3109 Mkh 50-P48 Studio Directional Microphone
Sennheiser 3109 Mkh 50-P48 (MKH50-P48 MKH 50 P48 MKH-50-P48 MKH 50P48) Studio Directional Microphone Super-cardioid microphone designed for use as a soloist's or spot microphone for applications requiring a high degree of side-borne sound muting and feedback rejection. Frequency-independent directional characteristics. The super-cardioid MKH 50 offers a higher attenuation of diffuse field and lateral sound than the cardioid microphone. It is principally designed for use as a soloist's or spot microphone for applications requiring a high degree of side-borne sound muting and feedback rejection. The directional characteristics are frequency-independent. Super-cardioid pick-up pattern for higher attenuation of diffusefield and lateral sound Soloist’s or spot microphone for applications requiring a high degree of side-borne sound muting and feedback rejection Exceptionally low inherent self-noise
3506A d:dicate 4006A Stereo Kit
DPA 3506 (DPA3506 DPA-3506 DPA/3506) d:dicate™ 4006A Stereo Kit The DPA 3506 is a complete 4006-TL Stereo Kit with two carefully factory-matched phantom powered (P48) condenser microphones. The DPA 3506 also includes a Stereo Boom and the complete range of DPA Acoustic Modification Accessories, all in a sturdy carrying case with a foam insert. The specially selected DPA 4006-TL microphones are matched within +/- 0.5 dB on both frequency range, sensitivity and self noise. The maximum phase response difference from 50 Hz to 20 kHz is 10 degrees. The high sensitivity, the low noise-floor and the extremely linear frequency response from 15 Hz to 20 kHz (+/-2 dB) of the microphone pair makes the DPA 3506 the perfect choice for all professional A-B Stereo recordings. 4006-TL Omni Microphone, P48, Transformerless detailed and natural reproduction high sensitivity and low noise-floor excellent for concert halls and spot miking for acoustical instruments DPA 4006 is one of the most popular types in the DPA microphone range and is a worldwide reference thanks to its precise, detailed and natural reproduction. For more than 20 years it has impressed studio owners and broadcasters as well as musicians and engineers thanks to its transparent sound quality. It is one of the most sought after studio microphones in the industry - and the one that gives you the most value for your money. In striving to achieve an even cleaner sound, the 4006-TL is equipped with a state-of-the-art transformerless preamplifier and is powered via a standard 48 V Phantom Power supply. This design increases the sensitivity and provides an extended low-frequency handling capability (15 Hz to 20 kHz ±2 dB). All components in this construction are very carefully selected to fulfil the demand for optimal neutrality, accuracy and extremely low distortion even at very high sound pressure levels and at complex passages in the music. The applications of 4006-TL are numerous: AB stereo pair for symphonic concert hall recordings, close mic on instruments such as grand piano, guitar, double bass, percussion and speech/vocals, just to mention a few examples where a 4006-TL will give more detail and more open resolution. With the acoustic modification accessories it is possible to gain different frequency responses and directional characteristics with just one 4006-TL. You simply change a grid and it will influence the sound field acoustically without any phase shift, noise or distortion, that any electrical filter will introduce. 4006-TL is a product for sound engineers with demands for high quality. The precise reproduction, total transparency and natural-sounding clarity of this microphone will provide you with a lifetime of satisfying listening.
3511A d:dicate 4011A Stereo Kit
DPA 3511 (DPA3511 DPA-3511 DPA/3511) d:dicate™ 4011A Stereo Kit 2 x UA0897 Shock Mount,Includes: 2 x UA0896 Windscreen for 4011/12/15/16, 1 x UA0836 Stereo Boom with Holders, 1 x DUA0019 Spacer for Stereo Boom, 19 mm (0.75 in) plus 2 x 4011-TL The DPA 3511 is a complete stereo kit for a broad range of recording applications using two 4011-TL Cardioid Microphones, carefully matched within +/- 1 dB on frequency response, sensitivity and self-noise. These cardioids are exceptionally linear in their frequency response - also off axis, giving you the natural experience. Several standard set-ups such as ORTF and XY are possible. The 4011-TL mics handle very high SPL and will therefore allow close placement as well as more distant. Often used for piano recordings of jazz or pop with a placement closer to the hammers or as overheads for drums. The kit includes 2 windscreens, 2 very effective shock mounts, a precision-crafted stereo boom for secure mounting of microphone pairs for A-B stereo recordings and a spacer to allow XY or ORTF stereo set-ups on the boom.
A2030DCB C-Stand 30 With Detachable Base
Manfrotto A2030DCB (MAN-A2030DCB, MAN/A2030DCB, MAN_A2030DCB, MANA2030DCB, man_a2030dcb) C-Stand 30 With Detachable Base A turtle base chrome plated steel stand in black finish with 3 sections and 2 risers. The base is detachable for easy transport. This stand has a maximum payload of 10kg and maximum height of 3m. The stand is also available in chrome plated steel. Legs fold flat for easy storage.
APD Audio Power Distribution Box
Hawk-Woods APD (AP-D, AP/D, apd) Audio Power Distribution Box The Hawk-Woods APD Power Distribution Adaptor provides todays sound recordist with a massive amount of available power - and all from the industry standard NP battery range. Designed as a convenient alternative to a battery box, or similar heavy duty additional power source. The APD allows the operator to utilise the battery range most are already carrying by taking up to 6 NP batteries NP-50, NP-98. 12V regulated output is provided via four female XLRs and also by four Hirose sockets which are switched in pairs. The power potential with this piece of equipment is phenomenal; if six Hawk-Woods NP-98 batteries are inserted, there is 588 Watts of available power. With a side mounted handle, it can be either trolley-mounted or hand-held to suit individual requirements.
Sony ACC-U60 (ACC_U60, Acc/U60, Acc U60) Battery Accessory KitConsists of BC-U2 charger, two BP-U60 batteries, and a 16 GB SxS-1™ memory card.
BC-U2 Two-Channel Battery Charger / AC Adaptor
Sony BC-U2 (BC/U2, BC_U2, BCU2, bc-u2) Two-Channel Battery Charger / AC Adaptor Charges two BP-U90/U60/U30 batteries The BC-U2 battery charger simultaneously charges two compact BP-U90U60/U30 Lithium-ion batteries at high speed, providing power for XDCAM camcorders for up to six hours.* * BC-U2 can charge two BP-U90 batteries in 190 minutes, each providing 85 Wh energy to power the PMW-200 or PMW-EX1R camcorder for up to 360 minutes. For full range of capacities and camcorder running times, see features. Built-in AC adaptor provides 12 V DC power output while charging one battery The BC-U2 also has 12 V DC power output cable to power a camcorder directly, while charging one battery simultaneously.
D-8161A 190wh digital gold mount battery
D-8161A 190Wh Digital Gold Mount Bettery The Swit D-8161A is a lightweight 190Wh gold mount digital camera battery in SWIT DIBAS system. It has a 4-level LED indicator to give you a view of remaining power before mounting to camera, and a connecting shoe for wireless receiver S-7002. The D-8161A has a built-in intelligent circuit that has multiple protections of abnormal current, voltage and temperature.The D-4200 battery watch can also be connected, enabling it to read battery information such as exact remaining capacity, running time, real-time power, voltage, circuit and so on. Li-Ion 14.4v 190Wh 4 level power indicator
DEADCAT Artificial Fur Wind Shield
Rode DEADCAT (DEAD CAT, DEAD/CAT, DEAD-CAT, deadcat) Artificial Fur Wind Shield The Dead Cat windshield is designed for minimising any wind noise when recording in high wind conditions. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent.
DPA 4017B (DPA4017B DPA-4017B DPA/4017B) Shotgun Microphone 4017B Shotgun Microphone FEATURES: Excellent RF Immunity Lightweight Uniform off-axis response Highly directional Equipped with a highly directional supercardioid pickup pattern, obtained using a supercardioid design with an interference tube that provides excellent off-axis rejection, the DPA 4017B is a short and exceptionally lightweight shotgun microphone that truly measures up to DPA’s impressive reputation for accuracy, clarity, and musicality. Designed for a broad range of applications, the phantom powered 4017B is ideal for use with camera systems, in fixed positions at sports facilities, for broadcast/ENG/film booming, and even studio recording environments. Tune out the surroundings Extensive research and development has been undertaken to optimize the sound coming from the sides and behind the microphone. Minimizing the often very un-linear response of a shotgun microphone due to its side lobes is one of the key accomplishments of the 4017B. The condenser capsule uses a high voltage pre-polarized back plate, endowing the shotgun with high output as well as wide dynamics, extremely low noise and distortion specifications. Small size, big performance At just 210 mm (8.3 in) in length and 68 g (2.4 oz) in weight, the aluminum-bodied DPA 4017B is among the smallest and lightest boom microphones available. But that’s not to say that it’s small on performance. Fully immune to RF emission, the 4017B’s 19 mm (0.75 in) condenser cartridge is capable of handling peak SPLs of 152 dB before clipping. Screwdriver-free filter access The 4017B features two onboard filters that are activated via an ingenious switching ring design. With the simple twist of two sturdy rings, engineers can implement a high-frequency boost that adds a 4 dB shelf at 8 kHz and a first-order bass roll-off below 120 Hz to minimize handling and wind noise. A permanent third-order high-pass filter at 50 Hz effectively removes unwanted low frequency disturbance from handling and wind noise.
DPA 4090 Omnidirectional Microphone, Hi-Sens, P48
DPA 4090 (DPA-4090 DPA4090 DPA/4090) Omnidirectional Microphone, Hi-Sens, P48 FEATURES: natural and open sound suitable for instrument miking applications in the studio or on the stage lends itself to acoustic guitar, strings, piano and wind instruments d:screetâ„¢ 4090 is a high quality omnidirectional condenser microphone. Due to its uniquely natural and open sound, the 4090 is suitable for instrument miking applications in the studio or on the stage. The 134 dB SPL handling means it can be used with essentially any instrument from acoustic guitar and strings to piano and wind instruments. Due to their remarkably linear frequency response in the 20 Hz to 20 kHz range, sound system engineers can also use these mics for sound system alignment, testing and tuning. The rugged and compact design features a 5.4 mm diameter pre-polarized condenser capsule in a tapered body measuring just 12 cm (4.75 in).
DPA 4091 Omnidirectional Microphone, Lo-Sens, P48
DPA 4091 (DPA4091 DPA/4091 DPA-4091) Omnidirectional Microphone, Lo-Sens, P48 FEATURES: excellent for percussion natural and open sound handles high sound pressure levels with ease D:screetâ„¢ 4091 is a high quality omnidirectional condenser microphone. Due to its uniquely natural and open sound, the 4091 is suitable for instrument miking applications in the studio or on the stage. The 144 dB SPL handling means it can meet just about any challenge including miking an electric guitar amp. An excellent microphone for percussion instruments, the 4091 is also an ideal choice for wind and string instruments. Due to their remarkably linear frequency response in the 20 Hz to 20 kHz range, sound system engineers can also use these mics for sound system alignment, testing and tuning. The rugged and compact design features a 5.4 mm diameter pre-polarized condenser capsule in a tapered body measuring just 12 cm (4.76 in).
DPA 5100 Mobile Surround Microphone
DPA 5100 (DPA5100 DPA-5100 DPA/5100) Mobile Surround Microphone FEATURES: Plug-and-play solution Lightweight and portable Rich, smooth and fully enveloping sound Discrete 5.1 analog output – no processing needed The DPA 5100 is an exciting new mobile surround microphone whose compact size and ease of use come at no sacrifice to its stunning sound quality. It can be regarded as a surround ambience adder, ideal for bringing truly engaging surround ambience to sport events, documentaries and other ambience applications for especially HDTV production. No external signal processing is required. The versatile 5100 can be mounted on a camera or microphone stand, suspended, or simply handheld via a hand grip. Extremely lightweight and portable, the unit sports a surprisingly robust build quality that is also highly resilient to inclement weather conditions.A completely self-contained “plug and play†solution for 5.1 audio capture, the 5100 employs five miniature pressure transducers that exhibit extremely low sensitivity to wind and mechanical noise, low distortion, highly consistent low frequency response and large dynamic range. Appropriate channel separation and directionality are achieved through a combination of DPA’s proprietary DiPMic™ (Directional Pressure Microphone) technology, which mounts interference tubes on the L/C/R omni capsules, and the use of acoustic baffles that further preserve the accuracy of levels between the discrete analog output channels.The 5100’s three front microphones are time coincident to eliminate comb filtering and ensure paramount frequency consistency when downmixing to stereo or mono. In contrast, the rear microphones, which feature standard omnidirectional patterns, are optimally spaced from both each other and the front array to simulate the most natural time arrival differences. The LFE (.1) channel is comprised from a L/R sum, which is then attenuated 10 dB in comparison with the signal from the main channels, in accordance with the 5.1 format.The end result of DPA’s innovative design approach is a surround atmosphere that is rich, smooth and fully enveloping, great in its coherence, channel separation and localization accuracy. The 5.1 output of the 5100 runs through a multi-pin Lemo connector carrying all six channels electronically balanced, while an enclosed five-meter (16 ft), six-pair Mogami cable breaks out to six Neutrik XLR-M connectors. Accessories included: Cable, thread adapter and outdoor cover. Accessories available: stands, cables and windjammer.
DV-MC4 4-Channel Simultaneous MDV Fast Charger
Hawk-Woods DV-MC4 (DV_MC4, DV/MC4, DV MC4) 4-Channel Simultaneous MDV Fast Charger The DV-MC4 is a four channel simultaneous fast charger. It has been designed for use with the DV-Link 970L and standard DV-970 batteries, plus all Sony NPF series of Li-Ion batteries. Its tough portable design allows for convenient storage, a priority when considering and new fast charger.
e 901 Half-Cardioid Boundary Condenser Mic for Kick Drum
Sennheiser 500198 (500 198, 500/198, 500-198, 50-01-98) e 901 Half-Cardioid Boundary Condenser Mic for Kick Drum The e 901 is a rugged boundary microphone that handles high sound pressure levels extraordinarily well. Tailored to give the kick drum a highly precise, very dry sound character, the e 901 makes every attack lightning fast and realistic. The positioning of the e 901 in a bass drum couldn't be simpler: just put it in – done. The integrated preamp and gold-plated XLR connector have proven themselves to be exceptionally practical on stage.
e 902 Cardioid Dynamic Mic for Kick Drum
Sennheiser 500199 (500-199, 500/199, 500 199, 50-01-99) (e902, e/902, e-902) e 902 Cardioid Dynamic Mic for Kick Drum The e 902 was especially designed for the low sound spectrum and convinces with firm, clearly defined bass sounds with a tight punch. The strongly contoured frequency response features a pronounced damping of the mid-range and an accentuated emphasis of the high-end and bass. The result: a clear, grainy sound with a full body and a precise kick that effortlessly asserts itself in a band context. The sound of the e 902 can be flexibly shaped by its positioning in the drum set: from warm and round to sharp and direct. The rugged housing meets the hardest of demands during live gigs.
e 904 Compact cardioid dynamic microphone
Sennheiser 500200 (500-200, 500/200, 500 200, 50-02-00) (e/904, e-904, e904) e 904 Compact cardioid dynamic microphone With its consistent frequency response, the e 904 creates a sound that is as transparent as it is harmonic and that can be wonderfully shaped. It can be cleanly embedded in the drum mix thanks to its precise attacks and voluminous body. The set receives an extremely energetic and defined sound with this microphone. The e 904 reliably withstands even the hardest direct hits. Thanks to its practical clip, it is child's play to attach to the rims of snares and tom-toms. And, with its compact form, it takes up a very small amount of space.
e 906 Supercardioid Guitar Microphone
Sennheiser 500202 (500-202, 500/202, 500 202, 50-02-02) (e906, e-906, e/906) e 906 Supercardioid Guitar Microphone The e 906 captures the guitar sound just as you want it to be: from clean to distorted, from gentle to aggressive. It provides a high-resolution, natural sound without unwanted coloration. The transient response of the e 906 convinces in every style: it even transmits riffs with an extremely hard punch directly and straightforward. The microphone features a switchable presence filter with three sound characteristic options: one to boost the presence range, one for "normal" presence and one to attenuate the presence range. Thanks to its flat shape, it can be positioned in front of the amp hanging from its cable – completely without a stand. Not to mention its distinctly rugged design.
e 908 B Condenser Microphone for Brass Instruments
Sennheiser 500203 (500/203, 500 203, 50-02-03, 500-203) (e908B, e/908/B, e-908-B) e 908 B Condenser Microphone for Brass Instruments The high-end sound of a condenser microphone is combined with the features of professional stage equipment to make the e 908 a small, highly flexible marvel. With an open and high-definition character, it creates surprisingly forceful sounds. It transmits the attack in a very clear and defined manner while structure-borne noise is reliably suppressed. Thanks to its shock-mounted head, gooseneck and special clips, the e 908 can be quickly attached and precisely oriented to the sound source. Despite its delicate form, the microphone is ruggedly constructed and easily takes even hard hits. The e 908 is available in four models: e 908 D: for drums and percussion e 908 B: for wind instruments, congas, and drums with free-floating suspension system e 908 B ew: for wireless miking of saxophones using an evolution wireless instrument transmitter
e 908B-EW Condenser Microphone for Brass and Wind Instruments
Sennheiser 500204 (500-204, 500/204, 500 204, 50-02-04) (e908BEW, e/908B/EW, e-908B-EW) e 908B-EW Condenser Microphone for Brass and Wind Instruments The high-end sound of a condenser microphone is combined with the features of professional stage equipment to make the e 908 a small, highly flexible marvel. With an open and high-definition character, it creates surprisingly forceful sounds. It transmits the attack in a very clear and defined manner while structure-borne noise is reliably suppressed. Thanks to its shock-mounted head, gooseneck and special clips, the e 908 can be quickly attached and precisely oriented to the sound source. Despite its delicate form, the microphone is ruggedly constructed and easily takes even hard hits. The e 908 is available in four models: e 908 D: for drums and percussion e 908 B: for wind instruments, congas, and drums with free-floating suspension system e 908 B ew: for wireless miking of saxophones using an evolution wireless instrument transmitter
e 914 High-Performance Condenser General Instrument Microphone
Sennheiser 500206 (500 206, 500/206, 500-206, 50-02-06) (e914, e/914, e 914) e 914 High-Performance Condenser General Instrument Microphone The e 914 is a condenser microphone of the superior class with a full-bodied sound and excellent dynamics. Its silky character, never headstrong, is developed from the gentle emphasis of the sophisticated treble. Its straightforward transient response accurately captures the temperament of each set, even at very high sound pressure levels. With its detailed resolution, the e 914 makes every live drum sound more refined. The capsule has extraordinary feedback resistance and can be individually adapted to various needs: three positions of bass roll-off/cut-off and pre-attenuation can be set.
e 965 High End Condenser Microphone
Sennheiser 500881 (500-881, 500/881, 500 881, 50-08-81) (e965, e/965, e 965) e 965 High End Condenser Microphone The advantages of high-end studio and stage microphones are perfectly combined in the e 965: high-resolution, multifaceted sound supplemented by high feedback rejection and an extremely rugged design. The flagship of the evolution series is a true condenser, large-diaphragm microphone that has been developed for professional stage use. Its balanced sound is marked by clarity and sophistication; it gives the high-end a silky gloss and reproduces the lower mids in a warm, well-defined manner. The e 965 responds extremely quickly and transmits even the finest nuances in impressive detail. Depending on the stage setting, the pick-up pattern can be switched between gentle cardioid and more direct super-cardioid. This top model leaves no wishes unanswered in terms of sound, ruggedness and handling.
E602 II Cardioid Instrument Microphone
Sennheiser 500797 (500-797, 500/97, 500 797, 50-07-97) (E602/II, E602II, E602-II) E602 II Cardioid Instrument Microphone Don't just hear it. Feel it. Punching and vibrating, the e 602-II follows bass instruments down to the low frequencies that shake things up. The punch of the kick drum keeps its forceful volume at the bottom of the sound image; the attack remains precise throughout the mic’s entire frequency response.The e 602-II hears bass guitars and tubas with the same attention to detail: warm, dynamic, and always with substance. It sounds as solid as it looks and, thanks to its lightweight aluminum body, is easy to position – in studios, clubs, rehearsal rooms, at smaller gigs or for home recording.
Ear-Set Electret Condenser Microphone
Sony ECM-322BMP (ECM_322BMP, ECM_322BMP, ECM 322BMP) Ear-Set Electret Condenser Microphone The ECM-322BMP electret condenser headset mic is ideal for use in a variety of multimedia presentation applications, ranging from seminars and conferences to lectures and workshops. The ECM-322BMP incorporates an omni-directional microphone capsule providing highly sensitive and clear sound pick-up. It's lightweight and ergonomic design provides a tight and secure, yet extremely comfortable fit that can be worn on the right or left ear. This headset is equipped with a slim and flexible boom, so the microphone position can easily be adjusted for optimum voice pick up. This (BMP) model contains a 3-pole mini-jack with a stable lock mechanism for use with Sony UWP Series wireless bodypack transmitters.
ECM-166BC Uni-Directional Lavalier Electret Condenser Microphone
Sony ECM-166BC (ECM/166BC, ECM_166BC, ECM166BC, ECM 166BC, ecm-166bc) Uni-Directional Lavalier Electret Condenser Microphone Black coloured uni-directional electret condenser lavalier microphone supplied with a Sony 4-pin connector (SMC9-4P), for use with the WRT-8B/822B Sony bodypack transmitter. Resistant to howling by rejecting indirect sound Reasonably priced lavalier microphone ideal for institutional use and sound-contracting applications such as speeches, lectures and conferences This product comes with PrimeSupport – fast, hassle-free repairs and a helpline offering expert technical advice. Which gives you the peace of mind that Sony is looking after your equipment, and your business.
ECM-44B Affordable Omni-Directional Lavalier Electret Condenser Microphone
Sony ECM-44B (ECM/44B, ECM_44B, ECM 44B, ECM44B, ECM-44-B, ecm-44b) Affordable Omni-Directional Lavalier Electret Condenser Microphone Sony has produced over five million professional ECM (Electret Condenser Microphones) microphones and the ECM-44 is the affordable, general voice model. It provides good sound quality and is widely used in business presentation systems and TV production. The ECM-44 is available in four versions, featuring different connector types. This model, ECM-44B, is the XLR version with power barrel for use as a wired microphone. Convenient to use The ECM-44 is an affordable alternative to the traditional hand held microphone and being 'hands free' it allows the presenter to concentrate on her/his performance Professional image Either 'in front of camera' or at a business presentation the ECM-44 creates a professional and tidy image. Easy to use It can often be difficult to achieve good quality voice pick-up but the ECM-44 can help get good results. The microphone's capsule is designed for general voice pick-up with a mid-frequency emphasis characteristic and a suitable frequency response. Tuned for voice pick-up The ECM-44's capsule features an emphasis curve and a suitable frequency response for voice pick-up. Compact size The capsule has a diameter of only 8.5mm and is 14.5mm long. Ready for wired applications The ECM-44B is the wired version with an XLR output and integral power supply barrel. This version can either be powered by an external microphone amp or internally by battery (LR6 or AA size). A single AA battery will provide several thousand hours of use.
Electret Condenser Lavalier Wireless Microphone
Sony ECM-166BMP (ECM_166BMP, ECM/166BMP, ECM 166BMP) Electret Condenser Lavalier Wireless Microphone Black coloured uni-directional electret condenser lavalier microphone supplied with a 3-pole locking mini-plug for use with the bodypack transmitter included in UWP series Uni-directional, electret condenser microphone Reasonably priced lavalier microphone, ideal for ENG and EFP uses
MKE 1-4 Miniature lavalier microphone Black
Sennheiser 502167 (502-167, 502/167, 502 167, 50-21-67) (MKE1-4, MKE-1-4, MKE/1-4) MKE 1-4 Miniature lavalier microphone Black Our smallest Sound Pro. Whether for musicals and live shows, or for broadcasting applications, the MKE 1 - Sennheiser's smallest clip-on microphone - performs at its best in all situations where a microphone needs to be virtually invisible and still offer outstanding sound quality. Reliability: Sweat protected by a newly developed protective membrane, the MKE 1 stands up better than other clip-on microphones to harsh live conditions. Its special gauze and multi-purpose cap offer additional protection from moisture so that it only picks up what it is meant to pick up - perfect sound. The MKE 1 is robust in every respect. The cable with moulded anti-kink sleeve minimises handling noise and makes this a microphone you can rely upon completely.
MKE 1-4-3 Miniature lavalier microphone Beige
Sennheiser 502168 (502-168, 502/168, 50-21-68, 502 168) (MKE-1-4-3, MKE/1/4/3, MKE1-4-3) MKE 1-4-3 Miniature lavalier microphone Beige Our smallest Sound Pro. Whether for musicals and live shows, or for broadcasting applications, the MKE 1 - Sennheiser's smallest clip-on microphone - performs at its best in all situations where a microphone needs to be virtually invisible and still offer outstanding sound quality. Reliability: Sweat protected by a newly developed protective membrane, the MKE 1 stands up better than other clip-on microphones to harsh live conditions. Its special gauze and multi-purpose cap offer additional protection from moisture so that it only picks up what it is meant to pick up - perfect sound. The MKE 1 is robust in every respect. The cable with moulded anti-kink sleeve minimises handling noise and makes this a microphone you can rely upon completely.
MKH 800 TWIN Nx Dual Capsule Microphone
Sennheiser 502083 (502 083, 502/083, 502 083, 50-20-83) (MKH800TWINNx, MKH-800-TWIN-Nx, MKH/800/TWIN/Nx) MKH 800 TWIN Nx Dual Capsule Microphone The MKH 800 TWIN is a universal studio condenser microphone of exceptional quality. It includes a dual capsule consisting of two symmetrical push-pull transducers with high linearity. This is a "side fire" microphone with the two cardioid pick-up patterns of the transducer aligned back-to-back across the axis of the microphone. The signals of both transducers are not combined in the microphone in order to generate differing pick-up patterns but are available separately as two channels at the microphone output. This allows the pick-up patterns of the MKH 800 TWIN to be remotely adjusted. The signals can be combined in any desired way in the mixing console in order to create all pick-up patterns from omni-directional to figure-8 with an infinite number of intermediate stages. Based on the legendary MKH 800, this microphone opens up to a new dimension of studio recordings.
MANFROTTO ML120 (ML 120 ML-120 ML/120) POCKET-12LED LIGHTThe ML120 Pocket LED Light is the smallest and lightest in the Manfrotto range of compact continuous LED light units, ideally suited for use with compact cameras and smartphones when additional light is needed for shooting video or stills. It can be hand held, mounted on a flash hotshoe or fitted to any number of Manfrotto supports via its standard ¼” thread.The ML120's 12 LEDs emit continuous light at a constant temperature of 5600°K (daylight), with an illuminance of 120 LUX at a distance of 1m, meaning the ML120's range and power are limited, but its tiny size and ultra-portability make it a useful pocket companion, often less harsh than an on-camera flash for photos and good for very low-light close-up video shots, or for specific, quick off-camera applications like macro photography without flashes and slaves.The ML120 takes 1xAAA battery, which will keep it lit at full brightness for approximately 30 minutes. LEDs also have a longer lifespan than traditional bulbs and are more shock-resistant.
MMD 845-1 BK Microphone Capsule for Wireless Transmitter
Sennheiser 502576 (502-576, 502/576, 50-25-76, 502 576) (MMD-845-1 BK, MMD/845-1 BK, MMD845-1 BK) MMD 845-1 BK Microphone Capsule for Wireless Transmitter High feedback rejection and powerful sound are the main features of this microphone. Compatible to all handheld transmitters of series ewG3 and 2000. Colour: black
MMD 935-1 BK Dynamic Cardioid Capsule for SKM 2000 transmitter (black)
Sennheiser 502577 (502-577, 502/577, 50-25-77, 502 577) (MMD-935-1 BK, MMD/935-1 BK, MMD935-1 BK) MMD 935-1 BK Dynamic Cardioid Capsule for SKM 2000 transmitter (black) Designed for use with evolution wireless handheld transmitters, the cardioid MMD 935 microphone head features the excellent acoustic properties of the wired e 935 vocal microphone.
MMD 945-1 BK Supercardioid Dynamic Capsule for Handheld Transmitters (Black)
Sennheiser 502579 (502-579, 502/579, 50-25-79, 502 579) (MMD945-1 BK, MMD-945-1 BK, MMD/945-1 BK) MMD 945-1 BK Supercardioid Dynamic Capsule for Handheld Transmitters (Black) Designed for use with evolution wireless handheld transmitters, the cardioid MMD 945 microphone head features the excellent acoustic properties of the wired e 945 vocal microphone.
MME 865-1 BK Microphone Capsule for ew G3 and 2000 Handheld
Sennheiser 502581 (502-581, 502/581, 50-25-81, 502 581) (MME-865-1 BK, MME/865-1 BK, MME865-1 BK) MME 865-1 BK Microphone Capsule for ew G3 and 2000 Handheld Microphone module in condenser technique with high brillance and feedback rejection, applicable for either voice or speech. Compatible to all handheld transmitters of series ewG3 and 2000. Colour: black
MMK 965-1 BK Condenser Microphone Module (Black)
Sennheiser 502582 (502-582, 50-25-82, 502/582, 502 582) (MMK-965-1 BK, MMK/965-1 BK, MMK965-1 BK) MMK 965-1 BK Condenser Microphone Module (Black) Sennheiser's unrivaled experience in the fields of acoustics and stage technology is evident when listening to this large-diaphragm, true condenser capsule. Its powerful, high-definition sound makes it one of the best microphone heads of all time. Due to its dual-membrane technology, the pick-up pattern can be easily switched between cardioid and super-cardioid for extreme versatility. Compatible with all hand-held transmitters from the ew G3, 2000 as well as the Digital 9000 series, it can be installed in seconds without tools.
Sennheiser 502318 (502-318, 502/318, 502 318, 50-23-18) (MZEF8060, MZEF/8060,MZEF-8060) MZEF 8060 Vertical Tube 60cm The MZEF 8060 Vertical Extension Bar (60cm) from Sennheiser is a special extension piece designed for use with select Sennheiser microphones and hardware. It allows you to vertically extend the position of your microphone to achieve perfect height placement. Use this piece to meet the unique needs of your audio setup. The bar features a 3/8" thread.
Sennheiser 502319 (502-319, 502/319, 50-23-19, 502 319) (MZEF-8120, MZEF/8120, MZEF8120) MZEF 8120 Vertical Tube 120cm The MZEF 8210 Vertical Extension Bar (120cm) from Sennheiser is a special extension piece designed for use with select Sennheiser microphones and hardware. It allows you to vertically extend the position of your microphone to achieve perfect height placement. Use this piece to meet the unique needs of your audio setup. The bar features a 3/8" thread.
Sennheiser 502322 (502-322, 502-322, 502 322,50-23-22) (MZFS8000, MZFS/8000, MZFS-8000) MZFS 8000 Floor Stand The MZFS 8000 from Sennheiser is the floor stand for your MKH 8000 microphone and is resistant to structure-borne noises and vibrations.
MZG-8000 Swivel Joint for MKH-8000 Series Capsules
Sennheiser 502323 (502-323, 502/323, 502 323, 50-23-23) (MZG/8000, MZG8000, MZG 8000) MZG-8000 Swivel Joint for MKH-8000 Series Capsules Designed for desktop mounting in conjunction with the MZS 31 elastic suspension; carries the audio signal and provides the connector for the XLR module.
Sennheiser 502435 (502-435, 502/435, 502 435, 50-24-35) (MZH/8000, MZH8000, MZH-8000) MZH 8000 Ceiling Mount The Sennheiser MZH-8000 Ceiling Mount is designed to mount MKH-8000 series capsules overhead. The mount is suspended from the connected cable and the angle is adjustable for perfect positioning. A cable guide takes up excess slack and secures the mount in place.
Sennheiser 502327 (502-327, 502/327, 502 327, 50-23-27) (MZL/8010, MZL-8010, MZL8010) MZL 8010 Remote cable 10 m Connects between the microphone head and the XLR module to make the microphone extremely unobtrusive (ideal for almost invisible use hanging from the ceiling); length: 10 m
MZX 8000 XLR Module for MKH-8000 Capsules
Sennheiser 502098 (502-098, 502/098, 50-20-98, 502 098) (MZX/8000, MZX8000, MZX-8000) MZX 8000 XLR Module for MKH-8000 Capsules The Sennheiser MZX 8000 XLR Adapter is the output stage and preamplifier for all MKHC (MKH-8000 series) microphone capsules. The MZX 8000 features a standard 3-pin XLR output for connection to standard microphone inputs.
NP-F970 L-series Info-Lithium Battery 2 Pack (7.2v, 6300mAh)
Sony 2Np-F970/B (2Np/F970/B, 2Np_F970/B, 2NpF970/B) (NP_F970, NP/F970) NP-F970 L-series Info-Lithium Battery 2 Pack (7.2v, 6300mAh) Small and lightweight, Sony's Lithium-ion batteries can be charged or discharged anytime without developing memory effect. This means they never lose their ability to hold a full charge. They also display remaining battery time on the LCD as well as in the viewfinder by continuously communicating with the camcorder. InfoLithium battery packs have a built-in micro processor that accurately calculates remaining battery life in minutes.
Hawk-Woods NPB-SQN4S (NPB_SQN4S, NPB/SQN4S, NPB SQN4S) NP1 Power Adaptor The NPB-SQN4S is fitted with an SQN(Hirose) connector and also fully loaded with four switched auxiliaries (Hirose Connectors). These outputs are fused and a low battery voltage indicator fitted.
Sennheiser 503877 (503-877, 503/877, 50-38-77, 503 877) (NT-3-1 UK, NT/3-1 UK, NT3-1 UK) NT 3-1 UK Power Supply Plug-in mains unit with country-specific adapter for antenna combiner AC 3 and charger L 2015.
NTSM5 Camera Ring-Clamp Shock Mount
Rode NTSM5 (NTS-M5, NT/SM5 NT SM5, SM5, ntsm5) Camera Ring-Clamp Shock Mount The SM5 is a suspension shock mount with ring clamp adaptor that allows the use of RØDE Microphones to be used with professional video cameras. It supports camera clamp mounts that effectively grip a 24 or 27mm barrel. Most cameras feature rubber pads inside the ring clamp to allow for some tolerance in barrel size. The design of the suspension shock mount means the microphone is physically isolated from the stand ensuring that there is no unwanted rumble or vibrations in your recording. 1/4" and 3/8" threads at the base of the mount allow for easy attachment to a boompole or other accessories.
Pdv-64N large cassette blank tape without memory
64 minute DVCAM (large cassette) blank tape without memory DESCRIPTION:- The Sony PDV-64N 64 Minute DVCAM Videocassette is a compact professional digital video tape format for broadcast and professional users. It is made to record and playback massive amounts of video and audio data with higher carrier-to-noise (C/N) ratios, less dropouts and more durability. DVCAM videocassette made for broadcast and professional users.Metal evaporation process for improved packing density and increased C/N ratio.DLC Protective Layer for extra durability.
RODENT3 3/4" Cardoid Condenser Microphone
Rode RODENT3 (RODE-NT3, RODE/NT3, RODE NT3, rode-nt3, rode nt3, rode/nt3, NT3, nt3) 3/4" Cardoid Condenser Microphone The NT3 is the definition of a studio workhorse. Featuring an end-address 3/4" gold-sputtered true-condenser transducer it provides incredible detail on almost any instrument you can imagine. Intended for studio, stage and location work, this versatile handheld, stand or boompole mounted microphone will give great results on drums, percussion, acoustic guitar, guitar amps, piano and all acoustic instruments as well as detailed voice reproduction when used as a handheld presentation microphone or indoor boom mic. For further versatility the NT3 can be powered by either P48 phantom power, or via a 9V battery for situations when power isn't available via the console or camera. Its rugged and durable all-metal body and mesh head ensure that it is well protected both in the studio and out in the field.
S-2020 20w led light for dv camcorders
S-2020 20W LED Light for DV Camcorders The new Swit S-2020 is a 20w fully dimmable on-camera LED Light. Unlike many other on-camera lights, the S-2020 has its own 7.9wh rechargeable Lithium-Ion battery pack and charger. The S-2020 is 5600k and has an in-built 3200k Dichroic filter and Diffuser together with a cold shoe or standard screw for easy camcorder mounting.The run time of the battery supplied with the S-2020 light is approximately one hour. Features: Battery fits into the light 2 x High Powered LED Bulbs 2 x Barn door style filters Compact & lightweight
S-8428 jvc bn-v series dv battery
Swit S-8428 (S8428, S 8428, S/8428, s8428) JVC BN-V Series DV Battery, 7.2V - 22.3Wh S-8428 is a 7.2V, 21Wh Li-ion DV battery compatible with JVC BNV series battery V428U. The build-in intelligent circuit has multiple protections of abnormal current, voltage and temperature. Features: 7.2V 21Wh capacity JVC BNV series battery compatible
S-8M71 sony qm style dv battery
Swit S-8M71 (S8M71, S 8M71, S/8M71, s8M71, s 8M71) Sony QM Style DV Battery, 7.2V - 22.3Wh S-8M71 is a 7.2V, 21Wh Li-ion DV battery compatible with SONY DV battery NP-QM71/71D/91/91D. The build-in intelligent circuit has multiple protections of abnormal current, voltage and temperature. Features: 7.2V 21Wh capacity SONY NP-QM series battery compatible
Hawk-Woods SL-1 (SL_1, SL/1, SL 1) 1-Channel NP1 Charger The Hawk-Woods SL-1 is suitable for charging one Lithium-ion NP1 battery at a time. This is a low cost unit offering a compact solution as both a camera operators primary charger, or for those requiring a spare unit just for backup.
VL-4X4 4-Channel Simultaneous V-Lok Charger
Hawk-Woods VL-4X4 (VL_4X4, VL/4X4, VL 4X4) 4-Channel Simultaneous V-Lok Charger The VL-4X4 is a 4-Channel simultaneous charger for our V-Lok Lithium-Ion Battery range. This 4Ah charger will charge up to four of these Hawk-Woods batteries at the same time.
Hawk-Woods VLR-SQN4S ( VLR/SQN4S , VLR SQN4S , VLRSQN4S ) Adaptor The stand-alone VLR-SQN4S V-Lok adaptor is an ideal option for sound recordists. It offers battery power distribution via a power-con socket, four regulated switchable hirose sockets and a Hirose plug on a flying lead.
XDCAM HD422 Professional Disc Field Station Recorder
Sony PDW-HR1 (PDW/HR1, PDW HR1, PDWHR1) XDCAM HD422 Professional Disc Field Station Recorder Sonys top-of-the-line XDCAM HD422 Series is being embraced around the world for its file-based recording capability utilizing high-capacity and highly reliable Professional Disc media. Thanks to its newly developed MPEG HD422 codec, the XDCAM HD422 Series provides high-quality video and audio recording capabilities, with an image resolution of 1920 x 1080 and eight-channel 24-bit uncompressed audio. The newly developed PDW-HR1 XDCAM HD422 Field Station further enhances the operational capability of this series. The PDW-HR1 packs a large number of functions into its compact yet robust body. With a large 9-inch* WVGA LCD, material can be checked on the spot and a wide variety of GUIs offers superb operational efficiency. It provides multi-format recording capability as standard, including a frame rate of 23.98P in 1080 mode and SD recording. A wide range of signal interfaces, including baseband video (composite, HD/SD-SDI), Gigabit Ethernet, MPEG TS, DVB-ASI, and HDMI are also provided. What's more, an FTP client capability allows the PDW-HR1 to transfer files via its Ethernet connection without the need for a PC. With its great operational versatility, the PDW-HR1 further expands the operational applications of the XDCAM HD422 Series. Viewable area measured diagonally. Requires optional PDBK-202 board. Requires a software upgrade