DPA 4017B (DPA4017B DPA-4017B DPA/4017B) Shotgun Microphone 4017B Shotgun Microphone FEATURES: Excellent RF Immunity Lightweight Uniform off-axis response Highly directional Equipped with a highly directional supercardioid pickup pattern, obtained using a supercardioid design with an interference tube that provides excellent off-axis rejection, the DPA 4017B is a short and exceptionally lightweight shotgun microphone that truly measures up to DPA’s impressive reputation for accuracy, clarity, and musicality. Designed for a broad range of applications, the phantom powered 4017B is ideal for use with camera systems, in fixed positions at sports facilities, for broadcast/ENG/film booming, and even studio recording environments. Tune out the surroundings Extensive research and development has been undertaken to optimize the sound coming from the sides and behind the microphone. Minimizing the often very un-linear response of a shotgun microphone due to its side lobes is one of the key accomplishments of the 4017B. The condenser capsule uses a high voltage pre-polarized back plate, endowing the shotgun with high output as well as wide dynamics, extremely low noise and distortion specifications. Small size, big performance At just 210 mm (8.3 in) in length and 68 g (2.4 oz) in weight, the aluminum-bodied DPA 4017B is among the smallest and lightest boom microphones available. But that’s not to say that it’s small on performance. Fully immune to RF emission, the 4017B’s 19 mm (0.75 in) condenser cartridge is capable of handling peak SPLs of 152 dB before clipping. Screwdriver-free filter access The 4017B features two onboard filters that are activated via an ingenious switching ring design. With the simple twist of two sturdy rings, engineers can implement a high-frequency boost that adds a 4 dB shelf at 8 kHz and a first-order bass roll-off below 120 Hz to minimize handling and wind noise. A permanent third-order high-pass filter at 50 Hz effectively removes unwanted low frequency disturbance from handling and wind noise.
ECM-673 Short Shotgun Electret Condenser Camera Microphone
Sony ECM-673 (ECM/673, ECM_673, ECM673, ECM 673, ecm-673) Short Shotgun Electret Condenser Camera Microphone The ECM-673 is a short shotgun, electret condenser-type microphone, which delivers excellent sound performance in field and studio production applications at an affordable price. This microphone is also tailored for use with HDV type camcorders. Superb Sound Quality The ECM-673 offers an excellent sensitivity of -36 dB (0 dB=1 V/Pa) and a low inherent-noise level of less than 17 dB SPL. This allows the microphone to be used for clear voice pickup, even in noisy working environments. Flat-and-wide Frequency Response The ECM-673 microphone has a flat-and-wide frequency response (40 Hz to 20 kHz) and delivers extremely smooth and natural sound reproduction. Compact and Lightweight Design The ECM-673 has been designed as a highly directional, compact, and lightweight short shotgun microphone. It measures only 200 mm (7 7/8 inches) in length, and weighs just 135 g (4.76 oz), maintaining good balance even when mounted on compact camcorders. High Durability and Reliability The vibration-resistant mechanism of the ECM-673 offers high durability and reliability, making it suitable for the harsh environments that can be encountered in field sound-acquisition. Built-in Low-cut Filter The built-in two-position (M, V) low-cut switch on the ECM-673 provides a simple method of reducing the effects of unwanted ambient noise.
ECM-674 Shotgun Electret Condenser Microphone
Sony ECM-674 (ECM/674, ECM_674, ECM674, ECM 674, ecm-674) Shotgun Electret Condenser Microphone The Sony ECM-674 Mic is an affordable shotgun-type electret condenser microphone which delivers excellent sound performance in field and studio productions. Flat-and-wide Frequency Response The ECM-674 microphone has a flat-and-wide frequency response (40 Hz to 20 kHz) and provides sound reproduction that is extremely smooth and natural Compact and Lightweight Design The ECM-674 has been designed as a highly directional compact and lightweight shotgun microphone. It measures only 268 mm (10 5/8 inches) in length and weighs just 185 g (6.5 oz), maintaining good balance even when mounted on compact camcorders. Built-in Low Cut Filter The built-in two-position (M, V) low-cut switch provides users with a simple method of reducing the effects of undesired ambient noise. Superb Sound Quality The ECM-674 offers an excellent sensitivity of -36 dB (0 dB=1 V/Pa.) and low inherent-noise level of less than 17 dB SPL. This allows the microphone to be used for clear voice pick-up even in noisy environments Two-way Powering A two-way powering capability allows the ECM-674 to be driven by microphone power or batteries, making it suitable for both camcorder mounting and many other sound-gathering applications. Internal: AA-size battery operation. External: DC (40 to 52 V) operation Built-in Battery Liquid Leakage Protection Circuit In general, old batteries can leak and damage the equipment they are used in. The ECM-674 prevents this by continually detecting the output voltage of the battery and shutting off the power supplied to the electric circuit whenever the voltage drops beneath a certain threshold.
ECM-678 Shotgun Electret Condenser Microphone
Sony ECM-678 (ECM/678, ECM_678, ECM 678, ECM678, ecm-678) Shotgun Electret Condenser Microphone The Sony ECM-678 is a short shotgun, electret condenser-type microphone, which delivers outstanding sound performance in all field production and broadcast studio applications. The Sony ECM-678 shotgun mic offers excellent sensitivity, low inherent noise, and extreme durability. Its highly directional response allows clear voice pick-up even in the most demanding of environments, while the built-in low-cut filter switch helps to reduce unwanted pop and wind noise encountered in the field. With its high performance and durability, the Sony ECM-678 microphone is the perfect choice for quality-critical sound-acquisition applications.
ECM-680S MS Stereo Shotgun Electret Condenser Microphone
Sony ECM-680S (ECM/680S, ECM_680S, ECM680S, ECM 680S, ecm-680s) MS Stereo Shotgun Electret Condenser Microphone The Sony ECM-680S from Sony is an MS stereo* shotgun, electret condenser-type microphone, ideal for a broad range of field production and broadcast studio applications. Incorporating newly developed microphone capsules, the ECM-680S offers excellent sensitivity, low inherent noise, and a flat-and wide frequency response. The most distinguished feature of the ECM-680S is its switchable operation between a highly directional monaural mode and stereo mode. Monaural mode provides highly directional sound pickup, while stereo mode delivers natural and spatial sound. The ECM-680S is compact and lightweight, making it well-suited to use with a range of Sony professional camcorders. In addition, it can be mounted on a boom pole for more versatility. With its excellent quality and versatility, the ECM-680S is an ideal choice for quality-conscious sound gathering applications. MS microphone signal of th e ECM- 680S is internally decoded to L and R (stereo) outputs This product comes with PrimeSupport – fast, hassle-free repairs and a helpline offering expert technical advice. Which gives you the peace of mind that Sony is looking after your equipment, and your business.
ECM-B1M Camera-Mount Digital Shotgun Microphone
Sony ECM-B1M (ECM/B1M, ECM_B1M, ecm-b1m) Camera-Mount Digital Shotgun Microphone The Sony ECM-B1M is an ultra-compact camera-mount digital shotgun microphone designed for mobile video creators working with Sony cameras equipped with the Multi Interface Shoe. Released alongside the a7R IV, which benefits from its built-in Digital Audio Interface, the ECM-B1M is able to produce its best quality by delivering a digital audio stream directly to the camera through the Multi Interface Shoe. Other Sony cameras with the standard Multi Interface Shoe can still make use of the microphone as there is a selectable digital/analog output. The ECM-B1M is equipped with eight high-performance mic capsules and advanced digital signal processing, providing three selectable directivity patterns for a wide range of shooting and recording situations. Plug-and-play operation makes the microphone easy to use right out of the box—you can immediately start recording your YouTube videos, Facebook Live streams, and interviews, at home, in the studio, or on the go. Compatibility Digital Audio Sony Alpha a7R IV Analog Audio Sony cameras equipped with Multi Interface Shoe Three Directivity Modes Advanced digital signal processing makes it possible to offer three switchable directivity patterns: supercardioid, cardioid, and omnidirectional. Super Directivity in a Compact Mic Eight high-performance microphone units work with a beam-forming algorithm to provide extremely sharp directivity that effectively rejects off-axis sound. All of this is achieved in a remarkably compact microphone that is only 3.91" in length. Digital Sound with Low Noise When connected via the Multi Interface shoe of a compatible camera that features a built-in digital audio interface, the audio signal is directly transferred to the camera in digital form so that no degradation can occur. A simple switch also provides compatibility with a wide range of cameras using an analog interface. Effective Controls for Clear Sound Record level control, analog output for compatibility with a wide range of cameras, and an attenuator that makes it easy to set optimum signal levels all add to this microphone's versatility. A low-cut filter that cuts out subsonic noise is implemented through digital signal processing, maximizing audio quality at the recording stage and thereby reducing the need for complex post processing. Mechanical Noise Suppression An advanced shock and vibration suppressing design effectively minimizes low-frequency or handling noise, which can degrade audio quality. The absence of connecting cables also means that no noise can be transmitted to the microphone mechanically via cables and connectors. A fur windscreen is supplied to help reduce wind noise when shooting outdoors. Cable-Free Connection Simply clip the microphone into the Multi Interface Shoe on a compatible camera for direct power and audio connections without the need for extra cables or batteries. Sony's Multi Interface Shoe offers intelligent connectivity and control for a variety of accessories, providing maximum flexibility and mobility.
ECM-VG1 Shotgun Electret Condenser Microphone
Sony ECM-VG1 (ECM/VG1, ECM_VG1, ECM VG1, ECMVG1, ecm-vg1) Shotgun Electret Condenser Microphone The ECM-VG1 is specifically designed for professional field and studio production applications at an affordable price. It is extremely lightweight and is supplied with an innovative windscreen that suppresses wind noise, making it a perfect choice for field sound shooting with a compact camcorder or attached to a boom pole. Outstanding Sound Quality The ECM-VG1 delivers exceptionally smooth and natural sound reproduction. It has a flat-and-wide frequency response (40 Hz to 20 kHz), excellent sensitivity of -33 dB (0 dB=1 V/Pa), and a low inherent noise level of less than 18 dB SPL. Compact and Extremely Lightweight Design with Metal Body Designed as an extremely lightweight shotgun microphone, the ECM-VG1 maintains good balance even when mounted on compact camcorders. Built-in Low-cut Filter The built-in two-position (M, V) low-cut switch provides a simple method of reducing the effects of unwanted ambient noise. External DC (40 to 52 V) Operation The ECM-VG1 provides an electronically balanced output operation on 48 V standard external power. Innovative Windscreen The ECM-VG1 is supplied with an innovative windscreen that has an internal frame to rigidly fix the windscreen, creating a space between the microphone and the outside part of the windscreen that helps suppress strong wind noise. It also protects the ECM-VG1 from contact noise in harsh operational environments such as outdoor shooting.
Sennheiser 509257 (MKE-400, MKE/400, MKE_400, MKE400) MKE 400 Mobile Kit The MKE 400 Mobile Kit combines portability and performance for the ultimate vlogging experience. Upgrade your audio and your video with these three essential tools. The MKE 400 is a compact shotgun microphone that provides focus and detail for your recordings. An integrated windscreen and internal shock mount help to prevent handling and wind noise while the provided 3.5 mm TRS and TRRS cables allow for compatibility with DSLR/M cameras and mobile devices. The Smartphone Clamp is made from solid aluminum and features soft rubber grips that provide a secure fit for nearly all mobile phones. A 180-degree locking dial allows for portrait or landscape positioning so you can switch from one aspect ratio to another with ease. The Manfrotto PIXI is a durably constructed lightweight, mini tripod. The PIXI features a ball head with a push-button locking mechanism that enables you to position and lock the ball head in one fluid, intuitive motion. Rubber feet ensure a slip-free grip on most surfaces and collapsible legs allow for convenient handheld vlogging that adds stability to your videos. For creators that are looking for a great mobile solution, the MKE 400 Mobile Kit provides the right set of tools to elevate your content. Designed to travel Compact and convenient, the essentials in this kit are everyday companions for the creator on the move. The Smartphone Clamp and Manfrotto PIXI allow for a fast and stable set-up while the MKE 400 enhances your audio in any environment. Small enough for pockets and pouches, the MKE 400 Mobile Kit is designed to go everywhere you go. Flexibility and control Dialing in your frame is all about the details, and the adjustability of the smartphone clamp and Manfrotto PIXI make it easier than ever. A locking swivel-joint on the Smartphone Clamp allows for portrait or landscape orientation while the PIXI’s push-button ball head offer further fine-tuning. Simply mount your mobile phone vertically or horizontally and use the PIXI to adjust to your liking. Quality above all else Robustly constructed of solid aluminum with soft rubber grips, the Smartphone Clamp is made to compliment the quality of the MKE 400 that Sennheiser is known for. Add the durability of the Adapto-coated stainless steel Manfrotto PIXI and take advantage of a mobile kit that’s built to last.
MKH 8040 Compact Cardioid Condenser Microphone (Single Microphone)
Sennheiser 506289 (506/289, 506-289, 50-62-89, 506 289)(MKH/8040, MKH8040, MKH-8040) MKH 8040 Compact Cardioid Condenser Microphone (Single Microphone) Due to its cardioid pick-up pattern the MKH 8040 is perfectly suitable for a wide range of applications. It features a balanced frequency response throughout the whole pick-up pattern, as well as a significantly reduced pick-up of rear sound without depriving it of its natural timbre: Very valuable talents when used in rooms with poor acoustics or when disturbing sounds impinge mainly from the rear.
MKH 8060 Compact shotgun microphone
Sennheiser 506292 (506-292, 506 292, 506/292, 50-62-92) (MKH/8060, MKH-8060, MKH8060) MKH 8060 Compact shotgun microphone Whether it's a feature film, a documentary, an outdoor shoot or a studio production, the MKH 8060 will provide high quality sound to match your great pictures. Handily compact it shows its strengths as a professional shotgun microphone: The MKH 8060 delivers an absolute natural sound and outstanding off-axis linearity, attenuating sound coming from the side without coloration. Like all mics of the 8000-family it can be easily combined with the MZD 8000 digital module, turning it into a full-fledged digital microphone.
MKH-8070 Long Shotgun Microphone
Sennheiser 506293 (506-293, 506/293, 506 293, 50-62-93) (MKH/8070, MKH8070, MKH 8070) MKH-8070 Long Shotgun Microphone The long shotgun microphone MKH 8070 was especially designed for picking up distant sources of sound in best quality. Its very natural sound makes it the ideal choice for major broadcast and sporting events. Featuring extreme directivity and a pronounced lobar pick-up pattern it will reliably capture that magic moment from a distance, even under the toughest sonic and climatic conditions. The MKH 8070's special design ensures attenuation of off-axis sound without coloration. Like all mics of the 8000-family it can be easily combined with the MZD 8000 digital module, turning it into a full-fledged digital microphone.
MKH-8090 Compact Wide Cardioid Condenser Microphone
Sennheiser 506294 (506-294, 506/294, 50-62-94, 506 294) (MKH/8090, MKH 8090, MKH 8090) MKH-8090 Compact Wide Cardioid Condenser Microphone The MKH 8090 is a high-end RF condenser microphone with a wide cardioid pick-up pattern. It is the ideal main microphone when less acoustic impression of space is demanded. As a support microphone it excels in capturing larger groups of instruments. The microphone operates on the RF principle that has been used by Sennheiser for more than 50 years, now brought to the highest level of perfection. Among the many advantages of this principle are an extremely low inherent self-noise, the capability to handle high sound pressure levels without distortion, and a high resistance to adverse climatic conditions.
MMC2006 Twin Diaphragm Omni Microphone Capsule
DPA MMC2006 (MMC 2006 MMC-2006 MMC/2006) Twin Diaphragm Omni Microphone Capsule Twin Diaphragm Capsule technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA d:dicate Recording Microphones series. In an MMC2006 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. This combines the advantages of small capsules (fast impulse response and large frequency bandwidth) with lower inherent noise achieved from a larger diaphragm area. The capsules are loaded to the supreme d:dicate Recording Mic preamps instead of the tiny miniature FET preamp from the miniature mics, offering even more air and precision. Comparison with its big brother, the iconic 4006, is inevitable. The relationship between the two is clearly heard; the 2000 series simply performs like much more exclusive microphones from the premium class and redefines the term value for money. Modular upgradability The MMC2006 capsule is part of the flexible DPA Reference Standard series. The 2006A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound, where the 2006C MMP-C compact preamplifier offers a subtle character alteration with a bit more “body†to the low end – in addition to its easier-to-position approach.
MMC2011 Twin Diaphragm Cardioid Microphone Capsule
DPA MMC2011 (MMC 2011 MMC-2011 MMC/2011) Twin Diaphragm Cardioid Microphone Capsule Twin Diaphragm Capsule: cutting edge technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA d:dicate Recording Microphones series. In a 2011 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. The use and control of interference tubes has become a DPA specialty and the 2011 is no exception. The capsules are loaded to the supreme d:dicate Recording Mic preamps instead of the tiny miniature FET preamp from the 4060 miniature series, offering even more air and precision. Modular flexibility The MMC2011 capsule is part of the flexible DPA Reference Standard series. The 2011A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound, where the 2011C with the MMP-C compact preamplifier offers a subtle character alteration with a bit more “body†to the low end – in addition to its easier-to-position approach.
MMC4006 Omni Microphone Capsule
DPA MMC4006 (MMC 4006 MMC-4006 MMC/4006) Omni Microphone Capsule Modular flexibility The MMC4006 capsule is part of the flexible DPA d:dicate Recording Microphones series. The 4006A with the MMP-A preamplifier is a legendary recording classic with natural tone and dynamics, where the 4006C with the MMP-C compact preamplifier provides neutral sonic and visual design for reproducing acoustic environments. Several tools in one A wide selection of acoustic modification accessories, including nose cone and interchangeable protection grids, allows the MMC4006 capsule to be acoustically transformed into seven different microphone versions, making it the most multifaceted mic in your collection and a tremendous value. By simply changing a grid or mounting an element over the capsule, it is possible to gain several unique frequency responses and directional characteristics from a single mic. Furthermore, these grids and elements will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter.
MMC4011 Cardioid Microphone Capsule
ic on literally any style of live music, from rock ‘n’ roll to opera.
MMC4015 Wide Cardioid Microphone Capsule
DPA MMC4015 (MMC 4015 MMC-4015 MMC/4015) Wide Cardioid Microphone Capsule Modular flexibility The MMC4015 capsule is part of the flexible DPA d:dicate Recording Microphones series. The 4015A with the MMP-A preamplifier suits acoustic instruments and voices with rich and open sound, where the 4015C with the MMP-C compact preamplifier is an excellent spot mic as a fill-in between an omni and a cardioid – and easier to position. Expand your horizon with a wider pattern If you are already a DPA 4011 devotee, you will discover an exciting alternative in our wide cardioid microphones. The MMC4015 wide cardioid capsule differs in its polar pattern and is the perfect fill-in between an omni and a more directional microphone. Sometimes a conventional cardioid pattern just isn’t quite open enough, such as when recording instruments with complex radiation patterns. In those instances, the generous polar pattern of our wide cardioids allows you to pick up a broader sound field and more accurately capture the full breadth of a stirring performance.
MMC4017 Shotgun Microphone Capsule
DPA MMC4017 (MMC 4017 MMC-4017 MMC/4017) Shotgun Microphone Capsule The MMC4017 capsule is part of the flexible DPA d:dicate Recording Microphones series. Equipped with a highly directional supercardioid pickup pattern, obtained using a supercardioid design with an interference tube that provides excellent off-axis rejection, the DPA 4017B combined with the MMP-B preamplifier is a short and exceptionally lightweight shotgun microphone that truly measures up to DPA’s impressive reputation for accuracy, clarity, and musicality. Designed for a broad range of applications, the 4017B is ideal for use with camera systems, in fixed positions at sports facilities, for broadcast/ENG/film booming, and even studio recording environments. Tune out the surroundings Extensive research and development has been undertaken to optimize the sound coming from the sides and behind the microphone. Minimizing the often very un-linear response of a shotgun microphone due to its side lobes is one of the key accomplishments of the MMC4017. The condenser capsule uses a high voltage pre-polarized back plate, endowing the shotgun with high output as well as wide dynamics, extremely low noise and distortion specifications.
Rode NTG-1 PACKAGE B © includes: Rode NTG-1 package Rode NT-SM4R Shotgun Mount Rode Boom Pole (3m) Rode WS6 Deluxe windshield 5m XLR audio cable *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©
Rode NTG-1 microphone package A © includes: Rode NTG-1 shotgun microphone (NTG1) Rode PG2-R pistol grip and shock mount (PG2-R) Rode WS6 Deluxe windshield (WS6) 5m XLR audio cable (5MXLR3PIN) *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©
Rode NTG-2 PACKAGE A © includes: Rode NTG2 shotgun microphone (NTG2) Rode WS6 Deluxe windshield (WS6) *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©
Rode NTG-2 PACKAGE B © includes: 1x Rode NTG2 (NTG2) 1x Rode WS6 Deluxe windshield (WS6) 1x Rode PG2-R Pistol Grip and shock mount (PG2-R) 1x 12 INCH XLR CABLE (12INCH3PIN) The new RODE NTG-2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries. The NTG-2 provides a balanced low impedance output stage and operates either from an internal 1.5 V battery (AA) or 48 V to the P48 standard. A wide bandwidth and controlled polar response coupled with low noise SMT electronics, makes the NTG-2 the perfect choice for film, video engineering and voice-over work. The NTG-2 is extremely lightweight making it ideal for mounting directly to video cameras or on boom poles. The NTG-2 comes complete with mount and windshield.The windscreen effectively suppresses wind noise when recording outdoors in moderate conditions. Included accessories: ZP2 (zip pouch), RM5 (stand mount) WSVM (windshield) The RØDE WS6 Deluxe Windshield is designed to reduce wind noise when recording in adverse environmental conditions.Suitable for the RØDE NTG-1 and NTG-2, as well as any shotgun microphone with a maximum slot length of 160.5mm (6 1/4") and a diameter of 21-22.5mm. The RØDE PG2 Pistol Grip Shock Mount is designed to reduce handling noise when recording with shotgun microphones.It supports microphones with a diameter of 19-20mm or 21-22.5mm using the supplied interchangeable mounts, and a handy release lever on the mount allows for quick and easy adjustment of the microphone angle.Cable management is an integral design feature of the PG2 pistol grip, with the cable running through the handle assembly to minimise any handling noise or clutter. Additional cable security is provided on either side of the rubber shock mount.The PG2 can be operated by hand or attached to a boompole via the 3/8" thread attachment at the base. 12inch 3Pin Xlr Cable *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©
Rode NTG-2 package C includes: 1x Rode NTG2 shotgun microphone (NTG2) 1x Rode WS6 Deluxe windshield (WS6) 1x Rode SM3R shock mount with Rycote lyre suspension mount (SM3R) 1x Rode Boom Pole (3m) (BOOMPOLE) 1x Digibroadcast 5m 3 pin XLR cable (5MXLR3PIN) The new RODE NTG-2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries. The NTG-2 provides a balanced low impedance output stage and operates either from an internal 1.5 V battery (AA) or 48 V to the P48 standard. A wide bandwidth and controlled polar response coupled with low noise SMT electronics, makes the NTG-2 the perfect choice for film, video engineering and voice-over work. The NTG-2 is extremely lightweight making it ideal for mounting directly to video cameras or on boom poles. The NTG-2 comes complete with mount and windshield.The windscreen effectively suppresses wind noise when recording outdoors in moderate conditions. Included accessories: ZP2 (zip pouch), RM5 (stand mount) WSVM (windshield) The RØDE WS6 Deluxe Windshield is designed to reduce wind noise when recording in adverse environmental conditions.Suitable for the RØDE NTG-1 and NTG-2, as well as any shotgun microphone with a maximum slot length of 160.5mm (6 1/4") and a diameter of 21-22.5mm. Suspension shock mount (cold shoe adaptor). Made for the RØDE NTG series. Features a 4-way rubber suspension system with quick release tilt mechanism, and a 3-way mounting system with 1/4"x20 and 3/8"x16 internal threads for boom pole or tripod mounting and a standard hot shoe adaptor for direct camera mounting. Will work with all similar diameter shotgun mics. Telescopic Boom Pole Extends to 3m. Suits Videomic, NTG1 / NTG2. 5 Meter 3 Pin XLR Cable *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©
NTG2 PACKAGE E © includes: 1x Rode NTG2 shotgun microphone (NTG2) 1x Rode BLIMP2 Windshield and pistol grip system for NTG series (BLIMP2) 1x Rode Boompole 3m (BOOMPOLE) 1x Rode SM3R shock mount with Rycote lyre suspension mount(SM3R) 1x 5M XLR CABLE (5MXLR3PIN) *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©
NTG2 Shotgun Microphone Package D
Rode NTG-2 PACKAGE D © includes: 1x Rode NTG2 (NTG2) 1x Rode BLIMP2 (BLIMP2) 1x 5M XLR CABLE (5MTR3PINXLR) *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©
Rode NTG-3 microphone package A © includes: Rode NTG3 shotgun microphone (NTG3B) Rode Deluxe windshield WS7 (WS7) Digibroadcast XLR 12" CABLE (12INCH3PIN) *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©
Rode NTG-3 microphone package C © includes: Rode NTG3 shotgun microphone (NTG3B) Rode BLIMP (BLIMP2) Digibroadcast XLR 12" CABLE (12INCH3PIN) *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©
NTG4+ Directional Condenser Microphone Inbuilt Battery pack B
Rode NTG4PLUS Directional Condenser Microphone with Inbuilt Battery package B © includes: 1x Rode NTG4PLUS Directional Condenser Microphone with Inbuilt Battery (NTG4PLUS) 1x Rode WS6 Deluxe windshield (WS6) 1x Rode PG2-R Pistol Grip and shock mount (PG2-R) 1x Digibroadcast XLR 12" CABLE (12INCHXLR3PIN) *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©
NTG4+ Directional Condenser Microphone Inbuilt Battery package C
Rode NTG4PLUS Directional Condenser Microphone with Inbuilt Battery package C includes: 1x Rode NTG4PLUS Directional Condenser Microphone with Inbuilt Battery (NTG4PLUS) 1x Rode WS6 Deluxe windshield (WS6) 1x Rode SM3R Camera Shoe Shock Mount (SM3R) 1x Rode Boom Pole (3m) (BOOMPOLE) 1x Digibroadcast 5m 3 pin XLR cable (5METERXLR3PIN) *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©
PODCASTER USB Broadcast Microphone
Rode PODCASTER (Rode-Podcaster, Rode/Podcaster, Rodepodcaster, Rode podcaster, Podcaster) USB Broadcast Microphone The RØDE Podcaster is a dynamic, end-address USB microphone that combines broadcast-quality audio with the simplicity of USB connectivity, allowing recording direct to a computer without the need for an additional digital interface. Including an audiophile quality 18-bit resolution, 48kHz sampling A/D converter, the Podcaster processes all of the analogue-to-digital conversion internally, bypassing the computer's lower quality on-board sound controller altogether. A headphone output on the microphone body provides zero-latency monitoring, so the user can hear exactly what is being recorded, free of delay or echo. The Podcaster features an internal pop filter, designed to minimise plosives sounds that can overload the microphone capsule and distort the audio output. It is fully compatible with Windows 7, Windows 8 and Mac OS X computers, as well as several Linux distributions. The microphone is bus powered and features a status LED to indicate operation. The Podcaster is ideal for podcasting, vodcasting, YouTube videos, voice recognition software, corporate videos and any production application that requires a simple yet professional voice-over microphone. It is also a convenient demo microphone for musicians and songwriters that prefer the convenience of a USB microphone but don't want to compromise sound quality. It can also be used as an iPad microphone for the Apple iPad (in conjunction with the iPad Camera Connection Kit and a powered USB hub) to provide high quality recording to various iPad audio applications such as Garageband. The Podcaster includes a sturdy RM2 microphone ring mount. For professional applications the optional PSM1 shock mount and PSA1 boom arm are highly recommended.
Rode NTG4+ Directional Condenser Microphone with Inbuilt Battery package A
Rode NTG4PLUS Directional Condenser Microphone with Inbuilt Battery package A includes: 1x Rode NTG4PLUS Directional Condenser Microphone with Inbuilt Battery (NTG4PLUS) 1x Rode WS6 Deluxe windshield (WS6) *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©
Sennheiser MKE 600 Camera Microphone with fluffy package A
Sennheiser MKE 600 Package A © includes: 1x Sennheiser MKE 600 Microphone - supplied with Foam Wind Shield and Shock Mount (505453) 1x Sennheiser MZH 600 wind shield (softie style) for MKE 600 (505454) *Digibroadcast has put together some bespoke Sennheiser packages for our clients based on our own research and surveys and holds the right to protect all of its content ©
XLR-K3M.SYU Dual-Channel Digital XLR Audio Adapter Kit with Shotgun Microphone
Sony XLR-K3M.SYU (XLR-K3M, XLRK3M.SYU, xlrk3m.syu) Dual-Channel Digital XLR Audio Adapter Kit with Shotgun Microphone The Sony XLR-K3M is a dual-channel digital XLR audio adapter that allows you to connect microphones and other audio sources to cameras equipped with a Multi Interface Shoe. Released alongside the a7R IV, which benefits from its built-in digital audio interface, the adapter is able to produce its best quality by delivering a digital audio stream directly to the camera through the Multi Interface Shoe. Other Sony cameras with the standard MI Shoe can still make use of the microphone as there is a selectable digital/analog output. The XLR-K3M features two XLR-1/4" combo mic/line inputs with 48V phantom power, and a 3.5mm stereo input with plug-in power, all with individual level controls. Intuitive controls make the adapter easy to use right out of the box. An ECM-XM1 shotgun is included so you can immediately start recording your YouTube videos, Facebook Live streams, and interviews, at home, in the studio, or on the go. Digital Sound with Low Noise When connected via the Multi Interface Shoe of a compatible camera that features a built-in digital audio interface, the audio signal is directly transferred to the camera in digital form so that no degradation can occur. A simple switch also provides compatibility with a wide range of cameras using an analog interface. Effective Controls for Clear Sound Controls Include: Record level (Auto/Manual), record level link (Input 1-Input 2), attenuator, and low-cut filter (100/300 Hz). Mechanical Noise Suppression An advanced shock and vibration suppressing design effectively minimizes low-frequency and handling noise, which can degrade audio quality. The absence of connecting cables, when used with a compatible MI Shoe, also means that no noise can be transmitted to the microphone mechanically via cables and connectors. Cable-Free Connection Simply clip the microphone into the Multi Interface Shoe on a compatible camera for direct power and audio connections without the need for extra cables or batteries. Sony's Multi Interface Shoe offers intelligent connectivity and control for a variety of accessories, providing maximum flexibility and mobility. Flexible Setup An MI Shoe extension cable is supplied, giving you the flexibility to position the XLR-K3M to accommodate professional rigs and camera cages. ECM-XM1 Shotgun Microphone An ECM-XM1 supercardioid monaural microphone and a fur windscreen for wind-noise reduction are supplied.