ARRI Alexa Mini Camera Kit 4:3 & RAW 216 Hours, Used

ARRI Alexa Mini Camera Kit 4:3 & RAW 216 Hours, Used Good condition 3 months warranty  Compact, lightweight, and self-contained - ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family. The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mount, allowing the use of B4 video, EF mount stills lenses, or with the even ARRI Signature Primes with the LPL mount for ALEXA Mini. An ALEXA Mini can be operated in number of ways: by wireless remote control, as an A-camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body. Designed with new-generation brushless gimbals, multicopters and other specialized rigs in mind, ALEXA Mini is light enough to be comfortably held at arm’s length in a hand rig, while its compact size also makes it ideal for tight shooting conditions, as well as underwater, aerial, car, action, and 3D shoots. With an ALEXA Mini you can literally shoot everywhere with the best image quality. The compact and lightweight ALEXA Mini is a highly versatile tool on set. In some productions it is used as a second or third camera, while in others it is the main camera throughout a shoot. As a result, it is frequently moved from one configuration to another. Any time savings that can be made during these transitions will have a big impact on the daily shooting schedule.  Therefore, ARRI has developed a studio set for ALEXA Mini. It's core is the ARRI Compact Bridge Plate CBP-1, a base plate with integrated sliding bridge plate and shoulder pad. This allows for rapid, tool-less transitions between configurations - for example from TRINITY, MAXIMA, or Steadicam stabilizers to tripod heads or an operator’s shoulder.  The Rear Accessory Bracket RAB-1 offers flexible attachment options for the Power Splitting Box Mk II, a power distribution unit available in Gold Mount and V-Mount versions, while the Side Accessory Bracket SAB-1 provides a simple interface for mounting accessories towards the rear of the camera. Many previously released ARRI camera accessories for the ALEXA Mini are fully compatible with the studio set. Three ALEXA Mini license upgrades are available, allowing users to get the most out of the camera’s 4:3 ALEV 3 sensor. The 4:3 License Key enables ALEXA Mini to record ProRes in 4:3, 4:3 cropped or 16:9 anamorphic and to de-squeeze both the viewfinder image and HD-SDI signal. The ARRIRAW License Key allows for 2.8K 16:9 ARRIRAW recording. Open Gate ARRIRAW recording is possible with cameras that have both license keys installed. The ARRI Look Library License Key offers 87 predefined creative color gradings, each in three intensities.  

ARRI Alexa Mini Camera Kit 4254 Hours,Used

ARRI Alexa Mini Camera Kit 4254 Hours,Used Fair condition 3 months warranty   Licensed Features:   • ProRes 4444XQ • 2K Recording • Custom 3d LUTs • 100-200 FPS • Log C Compact, lightweight, and self-contained - ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family. The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mount, allowing the use of B4 video, EF mount stills lenses, or with the even ARRI Signature Primes with the LPL mount for ALEXA Mini. An ALEXA Mini can be operated in number of ways: by wireless remote control, as an A-camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body. Designed with new-generation brushless gimbals, multicopters and other specialized rigs in mind, ALEXA Mini is light enough to be comfortably held at arm’s length in a hand rig, while its compact size also makes it ideal for tight shooting conditions, as well as underwater, aerial, car, action, and 3D shoots. With an ALEXA Mini you can literally shoot everywhere with the best image quality. The compact and lightweight ALEXA Mini is a highly versatile tool on set. In some productions it is used as a second or third camera, while in others it is the main camera throughout a shoot. As a result, it is frequently moved from one configuration to another. Any time savings that can be made during these transitions will have a big impact on the daily shooting schedule.  Therefore, ARRI has developed a studio set for ALEXA Mini. It's core is the ARRI Compact Bridge Plate CBP-1, a base plate with integrated sliding bridge plate and shoulder pad. This allows for rapid, tool-less transitions between configurations - for example from TRINITY, MAXIMA, or Steadicam stabilizers to tripod heads or an operator’s shoulder.  The Rear Accessory Bracket RAB-1 offers flexible attachment options for the Power Splitting Box Mk II, a power distribution unit available in Gold Mount and V-Mount versions, while the Side Accessory Bracket SAB-1 provides a simple interface for mounting accessories towards the rear of the camera. Many previously released ARRI camera accessories for the ALEXA Mini are fully compatible with the studio set. Three ALEXA Mini license upgrades are available, allowing users to get the most out of the camera’s 4:3 ALEV 3 sensor. The 4:3 License Key enables ALEXA Mini to record ProRes in 4:3, 4:3 cropped or 16:9 anamorphic and to de-squeeze both the viewfinder image and HD-SDI signal. The ARRIRAW License Key allows for 2.8K 16:9 ARRIRAW recording. Open Gate ARRIRAW recording is possible with cameras that have both license keys installed. The ARRI Look Library License Key offers 87 predefined creative color gradings, each in three intensities.  

ARRI Alexa 35 Camera Kit,Used

ARRI Alexa 35 Camera Kit,Used Good condition 3 months warranty    More dynamic range, contrast, and sensitivity ALEXA 35 measures at 17 stops of dynamic range (exposure latitude), far more than any other digital cinema camera. Having 1.5 stops more in the highlights and one stop more in the shadows than previous ALEXA cameras, while retaining the naturalistic film-like highlight roll-off, will be game-changing for filmmakers. Sophisticated stray-light suppression in the camera and lens mounts ensures that the full contrast range and character of each lens are captured by the sensor. Together, the increased dynamic range and stray light control make it easier to handle any lighting conditions on set, increase flexibility in post, and provide the best source for HDR (High Dynamic Range) projects. With low noise and sensitivity settings ranging from EI 160 to EI 6400, ALEXA 35is a “High ISO” camera. An optional Enhanced Sensitivity Mode can be applied to settings between EI 2560 and EI 6400, producing an even cleaner image in lowlight. This exceptional sensitivity, combined with the wider dynamic range and stray-light suppression, allows ALEXA 35 to capture the most delicate nuances of light and shadow in more situations than ever before. REVEAL Colour Science ARRI’s discussions with filmmakers and careful review of the image pipeline have led to significant improvements in image quality and a faster, easier workflow. REVEAL Colour Science is the collective name for a suite of new image processing steps used by ALEXA 35 internally and also available through leading third-party postproduction tools for ARRIRAW processing. It includes an improved debayering algorithm for cleaner compositing, a new colour engine for more accurate colour reproduction, a new wide gamut colour space for faster grading, new LogC4 encoding to contain the increased dynamic range, and newLogC4 LUTs (Look Up Tables) for improved colour fidelity. While bringing out the best of the ALEXA 35’s new sensor, REVEAL Colour Science is also backwards compatible. ARRIRAW footage captured by ALEXALF and Mini LF cameras can be processed with REVEAL Colour Science, gaining many of its advantages. This means that the ALEXA 35 and ARRI’s large-format cameras can be combined on set and can also share LogC4 LUTs in post. Enhanced creative control With its Super 35 4:3 native 4K sensor, ALEXA 35 can be used with a vast global inventory of existing lenses—modern and vintage, anamorphic and spherical, Super 35 and large format. Filmmakers wanting to shoot with ARRI cameras while having to fulfill 4K mandates now have an immeasurably broader lens choice. ARRI Textures is a unique new feature that allows cinematographers to fundamentally alter the way in which the camera records images, should they wish to. Up until now, ALEXA cameras have been pre-programmed with a default  texture that determines the amount and character of grain in the image, and the amount of contrast at different levels of detail, perceived by the viewer as sharpness. For the first time, ALEXA 35 provides the option to choose from a menu of ARRI Textures, much like selecting a film stock. Easy operation and new accessory range ALEXA 35 is the smallest fully-featured ARRI production camera ever, packing the features and processing power of a “larger” ALEXA into a Mini-sized body. Crews will be intuitively familiar with the camera’s simple menu structure; support for 1TB and 2TB Codex Compact Drives; and MVF-2 viewfinder, now with HDR. Fast and easy operation is assured through a new left-side display, Advanced Colour Match, pre-recording capability, and a slew of usability improvements such as additional user buttons. A total of 19 recording formats, incorporating efficient in-camera down-sampling and anamorphic de-squeezing, allow productions to optimize data rate, resolution, and other parameters, based on their individual needs. Mixed reality and virtual productions will benefit from the camera’s ability to record lens metadata in all common standards and output real-time streaming metadata to ARRI’s Live Link Metadata Plug-in for Unreal Engine. ARRI has crafted a new line of bespoke ALEXA 35 accessories that expand the camera’s capabilities and ensure maximum speed and versatility on set. Closely integrated electronic accessories offer additional power outputs or extended audio features. A complete new set of mechanical support items provides flexible options for any shooting situation, scaling quickly and easily from a small and lightweight setup to a full-blown production configuration. ALEXA 35 is supported by ARRI’s full suite of online tools, as well as free-of-charge standalone apps like the iPhone/iPad Camera Companion App, ARRI Reference Tool, and ARRIRAW HDE Transcoder .Temperature resistant, splash and dust-proof, and conceived with future hardware and software updates in mind, ALEXA 35 delivers robust and reliable service on set, a long product cycle, and a safe return on investment.

Arri Alexa Mini Camera Kit with Full Licences, 6000hrs, used

Arri Alexa Mini Camera Kit with Full Licences, 6000hrs, used(FMP61480RPBR) Excellent Condition, 3 months warranty  Color output Rec 709, custom look or Log C Look control Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation) Adjustable image parameters Knee, gamma, saturation, black gamma, saturation by hue Focus and exposure control Peaking, zebra, false color White balance Manual and auto white balance Sound level -20 db(A) at standard frame rates Environmental -20 C to +50 C (-4 F to +122 F) @ 95% humidity max, non-condensing Splash and dust-proof through sealed electronics Viewfinder Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen military-grade connector to camera Control interface Soft buttons and OSD on SDI output, integration of Transvideo StarliteHD touch interface * ARRI lens motor control Built-in radio interface for ARRI lens control L-Bus motor output for daisy-chainable cforce lens control motors Wi-Fi remote control Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops Custom control Optional GPIO interface for integration with custom control interfaces Power input Lemo 8-pin, 10.5-34 V DC Video outputs 2x HD-SDI out 1.5G 3G: uncompressed HD video with embedded audio and metadata, SDI-6G interface to external CODEX recorder *  Inputs SDI-Genlock (optional activation through ARRI Service),timecode (in and output)

ARRI Alexa 35 Cinema Camera Studio Kit, 145 hours, Used

ARRI Alexa 35 Cinema Camera Studio Kit, Used Excellent condition 3 months warranty The ALEXA 35 is a 4K Super 35 camera renowned for its exceptional digital cinematography capabilities. It features a newly designed sensor that delivers 2.5 stops more dynamic range, enhanced highlight handling, superior low-light performance, and richer color reproduction. The camera also introduces REVEAL Color Science for a faster, more streamlined workflow, and ARRI Textures for creative in-camera control. With 17 stops of dynamic range and sensitivity settings up to EI 6400, the ALEXA 35 offers greater flexibility in various lighting and shooting conditions. Additionally, its compatibility with a wide range of lenses and 19 recording formats makes it a versatile, top-tier choice for filmmakers. Sensor Type: Super 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern color filter array Photosites and Size: 4608 x 3164 / Ø 33.96 mm / 1.337" Photosite Pitch: 6.075 μm Frame Rates: Sensor Frame Rates: 0.75 - 120 fps Project Frame Rates: 23.976, 24, 25, 29.97, 30, 47.952, 48, 50, 59.94, 60 fps      

Arri ALEXA 35 Xtreme Premium Cinema Camera

Arri ALEXA 35 Xtreme Premium Cinema Camera(004405) The Arri ALEXA 35 Xtreme Premium – Production Set (15mm) is designed for traditional camera departments and includes an ALEXA 35 Xtreme camera with a Premium license, LPL Mount, MVF-2 viewfinder, and production accessories. It is fully compatible with most rental packages for high-end narrative productions and offers optional 15 mm or 19 mm studio rods. The ALEXA 35 Xtreme introduces powerful new hardware, higher speeds for slow-motion images, and the efficient ARRICORE codec, making it a major revision of the trusted ALEXA 35 camera. The ALEXA 35 Xtreme offers frame rates up to 660 fps, a new codec ARRICORE, Sensor Overdrive mode for higher frame rates, and an upgrade path for existing ALEXA 35 cameras. It also features powerful new hardware, longer pre-recording times, and 10% lower power consumption compared to the ALEXA 35. The camera system retains its core strengths of superior image quality, ease of use, and reliable operation while introducing new capabilities for high-speed cinematography and efficient post-production workflows. New Main Image Processor Offering improved image quality and reliability, the ALEXA 35 Xtreme’s new sensor and larger and faster onboard memory enable frame rates up to 660 fps, eliminating the need for additional specialized high-speed cameras that may require additional work to match your main camera profile. The processor maintains the full 17 stops of dynamic range up to 330 fps, and when utilizing frame rates up to 660 fps with Sensor Overdrive mode, it maintains up to 11 stops of dynamic range. ARRICORE Codec Accompanying the new sensor is the next-gen ARRICORE RGB codec that provides optimized image quality with even lower data rates. Your workflows will stay familiar, however, and wrappers, audio, and textures will remain the same as original ALEXA 35 workflows.  Prerecording times are now five times longer to make high-speed capture easier to record in higher resolutions, providing up to 30 seconds in 4.6K Open Gate to five full minutes of prerecording time in ProRes 422 HQ at 24 fps.  Other Improvements   The camera’s internal improvements help save up to 10% power usage over the original ALEXA 35. Updates to Wi-Fi also make connectivity easier, making it faster to connect with ARRI’s Camera Companion app, and providing 5 GHz compatibility, roaming within a mesh network, and auto-connect features. 

Arri Ultra Wide set of 9 (6,8,9.5,12,14,18,25,35 & 50mm) used

Arri Ultra Wide set of 9 (6,8,9.5,12,14,18,25,35 & 50mm) used(FMP60873LPBR) Good Condition, 3 Months warranty The art of cinematography is closely tied to the art of creating the cinematographer's tools. The art of successful lens design has been advanced with a new, complete set of high speed close focus lenses: the Ultra 16 lenses. Like the Master Primes, the Ultra 16 lenses combine high speed with outstanding optical performance. With a widest stop of T1.3 they create shallow depth of field and allow shooting on tight lighting budgets or under severe time pressure. Equaled by no other Super 16 lenses in optical performance, they join the other ARRI lenses in elevating the Super 16 image to its highest possible quality.   The speed of the new Ultra 16 lenses is a super fast T1.3, which allows the creation of a shallow depth of field, a look that is often sought after in other formats. Especially for wide angle lenses in Super 16, a maximum aperture of T1.3 helps in creating a cinematic look. In addition, T1.3 facilitates shooting on tight lighting budgets or under a lot of time pressure, common in TV drama or independent feature films. The fast speed is one of the outstanding features of these new lenses, unmatched by any other Super 16 cine lens.  Fast lenses are nothing new, but cinematographers used to pay dearly for high speed with reduced optical performance and a greater propensity to flaring. The Ultra 16 lenses, like the Master Primes, change all that by combining fast speed with outstanding optical performance at all T-stops across the whole focus range. This previously unattainable goal was made possible through new manufacturing techniques, the use of exotic glass materials and large diameter aspherical and radically shaped spherical glass surfaces. The Ultra 16 lenses exhibit high contrast, high resolution, almost no chromatic aberration (color fringes) and a great resistance to flaring. They are designed as close focus lenses, and so retain their outstanding optical qualities even at minimum object distances. Incorporating aspherical glass surfaces in a lens design requires ultra-high precision in manufacturing and a complex holographic measuring process which was developed specifically for the Master Primes, now benefiting all new ARRI lens designs. The aspherical glass surface located close to the iris inside the 12, 14, 18   and 25 mm Ultra 16 lenses helps in reducing spherical aberration (the inability to focus all light rays from a point source onto a point on film). The aspherical front surface of the 6, 8 and 9.5 mm keeps the image free of geometrical distortions; straight lines stay straight, from infinity to close focus.

ARRI, Alexa 35 + ARRI 15mm Accessory Cage

ARRI, Alexa 35 + ARRI 15mm Accessory Cage(7893-K-FH) ALEXA 35 is the smallest fully featured ARRI production camera ever, packing the features and processing power of a larger ALEXA into a Mini-sized body that can record native 4K at up to 120 fps. Fast and easy operation is assured through numerous usability improvements and a simple menu structure that will be intuitively familiar to crews. ALEXA 35 is the best A-camera, B-camera, and action camera on the market, all rolled into one.

ARRI/Zeiss, Ultra Prime 135mm T1.9 Lens (PL)

ARRI/Zeiss, Ultra Prime 135mm T1.9 Lens (PL)(419-FH) Ultra Prime lenses come with large, easy to read calibrated scales, uniform diameters and position of focus and aperture drive rings, and uniform position of exit pupil. Ultra Prime lenses are particularly robust and easy to service. The optical performance is superb, even wide open. Floating elements keep the optical performance up all the way to the close-focusing limit. Distortion is well controlled and so is breathing, especially with the wider angle lenses, where it counts most.

ARRI, Alexa Mini LF + ARRI 15mm Accessory Kit

ARRI, Alexa Mini LF + ARRI 15mm Accessory Kit(7895-K-FH) The ALEXA Mini LF is ARRI’s flagship large-format camera. Versatile and adaptable due to its compact size, low weight, and multiple recording formats, the Mini LF offers the best overall image quality for large format and an exciting new REVEAL Color Science post workflow. 

ARRI, Alexa 35 + ARRI 15mm Accessory Cage

ARRI, Alexa 35 + ARRI 15mm Accessory Cage ALEXA 35 is the smallest fully featured ARRI production camera ever, packing the features and processing power of a larger ALEXA into a Mini-sized body that can record native 4K at up to 120 fps. Fast and easy operation is assured through numerous usability improvements and a simple menu structure that will be intuitively familiar to crews. ALEXA 35 is the best A-camera, B-camera, and action camera on the market, all rolled into one

Arri Alexa Mini camera, 2500h used

Arri Alexa Mini camera, 2500h used(FMP60864KSBR) 3 months warranty Well looked-after Alexa Mini kit with 2,578 hours. The kit is fairly complete and in good working condition.      

Arri Signature Prime Lens Set 18,25,35,47,75,125mm, Used

Arri Signature Prime Lens Set 18,25,35,47,75,125mm, Used(FMP60843RPBR) Great Condition,  3 Months warranty Note - Full ARRI report done recently (25/05/2025) Covers Large-Format Sensors 6 x Primes Ranging from 18 to 125mm ARRI LPL LDS-2 Mount Fast T1.8 Maximum Aperture 11-Blade Iris for Smooth Bokeh Compact, Lightweight Magnesium Design Common 114mm Front Diameter Smooth Focus Fall-Off   Marked in Feet

Arri Alexa Mini Kit, 880 Hours, used

Arri Alexa Mini Kit, 880 Hours, used(FMP60798LPBR) Good condition, 3 months warranty Licences - None Serial Number - 24368 Arri Serviced - October 2024 compact, lightweight, and self-contained - ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family. The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mount, allowing the use of B4 video, EF mount stills lenses, or with the even ARRI Signature Primes with the LPL mount for ALEXA Mini.  

Arri Master Grips – full set, Used

Arri Master Grips – full set, Used(FMP60727RPBR) Good Condition, 3 Months Warranty  Control run-stop, focus, iris and zoom from the handheld moosebars (motors not included).  Ideal companion for high-end run-and-gun documentary style shooting. The Master Grips provide full control of focus, iris and zoom settings on cine lenses, including adjustable motor speed, zoom response and motor limits. They also offer a comfortable way to control the integrated servo motors of ENG and EF lenses (from ALEXA Mini/AMIRA SUP 5.0 – initially only iris support for EF lenses). Mounted on tripod pan arms or studio pedestal heads, the Master Grips can be used as focus and zoom demands for multi-camera setups, such as when using the AMIRA in Multicam mode. Camera control functionality includes user button access and REC start/stop for ARRI and third-party cameras, with the latter requiring the LCUBE CUB-1 accessory, updated with CUB-1 SUP 2.0.

ARRI Ultra Prime 50mm T1.9 Lens, used

ARRI Ultra Prime 50mm T1.9 Lens, used(FMP60709LPBR) Excellent Condition, 3 Month warranty  The art of cinematography is closely tied to the art of creating the cinematographer's tools. The art of successful lens design has been advanced with a new, complete set of high speed close focus lenses: the Ultra 16 lenses. Like the Master Primes, the Ultra 16 lenses combine high speed with outstanding optical performance. With a widest stop of T1.3 they create shallow depth of field and allow shooting on tight lighting budgets or under severe time pressure. Equaled by no other Super 16 lenses in optical performance, they join the other ARRI lenses in elevating the Super 16 image to its highest possible quality. The speed of the new Ultra 16 lenses is a super fast T1.3, which allows the creation of a shallow depth of field, a look that is often sought after in other formats. Especially for wide angle lenses in Super 16, a maximum aperture of T1.3 helps in creating a cinematic look. In addition, T1.3 facilitates shooting on tight lighting budgets or under a lot of time pressure, common in TV drama or independent feature films. The fast speed is one of the outstanding features of these new lenses, unmatched by any other Super 16 cine lens. Fast lenses are nothing new, but cinematographers used to pay dearly for high speed with reduced optical performance and a greater propensity to flaring. The Ultra 16 lenses, like the Master Primes, change all that by combining fast speed with outstanding optical performance at all T-stops across the whole focus range. This previously unattainable goal was made possible through new manufacturing techniques, the use of exotic glass materials and large diameter aspherical and radically shaped spherical glass surfaces. The Ultra 16 lenses exhibit high contrast, high resolution, almost no chromatic aberration (color fringes) and a great resistance to flaring. They are designed as close focus lenses, and so retain their outstanding optical qualities even at minimum object distances. Incorporating aspherical glass surfaces in a lens design requires ultra-high precision in manufacturing and a complex holographic measuring process which was developed specifically for the Master Primes, now benefiting all new ARRI lens designs. The aspherical glass surface located close to the iris inside the 12, 14, 18 and 25 mm Ultra 16 lenses helps in reducing spherical aberration (the inability to focus all light rays from a point source onto a point on film). The aspherical front surface of the 6, 8 and 9.5 mm keeps the image free of geometrical distortions; straight lines stay straight, from infinity to close focus.  

Arri Alura Zoom 18-80, T2.6, PL Mount, lens, used

Arri Alura Zoom 18-80, T2.6, PL Mount, lens, used(FMP60706RPBR) Excellent Condition, 3 Months warranty ARRI and FUJINON have joined their extensive expertise to create a completely new family of modern cine zooms. Using the latest in optical design technology and innovative manufacturing techniques, the ARRI/FUJINON Alura Zooms combine the highest optical performance with an amazingly small size, weight and price. They are available as Studio zooms for use on a tripod or crane with a wider focal range, or as lightweight zooms which are significantly smaller and lighter in exchange for a reduced focal range. Matched Zooms Matched wide and long PL mount zooms for an efficient shooting pace, small size and low weight for quick and easy handling on the set. Fast and Steady T2.6 Consistent aperture over entire zoom range. Outstanding Optical Performance  

ARRI Alura Zoom Lens 45-250mm T2.6 - PL Fit, Used

ARRI Alura Zoom Lens 45-250mm T2.6 - PL Fit, Used(FMP60705RPBR) Good Condition, 3 Months Warranty ARRI / Fujinon Alura Zoom Lens 45-250/T2.6 (metres). ARRI and FUJINON have joined their extensive expertise to create a completely new family of modern cine zooms. Using the latest in optical design technology and innovative manufacturing techniques, the ARRI/FUJINON Alura Zooms combine the highest optical performance with an amazingly small size, weight and price. The Alura Zooms’ Colour characteristics, as well as their handling, are matched to existing prime lenses in ARRI’s outstanding repertoire. With two new extenders (1.4x and 2x) developed specifically for FUJINON PL mount zooms, ARRI now offers the widest range of cine lenses for all professional production demands, including zooms, high speed primes, standard speed primes, extreme wide angle and telephoto primes, macro, extenders and diopters.  

ARRIFLEX 435 camera Body 4-perf, standard IVS system, used

ARRIFLEX 435 camera Body 4-perf, standard IVS system, used(FMP60702JPBR) The Arriflex 435 is a movie camera product line created by Arri in 1995 to replace the Arriflex 35-III line. The number reflects its position as a successor camera to the Arri III and the fact that it is designed for 35 mm film. The 435 cameras are specifically designed as MOS cameras, which means that they are conventionally considered to be too loud to record usable location sound. However, this also frees the camera up to be optimized for non-sync sound uses, particularly any filming which either doesn't require sound or shooting at non-sync speed, shooting in reverse, or ramping between different speeds. As such, its potential applications are widespread, and thus it is regularly used on music videos, commercials, second unit work on features, special effects work, and motion control, among other usage. Rival Panavision even owns more 435s for rental than Arri's own hire houses; Panavisions, however, can be converted to Pan-Arri 435s where they are modified to accept Panavision lenses and accessories. In recognition of the achievements of the 435 system, AMPAS awarded Arri a Scientific and Engineering Academy Award in 1999.

ARRI FF-4 Follow Focus Set - 19mm Rods (Black Edition) used

ARRI FF-4 Follow Focus Set - 19mm Rods (Black Edition) used(FMP60682LPBR) Good Condition, 3 month warranty    ARRI FF4 Follow Focus set - 19mm bars (Black edition)   1 x Follow Focus main unit Arri K2.65221.0   1 x BA2 Adapter for 19mm rods Arri K2.65224.0 1 x 0.8 Module 6mm face Arri K2.65259.0  5 x Flat marking disk Arri K2.32701.0 (some markings)   1 x Focus Lever Speed Handle/Focus Crank Arri K2.32730.0 1 x Aluminium Case Arri K2.44965.0

Arri Ultra Prime 6 Lens Set, 16mm/24mm/32mm/50mm/85mm/135mm,used

Arri Ultra Prime 6 Lens Set, 16mm/24mm/32mm/50mm/85mm/135mm,used(FMP60671JPBR) 3 Month Warranty, Excellent Condition  Ultra Prime Lenses have the widest focal range of any prime lens set available. They are designed specifically for motion pictures but are an excellent choice for corporate and commercial work.    Ultra Prime Lenses retain their superb image quality even at close focus across the whole Super 35 frame. The Ultra Prime Lenses are lightweight standard speed lenses that are an optical match to the Arri Alura zoom Lenses.  

Arri Amira Viewfinder MVF-1, used

Arri Amira Viewfinder MVF-1, used(FMP60643LPBR) Good Condition, 3 month warranty The versatile ARRI AMIRA Viewfinder MVF-1 is a multifunctional unit combining an OLED eyepiece with a folding 3.2" LCD monitor/GUI. The MVF-1 provides two options for bright, accurate viewing of your frame and offers full access to your camera functions and menus via buttons on the LCD monitor. As you bring your eye to the EVF a proximity sensor automatically turns the OLED on/off, saving you time and battery power. The bright, high-resolution OLED features selectable camera-function displays and highly adjustable positioning using a separately available mounting bracket. The 3.2" LCD monitor provides a full camera interface and can play back recorded images for quick checks on set. The monitor's tilting function and high daylight visibility provide convenient viewing in almost any situation. Simultaneous operation enables the MVF-1 to provide a view for your camera assistant or director while the camera operator is using the OLED eyepiece. A single operator can use the LCD monitor's buttons for camera control while viewing through the OLED or the LCD as they choose. Peaking, exposure tool, and REC buttons provide quick access to critical controls, as do two user-assignable buttons. The MVF-1 can be daisy-chained with the separately available CCP-1 control panel when the CCP-1 is used to provide right-side camera control for an assistant.  

Arri Alexa Mini Camera, w/ accessories,Fully Licenced, 4200 hours, used

Arri Alexa Mini Camera, w/ accessories,Fully Licenced, 4200 hours, used Excellent condition Compact, lightweight, and self-contained - ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family. The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions.

Arri Alexa Plus w/ high speed and anamorphic license, used

Arri Alexa Plus w/ high speed and anamorphic license, used 3 Months Warranty, Good Condition The ALEXA Plus adds integrated wireless remote control, the ARRI Lens Data System (LDS), additional outputs, lens synchronization for 3D, and built-in position and motion sensors. It shares ALEXA's image performance, simplicity of operation, reliability in extreme environments and versatility of workflow, and is available either as part of a complete camera package or as an upgrade for the original ALEXA.   An advanced electronics side cover permits real-time wired or wireless remote control of camera REC/STOP and lens functions like focus and aperture, using either ARRI hand controllers such as the Wireless Compact Unit (WCU-3) or cmotion's modular cvolution system.   The lens mount of the Plus model incorporates LDS contacts, allowing lens data and depth of field to be displayed in the viewfinder or on monitors, and making speed/iris ramps easier. Lens metadata can be recorded using ProRes, HD-SDI or ARRIRAW.      

ARRI Codex Compact Drive 1TB

ARRI Codex Compact Drive 1TB The Codex Compact Drive 1TB is a professional-grade, industrial-style SSD designed specifically for ARRI's ALEXA Mini LF and ALEXA 35 cameras. It offers exceptional performance, reliability, and convenience for high-quality video production. Key Features High Capacity & Performance Capacity: Full 1TB available for recording, no need for reformatting or switching drives. Recording Formats: Supports ARRIRAW and ProRes formats. Write Speed: Sustained write speed of up to 8 Gb/s, ensuring smooth and reliable recording even for high-data-rate workflows. File Access & Compatibility ARRI UDF File System: Enables native file storage on the drive. Accessible directly via standard operating system software without requiring additional drivers or licenses. Hardware Compatibility: Compact Drive Reader (USB-C) for versatile access. Compact Drive Dock (Thunderbolt 3) for high-speed transfers. Use with existing SXR Capture Drive Dock or CODEX Vault, upgraded with a Compact Drive Adapter (Mac only). High-Density Encoding (HDE) File Compression: Reduces ARRIRAW file sizes by ~40%, saving storage space and optimizing workflows. Lossless Decoding: Ensures a bit-for-bit match to the original files after decoding. Software Support: CODEX Device Manager for encoding ARRIRAW data from pre-ALEXA 35 cameras (Mac only). ARRIRAW HDE Transcoder for encoding ALEXA 35 ARRIRAW data into HDE MXF clips (macOS, Windows, CentOS 6). Build & Design Durable Construction: Engineered for rugged professional use. Compact & Lightweight: Fits seamlessly into production setups with minimal added weight. Additional Information Firmware Update: May be required for compatibility with ALEXA Mini LF or ALEXA 35 cameras. Compatibility Notes: Designed specifically for ARRI cameras, integrating seamlessly with the ALEXA Mini LF and ALEXA 35. Fully compatible with post-production tools supported by major studios. Included Accessories: Carrying case or foam cutout not included.

ARRI WCU-4 Wireless Compact Unit for 3-Axis Lens & Camera Control

ARRI WCU-4 Wireless Compact Unit: Versatile 3-Axis Lens and Camera Control The ARRI WCU-4 is a 3-axis wireless handheld controller designed for professional lens and camera operation. Its integrated lens display and robust features make it an essential tool for remote camera and lens control in demanding shooting environments, such as handheld, stabilizer, gimbal, or crane setups. This compact unit supports full control of focus, iris, and zoom, as well as camera functions for ARRI ALEXA Mini, ALEXA Plus, and Studio cameras. When paired with the UMC-4 motor controller, it also supports ARRI AMIRA and other compatible ARRI motor controllers like SMC-1, EMC-1, and AMC-1. The WCU-4 is designed with usability in mind. Vibrating markers and a backlit display ensure functionality in low-light conditions. Multiple mounting points (3/8"-16, 1/4"-20, and M4) allow for rig integration. The included hand strap, lanyard, and marking disk add convenience and adaptability. Key Features 3-Axis Lens Control: Precise control of focus, iris, and zoom functions. Camera Function Control: Supports ARRI ALEXA Mini, Plus, Studio, and AMIRA (via UMC-4 motor controller).Low-Light Usability: Vibrating markers and backlit focus knob for optimal performance in dim conditions. Note: Camera control requires a separately available software license. Mounting Versatility: Includes 3/8"-16, 1/4"-20, and M4 mounting points for easy rig attachment. Ergonomic Design: Compact, lightweight, and comfortable for handheld operation. Accessories Included: Comes with a hand strap, lanyard, and one marking disk for focus marks. Additional Information Power: Requires a Sony NP-FM500H battery and BC-QM1 charger (sold separately). Focus Marks: Use a non-permanent marker to customize focus marks on the included marking disk. Pre-Marked Focus Rings: Available separately for added precision.

ARRI SXU-1 Single Axis Unit

ARRI SXU-1 Single Axis Unit The ARRI SXU-1 is a wireless hand unit designed for single-axis control of focus, iris, or zoom functions. Compact and user-friendly, it features remote camera start/stop capabilities, a tally indicator, an ergonomic wooden handgrip, and a backlit, ultra-smooth control knob for precise operation. To ensure visibility in any lighting condition, the SXU-1 is equipped with a backlit display window that remains clear even in bright sunlight, while the internally lit control knob ensures readability in low-light environments. The unit comes with one marking disk and a lanyard for convenience. Note that the required battery and charger are sold separately. Key Features Single-axis lens control for focus, iris, or zoom Backlit control knob and display window for visibility in all lighting conditions Remote camera start/stop and tally functionality Compatible with the WCU-4 and SMC-1 single-motor controller (available separately) Compact, ergonomic design with a wooden handgrip Includes one marking disk and a lanyard

ARRI LCUBE CUB-2 LBUS to 12-Pin Hirose-Type Converter with Bracket

ARRI LCUBE CUB-2 LBUS to 12-Pin Hirose-Type Converter with Bracket The ARRI LCUBE CUB-2 Converter is a specialized tool designed to extend the functionality of ARRI Master Grips to servo-type (ENG) zoom lenses, enabling precise control over focus, iris, and zoom operations. Its compact and flexible design allows seamless integration into professional camera setups. Key Features Support for Servo Lenses: Extends Master Grip functionality to servo-type (ENG) zoom lenses for professional-grade control. Iris Control Options: Includes a switch to toggle between camera-based iris control and Master Grip-based iris control, providing versatility based on your workflow. Flexible Mounting: Features an integrated dovetail for mounting to: The included LCUBE bracket. Optional brackets for CLM-5 or cforce mini (19mm/15mm). Compact and Lightweight Design: Ensures portability and seamless integration into your rig without adding bulk. Included Accessories: CUB-2 to 12-pin Hirose-style cable: For connecting the converter to compatible lenses. LCUBE mounting bracket: Provides secure and easy attachment. Applications Compatible with servo-type (ENG) zoom lenses to enhance focus, iris, and zoom control using ARRI Master Grips. Ideal for cinematographers looking to expand their lens control capabilities with precision and reliability.

ARRI LCUBE CUB-1 LBUS to Serial Converter with Bracket

ARRI LCUBE CUB-1 LBUS to Serial Converter with Bracket The ARRI LCUBE CUB-1 Serial Converter is a versatile tool designed to bridge LBUS and serial protocols (RS232, RS485, RS422), enhancing compatibility across ARRI and 3rd-party camera setups. This compact converter allows seamless integration of ARRI accessories, such as Master Grips, with various cameras and supports advanced functionalities like distance measurement. Key Features Protocol Conversion: Converts LBUS to serial protocols (RS232, RS485, RS422) and vice versa. Enhanced Compatibility:Daisy-Chainable: Can be daisy-chained via LBUS for expanded setups. Enables ARRI Master Grips to control select 3rd-party cameras. Supports integration of distance-measuring devices with ARRI cameras like the ALEXA Mini. Compact and Lightweight: Ideal for streamlined setups, maintaining a low-profile design. LED Status Indicator: Features a vari-colored LED for clear feedback on operational status. Quick-Release Mounting: Includes a quick-release bracket with a 3/8"-16 screw for secure and easy mounting. Compatibility Distance-Measuring Devices: ARRI UDM-1 Ultrasonic Distance Measure Cinematography Electronics CTM Cine Tape Measure Cameras: ARRI ALEXA Mini: Enables integration with UDM-1 for distance measuring. Sony F5/F55: Provides REC start/stop functionality. RED Epic/Dragon: Supports REC start/stop and user button operations. Additional Notes LBUS Cable: Not included; must be purchased separately for connection. Applications: Distance measuring in professional cinematography. Extending ARRI ECS (Electronic Control System) compatibility to 3rd-party cameras. Enhancing workflow with advanced camera control accessories.

ARRI LMB 4x5 3-Stage Matte Box 15mm Support Set

ARRI LMB 4x5 3-Stage Matte Box 15mm LWS Set The ARRI LMB 4x5 3-Stage Matte Box 15mm LWS Set is a lightweight and versatile matte box system, designed to provide effective light control and filtration in a compact configuration suitable for various lenses and setups. Key Components LMB 4x5 Matte Box: A lightweight, modular matte box designed for flexibility and ease of use. 15mm Lightweight Rod Support: Provides secure mounting on 15mm LWS rods. Clip-on lens adapters are available separately for additional mounting options. Filter Stages: One 2-Filter Stage: Fixed position, supporting up to two filters. One 1-Filter Stage: Fixed position, supporting one filter. Three Combo Filter Trays: Accommodates both 4 x 5.65" and 4 x 4" filters for diverse filtration needs. Additional Features Universal Adapter Donut: Flexible rubber donut adapter fits a wide range of lens diameters, from 62 to 143 mm, allowing compatibility with various lenses. Top/Bottom Carbon Fiber Flag: The flag provides extended flare protection, with slide-out wings for additional coverage. It can be positioned on either the top or bottom of the matte box, depending on shot requirements. Captive Screws: The sunshade includes captive screws, allowing for easy attachment and removal of the sunshade without losing parts. Optional Lens Adapters: Clamp-on lens adapters for specific lenses are available separately, adding further versatility to the setup. Summary of Features Lightweight 15mm Rod Support: Stable support for matte box on 15mm rods. Two Stationary Filter Stages: Supports a total of three filters (two in the 2-filter stage and one in the 1-filter stage). Flexible Universal Donut: Fits lenses from 62-143mm in diameter. Carbon Fiber Flag: Top/bottom flag with slide-out extensions for enhanced flare control.

ARRI LMB 4x5 Matte Box 15mm LWS Pro Set

ARRI LMB 4x5 Matte Box 15mm LWS Pro Set The ARRI LMB 4x5 Matte Box 15mm LWS Pro Set is ARRI’s most comprehensive LMB 4x5 configuration, offering a full range of components for professional, flexible light and flare control. Key Components 15mm Lightweight Rod Support: Provides stable support with 15mm rods. The matte box can also be used in a clip-on configuration, though a lens clamp adapter (available separately) is required. Filter Stages:Universal Adapter Donut: A flexible rubber adapter compatible with lenses ranging from 62-143mm in diameter. Two Stationary Filter Stages: Accommodates standard 4 x 5.65" / 4 x 4" filters. One Rotating Filter Stage: Ideal for polarizers or other rotating filters, enhancing versatility. Five 4 x 5.65" / 4 x 4" Combo Filter Trays: Enables the use of both filter sizes for added flexibility. Flare Control and Flags Carbon Fiber Top/Bottom Flag: Provides extended flare protection, with slide-out wings for additional control. Side Flags: Included for added side flare control. Flag Holders: Included for securely mounting flags on the top, bottom, or sides. Additional Features Swing-Away/Tilt Arm Module: Swing-Away Arm: Facilitates quick lens changes by enabling easy access to the lens without removing the matte box from its rods. Tilt Function: Allows filters to tilt at a 10° angle, reducing unwanted reflections from direct light sources such as car headlights. Matte Sets: Spherical and Anamorphic Mattes: Five of each are included to customize coverage based on lens type and shot requirements. Accessory Mount: 3/8"-16 Adapter: Allows mounting additional accessories (e.g., a focus rangefinder) directly onto the matte box for added utility.

ARRI LMB-25 Three-Stage Matte Box Set

ARRI LMB-25 Three-Stage Matte Box Set The ARRI LMB-25 Three-Stage Matte Box Set is a versatile kit designed for professional filmmakers who require precision control over light and flare while shooting. This lightweight matte box system is ideal for various lens setups and includes essential components to enhance control over lighting and filtration. Key Components ARRI LMB-25 Basic Module Core Component: The LMB-25 Basic Module serves as the central frame for the matte box system. Compatibility: Works with all LMB-15 and LMB-5 filter frames, lens clamp adapters, and flags. Captive Screws: Includes four captive screws to secure the hood, making it easy to remove without losing parts. Additional Components Required: Use with a filter stage, lens clamp adapter, and other accessories to complete the matte box system. ARRI 3-Filter Stage for LMB-25 Matte Box Capacity: Holds up to three filters, using 4 x 4" or 4 x 5.65" combo filter frames. Modular Design: Sits between the lens clamp adapter and the matte box module for flexible use and easy attachment. ARRI Top/Bottom Flag for LMB-25 Matte Box Extended Flare Control: Constructed from lightweight carbon fiber, this flag attaches to the top or bottom of the matte box, reducing unwanted lens flares. Protective Design: Folds over the front of the matte box, protecting the lens during camera moves between shots. ARRI F4 Combo 4 x 5.65" / 4 x 4" Filter Frame Filter Compatibility: Designed to hold one 4 x 5.65" or 4 x 4" filter, compatible with LMB-25, MMB-1, MMB-2, MB-19, and MB-29 matte boxes. Secure Fit: A recessed spring lock keeps the filter in place, ensuring stability during filming. Additional Notes Lens Clamp Adapters: Not included; available separately in sizes up to 143mm for compatibility with various lenses. Versatile Use: Compatible with multiple ARRI matte box systems, including the LMB-15 and LMB-5, making it an excellent upgrade or addition to existing setups. Modular Setup: Additional non-geared filter trays and stages are available to expand and customize the setup as needed.

ARRI Intensifier for SkyPanel S60-C

ARRI Intensifier for SkyPanel S60-C(L2.0007818)   This intensifier panel for SkyPanel S60-C* increases light output by up to 50% while maintaining a soft, even beam of light. The increase in output is achieved by capturing some of the light going off to the side and refocusing it in a more forward direction. Light output in the center is thereby intensified and yet the quality of the light is retained.  

ARRI Hi-5 Hand Unit Basic Set

ARRI Hi-5 Hand Unit Basic Set The ARRI Hi-5 Hand Unit Basic Set is a highly advanced, modular, and customizable wireless camera and lens control system, ideal for professional use with the ALEXA series and other compatible cameras. Its robust feature set includes:   Multi-Axis Control: Provides advanced wireless control with a large, customizable focus knob and user-defined function buttons for precise camera and lens adjustments. Connectivity: Equipped with 2400 MHz RF-EMIP Radio Module, supporting 14 channels and backward compatibility with white-coded EMIP modules. Optional radio modules make it adaptable across regions, and LBUS ports provide hardwiring options for ARRI camera lens control. Compatibility: Designed for ARRI ALEXA Mini LF, LF, Mini, SXT W, and 65 cameras, as well as UMC-4 and RIA-1/RF-EMIP control units. Also compatible with Focusbug Cine RT and cforce mini RF (via RF-EMIP module). Flexible Licensing: Supports optional control licenses for RED, Panavision, and Sony cameras, making it versatile across different production needs. User-Friendly Interface: Features a high-contrast touchscreen LCD and customizable focus rings, with optional pre-marked Smart rings for electronic detection. Rugged, Weatherproof Design: Engineered for all weather conditions, and includes hot-swappable LBP-3500 batteries for uninterrupted power during long shoots.

Arri FF-5 Follow Focus Kit

Used ARRI FF-5 Cine Kit Pro includes FF-5 Cine Base, Focus Knob Std Left, Module Gears, Focus Knob Std Right, Focus Lever, Flexible Shaft & Marking Disks (KK.0005758).  With the ARRI Follow Focus FF5-CINE, a completely modular, film style follow focus is now available for digital productions. Designed specifically for cine-style lenses , the FF-5 CINE swing arm ensures proper gear position on the focus ring and a lower gear ratio for a more exacting focus pull on smaller diameter lenses or those with compressed focus scales. The FF5-CINE integral snap-on mechanism locks to 15mm lightweight support rods and can be adapted to work with ARRI standard 15mm or 19mm bridgeplate support rods. ARRI Follow Focus drive gears can be attached to either side of the swing arm, allowing greater mounting flexibility.  ARRI gears are made from low friction Delrin for optimal drive smoothness and use precise self-centering stainless steel couplings to eliminate runout and wear.

Arri Signature Prime Lenses 12-280mm

Arri signature-prime-lenses-12-to-280mm-FH (signature/prime/lenses/12/to/280mm, arri signature prime lenses 12 to 280mm, arri_signature_prime_lenses_12_to_280mm) Signature Prime Lenses 12-280mmThe ARRI Signature Primes, designed with an open-standard LPL mount, deliver flexible, camera-independent performance with a wide range of focal lengths, including matching zooms. The 12mm - 280mm Signature Prime, part of this 16-lens series, supports all sensor sizes up to full-frame, large-format, providing rich, organic images, beautiful bokeh, delicate flares, and a fast maximum aperture for stunning shallow depth of field. This lens softens the large-format look for natural skin tones and deep blacks, with smooth focus transitions that elegantly highlight subjects.For creative diffusion, the Signature Prime features a magnetic rear net holder for adding stockings, nets, or voile, allowing tailored visual effects. Eleven iris blades produce beautifully rounded bokeh, while a telecentric design minimizes breathing. The integrated LDS-2 lens data system is fully compatible with ARRI’s LDS-1 and communicates seamlessly with Cooke’s /i Technology.Each Signature Prime is crafted with magnesium housings, aluminum gear rings, and features focus markings in feet. Lightweight and water-resistant, these lenses include anti-reflective coatings, internal baffles, and traps to reduce barrel flare. Designed for resilience, the lens mechanics offer easy access for servicing at ARRI centers, ensuring durability even under demanding conditions.

Arri Ultra Prime 5 Lens Set

Arri K2.47324.0-FH (K2-47324-0-FH, K2_47324_0_FH, K2/47324/0/FH, K2473240FH) Ultra Prime 5 Lens SetExperience unmatched optical quality for cinematography with the Arri Ultra Prime lenses. Crafted with the latest advancements in optical design, glass technology, and flare suppression, these lenses—designed by Carl Zeiss and Arri—set a new standard in cine lenses for 35mm film.Each Ultra Prime lens features large, legible calibrated scales, uniform diameters, and consistent positions for focus and aperture rings, along with a uniformly placed exit pupil for optimal performance. Renowned for their durability and ease of servicing, Ultra Primes deliver exceptional image quality even at wide-open apertures. The inclusion of floating elements ensures superb performance right down to close focus, with minimal distortion and controlled breathing, especially critical for wide-angle shots.As the most extensive collection of cine prime lenses currently available, the Zeiss/Arri Ultra Primes continue to lead the industry, with even more additions in development.

ARRI ALEXA Mini Body Only

ARRI ALEXA Mini Body Only To ensure ARRI’s renowned rugged build quality in a compact, lightweight camera, the ALEXA Mini incorporates several innovative design solutions. These include highly integrated, environmentally sealed electronics, a durable carbon fiber body, and a robust titanium PL mount. The titanium mount connects directly to the internal sensor mount, ensuring a stable flange focal distance even when using larger lenses. Compact, versatile, and easy to carry, the ALEXA Mini is designed to be transported in backpacks or as carry-on luggage, making it a go-anywhere tool for filmmakers. The ALEXA Mini offers multiple operation modes, including wireless remote control, standard use with the ARRI MVF-1 multi-viewfinder, or via an on-board monitor with control through the user button interface on the camera body. Its light weight makes it easy to operate handheld at arm’s length with a hand rig, while its compact size and quiet operation are ideal for tight shooting environments. The symmetrical design supports filming in any orientation, including upside-down or in portrait mode, with numerous accessory points for creative mounting options. Additionally, the interchangeable lens mount can be swapped for any designed for the ARRI AMIRA, allowing the use of B4 video lenses and EF mount still photography lenses. Equipped with a 4:3 sensor and automatic de-squeeze mode for anamorphic shooting, the ALEXA Mini supports frame rates from 0.75 to 200 fps. It records ProRes or uncompressed ARRIRAW internally to CFast 2.0 cards or externally to a Codex recorder, which can capture image streams from up to four ALEXA Minis simultaneously—an excellent solution for multi-camera setups like 360° plates. The ALEXA Mini’s images seamlessly match those from other ALEXA cameras, simplifying color grading and streamlining the post-production workflow. The ALEXA Mini is designed for efficiency and integration. A built-in lens motor controller connects directly to the titanium PL mount, enabling the use of active lens motors. ARRI’s Lens Data System (LDS) provides frame-accurate metadata, helping to save time and costs both during production and in post. With built-in Wi-Fi, camera functions—such as the motorized internal ND filters—can be remotely controlled via iOS or Android devices, allowing quick responses to changing lighting conditions without adding bulk to the camera setup. Optimized for new-generation brushless gimbals, multicopters, and other specialized rigs, the ALEXA Mini is compact enough to accommodate standard PL mount lenses, even on lightweight or space-constrained systems like gyro-stabilized aerial setups. Its exceptional low-light performance makes it ideal for underwater cinematography, with dedicated housings being developed by leading manufacturers. Like the ARRI AMIRA, the ALEXA Mini records 4K UHD ProRes, supporting real-time 4K UHD output and simplifying high-resolution workflows. Most importantly, the ALEXA Mini, along with other ARRI cameras using the ALEV III sensor, delivers superior image quality, prioritizing not just spatial resolution but also parameters such as color accuracy, skin tones, and High Dynamic Range (HDR). Whether filming in HD, 2K, 4K UHD, or using native resolutions like uncompressed ARRIRAW 2.8K or ProRes 3.2K, footage captured with the ALEXA Mini remains future-proof, ready to meet evolving industry standards.

ARRI ALEXA Mini LF Body Only

ARRI ALEXA Mini LF Body Only The ALEXA Mini LF is optimized for large-format lenses, featuring an LPL lens mount compatible with ARRI Signature Primes, ARRI Rental DNA LF, 65 format optics, and third-party LPL lenses. The PL-to-LPL adapter (sold separately) ensures backward compatibility with all PL mount lenses, supporting Super 35 and full-frame. Metadata access is streamlined via LDS-2 or /i through the LPL mount, and LDS-1 or /i via the PL-to-LPL adapter. ARRI’s Frame Line and Lens Illumination Tool, available on the ARRI website, helps visualize sensor coverage with various lenses. Several manufacturers, including Panavision and Vantage, offer proprietary lens mounts for the ALEXA LF and Mini LF, providing a wide array of lens choices for cinematographers. ARRI Build Quality With nearly a century of camera innovation, ARRI ensures that its cameras are robust, reliable, and easy to use. The ALEXA Mini LF continues this tradition of durability and user-friendliness, crafted for challenging professional environments. ALEV Sensors The ALEXA Mini LF is equipped with ARRI’s renowned ALEV III sensor, which delivers a film-like look and HDR capabilities. The sensor, originally designed for the ALEXA family, offers outstanding image quality, with the A2X version used in ALEXA LF and Mini LF, covering slightly more than "full frame." Image Processing ARRI prioritizes exceptional image quality across all its products. Software updates continuously enhance the image pipeline, ensuring that even previously recorded ARIRAW footage can benefit from new processing advancements. Lens Mounts ARRI’s LPL lens mount sets a new standard for large-format cinematography, allowing for precise and secure lens attachment, ensuring optimal image quality with various lenses. Viewfinders ARRI viewfinders deliver fast image display, high-quality visuals, and accurate color reproduction. With features like surround view and inherited characteristics from ARRI’s optical viewfinders, these devices meet the needs of professional camera operators. Workflow The term "workflow" encompasses everything from viewing to editing and processing footage. ARRI’s Software Development Kit (SDK) facilitates the processing of ARRIRAW data into RGB images and ensures compatibility with third-party tools, simplifying the post-production process. ALEXA Mini LF The ALEXA Mini LF merges the compact form of the ALEXA Mini with the large-format ALEXA LF sensor, offering flexibility and creative possibilities. Despite its small size, the Mini LF captures the same formats as the ALEXA LF, while utilizing Codex Compact Drives for efficient, cost-effective recording. It supports internal recording of MXF/ARRIRAW and MXF/Apple ProRes, boasts three motorized FSND filters, improved WiFi, multiple accessory power outputs, and a new MVF-2 HD viewfinder. Built with a durable carbon body and designed to withstand extreme conditions, the ALEXA Mini LF endures rigorous testing before leaving ARRI's factory, ensuring long-lasting reliability. The camera also features user-friendly elements, including additional buttons, enhanced connectivity, and built-in microphones. The Mini LF introduces the Codex Compact Drive, a lightweight and solid recording solution that can be easily integrated into workflows without additional software. Codex High Density Encoding (HDE) technology further improves large-format shooting efficiency by reducing ARRIRAW file sizes by approximately 40%, resulting in lower storage costs and faster workflows. HDE is freely available and significantly reduces both transfer times and overall costs. MVF-2 Viewfinder The new MVF-2 viewfinder, shared with the ALEXA LF, incorporates a high-contrast HD OLED display and an ARRICAM eyepiece for precise focus, dynamic range, and color assessment. The MVF-2 also features a 4-inch flip-out monitor, a refined user interface, and flexible cable options for remote operation, along with built-in eyepiece heaters and headphone connectors for added convenience on set.

ARRI ALEXA 35 Lightweight Set

ARRI ALEXA 35 Lightweight Set The ARRI ALEXA 35 is a compact Super35 digital cinema camera, engineered to elevate film production with its powerful new 4.6K 4:3 sensor, offering 2.5 additional stops of dynamic range, improved low-light performance, and more accurate color reproduction. With a dynamic range of 17 stops, the camera delivers 1.5 stops in highlights for a smooth roll-off and 1 stop in shadows for better low-light detail. These features make it perfect for HDR and backlit projects, providing greater flexibility in post-production tweaking. Key Features: 4.6K Super35 ARRI ALEV 4 CMOS Sensor: This new sensor offers 17 stops of dynamic range, with an improved performance in both highlights and shadows. Multiple Video Recording Formats: Supports ARRIRAW and Apple ProRes recording in a variety of resolutions, aspect ratios, and data rates, including 4.6K, 4K, 3.3K, and 2.7K. Stray Light Suppression: Technology in both the camera and lens mounts ensures excellent contrast by minimizing unwanted reflections. High ISO Capability: With an EI of 160 to 6400, the ALEXA 35 has enhanced sensitivity for low-light scenarios, and an Enhanced Sensitivity Mode (EI 2560-6400) delivers noise-free images in dark environments. REVEAL Color Science: ARRI’s REVEAL Color Science redefines color reproduction, providing more accurate tones, improved skin tones, and a smoother grading process. The ACES-compatible AWG4 color space offers a gamut larger than Rec. 2020 for better color tracking and faster conversion. The camera uses a new Log-C 4 tonal curve to handle the extended 17-stop range, while new LUTs help optimize shadow tonality and color fidelity. Versatile Lens Options: The Lightweight Set includes an LBUS LPL mount and a PL-to-LPL adapter, making it compatible with a wide range of cine-style lenses. Additional adapters allow for the use of modern and vintage lenses in spherical, anamorphic, Super35, and large format. Compact and Full-Featured: Despite its small form factor (similar to the ALEXA Mini), the ALEXA 35 integrates a robust set of features, including independent SDI outputs, motorized ND filters, and both 12V and 24V accessory ports. Operators benefit from a new left-side display for quick settings changes, multiple audio options, and ethernet connectivity for real-time metadata streaming. Accessories: This set includes the MVF-2 Multi Viewfinder, lightweight support components, and a B-mount battery system capable of powering both 12V and 24V accessories. The PDM-1 Power Distribution Module and third-party battery adapters can be added for expanded power options. The ALEXA 35 also integrates seamlessly into ARRI's ecosystem, working with apps like Camera Companion for remote control, ARRIRAW HDE Transcoder for post-production efficiency, and tools for color grading and metadata handling.

Arri Alexa Mini LF Camera Kit, 4300 Hours, used

Arri Alexa Mini LF Camera Kit, 4300 Hours (Used) 3-Month Warranty, Great Condition Description: ARRI Build Quality:With nearly a century of experience, ARRI is known for producing cameras that are robust, reliable, and user-friendly. The Alexa Mini LF inherits these qualities, making it a top choice for professionals working in demanding on-set conditions. ALEV Sensors:The ARRI ALEV III sensor delivers a film-like look with HDR capability, a feature that has been a standard since 2010. Originally developed for the ARRI ALEXA camera family, this sensor is sized similarly to a 35mm film frame. The ALEXA Mini LF uses the A2X version, which offers a slightly larger sensor than standard full frame, providing exceptional image quality and dynamic range. Image Processing:ARRI consistently strives to enhance image quality through continuous software updates, allowing cinematographers to shape their vision on set. Even footage recorded before an update benefits, as it can be re-processed with the latest image processing pipeline. Lens Mounts:Great lenses create great images, and ARRI’s precision-engineered lens mounts ensure lenses are positioned exactly where they need to be. The new ARRI LPL mount offers unique advantages, designed for larger format lenses and optimal image quality. Viewfinders:ARRI viewfinders are designed to meet the specific needs of professional camera operators, delivering fast image display, high image quality, accurate color reproduction, and features inherited from ARRI’s optical viewfinders, such as surround view. Workflow:ARRI’s workflow concept functions like a digital film lab, allowing users to view, edit, and post footage recorded with ARRI digital cameras. ARRI develops its own Software Development Kit (ARRIRAW SDK) to process ARRIRAW data into RGB images, ensuring seamless compatibility with third-party tools.

Arri Alexa Mini Camera Kit with 4:3 and Arriraw License, 1000hrs, used

Arri Alexa Mini Camera Kit with 4:3 and Arriraw License, 1000hrs, used 3 Months Warranty, Good Condition Color output Rec 709, custom look or Log C Look control Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation) Adjustable image parameters Knee, gamma, saturation, black gamma, saturation by hue Focus and exposure control Peaking, zebra, false color White balance Manual and auto white balance Sound level -20 db(A) at standard frame rates Environmental -20 C to +50 C (-4 F to +122 F) @ 95% humidity max, non-condensing Splash and dust-proof through sealed electronics Viewfinder Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen military-grade connector to camera Control interface Soft buttons and OSD on SDI output, integration of Transvideo StarliteHD touch interface * ARRI lens motor control Built-in radio interface for ARRI lens control L-Bus motor output for daisy-chainable cforce lens control motors Wi-Fi remote control Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops Custom control Optional GPIO interface for integration with custom control interfaces Power input Lemo 8-pin, 10.5-34 V DC Video outputs 2x HD-SDI out 1.5G 3G: uncompressed HD video with embedded audio and metadata, SDI-6G interface to external CODEX recorder *  Inputs SDI-Genlock (optional activation through ARRI Service),timecode (in and output)

Arri Alexa Mini Camera Kit with 4:3 and Raw License, 7500hrs, used

Arri Alexa Mini Camera Kit with 4:3 and Raw License, 7500hrs, used 3 Months Warranty, Good Condition Color output Rec 709, custom look or Log C Look control Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation) Adjustable image parameters Knee, gamma, saturation, black gamma, saturation by hue Focus and exposure control Peaking, zebra, false color White balance Manual and auto white balance Sound level -20 db(A) at standard frame rates Environmental -20 C to +50 C (-4 F to +122 F) @ 95% humidity max, non-condensing Splash and dust-proof through sealed electronics Viewfinder Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen military-grade connector to camera Control interface Soft buttons and OSD on SDI output, integration of Transvideo StarliteHD touch interface * ARRI lens motor control Built-in radio interface for ARRI lens control L-Bus motor output for daisy-chainable cforce lens control motors Wi-Fi remote control Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops Custom control Optional GPIO interface for integration with custom control interfaces Power input Lemo 8-pin, 10.5-34 V DC Video outputs 2x HD-SDI out 1.5G 3G: uncompressed HD video with embedded audio and metadata, SDI-6G interface to external CODEX recorder * Inputs SDI-Genlock (optional activation through ARRI Service),timecode (in and output)

ARRI CLM-5/cforce mini Gear m0.6, 56t

ARRI CLM-5/cforce mini Gear m0.6, 56t(K2.0006363) ARRI CLM-5/cforce mini Gear m0.6, 56t (K20006363) Cforce gear assembly 0.8 with one metal core for Fujinon ENG focus/zoom.

ARRI E To PL Mount Support For Vocas

ARRI E To PL Mount Support For Vocas(K2.0034700) The additional support enables using the Vocas E- to PL- Mount adapter with the Lens Adapter Support LAS-1 (all other brand adapters can be used directly with the LAS-1).

ARRI Cforce Plus Clamp Console 19/15mm

ARRI Cforce Plus Clamp Console 19/15mm(K2.0008678) The ergonomic 19/15mm cforce Plus Clamp Console from ARRI is designed to offer easier rod mounting and removal of several ARRI lens components. This clamp is compatible with the cforce Plus Motor Control Unit. The clamp design offsets the thumb levers for easier handling, and it secures using two thumb levers. This 19mm clamp can be used with the included 15mm rod adapter insert for mounting on different rod systems.

ARRI Lemo 7 To 16p For ALEXA EV

ARRI Lemo 7 To 16p For ALEXA EV(K2.0015755) Connects ARRI cforce RF motor / cmotion cPRO motor and camin to the EXT connector of an ALEXA EV camera.    Provides camera RUN/STOP function, tally and camera status information on ARRI WCU-4 / cmotion cPRO hand unit.

ARRI Adapter FF-5 for 19mm Studio Support

ARRI Adapter FF-5 for 19mm Studio Support(K2.47629.0) The ARRI FF-5 Follow Focus Adapter is used with an ARRI FF-5 HD or Cine component. This adapter base snaps onto a pair of bridge plate-supported 19mm rods (FF-5 and rods not included), and locks via thumbscrew. Mounting and detaching the adapter from the FF-5 can be done in the field by the user and does not require shop service.

ARRI Alexa Lf Optical Clear Filter

ARRI Alexa Lf Optical Clear Filter(K4.0015593) The ARRI ALEXA LF IFM Optical Clear Filter is a large-format, behind-the-lens filter. Use this clear filter to avoid having to recalibrate the lens-mount depth after setting up the ALEXA LF camera for internal FSND use.

Arri Universal Zip Gear Cpl

Arri Universal Zip Gear Cpl(K2.66131.0) The Universal Zip Gear Cpl is a universal gearing for photo lenses and pin for manual focusing, zooming or as a support with LS-11.

ARRI 5 CLM-5/cforce mini Gear m0.5, 64t

ARRI 5 CLM-5/cforce mini Gear m0.5, 64t(K2.0006365) ARRI K2.0006365 (K20006365) CLM-5/cforce mini Gear m0.5, 64t. CLM-4 / cforce gear assambly 0.8 with one metal core

ARRI Hi-5 Neck Strap

ARRI Hi-5 Neck Strap(K2.0039959) Carry your Hi-5 hand unit comfortably using the ARRI Hi-5 Neck Strap. This adjustable strap features a leather cushion and snap hook mounting.

ARRI Alexa Lf FSND 2.1 Filter

ARRI Alexa Lf FSND 2.1 Filter(K4.0015600) The ARRI ALEXA LF 2.1 FSND Filter is a large-format, neutral density filter providing a 7-stop reduction in exposure. This filter’s behind-the-lens design reduces weight and reflections when compared to using a matte box-mounted filter.

Arri DoPchoice SnapGrid 40x60° for S120-C

Arri DoPchoice SnapGrid 40x60° for S120-C(L2.0010382) Narrow the spread of light coming from your Skypanel S120 LED Softlight with this DoPchoice SnapGrid from ARRI. Able to be mounted either directly to the light or an optional softbox, this 40x60° grid will control light spill from the fixture. It measures 53 x 13 x 3" in size and features an elastic strap at each corner for mounting. Additionally, it folds down for storage and comes with a carrying bag

ARRI 3-Pin XLR DC Power Cable for SkyPanel Lights

ARRI 3-Pin XLR DC Power Cable for SkyPanel Lights(L2.0007860) Power your SkyPanel series fixture by connecting it to a DC source with this 49' 3-Pin XLR DC Power Cable from Arri.

ARRI Open Face Optic for Orbiter LED Light

ARRI Open Face Optic for Orbiter LED Light(L2.0033541) The 30-Degree Open Face Optic for Orbiter LED Light narrows the 80-degree beam spread of the fixture to allow selective lighting or long throw work. Thanks to ARRI's QLM bayonet mounting system, the lenses attach and can be swapped out in a flash.

Arri DoPchoice SnapBag for SkyPanel S30

Arri DoPchoice SnapBag for SkyPanel S30(L2.0008141) The DoPchoice SNAPBAG from ARRI is a softbox that attaches directly to the front of the SkyPanel S30 to provide a soft quality of light with a manageable beam angle to control light spill. The DoPchoice SNAPBAG sets up quickly without mounting hardware and easily folds away for storage and transportation. A 1/2 grid cloth diffusion is included.

Arri DoPchoice SNAPBOX SNOOT For X21

Arri DoPchoice SNAPBOX SNOOT For X21(L2.0049585) The DoPchoice SNAPBOX®-SNOOT for SkyPanel X21 is a fabric snoot that controls light by preventing light from spilling to the sides of the fixture in Open Face, Dome or Hyper Optic mode. The snoot is 190 mm / 7.5 in deep and folds up for easy storage.

Arri Center Mount Yoke (SkyPanel)

Arri Center Mount Yoke (SkyPanel)(L2.0008078) Position your SkyPanel S30, S60 or S120 fixture vertically, horizontally, or almost everywhere in between with this Center Mount Yoke from ARRI. The yoke features tool-less attachment and a ball-in-socket design with a Junior pin and long gooseneck that provides ±90° adjustment.

ARRI Manual Yoke with Spigot for Orbiter

ARRI Manual Yoke with Spigot for Orbiter(L2.0034025) The yokes for Orbiter come with a newly developed release system that allows for quick change from a manual version lamphead to a pole operated version. The 28 mm spigot (Junior pin) is already mounted on the yoke. No tools needed for setting up Orbiter.

ARRI Open Face Optic 15° for Orbiter LED Light

ARRI Open Face Optic 15° for Orbiter LED Light(L2.0033540) The 15-Degree Open Face Optic for Orbiter LED Light narrows the 80-degree beam spread of the fixture to allow selective lighting or long throw work. Thanks to ARRI's QLM bayonet mounting system, the lenses attach and can be swapped out in a flash.

ARRI DoPchoice SNAPGRID 30° for SkyPanel X21 and S60

ARRI DoPchoice SNAPGRID 30° for SkyPanel X21 and S60(L2.0049582) The SNAPGRID® for the SkyPanel by DoPchoice attaches directly to the front of the SkyPanel X. It is designed to be used in combination with the X21 Dome, HyPer Optic, provides 30° directional light control and avoids any light spill to the sides. The SNAPGRID® folds up easily for storage

ARRI DoPchoice SNAPBAG for SkyPanel X21

ARRI DoPchoice SNAPBAG for SkyPanel X21(L2.0049580) The DoPchoice SNAPBAG for SkyPanel X21 from ARRI is a 35.4 x 24.4 x 11.4" softbox that attaches directly to the front of the SkyPanel X21. A 1/2 grid cloth diffuser is included as well as a Magic Cloth diffuser. The DoPchoice SNAPBAG sets up quickly without mounting hardware and easily folds away for storage and transportation. Lastly, a convenient carry bag is supplied.

Arri DoPchoice SnapGrid 40° for SnapBag S60

Arri DoPchoice SnapGrid 40° for SnapBag S60(L2.0008143) Take control of the light spread from your SnapBag S60 and SkyPanel S60 LED Softlight with this DoPchoice SnapGrid from ARRI. Able to be mounted directly to the front of the SnapBag via hook-and-loop fasteners, this 40° grid makes it easy to set up and take down. Also, it measures 35 x 24 x 3" and can fold down for easy storage. Additionally, it comes with a carrying bag.

Arri Control Panel for Orbiter (without cable)

Arri Control Panel for Orbiter (without cable)(L2.0033732) Redesigned from the ground up, the Orbiter control panel is an evolutionary step in light fixture control. Including a 4" full-color display, quick navigation buttons, and integrated sensors, the Orbiter control panel allows for easy use with a graphic user interface. Simplified menu structure and reimagined user interfaces provide one-glance operational views and uncluttered screens. This intuitive design makes changing colors or finding a setting easier than ever before. In addition, the control panel is removable and can be used handheld with the aid of a control panel cable.

Arri ARRILITE 2000 Plus MAN (Blue)

Arri ARRILITE 2000 Plus MAN (Blue)(L0.0034722) The continuing popularity of the ARRILITE 2000 has inspired ARRI’s lighting team to undertake a complete redesign and update of this traditional, open-faced lamphead. Incorporating a range of innovative features, the new ARRILITE 2000 Plus meets the exacting production demands of today’s film and television industries. By utilizing the ARRIMAX reflector and optical system, light efficiency is increased and light distribution improved. The aluminum housing is more compact and about 400 g lighter than the previous model, while disc brake technology borrowed from the ARRI True Blue range holds the ARRILITE 2000 Plus steady even with heavy accessories attached. In order to change bulbs, the door opens in a similar way to the ARRI M18; no screws have to be removed and no tools of any kind are needed. Like the ARRILITE 750 Plus, the ARRILITE 2000 Plus features an improved focus mechanism and heat-proof handle at the rear of the housing that facilitates easy maneuvering.

ARRI 5600K Remote Phosphor Panel for SkyPanel S30

ARRI 5600K Remote Phosphor Panel for SkyPanel S30(L2.0007523) ***Please Note: Image is for display purposes only, only one panel is included Quickly and easily change the color temperature of your SkyPanel S30-RP fixture with this 5600K Remote Phosphor Panel from Arri. It is utilized by simply sliding the panel into the front of the light.

ARRI S60 Adapter for SkyPanel X21

ARRI S60 Adapter for SkyPanel X21(L2.0048578) The S60 Adapter for SkyPanel X21 from ARRI is specifically designed to allow you to use S60-C accessories with the X21 panel. It brings soft and accurate lighting control with the possibility of reusing your existing S60-C accessories such as honeycombs, SkyBenders, barndoors, and diffusion frames. Thanks to the wide-angle LEDs used in SkyPanel X, your S60-C accessories will work just as you expect.

ARRI Intensifier for SkyPanel S60-C

ARRI Intensifier for SkyPanel S60-C(L2.0007818)   This intensifier panel for SkyPanel S60-C* increases light output by up to 50% while maintaining a soft, even beam of light. The increase in output is achieved by capturing some of the light going off to the side and refocusing it in a more forward direction. Light output in the center is thereby intensified and yet the quality of the light is retained.  

ARRI DoPchoice 40-Degree SNAPGRID for SkyPanel

ARRI DoPchoice 40-Degree SNAPGRID for SkyPanel(L2.0020275) The ARRI L2.0020275 (L20020275) DoPchoice Snapgrid 40 degrees for Octa 4 is the perfect lighting accessory for your filming needs. With its advanced features and high-quality design, this product is a must-have for any professional filmmaker. One of the standout features of this product is its ability to provide directional light control. This means that you can easily adjust the direction of the light to achieve the desired effect in your shots. Whether you want a soft, diffused light or a more focused beam, the DoPchoice Snapgrid has got you covered. The Snapgrid has an approximate 40 degrees half peak angle (HPA), which allows for precise light control. This angle ensures that the light is evenly distributed and eliminates any unwanted shadows or harsh lighting. This makes it a versatile tool for any type of filming, whether it's a commercial, music video, or film production. What's more, this product does not require any additional mounting hardware. It easily attaches to the front of the Orbiter and SkyPanel Octa 4, making it a convenient and hassle-free accessory. This means you can spend more time focusing on your filming and less time setting up equipment. The DoPchoice Snapgrid is designed with both functionality and convenience in mind. It can be easily folded away for storage, making it a compact and portable accessory. This is perfect for on-location shoots where space is limited and you need to move quickly between different setups.

Arri Honeycomb 30° for SkyPanel S60

Arri Honeycomb 30° for SkyPanel S60(L2.0008059) Dedicated to the ARRI SkyPanel S60 LED Softlight, this 30° Honeycomb Grid adds directionality to the light output and helps to control light spill by narrowing the beam angle to 30°. The grid slides into the S60's primary accessory slot and its honeycomb design also helps to reduce multiple shadows that traditional square louvers would create.

ARRI Arrilite 750 Plus MAN Blue

ARRI Arrilite 750 Plus MAN Blue(L0.0034721) The ARRILITE 750 Plus is a new and improved incarnation of ARRI’s traditional, open-faced light, the ARRILITE 800/1000. By optimizing the ARRIMAX reflector for usage with an HPL* 750 W lamp, the ARRILITE 750 Plus offers 21 % higher light efficiency than the previous ARRILITE 800 W, while the ARRIMAX optical system improves distribution of the light. A detachable and fully rotatable accessory holder accommodates scrims and barndoors, and incorporates fittings that permit the Chimera Video Pro Plus S to be fitted directly, without an additional speedring. The one-arm stirrup allows for plenty of pan-and-tilt options and a heat-proof handle at the rear of the lamphead enables easy maneuvering. No tools are required for changing bulbs as the housing consists simply of two detachable parts that open and close through bayonet cap locks. The smaller and lighter aluminum housing of the ARRILITE 750 Plus makes it an ideal lamphead for lighting kits and therefore also suitable for electronic newsgathering, field production and fast turnaround location use.

Arri Open Face Optic 60° Single for Orbiter / Carton Box

Arri Open Face Optic 60° Single for Orbiter / Carton Box(L2.0033542) The 60-Degree Open Face Optic for Orbiter LED Light narrows the 80-degree beam spread of the fixture to allow selective lighting or long throw work. Thanks to ARRI's QLM bayonet mounting system, the lenses attach and can be swapped out in a flash.

Arri Amira camera with accessories, 1865 hours, used

Arri Amira camera with accessories, 1865 hours, used(FMP59503RPBR) Licences Applied to this Camera:  AMIRA Premium License Key,  AMIRA 4K UHD License Key The ARRI AMIRA Premium Camera Set is the most feature-packed version of this camera, including licenses for UHD 4K and 2K recording, and including the ARRI Look Library license. The AMIRA family provides optimal image quality in a ready-to-shoot form factor designed for extended handheld use. This Premium version offers frame rates up to 200 fps, ProRes 4444 and Log C capture, Wi-Fi and Ethernet remote control, and a pre-recording buffer function. It can import custom 3D LUTs, in-camera ASC CDL grading, dynamic, auto-tracking white balance, and Bluetooth audio monitoring. Additional AMIRA Premium features include a de-noising option for 4K UHD, 6G UHD-SDI output, and a 1.3x anamorphic de-squeeze function. Using the same 35mm CMOS sensor as in the ARRI ALEXA, the AMIRA Premium provides a 14-stop dynamic range, natural skin tones, and an EI range of 160 to 3200 with a native 800 ISO. It offers a selection of codecs to suit your project, from ProRes 4444 for feature productions, to the lower-bandwidth 422 (LT), suitable for digital broadcasting. This AMIRA set includes Premium and UHD Licenses, and the MVF-1 electronic viewfinder with mount and cables. The versatile AMIRA records in-camera to relatively affordable CFast 2.0 cards, with an option of simultaneously capturing to the CFast cards and an external recorder. All ProRes flavors are available up to 60 fps in ProRes 4K UHD or 3.2K, with Rec. 709 and Log C functions. The included Premium License bumps the basic AMIRA's 100 fps maximum frame rate to a top speed of 200 fps, providing even greater detail for your slow-motion shots. The buffer function captures a pre-recorded segment, enabling you to grab unpredictable wildlife, sports, and action shots. A lens mount is not included with this set; choose from separately available LDS PL, PL, EF, and B4 mounts. For greater creative control, the AMIRA Premium offers both pre-loaded LUTs and the ability to import custom-made 3D LUTs. Burn in your preferred looks, or use the LUTs for monitoring only, and choose your final look later. Peaking, zebra, false color, and dynamic auto-tracking white balance functions further enhance your image-control options. Audio features include XLR inputs, easily accessible operator-side controls, and Bluetooth compatibility. Use the AMIRA Premium's Bluetooth functions to monitor your audio via a wireless headset, or to record editing or other commentary to a fifth audio track separate from your main sound. Additional AMIRA Premium features include a quick 13-second boot-up time, efficient cooling, and easily accessible user buttons and controls. The AMIRA Premium's innovative viewfinder unit combines an OLED EVF with a fold-out LCD, providing full camera control. Note: SUP 5.0 is required for select AMIRA Premium functions.

Arri Alexa Mini Kit with 4:3 and Raw License, 6300 hours, used

Arri Alexa Mini Kit with 4:3 and  Raw License, 6300 hours, used(FMP59092KSSH) 3 Months Warranty, Good Condition JUST BEEN SERVICED FROM ARRI - 04/03/23 Color output Rec 709, custom look or Log C Look control Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation) Adjustable image parameters Knee, gamma, saturation, black gamma, saturation by hue Focus and exposure control Peaking, zebra, false color White balance Manual and auto white balance Sound level -20 dB(A) at standard frame rates Environmental -20 C to +50 C (-4 F to +122 F) @ 95% humidity max, non-condensing Splash and dust-proof through sealed electronics Viewfinder Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen

Arri Alexa Mini LF ready to shoot kit, 544 hours, Used

Arri Alexa Mini LF ready to shoot kit, 544 hours, Used 3 Months Warranty, Excellent Condition ARRI Built Quality: Almost a century of experience, an obsessive attention to detail and an intimate familiarity with the conditions on set have led to generations of ARRI cameras that are robust, reliable and simple to operate - all features that ARRI digital cameras have inherited. ALEV Sensors: ARRI's very own ALEV III sensor plays its strengths in a film-like look and feel with HDR capability (since 2010). Originally developed for ARRI ALEXA camera family, it had the same height and width as a 35mm film frame. Nowadays the ALEV III comes to live in different cameras and shapes: ALEXA 65 uses the A3X version - a 65mm sensor - whereas ALEXA LF and ALEXA Mini LF use A2X, the slightly smaller variant that covers a little bit more than "full frame". Image Processing: A steady look-out for image quality is key to delivering the best possible image through a given pipeline. In this way new developments and ways to shape the DoP's vision on set can be integrated into ARRI cameras via new software releases. ARIRAW footage recorded before such an update benefits as well as it can be re-processed through an updated pipeline. Lens Mounts: Great images derive from great lenses with their individual touch to the image. For this to happen the lens has to sit precisely where it should be, responsible for that is the lens mount. Get to know all ARRI lens mounts and find out what makes ARRI new LPL mount unique. Viewfinders: ARRI viewfinder are specifically designed to meet the needs of professional camera operators by offering an extremely fast image display, high image quality, accurate color reproduction and a number of features inherited from ARRI optical viewfinders, including surround view. Workflow: The concept behind the term "workflow" is the digital film lab. Hence being able to view, edit and "post" footage recorded with ARRI digital cameras. ARRI develop their own Software Development Kit (ARRIRAW SDK) for processing ARRIRAW data to RGB images and talk to 3rd party vendors to ensure support in their tools.  

Arri AI-KK.0015175 LMB 4×5 Clamp-On Set

Arri AI-KK.0015175 (AI_KK.0015175, AI/KK.0015175, AIKK0015175, AI,KK.0015175) AI-KK.0015175 LMB 4×5 Clamp-On Set. The ARRI LMB 4×5 set for clamp-on use with an additional non-rotating filter stage, a carbon fiber top flag, and a tray catcher. The weight of this configuration is approx 707g. The LMB 4×5 Clamp-On Set 3-Stage comes in a foam insert that fits perfectly into any kind of Peli Case 1560. Suited for a wide range of applications in just one product, the robust but lightweight LMB 4×5 allows for an unprecedented level of flexibility. From a single-filter configuration for gimbals, drones, or Steadicams to clamp-on versions up to rod-mounted solutions, the LMB 4×5 makes short work of challenging situations. The Swing Away Tilt Module offers a comfortable swing-away function (with extension) for easier lens changes, as well as an integrated tilt module with 10° up and down adjustments for avoiding unwanted reflections. The LMB 4×5 also features versatile filter stage options, securing loops, and a tray catcher for maximum safety on set. The LMB 4×5 is compatible with 4×5.65 filter. ARRI KK.0015175 (KK0015175) LMB 4×5 Clamp-On Set 3-stage. The LMB 4×5 set for clamp-on use with an additional non-rotating filter stage, a carbon fibre top flag, and a tray catcher.  

Arri AI-K2.0014376 LMB 4×5 Clamp Adapter 80mm

Arri AI-K2.0014376 (AIK2,0014376, AI/K2.0014376, AIK20014376, AI_K20014376) LMB 4×5 Clamp Adapter 80mm. ARRI LMB 4×5 Clamp Adapter 80mm (K20014376). This LMB 4×5 clamp adapter is for Master Primes, Master Anamorphics, UP 14 mm, UP 180 mm, LDS-UP 14 mm, LDS-UP 180 mm, ALURA Lightweight Zooms, and many other zoom and prime lenses. It is also compatible with LMB 4×5, LMB-5, LMB-15, and LMB-25.

Arri Pro LWS Support Set for Sony F5/F55

Arri KK.0005810 (KK/0005810, KK_0005810, KK 0005810, 0005810) Pro LWS Support Set for Sony F5/F55  The ARRI Pro LWS Support Set for Sony F5/F55 provides all the basics needed to outfit a lightweight support system for your PMW-F5 or F55. This set includes an adapter plate, pair of 15 mm rods, shoulder pad, top cheese plate, CCH2 carrying handle, VFA-1 viewfinder adapter, and viewfinder plug. Both the top plate and handle include 3/8"-16 threaded mounts, and the top plate has a measuring tape stud lining up with the camera's "film plane." Any 15mm rod-based accessory or lens support bracket can be mounted to the included rod pair. The Sony F5/F55 adapter plate has a built-in Sachtler quick release plate. To facilitate switching between handheld and tripod shots, the shoulder pad can remain attached while using the camera on a head. For increased viewing comfort, the VFA-1 viewfinder adapter is used to attach the EVF to any ARRI 3/8"-16 mount. The viewfinder plug protects the EVF interface from damage when the EVF is not attached.

Arri K2.66251.0 Viewfinder Plug Protection for Sony PMW F5/F55

Arri K2.66251.0 Viewfinder Plug Protection for Sony PMW F5/F55 The new viewfinder plug protector can be attached to the ARRI top plate, protecting the Sony viewfinder cable connector against cable stress and the time-consuming damage that can often be caused by unforeseen incidents on the set. This allows operators to concentrate on the action without being distracted by cable concerns.

Arri K2.66248.0 VFA-1 Viewfinder Adapter

Arri K2.66248.0 VFA-1 (VFA1, VFA 1, VFA/1, vfa-1) Viewfinder Adapter Viewfinder Adapter for Sony PMW F5/F55  The Viewfinder Adapter VFA-1 allows the mounting of Sony viewfinders to all ARRI 3/8- 16" interfaces. This permits the viewfinders of the F5 and F55 to be attached at the most ergonomically suitable position, in combination with the ARRI top plate and handle.

Arri L0.0002336 LoCaster 2 Plus Kits

Arri L0.0002336 LoCaster 2 Plus Kits Choosing an ARRI Lighting Kit   The best kit for your application depends on your production needs and artistic preferences. Ideally the kit should offer flexibility to work in many different situations. You'll want to consider fixture types, total wattage and the size and weight of the kit. If you need softer lighting you should look carefully at the kits containing Chimera Softbanks. The first step is to determine what light source best suits your needs. LoCaster 2 Plus Kit with Schuko Connector 1 x LoCaster 2 Plus LED Panel 35 W, 11-36 V DC, Onboard Control 1 x PowerDMX extension cable (XLR 4 pin), 3 m 1 x Caster Series power supply (PowerDMX/Schuko), input: 100-240 V~, 50/60 Hz; output: 24 V⎓, 3 A 1 x Caster Stirrup with battery attachment   1 x Light case for 1 x Caster & accessories

Arri K0.0005910 Basic Set for Sony PXW-FS7

Arri K0.0005910 (K00005910, K0 0005910, K0/0005910, k0.0005910) Basic Set for Sony PXW-FS7 This basic set includes: 1x Adapter Plate for Sony PXW-FS7 1x Lens Adapter Support LAS-1   1x Support Rods 240 mm (9.4"), Ø 15 mm

Arri L2.30061.0 2-leaf barndoor for Caster series

L2.30061.0 2-leaf barndoor for Caster series, with gel frame slot  

Arri L2.30086.0 Caster battery charger

L2.30086.0 Caster battery charger, 100-240VAC 50/60 Hz  

Arri L2.30085.0 Caster battery pack, rechargeable

L2.30085.0 Caster battery pack, rechargeable, NiMH 30VDC 81Wh  

Arri L2.30084.0 Caster series power supply

L2.30084.0 Caster series power supply, 8-Panel, 3 x XLR 4-Pin 24VDC/300 W, 100-240 VAC 50/60 Hz, Schuko  

Arri L2.30083.0 Caster series power supply

L2.30083.0 Caster series power supply, XLR 4-Pin 24VDC / 60 W, 100-240 VAC 50/60 Hz  

Arri L2.30105.0 Batterie cable LoCaster, 4-Pin

L2.30105.0 Batterie cable LoCaster, 4-Pin ARRI offers adapters for various lampheads. With this wide range of adapter cables you´ll never fail to connect!

Arri L2.30071.0 PowerDMX extension cable, XLR 4-Pin, 5 m

L2.30071.0 PowerDMX extension cable, XLR 4-Pin, 5 m ARRI offers adapters for various lampheads. With this wide range of adapter cables you´ll never fail to connect!

Arri L2.30081.0 PowerDMX extension cable

L2.30081.0 PowerDMX extension cable, XLR 4-Pin, 3 m ARRI offers adapters for various lampheads. With this wide range of adapter cables you´ll never fail to connect!

Arri L2.88136.0 Quick Action Junior Clamp

L2.88136.0 Quick Action Junior Clamp 1 1/8 (28 mm) B ARRI’s extensive range of clamps works in combination with our lighting stands to permit versatile adjustment of lighting fixtures. High quality materials and construction ensure maximum durability as well as complete reliability.

L2.76985.0 ARRI Super Clamp Code 035Z

L2.76985.0 ARRI Super Clamp Code 035Z ARRI’s extensive range of clamps works in combination with our lighting stands to permit versatile adjustment of lighting fixtures. High quality materials and construction ensure maximum durability as well as complete reliability.

Arri L2.8800561 Wind-up stand AS-6 + wheels

L2.8800561 Wind-up stand AS-6, with wheels, 1 section, height 139...247 cm, closed 153 cm, spigot 16 mm and socket 28 mm, 083NW ARRI‘s range of stands comprises several product families that differ in design and materials according to the applications for which they are intended and the type of lamp they support.

L2.76979.0 ARRI stand

L2.76979.0 ARRI stand AS.5, chrome, steel, 2 sections, height 131...333 cm, closed 131 cm, spigot 16mm and socket 28 mm, max. load 20 kg, 126A ARRI‘s range of stands comprises several product families that differ in design and materials according to the applications for which they are intended and the type of lamp they support.

Arri L2.88717.0 Universal black cine stand with levelling leg

L2.88717.0 Universal black cine stand, with levelling leg, 5/8in stud & 1 1/8 in bushing,007BA ARRI‘s range of stands comprises several product families that differ in design and materials according to the applications for which they are intended and the type of lamp they support.

Arri L2.8803653 Master stand, 1004BAC

L2.8803653 Master stand, 1004BAC ARRI‘s range of stands comprises several product families that differ in design and materials according to the applications for which they are intended and the type of lamp they support.

Arri L2.76976.0 Blk Medium Kit Stand

L2.76976.0 Blk Medium Kit Stand (Maxi) Code 050A LS.2, height 110...260 cm, spigot 16 mm ARRI‘s range of stands comprises several product families that differ in design and materials according to the applications for which they are intended and the type of lamp they support.

Arri L2.76965.0 Compact Stand

L2.76965.0 Compact Stand Code 050MKA LS.01, height 90...260 cm, spigot 16 mm ARRI‘s range of stands comprises several product families that differ in design and materials according to the applications for which they are intended and the type of lamp they support.

Arri L2.76975.0 Compact Stand

L2.76975.0 Compact Stand Code 050KA LS.1, height 71...235 cm, spigot 16 mm ARRI‘s range of stands comprises several product families that differ in design and materials according to the applications for which they are intended and the type of lamp they support.

Arri L1.84102.B STUDIO COOL 2+2 Multicontrol, MAN, black

L1.84102.B STUDIO COOL 2+2 (Multicontrol, MAN, black, 220-250 VAC, Schuko) Constructed with rigid aluminium extrusion profiles, all three models are available with three control module options. The Multi Control version gives full DMX and 0-10 V analog control features, as well as a built-in manual dimmer on the back of the fixture. The Phase Control version allows conventional dimming via optional phase load adapters. The basic version is equipped with a 2-position switch, for single On/Off control of one or two tubes. The series covers a performance spectrum of 110-220 Watt. Features: Hinged accessory holder Removable electronics and ballast module Lightweight but rugged aluminium extrusion housing 3 module versions: 4 Bank, 2 Bank, 2+2 Bank 3 control versions: Dual Switch, Multi Control, Phase Control 2 adapter options: yoke or baby plate Convertible reflectors: 90° and 120° Extensive accessories Dimming 1% - 100% @230 V; 3% - 100% @120 V Flicker-free < 1% Operating frequency at full load 40 kHz 'Daisy-chain' up to six 4 Banks in one circuit

Arri L1.84002.I STUDIO COOL 2 Multicontrol, P.O., black

L1.84002.I STUDIO COOL 2 (Multicontrol, P.O., black, 220-250 VAC, Schuko) Constructed with rigid aluminium extrusion profiles, all three models are available with three control module options. The Multi Control version gives full DMX and 0-10 V analog control features, as well as a built-in manual dimmer on the back of the fixture. The Phase Control version allows conventional dimming via optional phase load adapters. The basic version is equipped with a 2-position switch, for single On/Off control of one or two tubes. The series covers a performance spectrum of 110-220 Watt. Features: Hinged accessory holder Removable electronics and ballast module Lightweight but rugged aluminium extrusion housing 3 module versions:4 Bank, 2 Bank, 2+2 Bank 3 control versions: Dual Switch, Multi Control, Phase Control 2 adapter options: yoke or baby plate Convertible reflectors: 90° and 120° Extensive accessories Dimming 1% - 100 % @230 V; 3 % - 100 % @120 V Flicker-free < 1% Operating frequency at full load 40 kHz 'Daisy-chain' up to six 4 Banks in one circuit

Arri L1.84002.B STUDIO COOL 2 Multicontrol, MAN, black

L1.84002.B STUDIO COOL 2 (Multicontrol, MAN, black, 220-250 VAC, Schuko) Constructed with rigid aluminium extrusion profiles, all three models are available with three control module options. The Multi Control version gives full DMX and 0-10 V analog control features, as well as a built-in manual dimmer on the back of the fixture. The Phase Control version allows conventional dimming via optional phase load adapters. The basic version is equipped with a 2-position switch, for single On/Off control of one or two tubes. The series covers a performance spectrum of 110-220 Watt. Features: Hinged accessory holder Removable electronics and ballast module Lightweight but rugged aluminium extrusion housing 3 module versions:4 Bank, 2 Bank, 2+2 Bank 3 control versions: Dual Switch, Multi Control, Phase Control 2 adapter options: yoke or baby plate Convertible reflectors: 90° and 120° Extensive accessories Dimming 1% - 100 % @230 V; 3 % - 100 % @120 V Flicker-free < 1% Operating frequency at full load 40 kHz 'Daisy-chain' up to six 4 Banks in one circuit

Arri L1.84004.I STUDIO COOL 4 Multicontrol, P.O., black, 220-250 VAC

L1.84004.I STUDIO COOL 4 (Multicontrol, P.O., black, 220-250 VAC, Schuko) Constructed with rigid aluminium extrusion profiles, all three models are available with three control module options. The Multi Control version gives full DMX and 0-10 V analog control features, as well as a built-in manual dimmer on the back of the fixture. The Phase Control version allows conventional dimming via optional phase load adapters. The basic version is equipped with a 2-position switch, for single On/Off control of one or two tubes. The series covers a performance spectrum of 110-220 Watt. Features: Hinged accessory holder Removable electronics and ballast module Lightweight but rugged aluminium extrusion housing 3 module versions: 4-Bank, 2-Bank, 2+2-Bank 3 control versions: Dual Switch, Multi Control, Phase Control 2 adapter options: yoke or baby plate Convertible reflectors: 90° and 120° Extensive accessories Dimming 1% - 100% @230 V; 3% - 100% @ 120 V Flicker-free < 1% Operating frequency at full load 40 kHz 'Daisy-chain' up to six 4-Banks in one circuit

L3.79400.B ARRI 650 Plus MAN, blue/silver

L3.79400.B ARRI 650 Plus (MAN, blue/silver, 90-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area. ARRI Fresnels are available in both manual and pole-operated versions. Features: High quality lenses and reflectors for excellent optical performance Compact size and lightweight Robust construction of rust-resistant, extruded, die cast aluminium Easy and convenient operation Quick and easy service access Extensive range of accessories

L3.79405.K ARRI 650 Plus P.O., black

L3.79405.K ARRI 650 Plus (P.O., black, 90-250 VAC, Schuko plug) incl. 4-leaf barndoor, filterframe The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area. ARRI Fresnels are available in both manual and pole-operated versions. Features: High quality lenses and reflectors for excellent optical performance Compact size and lightweight Robust construction of rust-resistant, extruded, die cast aluminium Easy and convenient operation Quick and easy service access Extensive range of accessories

L3.79405.D ARRI 650 Plus MAN, black

L3.79405.D ARRI 650 Plus (MAN, black, 90-250 VAC, Schuko plug) incl. 4-leaf barndoor, filterframe The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area. ARRI Fresnels are available in both manual and pole-operated versions. Features: High quality lenses and reflectors for excellent optical performance Compact size and lightweight Robust construction of rust-resistant, extruded, die cast aluminium Easy and convenient operation Quick and easy service access Extensive range of accessories

L3.79405.B ARRI 650 Plus MAN, black

L3.79405.B ARRI 650 Plus (MAN, black, 90-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area. ARRI Fresnels are available in both manual and pole-operated versions. Features: High quality lenses and reflectors for excellent optical performance Compact size and lightweight Robust construction of rust-resistant, extruded, die cast aluminium Easy and convenient operation Quick and easy service access Extensive range of accessories

L3.79400.K ARRI 650 Plus P.O., blue/silver

L3.79400.K ARRI 650 Plus (P.O., blue/silver, 90-250 VAC, Schuko plug) incl. 4-leaf barndoor, filterframe The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area. ARRI Fresnels are available in both manual and pole-operated versions. Features: High quality lenses and reflectors for excellent optical performance Compact size and lightweight Robust construction of rust-resistant, extruded, die cast aluminium Easy and convenient operation Quick and easy service access Extensive range of accessories

L3.79400.I ARRI 650 Plus P.O., blue/silver

L3.79400.I ARRI 650 Plus (P.O., blue/silver, 90-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area. ARRI Fresnels are available in both manual and pole-operated versions. Features: High quality lenses and reflectors for excellent optical performance Compact size and lightweight Robust construction of rust-resistant, extruded, die cast aluminium Easy and convenient operation Quick and easy service access Extensive range of accessories

L3.79200.B ARRI 300 Plus MAN, blue/silver

L3.79200.B ARRI 300 Plus (MAN, blue/silver, 90-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area. ARRI Fresnels are available in both manual and pole-operated versions. Features: High quality lenses and reflectors for excellent optical performance Compact size and lightweight Robust construction of rust-resistant, extruded, die cast aluminium Easy and convenient operation Quick and easy service access Extensive range of accessories

L3.79205.D ARRI 300 Plus MAN, black

L3.79205.D ARRI 300 Plus (MAN, black, 90-250 VAC, Schuko plug) incl. 4-leaf barndoor, filterframe The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area. ARRI Fresnels are available in both manual and pole-operated versions. Features: High quality lenses and reflectors for excellent optical performance Compact size and lightweight Robust construction of rust-resistant, extruded, die cast aluminium Easy and convenient operation Quick and easy service access Extensive range of accessories

L3.79205.B ARRI 300 Plus MAN, black

L3.79205.B ARRI 300 Plus (MAN, black, 90-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area. ARRI Fresnels are available in both manual and pole-operated versions. Features: High quality lenses and reflectors for excellent optical performance Compact size and lightweight Robust construction of rust-resistant, extruded, die cast aluminium Easy and convenient operation Quick and easy service access Extensive range of accessories

L3.79200.D ARRI 300 Plus MAN, blue/silver

L3.79200.D ARRI 300 Plus (MAN, blue/silver, 90-250 VAC, Schuko plug) incl. 4-leaf barndoor, filterframe The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area. ARRI Fresnels are available in both manual and pole-operated versions. Features: High quality lenses and reflectors for excellent optical performance Compact size and lightweight Robust construction of rust-resistant, extruded, die cast aluminium Easy and convenient operation Quick and easy service access Extensive range of accessories

L3.79360.B ARRI 150 with switch, blue/silver

L3.79360.B ARRI 150 (with switch, blue/silver, 90-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area. ARRI Fresnels are available in both manual and pole-operated versions. Features:  High quality lenses and reflectors for excellent optical performance  Compact size and lightweight  Robust construction of rust-resistant, extruded, die cast aluminium  Easy and convenient operation  Quick and easy service access  Extensive range of accessories

L3.79360.F ARRI 150 with dimmer, blue/silver

L3.79360.F ARRI 150 (with dimmer, blue/silver, 90-250 VAC, Schuko plug) incl. 4-leaf barndoor, filterframe The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area. ARRI Fresnels are available in both manual and pole-operated versions. Features:  High quality lenses and reflectors for excellent optical performance  Compact size and lightweight  Robust construction of rust-resistant, extruded, die cast aluminium  Easy and convenient operation  Quick and easy service access  Extensive range of accessories

L3.79360.E ARRI 150 with dimmer, blue/silver

L3.79360.E ARRI 150 (with dimmer, blue/silver, 90-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area. ARRI Fresnels are available in both manual and pole-operated versions. Features:  High quality lenses and reflectors for excellent optical performance  Compact size and lightweight  Robust construction of rust-resistant, extruded, die cast aluminium  Easy and convenient operation  Quick and easy service access  Extensive range of accessories

L3.79360.D ARRI 150 with switch, blue/silver

L3.79360.D ARRI 150 (with switch, blue/silver, 90-250 VAC, Schuko plug) incl. 4-leaf barndoor, filterframe The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area. ARRI Fresnels are available in both manual and pole-operated versions. Features:  High quality lenses and reflectors for excellent optical performance  Compact size and lightweight  Robust construction of rust-resistant, extruded, die cast aluminium  Easy and convenient operation  Quick and easy service access  Extensive range of accessories

Arri L1.82270.B STUDIO T24 MAN, blue/silver, 220-250 VAC, International

L1.82270.B STUDIO T24 (MAN, blue/silver, 220-250 VAC, International) ARRI Studio Fresnels are an ideal choice for film studios where high performance and high wattage tungsten lampheads are required. The large lenses give great efficiency and an extremely wide beam spread. ARRI's elegant modular construction, using corrosion-free aluminium extrusions and lightweight die castings, offers great structural strength. Features: High efficiency wide-angle lenses Corrosion-resistant aluminium construction Extremely even light distribution Focus knob on front and rear Easy service access Wide range of accessories

Arri L0.82120.B STUDIO T12 MAN, blue/silver, 220-250 VAC

L0.82120.B STUDIO T12 (MAN, blue/silver, 220-250 VAC, bare ends) incl. 4-leaf barndoor ARRI Studio Fresnels are an ideal choice for film studios where high performance and high wattage tungsten lampheads are required. The large lenses give great efficiency and an extremely wide beam spread. ARRI's elegant modular construction, using corrosion-free aluminium extrusions and lightweight die castings, offers great structural strength. Features: High efficiency wide-angle lenses Corrosion-resistant aluminium construction Extremely even light distribution Focus knob on front and rear Easy service access Wide range of accessories

Arri L1.84200.B CYC 1250 Single MAN, black

L1.84200.B CYC 1250 Single (MAN, black, 220-250 VAC, bare ends) ARRI's Cyc 1250 tungsten lampheads are designed to meet the requirements of even the largest studios and theatres. Available as a Single, a Double, a 4-Bank and a 4-Cube setup, each Cyc 1250 comes in both manual and pole-operated versions. An optional floor stand set allows units to serve as a ground row. The lamp housing features die cast aluminium side panels, a quick-change reflector and mesh-less double protection glass that prolongs the life of colour filters. Features: Rugged, lightweight casing construction Optimised reflector High light efficiency with 189mm 1250W lamp Double protection glass for longer filter life Quick-release filter frames Integrated carrying handle Available in both manual and pole-operated versions Available as Single and Double

Arri L1.84230.I CYC 1250 4-Cube P.O., black, 220-250 VAC

L1.84230.I CYC 1250 4-Cube (P.O., black, 220-250 VAC, bare ends) ARRI's Cyc 1250 tungsten lampheads are designed to meet the requirements of even the largest studios and theatres. Available as a Single, a Double, a 4-Bank and a 4-Cube setup, each Cyc 1250 comes in both manual and pole-operated versions. An optional floor stand set allows units to serve as a ground row. The lamp housing features die cast aluminium side panels, a quick-change reflector and mesh-less double protection glass that prolongs the life of colour filters. Features: Rugged, lightweight casing construction Optimised reflector High light efficiency with 189mm 1250W lamp Double protection glass for longer filter life Quick-release filter frames Integrated carrying handle Available in both manual and pole-operated versions Available as Single and Double

Arri L1.84230.B CYC 1250 4-Cube MAN, black

L1.84230.B CYC 1250 4-Cube (MAN, black, 220-250 VAC, bare ends) ARRI's Cyc 1250 tungsten lampheads are designed to meet the requirements of even the largest studios and theatres. Available as a Single, a Double, a 4-Bank and a 4-Cube setup, each Cyc 1250 comes in both manual and pole-operated versions. An optional floor stand set allows units to serve as a ground row. The lamp housing features die cast aluminium side panels, a quick-change reflector and mesh-less double protection glass that prolongs the life of colour filters. Features: Rugged, lightweight casing construction Optimised reflector High light efficiency with 189mm 1250W lamp Double protection glass for longer filter life Quick-release filter frames Integrated carrying handle Available in both manual and pole-operated versions Available as Single and Double

Arri L1.84210.I CYC 1250 2-Bank Line P.O., black

L1.84210.I CYC 1250 2-Bank Line (P.O., black, 220-250 VAC, bare ends) ARRI's Cyc 1250 tungsten lampheads are designed to meet the requirements of even the largest studios and theatres. Available as a Single, a Double, a 4-Bank and a 4-Cube setup, each Cyc 1250 comes in both manual and pole-operated versions. An optional floor stand set allows units to serve as a ground row. The lamp housing features die cast aluminium side panels, a quick-change reflector and mesh-less double protection glass that prolongs the life of colour filters. Features: Rugged, lightweight casing construction Optimised reflector High light efficiency with 189mm 1250W lamp Double protection glass for longer filter life Quick-release filter frames Integrated carrying handle Available in both manual and pole-operated versions Available as Single and Double

Arri L1.84210.B CYC 1250 2-Bank Line MAN, black

L1.84210.B CYC 1250 2-Bank Line (MAN, black, 220-250 VAC, bare ends) ARRI's Cyc 1250 tungsten lampheads are designed to meet the requirements of even the largest studios and theatres. Available as a Single, a Double, a 4-Bank and a 4-Cube setup, each Cyc 1250 comes in both manual and pole-operated versions. An optional floor stand set allows units to serve as a ground row. The lamp housing features die cast aluminium side panels, a quick-change reflector and mesh-less double protection glass that prolongs the life of colour filters. Features: Rugged, lightweight casing construction Optimised reflector High light efficiency with 189mm 1250W lamp Double protection glass for longer filter life Quick-release filter frames Integrated carrying handle Available in both manual and pole-operated versions Available as Single and Double

Arri L1.84200.I CYC 1250 Single P.O., black

L1.84200.I CYC 1250 Single (P.O., black, 220-250 VAC, bare ends) ARRI's Cyc 1250 tungsten lampheads are designed to meet the requirements of even the largest studios and theatres. Available as a Single, a Double, a 4-Bank and a 4-Cube setup, each Cyc 1250 comes in both manual and pole-operated versions. An optional floor stand set allows units to serve as a ground row. The lamp housing features die cast aluminium side panels, a quick-change reflector and mesh-less double protection glass that prolongs the life of colour filters. Features: Rugged, lightweight casing construction Optimised reflector High light efficiency with 189mm 1250W lamp Double protection glass for longer filter life Quick-release filter frames Integrated carrying handle Available in both manual and pole-operated versions Available as Single and Double

Arri L1.84300.I FLOOD 1250 Single P.O., black

L1.84300.I FLOOD 1250 Single (P.O., black, 220-250 VAC, bare ends) The ARRI Flood 1250 is designed to meet the requirements of even the largest studios and theatres, offering top quality lighting and excellent light output. The lamp housing features die cast aluminium side panels, a quick-change reflector and mesh-less double protection glass that prolongs the life of colour filters. Features: Rugged, lightweight casing construction Optimised reflector High light efficiency, with 189 mm 1250 W lamp Double protection glass for longer filter life Quick-release filter frames Integrated carrying handle Available in both manual and pole-operated versions

Arri L1.84300.B FLOOD 1250 Single MAN, black

L1.84300.B FLOOD 1250 Single (MAN, black, 220-250 VAC, bare ends) The ARRI Flood 1250 is designed to meet the requirements of even the largest studios and theatres, offering top quality lighting and excellent light output. The lamp housing features die cast aluminium side panels, a quick-change reflector and mesh-less double protection glass that prolongs the life of colour filters. Features: Rugged, lightweight casing construction Optimised reflector High light efficiency, with 189 mm 1250 W lamp Double protection glass for longer filter life Quick-release filter frames Integrated carrying handle Available in both manual and pole-operated versions

Arri L1.41025.B True Blue ST5 Theatre without barndoor & filter frame

L1.41025.B True Blue ST5 Theatre without barndoor & filter frame (MOT, black, 220-250 VAC, bare ends) The ARRI Studio Fresnel series is the ideal choice for theatres requiring tungsten lampheads that can handle high temperatures and are free of spill light. The large, short focal length lenses provide an even and optimum light output. ARRI's elegant modular construction, using corrosion-free aluminium extrusions and lightweight die castings, offers great structural strength. Features: High efficiency wide-angle lenses Corrosion-resistant aluminium construction Extremely even light distribution No spill light Glass reflector Stirrup centre adjustment Focus position indicator Focus knob on front and rear Easy service access

Arri L1.40515.B True Blue ST1/2 Theatre without barndoor & filter frame

L1.40515.B True Blue ST1/2 Theatre without barndoor & filter frame (MAN, black, 220-250 VAC, bare ends) The ARRI Studio Fresnel series is the ideal choice for theatres requiring tungsten lampheads that can handle high temperatures and are free of spill light. The large, short focal length lenses provide an even and optimum light output. ARRI's elegant modular construction, using corrosion-free aluminium extrusions and lightweight die castings, offers great structural strength. Features: High efficiency wide-angle lenses Corrosion-resistant aluminium construction Extremely even light distribution No spill light Glass reflector Stirrup centre adjustment Focus position indicator Focus knob on front and rear Easy service access

Arri L1.40525.B True Blue ST1/2 Theatre without barndoor & filter frame

L1.40525.B True Blue ST1/2 Theatre without barndoor & filter frame (MOT, black, 220-250 VAC, bare ends) The ARRI Studio Fresnel series is the ideal choice for theatres requiring tungsten lampheads that can handle high temperatures and are free of spill light. The large, short focal length lenses provide an even and optimum light output. ARRI's elegant modular construction, using corrosion-free aluminium extrusions and lightweight die castings, offers great structural strength. Features: High efficiency wide-angle lenses Corrosion-resistant aluminium construction Extremely even light distribution No spill light Glass reflector Stirrup centre adjustment Focus position indicator Focus knob on front and rear Easy service access

Arri L3.41000.B True Blue ST5 MAN, blue/silver

L3.41000.B True Blue ST5 (MAN, blue/silver, 220-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection Class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.41000LB True Blue ST5 Location MAN, blue/silver, 220-250 VAC

L3.41000LB True Blue ST5 Location (MAN, blue/silver, 220-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe, with location top latch, inline switch and 3 m cable length ARRI TRUE BLUE represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection Class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.41005.I True Blue ST5 P.O., black, 220-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe

L3.41005.I True Blue ST5 (P.O., black, 220-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection Class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.41005.B True Blue ST5 MAN, black

L3.41005.B True Blue ST5 (MAN, black, 220-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection Class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.40750.B True Blue ST2/3 MAN, blue/silver

L3.40750.B True Blue ST2/3 (MAN, blue/silver, 220-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Using a 3000 W lamp allows a 65% higher light output while maintaining the size and weight of the fixture. Modern studio dimmer systems have the capacity to support 3000 W, and in contrast to 5000 W lamps, this power class can be operated within the standard 16 V - 230 V power grid of most countries. This saves costs in cabling and energy, and purchase costs of the fixture itself. Another possible scenario is a switch to HD recording systems, which are still less sensitive than SD cameras. In these situations the 2000 W lamps can simply be replaced with 3000 W lamps to provide the illumination headroom required. Note: This change does not apply to the 120 V version! Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection Class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.40750LB True Blue ST2/3 Location MAN, blue/silver

L3.40750LB True Blue ST2/3 Location (MAN, blue/silver, 220-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe, with location top latch, inline switch and 3 m cable ARRI TRUE BLUE represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Using a 3000 W lamp allows a 65% higher light output while maintaining the size and weight of the fixture. Modern studio dimmer systems have the capacity to support 3000 W, and in contrast to 5000 W lamps, this power class can be operated within the standard 16 V - 230 V power grid of most countries. This saves costs in cabling and energy, and purchase costs of the fixture itself. Another possible scenario is a switch to HD recording systems, which are still less sensitive than SD cameras. In these situations the 2000 W lamps can simply be replaced with 3000 W lamps to provide the illumination headroom required. Note: This change does not apply to the 120 V version! Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection Class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.40755.K True Blue ST2/3 P.O., black

L3.40755.K True Blue ST2/3 (P.O., black, 220-250 VAC, Schuko plug) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Using a 3000 W lamp allows a 65% higher light output while maintaining the size and weight of the fixture. Modern studio dimmer systems have the capacity to support 3000 W, and in contrast to 5000 W lamps, this power class can be operated within the standard 16 V - 230 V power grid of most countries. This saves costs in cabling and energy, and purchase costs of the fixture itself. Another possible scenario is a switch to HD recording systems, which are still less sensitive than SD cameras. In these situations the 2000 W lamps can simply be replaced with 3000 W lamps to provide the illumination headroom required. Note: This change does not apply to the 120 V version! Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection Class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.40755.I True Blue ST2/3 P.O., black

L3.40755.I True Blue ST2/3 (P.O., black, 220-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Using a 3000 W lamp allows a 65% higher light output while maintaining the size and weight of the fixture. Modern studio dimmer systems have the capacity to support 3000 W, and in contrast to 5000 W lamps, this power class can be operated within the standard 16 V - 230 V power grid of most countries. This saves costs in cabling and energy, and purchase costs of the fixture itself. Another possible scenario is a switch to HD recording systems, which are still less sensitive than SD cameras. In these situations the 2000 W lamps can simply be replaced with 3000 W lamps to provide the illumination headroom required. Note: This change does not apply to the 120 V version! Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection Class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.40755.D True Blue ST2/3 MAN, black

L3.40755.D True Blue ST2/3 (MAN, black, 220-250 VAC, Schuko plug) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Using a 3000 W lamp allows a 65% higher light output while maintaining the size and weight of the fixture. Modern studio dimmer systems have the capacity to support 3000 W, and in contrast to 5000 W lamps, this power class can be operated within the standard 16 V - 230 V power grid of most countries. This saves costs in cabling and energy, and purchase costs of the fixture itself. Another possible scenario is a switch to HD recording systems, which are still less sensitive than SD cameras. In these situations the 2000 W lamps can simply be replaced with 3000 W lamps to provide the illumination headroom required. Note: This change does not apply to the 120 V version! Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection Class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.40755.B True Blue ST2/3 MAN, black

L3.40755.B True Blue ST2/3 (MAN, black, 220-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Using a 3000 W lamp allows a 65% higher light output while maintaining the size and weight of the fixture. Modern studio dimmer systems have the capacity to support 3000 W, and in contrast to 5000 W lamps, this power class can be operated within the standard 16 V - 230 V power grid of most countries. This saves costs in cabling and energy, and purchase costs of the fixture itself. Another possible scenario is a switch to HD recording systems, which are still less sensitive than SD cameras. In these situations the 2000 W lamps can simply be replaced with 3000 W lamps to provide the illumination headroom required. Note: This change does not apply to the 120 V version! Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection Class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.40750.K True Blue ST2/3 P.O., blue/silver

L3.40750.K True Blue ST2/3 (P.O., blue/silver, 220-250 VAC, Schuko plug) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Using a 3000 W lamp allows a 65% higher light output while maintaining the size and weight of the fixture. Modern studio dimmer systems have the capacity to support 3000 W, and in contrast to 5000 W lamps, this power class can be operated within the standard 16 V - 230 V power grid of most countries. This saves costs in cabling and energy, and purchase costs of the fixture itself. Another possible scenario is a switch to HD recording systems, which are still less sensitive than SD cameras. In these situations the 2000 W lamps can simply be replaced with 3000 W lamps to provide the illumination headroom required. Note: This change does not apply to the 120 V version! Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection Class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.40750.D True Blue ST2/3 MAN, blue/silver

L3.40750.D True Blue ST2/3 (MAN, blue/silver, 220-250 VAC, Schuko plug) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Using a 3000 W lamp allows a 65% higher light output while maintaining the size and weight of the fixture. Modern studio dimmer systems have the capacity to support 3000 W, and in contrast to 5000 W lamps, this power class can be operated within the standard 16 V - 230 V power grid of most countries. This saves costs in cabling and energy, and purchase costs of the fixture itself. Another possible scenario is a switch to HD recording systems, which are still less sensitive than SD cameras. In these situations the 2000 W lamps can simply be replaced with 3000 W lamps to provide the illumination headroom required. Note: This change does not apply to the 120 V version! Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection Class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.40505.L True Blue ST1/2 P.O., black

L3.40505.L True Blue ST1/2 (P.O., black, 220-250 V~, bare ends) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection Class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.40500LB True Blue ST1 Location MAN, blue/silver

L3.40500LB True Blue ST1 Location (MAN, blue/silver, 220-250 V~, bare ends) incl. 4-leaf barndoor, filterframe, with location top latch and inline switch ARRI TRUE BLUE represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection Class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.40505.K True Blue ST1 P.O., black

L3.40505.K True Blue ST1 (P.O., black, 220-250 V~, Schuko plug) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection Class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.40505.I True Blue ST1 P.O., black

L3.40505.I True Blue ST1 (P.O., black, 220-250 V~, bare ends) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection Class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.40505.D True Blue ST1 MAN, black

L3.40505.D True Blue ST1 (MAN, black, 220-250 V~, Schuko plug) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection Class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.40505.B True Blue ST1 MAN, black

L3.40505.B True Blue ST1 (MAN, black, 220-250 V~, bare ends) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection Class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.40500.K True Blue ST1 P.O., blue/silver

L3.40500.K True Blue ST1 (P.O., blue/silver, 220-250 V~, Schuko plug) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection Class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.40500.I True Blue ST1 P.O., blue/silver

L3.40500.I True Blue ST1 (P.O., blue/silver, 220-250 V~, bare ends) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection Class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.40500.D True Blue ST1 MAN, blue/silver

L3.40500.D True Blue ST1 (MAN, blue/silver, 220-250 V~, Schuko plug) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the studio fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection Class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

L3.36500.D ARRILITE 2000 Plus

L3.36500.D ARRILITE 2000 Plus (blue, Schuko plug) incl. 4-leaf barndoor The continuing popularity of the ARRILITE 2000 has inspired ARRI’s lighting team to undertake a complete redesign and update of this traditional, open-faced lamphead. Incorporating a range of innovative features, the new ARRILITE 2000 Plus meets the exacting production demands of today’s film and television industries. By utilizing the ARRIMAX reflector and optical system, light efficiency is increased and light distribution improved. The aluminum housing is more compact and about 400 g lighter than the previous model, while disc brake technology borrowed from the ARRI True Blue range holds the ARRILITE 2000 Plus steady even with heavy accessories attached. In order to change bulbs, the front door frame opens in a similar way to the ARRI M18; no screws have to be removed and no tools of any kind are needed. Like the ARRILITE 750 Plus, the ARRILITE 2000 Plus features an improved focus mechanism and heat-proof handle at the rear of the housing that facilitates easy maneuvering. Features: ARRIMAX reflector enables higher light efficiency and better light distribution No tools required to change the bulb 400g lighter and more compact housing than the previous ARRILITE 2000 model Aluminum housing enables heat dissipation True Blue disc brake technology Heat-proof handle at rear of housing enables easy maneuvering

L3.36500.B ARRILITE 2000 Plus

L3.36500.B ARRILITE 2000 Plus (blue, bare ends) incl. 4-leaf barndoor The continuing popularity of the ARRILITE 2000 has inspired ARRI’s lighting team to undertake a complete redesign and update of this traditional, open-faced lamphead. Incorporating a range of innovative features, the new ARRILITE 2000 Plus meets the exacting production demands of today’s film and television industries. By utilizing the ARRIMAX reflector and optical system, light efficiency is increased and light distribution improved. The aluminum housing is more compact and about 400 g lighter than the previous model, while disc brake technology borrowed from the ARRI True Blue range holds the ARRILITE 2000 Plus steady even with heavy accessories attached. In order to change bulbs, the front door frame opens in a similar way to the ARRI M18; no screws have to be removed and no tools of any kind are needed. Like the ARRILITE 750 Plus, the ARRILITE 2000 Plus features an improved focus mechanism and heat-proof handle at the rear of the housing that facilitates easy maneuvering. Features: ARRIMAX reflector enables higher light efficiency and better light distribution No tools required to change the bulb 400g lighter and more compact housing than the previous ARRILITE 2000 model Aluminum housing enables heat dissipation True Blue disc brake technology Heat-proof handle at rear of housing enables easy maneuvering

L3.36700.B ARRILITE 750 Plus

L3.36700.B ARRILITE 750 Plus (blue, bare ends) incl. 4-leaf barndoor and accessory holder The ARRILITE 750 Plus is a new and improved incarnation of ARRI’s traditional, open-faced light, the ARRILITE 800/1000. By optimizing the ARRIMAX reflector for usage with an HPL* 750 W lamp, the ARRILITE 750 Plus offers 21% higher light efficiency than the previous ARRILITE 800 W, while the ARRIMAX optical system improves distribution of the light. A detachable and fully rotatable accessory holder accommodates scrims and barndoors, and incorporates fittings that permit the Chimera Video Pro Plus S to be fitted directly, without an additional speedring. The one-arm stirrup allows for plenty of pan-and-tilt options and a heat-proof handle at the rear of the lamphead enables easy maneuvering. No tools are required for changing bulbs as the housing consists simply of two detachable parts that open and close through bayonet cap locks. The smaller and lighter aluminum housing of the ARRILITE 750 Plus makes it an ideal lamphead for lighting kits and therefore also suitable for electronic newsgathering, field production and fast turnaround location use.    *HPL lamp invented by and licensed from David Cunningham Features: ARRIMAX reflector enables better light distribution Compatible with 375 W, 573 W and 750 W HPL* bulbs 21% increase in light efficiency compared to the previous ARRILITE 800 model New accessory holder permits the Chimera Video Pro Plus to be fitted directly, without an additional speedring One-arm stirrup allows a variety of pan-and-tilt possibilities No tools required to change the bulb Compact design; smaller and lighter housing than the previous ARRILITE 800 model Aluminum housing enables heat dissipation Heat-proof handle at rear of housing enables easy maneuvering Compatible with ARRI 650 Plus accessories

Arri L3.40000.B True Blue T5 MAN, blue/silver

L3.40000.B True Blue T5 (MAN, blue/silver, 220-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe, inline switch ARRI TRUE BLUE represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.40005.B True Blue T5 MAN, black

L3.40005.B True Blue T5 (MAN, black, 220-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe, inline switch ARRI TRUE BLUE represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions. Features: Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling Sliding Stirrup: centre of gravity adjustment Tilt Lock: stainless steel friction disc for rigid lock-off Top Latches: application-oriented Top Latches for location or studio use Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position Stainless Steel Lens Protection: maximised light transmission and high temperature stability Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only Protection class IP23: safe indoor and outdoor use Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.41250.B True Blue T2 MAN, blue/silver

L3.41250.B True Blue T2 (MAN, blue/silver, 220-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe, inline switch ARRI TRUE BLUE represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions.Features:     Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling     Sliding Stirrup: centre of gravity adjusment     Tilt Lock: stainless steel friction disc for rigid lock-off     Top Latches: application-oriented Top Latches for location or studio use     Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position     Stainless Steel Lens Protection: maximised light transmission and high temperature stability     Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function     Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only     Protection class IP23: safe indoor and outdoor use     Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.41255.I True Blue T2 P.O., black, 220-250 VAC

L3.41255.I True Blue T2 (P.O., black, 220-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions.Features:     Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling     Sliding Stirrup: centre of gravity adjusment     Tilt Lock: stainless steel friction disc for rigid lock-off     Top Latches: application-oriented Top Latches for location or studio use     Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position     Stainless Steel Lens Protection: maximised light transmission and high temperature stability     Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function     Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only     Protection class IP23: safe indoor and outdoor use     Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.41255.D True Blue T2 MAN, black

L3.41255.D True Blue T2 (MAN, black, 220-250 VAC, Schuko plug) incl. 4-leaf barndoor, filterframe, inline switch ARRI TRUE BLUE represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions.Features:     Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling     Sliding Stirrup: centre of gravity adjusment     Tilt Lock: stainless steel friction disc for rigid lock-off     Top Latches: application-oriented Top Latches for location or studio use     Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position     Stainless Steel Lens Protection: maximised light transmission and high temperature stability     Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function     Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only     Protection class IP23: safe indoor and outdoor use     Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.41255.B True Blue T2 MAN, black

L3.41255.B True Blue T2 (MAN, black, 220-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe, inline switch ARRI TRUE BLUE represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions.Features:     Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling     Sliding Stirrup: centre of gravity adjusment     Tilt Lock: stainless steel friction disc for rigid lock-off     Top Latches: application-oriented Top Latches for location or studio use     Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position     Stainless Steel Lens Protection: maximised light transmission and high temperature stability     Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function     Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only     Protection class IP23: safe indoor and outdoor use     Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.41250.I True Blue T2 P.O., blue/silver

L3.41250.I True Blue T2 (P.O., blue/silver, 220-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions.Features:     Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling     Sliding Stirrup: centre of gravity adjusment     Tilt Lock: stainless steel friction disc for rigid lock-off     Top Latches: application-oriented Top Latches for location or studio use     Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position     Stainless Steel Lens Protection: maximised light transmission and high temperature stability     Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function     Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only     Protection class IP23: safe indoor and outdoor use     Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.41250.D True Blue T2 MAN, blue/silver

L3.41250.D True Blue T2 (MAN, blue/silver, 220-250 VAC, Schuko plug) incl. 4-leaf barndoor, filterframe, inline switch ARRI TRUE BLUE represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions.Features:     Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling     Sliding Stirrup: centre of gravity adjusment     Tilt Lock: stainless steel friction disc for rigid lock-off     Top Latches: application-oriented Top Latches for location or studio use     Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position     Stainless Steel Lens Protection: maximised light transmission and high temperature stability     Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function     Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only     Protection class IP23: safe indoor and outdoor use     Safety Certification: CE, TÜV-GS, NRTL-US-C

Arri L3.39615.I True Blue T1 P.O., black

L3.39615.I True Blue T1 (P.O., black, 220-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions.Features:     Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling     Sliding Stirrup: centre of gravity adjustment     Tilt Lock: stainless steel friction disc for rigid lock-off     Top Latches: application-oriented Top Latches for location or studio use     Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position     Stainless Steel Lens Protection: maximised light transmission and high temperature stability     Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function     Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only     Protection class IP23: safe indoor and outdoor use     Safety Certification: CE, TÜV-GS, NRTL-US-C 

Arri L3.39615.D True Blue T1 MAN, black

L3.39615.D True Blue T1 (MAN, black, 220-250 VAC, Schuko plug) incl. 4-leaf barndoor, filterframe, inline switch ARRI TRUE BLUE represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions.Features:     Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling     Sliding Stirrup: centre of gravity adjustment     Tilt Lock: stainless steel friction disc for rigid lock-off     Top Latches: application-oriented Top Latches for location or studio use     Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position     Stainless Steel Lens Protection: maximised light transmission and high temperature stability     Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function     Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only     Protection class IP23: safe indoor and outdoor use     Safety Certification: CE, TÜV-GS, NRTL-US-C 

Arri L3.39615.B True Blue T1 MAN, black

L3.39615.B True Blue T1 (MAN, black, 220-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe, inline switch ARRI TRUE BLUE represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions.Features:     Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling     Sliding Stirrup: centre of gravity adjustment     Tilt Lock: stainless steel friction disc for rigid lock-off     Top Latches: application-oriented Top Latches for location or studio use     Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position     Stainless Steel Lens Protection: maximised light transmission and high temperature stability     Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function     Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only     Protection class IP23: safe indoor and outdoor use     Safety Certification: CE, TÜV-GS, NRTL-US-C 

Arri L3.39610.I True Blue T1 P.O., blue/silver

L3.39610.I True Blue T1 (P.O., blue/silver, 220-250 VAC, bare ends) incl. 4-leaf barndoor, filterframe ARRI TRUE BLUE represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions.Features:     Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling     Sliding Stirrup: centre of gravity adjustment     Tilt Lock: stainless steel friction disc for rigid lock-off     Top Latches: application-oriented Top Latches for location or studio use     Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position     Stainless Steel Lens Protection: maximised light transmission and high temperature stability     Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function     Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only     Protection class IP23: safe indoor and outdoor use     Safety Certification: CE, TÜV-GS, NRTL-US-C 

Arri L3.39610.D True Blue T1 MAN, blue/silver

L3.39610.D True Blue T1 (MAN, blue/silver, 220-250 VAC, Schuko plug) incl. 4-leaf barndoor, filterframe, inline switch ARRI TRUE BLUE represent an unprecedented evolution of the location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, ARRI has designed a series of six highly innovative lampheads with over 30 new improvements for studio and location lighting. ARRI Fresnels are available in both manual and pole-operated versions.Features:     Cross Cooling System: new, highly effective cooling streams in addition to conventional cooling     Sliding Stirrup: centre of gravity adjustment     Tilt Lock: stainless steel friction disc for rigid lock-off     Top Latches: application-oriented Top Latches for location or studio use     Adjustable Accessory Brackets: adjustable 2-scrim and 4-scrim position     Stainless Steel Lens Protection: maximised light transmission and high temperature stability     Extremely Robust Barndoors: made of special alloy with high strength-to-weight ratio and effective tightening function     Maintenance: more shared parts, very fast access to all interior workings with three torx drivers only     Protection class IP23: safe indoor and outdoor use     Safety Certification: CE, TÜV-GS, NRTL-US-C 

Arri L2.76259EV EB 575 EVENT SINGLE

L2.76259EV EB 575 EVENT SINGLE Components: Extension Cable Event 575, 5 m Extension Cable Event 575, 10 m The ARRI Event System includes the ARRISUN 5 Event and ARRISUN 18 Event and several intelligent remote 19“ electronic ballast units (EB 1200/1800 EVENT THREE, EB 200/575/1200 MULTIPLE FUNCTION, EB 575 EVENT SIX AND EB 575 EVENT SINGLE) and multicore cable power distribution. The ballast units (except of EB 575 EVENT SINGLE) consist of three easily exchangeable modules and can be operated manually or via DMX remote control. Each channel can be switched or dimmed to 50% individually and the front panel indicators show the status of both lamphead and ballast. Features: Constant lamp power and colour temperature over the lifetime of the lamp 19" rack-mount ballast (4U) Userfriendly control panel with dimming knobs for each channel Exchangeable power modules Operation of up to six channels with one unit (EB 575 EVENT SIX) Flicker-free operation Integrated lamp detection in EB 1200/1800 EVENT THREE Multicore cable management Intelligent split boxes ALF (Active Line Filter) Dimming on all models Protection from overheating Operate in temperature up to 50°C Good service assistance Detailed technical documentation

Arri L2.76777.0 EB 200/575/1200 MULTIFUNCTION

L2.76777.0 EB 200/575/1200 MULTIFUNCTION Components: Split Box Event Six Multicore Event 575, 20 m Extension Cable Event 575, 5 m Extension Cable Event 575, 10 m Transmitter Pendant Module 200 (for operation of AS2 Event with EB 200/575/1200 MULTIPLE FUNCTION) Transmitter Pendant Module 575 (for operation of AS5 Event with EB 200/575/1200 MULTIPLE FUNCTION) Transmitter Pendant Module 1200 (for operation of AS12 Event with EB 200/575/1200 MULTIPLE FUNCTION) The ARRI Event System includes the ARRISUN 5 Event and ARRISUN 18 Event and several intelligent remote 19“ electronic ballast units (EB 1200/1800 EVENT THREE, EB 200/575/1200 MULTIPLE FUNCTION, EB 575 EVENT SIX AND EB 575 EVENT SINGLE) and multicore cable power distribution.The ballast units (except of EB 575 EVENT SINGLE) consist of three easily exchangeable modules and can be operated manually or via DMX remote control. Each channel can be switched or dimmed to 50% individually and the front panel indicators show the status of both lamphead and ballast.Features:     Constant lamp power and colour temperature over the lifetime of the lamp     19" rack-mount ballast (4U)     Userfriendly control panel with dimming knobs for each channel     Exchangeable power modules     Operation of up to six channels with one unit (EB 575 EVENT SIX)     Flicker-free operation     Integrated lamp detection in EB 1200/1800 EVENT THREE     Multicore cable management     Intelligent split boxes     ALF (Active Line Filter)     Dimming on all models     Protection from overheating     Operate in temperature up to 50°C     Good service assistance     Detailed technical documentation

Arri L2.76610.0 EB 1200/1800 EVENT THREE

L2.76610.0 EB 1200/1800 EVENT THREE Components: Split Box Event 1800 Multicore Event 1200/1800, 20 m Extension Cable Event 1200/1800, 15 m Extension Cable Event 1200/1800, 7 m The ARRI Event System includes the ARRISUN 5 Event and ARRISUN 18 Event and several intelligent remote 19“ electronic ballast units (EB 1200/1800 EVENT THREE, EB 200/575/1200 MULTIPLE FUNCTION, EB 575 EVENT SIX AND EB 575 EVENT SINGLE) and multicore cable power distribution.The ballast units (except of EB 575 EVENT SINGLE) consist of three easily exchangeable modules and can be operated manually or via DMX remote control. Each channel can be switched or dimmed to 50% individually and the front panel indicators show the status of both lamphead and ballast.Features:     Constant lamp power and colour temperature over the lifetime of the lamp     19" rack-mount ballast (4U)     Userfriendly control panel with dimming knobs for each channel     Exchangeable power modules     Operation of up to six channels with one unit (EB 575 EVENT SIX)     Flicker-free operation     Integrated lamp detection in EB 1200/1800 EVENT THREE     Multicore cable management     Intelligent split boxes     ALF (Active Line Filter)     Dimming on all models     Protection from overheating     Operate in temperature up to 50°C     Good service assistance     Detailed technical documentation

Arri L2.76340.0 EB 575 EVENT SIX

L2.76340.0 EB 575 EVENT SIX Components: Split Box Event Six Multicore Event 575, 20 m Extension Cable Event 575, 5 m Extension Cable Event 575, 10 m The ARRI Event System includes the ARRISUN 5 Event and ARRISUN 18 Event and several intelligent remote 19“ electronic ballast units (EB 1200/1800 EVENT THREE, EB 200/575/1200 MULTIPLE FUNCTION, EB 575 EVENT SIX AND EB 575 EVENT SINGLE) and multicore cable power distribution.The ballast units (except of EB 575 EVENT SINGLE) consist of three easily exchangeable modules and can be operated manually or via DMX remote control. Each channel can be switched or dimmed to 50% individually and the front panel indicators show the status of both lamphead and ballast.Features:     Constant lamp power and colour temperature over the lifetime of the lamp     19" rack-mount ballast (4U)     Userfriendly control panel with dimming knobs for each channel     Exchangeable power modules     Operation of up to six channels with one unit (EB 575 EVENT SIX)     Flicker-free operation     Integrated lamp detection in EB 1200/1800 EVENT THREE     Multicore cable management     Intelligent split boxes     ALF (Active Line Filter)     Dimming on all models     Protection from overheating     Operate in temperature up to 50°C     Good service assistance     Detailed technical documentation

Arri L2.75012.E CB 1200 Choke Ballast, 230 V

L2.75012.E CB 1200 Choke Ballast, 230 V, 50 Hz, international connector (VEAM), 1,5 m power cable with EU connector Where flicker-free lighting is not required, ARRI choke ballasts offer a robust, lowcost solution. Choke ballasts are optionallyavailable with DMX remote control, ideal for theatre and event applications.Features:     Low cost and simple ballast     Robust stainless steel housing     Foldable lever and wheels for easy handling     IP 32 protection class     Good service assistance     Detailed technical documentation

Arri L2.75024.E CB 2500 Choke Ballast, 230 V

L2.75024.E CB 2500 Choke Ballast, 230 V, 50 Hz, DMX, international connector (VEAM), 1,5 m power cable with EU connector Where flicker-free lighting is not required, ARRI choke ballasts offer a robust, lowcost solution. Choke ballasts are optionallyavailable with DMX remote control, ideal for theatre and event applications.Features:     Low cost and simple ballast     Robust stainless steel housing     Foldable lever and wheels for easy handling     IP 32 protection class     Good service assistance     Detailed technical documentation

Arri L2.76693.0 EB 4000 Booster, 190-250 V

L2.76693.0 EB 4000 Booster, 190-250 V, Harting connector, ALF, A2 (analog remote control), 19" rack 4HE The electronic ballast with booster function is the ideal workhorse for high speed cinematography. On top of all the features of a standard electronic ballast such as the Active Line Filter and flicker-free operation, this ballast includes the possibility to boost the lamp power to 200% for short periods. When the boost function is activated, the ballast can deliver up to 8 kW for up to 20 seconds and repeat this every 180 seconds. Using automatic timer circuitry, the power is optimally delivered to the lamp in order to maximize its lifetime. The ballast combines ideally with the ARRISUN 2.5/4 kW or the ARRI X 2.5/4 kW for crash test site applications such as airbag and other component tests. An optional hard-wired remote control unit allows remote ON/OFF, boost ON/OFF and dimmer control for manual operation. Customers will have no problems integrating the ballast with their own control systems.

Arri L2.76040.B EBB 125/200, 20-34 VDC

L2.76040.B EBB 125/200, 20-34 VDC, 150 Hz, XLR-4 plug, 125 W-connector: Binder, 200 W-conector: Amphenol, aluminium profile housing In addition to its well known electronic ballasts, ARRI has developed several DC ballasts: 125/200W, 200/400W and 575/1200W. The two smaller units can be combined with battery belts for use as portable daylight systems. The bigger 575/1200W DC ballast is often used where no AC public net is available.Features:     No additional adaptation required     Detection of the connected luminary through lamp connector     Protection against:         under/over-voltage on DC input        DC polarity reversal        overheating     Power switches off automatically after 3 seconds when lamp doesn't strike     Detailed service documentation with test procedures     Good service assistance

Arri L2.76270.B EBB 200/400, 20-34 VDC

L2.76270.B EBB 200/400, 20-34 VDC, 110 Hz, 2 x XLR-4 plug, 200 W-connector: Amphenol, 400 W-connector: VEAM, aluminium profile housing In addition to its well known electronic ballasts, ARRI has developed several DC ballasts: 125/200W, 200/400W and 575/1200W. The two smaller units can be combined with battery belts for use as portable daylight systems. The bigger 575/1200W DC ballast is often used where no AC public net is available.Features:     No additional adaptation required     Detection of the connected luminary through lamp connector     Protection against:         under/over-voltage on DC input        DC polarity reversal        overheating     Power switches off automatically after 3 seconds when lamp doesn't strike     Detailed service documentation with test procedures     Good service assistance

Arri L2.76262.0 EB 400/575 Schaltbau, 90-125 V/180-250 V

L2.76262.0 EB 400/575 Schaltbau, 90-125 V/180-250 V, 110 Hz, Schuko-Plug, ALF, 400 W-connector: VEAM, 575 W-connector: Schaltbau, aluminium profile housing ARRI equipment is known for the high robustness demanded for film location work, but for run-and-gun applications lightweight ballasts up to 575 W are available with lightweight extruded aluminium housings, an ideal match for the ARRI Pocket PAR lampheads.Features:     ALF (Active Line Filter)     Line over-voltage protection     Protection from overheating     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Active Line Filter - power factor correction     Compact and very lightweight aluminium profile housing     At least 5% greater light intensity compared to magnetic ballasts     At least 20% longer bulb life compared to magnetic ballasts     Automatic detection of connected luminaire     Good service assistance     Detailed technical documentation

Arri L2.76260.0 EB 400/575 VEAM, 90-125 V/180-250 V

L2.76260.0 EB 400/575 VEAM, 90-125 V/180-250 V, 110 Hz, Schuko-Plug, ALF, 400 W-connector: VEAM, 575 W-connector: VEAM, aluminium profile housing ARRI equipment is known for the high robustness demanded for film location work, but for run-and-gun applications lightweight ballasts up to 575 W are available with lightweight extruded aluminium housings, an ideal match for the ARRI Pocket PAR lampheads.Features:     ALF (Active Line Filter)     Line over-voltage protection     Protection from overheating     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Active Line Filter - power factor correction     Compact and very lightweight aluminium profile housing     At least 5% greater light intensity compared to magnetic ballasts     At least 20% longer bulb life compared to magnetic ballasts     Automatic detection of connected luminaire     Good service assistance     Detailed technical documentation

Arri L2.76013.B EB 125/200, 90-125 V/180-250 V

L2.76013.B EB 125/200, 90-125 V/180-250 V, 200 Hz, Schuko-Plug, ALF, 125 W-connector: Binder, 200 W-connector: Amphenol, aluminium profile housing ARRI equipment is known for the high robustness demanded for film location work, but for run-and-gun applications lightweight ballasts up to 575 W are available with lightweight extruded aluminium housings, an ideal match for the ARRI Pocket PAR lampheads.Features:     ALF (Active Line Filter)     Line over-voltage protection     Protection from overheating     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Active Line Filter - power factor correction     Compact and very lightweight aluminium profile housing     At least 5% greater light intensity compared to magnetic ballasts     At least 20% longer bulb life compared to magnetic ballasts     Automatic detection of connected luminaire     Good service assistance     Detailed technical documentation

Arri L2.76172HS EB 6/12 kW Highspeed Ballast, 90-125

L2.76172HS EB 6/12 kW Highspeed Ballast, 90-125 (only 6 kW!) / 180-250 V, 60/75/300Hz, ALF, VEAM, 2 m bare ends, portable, blue standard housing ARRI is pleased to introduce a new generation of 1000 Hz High Speed Ballasts that accept the challenge of modern digital high-speed photography with ease. With the new 1000 Hz High Speed Ballasts it is easy to achieve high quality flicker free images even at frame rates of 1000 fps and in many cases beyond even with a single HMI daylight source. This new technology supplies the lamp with a greatly raised 1000 Hz square wave current, allowing worriless shootings for commercials, sports, industrial applications, automotive component testing, ballistics or material testing. 1000 Hz High Speed Ballasts are available for all wattages from 125 W to– 9000 W. Features: ARRI 1000 Hz High Speed Ballasts offer the full range of features of the standard electronic ballasts plus the following:  1000 Hz Flickerfree light for frame rates up to 5000 fps with multiple sources Additional standard Flickerfree Mode for low noise operation can also be used in environments with low noise requirements (microphones)

Arri L2.76181.0 EB 6/9, CCL, ALF, 190 - 250 V, DMX, VEAM

  L2.76181.0 EB 6/9, CCL, ALF, 190 - 250 V, DMX, VEAM The EB 6/9 kW is available in DMX and high speed versions. Like other recent ballasts from ARRI, it features CCL (Compensation of Cable Loss) technology and the power-saving ALF (Active Line Filter). The EB 6/9 kW uses the housing of the current EB 6000 Baby and is compatible with 6K head-to-ballast cables. The EB 6/9 automatically detects not only the 9,000W and 6,000W lamp but also 6k and 9K lampheads. Features: Size of EB 6000 Baby Can be also used for 6K lampheads Automatic detection of 6K and 9K lampheads Automatic detection of 6,000 W and 9,000 W lamps in 9K lampheads CCL (Compensation of Cable Losses) ALF (Active Line Filter) DMX – version of EB 6/9 kW (On/Off; dimming) High Speed – version of EB 6/9 kW (1,000 Hz; adjustable in range 900–1200 Hz / 75 Hz / 50 Hz)  

Arri L2.76181KH EB 6/9 Highspeed Ballast, 190 - 250 V

L2.76181KH EB 6/9 Highspeed Ballast, 190 - 250 V, 50/75/1000Hz, ALF, CCL, DMX, VEAM, 2 m bare ends, portable, blue standard housing ARRI is pleased to introduce a new generation of 1000 Hz High Speed Ballasts that accept the challenge of modern digital high-speed photography with ease.With the new 1000 Hz High Speed Ballasts it is easy to achieve high quality flicker free images even at frame rates of 1000 fps and in many cases beyond even with a single HMI daylight source. This new technology supplies the lamp with a greatly raised 1000 Hz square wave current, allowing worriless shootings for commercials, sports, industrial applications, automotive component testing, ballistics or material testing.1000 Hz High Speed Ballasts are available for all wattages from 125 W to– 9000 W.Features: ARRI 1000 Hz High Speed Ballasts offer the full range of features of the standard electronic ballasts plus the following:     1000 Hz Flickerfree light for frame rates up to 5000 fps with multiple sources     Additional standard Flickerfree Mode for low noise operation     can also be used in environments with low noise requirements (microphones)

Arri L2.76675KH EB 2500/4000 Highspeed Ballast, 115/230 V

L2.76675KH EB 2500/4000 Highspeed Ballast, 115/230 V, 60/75/1000Hz, ALF, VEAM, 2 m bare ends, portable, blue standard housing ARRI is pleased to introduce a new generation of 1000 Hz High Speed Ballasts that accept the challenge of modern digital high-speed photography with ease.With the new 1000 Hz High Speed Ballasts it is easy to achieve high quality flicker free images even at frame rates of 1000 fps and in many cases beyond even with a single HMI daylight source. This new technology supplies the lamp with a greatly raised 1000 Hz square wave current, allowing worriless shootings for commercials, sports, industrial applications, automotive component testing, ballistics or material testing.1000 Hz High Speed Ballasts are available for all wattages from 125 W to– 9000 W.Features: ARRI 1000 Hz High Speed Ballasts offer the full range of features of the standard electronic ballasts plus the following:     1000 Hz Flickerfree light for frame rates up to 5000 fps with multiple sources     Additional standard Flickerfree Mode for low noise operation     can also be used in environments with low noise requirements (microphones)

Arri L2.76640KH EB 2500/4000 Highspeed Ballast, 230 V

L2.76640KH EB 2500/4000 Highspeed Ballast, 230 V, 50/75/1000Hz, ALF, VEAM, 2 m bare ends, portable, blue standard housing ARRI is pleased to introduce a new generation of 1000 Hz High Speed Ballasts that accept the challenge of modern digital high-speed photography with ease.With the new 1000 Hz High Speed Ballasts it is easy to achieve high quality flicker free images even at frame rates of 1000 fps and in many cases beyond even with a single HMI daylight source. This new technology supplies the lamp with a greatly raised 1000 Hz square wave current, allowing worriless shootings for commercials, sports, industrial applications, automotive component testing, ballistics or material testing.1000 Hz High Speed Ballasts are available for all wattages from 125 W to– 9000 W.Features: ARRI 1000 Hz High Speed Ballasts offer the full range of features of the standard electronic ballasts plus the following:     1000 Hz Flickerfree light for frame rates up to 5000 fps with multiple sources     Additional standard Flickerfree Mode for low noise operation     can also be used in environments with low noise requirements (microphones)

Arri L2.76625KH EB 1200/1800 Highspeed Ballast 115/230 V

L2.76625KH EB 1200/1800 Highspeed Ballast 115/230 V, 50/75/1000Hz, ALF, CCL, VEAM, 2 m Schuko plug, portable, blue standard housing ARRI is pleased to introduce a new generation of 1000 Hz High Speed Ballasts that accept the challenge of modern digital high-speed photography with ease.With the new 1000 Hz High Speed Ballasts it is easy to achieve high quality flicker free images even at frame rates of 1000 fps and in many cases beyond even with a single HMI daylight source. This new technology supplies the lamp with a greatly raised 1000 Hz square wave current, allowing worriless shootings for commercials, sports, industrial applications, automotive component testing, ballistics or material testing.1000 Hz High Speed Ballasts are available for all wattages from 125 W to– 9000 W.Features: ARRI 1000 Hz High Speed Ballasts offer the full range of features of the standard electronic ballasts plus the following:     1000 Hz Flickerfree light for frame rates up to 5000 fps with multiple sources     Additional standard Flickerfree Mode for low noise operation     can also be used in environments with low noise requirements (microphones)

Arri L2.76425KH EB 575/1200 Highspeed Ballast, 115/230 V

L2.76425KH EB 575/1200 Highspeed Ballast, 115/230 V, 50/75/1000Hz, ALF, VEAM, 2 m bare ends, portable, blue standard housing ARRI is pleased to introduce a new generation of 1000 Hz High Speed Ballasts that accept the challenge of modern digital high-speed photography with ease.With the new 1000 Hz High Speed Ballasts it is easy to achieve high quality flicker free images even at frame rates of 1000 fps and in many cases beyond even with a single HMI daylight source. This new technology supplies the lamp with a greatly raised 1000 Hz square wave current, allowing worriless shootings for commercials, sports, industrial applications, automotive component testing, ballistics or material testing.1000 Hz High Speed Ballasts are available for all wattages from 125 W to– 9000 W.Features: ARRI 1000 Hz High Speed Ballasts offer the full range of features of the standard electronic ballasts plus the following:     1000 Hz Flickerfree light for frame rates up to 5000 fps with multiple sources     Additional standard Flickerfree Mode for low noise operation     can also be used in environments with low noise requirements (microphones)

L2.76295.0 EB 12/18 kW, 190-250 V, VEAM, ALF, DMX, for ARRIMAX

L2.76295.0 EB 12/18 kW, 190-250 V, VEAM, ALF, DMX, for ARRIMAX, blue standard housing with trolley, Indication Lamp Power 12/18 kW For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. ARRI Ballasts feature state-of-the-art electronics and offer easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories completes the ARRI Lighting product line.Features:     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Less weight and size compared to magnetic ballasts     At least 5% greater light intensity compared to magnetic ballasts     At least 20% longer bulb life compared to magnetic ballasts     Solid construction, including outside heatsinks as part of housing and a bumper at the operator control panel     Special mechanical design for quick opening of the EB in case of service maintenance     Good service assistance     Detailed technical documentation

Arri L2.76290.0 EB 12/18 kW, 190-250 V VEAM, ALF

L2.76290.0 EB 12/18 kW, 190-250 V VEAM, ALF, blue standard housing with trolley For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. ARRI Ballasts feature state-of-the-art electronics and offer easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories completes the ARRI Lighting product line.

Arri L2.76182.0 EB 6/12 kW, 90-125 only 6 kW! / 180-250 V

L2.76182.0 EB 6/12 kW, 90-125 (only 6 kW!) / 180-250 V, VEAM, ALF, DMX blue standard housing For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. ARRI Ballasts feature state-of-the-art electronics and offer easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories completes the ARRI Lighting product line.Features:     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Less weight and size compared to magnetic ballasts     At least 5% greater light intensity compared to magnetic ballasts     At least 20% longer bulb life compared to magnetic ballasts     Solid construction, including outside heatsinks as part of housing and a bumper at the operator control panel     Special mechanical design for quick opening of the EB in case of service maintenance     Good service assistance     Detailed technical documentation

Arri L2.76172.0 EB 6/12 kW, 90-125 only 6 kW! / 180-250 V

L2.76172.0 EB 6/12 kW, 90-125 (only 6 kW!) / 180-250 V, VEAM, ALF, blue standard housing For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. ARRI Ballasts feature state-of-the-art electronics and offer easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories completes the ARRI Lighting product line.Features:     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Less weight and size compared to magnetic ballasts     At least 5% greater light intensity compared to magnetic ballasts     At least 20% longer bulb life compared to magnetic ballasts     Solid construction, including outside heatsinks as part of housing and a bumper at the operator control panel     Special mechanical design for quick opening of the EB in case of service maintenance     Good service assistance     Detailed technical documentation

Arri L2.76193.0 EB 6000 Baby, 180-250 V

L2.76193.0 EB 6000 Baby, 180-250 V, VEAM, ALF, blue standard housing For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. ARRI Ballasts feature state-of-the-art electronics and offer easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories completes the ARRI Lighting product line.Features:     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Less weight and size compared to magnetic ballasts     At least 5% greater light intensity compared to magnetic ballasts     At least 20% longer bulb life compared to magnetic ballasts     Solid construction, including outside heatsinks as part of housing and a bumper at the operator control panel     Special mechanical design for quick opening of the EB in case of service maintenance     Good service assistance     Detailed technical documentation

Arri L2.76170.0 EB 6000, 180-250 V, VEAM, blue standard housing

L2.76170.0 EB 6000, 180-250 V, VEAM, blue standard housing For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. ARRI Ballasts feature state-of-the-art electronics and offer easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories completes the ARRI Lighting product line.Features:     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Less weight and size compared to magnetic ballasts     At least 5% greater light intensity compared to magnetic ballasts     At least 20% longer bulb life compared to magnetic ballasts     Solid construction, including outside heatsinks as part of housing and a bumper at the operator control panel     Special mechanical design for quick opening of the EB in case of service maintenance     Good service assistance     Detailed technical documentation

Arri L2.76650.0 EB 2500/4000, 180-250 V, VEAM

L2.76650.0 EB 2500/4000, 180-250 V, VEAM, ALF, CCL, blue standard housing For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. ARRI Ballasts feature state-of-the-art electronics and offer easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories completes the ARRI Lighting product line.Features:     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Less weight and size compared to magnetic ballasts     At least 5% greater light intensity compared to magnetic ballasts     At least 20% longer bulb life compared to magnetic ballasts     Solid construction, including outside heatsinks as part of housing and a bumper at the operator control panel     Special mechanical design for quick opening of the EB in case of service maintenance     Good service assistance     Detailed technical documentation

Arri L2.76646.0 EB 2500/4000, 90-125 V/180-250 V, VEAM

L2.76646.0 EB 2500/4000, 90-125 V/180-250 V, VEAM, DMX, blue standard housing For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. ARRI Ballasts feature state-of-the-art electronics and offer easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories completes the ARRI Lighting product line.Features:     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Less weight and size compared to magnetic ballasts     At least 5% greater light intensity compared to magnetic ballasts     At least 20% longer bulb life compared to magnetic ballasts     Solid construction, including outside heatsinks as part of housing and a bumper at the operator control panel     Special mechanical design for quick opening of the EB in case of service maintenance     Good service assistance     Detailed technical documentation  

Arri L2.76641.0 EB 2500/4000, 180-250 V, VEAM

L2.76641.0 EB 2500/4000, 180-250 V, VEAM, ALF, DMX, blue standard housing For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. ARRI Ballasts feature state-of-the-art electronics and offer easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories completes the ARRI Lighting product line.Features:     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Less weight and size compared to magnetic ballasts     At least 5% greater light intensity compared to magnetic ballasts     At least 20% longer bulb life compared to magnetic ballasts     Solid construction, including outside heatsinks as part of housing and a bumper at the operator control panel     Special mechanical design for quick opening of the EB in case of service maintenance     Good service assistance     Detailed technical documentation

Arri L2.76640.0 EB 2500/4000, 180-250 V VEAM

L2.76640.0 EB 2500/4000, 180-250 V VEAM, ALF, blue standard housing For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. ARRI Ballasts feature state-of-the-art electronics and offer easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories completes the ARRI Lighting product line.Features:     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Less weight and size compared to magnetic ballasts     At least 5% greater light intensity compared to magnetic ballasts     At least 20% longer bulb life compared to magnetic ballasts     Solid construction, including outside heatsinks as part of housing and a bumper at the operator control panel     Special mechanical design for quick opening of the EB in case of service maintenance     Good service assistance     Detailed technical documentation

Arri L2.76635.0 EB 2500, 90-125 V/180-250 V, VEAM

L2.76635.0 EB 2500, 90-125 V/180-250 V, VEAM, ALF, blue standard housing For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. ARRI Ballasts feature state-of-the-art electronics and offer easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories completes the ARRI Lighting product line.Features:     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Less weight and size compared to magnetic ballasts     At least 5% greater light intensity compared to magnetic ballasts     At least 20% longer bulb life compared to magnetic ballasts     Solid construction, including outside heatsinks as part of housing and a bumper at the operator control panel     Special mechanical design for quick opening of the EB in case of service maintenance     Good service assistance     Detailed technical documentation

Arri L2.76695.0 EB 2500 Baby, 180-250 V, VEAM

L2.76695.0 EB 2500 Baby, 180-250 V, VEAM, ALF, blue standard housing For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. ARRI Ballasts feature state-of-the-art electronics and offer easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories completes the ARRI Lighting product line.Features:     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Less weight and size compared to magnetic ballasts     At least 5% greater light intensity compared to magnetic ballasts     At least 20% longer bulb life compared to magnetic ballasts     Solid construction, including outside heatsinks as part of housing and a bumper at the operator control panel     Special mechanical design for quick opening of the EB in case of service maintenance     Good service assistance     Detailed technical documentation

Arri L2.76625.0 EB 1200/1800, 90-125 V/180-250 V

L2.76625.0 EB 1200/1800, 90-125 V/180-250 V, Schuko-Plug, VEAM, ALF, CCL, blue standard housing For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. ARRI Ballasts feature state-of-the-art electronics and offer easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories completes the ARRI Lighting product line.Features:     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Less weight and size compared to magnetic ballasts     At least 5% greater light intensity compared to magnetic ballasts     At least 20% longer bulb life compared to magnetic ballasts     Solid construction, including outside heatsinks as part of housing and a bumper at the operator control panel     Special mechanical design for quick opening of the EB in case of service maintenance     Good service assistance     Detailed technical documentation

Arri L2.76427.0 EB 575/1200, 90-125 V/180-250 V

L2.76427.0 EB 575/1200, 90-125 V/180-250 V, Schuko-Plug, Schaltbau, ALF, blue standard housing For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. ARRI Ballasts feature state-of-the-art electronics and offer easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories completes the ARRI Lighting product line.Features:     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Less weight and size compared to magnetic ballasts     At least 5% greater light intensity compared to magnetic ballasts     At least 20% longer bulb life compared to magnetic ballasts     Solid construction, including outside heatsinks as part of housing and a bumper at the operator control panel     Special mechanical design for quick opening of the EB in case of service maintenance     Good service assistance     Detailed technical documentation

Arri L2.76426.0 EB 575/1200, 90-125 V/180-250 V

L2.76426.0 EB 575/1200, 90-125 V/180-250 V, Schuko-Plug, VEAM, ALF, DMX, blue standard housing For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. ARRI Ballasts feature state-of-the-art electronics and offer easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories completes the ARRI Lighting product line.Features:     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Less weight and size compared to magnetic ballasts     At least 5% greater light intensity compared to magnetic ballasts     At least 20% longer bulb life compared to magnetic ballasts     Solid construction, including outside heatsinks as part of housing and a bumper at the operator control panel     Special mechanical design for quick opening of the EB in case of service maintenance     Good service assistance     Detailed technical documentation

Arri L2.76425.0 EB 575/1200, 90-125 V/180-250 V

L2.76425.0 EB 575/1200, 90-125 V/180-250 V, Schuko-Plug, VEAM, ALF, blue standard housing For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. ARRI Ballasts feature state-of-the-art electronics and offer easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories completes the ARRI Lighting product line.Features:     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Less weight and size compared to magnetic ballasts     At least 5% greater light intensity compared to magnetic ballasts     At least 20% longer bulb life compared to magnetic ballasts     Solid construction, including outside heatsinks as part of housing and a bumper at the operator control panel     Special mechanical design for quick opening of the EB in case of service maintenance     Good service assistance     Detailed technical documentation

Arri L2.76126.0 EB 575/1200, 90-125 V/180-250 V

L2.76126.0 EB 575/1200, 90-125 V/180-250 V, Schuko-Plug, VEAM, DMX, blue standard housing For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. ARRI Ballasts feature state-of-the-art electronics and offer easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories completes the ARRI Lighting product line.Features:     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Less weight and size compared to magnetic ballasts     At least 5% greater light intensity compared to magnetic ballasts     At least 20% longer bulb life compared to magnetic ballasts     Solid construction, including outside heatsinks as part of housing and a bumper at the operator control panel     Special mechanical design for quick opening of the EB in case of service maintenance     Good service assistance     Detailed technical documentation

Arri L2.76125.0 EB 575/1200, 90-125 V/180-250 V

L2.76125.0 EB 575/1200, 90-125 V/180-250 V, Schuko-Plug, VEAM, blue standard housing For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. ARRI Ballasts feature state-of-the-art electronics and offer easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories completes the ARRI Lighting product line.Features:     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Less weight and size compared to magnetic ballasts     At least 5% greater light intensity compared to magnetic ballasts     At least 20% longer bulb life compared to magnetic ballasts     Solid construction, including outside heatsinks as part of housing and a bumper at the operator control panel     Special mechanical design for quick opening of the EB in case of service maintenance     Good service assistance     Detailed technical documentation

Arri L2.76115.0 EB 200, 115 V/230 V

L2.76115.0 EB 200, 115 V/230 V, ALF, 200Hz, without fan, Amphenol connector, blue standard housing with Schuko plug For over 25 years, discharge lighting ballasts have been an integral part of the ARRI Lighting family. During that course of time, the range has developed to comprise the reliable, robust and efficient components recognised today as the industry standard for film, theatre and events. ARRI Ballasts feature state-of-the-art electronics and offer easy maintenance, automatic fault detection and extensive status indicators, along with impeccable reliability and safety. A wide range of cables and accessories completes the ARRI Lighting product line. Features:     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Constant lamp power and colour temperature over the lifetime of the lamp     Possibility to dim the light between 50 and 100%     Automatic switch-over for 115V~ and 230V~ power supplies     Low noise switch - noise reduction in the luminary     Active Line Filter - power factor correction     Line over-voltage protection     Protection from overheating     Less weight and size compared to magnetic ballasts     At least 5% greater light intensity compared to magnetic ballasts     At least 20% longer bulb life compared to magnetic ballasts     Solid construction, including outside heatsinks as part of housing and a bumper at the operator control panel     Special mechanical design for quick opening of the EB in case of service maintenance     Good service assistance     Detailed technical documentation

L1.70880.0 ARRILUX PocketPAR 400 PAR, blue/silver, VEAM

L1.70880.0 ARRILUX PocketPAR 400 (PAR, blue/silver, VEAM) The compact, low heat Pocket PARs provide daylight that would previously have only been attainable with higher wattage lamps; they are ideal for close-ups and lighting set-ups where space is limited. For day-to-day production the Pocket PARs offer superb punch and are invaluable for both direct lighting and for use with reflectors. ARRI's custom-designed dichroic, glass facetted reflector and matching spread lenses ensure maximum beam control in all situations. A wide variety of accessories are available for various lighting design applications. Features: Superior output Coated double UV glass Easy spot-to-flood adjustment Cold light reflector technology Compact design Positive bayonet lock system Colour coded drop-in lenses Ballast options: 400/575 W AC Ballast with active line filtering 400/575 W AC Ballast with DMX option 200/400 W 20-34 V DC Ballast

L1.70790.0 ARRILUX PocketPAR 200

L1.70790.0 ARRILUX PocketPAR 200 (PAR, blue/silver, Amphenol) The compact, low heat Pocket PARs provide daylight that would previously have only been attainable with higher wattage lamps; they are ideal for close-ups and lighting set-ups where space is limited. For day-to-day production the Pocket PARs offer superb punch and are invaluable for both direct lighting and for use with reflectors. ARRI's custom-designed dichroic, glass facetted reflector and matching spread lenses ensure maximum beam control in all situations. A wide variety of accessories are available for various lighting design applications. Features: Superior output Coated double UV glass Easy spot-to-flood adjustment Cold light reflector technology Compact design Positive bayonet lock system Colour coded drop-in lenses Ballast options: 125/200 W AC Ballast with active line filtering 125/200 W 20-34 V DC Ballast 200/400 W 20-34 V DC Ballast

L1.73375.0 ARRILUX PocketPAR 125 MAN, blue/silver, Binder

L1.73375.0 ARRILUX PocketPAR 125 (MAN, blue/silver, Binder) The compact, low heat Pocket PARs provide daylight that would previously have only been attainable with higher wattage lamps; they are ideal for close-ups and lighting set-ups where space is limited. For day-to-day production the Pocket PARs offer superb punch and are invaluable for both direct lighting and for use with reflectors. ARRI's custom-designed dichroic, glass facetted reflector and matching spread lenses ensure maximum beam control in all situations. A wide variety of accessories are available for various lighting design applications. Features: Superior output Coated double UV glass Easy spot-to-flood adjustment Cold light reflector technology Compact design Positive bayonet lock system Colour coded drop-in lenses Ballast options: 125/200W AC Ballast with active line filtering 125/200W 20-34 V DC Ballast

L1.82410.B ARRI X 40/25 Theatre MAN, grey, VEAM

L1.82410.B ARRI X 40/25 Theatre (MAN, grey, VEAM) Lighting large areas with daylight has now been made easier with the ARRI X series. Wide beam angles of up to 125° allow flat surfaces such as buildings and scenic backgrounds to be lit evenly with a short throw. Interchangeable black reflectors are available to create a hard shadow look. Features: Outstanding wide spread with extremely even coverage Spill light reduced - Uses single-ended discharge lamp Interchangeable reflector to create an 'arc-light' style, hard shadow look Compatible with all ARRI ballasts Sturdy, anti-corrosion aluminium construction Easy to use and maintain Optional frosted UV safety glass available

L1.82650.B ARRI X 60 MAN, blue/silver, VEAM

L1.82650.B ARRI X 60 (MAN, blue/silver, VEAM) Lighting large areas with daylight has now been made easier with the ARRI X series. Wide beam angles of up to 125° allow flat surfaces such as buildings and scenic backgrounds to be lit evenly with a short throw. Interchangeable black reflectors are available to create a hard shadow look. Features: Outstanding wide spread with extremely even coverage Uses single-ended discharge lamp Interchangeable reflector to create an 'arc-light' style, hard shadow look Compatible with all ARRI ballasts Sturdy, anti-corrosion aluminium construction Easy to use and maintain Optional frosted UV safety glass available

L1.82400.F ARRI X 40/25 MAN, blue/silver

L1.82400.F ARRI X 40/25 (MAN, blue/silver, Schaltbau GTV standard) Lighting large areas with daylight has now been made easier with the ARRI X series. Wide beam angles of up to 125° allow flat surfaces such as buildings and scenic backgrounds to be lit evenly with a short throw. Interchangeable black reflectors are available to create a hard shadow look. Features: Outstanding wide spread with extremely even coverage Uses single-ended discharge lamp Interchangeable reflector to create an 'arc-light' style, hard shadow look Compatible with all ARRI ballasts Sturdy, anti-corrosion aluminium construction Easy to use and maintain Optional frosted UV safety glass available

L1.82400.B ARRI X 40/25 MAN, blue/silver, VEAM

L1.82400.B ARRI X 40/25 (MAN, blue/silver, VEAM) Lighting large areas with daylight has now been made easier with the ARRI X series. Wide beam angles of up to 125° allow flat surfaces such as buildings and scenic backgrounds to be lit evenly with a short throw. Interchangeable black reflectors are available to create a hard shadow look. Features: Outstanding wide spread with extremely even coverage Uses single-ended discharge lamp Interchangeable reflector to create an 'arc-light' style, hard shadow look Compatible with all ARRI ballasts Sturdy, anti-corrosion aluminium construction Easy to use and maintain Optional frosted UV safety glass available

L1.82250.F ARRI X 12 MAN, blue/silver

L1.82250.F ARRI X 12 (MAN, blue/silver, Schaltbau GTV standard) Lighting large areas with daylight has now been made easier with the ARRI X series. Wide beam angles of up to 125° allow flat surfaces such as buildings and scenic backgrounds to be lit evenly with a short throw. Interchangeable black reflectors are available to create a hard shadow look. Features: Outstanding wide spread with extremely even coverage Uses single-ended discharge lamp Interchangeable reflector to create an 'arc-light' style, hard shadow look Compatible with all ARRI ballasts - Sturdy, anti-corrosion aluminium construction Easy to use and maintain Optional frosted UV safety glass available

L1.82250.B ARRI X 12 MAN, blue/silver, VEAM

L1.82250.B ARRI X 12 (MAN, blue/silver, VEAM) Lighting large areas with daylight has now been made easier with the ARRI X series. Wide beam angles of up to 125° allow flat surfaces such as buildings and scenic backgrounds to be lit evenly with a short throw. Interchangeable black reflectors are available to create a hard shadow look. Features: Outstanding wide spread with extremely even coverage Uses single-ended discharge lamp Interchangeable reflector to create an 'arc-light' style, hard shadow look Compatible with all ARRI ballasts - Sturdy, anti-corrosion aluminium construction Easy to use and maintain Optional frosted UV safety glass available

L1.82200.F ARRI X 5 MAN, blue/silver

L1.82200.F ARRI X 5 (MAN, blue/silver, Schaltbau GTV standard) Lighting large areas with daylight has now been made easier with the ARRI X series. Wide beam angles of up to 125° allow flat surfaces such as buildings and scenic backgrounds to be lit evenly with a short throw. Interchangeable black reflectors are available to create a hard shadow look. Features: Outstanding wide spread with extremely even coverage Uses single-ended discharge lamp Interchangeable reflector to create an 'arc-light' style, hard shadow look Compatible with all ARRI ballasts - Sturdy, anti-corrosion aluminium construction Easy to use and maintain Optional frosted UV safety glass available

L1.82200.B ARRI X 5 MAN, blue/silver, VEAM

L1.82200.B ARRI X 5 (MAN, blue/silver, VEAM) Lighting large areas with daylight has now been made easier with the ARRI X series. Wide beam angles of up to 125° allow flat surfaces such as buildings and scenic backgrounds to be lit evenly with a short throw. Interchangeable black reflectors are available to create a hard shadow look. Features: Outstanding wide spread with extremely even coverage Uses single-ended discharge lamp Interchangeable reflector to create an 'arc-light' style, hard shadow look Compatible with all ARRI ballasts - Sturdy, anti-corrosion aluminium construction Easy to use and maintain Optional frosted UV safety glass available

L1.37595.E ARRISUN 18 EVENT black

L1.37595.E ARRISUN 18 EVENT (black, Schaltbau) Following the great success of the AS18 lamphead in the film industry, ARRI has developed a version that meets the requirements of event and trade show lighting: the ARRISUN 18 Event. This latest member of the ARRI Event family combines the AS18’s TRUE BLUE technology with specific Event System features. The ARRISUN 18 Event is rugged and robust, with ARRI build quality and IP23 weather resistance for outdoor use.The ARRISUN 18 Event shares the same lenses and accessories as its forerunner, the ARRISUN 12 Event. It is virtually the same size, but light output is increased by about 70% due to the new 1800 W lamp and the EB 1200/1800 EVENT THREE ballast, equipped with CCL – Compensation of Cable Losses. Like the ARRISUN 5 Event, the ARRISUN 18 Event is equipped with ignition time control. Features: Superior light quality High efficiency dichroic glass reflectors Low heat emission from the front of the lamphead Daylight colour temperature with high 
color rendering Choice of colors - black or silver Versatile multicore cable management Intelligent remote 19" electronic ballast units 
with 0.98 power factor DMX control for remote switching and 
50% dimming Compensation of Cable Losses (CCL on 1200/1800 W system only)

L1.37591.E ARRISUN 18 EVENT silver

L1.37591.E ARRISUN 18 EVENT (silver, Schaltbau) Following the great success of the AS18 lamphead in the film industry, ARRI has developed a version that meets the requirements of event and trade show lighting: the ARRISUN 18 Event. This latest member of the ARRI Event family combines the AS18’s TRUE BLUE technology with specific Event System features. The ARRISUN 18 Event is rugged and robust, with ARRI build quality and IP23 weather resistance for outdoor use.The ARRISUN 18 Event shares the same lenses and accessories as its forerunner, the ARRISUN 12 Event. It is virtually the same size, but light output is increased by about 70% due to the new 1800 W lamp and the EB 1200/1800 EVENT THREE ballast, equipped with CCL – Compensation of Cable Losses. Like the ARRISUN 5 Event, the ARRISUN 18 Event is equipped with ignition time control. Features: Superior light quality High efficiency dichroic glass reflectors Low heat emission from the front of the lamphead Daylight colour temperature with high 
color rendering Choice of colors - black or silver Versatile multicore cable management Intelligent remote 19" electronic ballast units 
with 0.98 power factor DMX control for remote switching and 
50% dimming Compensation of Cable Losses (CCL on 1200/1800 W system only)

L1.77875.E ARRISUN 5 EVENT black

L1.77875.E ARRISUN 5 EVENT (black, Schaltbau) ARRISUN Event systems have set a new standard for auto shows and other exhibitions requiring high output, low wattage daylight sources. Strong colour rendition and low heat transmission from the cold-light facetted glass reflector also makes the ARRISUN Event system ideal for fashion shows. The key to the system is multicore cable management; several ballast modules, packed into a single 19" rack feeding the lampheads with only one multicore cable and a splitbox, save set up time and costs when large numbers of daylight PARs are required. Features: Superior light quality High efficiency dichroic glass reflectors Low heat emission from the front of the lamphead Daylight colour temperature with high 
color rendering Choice of colors - black or silver Versatile multicore cable management Intelligent remote 19“ electronic ballast units with 0.98 power factor DMX control for remote switching and 50% dimming

L1.77871.E ARRISUN 5 EVENT silver

L1.77871.E ARRISUN 5 EVENT (silver, Schaltbau) ARRISUN Event systems have set a new standard for auto shows and other exhibitions requiring high output, low wattage daylight sources. Strong colour rendition and low heat transmission from the cold-light facetted glass reflector also makes the ARRISUN Event system ideal for fashion shows. The key to the system is multicore cable management; several ballast modules, packed into a single 19" rack feeding the lampheads with only one multicore cable and a splitbox, save set up time and costs when large numbers of daylight PARs are required. Features: Superior light quality High efficiency dichroic glass reflectors Low heat emission from the front of the lamphead Daylight colour temperature with high 
color rendering Choice of colors - black or silver Versatile multicore cable management Intelligent remote 19“ electronic ballast units with 0.98 power factor DMX control for remote switching and 50% dimming

L1.77890.B ARRISUN 120 MAN, blue/silver, VEAM

L1.77890.B ARRISUN 120 (MAN, blue/silver, VEAM) ARRISUN HMI PARs are the workhorses of location lighting whenever punch or bounce light is required on set. The precise interaction of lamp, reflector and converter (spread) lens was designed with computer simulation for ultimate performance. A wide range of converter (spread) lenses ensures maximum beam control in all situations. Features: Highly efficient parabolic reflectors Corrosion-resistant aluminum construction Extremely even light distribution Lamp focus adjustment Easy service access

L1.77480.B ARRISUN 60 MAN, blue/silver, VEAM

L1.77480.B ARRISUN 60 (MAN, blue/silver, VEAM) ARRISUN HMI PARs are the workhorses of location lighting whenever punch or bounce light is required on set. The precise interaction of lamp, reflector and converter (spread) lens was designed with computer simulation for ultimate performance. A wide range of converter (spread) lenses ensures maximum beam control in all situations. Features: Highly efficient parabolic reflectors Corrosion-resistant aluminum construction Extremely even light distribution Lamp focus adjustment up to 10 different lenses available as INSERT or DROP-IN Easy service access

Arri L1.37300.F AS 40 MAN, blue/silver

L1.37300.F AS 40 (MAN, blue/silver, Schaltbau connector GTV Standard) The AS 40 is an improved replacement for the seasoned ARRISUN 40/25. It uses the same TRUE BLUE housing as the M40 and is thus of the same size, but over 3 kg lighter than the older ARRISUN 40/25. Since the accessory diameter has stayed the same, all existing lenses, barndoors and scrims can be reused. Like all TRUE BLUE ARRI lampheads, the AS 40 implements cross cooling and allows thus safe operation even at extreme tilt angles. The electronics housing is spaced apart from the actual lamp housing to keep temperatures down and prolong the lifetime of electronic components. It is easy to open and to maintain. Features: TRUE BLUE designed housing Same size as older model ARRISUN 40/25 but over 3 kg lighter Compensation for Cable Loss (CCL) Tubular steel yoke Two disk brakes with steel handle Cross Cooling allows safe operation at extreme tilt angles Protection class IP 23 rating

Arri L1.37300.B AS 40 MAN, blue/silver, VEAM

L1.37300.B AS 40 (MAN, blue/silver, VEAM) The AS 40 is an improved replacement for the seasoned ARRISUN 40/25. It uses the same TRUE BLUE housing as the M40 and is thus of the same size, but over 3 kg lighter than the older ARRISUN 40/25. Since the accessory diameter has stayed the same, all existing lenses, barndoors and scrims can be reused. Like all TRUE BLUE ARRI lampheads, the AS 40 implements cross cooling and allows thus safe operation even at extreme tilt angles. The electronics housing is spaced apart from the actual lamp housing to keep temperatures down and prolong the lifetime of electronic components. It is easy to open and to maintain. Features: TRUE BLUE designed housing Same size as older model ARRISUN 40/25 but over 3 kg lighter Compensation for Cable Loss (CCL) Tubular steel yoke Two disk brakes with steel handle Cross Cooling allows safe operation at extreme tilt angles Protection class IP 23 rating

Arri L1.37570.F AS 18 MAN, blue/silver

L1.37570.F AS 18 (MAN, blue/silver, Schaltbau GTV Standard) The AS 40 is an improved replacement for the seasoned ARRISUN 40/25. It is an 1800 W PAR style lamphead, combining industry-standard ARRISUN features with the innovative TRUE BLUE design. The result is an exciting new class of HMI, as small as a 1200W PAR but with a 70 percent higher light output. The AS 18 uses the same lenses, cables and accessories as the ARRISUN 12, and has similar beam spreads. For compatibility, the lamphead can even be used with a 1200 W lamp and powered by either the purpose-designed EB 1200/1800 or any ARRI 1200 W ballast. In line with the AS 18’s sister product, the M18, it is also possible to convert to lens-less operation by fitting an ARRI MAX style reflector, giving a 20 to 60° beam spread. When used with the ARRI 1200/1800 Electronic Ballast, the CCL (Compensation of Cable Losses) system maintains full power to the lamp even when using ‘head-to-ballast’ cables up to 100 m long, which would otherwise mean a 20% loss of output. In offices and domestic situations, the AS18 requires no generator. Drawing less than 13 A from a 230 V supply, it can run on most domestic sockets in 230 V countries. It is the perfect HMI to keep “in the back of the car”. Features: Uses existing ARRISUN 1200 lenses New 1800 W lamp Virtually the same size as a 1200 W lamphead but more than 70% brighter Runs from most domestic sockets world-wide Uses existing 575/1200 cables Can also be used with 1200 W lamps and ballasts Cross cooling allows safe operation at any tilt angle TRUE BLUE tilt lock holds even heavy Chimeras Easy maintenance Protection class IP 23

Arri L1.37570.B AS 18 MAN, blue/silver, VEAM

L1.37570.B AS 18 (MAN, blue/silver, VEAM) The AS 40 is an improved replacement for the seasoned ARRISUN 40/25. It is an 1800 W PAR style lamphead, combining industry-standard ARRISUN features with the innovative TRUE BLUE design. The result is an exciting new class of HMI, as small as a 1200W PAR but with a 70 percent higher light output. The AS 18 uses the same lenses, cables and accessories as the ARRISUN 12, and has similar beam spreads. For compatibility, the lamphead can even be used with a 1200 W lamp and powered by either the purpose-designed EB 1200/1800 or any ARRI 1200 W ballast. In line with the AS 18’s sister product, the M18, it is also possible to convert to lens-less operation by fitting an ARRI MAX style reflector, giving a 20 to 60° beam spread. When used with the ARRI 1200/1800 Electronic Ballast, the CCL (Compensation of Cable Losses) system maintains full power to the lamp even when using ‘head-to-ballast’ cables up to 100 m long, which would otherwise mean a 20% loss of output. In offices and domestic situations, the AS18 requires no generator. Drawing less than 13 A from a 230 V supply, it can run on most domestic sockets in 230 V countries. It is the perfect HMI to keep “in the back of the car”. Features: Uses existing ARRISUN 1200 lenses New 1800 W lamp Virtually the same size as a 1200 W lamphead but more than 70% brighter Runs from most domestic sockets world-wide Uses existing 575/1200 cables Can also be used with 1200 W lamps and ballasts Cross cooling allows safe operation at any tilt angle TRUE BLUE tilt lock holds even heavy Chimeras Easy maintenance Protection class IP 23

L1.77850.F ARRISUN 5 MAN, blue/silver

L1.77850.F ARRISUN 5 (MAN, blue/silver, Schaltbau (GTV-Standard)) ARRISUN HMI PARs are the workhorses of location lighting whenever punch or bounce light is required on set. The precise interaction of lamp, reflector and converter (spread) lens was designed with computer simulation for ultimate performance. A wide range of converter (spread) lenses ensures maximum beam control in all situations. Features: Highly efficient parabolic reflectors Corrosion-resistant aluminum construction Extremely even light distribution Lamp focus adjustment Easy service access

L1.77850.B ARRISUN 5 MAN, blue/silver, VEAM

L1.77850.B ARRISUN 5 (MAN, blue/silver, VEAM) ARRISUN HMI PARs are the workhorses of location lighting whenever punch or bounce light is required on set. The precise interaction of lamp, reflector and converter (spread) lens was designed with computer simulation for ultimate performance. A wide range of converter (spread) lenses ensures maximum beam control in all situations. Features: Highly efficient parabolic reflectors Corrosion-resistant aluminum construction Extremely even light distribution Lamp focus adjustment Easy service access

L1.77820.B ARRISUN 2 MAN, blue/silver

L1.77820.B ARRISUN 2 (MAN, blue/silver, Amphenol) ARRISUN HMI PARs are the workhorses of location lighting whenever punch or bounce light is required on set. The precise interaction of lamp, reflector and converter (spread) lens was designed with computer simulation for ultimate performance. A wide range of converter (spread) lenses ensures maximum beam control in all situations. Features: Highly efficient parabolic reflectors Corrosion-resistant aluminum construction Extremely even light distribution Lamp focus adjustment Easy service access

L1.74020.F ARRI COMPACT 4000 Theatre MOT, grey

L1.74020.F ARRI COMPACT 4000 Theatre (MOT, grey, Schaltbau GTV standard) incl. theatre cassette Where lightweight Fresnel spotlights combining daylight characteristics with a lack of spill light and great tolerance for high temperatures are required, ARRI Compact Daylight Theatre Fresnels are the preferred choice. ARRI's elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength in a compact and efficient unit. Together with ARRI flicker-free Electronic Ballasts, the Compact Daylight Theatre range is perfect for the demanding world of theatre lighting. Features: High efficiency, wide-angle lenses Corrosion-resistant aluminium construction Extremely even light distribution No spill light Glass reflector Stirrup centre adjustment Focus position indicator Focus knob on front and rear Easy service access Wide range of accessories

L1.74020.B ARRI COMPACT 4000 Theatre MOT, grey, VEAM

L1.74020.B ARRI COMPACT 4000 Theatre (MOT, grey, VEAM) incl. theatre cassette Where lightweight Fresnel spotlights combining daylight characteristics with a lack of spill light and great tolerance for high temperatures are required, ARRI Compact Daylight Theatre Fresnels are the preferred choice. ARRI's elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength in a compact and efficient unit. Together with ARRI flicker-free Electronic Ballasts, the Compact Daylight Theatre range is perfect for the demanding world of theatre lighting. Features: High efficiency, wide-angle lenses Corrosion-resistant aluminium construction Extremely even light distribution No spill light Glass reflector Stirrup centre adjustment Focus position indicator Focus knob on front and rear Easy service access Wide range of accessories  

L1.74010.F ARRI COMPACT 4000 Theatre MAN, grey

L1.74010.F ARRI COMPACT 4000 Theatre (MAN, grey, Schaltbau GTV standard) incl. theatre cassette Where lightweight Fresnel spotlights combining daylight characteristics with a lack of spill light and great tolerance for high temperatures are required, ARRI Compact Daylight Theatre Fresnels are the preferred choice. ARRI's elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength in a compact and efficient unit. Together with ARRI flicker-free Electronic Ballasts, the Compact Daylight Theatre range is perfect for the demanding world of theatre lighting. Features: High efficiency, wide-angle lenses Corrosion-resistant aluminium construction Extremely even light distribution No spill light Glass reflector Stirrup centre adjustment Focus position indicator Focus knob on front and rear Easy service access Wide range of accessories

L1.74010.B ARRI COMPACT 4000 Theatre MAN, grey, VEAM

L1.74010.B ARRI COMPACT 4000 Theatre (MAN, grey, VEAM) incl. theatre cassette Where lightweight Fresnel spotlights combining daylight characteristics with a lack of spill light and great tolerance for high temperatures are required, ARRI Compact Daylight Theatre Fresnels are the preferred choice. ARRI's elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength in a compact and efficient unit. Together with ARRI flicker-free Electronic Ballasts, the Compact Daylight Theatre range is perfect for the demanding world of theatre lighting. Features: High efficiency, wide-angle lenses Corrosion-resistant aluminium construction Extremely even light distribution No spill light Glass reflector Stirrup centre adjustment Focus position indicator Focus knob on front and rear Easy service access Wide range of accessories

L1.73690.F ARRI COMPACT 2500 Theatre MOT, grey

L1.73690.F ARRI COMPACT 2500 Theatre (MOT, grey, Schaltbau GTV stamdard) incl. theatre cassette Where lightweight Fresnel spotlights combining daylight characteristics with a lack of spill light and great tolerance for high temperatures are required, ARRI Compact Daylight Theatre Fresnels are the preferred choice. ARRI's elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength in a compact and efficient unit. Together with ARRI flicker-free Electronic Ballasts, the Compact Daylight Theatre range is perfect for the demanding world of theatre lighting. Features: High efficiency, wide-angle lenses Corrosion-resistant aluminium construction Extremely even light distribution No spill light Glass reflector Stirrup centre adjustment Focus position indicator Focus knob on front and rear Easy service access Wide range of accessories

L1.73690.B ARRI COMPACT 2500 Theatre MOT, grey, VEAM

L1.73690.B ARRI COMPACT 2500 Theatre (MOT, grey, VEAM) incl. theatre cassette Where lightweight Fresnel spotlights combining daylight characteristics with a lack of spill light and great tolerance for high temperatures are required, ARRI Compact Daylight Theatre Fresnels are the preferred choice. ARRI's elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength in a compact and efficient unit. Together with ARRI flicker-free Electronic Ballasts, the Compact Daylight Theatre range is perfect for the demanding world of theatre lighting. Features: High efficiency, wide-angle lenses Corrosion-resistant aluminium construction Extremely even light distribution No spill light Glass reflector Stirrup centre adjustment Focus position indicator Focus knob on front and rear Easy service access Wide range of accessories

L1.73680.F ARRI COMPACT 2500 Theatre MAN, grey

L1.73680.F ARRI COMPACT 2500 Theatre (MAN, grey, Schaltbau GTV standard) incl. theatre cassette Where lightweight Fresnel spotlights combining daylight characteristics with a lack of spill light and great tolerance for high temperatures are required, ARRI Compact Daylight Theatre Fresnels are the preferred choice. ARRI's elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength in a compact and efficient unit. Together with ARRI flicker-free Electronic Ballasts, the Compact Daylight Theatre range is perfect for the demanding world of theatre lighting. Features: High efficiency, wide-angle lenses Corrosion-resistant aluminium construction Extremely even light distribution No spill light Glass reflector Stirrup centre adjustment Focus position indicator Focus knob on front and rear Easy service access Wide range of accessories

L1.73680.B ARRI COMPACT 2500 Theatre MAN, grey, VEAM

L1.73680.B ARRI COMPACT 2500 Theatre (MAN, grey, VEAM) incl. theatre cassette Where lightweight Fresnel spotlights combining daylight characteristics with a lack of spill light and great tolerance for high temperatures are required, ARRI Compact Daylight Theatre Fresnels are the preferred choice. ARRI's elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength in a compact and efficient unit. Together with ARRI flicker-free Electronic Ballasts, the Compact Daylight Theatre range is perfect for the demanding world of theatre lighting. Features: High efficiency, wide-angle lenses Corrosion-resistant aluminium construction Extremely even light distribution No spill light Glass reflector Stirrup centre adjustment Focus position indicator Focus knob on front and rear Easy service access Wide range of accessories

L1.75790.B ARRI COMPACT 12000 Baby MAN, blue/silver, VEAM

L1.75790.B ARRI COMPACT 12000 Baby (MAN, blue/silver, VEAM) Where a lightweight Fresnel spotlight using daylight characteristics with compact size and high efficiency are needed, ARRI Compact Daylight Fresnels are the preferred choice. ARRI's elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength and weather resistance. Together with ARRI flicker-free Electronic Ballasts, the rugged compact range is ideal for all types of location lighting. Features: High efficiency, wide-angle lenses Corrosion-resistant aluminium construction Extremely even light distribution Focus position indicator Focus knob on front and rear Easy service access Wide range of accessories Pole-operated versions

L1.75720.B ARRI COMPACT 6000 Plus MAN, blue/silver, VEAM

L1.75720.B ARRI COMPACT 6000 Plus (MAN, blue/silver, VEAM) Where a lightweight Fresnel spotlight using daylight characteristics with compact size and high efficiency are needed, ARRI Compact Daylight Fresnels are the preferred choice. ARRI's elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength and weather resistance. Together with ARRI flicker-free Electronic Ballasts, the rugged compact range is ideal for all types of location lighting. Features: High efficiency, wide-angle lenses Corrosion-resistant aluminium construction Extremely even light distribution Focus position indicator Focus knob on front and rear Easy service access Wide range of accessories Pole-operated versions

L1.73330.B ARRI COMPACT 200 MAN, blue/silver

L1.73330.B ARRI COMPACT 200 (MAN, blue/silver, Amphenol) Where a lightweight Fresnel spotlight using daylight characteristics with compact size and high efficiency are needed, ARRI Compact Daylight Fresnels are the preferred choice. ARRI's elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength and weather resistance. Together with ARRI flicker-free Electronic Ballasts, the rugged Compact range is ideal for all types of location lighting. Features: High efficiency, wide-angle fresnel lens  Corrosion-resistant aluminium construction Extremely even light distribution Easy service access Wide range of accessories

L1.71160.B ARRI DAYLIGHT 18/12 MAN, blue/silver, VEAM

L1.71160.B ARRI DAYLIGHT 18/12 (MAN, blue/silver, VEAM) Where a lightweight Fresnel spotlight using daylight characteristics with compact size and high efficiency are needed, ARRI Daylight Fresnels are the preferred choice. ARRI's elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength and weather resistance. Together with ARRI flicker-free Electronic Ballasts, this rugged HMI Fresnel is ideal for all types of location lighting. Features: Large, high efficiency wide-angle lenses Corrosion-resistant aluminium construction Extremely even light distribution Focus knob on front and rear Easy service access

L1.37950.B ARRIMAX 18/12 MAN, blau/silber, VEAM

L1.37950.B ARRIMAX 18/12 (MAN, blau/silber, VEAM) The original Academy Award-winning ARRIMAX remains the ultimate choice for productions requiring maximum light output. The 580 mm (22.83”) diameter, parabolic facetted reflector provides continuous focus adjustment from 15° to 50° beam angle and, since the ARRIMAX does not require a set of spread lenses, shadows are sharp and easily cut. 18,000W Single Ended lamps use a sturdier GX51 lamp base for which ARRI engineers have designed a special lampholder. This new lampholder alleviates mechanical stress from the lamp pins, which now serve only as an electrical connection. The lamp clamping mechanism is self-aligning and uses a rugged, recessed lamp lock handle. To ensure that crews can easily use 12,000 W lamps or versions of 18 K Single Ended lamps with G38 bases, the new lampholder accepts either lamp type with no modification or adjustment required. Features: 50% brighter than a 12 K PAR 15° to 50° continuous beam angle: standard reflector 8° to 15° beam angle: spot reflector Lens-less design Arc-like shadow quality ARRI eXtreme cooling 18,000W Single Ended (GX51) Easy re-lamping : EZ lamp lock system ARRI Dual Pin Width support (GX51/GX38)

Arri L1.37480.B M90 MAN, blue/silver, VEAM

L1.37480.B M90 (MAN, blue/silver, VEAM) To close the gap between the M40 and the ARRIMAX 18/12, the M90 introduces a new power class of 9000 W. The unit is open-faced and very bright; it is also focusable from 16° up to 49°, producing a remarkably even light field and a crisp, clear shadow. ARRI technology partner Osram developed a new 9000 W lamp for the M90, which is stable at 1000 Hz and almost as small as the 6000 W lamp that can alternatively be used. This allowed ARRI to design the M90 in a very compact housing, barely larger than the ARRISUN 60. Accompanying the M90 is a new ballast, the EB 6/9 kW, available in standard and high speed versions. Like other recent ballasts from ARRI, it features CCL (Compensation for Cable Loss) technology and the power-saving ALF (Active Line Filter). The EB 6/9 kW is DMX compatible and no bigger than ARRI's existing EB 6000 Baby ballast. ETL certified versions of EB 6/9 are available. Features: Lens-less MAX Technology Closes the gap between M40 and ARRIMAX 18/12 New 9000 W power class New 9000 W Osram lamp, the size of 6000 W lamp Superior light quality Light output matches a 12K PAR (with lens) As small and lightweight as a 6K PAR Focusable from 16° up to 49° Can also be used with 6000 W lamps and ballasts Uses existing 6K cables Cross-cooling allows safe operation until 90° tilt position Tilt locks on both sides hold any heavy accessories Easy maintenance Protection class IP23 Possibility to operate at 1000 Hz

Arri L1.37400.F M40 MAN, blue/silver, Schaltbau

L1.37400.F M40 (MAN, blue/silver, Schaltbau) Like all members of the M-Series, the M40 unifies the advantages of a PAR light and a Fresnel fixture. Due to the unique lens-less MAX Technology, the unit is open face and thus very bright, but also focussable over a range of 18 to 52° HPA (Half Peak Angle), casting a crisp shadow. The reflector characteristics is optimised for 4000 W lamps, but can also be used with 2500 W lamps.  The lamphead is equipped with a CCL module (compensation for cable loss). When operated with the ARRI EB 2.5/4 with CCL, full power is maintained all the way to the lamp even when very long cables are used. This means uniformly high light output independent from cable length. Features: Lens-less MAX Technology: Easy to use Around 30% brighter than AS 40 Same size as AS 40 but over 3 kg lighter Compensation for Cable Loss (CCL) Tubular steel yoke Two disk brakes with steel handle Cross Cooling allows safe operation at extreme tilt angles Protection class IP 23

Arri L1.37400.B M40 MAN, blue/silver, VEAM

L1.37400.B M40 (MAN, blue/silver, VEAM) Like all members of the M-Series, the M40 unifies the advantages of a PAR light and a Fresnel fixture. Due to the unique lens-less MAX Technology, the unit is open face and thus very bright, but also focussable over a range of 18 to 52° HPA (Half Peak Angle), casting a crisp shadow. The reflector characteristics is optimised for 4000 W lamps, but can also be used with 2500 W lamps.  The lamphead is equipped with a CCL module (compensation for cable loss). When operated with the ARRI EB 2.5/4 with CCL, full power is maintained all the way to the lamp even when very long cables are used. This means uniformly high light output independent from cable length. Features: Lens-less MAX Technology: Easy to use Around 30% brighter than AS 40 Same size as AS 40 but over 3 kg lighter Compensation for Cable Loss (CCL) Tubular steel yoke Two disk brakes with steel handle Cross Cooling allows safe operation at extreme tilt angles Protection class IP 23  

Arri L1.37600.F M18 MAN, blue/silver

L1.37600.F M18 (MAN, blue/silver, Schaltbau GTV-Norm) The M18 combines MAX Technology, True Blue features and a new 1800 W lamp. The result is an exciting new class of HMI that can be powered from most domestic sockets. It is as small as a 1200 W PAR lamphead but with 70% higher light output. Adjustable from 20° to 60° beam angle, the M18 can also be used with 1200 W lamps. Features: Lens-less MAX Technology: Easy to use New 1800 W lamp Virtually the same size as a 1200 W lamphead but more than 70 % brighter Runs from most domestic sockets world-wide Uses existing 575/1200/1800 W cables Can also be used with 1200 W lamps and ballasts Cross Cooling allows safe operation at any tilt angle Protection class IP 23 TRUE BLUE tilt lock holds even heavy Chimeras Easy maintenance

Arri L1.37600.B M18 MAN, blue/silver, VEAM

L1.37600.B M18 (MAN, blue/silver, VEAM) The M18 combines MAX Technology, True Blue features and a new 1800 W lamp. The result is an exciting new class of HMI that can be powered from most domestic sockets. It is as small as a 1200 W PAR lamphead but with 70% higher light output. Adjustable from 20° to 60° beam angle, the M18 can also be used with 1200 W lamps. Features: Lens-less MAX Technology: Easy to use New 1800 W lamp Virtually the same size as a 1200 W lamphead but more than 70 % brighter Runs from most domestic sockets world-wide Uses existing 575/1200/1800 W cables Can also be used with 1200 W lamps and ballasts Cross Cooling allows safe operation at any tilt angle Protection class IP 23 TRUE BLUE tilt lock holds even heavy Chimeras Easy maintenance  

Arri L1.34005.F TRUE BLUE D40 MAN, black

L1.34005.F TRUE BLUE D40 (MAN, black, Schaltbau (GTV standard)) Where a lightweight Fresnel spotlight using daylight characteristics with compact size and high efficiency are needed, ARRI TRUE BLUE D-Series Fresnels are the preferred choice. ARRI's elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength and weather resistance. Together with ARRI flicker-free Electronic Ballasts, the rugged TRUE BLUE D-Series is ideal for all types of location lighting. Features: Cross Cooling Easy Maintenance Adjustable accessory brackets Barndoor Safety Catch Sliding and lightweight stirrup Tilt lock with disc break Stainless steel lens protection Robust True Blue barndoors Robust Location Top Latch Protection class IP23

Arri L1.34005.B TRUE BLUE D40 MAN, black, VEAM

L1.34005.B TRUE BLUE D40 (MAN, black, VEAM) Where a lightweight Fresnel spotlight using daylight characteristics with compact size and high efficiency are needed, ARRI TRUE BLUE D-Series Fresnels are the preferred choice. ARRI's elegant modular construction, using corrosion-resistant aluminium extrusions and lightweight die castings, offers great structural strength and weather resistance. Together with ARRI flicker-free Electronic Ballasts, the rugged TRUE BLUE D-Series is ideal for all types of location lighting. Features: Cross Cooling Easy Maintenance Adjustable accessory brackets Barndoor Safety Catch Sliding and lightweight stirrup Tilt lock with disc break Stainless steel lens protection Robust True Blue barndoors Robust Location Top Latch Protection class IP23