUTs for your preferred look without post production. Remarkable smart grip and smart handle Sony’s ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record, and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours. Professional connectivity A wide range of professional interfaces is available including 12G-SDI and HDMI outputs11, a remote interface, TC connectors for multi-camera sync, and SuperSpeed USB 5Gbps (USB 3.2) to support fluid data workflows. Multi-Interface (MI) Shoe Sony’s Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including for example wireless microphone systems such as the UWP-D21 or UWP-D2212. Support for four-channel audio input and recording Four-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe. Dual XLR inputs and enhanced audio capability The handle of the FX6 has two independent audio inputs, easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe. High-definition 2.76 million-dot13 flexible LCD panel The 3.5-inch LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging. Quick menu control with touch operation The LCD screen has a quick access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO/sensitivity, shooting mode and audio levels. Dual CFexpress Type A-compatible media slots Dual media slots support CFexpress Type A cards14, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval and proxy modes are supported. Networked for high mobility Wi-Fi® connectivity enables a host of advanced wireless production features such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either NFC one-touch or manual pairing. Metadata facilitates editing in Catalyst  The FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software.

ILME-FX6V FX6 Full-Frame Cinema Camera Body Only package b

Sony ILME-FX6V (ILMEFX6VDI.EU, ILME-FX6 Alpha, FX6 ILME-FX6, PXW-FX6, pxw-fx6) FX6 Full-Frame Cinema Camera Body Only package b © includes: 1x Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only (ILME-FX6V) 1x Sony 128GB 300MB/s SDXC UHS-II TOUGH SD Card (SFG1TG) 1x Hedbox HED-BP95D Pro Battery Pack for SONY 6700mAh Li-Ion Battery (HED-BP95D) Capture the impossible with expanded ISO sensitivity Capture usable images in near total darkness with an impressive ISO expanded range up to 4096001. The full-frame sensor coupled with innovative light gathering ensures limitless shooting possibilities. Stunning bokeh and full-frame creativity Realise beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. Cinematic colour science with S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX6. Precisely tuned to meet the requirements of today’s content creators with rich colour and natural skin tones, it produces fresh and vivid images straight out of camera without grading, while retaining plenty of latitude for post production. Large pixels deliver high sensitivity and low noise The full-frame, back-illuminated, 10.2-megapixel2 Exmor R™ CMOS image sensor offers impressive light-gathering capability. Fast readout speeds and a dynamic range of 15+ stops3 deliver superb image quality with wide sensitivity and reduced noise. Powerful BIONZ XRTM image processor  The BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high quality images faster and dramatically improves camera interface responsiveness. Impressive dynamic range for limitless expression At its base sensitivity of ISO8004, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 128004 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops3 of dynamic range ‒ beyond the perception of even the human eye in many conditions ‒ allowing for unprecedented creative freedom in colour grading and post. Fast Hybrid AF for accuracy and tenacity The wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (6275-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD)6. Real-time Eye AF and Face Detection supported Real-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot. Powerful focus control for solo shooters With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. Lens-ring AF subject selection When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. Autofocus operation resumes as soon as the user stops rotating the lens focus ring. Auto focus area/position For auto focus, you can set the target areaamong Flexible Spot, Zone, Wide and changethe position of the target area quickly duringshooting by simply touching the LCD monitor. 4K7 120fps with every frame in focus High Frame Rate shots can turn everyday action into a visual feast of elegant movement. The FX6 captures up to 120 frames per second (fps) at the 4K (QFHD) resolution. Slow and Quick (S&Q) modes give you full control over the captured frame rate from 1 to 120fps, allowing precise motion narratives, and up to a beautiful 5x Super Slow Motion (24fps output). Autofocus with Sony E-mount lenses Experience smooth, responsive autofocus with Sony E-mount lenses, with premium optical performance and operability for demanding cinematography applications. Unique actuator technology in Sony E-mount lenses provides faster and more precise AF performance, supporting your creative endeavors. Built-in electronic Variable ND Filter The FX6 features Sony’s unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1/4ND to 1/128ND linearly, or set to auto. Ideal in changeable environments, there’s no need to change filters as lighting conditions change or to maintain your depth of field. Lightweight, modular and robust Despite its amazingly light 0.89kg body, the magnesium-alloy FX6 is more than tough enough for the rigours of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button. Grab and shoot mobility Ideal for low angle shooting, the smart handle is part of the FX6’s modular design. It’s easy to reconfigure for any application, including mounting in a gimbal, drone, or underwater housing. Magnesium body and frame for high durability with light weight To perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility. Architecture to prevent thermal shut down The custom ventilation system and chassis design help to prevent the thermal shut down of shooting8 at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan9, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved. 10-bit 4:2:2 recording Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing. All-Intra encoding available As well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motion more accurately, and allow more efficient editing workflows. [1] All-Intra (All-I)  [2] Long GOP  [3] Group of Pictures 16-bit RAW SDI output  For demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates10. Shooting modes that match creator workflows The FX6 offers shooting modes with preset looks like S-Cinetone that produce great-looking shots in-camera, or S-Log3 / S-Gamut3 with Cine-EI mode that capture perfectly-exposed images for post production. Scene File function allows easy look changes on-site Four preset scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural) plus 16 slots for imported user 3D LUTs for your preferred look without post production. Remarkable smart grip and smart handle Sony’s ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record, and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours. Professional connectivity A wide range of professional interfaces is available including 12G-SDI and HDMI outputs11, a remote interface, TC connectors for multi-camera sync, and SuperSpeed USB 5Gbps (USB 3.2) to support fluid data workflows. Multi-Interface (MI) Shoe Sony’s Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including for example wireless microphone systems such as the UWP-D21 or UWP-D2212. Support for four-channel audio input and recording Four-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe. Dual XLR inputs and enhanced audio capability The handle of the FX6 has two independent audio inputs, easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe. High-definition 2.76 million-dot13 flexible LCD panel The 3.5-inch LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging. Quick menu control with touch operation The LCD screen has a quick access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO/sensitivity, shooting mode and audio levels. Dual CFexpress Type A-compatible media slots Dual media slots support CFexpress Type A cards14, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval and proxy modes are supported. Networked for high mobility Wi-Fi® connectivity enables a host of advanced wireless production features such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either NFC one-touch or manual pairing. Metadata facilitates editing in Catalyst  The FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software.

ILME-FX6V FX6 Full-Frame Cinema Camera Body Only package c

Sony ILME-FX6V (ILMEFX6VDI.EU, ILME-FX6 Alpha, FX6 ILME-FX6, PXW-FX6, pxw-fx6) FX6 Full-Frame Cinema Camera Body Only Package c © includes: 1x Sony ILME-FX6V FX6 Full-Frame Cinema Camera Body Only (ILME-FX6V) 1x Sony 128GB 300MB/s SDXC UHS-II TOUGH SD Card (SFG1TG)   1x Hedbox HED-BP95D Pro Battery Pack for SONY 6700mAh Li-Ion Battery (HED-BP95D) 1x Camrade CAM-R&GB-MEDIUM run&gunBag Medium Capture the impossible with expanded ISO sensitivity Capture usable images in near total darkness with an impressive ISO expanded range up to 4096001. The full-frame sensor coupled with innovative light gathering ensures limitless shooting possibilities. Stunning bokeh and full-frame creativity Realise beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. Cinematic colour science with S-Cinetone S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX6. Precisely tuned to meet the requirements of today’s content creators with rich colour and natural skin tones, it produces fresh and vivid images straight out of camera without grading, while retaining plenty of latitude for post production. Large pixels deliver high sensitivity and low noise The full-frame, back-illuminated, 10.2-megapixel2 Exmor R™ CMOS image sensor offers impressive light-gathering capability. Fast readout speeds and a dynamic range of 15+ stops3 deliver superb image quality with wide sensitivity and reduced noise. Powerful BIONZ XRTM image processor  The BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high quality images faster and dramatically improves camera interface responsiveness. Impressive dynamic range for limitless expression At its base sensitivity of ISO8004, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 128004 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops3 of dynamic range ‒ beyond the perception of even the human eye in many conditions ‒ allowing for unprecedented creative freedom in colour grading and post. Fast Hybrid AF for accuracy and tenacity The wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (6275-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD)6. Real-time Eye AF and Face Detection supported Real-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events, and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot. Powerful focus control for solo shooters With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. Lens-ring AF subject selection When the AF Assist function is ON, rotating the focus ring instantly switches from autofocus to manual focus so that a different subject can be quickly selected. Autofocus operation resumes as soon as the user stops rotating the lens focus ring. Auto focus area/position For auto focus, you can set the target areaamong Flexible Spot, Zone, Wide and changethe position of the target area quickly duringshooting by simply touching the LCD monitor. 4K7 120fps with every frame in focus High Frame Rate shots can turn everyday action into a visual feast of elegant movement. The FX6 captures up to 120 frames per second (fps) at the 4K (QFHD) resolution. Slow and Quick (S&Q) modes give you full control over the captured frame rate from 1 to 120fps, allowing precise motion narratives, and up to a beautiful 5x Super Slow Motion (24fps output). Autofocus with Sony E-mount lenses Experience smooth, responsive autofocus with Sony E-mount lenses, with premium optical performance and operability for demanding cinematography applications. Unique actuator technology in Sony E-mount lenses provides faster and more precise AF performance, supporting your creative endeavors. Built-in electronic Variable ND Filter The FX6 features Sony’s unique built-in electronic Variable Neutral Density (ND) filter. Unlike conventional optical ND Filters, the electronic ND Filter on the FX6 can be controlled from 1/4ND to 1/128ND linearly, or set to auto. Ideal in changeable environments, there’s no need to change filters as lighting conditions change or to maintain your depth of field. Lightweight, modular and robust Despite its amazingly light 0.89kg body, the magnesium-alloy FX6 is more than tough enough for the rigours of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button. Grab and shoot mobility Ideal for low angle shooting, the smart handle is part of the FX6’s modular design. It’s easy to reconfigure for any application, including mounting in a gimbal, drone, or underwater housing. Magnesium body and frame for high durability with light weight To perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility. Architecture to prevent thermal shut down The custom ventilation system and chassis design help to prevent the thermal shut down of shooting8 at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan9, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved. 10-bit 4:2:2 recording Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing. All-Intra encoding available As well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motion more accurately, and allow more efficient editing workflows. [1] All-Intra (All-I)  [2] Long GOP  [3] Group of Pictures 16-bit RAW SDI output  For demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096x2160 or 3840x2160 data from the image sensor with a choice of 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates10. Shooting modes that match creator workflows The FX6 offers shooting modes with preset looks like S-Cinetone that produce great-looking shots in-camera, or S-Log3 / S-Gamut3 with Cine-EI mode that capture perfectly-exposed images for post production. Scene File function allows easy look changes on-site Four preset scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural) plus 16 slots for imported user 3D LUTs for your preferred look without post production. Remarkable smart grip and smart handle Sony’s ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record, and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours. Professional connectivity A wide range of professional interfaces is available including 12G-SDI and HDMI outputs11, a remote interface, TC connectors for multi-camera sync, and SuperSpeed USB 5Gbps (USB 3.2) to support fluid data workflows. Multi-Interface (MI) Shoe Sony’s Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including for example wireless microphone systems such as the UWP-D21 or UWP-D2212. Support for four-channel audio input and recording Four-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe. Dual XLR inputs and enhanced audio capability The handle of the FX6 has two independent audio inputs, easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe. High-definition 2.76 million-dot13 flexible LCD panel The 3.5-inch LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging. Quick menu control with touch operation The LCD screen has a quick access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO/sensitivity, shooting mode and audio levels. Dual CFexpress Type A-compatible media slots Dual media slots support CFexpress Type A cards14, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval and proxy modes are supported. Networked for high mobility Wi-Fi® connectivity enables a host of advanced wireless production features such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either NFC one-touch or manual pairing. Metadata facilitates editing in Catalyst  The FX6 records three types of metadata: image stabilisation, clip flag, and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software.

Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package a

Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package a includes:   1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming  1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V  1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN     *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content ©   4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic

Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package b

Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package B includes:   1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming  1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V  1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema     *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic

Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package c

Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package c includes:   1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming  1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V  1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema 1x Acebil i-605DX Tripod System     *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic

Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package d

Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package d includes: 1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming  1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V  1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema 1x Acebil i-605DX Tripod System  1x Rode NTG2 shotgun microphone 1x Rode PG2R Pistol Grip Shock Mount  1x Rode WS6 deluxe windshield 1x Digibroadcast 12inch 3pin XLR male to female cable *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic

Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package e

Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package e includes: 1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming  1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V  1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema 1x Acebil i-605DX Tripod System  1x Rode NTG2 shotgun microphone 1x Rode PG2R Pistol Grip Shock Mount  1x Rode WS6 deluxe windshield 1x Digibroadcast 12inch 3pin XLR male to female cable 1x Sennheiser HD 200 PRO Studio Headphones (507182) 1x Sennheiser 507614 ew 112P G4-GB Set (507614)      *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic

Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package f

Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package f includes: 1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming  1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V  1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema 1x Acebil i-605DX Tripod System  1x Rode NTG2 shotgun microphone 1x Rode PG2R Pistol Grip Shock Mount  1x Rode WS6 deluxe windshield 1x Digibroadcast 12inch 3pin XLR male to female cable 1x Sennheiser HD 200 PRO Studio Headphones (507182) 1x Sennheiser 507614 ew 112P G4-GB Set (507614) 1x Atomos Ninja V 5" 4K HDMI Recording Monitor       *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic

MAX Broadcast & Conferencing 4K PTZ Camera - Black

Birddog MAX Broadcast & Conferencing 4K PTZ Camera - Black (BDMAXB, MAX)  The Camera that Redefines Meetings and Productions Introducing MAX, the PTZ camera designed to bridge the gap between everyday webcams and full-blown production cameras. Whether you're looking to enhance your video meetings or level up your professional broadcasts, MAX delivers stunning performance and versatility in a beautifully designed package, with a best-in-class wide-angle lens perfect for rooms of any size.   From Webcam to Production Camera – Versatility at Its Best MAX effortlessly transitions between roles, functioning as both a high-quality webcam and a powerful production camera. Thanks to its HDMI and NDI outputs, you can integrate MAX into any workflow—be it a simple video call or a complex production. Its compatibility with NDI means that it seamlessly fits into modern IP video workflows, while the HDMI output ensures straightforward connectivity with traditional AV setups.   Seamless Integration with POD for Unified Communications Workflows When paired with POD, MAX redefines what’s possible in unified communications (UC) by combining professional-grade performance with effortless usability. Designed to work seamlessly with NDI workflows, POD eliminates the complexity of traditional software setups, making MAX the ultimate solution for platforms like Zoom, Teams, and Google Meet.   Here’s why the MAX and POD combination stands out:   NDI Integration Made Easy: Leverage the power of MAX’s NDI capabilities without the hassle of complex software or configuration. POD connects MAX directly to your computer via USB, enabling it to appear as a high-quality UVC webcam while maintaining NDI functionality for advanced workflows. Switch Between Cameras with Ease: POD allows users to effortlessly switch between multiple MAX cameras or other video sources, making it ideal for dynamic presentations, multi-angle video calls, and hybrid events. Software-Free Simplicity: Say goodbye to cumbersome software requirements. POD provides a hardware-based solution that bridges NDI cameras to UC platforms seamlessly, saving time and reducing technical challenges. API-Driven Scalability: For advanced setups, POD offers API integration, enabling full customization within AV systems like Crestron or Q-SYS. This ensures flexibility for larger or more complex environments. By combining MAX’s broadcast-level video quality and professional pan-tilt-zoom control with POD’s hardware-based simplicity and API capabilities, this pairing delivers the best of both worlds. Whether you’re running a single meeting room, creating multi-camera setups, or integrating into enterprise-grade AV systems, MAX and POD offer scalable, reliable, and user-friendly solutions that transform video communications into polished, professional-grade productions.   Sustainably Built with Ocean-Bound Plastics (OBP) At BirdDog, sustainability is a core value, and MAX embodies that commitment. The camera is made from ocean-bound plastics (OBP), directly contributing to the reduction of plastic waste in our oceans. Our packaging is made of recycled cardboard and our ink is all soy-based. By choosing MAX, you're not just investing in top-tier technology; you're also making an eco-conscious choice that helps protect our planet.   MAX also operates with remarkably low power consumption, ensuring that its environmental impact remains minimal throughout its lifecycle. This energy efficiency, coupled with its sustainable materials, makes MAX one of the most eco-friendly PTZ cameras on the market.   Elegant Design That Fits Any Space MAX isn’t just a powerhouse of performance—it’s also a work of art. With its sleek, modern design and best-in-class wide-angle lens, it integrates effortlessly into any room, from boardrooms to broadcast studios. MAX enhances the aesthetic of any space, blending in perfectly with your room’s architecture without drawing unnecessary attention. It’s a camera that looks as good as it performs.   Affordable Excellence One of MAX’s most impressive qualities is its price-to-performance ratio. By offering high-end features like NDI and HDMI outputs, eco-friendly materials, and a professional-grade design at a competitive price point, MAX makes premium video production accessible to all. You don’t have to choose between a basic webcam or a costly production camera—MAX gives you both.   Closing the Gap Between Webcam and Production PTZ In the world of video production, MAX closes the gap between a simple webcam and a full-fledged production PTZ camera. It allows you to have the flexibility of a webcam with the advanced features of a production camera—all in one sleek, easy-to-use device. Whether you’re running a live stream, recording content, or conducting meetings, MAX is equipped to handle it all.

Panasonic PAN-HCX2E Professional 4K 60p camcorder package a

Panasonic PAN-HCX2E Professional all in one 4K 60p camcorder with enhanced streaming and linkage to other equipment Panasonic PAN-HCX2E Professional 4K 60p camcorder package a includes: 1x Panasonic PAN-HCX2E camcorder 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN Effective 15 megapixel 1.0 type MOS Sensor, 4K 60p/24p / FHD 60p Multi Format, HEVC codec , HLG, 13 Stop V Log Wide 24.5mm, Optical 20x, i.ZOOM 32x (FHD) / 24x (UHD) 4K High Precision AF, Face Detection AF/AE, 5 Axis HYBRID O.I.S Versatile Streaming Protocols 3G SDI Output XLR Input Wired Remote Triple Manual Ring User Switch Live Streaming

Panasonic PAN-HCX2E Professional 4K 60p camcorder package b

Panasonic PAN-HCX2E Professional all in one 4K 60p camcorder with enhanced streaming and linkage to other equipment Panasonic PAN-HCX2E Professional 4K 60p camcorder package b includes: 1x Panasonic PAN-HCX2E camcorder   1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Panasonic PAN-AGVBR59E 5900mAh 7.28V Battery for AG-DVX200 AJ-PX270 PAN-AGVBR59E Effective 15 megapixel 1.0 type MOS Sensor, 4K 60p/24p / FHD 60p Multi Format, HEVC codec , HLG, 13 Stop V Log Wide 24.5mm, Optical 20x, i.ZOOM 32x (FHD) / 24x (UHD) 4K High Precision AF, Face Detection AF/AE, 5 Axis HYBRID O.I.S Versatile Streaming Protocols 3G SDI Output XLR Input Wired Remote Triple Manual Ring User Switch Live Streaming

Panasonic PAN-HCX2E Professional 4K 60p camcorder package c

Panasonic PAN-HCX2E Professional all in one 4K 60p camcorder with enhanced streaming and linkage to other equipment Panasonic PAN-HCX2E Professional 4K 60p camcorder package c includes: 1x Panasonic PAN-HCX2E camcorder   1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Panasonic PAN-AGVBR59E 5900mAh 7.28V Battery for AG-DVX200 AJ-PX270 PAN-AGVBR59E 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema bag Effective 15 megapixel 1.0 type MOS Sensor, 4K 60p/24p / FHD 60p Multi Format, HEVC codec , HLG, 13 Stop V Log Wide 24.5mm, Optical 20x, i.ZOOM 32x (FHD) / 24x (UHD) 4K High Precision AF, Face Detection AF/AE, 5 Axis HYBRID O.I.S Versatile Streaming Protocols 3G SDI Output XLR Input Wired Remote Triple Manual Ring User Switch Live Streaming

PMW-F5 35mm Full HD Camcorder with LCD viewfinder package B

Sony PMW-F5 HD Camcorder with LCD viewfinder Package B © includes: Sony PMW-F5 (PMWF5 PMW F5 PMW/F5) Super 35mm Full HD 4K CMOS Sensor Compact CineAlta Camcorder - Records HD/2K on SxS memory plus 16-bit RAW 2K/4K output Sony DVF-L350 (DVFL350, DVF L350, DVF/L350, dvf-l350) LCD Viewfinder for PMW-F5, PMW-F55 *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

PMW-F5 35mm Full HD Camcorder with OLED viewfinder package a

Sony PMW-F5 HD Camcorder with OLED viewfinder Package A© includes: Sony PMW-F5 (PMWF5 PMW F5 PMW/F5) Super 35mm Full HD 4K CMOS Sensor Compact CineAlta Camcorder - Records HD/2K on SxS memory plus 16-bit RAW 2K/4K output Sony DVF-EL100 oled 0.7-inch colour hd digital viewfinder   *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Pulnix TMC-X Video Camera, used

Pulnix TMC-X Video Camera, used(FMP59360NRSH) Good condition, 3 months warranty  The Pulnix TMC-X is a high-resolution, black-and-white CCD video camera engineered for precision imaging in industrial, scientific, and machine vision applications. Designed with Pulnix’s renowned build quality and imaging reliability, the TMC-X delivers outstanding image clarity, low-light sensitivity, and robust performance in demanding environments.

PXW-FX9 XDCAM 6K Full-Frame Camera package a

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera package a © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony XQD G-Series 240GB 400MB/s Read/ Write (QDG240F) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

PXW-FX9 XDCAM 6K Full-Frame Camera package c

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera package C © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony XQD G-Series 240GB 400MB/s Read/ Write (QDG240F) 1x Sony 18-110mm f/4 Servo Zoom Sony G OSS Lens (SELP18110G.SYX) 1x Sony XDCA-FX9 Extension Unit for PXW-FX9 Camera (XDCA-FX9) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©   Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

PXW-FX9 XDCAM 6K Full-Frame Camera system package b

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera package b © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony XQD G-Series 240GB 400MB/s Read/ Write (QDG240F) 1x Sony 18-110mm f/4 Servo Zoom Sony G OSS Lens (SELP18110G.SYX) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

PXW-FX9 XDCAM 6K Full-Frame Camera System package d

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package d © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony XQD G-Series 240GB 400MB/s Read/ Write (QDG240F) 1x Hedbox HED-BP95D Pro Battery Pack for SONY 6700mAh Li-Ion Battery (HED-BP95D) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

PXW-FX9 XDCAM 6K Full-Frame Camera System package g

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package g © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony QDG120F XQD G-Series 120GB 440MB/s Read-400MB/s Write Memory Card  1x Hawk-Woods VLM-FX9 V-Lok Camera mount 2x D-TAP for Sony FX9 1x IDX V-Mount Lithium Ion Battery with 2 x D Tap and USB Output DUO-C150 *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©   Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

PXW-FX9 XDCAM 6K Full-Frame Camera System package h

Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package h © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony XDCA-FX9 Extension Unit for PXW-FX9 Camera (XDCA-FX9)   *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more.  The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168.  You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps  Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements.  7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording  FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.  

PXW-Z190 XDCAM Handheld Camcorder package b

Sony PXW-Z190 (PXWZ190, PXW Z190, PXW/Z190) XDCAM Handheld Camcorder package b includes: 1x Sony PXW-Z190 XDCAM Handheld Camcorder PXW-Z190 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Hedbox HED-BP95D Pro Battery Pack for SONY 6700mAh Li-Ion Battery HED-BP95D 1x Camrade CAM-CB-HD-SMALL-BL camBag HD Small - Black CAM-CB-HD-SMALL-BL    *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © Sony's PXW-Z190 4K 3-CMOS 1/3" Sensor XDCAM Camcorder continues the fine tradition of the XDCAM series of cameras. It captures 4K at up to 60p, relying on three 1/3" Exmor R sensors that provide improved low-light capability when compared to standard sensors. The camera integrates a 25x optical Sony G zoom lens and an electronic variable ND filter. The camera supports a variety of codecs out of the box, with an optional MPEG HD license enabling you to shoot HD video. The camera supports HLG (Hybrid Log Gamma), allowing you to shoot and deliver footage compatible with both HDR (high dynamic range) and SDR (standard dynamic range) without needing laborious post-production work. Dual SD card slots permit a variety of recording options including simultaneous HD and 4K recoding. The camera features built-in 2.4 and 5 GHz Wi-Fi.  

Sony PXW-Z280 4K Handheld Camcorder package a

Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package a © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280)   1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.   17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment.   The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender.   Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.   S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content   Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.   Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.   12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.   Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.      

Sony PXW-Z280 4K Handheld Camcorder package b

Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package b © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) 1x Sony SBP-128E SxS Pro+ 128GB Read 3.5GB/s Write 2.8GB/s Memory Card (SBP-128E) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.   17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment.   The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender.   Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.   S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content   Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.   Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.   12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.   Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.      

Sony PXW-Z280 4K Handheld Camcorder package c

Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package c © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) 1x Sony SBP-128E SxS Pro+ 128GB Read 3.5GB/s Write 2.8GB/s Memory Card (SBP-128E) 1x Camrade CAM-R&GB-MEDIUM run&gunBag Medium bag (CAM-R&GB-MEDIUM) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.   17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment.   The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender.   Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.   S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content   Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.   Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.   12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.   Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.      

Sony PXW-Z280 4K Handheld Camcorder package d

Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package d © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) 1x Sony SBP-128E SxS Pro+ 128GB Read 3.5GB/s Write 2.8GB/s Memory Card (SBP-128E) 1x Camrade CAM-R&GB-MEDIUM run&gunBag Medium bag (CAM-R&GB-MEDIUM) 1x Rode NTG2 Multi-Powered Shotgun Microphone (NTG2) 1x Rode WS6 Deluxe Wind Shield (WS6) 1x Rode PG2R Pistol Grip Shock Mount (PG2R) 1x Digibroadcast 12inch 3Pin Male to Female Xlr Cable (12INCHXLR3PIN)   *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©   World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.   17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment.   The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender.   Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.   S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content   Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.   Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.   12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.   Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.      

Sony PXW-Z280 4K Handheld Camcorder package e

Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package e © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) 1x Sony SBP-128E SxS Pro+ 128GB Read 3.5GB/s Write 2.8GB/s Memory Card (SBP-128E) 1x Camrade CAM-R&GB-MEDIUM run&gunBag Medium bag (CAM-R&GB-MEDIUM) 1x Rode NTG2 Multi-Powered Shotgun Microphone (NTG2) 1x Rode WS6 Deluxe Wind Shield (WS6) 1x Rode PG2R Pistol Grip Shock Mount (PG2R) 1x Digibroadcast 12inch 3Pin Male to Female Xlr Cable (12INCHXLR3PIN) 1x Acebil i-605DX Tripod System (i-605DX)   *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©   World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.   17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment.   The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender.   Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.   S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content   Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.   Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.   12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.   Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.      

Sony PXW-Z280 4K Handheld Camcorder package f

Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package f © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) 1x Sony SBP-128E SxS Pro+ 128GB Read 3.5GB/s Write 2.8GB/s Memory Card (SBP-128E) 1x Camrade CAM-R&GB-MEDIUM run&gunBag Medium bag (CAM-R&GB-MEDIUM) 1x Rode NTG2 Multi-Powered Shotgun Microphone (NTG2) 1x Rode WS6 Deluxe Wind Shield (WS6) 1x Rode PG2R Pistol Grip Shock Mount (PG2R) 1x Digibroadcast 12inch 3Pin Male to Female Xlr Cable (12INCHXLR3PIN) 1x Acebil i-605DX Tripod System (i-605DX) 1x Sennheiser ew 100 ENG G4-GB Wireless Microphone Combo System (507638)   1x Sennheiser HD 200 PRO Studio Headphones (507182)   *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see.   17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment.   The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender.   Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows.   S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content   Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus.   Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed.   12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else.   Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.      

XF400 4K Camcorder package d

Canon 2213C007AA (XF 400, XF-400, XF/400, XF4/00) XF400 4K Camcorder package d includes 1x Canon XF400 4K Camcorder 2213C007AA 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Canon BP-828 High Capacity 2670mah Battery Pack - 1x Camrade CAM-CB-SINGLE-1 camBag Single 1  1x Rode NTG2shotgun microphone NTG2 1x Rode RODEWS6 Deluxe Wind Shield RODEES6 1x Rode PG2R Pistol Grip Shock Mount -PG2R 1x 12inch 3Pin Male to Female Xlr Cable -12INCHXLR3PIN     *Digibroadcast has put together some bespoke Canon packages for our clients based on our own research and surveys and holds the right to protect all of its content © Offering broadcast quality UHD and Full HD capability into a handheld, lightweight body with a 1.0-Type CMOS sensor, a 15x 4K zoom lens and Dual Pixel CMOS AF, the XF400 produces outstanding clarity and sharpness. With the addition of a 100P high frame rate and network capability for FTP transfer and remote control, this camcorder is ideal for newsgathering, documentary or corporate use. 4K UHD/50P recording on SD cards with high frame rates  The XF400 supports UHD/50P MP4 and XF-AVC format (150Mbps) recording along with additional XF-AVC support coming via a firmware update in 2018. The XF400 offers 100P high frame rate recording, which brings stunning slow motion in Full HD. The combination of 1.0-Type CMOS sensor and dual DIGIC DV6 offers high image quality footage with clarity and detail with outstanding high sensitivity and low noise. “Wide DR” mode enables the user to shoot with an 800% wide dynamic range providing details in mid to high tone.  High quality 4K lens with 15x zoom  A newly developed 4K lens for 1.0 -Type CMOS sensor, using Super UD elements which minimise chromic aberration. The XF400 features an ultra-wide 25.5mm along with high magnification 15x optical zoom in 4K. A 30x Advanced Zoom capability in Full HD mode without image deterioration. A 9-blade iris diaphragm allows the operator to shoot beautiful and natural ’bokeh’. An advanced 5 axis Image Stabilizer helps to reduce image distortion. XF400 features three built-in optical density (ND) filters of 1/4, 1/16 and 1/64 (2, 4 and 6 stops). A 0.8x Wide angle and 1.5x tele-converter for additional flexibility and coverage in 4K and Full HD.  Dual Pixel CMOS AF for high-speed, precise autofocus  The XF400 offers Dual Pixel CMOS AF, fast and accurate autofocusing in area of approx. 80% (vertically) x 80% (horizontally) of the image. The XF400 touch screen allows focus control and camera operation for an intuitive operation. Various AF options are offered including Face Priority AF and Face Only AF. The innovative Dual Pixel Focus Guide supports manual focus shooting by telling the focus position visually.  Network capability with FTP transfer and remote control  The XF400 gives you more mobility – FTP files transfer directly from the camcorder or wirelessly by built-in WiFi. Using the XF400’s built-in Wi-Fi, it is possible to control via a smartphone or tablet using a Browser Remote. Additionally, the camcorder is fully compatible with the Canon Remote Controller RC-V100. IP Streaming (Full HD)* firmware update planned in 2018. *via firmware update planned in 2018  Compact and lightweight body, professional operability  Compact in size, lightweight and fully featured, the XF400 can meet a wide range of individual needs. The XF400 features an Infrared Mode allowing users to capture video in conditions with little to no ambient light. With Dual SD card slots the XF400 can record simultaneously to each of the two SD cards, providing an instant backup. With relay recording, the camera automatically switches recording from one SD card to the other when the first memory card becomes full. Variety of connectivity options feature on the XF400, including 3G-SDI (A model only), HDMI and two XLRs on the detachable handle. Flexible and high quality linear PCM 4ch audio is supported. Five assignable buttons on the XF400 body provide a convenient way to set up the camera to individual requirements and to customise control based on user preference. Remote operation of the XF400 is possible with the Canon Remote Controller RC-V100, allowing users to operate from a distance.      

XF400 4K Camcorder package e

Canon 2213C007AA (XF 400, XF-400, XF/400, XF4/00) XF400 4K Camcorder package E includes   1x Canon XF400 4K Camcorder 2213C007AA 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Canon BP-828 High Capacity 2670mah Battery Pack - 1x Camrade CAM-CB-SINGLE-1 camBag Single 1  1x Rode NTG2shotgun microphone NTG2 1x Rode RODEWS6 Deluxe Wind Shield RODEES6 1x Rode PG2R Pistol Grip Shock Mount -PG2R 1x 12inch 3Pin Male to Female Xlr Cable -12INCHXLR3PIN 1x Acebil i-605DX Tripod System -i-605DX    *Digibroadcast has put together some bespoke Canon packages for our clients based on our own research and surveys and holds the right to protect all of its content © Offering broadcast quality UHD and Full HD capability into a handheld, lightweight body with a 1.0-Type CMOS sensor, a 15x 4K zoom lens and Dual Pixel CMOS AF, the XF400 produces outstanding clarity and sharpness. With the addition of a 100P high frame rate and network capability for FTP transfer and remote control, this camcorder is ideal for newsgathering, documentary or corporate use. 4K UHD/50P recording on SD cards with high frame rates  The XF400 supports UHD/50P MP4 and XF-AVC format (150Mbps) recording along with additional XF-AVC support coming via a firmware update in 2018. The XF400 offers 100P high frame rate recording, which brings stunning slow motion in Full HD. The combination of 1.0-Type CMOS sensor and dual DIGIC DV6 offers high image quality footage with clarity and detail with outstanding high sensitivity and low noise. “Wide DR” mode enables the user to shoot with an 800% wide dynamic range providing details in mid to high tone.  High quality 4K lens with 15x zoom  A newly developed 4K lens for 1.0 -Type CMOS sensor, using Super UD elements which minimise chromic aberration. The XF400 features an ultra-wide 25.5mm along with high magnification 15x optical zoom in 4K. A 30x Advanced Zoom capability in Full HD mode without image deterioration. A 9-blade iris diaphragm allows the operator to shoot beautiful and natural ’bokeh’. An advanced 5 axis Image Stabilizer helps to reduce image distortion. XF400 features three built-in optical density (ND) filters of 1/4, 1/16 and 1/64 (2, 4 and 6 stops). A 0.8x Wide angle and 1.5x tele-converter for additional flexibility and coverage in 4K and Full HD.  Dual Pixel CMOS AF for high-speed, precise autofocus  The XF400 offers Dual Pixel CMOS AF, fast and accurate autofocusing in area of approx. 80% (vertically) x 80% (horizontally) of the image. The XF400 touch screen allows focus control and camera operation for an intuitive operation. Various AF options are offered including Face Priority AF and Face Only AF. The innovative Dual Pixel Focus Guide supports manual focus shooting by telling the focus position visually.  Network capability with FTP transfer and remote control  The XF400 gives you more mobility – FTP files transfer directly from the camcorder or wirelessly by built-in WiFi. Using the XF400’s built-in Wi-Fi, it is possible to control via a smartphone or tablet using a Browser Remote. Additionally, the camcorder is fully compatible with the Canon Remote Controller RC-V100. IP Streaming (Full HD)* firmware update planned in 2018. *via firmware update planned in 2018  Compact and lightweight body, professional operability  Compact in size, lightweight and fully featured, the XF400 can meet a wide range of individual needs. The XF400 features an Infrared Mode allowing users to capture video in conditions with little to no ambient light. With Dual SD card slots the XF400 can record simultaneously to each of the two SD cards, providing an instant backup. With relay recording, the camera automatically switches recording from one SD card to the other when the first memory card becomes full. Variety of connectivity options feature on the XF400, including 3G-SDI (A model only), HDMI and two XLRs on the detachable handle. Flexible and high quality linear PCM 4ch audio is supported. Five assignable buttons on the XF400 body provide a convenient way to set up the camera to individual requirements and to customise control based on user preference. Remote operation of the XF400 is possible with the Canon Remote Controller RC-V100, allowing users to operate from a distance.      

XF400 4K Camcorder package f

Canon 2213C007AA (XF 400, XF-400, XF/400, XF4/00) XF400 4K Camcorder package F includes   1x Canon XF400 4K Camcorder 2213C007AA 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Canon BP-828 High Capacity 2670mah Battery Pack - 1x Camrade CAM-CB-SINGLE-1 camBag Single 1  1x Rode NTG2shotgun microphone NTG2 1x Rode RODEWS6 Deluxe Wind Shield RODEES6 1x Rode PG2R Pistol Grip Shock Mount -PG2R 1x 12inch 3Pin Male to Female Xlr Cable -12INCHXLR3PIN 1x Acebil i-605DX Tripod System -i-605DX 1x Sennheiser ew 112P G4-GB Omni-directional Wireless Lavalier Microphone System 507614    *Digibroadcast has put together some bespoke Canon packages for our clients based on our own research and surveys and holds the right to protect all of its content © Offering broadcast quality UHD and Full HD capability into a handheld, lightweight body with a 1.0-Type CMOS sensor, a 15x 4K zoom lens and Dual Pixel CMOS AF, the XF400 produces outstanding clarity and sharpness. With the addition of a 100P high frame rate and network capability for FTP transfer and remote control, this camcorder is ideal for newsgathering, documentary or corporate use. 4K UHD/50P recording on SD cards with high frame rates  The XF400 supports UHD/50P MP4 and XF-AVC format (150Mbps) recording along with additional XF-AVC support coming via a firmware update in 2018. The XF400 offers 100P high frame rate recording, which brings stunning slow motion in Full HD. The combination of 1.0-Type CMOS sensor and dual DIGIC DV6 offers high image quality footage with clarity and detail with outstanding high sensitivity and low noise. “Wide DR” mode enables the user to shoot with an 800% wide dynamic range providing details in mid to high tone.  High quality 4K lens with 15x zoom  A newly developed 4K lens for 1.0 -Type CMOS sensor, using Super UD elements which minimise chromic aberration. The XF400 features an ultra-wide 25.5mm along with high magnification 15x optical zoom in 4K. A 30x Advanced Zoom capability in Full HD mode without image deterioration. A 9-blade iris diaphragm allows the operator to shoot beautiful and natural ’bokeh’. An advanced 5 axis Image Stabilizer helps to reduce image distortion. XF400 features three built-in optical density (ND) filters of 1/4, 1/16 and 1/64 (2, 4 and 6 stops). A 0.8x Wide angle and 1.5x tele-converter for additional flexibility and coverage in 4K and Full HD.  Dual Pixel CMOS AF for high-speed, precise autofocus  The XF400 offers Dual Pixel CMOS AF, fast and accurate autofocusing in area of approx. 80% (vertically) x 80% (horizontally) of the image. The XF400 touch screen allows focus control and camera operation for an intuitive operation. Various AF options are offered including Face Priority AF and Face Only AF. The innovative Dual Pixel Focus Guide supports manual focus shooting by telling the focus position visually.  Network capability with FTP transfer and remote control  The XF400 gives you more mobility – FTP files transfer directly from the camcorder or wirelessly by built-in WiFi. Using the XF400’s built-in Wi-Fi, it is possible to control via a smartphone or tablet using a Browser Remote. Additionally, the camcorder is fully compatible with the Canon Remote Controller RC-V100. IP Streaming (Full HD)* firmware update planned in 2018. *via firmware update planned in 2018  Compact and lightweight body, professional operability  Compact in size, lightweight and fully featured, the XF400 can meet a wide range of individual needs. The XF400 features an Infrared Mode allowing users to capture video in conditions with little to no ambient light. With Dual SD card slots the XF400 can record simultaneously to each of the two SD cards, providing an instant backup. With relay recording, the camera automatically switches recording from one SD card to the other when the first memory card becomes full. Variety of connectivity options feature on the XF400, including 3G-SDI (A model only), HDMI and two XLRs on the detachable handle. Flexible and high quality linear PCM 4ch audio is supported. Five assignable buttons on the XF400 body provide a convenient way to set up the camera to individual requirements and to customise control based on user preference. Remote operation of the XF400 is possible with the Canon Remote Controller RC-V100, allowing users to operate from a distance.      

XF400 4K Camcorder package g

Canon  (XF 400, XF-400, XF/400, XF4/00) XF400 4K Camcorder package g includes   1x Canon XF400 4K Camcorder 2213C007AA 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Canon BP-828 High Capacity 2670mah Battery Pack - 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema 1x Rode NTG2shotgun microphone NTG2 1x Rode RODEWS6 Deluxe Wind Shield RODEES6 1x Rode PG2R Pistol Grip Shock Mount -PG2R 1x 12inch 3Pin Male to Female Xlr Cable -12INCHXLR3PIN 1x Acebil i-605DX Tripod System -i-605DX 1x Sennheiser ew 112P G4-GB Omni-directional Wireless Lavalier Microphone System 507614 1x Sennheiser HD200 PRO studio headphones 507182 1x Libec ZFC-L Zoom and Focus Control for LANC Video Cameras -ZFC-L    *Digibroadcast has put together some bespoke Canon packages for our clients based on our own research and surveys and holds the right to protect all of its content © Offering broadcast quality UHD and Full HD capability into a handheld, lightweight body with a 1.0-Type CMOS sensor, a 15x 4K zoom lens and Dual Pixel CMOS AF, the XF400 produces outstanding clarity and sharpness. With the addition of a 100P high frame rate and network capability for FTP transfer and remote control, this camcorder is ideal for newsgathering, documentary or corporate use. 4K UHD/50P recording on SD cards with high frame rates  The XF400 supports UHD/50P MP4 and XF-AVC format (150Mbps) recording along with additional XF-AVC support coming via a firmware update in 2018. The XF400 offers 100P high frame rate recording, which brings stunning slow motion in Full HD. The combination of 1.0-Type CMOS sensor and dual DIGIC DV6 offers high image quality footage with clarity and detail with outstanding high sensitivity and low noise. “Wide DR” mode enables the user to shoot with an 800% wide dynamic range providing details in mid to high tone.  High quality 4K lens with 15x zoom  A newly developed 4K lens for 1.0 -Type CMOS sensor, using Super UD elements which minimise chromic aberration. The XF400 features an ultra-wide 25.5mm along with high magnification 15x optical zoom in 4K. A 30x Advanced Zoom capability in Full HD mode without image deterioration. A 9-blade iris diaphragm allows the operator to shoot beautiful and natural ’bokeh’. An advanced 5 axis Image Stabilizer helps to reduce image distortion. XF400 features three built-in optical density (ND) filters of 1/4, 1/16 and 1/64 (2, 4 and 6 stops). A 0.8x Wide angle and 1.5x tele-converter for additional flexibility and coverage in 4K and Full HD.  Dual Pixel CMOS AF for high-speed, precise autofocus  The XF400 offers Dual Pixel CMOS AF, fast and accurate autofocusing in area of approx. 80% (vertically) x 80% (horizontally) of the image. The XF400 touch screen allows focus control and camera operation for an intuitive operation. Various AF options are offered including Face Priority AF and Face Only AF. The innovative Dual Pixel Focus Guide supports manual focus shooting by telling the focus position visually.  Network capability with FTP transfer and remote control  The XF400 gives you more mobility – FTP files transfer directly from the camcorder or wirelessly by built-in WiFi. Using the XF400’s built-in Wi-Fi, it is possible to control via a smartphone or tablet using a Browser Remote. Additionally, the camcorder is fully compatible with the Canon Remote Controller RC-V100. IP Streaming (Full HD)* firmware update planned in 2018. *via firmware update planned in 2018  Compact and lightweight body, professional operability  Compact in size, lightweight and fully featured, the XF400 can meet a wide range of individual needs. The XF400 features an Infrared Mode allowing users to capture video in conditions with little to no ambient light. With Dual SD card slots the XF400 can record simultaneously to each of the two SD cards, providing an instant backup. With relay recording, the camera automatically switches recording from one SD card to the other when the first memory card becomes full. Variety of connectivity options feature on the XF400, including 3G-SDI (A model only), HDMI and two XLRs on the detachable handle. Flexible and high quality linear PCM 4ch audio is supported. Five assignable buttons on the XF400 body provide a convenient way to set up the camera to individual requirements and to customise control based on user preference. Remote operation of the XF400 is possible with the Canon Remote Controller RC-V100, allowing users to operate from a distance.      

XF605 UHD 4K HDR Pro Camcorder package C

Canon XF605 camcorder package C includes:   1 x Canon XF605 1 x 0870C002AA Canon BP-A60 Battery 1x 64GB Extreme PRO UHS-I SDXC Memory Card 1x CAM-R&GB-MEDIUM run&gunBag Medium   Canon XF605 Camcorder The exciting Canon XF605 is the perfect camcorder for solo shooters who need to work fast in the studio or in the field. This versatile broadcast quality 4K camcorder, features advanced AF, connectivity and streaming for demanding productions. Tthe ideal solution for modern news-gathering, sports and documentary professionals.   By introducing an unrivalled level of performance and control for solo shooters, Canon has really outdone themselves with the new XF605 camcorder, Providing AI-powered autofocus, advanced connectivity, HDR recording and broadcast-level image quality, the XF605 unlocks a new level of control and 4K performance for modern news, sports and documentary professionals.   If you're looking for a similar older model, please visit the Canon XF705.   Broadcast-quality video The large1.0-Type CMOS sensor and DIGIC DV7 processor work in harmony to deliver 4K UHD 60P/50P in 4:2:2 10-bit XF-AVC and MP4, as well as FHD 120P HFR for exceptional image quality and flexibility in post-production.   Professional optics and control Resolve fine details with the 4K ready L-Series lens offering 15x optical zoom, and equipped with independent rings for Zoom, Focus and Iris control. Also featured are three Image Stabilisation modes, as well as built-in ND and infrared filters, offering even greater control.   Advanced autofocus Acquire pin-sharp focus on your subject’s eyes with Eye tracking AF, and intelligent head tracking via EOS iTR AF X, an innovative ‘deep learning’ technology to track a subject's head, even when looking away.   Professional connectivity and streaming Canon XF605 seamlessly integrates into live and offline environments, with 12G-SDI, Wi-Fi and Ethernet for IP streaming. The Content Transfer Mobile app enables the editing of News ML-G2 standard compliant metadata, transferring of footage to your iPhone, and direct uploading to FTP servers.   Intuitive controls and customisation Stay in control and customize the XF605 camcorder to your needs with Independent controls and 11 assignable buttons. An enhanced touchscreen interface allows for quick and intuitive control of on-screen settings, menu navigation and playback control. A new multi-function hotshoe opens the door for additional accessories with expanded capabilities.   Recording versatility Capture an expanded dynamic range in Canon Log 3 for flexibility in post-production, or shoot directly in broadcast-ready PQ or HLG HDR formats. Simultaneous recording to dual SD cards in a variety of formats offers maximum flexibility for your production needs.   Shared colour science XF605 supports the same colour matrices as Canon's Cinema EOS and EOS R System product ranges, reducing the time needed in post-production to match colour in footage from multiple camera ranges.   Key Features:   25.5–382.5mm - Wide angle 4K 15x L-Series zoom Autofocus Continuous 120P 12G-SDI terminal 1.0-Type CMOS Sensor & DIGIC DV7 Processor 4K UHD 60P/50P 4:2:2/10-bit recording Canon Log 3, HDR (PQ/HLG) High Frame Rate recording up to 120fps (FHD) 15x Optical Zoom L-Series lens (30x Advanced Zoom in FHD) Enhanced Dual Pixel CMOS AF with Eye AF & EOS iTR AF X (Intelligent Head Tracking) Dual SD card slots supporting simultaneous recording, multiple formats & Proxies

XF705 4k Camcorder package D

Canon 3041C007AA  (XF/705 , XF-705 , XF 705) XF705 Camcorder package d includes 1x Canon XF705 4K Camcorder 3041C007AA 1x Core Nano-C98 HDV battery CORE-NANO-C98 1x Sandisk 256GB Extreme PRO UHS-I SDXC Memory Card SDSDXXY-256G-GN4IN 1x Camrade CAM-R&GB-LARGE run&gunBag Large bag CAM-R&GB-LARGE 1x Rode NTG2shotgun microphone NTG2 1x Rode RODEWS6 Deluxe Wind Shield RODEWS6 1x Rode PG2R Pistol Grip Shock Mount -PG2R 1x 12inch 3Pin Male to Female Xlr Cable -12INCHXLR3PIN  *Digibroadcast has put together some bespoke Canon packages for our clients based on our own research and surveys and holds the right to protect all of its content © Canon UK has launched the newest addition to its XF range of camcorders – the XF705. Equipped with the next-generation XF-HEVC format, XF705 offers 4K UHD 50P 4:2:2 10-bit recording to SD cards, with impressive image quality and superior levels of detail. Combined with a 1.0 type CMOS sensor and DIGIC DV6 processing, the XF705 delivers vastly improved noise performance, sensitivity and cinematic depth of field. With a host of enhanced HDR capabilities, including an advanced 12G-SDI interface and IP streaming, the XF705 is poised to revolutionise UHD HDR production workflows for the better. Versatile file formats to transform workflows: Underpinned by High Efficiency Video Codec (HEVC) video compression, and leveraging the industry standard Material eXchange Format (MXF) as the container, Canon has developed the XF-HEVC file format. HEVC offers a newer encoding technology that is about twice as efficient as mainstream H.264/AVC. By using XF-HEVC the XF705 streamlines the handling of 4K UHD data, offering the ability to record high-quality 4K UHD 50P 4:2:2 10-bit files directly to widely available SD cards. The XF705 is capable of recording HDR files internally using both the Hybrid Log Gamma (HLG) and Perceptual Quantisation (PQ) HDR formats. The camcorder also features extensive HDR assist functions to support the user when controlling exposure. The XF705 can also output a SDR signal at the same time as recording a HDR file internally to a SD card, enabling simultaneous HDR/SDR production. Equipped with an advanced 12G-SDI interface, which sends a high-quality and uncompressed UHD 50P signal over a single SDI cable, the XF705 also has the ability to stream 4K UHD HDR using the HEVC format via the network. Ideal for broadcast and video production applications, the XF705 meets the requirements of any user who needs to capture 4K UHD HDR video with a streamlined production workflow. Shoot with confidence: To make critical focus easier with the larger 1.0-type CMOS sensor, the XF705 also has Canon’s unique Dual Pixel CMOS AF. This provides accurate and fast autofocus with touch focus control, Face Detection AF and object tracking. The Dual Pixel Focus Guide also provides a graphical guide to support accurate focusing when manually adjusting the focus. Image capture starts with excellent optical systems and the XF705 offers incredible versatility combined with ease of use. It offers a 4K L-series quality lens which has a 15x optical zoom range, a maximum aperture of f/2.8, a wide angle of 25.5mm and effective IS to ensure maximum control for stable 4K UHD footage. This is combined with three independent control rings with end stops to ensure that the camcorder has the level of manual control that professionals expect.