1m 3.5mm 4 Pole TRRS male to female audio headset extension AV cable
Digibroadcast 1m 3.5mm 4 Pole TRRS male to female audio headset extension AV cable Extend the connection distance between your iPhone, mobile phone or computer headset by 1 meter Our 4-Pole 3.5mm headset extension cable (1m) features a 3.5mm (1/8" TRRS) audio connector on one end and a 3.5mm (1/8" TRRS) audio connector on the other. It makes easy to extend the reach between your hands-free headset or headphones, and your iPhone, mobile phone or a laptop computer. To ensure long-lasting performance, this high quality 3.5mm audio extension cable features molded PVC strain relief at each of the 1/8" TRRS connectors, which prevents the cable termination points from bending at sharp angles, which reduce the risk of cable damage. Important: To ensure proper hardware detection, we recommend that the external headset is plugged into the adapter first, before the adapter is connected to the computer or mobile device. Also, in some circumstances, when an extension cable is used with an in-line remote control equipped headset, the remote control functions may not operate properly. This is due to the sensitivity of the remote control circuitry and does not indicate any defect in the cable.
Digibroadcast 3METER4PIN 3 meter 4 pin cable
3m 3.5mm jack to Female XLR Cable
3m 3.5mm jack to Female XLR cable
8-pin/8-pin Remote Control Cable, 30 meter
Sony CCA-5-30/1 (CCA-5-30-1, CCA_5_30_1, CCA-5/30/1) 8-pin/8-pin Remote Control Cable, 30 meter Remote control cable for 700 series control panels. Applicable Models: HDCU-1000/1500 Camera Control Unit; CCU-790P/590P Camera Control Unit; RCP-700/701/750/751 Remote Control Panels; MSU-900/MSU-950 Master Setup Unit.
AO-ATOMCAB004 USB to Serial LANC Cable (6.5')
Atomos AO-ATOMCAB004 (AO/ATOMCAB004, AO_ATOMCAB004, AOATOMCAB004, ATOMCAB004, ao-atomcab004) USB to Serial LANC Cable (6.5') The Atomos USB Type-A to Serial LANC Calibration Cable allows you to connect virtually any Atomos monitor or monitor/recorder to a computer for use with select calibration systems. When using the Atomos calibration software, which is provided as a free download for Windows and Mac on the Atomos website, this cable can be used with the X-Rite i1 Display Pro calibration hardware. You can also use optional third-party calibration software, in which case the cable can be used with any calibration hardware compatible with that software, such as Datacolor Spyder systems in many cases. The cable features a USB Type-A connector on one end and has a 2.5mm LANC connector on the other end, making it compatible with almost every Atomos monitor. The cable measure 6.5′ long.
AtomFlex Pro HDMI 2.0 Micro HDMI to Full HDMI 40cm (80cm extended)
Atomos AO-ATOM4K60C2 (AOATOM4K60C2, AO/ATOM4K60C2, AO ATOM4K60C2, ATOM4K60C2, ao-atom4k60c2) AtomFlex Pro HDMI 2.0 Micro HDMI to Full HDMI 40cm (80cm extended) The AtomFLEX HDMI (Type-A) Male to Micro-HDMI (Type-D) Male Coiled Cable lets you transmit HDMI 2.0 signals between devices and components. The coiled design reduces clutter, and the die-cast metal micro-HDMI (type-D) connector provides a stable connection. This cable supports 4K video at up to 60 fps and HD video at up to 240 fps.
AtomFlex Pro HDMI 2.0 Mini HDMI to Full HDMI 30cm (60cm extended)
Atomos AO-ATOM4K60C3 (AOATOM4K60C3, AO/ATOM4K60C3, AO ATOM4K60C3, ATOM4K60C3, ao-atom4k60c3) AtomFlex Pro HDMI 2.0 Mini HDMI to Full HDMI 30cm (60cm extended) The 12 to 24" AtomFLEX HDMI (Type-A) Male to Mini-HDMI (Type-C) Male Coiled Cable lets you transmit HDMI 2.0 signals between devices and components. The coiled design reduces clutter, and the die-cast metal mini-HDMI (type-C) connector provides a stable connection. This cable supports 4K video at up to 60 fps and HD video at up to 240 fps.
BMD CINEURSANMFRCAM Camera Fiber Converter
Blackmagic BMD-CINEURSANMFRCAM ( CINEURSANMFRCAM, BMDCINEURSANMFRCAM, BMD/CINEURSANMFRCAM, BMD CINEURSANMFRCAM ) Camera Fiber Converter Connect cameras to live switchers up to 2 km away with video, talkback, control and power, all over a single cable Blackmagic Camera Fiber Converter The Blackmagic Camera Fiber Converter attaches to the back of your URSA Mini or URSA Broadcast camera. In addition to converting all of the audio, video, camera control and talkback into fiber, it also adds professional studio camera controls to the back of your camera. You get control for return feeds, dual intercom controls with the ability to mix in program audio, record, focus and iris controls, headset connectors, audio and more. The camera converter also includes a VLock mount plate on the top for attaching accessories such as a professional Blackmagic Studio Viewfinder. The Blackmagic Camera Fiber Converter has connections for your Ultra HD camera feed, 3 HD return feeds, full remote camera control, PTZ, multiple channels of talkback, tally and more. Blackmagic Fiber Converters Extend and fully power cameras up to 2 km away using an open standard SMPTE fiber cable The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work. Place Cameras Anywhere Get cameras much closer to the action If you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology. SMPTE Fiber for Industrial Strength and Safety Built in multi layer fail safe instantly cuts power to eliminate danger Blackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel. Add Studio Camera Controls Transform broadcast cameras into dedicated studio cameras Studio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras. 10G Ethernet for IP Video Super fast, low latency ethernet link for video, audio and control The Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future. Dual Channel Talkback Two dual channel talkback intercoms with backup The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator. Designed for High End Broadcast Durable metal design, high end components and professional connections The Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed.
BMD CINEURSANWFRSTUD Studio Fiber Converter
Blackmagic BMD-CINEURSANWFRSTUD ( CINEURSANWFRSTUD, BMDCINEURSANWFRSTUD, BMD/CINEURSANWFRSTUD, BMD CINEURSANWFRSTUD ) Studio Fiber Converter Connect to remote cameras up to 2 km away with multiple channels of video, talkback, control and power all over a single cable Blackmagic Studio Fiber Converter The Blackmagic Studio Fiber Converter is used at the other end of your broadcast camera chain back in the studio or outside broadcast truck. It converts signals from the remote camera back into standard television industry connections that can be used with your live production switchers, audio mixers and talkback interfaces. It features a high capacity power supply to drive the cable so it can provide enough power for your camera and any accessories that you might add. The studio fiber converter includes connections for tally, two dual channel intercoms for industry standard 3rd party talkback systems, and even a backup engineering talkback channel in case the fiber goes down. You get a main Ultra HD camera feed plus 3 independent HD return feeds with full remote camera control, PTZ, tracker talkback and ethernet, all through a single SMPTE fiber cable. Plus, there is a large 5 inch LCD screen right next to the SMPTE fiber connection on the front panel for monitoring signals from the remote camera. This allows for easy patching and verification of the remote camera function. Blackmagic Fiber Converters Extend and fully power cameras up to 2 km away using an open standard SMPTE fiber cable The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work. Place Cameras Anywhere Get cameras much closer to the action If you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology. SMPTE Fiber for Industrial Strength and Safety Built in multi layer fail safe instantly cuts power to eliminate danger Blackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel. Add Studio Camera Controls Transform broadcast cameras into dedicated studio cameras Studio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras. 10G Ethernet for IP Video Super fast, low latency ethernet link for video, audio and control The Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future. Dual Channel Talkback Two dual channel talkback intercoms with backup The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator. Designed for High End Broadcast Durable metal design, high end components and professional connections The Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed.
Cable II-X5 Straight Copper Cable with XLR-5 Connector
Sennheiser 505785 (505-785, 505/785, 50-57-85, 505 785) (Cable-II-X5, Cable/II/X5, Cable II X5) Cable II-X5 Straight Copper Cable with XLR-5 Connector Copper cable with short coiled part for minimum structure born noise, XLR 5 connector.
Sony CCA-5-3 (CCA5-3, CCA/5-3, cca-5-3) Camera Control Cable - 3mThe CCA5 cable has 3 shielded pairs; (1) 75ohm coax and (2) conductors for power. Cable assembly uses Hirose style 8 pin connector. (DOESN'T WORK with SONY'S RMB150 Controller, does NOT monitor Video Out)
CL 20 PP Antenna Cable for SpeechLine Digital Wireless Receiver (65.6')
Sennheiser 507428 (507-428, 507 428, 50-74-28, 507 428) (CL-20 PP, CL/20 PP, CL20 PP) CL 20 PP Antenna Cable for SpeechLine Digital Wireless Receiver (65.6') CL 20 PP 65.6 foot Antenna Cable for SpeechLine Digital Wireless Receiver.
Control Cable for BVP and HDC Series Cameras
Sony CCA-5-10 (CCA5-10, CCA/5-10, cca-5-10) Control Cable for BVP and HDC Series CamerasThe Sony CCA-5-10 is a control cable that is specifically designed to drive Sony's line of BVP and HDC series cameras. The cable prevents multiple wires from getting tangled or tripped over, providing a clean and efficient means of connectivity.
d:dicate 2011ER Twin Diaphragm Cardioid Mic, Rear Cable, XLR
DPA 2011ER (2011/ER, 2011 ER, 2011_ER, 2011.ER) d:dicate 2011ER Twin Diaphragm Cardioid Mic, Rear Cable, XLR The 2011ER Cardioid Microphone, Active Rear Cable from DPA is designed for capturing audio and can be used in various environments, including theater, recording studios, broadcast TV, and similar applications. It features a cardioid directional pattern and a frequency range of 20 Hz to 20 kHz. The microphone contains an MMP-E active cable preamp, which splits amplification and phantom power duties. Additionally, the microphone offers a modular capsule with high-quality directivity control and radio frequency interference rejection. The 2011ER capsule is also suitable for capturing instruments in sound reinforcement applications. The capsule's twin diaphragm is designed to provide a fast impulse response and large frequency bandwidth, resulting in low inherent noise. The microphone's modular design allows users to manually switch optional capsules for enhanced versatility and performance. The preamp terminates with a 12mm attachment at one end and an XLR connector at the other. The 2011ER features a compact appearance and includes a SM4000-C Suspension Mount.
d:dicate 2011ES Twin Diaphragm Cardioid Mic, Side Cable, XLR
DPA 2011ES (2011/ES, 2011 ES, 2011_ES, 2011.ES) d:dicate 2011ES Twin Diaphragm Cardioid Mic, Side Cable, XLR The 2011ES Cardioid Microphone, Active Side Cable from DPA is designed for capturing audio and can be used in various environments, including theater, recording studios, broadcast TV, and similar applications. It features a cardioid directional pattern and a frequency range of 20 Hz to 20 kHz. The microphone contains an MMP-E active cable preamp, which splits amplification and phantom power duties. Additionally, the microphone offers a modular capsule with high-quality directivity control and radio frequency interference rejection. The 2011ER capsule is also suitable for capturing instruments in sound reinforcement applications. The capsule's twin diaphragm is designed to provide a fast impulse response and large frequency bandwidth, resulting in low inherent noise. The microphone's modular design allows users to manually switch optional capsules for enhanced versatility and performance. The preamp terminates with a 12mm attachment at one end and an XLR connector at the other. The 2011ER features a compact appearance and includes a SM4000-C Suspension Mount.
EC-0.5X5F3M Microphone Cable 5-Pol XLR Female to 2x 3-Pol XLR Male
Sony EC-0.5X5F3M (EC/0.5X5F3M, EC_0.5X5F3M, EC 0.5X5F3M, EC0.5X5F3M, ec-0.5x5f3m) Microphone Cable 5-Pol XLR Female to 2x 3-Pol XLR Male This 5-Pin to Dual 3-pin XLR Cable is used to connect the Sony ECM-680S stereo shotgun microphone into the dual XLR inputs on camcorders. The cable measures 16" (40.64cm) in length and features a 5-pin XLR input on the single end, and dual XLR male outputs. Formally known as K-1504 5-pin female XLR on one end - two 3-pin male XLR's on the other end
hdmi to hdmi 16" braided cable for on camera monitors
hdmi to hdmi 16" braided cable for on camera monitors (KON-HDMI16_BK, KON/HDMI16_BK, KONHDMI16_BK) Connect your camcorder to your on-camera monitor with the black 16" Braided High-Speed HDMI Cable. It supports 4K 60 Hz and 3D video and features a nylon braid. Suitable for use with Blackmagic Pocket Cinema Cameras, URSA G2 camcorders, and HDR 12G Video Assist monitors
HDMI to HDMI Braided Cable 4K@60Hz 3M, used
HDMI to HDMI Braided Cable 4K@60Hz 3M, used(FMP58776LPSH) Good condition Premium High speed HDMI cables with Ethernet & Audio Return Channel (ARC) Supports 2160p resolution @60Hz Stylish design with chrome effect headshells Gold plated HDMI connectors 30AWG cable with nylon outer cable braiding
Hybrid Optical Fiber Cable - 250m
Sony CCFN-250//U (CCFN250//U, CCFN/250//U, ccfn-250//u) Hybrid Optical Fiber Cable - 250mThe 820.2' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits
Hybrid Optical Fiber Cable - 50m
Sony CCFN-50//U (CCFN50//U, CCFN/50//U, ccfn-50//u) Hybrid Optical Fiber Cable - 50mThe 164' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits
DPA DM6000-BM (DM6000BM, DM6000/BM, DM6000_BM, DM6000.BM) Mic Base, Black, MicroDot The Microphone Base comes with a built-in shock mount system that gives very good suppression of unwanted handling noise from a table or the like. Hidden mounting holes below the top cover make it possible to permanently affix the unit to a flat surface for an exclusive appearance. The audio cables are an integral part of the Microphone Base unit.
MICRO4K Coiled HDMI to Micro-HDMI Cable (24'')
Shape SH-MICRO4K (SH_MICRO4K ,SHMICRO4K, SH/MICRO4K, SH MICRO4K) (MICRO-4K, MICRO/4K) MICRO4K Coiled HDMI to Micro-HDMI Cable (24'') Interface high-definition devices with the MICRO4K Coiled HDMI to Micro-HDMI Cable from SHAPE. For component connections, it features a full-size HDMI connector on one end and a micro-HDMI connector on the other end. This cable is 24" when coiled and can be extended up to 36". Its coiled design allows the cable to work in installations where shorter cables are desired.
Modular Active Cable, MicroDot, Rear, 1.8 m (5.9 ft)
DPA MMP-GR (MMPGR, MMP/GR, MMP_GR, MMP.GR) Modular Active Cable, MicroDot, Rear, 1.8 m (5.9 ft) The MMP-G Modular Active Cable is an ultra-transparent preamplifier. It can be combined with any modular capsule in the d:dicate™ Recording Microphones Series. The MMP-G also features a MicroDot connector, which allows the microphone to be linked with all leading wireless miking solutions through the extensive range of DPA adapters. The MMP-G is available in two variations, MMP-GR with the cable extending from the rear or MMP-GS with the cable extending from the side.
Modular Active Cable, MicroDot, Side, 1.8 m (5.9 ft)
DPA MMP-GS (MMPGS, MMP/GS, MMP GS, MMP.GS) Modular Active Cable, MicroDot, Side, 1.8 m (5.9 ft) The MMP-G Modular Active Cable is an ultra-transparent preamplifier. It can be combined with any modular capsule in the d:dicate Recording Microphones Series. The MMP-G also features a MicroDot connector, which allows the microphone to be linked with all leading wireless miking solutions through the extensive range of DPA adapters. The MMP-G is available in two variations, MMP-GR with the cable extending from the rear or MMP-GS with the cable extending from the side. For one of the highest-quality wireless instrument miking solutions on the market, attach your favorite d:dicate Microphone Capsule to a MMP-G Modular Active Cable. Then you can seamlessly connect them to the GSM4000 Gooseneck Mount for d:dicate. This combination allows you to create a wireless solution with your favorite d:dicateMicrophone.
Modular Active Cable, XLR, Side, 3 m (9.8 ft)
DPA MMP-ES (MMPES, MMP/ES, MMP ES, MMP.ES) Modular Active Cable, XLR, Side, 3 m (9.8 ft) The d:dicate MMP-ES Modular Active Side Cable by DPA Microphones is a microphone preamp. It is used with any d:dicate modular capsule for capturing audio in applications such as with hanging mics or low-profile table or instrument mics. The MMP-ES features a high quality preamp built with a 12mm housing and a 3-pin XLR connector. The capsule attaches to a cable with a length of 3 meters or optionally up to 30 meters. The preamp features impedance balancing with active drive to reject radio frequency interference. This model is built with a side mounted cable. The preamp is ultra transparent and features the DPA designed impedance balancing with active drive to reject radio frequency interference Can be combined with any DPA d:dicate modular capsule
Sony SMF-17R20 (SMF_17R20, SMF/17R20, SMF 17R20) Monitor Interface Cable Disocver this Ethernet and DC power cable, suitable for connection between BKM-17R and BVM-E251/E171 series.
Sennheiser 502327 (502-327, 502/327, 502 327, 50-23-27) (MZL/8010, MZL-8010, MZL8010) MZL 8010 Remote cable 10 m Connects between the microphone head and the XLR module to make the microphone extremely unobtrusive (ideal for almost invisible use hanging from the ceiling); length: 10 m
PAN-AGC20003G 3m Connection Cable for AG-HCK10G
Panasonic PAN-AGC20003G ( AGC20003G, PANAGC20003G, PAN/AGC20003G, PAN AGC20003G) 3m Connection Cable for AG-HCK10G Panasonic's AG-C20003G cable is required for connection of the AG-HCK10 POVCAM to the AG-HMR10 AVCCAM recorder.
Replacement LEMO Type to XLR Breakout Cable for Shogun
Atomos AO-ATOMCAB016 (AOATOMCAB016, AO/ATOMCAB016, AO ATOMCAB016, ATOMCAB016, ao-atomcab016) Replacement LEMO Type to XLR Breakout Cable for Shogun Lemo to XLR breakout cable for the Shogun Monitor/Recorder.
RS-422 9-pin Male to 9-pin Male Serial Control Cable - 16ft
Sony RCC-5G (RCC5G, RCC/5G, rcc-5g) (RS/422, RS_422) RS-422 9-pin Male to 9-pin Male Serial Control Cable - 16ftThe Sony RCC-5GUS is a 9-pin control cable for RS-422A control protocol. The cable is 5 meters long, or about 16 feet.
Single-Mode Fiber Optic Cable - 200m
Sony CCFC-S200 (CCFCS200, CCFC/S200, ccfc-s200) Single-Mode Fiber Optic Cable - 200mThe Sony CCFC-S200 Single-Mode Fiber Optic Cable is a 656' (200m) cable designed to be used with HD pan-tilt-zoom cameras, such as the BRC-Z330, to transmit uncompressed digital data. In conjunction with an HD optical multiplex unit (such as the BRU-SF10), the CCFC-2200 cable can transmit external sync, camera control, and audio signals without deterioration.
Straight Micro HDMI to Micro HDMI Cable (50cm)
Atomos AO-ATOMCAB012 (AOATOMCAB012, AO/ATOMCAB012, AO ATOMCAB012, ATOMCAB012, ao-atomcab012) Full HDMI to Full HDMI Straight Cable (50cm) Atomos straight micro HDMI to micro HDMI cable (50cm).
Ugreen 3.5mm Audio Mic Extension Cable, Ex Demo
Ugreen 3.5mm Audio Mic Extension Cable, Ex Demo 3 Months Warranty, Excellent Condition Ugreen 3.5mm Audio Mic Extension Cable 4-Pole TRRS Aux Headphone Male to Female Extender Lead Earphone Mini Jack Plug Cord 2M
UN-10 Unit Cable for Canon EOS C200, C300 Mark II, C700, and XC15 (39"')
Canon 0887C001 (088/7C001, 088-7C001, 088 7C001,0887C/001) UN-10 (UN/10, UN 10, UN10, un-10) Unit Cable for Canon EOS C200, C300 Mark II, C700, and XC15 (39"') The Canon UN-10 Unit Cable allows you to connect the Canon LM-V1 4" LCD Monitor to the Canon EOS C200, C300 Mark II, and C700 cameras. It also connects the Canon MA-400 Microphone Adapter to the C300 Mark II and Canon XC15.