ARRI Alexa 35 Camera Kit,Used Good condition 3 months warranty More dynamic range, contrast, and sensitivity ALEXA 35 measures at 17 stops of dynamic range (exposure latitude), far more than any other digital cinema camera. Having 1.5 stops more in the highlights and one stop more in the shadows than previous ALEXA cameras, while retaining the naturalistic film-like highlight roll-off, will be game-changing for filmmakers. Sophisticated stray-light suppression in the camera and lens mounts ensures that the full contrast range and character of each lens are captured by the sensor. Together, the increased dynamic range and stray light control make it easier to handle any lighting conditions on set, increase flexibility in post, and provide the best source for HDR (High Dynamic Range) projects. With low noise and sensitivity settings ranging from EI 160 to EI 6400, ALEXA 35is a “High ISO” camera. An optional Enhanced Sensitivity Mode can be applied to settings between EI 2560 and EI 6400, producing an even cleaner image in lowlight. This exceptional sensitivity, combined with the wider dynamic range and stray-light suppression, allows ALEXA 35 to capture the most delicate nuances of light and shadow in more situations than ever before. REVEAL Colour Science ARRI’s discussions with filmmakers and careful review of the image pipeline have led to significant improvements in image quality and a faster, easier workflow. REVEAL Colour Science is the collective name for a suite of new image processing steps used by ALEXA 35 internally and also available through leading third-party postproduction tools for ARRIRAW processing. It includes an improved debayering algorithm for cleaner compositing, a new colour engine for more accurate colour reproduction, a new wide gamut colour space for faster grading, new LogC4 encoding to contain the increased dynamic range, and newLogC4 LUTs (Look Up Tables) for improved colour fidelity. While bringing out the best of the ALEXA 35’s new sensor, REVEAL Colour Science is also backwards compatible. ARRIRAW footage captured by ALEXALF and Mini LF cameras can be processed with REVEAL Colour Science, gaining many of its advantages. This means that the ALEXA 35 and ARRI’s large-format cameras can be combined on set and can also share LogC4 LUTs in post. Enhanced creative control With its Super 35 4:3 native 4K sensor, ALEXA 35 can be used with a vast global inventory of existing lenses—modern and vintage, anamorphic and spherical, Super 35 and large format. Filmmakers wanting to shoot with ARRI cameras while having to fulfill 4K mandates now have an immeasurably broader lens choice. ARRI Textures is a unique new feature that allows cinematographers to fundamentally alter the way in which the camera records images, should they wish to. Up until now, ALEXA cameras have been pre-programmed with a default texture that determines the amount and character of grain in the image, and the amount of contrast at different levels of detail, perceived by the viewer as sharpness. For the first time, ALEXA 35 provides the option to choose from a menu of ARRI Textures, much like selecting a film stock. Easy operation and new accessory range ALEXA 35 is the smallest fully-featured ARRI production camera ever, packing the features and processing power of a “larger” ALEXA into a Mini-sized body. Crews will be intuitively familiar with the camera’s simple menu structure; support for 1TB and 2TB Codex Compact Drives; and MVF-2 viewfinder, now with HDR. Fast and easy operation is assured through a new left-side display, Advanced Colour Match, pre-recording capability, and a slew of usability improvements such as additional user buttons. A total of 19 recording formats, incorporating efficient in-camera down-sampling and anamorphic de-squeezing, allow productions to optimize data rate, resolution, and other parameters, based on their individual needs. Mixed reality and virtual productions will benefit from the camera’s ability to record lens metadata in all common standards and output real-time streaming metadata to ARRI’s Live Link Metadata Plug-in for Unreal Engine. ARRI has crafted a new line of bespoke ALEXA 35 accessories that expand the camera’s capabilities and ensure maximum speed and versatility on set. Closely integrated electronic accessories offer additional power outputs or extended audio features. A complete new set of mechanical support items provides flexible options for any shooting situation, scaling quickly and easily from a small and lightweight setup to a full-blown production configuration. ALEXA 35 is supported by ARRI’s full suite of online tools, as well as free-of-charge standalone apps like the iPhone/iPad Camera Companion App, ARRI Reference Tool, and ARRIRAW HDE Transcoder .Temperature resistant, splash and dust-proof, and conceived with future hardware and software updates in mind, ALEXA 35 delivers robust and reliable service on set, a long product cycle, and a safe return on investment.
ARRI Alexa Mini Camera Kit 4:3 & RAW 216 Hours, Used
ARRI Alexa Mini Camera Kit 4:3 & RAW 216 Hours, Used Good condition 3 months warranty Compact, lightweight, and self-contained - ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family. The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mount, allowing the use of B4 video, EF mount stills lenses, or with the even ARRI Signature Primes with the LPL mount for ALEXA Mini. An ALEXA Mini can be operated in number of ways: by wireless remote control, as an A-camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body. Designed with new-generation brushless gimbals, multicopters and other specialized rigs in mind, ALEXA Mini is light enough to be comfortably held at arm’s length in a hand rig, while its compact size also makes it ideal for tight shooting conditions, as well as underwater, aerial, car, action, and 3D shoots. With an ALEXA Mini you can literally shoot everywhere with the best image quality. The compact and lightweight ALEXA Mini is a highly versatile tool on set. In some productions it is used as a second or third camera, while in others it is the main camera throughout a shoot. As a result, it is frequently moved from one configuration to another. Any time savings that can be made during these transitions will have a big impact on the daily shooting schedule. Therefore, ARRI has developed a studio set for ALEXA Mini. It's core is the ARRI Compact Bridge Plate CBP-1, a base plate with integrated sliding bridge plate and shoulder pad. This allows for rapid, tool-less transitions between configurations - for example from TRINITY, MAXIMA, or Steadicam stabilizers to tripod heads or an operator’s shoulder. The Rear Accessory Bracket RAB-1 offers flexible attachment options for the Power Splitting Box Mk II, a power distribution unit available in Gold Mount and V-Mount versions, while the Side Accessory Bracket SAB-1 provides a simple interface for mounting accessories towards the rear of the camera. Many previously released ARRI camera accessories for the ALEXA Mini are fully compatible with the studio set. Three ALEXA Mini license upgrades are available, allowing users to get the most out of the camera’s 4:3 ALEV 3 sensor. The 4:3 License Key enables ALEXA Mini to record ProRes in 4:3, 4:3 cropped or 16:9 anamorphic and to de-squeeze both the viewfinder image and HD-SDI signal. The ARRIRAW License Key allows for 2.8K 16:9 ARRIRAW recording. Open Gate ARRIRAW recording is possible with cameras that have both license keys installed. The ARRI Look Library License Key offers 87 predefined creative color gradings, each in three intensities.
ARRI Alexa Mini Camera Kit 4254 Hours,Used
ARRI Alexa Mini Camera Kit 4254 Hours,Used Fair condition 3 months warranty Licensed Features: • ProRes 4444XQ • 2K Recording • Custom 3d LUTs • 100-200 FPS • Log C Compact, lightweight, and self-contained - ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family. The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mount, allowing the use of B4 video, EF mount stills lenses, or with the even ARRI Signature Primes with the LPL mount for ALEXA Mini. An ALEXA Mini can be operated in number of ways: by wireless remote control, as an A-camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body. Designed with new-generation brushless gimbals, multicopters and other specialized rigs in mind, ALEXA Mini is light enough to be comfortably held at arm’s length in a hand rig, while its compact size also makes it ideal for tight shooting conditions, as well as underwater, aerial, car, action, and 3D shoots. With an ALEXA Mini you can literally shoot everywhere with the best image quality. The compact and lightweight ALEXA Mini is a highly versatile tool on set. In some productions it is used as a second or third camera, while in others it is the main camera throughout a shoot. As a result, it is frequently moved from one configuration to another. Any time savings that can be made during these transitions will have a big impact on the daily shooting schedule. Therefore, ARRI has developed a studio set for ALEXA Mini. It's core is the ARRI Compact Bridge Plate CBP-1, a base plate with integrated sliding bridge plate and shoulder pad. This allows for rapid, tool-less transitions between configurations - for example from TRINITY, MAXIMA, or Steadicam stabilizers to tripod heads or an operator’s shoulder. The Rear Accessory Bracket RAB-1 offers flexible attachment options for the Power Splitting Box Mk II, a power distribution unit available in Gold Mount and V-Mount versions, while the Side Accessory Bracket SAB-1 provides a simple interface for mounting accessories towards the rear of the camera. Many previously released ARRI camera accessories for the ALEXA Mini are fully compatible with the studio set. Three ALEXA Mini license upgrades are available, allowing users to get the most out of the camera’s 4:3 ALEV 3 sensor. The 4:3 License Key enables ALEXA Mini to record ProRes in 4:3, 4:3 cropped or 16:9 anamorphic and to de-squeeze both the viewfinder image and HD-SDI signal. The ARRIRAW License Key allows for 2.8K 16:9 ARRIRAW recording. Open Gate ARRIRAW recording is possible with cameras that have both license keys installed. The ARRI Look Library License Key offers 87 predefined creative color gradings, each in three intensities.
Birddog Eyes P240 NDI PTZ Camera x3 + Birddog PTZ Keyboard Controller,Used
Birddog Eyes P240 NDI PTZ Camera x3 + Birddog PTZ Keyboard Controller,UsedExcellent condition 3 months warranty BirdDog presents the ultimate PTZ camera bundle with the BirdDog 3x P240 Black and 1xPTZ Keyboard.This bundle features the latest in NDI technology, including Full NDI, NDI|HX2 and HX PTZ Camera, and an updated Sony Exmor R broadcast sensor for superior image quality and performance. The P240 offers three output options – NDI, SDI, and HDMI – for ultimate video flexibility, along with Balanced XLR audio for professional audio connections. The IP output options include multiple flavours of NDI, SRT, and h.264, and BirdDog Cloud 3.0 integration for globally connected remote productions. Additional features of the P240 include Free Auto-Tracking, FreeD output for AR/VR workflows, an OLED display to show the IP address, 360° mohawk tally, filter thread, safety anchor point, and carry handle. And with NDI 5.5 support, these cameras are ready for all your live production needs. The P240’s comprehensive interface, presented in an intuitive way, provides valuable system statistics and insights at a quick glance. The camera also supports RUDP for reduced network load and error correction, NDI Genlock for predictable timing in multi-camera environments, and NDI Video Scopes for monitoring scopes on the NDI Proxy feed. Innovative features like the 360° Mohawk Tally, unique numbering system, OLED display, and sophisticated color tools make the P240 stand out from other PTZ cameras. And with the free BirdDog Cam Control app, users can easily access and control all functions of the camera. Building upon the NDI® PTZ category defining P200, the all new P240 introduces an updated Sony Exmor R broadcast sensor to deliver increased light sensitivity and best in class image quality and performance. P240 offers three output options including NDI®, SDI, and HDMI for ultimate video flexibility while Balanced XLR audio adds professional audio connections. IP output options include multiple flavours of NDI® including Full NDI®, NDI®|HX2, and HX3, SRT, and h.264, whilst BirdDog Cloud 3.0 integration unlocks globally connected remote productions. Free Auto-Tracking, FreeD output for AR/VR workflows, and additional features comprising an OLED display to show the IP address, 360° mohawk tally, filter thread, safety anchor point, and carry handle make P240 the best choice for live productions.And yes, the cameras support NDI® 5.5 natively. BIRDDOG DASHBOARD WITH HEADS UP DISPLAY The P240 features a comprehensive interface that provides system statistics such as the number of active connections, current bandwidth usage, and network traffic, and presented in an intuitive way to give users valuable insights at a quick glance. RUDP Support for Reliable User Datagram Protocol reduces overall network load as not every packet needs to be acknowledged by every receiver. RUDP has error correction built in for smoothness and maximum reliability. NDI GENLOCK With NDI Genlock, users can select an NDI source to be the timing master to provide more predictable timing in multi camera environments. FREED FreeD is a protocol for sending PTZ positioning data to AR/VR systems including Unreal Engine, Brainstorm, Vizrt’s Viz Virtual Studio, and many more. The P240 supports FreeD built directly into The Dashboard. NDI VIDEO SCOPES The P240 cameras can generate scopes in-camera to send out as NDI, NDI Proxy, or both. This allows for monitoring scopes on the NDI Proxy while sending a clean main NDI feed simultaneously. Users can choose from Histogram, Waveform, Vectorscope, or RGB Parade and the position on the NDI stream. 360° MOHAWK TALLY Innovative new Mohawk Tally gives a full 360 degree view to eliminate the guesswork of which camera users need to be talking to. UNIQUE NUMBERING SYSTEM Removable silicon numbers at the back of the P240 give additional Tally vision and allow switcher operators to easily identify cameras. OLED DISPLAY Convenient OLED displays allow for information such as IP Address, Device Name, Stream Name, Resolution, and Frame Rate. This feature can also be accessed in The Dashboard. MOST FORMATS NOW SUPPORTED Along with Full NDI, the P240 will soon support a significant number of formats including NDI|HX2, NDI|HX3, SRT, H.264 for low bandwidth requirements. GLOBALLY CONNECTED No computers needed By adding a BirdDog Cloud subscription, users can now access the PTZ cameras and all features from anywhere in the world with no additional computers needed on the camera side. SOPHISTICATED COLOUR TOOLS The P240 hosts an expansive set of colour tools. With 64 levels of saturation and hue control over red, green, blue, cyan, yellow, and magenta, users can shade and match P240 cameras like a professional colourist. FREE CAM CONTROL The BirdDog Cam Control app offers simple, user-friendly features for dialing in to BirdDog cameras. Simply load on a Windows 10 machine on the same network as the BirdDog cameras and access all functions of the camera through a beautiful interface. Quickly dial in the look you like and copy settings across multiple cameras in seconds. And it is free with all BirdDog cameras.
Lectrosonics SMB/E01 Digital Hybrid Wireless Miniature Bodypack Transmitter, used
Lectrosonics SMB/E01 Digital Hybrid Wireless Miniature Bodypack Transmitter - BLK606 (606-631.5 MHz) Good Condition The Lectrosonics SMB/E01 is an ultra-compact professional Digital Hybrid Wireless® bodypack transmitter designed for film, television, theatre and broadcast production. Its miniature size makes it ideal for concealed talent applications while maintaining the robust RF performance and audio quality that Lectrosonics is known for. Featuring a rugged machined aluminium housing with moisture-resistant seals, the SMB/E01 is built for demanding production environments. It supports a wide variety of lavalier, dynamic and line-level sources via its Servo Bias TA5M input and is compatible with Lectrosonics Digital Hybrid receivers. This unit is supplied in Block 606 (606.000–631.500 MHz), making it suitable for users operating compatible UK Channel 38 systems (subject to local licensing requirements).
Panasonic AJ PX 270EJ camcorder Kit, 5363 hrs, Swit Battery, Charger, Cards used
Panasonic AJ PX 270EJ camcorder Kit, 5363 hrs, Swit Battery, Charger, Cards used Good condition, 3 months Warranty The Panasonic AJ-PX270 is a compact professional ENG camcorder designed for broadcast news gathering and documentary production. It features three 1/3-type 3MOS sensors and a powerful 22× optical zoom lens, delivering high-quality Full HD video with excellent dynamic range and low-light performance. The camera supports Panasonic’s AVC-ULTRA codec family, including AVC-Intra and AVC-LongG formats, and records to microP2 and P2 cards for reliable professional workflows. Built-in wired and wireless network capabilities allow live streaming, FTP transfer, and proxy recording for fast news production. With three manual lens rings, OLED viewfinder, optical image stabilization, ND filters, and professional XLR audio inputs, the AJ-PX270 offers the control and performance of larger shoulder-mounted broadcast cameras in a lightweight handheld design.
Panasonic AJ PX 270EJ camcorder Kit, 6994 hrs, Swit Battery, Charger,Cards used
Panasonic AJ PX 270EJ camcorder Kit, 6994 hrs, Swit Battery, Charger,Cards used Excellent Condition The Panasonic AJ-PX270 is a compact professional ENG camcorder designed for broadcast news gathering and documentary production. It features three 1/3-type 3MOS sensors and a powerful 22× optical zoom lens, delivering high-quality Full HD video with excellent dynamic range and low-light performance. The camera supports Panasonic’s AVC-ULTRA codec family, including AVC-Intra and AVC-LongG formats, and records to microP2 and P2 cards for reliable professional workflows. Built-in wired and wireless network capabilities allow live streaming, FTP transfer, and proxy recording for fast news production. With three manual lens rings, OLED viewfinder, optical image stabilization, ND filters, and professional XLR audio inputs, the AJ-PX270 offers the control and performance of larger shoulder-mounted broadcast cameras in a lightweight handheld design.
Panasonic AJ-PX270EJ Camcorder Kit 540 Hrs, Cards, Battery, Charger
Panasonic AJ-PX270EJ Camcorder Kit 540 Hrs, Cards, Battery, Charger Excellent condition, 3 month warranty A reliable and industry-proven Panasonic AJ-PX270EJ professional handheld camcorder, ideal for broadcast, ENG, and production work. This unit has 540 operating hours, making it a great low-usage option for its class. The PX270 series is well known for its AVC-Intra recording, P2 workflow, and excellent image quality, making it suitable for news gathering, documentaries, and corporate production.
Panasonic AJ-PX270EJ Camcorder Kit 7138 Hrs, Cards, Battery, Charger
Panasonic AJ-PX270EJ Camcorder Kit 7138 Hrs, Cards, Battery, Charger (FMP61765KSSH) Excellent Condition The Panasonic AJ-PX270EJ is a compact professional ENG camcorder designed for broadcast news gathering and documentary production. It features three 1/3-type 3MOS sensors and a powerful 22× optical zoom lens, delivering high-quality Full HD video with excellent dynamic range and low-light performance. The camera supports Panasonic’s AVC-ULTRA codec family, including AVC-Intra and AVC-LongG formats, and records to microP2 and P2 cards for reliable professional workflows. Built-in wired and wireless network capabilities allow live streaming, FTP transfer, and proxy recording for fast news production. With three manual lens rings, OLED viewfinder, optical image stabilization, ND filters, and professional XLR audio inputs, the AJ-PX270EJ offers the control and performance of larger shoulder-mounted broadcast cameras in a lightweight handheld design.
Panasonic AJ-PX800 P2 HD Camcorder w/CVF15G and YJ19 Lens, used
Panasonic AJ-PX800 P2 HD Camcorder w/CVF15G and YJ19 Lens, used(FMP61630KSSH) Panasonic AJ-PX800 Overview Designed to be lighter than their previous 3 MOS ENG style cameras, the Panasonic AJ-PX800 P2 HD AVC-ULTRA Camcorder is a full-featured 2/3" ENG style video camera with an interchangeable lens system. Please note that this item only includes the camera body and does not include the lens or viewfinder. Suitable for newsgathering, the camera captures Full HD at up to 59.94p, recording to optional P2 cards, or micro P2 cards with an optional adapter. Using codecs in the AVC-ULTRA family allows you a choice of compression and data rate to suit your needs, and you can record proxy files on optional SD cards using the built-in SD media card slot. It features an SD/HD-SDI, and an HDMI output, as well as a monitor output switchable between SD/HD and Composite. With both Genlock in and Timecode In/Out, the camera is suitable for multi-camera and single camera news coverage. The camera comes ready to interface with your network via the built-in Ethernet connector. You can attach an optional USB dongle to the camera for wireless connectivity using WiFi, 4G, or LTE. The camera features a variety of in camera image settings, including Flash Band compensation, which minimizes the effects of still photo camera flashes captured on video. The built-in Uni Slot accepts optional wireless audio recording.
Panasonic AJ-SPC700E, with VF20WBE Camera, Used
Panasonic AJ-SPC700E, with VF20WBE Camera, Used Excellent condition, 3 months warranty Panasonic Broadcast introduces a cost-effective shoulder-mount AJ-SPC700 camcorder, tailor-made for a gamut of electronic newsgathering assignments. Since becoming available last spring, Panasonic’s DVCPRO P2 products have offered the extensive benefits of solid-state memory recording and IT integration, and have elevated digital video acquisition to a new level of speed and cost efficiency. By eliminating all moving parts from the camera recording path, Panasonic has ensured the AJ-SPC700 is extremely reliable and resistant to environmental hazards, such as the shock, vibration, cold, heat and humidity that threaten camcorders based on mechanical recording transports. AJ-SPC700 images are stored on a P2 card using MXF file format to ensure IT compatibility for file transfer. The AJ-SPC700 combines a high-performance 2/3” 520,000-pixel, IT 3-CCD camera with 60 fields interlace recording in 25Mbps DVCPRO/DV and 50Mbps 4:2:2 DVCPRO50 format on a P2 card. Switchable between 4:3 and 16:9 aspect ratios, the camcorder delivers broadcast-level performance, with low smear, 750-line resolution, an S/N ratio of 63dB, a high sensitivity of F11 at 2000 lux, and minimum illumination of 0.5 lux (at +36dB). With its newly-developed DSP, the AJ-SPC700 has a very low power consumption of about 20 watts, which minimizes the number of batteries needed for field work. It is equipped with an advanced 12-axis matrix color correction system, and a news gamma curve specially optimized for the demands of field news acquisition. The news gamma curve helps to preserve image quality by suppressing over-saturation in highlight areas during sudden changes in contrast. The AJ-SPC700 features five P2 card slots, providing up to 160 minutes record capacity at DVCPRO and 80 minutes in DVCPRO50 with 8GB P2 cards. A sixth PC card slot is provided to accept a range of options, such as a MPEG-4 Proxy Video Encoder. Proxy video – in three quality choices -- may be recorded to P2 cards and SD Memory cards, and subsequently viewed on a journalist’s PC or personal digital assistant (PDA). Its superb audio performance supports two audio input channels which will be recorded onto four audio channels of 48kHz/16-bit PCM audio in DVCPRO50, DVCPRO and DV. The AJ-SPC700 comes equipped with a USB 2.0 interface for file transfers, and users can add an IEEE-1394 interface (optional AJ-YAD800G board) for a real-time stream and for connection to laptop computers running a range of popular NLE applications, thereby providing a self-contained field editing solution. The AJ-SPC700 starts recording from the moment it’s switched on, so users can feel confident that they won’t miss an important shot. Its hot swap function assures non-stop recording, because it allows a user to replace any P2 card (except the one being recorded on) on the fly. Regarding its flexibility in the IT domain, the AJ-SPC700 offers many innovative functions: Three recording modes – Continuous, pre-record or loop-record assure a news crew has less chance of missing an important event, and eliminate waiting for tape scanners or optical media to spin-up prior to recording. Voice Memo - A built-in memo microphone permits the addition of metadata audio description to clip metadata with specified time code link. Shot marker indication on clips of video. Thumbnail clip display and selection – the built-in color 3.5” LCD monitor provides easy review of video clip thumbnails and the creation of an in-camera storyboard. The camcorder is highly customizable with features like four user scene files, three user setup buttons, and camera setup memory (up to eight camera setups can be saved to a SD Memory card). Other valuable features of the AJ-SPC700 include: Auto Tracking White Balance, electronic shutter speeds (1/100 to 1/2000 sec.) with Synchro-Scan capability (1/60.3 to 1/249.7 sec.), 4-position (ND + CC) optical filter, zebra pattern display, and built-in SMPTE time code generator/reader. Input/outputs include composite (in/out), Genlock (in), monitor (out), two XLR audio (in), one 3-pin XLR audio (out), two Microphone line (in), DC (in/out), ECU (in) two stereo headphone mini-jacks (out), plus UniSlot wireless Microphone (in). Panasonic also offers the shoulder-mount AJ-SPX800 2/3” DVCPRO P2 camcorder, which includes 24fps and 30fps progressive recording as well as 60 fields interlace recording. Panasonic’s DVCPRO P2 series products are fully compatible with DVCPRO, the industry’s standard for digital newsgathering, and provide a seamless migration path to DVCPRO HD. DVCPRO P2 offers nonlinear acquisition and instant access to material, high-speed file transfer, laptop field editing without requirement for proxy videos, and compatibility with off-the-shelf data storage drives for low-cost archiving, while eliminating traditional digitizing and ingesting operations. The core DVCPRO P2 products eliminate transports and mechanisms, resulting in a significant maintenance cost-savings because of the absence of any moving parts that can break down or wear out from repetitive use. P2 cards can be re-used almost indefinitely, since a card can be re-written a minimum of 100,000 times without performance degradation and its ultra-reliable connector will last for a minimum of 30,000 insertion and removal cycles. Moreover, DVCPRO P2 products are resistant to environmental stresses such as shock and vibration
Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used
Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used(FMP60825KSSH) Excellent condition, 3 months warranty This versatile AW-HE870 delivers affordable 2/3" quality acquisition for a wide range of applications. This new addition to Panasonic's best-selling HD convertible camera line supports 1080i/720p HD and 480i SD capture and is compatible with most 2/3-inch motor drive zoom lenses. Combining versatile HD/SD functionality, high video quality and cost effectiveness, the HE870 is ideal for use in education, government, houses of worship, corporate boardrooms, staging and much more. Compatible with Panasonic's comprehensive line of high-performance indoor/outdoor pan-tilt systems, the compact HE870 offers a simple upgrade path to HD. Previously installed control systems may require a firmware upgrade to access all of the new camera's features.
Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used
Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used(FMP60826KSSH) Excellent condition, 3 months warranty This versatile AW-HE870 delivers affordable 2/3" quality acquisition for a wide range of applications. This new addition to Panasonic's best-selling HD convertible camera line supports 1080i/720p HD and 480i SD capture and is compatible with most 2/3-inch motor drive zoom lenses. Combining versatile HD/SD functionality, high video quality and cost effectiveness, the HE870 is ideal for use in education, government, houses of worship, corporate boardrooms, staging and much more. Compatible with Panasonic's comprehensive line of high-performance indoor/outdoor pan-tilt systems, the compact HE870 offers a simple upgrade path to HD. Previously installed control systems may require a firmware upgrade to access all of the new camera's features.
Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used
Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used(FMP60827KSSH) Excellent condition, 3 months warranty This versatile AW-HE870 delivers affordable 2/3" quality acquisition for a wide range of applications. This new addition to Panasonic's best-selling HD convertible camera line supports 1080i/720p HD and 480i SD capture and is compatible with most 2/3-inch motor drive zoom lenses. Combining versatile HD/SD functionality, high video quality and cost effectiveness, the HE870 is ideal for use in education, government, houses of worship, corporate boardrooms, staging and much more. Compatible with Panasonic's comprehensive line of high-performance indoor/outdoor pan-tilt systems, the compact HE870 offers a simple upgrade path to HD. Previously installed control systems may require a firmware upgrade to access all of the new camera's features.
Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used
Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used(FMP60831KSSH) Excellent condition, 3 months warranty This versatile AW-HE870 delivers affordable 2/3" quality acquisition for a wide range of applications. This new addition to Panasonic's best-selling HD convertible camera line supports 1080i/720p HD and 480i SD capture and is compatible with most 2/3-inch motor drive zoom lenses. Combining versatile HD/SD functionality, high video quality and cost effectiveness, the HE870 is ideal for use in education, government, houses of worship, corporate boardrooms, staging and much more. Compatible with Panasonic's comprehensive line of high-performance indoor/outdoor pan-tilt systems, the compact HE870 offers a simple upgrade path to HD. Previously installed control systems may require a firmware upgrade to access all of the new camera's features.
Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used
Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used(FMP60828KSSH) Excellent condition, 3 months warranty This versatile AW-HE870 delivers affordable 2/3" quality acquisition for a wide range of applications. This new addition to Panasonic's best-selling HD convertible camera line supports 1080i/720p HD and 480i SD capture and is compatible with most 2/3-inch motor drive zoom lenses. Combining versatile HD/SD functionality, high video quality and cost effectiveness, the HE870 is ideal for use in education, government, houses of worship, corporate boardrooms, staging and much more. Compatible with Panasonic's comprehensive line of high-performance indoor/outdoor pan-tilt systems, the compact HE870 offers a simple upgrade path to HD. Previously installed control systems may require a firmware upgrade to access all of the new camera's features.
Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used
Panasonic AWHE870 with SD/HD-SDI Conversion board installed, used(FMP60829KSSH) Excellent condition, 3 months warranty This versatile AW-HE870 delivers affordable 2/3" quality acquisition for a wide range of applications. This new addition to Panasonic's best-selling HD convertible camera line supports 1080i/720p HD and 480i SD capture and is compatible with most 2/3-inch motor drive zoom lenses. Combining versatile HD/SD functionality, high video quality and cost effectiveness, the HE870 is ideal for use in education, government, houses of worship, corporate boardrooms, staging and much more. Compatible with Panasonic's comprehensive line of high-performance indoor/outdoor pan-tilt systems, the compact HE870 offers a simple upgrade path to HD. Previously installed control systems may require a firmware upgrade to access all of the new camera's features.
Panasonic GH5 Camera w/ Leica 12-60mm Lens Kit, XLR, Battery, Charger, Used
Panasonic GH5 Camera w/ Leica 12-60mm Lens Kit, XLR, Battery, Charger, Used Excellent Condition The Panasonic Lumix GH5 is a highly regarded mirrorless camera, widely used for professional video production and hybrid shooting. This kit includes the premium Leica 12-60mm lens, offering excellent optical performance, sharpness, and versatility across a useful focal range. Ideal for filmmakers, content creators, and broadcast professionals, the GH5 delivers reliable 4K recording, robust build quality, and advanced video features.
Sony A6500 premium E-mount Camera with XLR mount, used
Sony A6500 premium E-mount Camera with XLR mount, used Excellent Condition The Sony a6500 is a 24.2 MP APS-C mirrorless camera featuring 5-axis in-body image stabilization (IBIS), 4K video recording, and a 425-point hybrid autofocus system. Released as a high-end, compact crop-sensor body, it offers a fast 11 fps burst rate, a large buffer, and a touchscreen, making it ideal for both action photography and hybrid content creation. Key Features and Performance Imaging: 24.2 MP Exmor CMOS sensor with BIONZ X processor. Stabilization: 5-axis in-body image stabilization (IBIS), providing up to 5 stops of shake correction. Autofocus: 425 phase-detection points with 0.05s autofocus speed. Video: 4K recording (3840 x 2160) up to 30p, with 1080p up to 120fps for slow motion. Build: Touchscreen interface, 2.36M-dot OLED viewfinder, and a sturdy build. Strengths Deep Buffer: Allows for extended, high-speed continuous shooting (up to 300 JPEGs). Fast AF: Exceptional tracking performance for fast-moving subjects. Compact 4K: Offers high-quality, full-pixel readout 4K video. Lens Selection: Wide range of available E-mount lenses. Limitations Screen: The rear LCD screen does not flip up or out, which is not ideal for vlogging. Rolling Shutter: Noticeable in 4K, though manageable. Battery Life: Average, common among mirrorless cameras of its generation. The Sony E PZ 16-50mm f/3.5-5.6 OSS (SELP1650) is a compact, retractable APS-C lens featuring built-in Optical Steady Shot (OSS) image stabilization and a Power Zoom (PZ) mechanism for smooth, silent zooming. Designed for travel, it offers a 24-75mm equivalent range, 7-blade circular aperture, and fast, quiet AF. Key Features of the E PZ 16-50mm f/3.5-5.6 OSS: Retractable Design: The lens collapses to just 29.9mm in length when powered off, making it extremely portable. Power Zoom (PZ): A motorized zoom lever on the lens barrel allows for smooth, constant-speed zooming, ideal for video, which can also be controlled via compatible camera bodies. Optical Steady Shot (OSS): Built-in image stabilization minimizes camera shake, allowing for clearer handheld photos and videos. Optical Performance: Includes 4 aspherical elements to reduce distortion and 1 Extra-low Dispersion (ED) element for superior contrast and sharpness. Versatile Range: A 16-50mm (24-75mm equivalent) range covers wide-angle to portrait focal lengths. Aperture & Bokeh: A 7-blade circular aperture produces natural, smooth background blur (bokeh). Minimum Focusing Distance: 25cm (0.25m) at 16mm and 30cm (0.30m) at 50mm. Compact Size: Weighs approx. 116g to 107g (for II version) The Sony XLR-A2M (often referred to within the XLR-K2M kit series) is a professional audio adapter designed to connect high-quality microphones and audio equipment to Sony mirrorless cameras (E-mount/FE-mount) and camcorders via the Multi-Interface (MI) Shoe. Key Features and Capabilities: 2-Channel XLR Inputs: Allows for the connection of two professional, balanced XLR microphones or audio devices. Independent Controls: Features dedicated, manual controls for both channels, including recording level adjustments, attenuation (0, 10, 20 dB), and low-cut filters. Mic/Line Switching: Each channel has a switch to toggle between Mic, Mic+48V (phantom power), or Line input. Multi-Interface Shoe Connection: Direct mounting on the camera's hot shoe ensures a secure, cable-free connection for audio and power, reducing potential noise interference. Robust Build: Features a durable, metal-bodied design.
Sony Burano Camera, 2 hours, Like-New
Sony Burano Camera, 2 hours, Like-New Excellent / Like-New Condition – Fully Tested, 3 months warranty Note: This camera comes with Sony's updated IR Cut Filter for improved colour reproduction under strong lighting conditions. Please note that the competitive price of this Sony BURANO should not be taken as an indication of its condition. This camera is in excellent, like-new condition and has been fully tested and is working correctly. We have priced this unit very competitively to achieve a quick sale, rather than because of any known fault or issue with the camera. The camera is also fitted with Sony's updated IR Cut Filter, designed to improve colour reproduction under strong lighting conditions. This represents an excellent opportunity to purchase a Sony BURANO in exceptional condition at a substantial saving compared with a new unit. BURANO is a professional camera with a full-frame 8.6K sensor, providing high-quality images and a rich color gamut. It has multiple image scan modes, including full-frame and Super35, and offers a wide latitude of 16 stops for capturing beautiful, low-noise images in any lighting condition. BURANO also features Sonys signature S-Gamut/S-Gamut.Cine wide color space, Dual Base ISO sensitivity, and internal recording of X-OCN LT and XAVC H formats. It offers four new in-camera looks and is compatible with PL and E-mount lenses. The cameras sensor can achieve 8K image quality with a maximum resolution of 8632 x 4856 and offers various image scan modes for different production requirements. With a wide dynamic range and color accuracy, BURANO allows for maximum flexibility in color grading. It also offers the option to switch between PL and E-mount lenses, making it a versatile choice for professional cinematographers.
Sony Burano Camera, 3 hours, Like-New
Sony Burano Camera, 3 hours, Like-New(FMP60865KSBR) Excellent / Like-New Condition – Fully Tested, 3 months warranty Note: This camera comes with Sony's updated IR Cut Filter for improved colour reproduction under strong lighting conditions. Please note that the competitive price of this Sony BURANO should not be taken as an indication of its condition. This camera is in excellent, like-new condition and has been fully tested and is working correctly. We have priced this unit very competitively to achieve a quick sale, rather than because of any known fault or issue with the camera. The camera is also fitted with Sony's updated IR Cut Filter, designed to improve colour reproduction under strong lighting conditions. This represents an excellent opportunity to purchase a Sony BURANO in exceptional condition at a substantial saving compared with a new unit. BURANO is a professional camera with a full-frame 8.6K sensor, providing high-quality images and a rich color gamut. It has multiple image scan modes, including full-frame and Super35, and offers a wide latitude of 16 stops for capturing beautiful, low-noise images in any lighting condition. BURANO also features Sonys signature S-Gamut/S-Gamut.Cine wide color space, Dual Base ISO sensitivity, and internal recording of X-OCN LT and XAVC H formats. It offers four new in-camera looks and is compatible with PL and E-mount lenses. The cameras sensor can achieve 8K image quality with a maximum resolution of 8632 x 4856 and offers various image scan modes for different production requirements. With a wide dynamic range and color accuracy, BURANO allows for maximum flexibility in color grading. It also offers the option to switch between PL and E-mount lenses, making it a versatile choice for professional cinematographers.
Sony HSC-100R Camera with HDVF-20A viewfinder, Used
Sony HSC-100R, with HDVF-20A viewfinder , used 3 Months Warranty, Good Condition The Sony HSC-100R Digital Triax Broadcast Camera is an HD/SD camera with a digital triax CCU input. Its triax system integrates seamlessly into existing triax-based infrastructures, allowing easy upgrades, and supports cable runs up to 3,937 ft to an optional CCU. The camera features a 2/3" CCD sensor with F10 sensitivity for 1080i59.94 and F11 for 1080i50, boasting a -60dB signal-to-noise ratio. It records in 720p, 1080PsF, and down-converts to high-quality SD. Optional HZC-PSF3 software is required for 1080/29.97PsF/25PsF recording. The camera is equipped with a Sony Bayonet lens mount and offers a wide range of inputs/outputs, including XLR audio, XLR mic, HD/SD-SDI output, VF signal, return signal, SDI prompter output, genlock input, return input, and XLR intercom. Additionally, it includes an electronic color correction filter and four built-in ND filters. The camera’s 16-bit A/D converter processes images with high color precision, while the Digital Extender function enlarges the center of the image by a factor of two without decreasing sensitivity. Auto Lens Aberration Compensation 2 reduces chromatic aberration with horizontal and vertical compensation for supported lenses. The camera offers seven standard-gamma and four hyper-gamma tables for contrast adjustment, and the Multi-Matrix function allows for user-specified color adjustments. Adaptive-Matrix improves color conversion under challenging lighting, while Master White Gain enables precise, step-less gain level adjustments. Focus assist options include "Viewfinder Detail" and "Focus Assist Indicator" for easier focusing. Built for durability, the camera’s chassis is made from magnesium-alloy casting, and the integrated shoulder pad is adjustable without tools. The handle is designed for stability, featuring a protrusion for added support and a non-slip structure for a better grip. Assignable switches are located on the side and rear panels, with additional assignable buttons on the handle. Key Features: HD/SD triax CCU input for broadcast Supports existing triax infrastructures Triax cable runs up to 3,937 ft 2/3" CCD sensor with F10 sensitivity for 1080i59.94 and -60dB signal-to-noise ratio Records in 1080i59.94/50, 720p, 1080PsF Built-in SD down-converter 16-bit A/D converter 7 standard-gamma and 4 hyper-gamma tables Sony Bayonet lens mount
Sony HVR-Z5E 14X10 Hrs+ Vinten Vision Blue Tripod,Used
Sony HVR-Z5E 14X10 Hrs+ Vinten Vision Blue Tripod,Used Good condition 3 months warranty Sony HVR-Z5E HDV Camcorder with Vinten Vision 100 Tripod, Used The Sony HVR-Z5E is a highly regarded professional HDV camcorder, trusted by broadcasters, production companies, and event videographers for its outstanding image quality, reliable performance, and ergonomic design. Featuring three 1/3-inch Exmor™ CMOS sensors and Sony's renowned G Lens with 20x optical zoom, the HVR-Z5E delivers sharp, vibrant Full HD images with excellent low-light performance. It records to MiniDV tape in HDV or DV format and can also be used with Sony's optional CompactFlash recording unit for tapeless workflows. Paired with the professional Vinten Vision 100 fluid head tripod, this package provides exceptionally smooth pan and tilt movements with precise counterbalance adjustment, making it ideal for ENG, documentary, studio, live events, and sports broadcasting. The Vision 100 is renowned throughout the broadcast industry for its superb stability, repeatable performance, and ability to comfortably support heavier professional camera configurations. Whether you're shooting interviews, live events, documentaries, or educational content, this complete camera and tripod package offers a dependable and professional production solution.
Sony HVR-Z7E Digital Camcorder - 3.2"LCD Screen - 1/3" CMOS - DV, Used
Sony HVR-Z7E Digital Camcorder - 3.2"LCD Screen - 1/3" CMOS - DV, Used(FMP61457KSSH) Excellent condition, 3 months warranty HVR-Z7E is the world's first HDV handheld camcorder with an interchangeable lens system, native progressive recording, and solid-state memory recording. A variety of video lenses can be attached to the HVR-Z7E, which is equipped with a universal standard 1/3-inch bayonet mount mechanism for the quick changing of lenses. Added to this a streamlined nonlinear editing workflow can be achieved using the supplied memory-recording unit, which provides HDV/DVCAM/DV file recording on a standard CompactFlash® solid-state memory card. This offers customers varying levels of flexibility and hybrid operation which is becoming an important requirement in video production. The HVR-Z7E also features 25p HDV native progressive recording mode and HDMI output. This new handheld Camcorder further enhances the operational versatility of the Sony professional HDV lineup, and opens up a world of possibilities for high-definition digital video production. Whether it's for documentaries, general TV production, low-budget movies, music videos, IPTV, education, or a wide range of corporate and event videography applications, Sony's new HVR-Z7E is ideal. NEW Interchangeable Lens System This camcorder is fitted with a new 1/3inch interchangeable lens system allowing customers either to use the supplied Carl Zeiss lens or use a whole range of other lenses available on the market. This is the first compact camcorder to offer interchangeable lens options. Flexible usage - the camera can be used for a myriad of different applications using different lenses, from TV work, through to budget movie making and with the use of still's lenses, wildlife videography. Various optional lens adaptor rings will allow conversion to 1/2inch or 2/3inch, plus an additional lens adaptor for Sony Alpha lenses. The supplied lens features professional operation with a new manual focus ring and zoom and iris rings. NEW 1/3inch ClearVid CMOS Processor Newly developed 1/3inch x 3 ClearVid CMOS processor offers high resolution, high sensitivity, wide dynamic range and excellent colour reproduction. Offers greater resolution than existing pixel-shift technologies regardless of the balance between colour elements. Offers great low-light capabilities especially important for camera operators who cannot control their ambient lighting., e.g. wedding videographers. Lower power consumption than traditional CCD's. 'Exmor' technology employed in the the new CMOS processor reduces noise in the A/D process. NEW Selectable 25p Progressive Modes The HVR-Z7E offers the ability to choose between a 25p scanning mode (sames as HVR-V1E) but also a 25p 'native' recording mode. In this native recording mode the picture is both scanned and recorded as a progressive image. Further improves the progressive reproduction by both scanning and recording progressively. Provides further flexibility of use. e.g. The camera can be used for a variety of applications from budget-movie making in 25p mode to standard interlace TV productions. Offers camera operators the use of the progressive 'filmic look', coupled with gamma curve correction makes the camera ideal for movie production. Switchable Recording and Playback- HDV1080i/DVCAM/DV The HVR-Z7e can switch between HDV1080i, DVCAM, and DV recording, providing full flexibility to record in either standard definition or high definition depending on your production needs Built-in Down-converter for SD Production The HVR-Z7e can convert material from 1080i down to 576i, and output the video signals through its i.LINK interface and other SD output connectors. This allows users to edit recorded material with a compatible nonlinear editing system using current DV editing software, as well as record SD signals to an external VTR. 1/3-inch type 3 ClearVid CMOS Sensor System The newly developed 1/3-inch type 3 ClearVid CMOS Sensor™ system has 45-degree rotated pixels on each chip in order to increase the signal density, while each pixel maintains sufficient surface area. In combination with Enhanced Imaging Processor™ (EIP), the 3 ClearVid CMOS Sensor system achieves high resolution, high sensitivity, wide dynamic range, and excellent colour reproduction. The pixel shift interpolation technique has been traditionally used in low-end 3CCD camcorders. However, it normally requires the combination of all three colour element (RGB) signals to maximize resolution. If an object lacks one or more colour elements, the resolution of the object may be degraded. The 3 ClearVid CMOS Sensor system is different. It can always produce maximum resolution, regardless of the balance between colour elements, thanks to its unique and sophisticated interpolation technology. Enhanced Functionality via the Technology of "Exmor The HVR-Z7offers cutting-edge features, such as the technology of "Exmor™" developed by Sony, which utilizes the full potential of the 3 ClearVid CMOS Sensor system. The technology of "Exmor", which features the column-parallel A/D conversion technique, is also used in the PMW-EX1 XDCAM EX camcorder and ?(Alpha)Digital SLR (Single Lens-Reflex) camera from Sony. Multiple A/D (analog to digital) converters on each pixel row convert analog signals to digital as soon as they are generated, unlike traditional technology that only has one A/D converter on each chip. The technology of "Exmor" can eliminate the influence of external noise that enters the signal chain during transfer to the A/D converter, resulting in high-quality digital signals with extremely low noise. This significantly enhances shooting in low-light environments. By adopting this groundbreaking technology, the new 1/3-inch 3 ClearVid CMOS Sensor system enables the HVR-Z7to achieve a low light sensitivity of just 1.5 lux. This will be of extreme importance to customers who shoot in lighting conditions that they can't control, e.g. wedding videographers. Wide Range of Lenses The flexible bayonet lens attachment system allows you to use a wide range of lenses. Standard 1/3-inch HD video lenses, from manufacturers such as Fujinon and Canon, can be attached directly to the HVR-Z7E. If you'd like to attach a 2/3-inch or 1/2-inch HD video lens on to the HVR-Z7E, it is possible to do so by adding a standard lens adaptor from the lens manufacturer. The HVR-Z7camcorder has 12-pin lens connectors allowing compatibility with professional ENG lenses. This feature is very useful not only for those who already have these professional HD video lenses, but also for those who prefer to use HD digital cinema lenses for their unique contrast, colour, and atmosphere. Carl Zeiss Lens for HD Video as Standard A high-quality, multi-purpose Carl Zeiss lens for HD video comes as standard with the HVR-S270E and HVR-Z7E. Stunning resolution and contrast is achieved thanks to the Carl Zeiss Vario-Sonnar™ T* coating, which suppresses unwanted reflections. A specially designed wide-angle lens is also available as an option, to suit a diverse range of shooting requirements. Alpha Lens Compatibility With a special adaptor from Sony, it is also possible to use the Alpha lens series designed for Sony Digital SLR still cameras. By using Alpha lenses in various configurations, creative effects can be achieved. This approach is ideal for filmmakers on a budget or those who already own Alpha lenses. 25p HDV Native Progressive Recording Modes The HVR-Z7newly features 25p HDV native progressive recording modes. The 3 ClearVid CMOS Sensor system and EIP create true 1080p images, which can then be recorded as progressive signals by the HVR-Z7in HDV format. The progressive HDV stream can be output from an i.LINK connector and used for progressive editing with compatible NLE software. Native progressive recording modes are suitable for output to film, CG composition, viewing on a progressive monitor, or as an Internet movie. Note: interlaced video is output from connectors other than i.LINK 25p Progressive Scan Modes In these modes, the 1080p image captured by the 3 ClearVid CMOS Sensor system is also recorded as an interlaced signal by dividing each frame into two fields. This enables compatibility with current editing and monitoring equipment that only accept interlace signals, while maintaining the quality of the 1080p image. Progressive scan modes are suitable for feature films, documentaries, and music videos, which have to be recorded as interlaced video for viewing on interlaced monitors, but want to offer a "progressive look" to their motion. A streamlined nonlinear editing workflow for HDV HDV signals can be recorded as a file on non-tape media. For example, when using the supplied CompactFlash (CF) solid-state memory recording unit - images can be stored on a standard CF card for quick nonlinear editing. The optional HVR-DR60 Hard Disk Recording Unit can be used in the same manner, with images being recorded on to its large-capacity 60GB hard drive, which provides 4.5 hours of recording time. BENEFITS : NEW Interchangeable Lens System This camcorder is fitted with a new 1/3inch interchangeable lens system allowing customers either to use the supplied Carl Zeiss lens or use a whole range of other lenses available on the market. This is the first compact camcorder to offer interchangeable lens options. Flexible usage - the camera can be used for a myriad of different applications using different lenses, from TV work, through to budget movie making and with the use of still's lenses, wildlife videography. Various optional lens adaptor rings will allow conversion to 1/2inch or 2/3inch, plus an additional lens adaptor for Sony Alpha lenses. The supplied lens features professional operation with a new manual focus ring and zoom and iris rings. NEW 1/3inch ClearVid CMOS Processor Newly developed 1/3inch x 3 ClearVid CMOS processor offers high resolution, high sensitivity, wide dynamic range and excellent colour reproduction. Offers greater resolution than existing pixel-shift technologies regardless of the balance between colour elements. Offers great low-light capabilities especially important for camera operators who cannot control their ambient lighting., e.g. wedding videographers. Lower power consumption than traditional CCD's. 'Exmor' technology employed in the the new CMOS processor reduces noise in the A/D process. NEW Selectable 25p Progressive Modes The HVR-Z7offers the ability to choose between a 25p scanning mode (sames as HVR-V1E) but also a 25p 'native' recording mode. In this native recording mode the picture is both scanned and recorded as a progressive image. Further improves the progressive reproduction by both scanning and recording progressively. Provides further flexibility of use. e.g. The camera can be used for a variety of applications from budget-movie making in 25p mode to standard interlace TV productions. Offers camera operators the use of the progressive 'filmic look', coupled with gamma curve correction makes the camera ideal for movie production.
Sony PXW FX9 6k Full Frame XDCAM Camcorder, 890hrs, used
Sony PXW FX9 6k Full Frame XDCAM Camcorder, 890hrs, used(FMP60700RPBR) 3 months warranty, Good Condition Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more. The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168. You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements. 7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.