1.4x Teleconverter for E-Mount

Sony SEL14TC.SYX (SEL14TC/SYX, SEL14TC-SYX, SEL14TC_SYX) 1.4x Teleconverter for E-Mount  The Sony 1.4x Teleconverter extends the effective focal length of Sony E-Mount telephoto lenses. The teleconverter increases the lens magnification by 1.4x.  Extend your range by 1.4x Multiplies the focal length of the lens used by 1.4x without degrading optical performance, AF speed and precision, or operability. Light loss with the teleconverter is approximately 1 stop. An ideal way to extend available focal length range for sports or wildlife photography without having to carry additional large, heavy lenses.  Compatible lenses The SEL14TC teleconverter is compatible with the following lenses: SEL70200GM, SEL100400GM.

10-18mm f/4 OSS Alpha E-mount Wide-Angle Zoom Lens

Sony SEL1018.AE (SEL1018/AE, SEL1018-AE, SEL1018 AE) 10-18mm f/4 OSS Alpha E-mount Wide-Angle Zoom Lens The 10-18mm f/4 OSS Alpha E-mount Wide-Angle Zoom Lens from Sony is an ultra wide-angle E-mount zoom lens compatible with the Alpha NEX cameras and NEX Handycam Camcorders. In the 35mm format, the focal lengths are equivalent to a 15-27mm field of view which is extremely wide-angle with exaggerated perspectives- ideal for expansive landscapes, certain interiors and creative portraits and group shots. With an aperture of f/4.0 throughout the zoom range, fast shutter speeds and low ISO settings can be used even in low light for bright, sharp images. With the Optical SteadyShot Image Stabilization system it is even easier to shoot blur-free photos and videos in low light, regardless of camera shake. Three aspherical lens elements reduce spherical aberration and distortion and Super Extra-low Dispersion glass reduces chromatic aberration for high quality images even at maximum aperture. Fast autofocus is facilitated by movement of the lens elements at the rear of the lens and the 7-blade circular aperture creates smooth, circular bokeh in the out-of-focus areas within the frame. 10-18mm f/4 Super Wide-Angle Zoom Lens This lens offers a constant maximum aperture of f/4 through the entire focal length range, enabling the use of the widest aperture at every focal length. Even in low-light environments, such as outdoors at sunset, users will be able to take advantage of the bright aperture and use fast shutter speeds without unnecessarily raising ISO sensitivity. The 10-18mm (15-27mm in 35mm format) provides an ultra wide angle zoom for shooting landscapes, in tight quarters or for creative exaggerated perspectives. Image Stabilization Built-in Optical SteadyShot image stabilization system provides a 4-stop (approximate) shutter speed advantage, making it significantly easier to achieve crisp, blur-free images and video. Internal Focusing System Lens elements at the rear of the optical system move, allowing rapid auto-focus response. Optics Three Aspherical lens elements correct for spherical aberration and distortion, making it possible to shoot high-contrast, high-quality images with markedly less bleeding even at the maximum aperture. In addition, the optical system employs Super Extra-low Dispersion glass, realizing highly detailed images with reduced color aberration even at the 10mm focal length. Circular Aperture In low-light shots or nightscapes, out-of-focus light sources have a pleasing circular defocused effect.  

100-400mm FE f4.5-5.6 GM OSS E-Mount Lens

Sony SEL100400GM.SYX (SEL100400GM/SYX, SEL100400GM-SYX, SEL100400GM_SYX) 100-400mm FE f4.5-5.6 GM OSS E-Mount Lens The new full-frame lens maintains the high standard of resolution that is the hallmark of Sony’s flagship lineup of G Master™ lenses, while also offering incredibly fast, precise AF capabilities, a lightweight, portable design and a variety of professional functions and customisability. It’s an exceptionally powerful photographic tool for a variety of enthusiast and professional shooters, particularly those that are commonly shooting sports or wildlife. The first super-telephoto zoom in Sony’s flagship G Master series covers a versatile 100mm to 400mm range. With extraordinary resolution and fast, precise autofocus it lets you capture distant action with outstanding quality and immediacy. In addition to world-class image quality, this fine lens offers the mobility, reliability, and operability that professional applications demand.

100mm f2.8 STF G-Master OSS FE Lens - E Mount

Sony SEL100F28GM.SYX (SEL100F28GM/SYX, SEL100F28GM_SYX, SEL100F28GM SYX) 100mm f2.8 STF G-Master OSS FE Lens - E Mount  STF™ delivers incomparable bokeh and sharpness This 100mm mid-range telephoto prime lens is a superb creative tool that offers outstanding G Master Resolution plus innovative STF (Smooth Trans Focus) optics for magnificent bokeh. It features fast, precise, quiet DDSSM autofocus, and close-up capability up to 0.25x magnification. Built-in Optical SteadyShot image stabilisation minimizes blur that can occur during low light or macro shooting. Exemplary G Master Resolution and bokeh A fitting addition to the G Master series, this lens combines extraordinary resolution and breathtakingly soft, smooth bokeh that ideally sets off the in-focus subject. The optical design, featuring an innovative optical apodization element and new 11-blade aperture, achieves consistently high performance throughout the image area.  Resolution true to the G Master name With spherical aberration compensation, ED (Extra-low Dispersion) glass, and aspherical elements, this lens boasts extreme resolution and sharpness that fulfil the demanding 50 lines per millimetre MTF requirement that is a basis for G Master optical design. That sharpness extends throughout image area. Outstanding clarity and contrast Sony’s original Nano AR Coating suppresses spurious reflections that can cause flare and ghosting, particularly in backlit situations. The result is consistently high contrast and clarity with deep blacks in the widest possible range of photographic situations. (1. Nano AR Coating / 2.Glass / 3.Transmitted light) Beautiful peripheral highlights In keeping with this lens’s emphasis on bokeh, it has been designed to minimize vignetting that can distort highlight geometry at the image periphery. Point light sources are reproduced with consistently circular bokeh throughout the image, so that sunlight filtering through or reflecting off leaves, for example, is rendered with serene elegance. Beautiful peripheral highlights In keeping with this lens’s emphasis on bokeh, it has been designed to minimize vignetting that can distort highlight geometry at the image periphery. Point light sources are reproduced with consistently circular bokeh throughout the image, so that sunlight filtering through or reflecting off leaves, for example, is rendered with serene elegance. Apodization for unbeatable bokeh An optical APD element is a special type of filter that exhibits gradually decreasing light transmission towards its periphery. It attenuates the edges of point images, resulting in exceptionally smooth, beautiful bokeh in both background and foreground areas with an absolute minimum of double-edge effects. AF that lets you concentrate on creating A DDSSM (Direct Drive SSM) focus drive system provides fast, precise, quiet autofocus. Fast, unobtrusive AF performance allows the user to concentrate fully on capturing superlative stills or movies. This lens supports both contrast AF and focal plane phase detection AF, making it an ideal match for modern high-performance Sony camera bodies. 11 blades enhance bokeh beauty Sony’s original circular aperture design has been improved with 11 blades for even greater circularity. Design and materials have been revised to ensure that a almost round aperture shape is maintained whether open or stopped down, and strict circularity standards are applied to ensure that the full beauty of STF bokeh is achieved without compromise. Get close and explore the details Because one of the main features of this lens is bokeh, it has been provided with a macro ring switch that extends the lens’s range into the macro region where bokeh can be used to great effect. The macro mode provides 0.57m (1.87 ft.) minimum focus with 0.25x maximum magnification, with no compromise in resolution performance. Professional handling and control Other advanced features that enhance operation for still photography and moviemaking include an aperture ring , switchable aperture ring click stops, a Focus Hold button, an AF/MF focus select switch, and a wide focus ring for sure, comfortable control. Advanced actuators for speed and precision DDSSM (Direct Drive SSM) employs an original Sony piezoelectric motor to directly drive the focus ring. High braking precision means that the focus ring is precisely controlled for the highest possible focus accuracy. It’s quiet too, making it ideal for shooting wildlife as well as movies. Manual focus is also smooth and responsive. Clear, blur-free images without a tripod Optical SteadyShot image stabilisation is built in, making it possible to achieve maximum subject sharpness with the lower shutter speeds. Image stabilisation in a 100mm mid-range telephoto lens is an advantage for professionals and amateurs alike. Second-generation α7 bodies additionally provide in-body 5-axis stabilisation.    

11-15mm / T3.0 Wide Angle Zoom PL Mount Lens

Sony SCL-P11X15 (SCLP11X15, SCL/P11X15, scl-p11x15) 11-15mm / T3.0 Wide Angle Zoom PL Mount Lens Sony's SCL-P11X15 is a new PL mount lens for the PMW-F3 Camcorder. This wide-angle zoom 1.5x 11-16mm T3.0 aimed at high-end cinema, drama, documentary and commercial productions. The The SCL-P11X15 has been specifically designed to fit to the PMW-F3K via the camcorder’s supplied PL Mount Adapter, which also means the lens is compatible with any other PL Mount camcorder. Wide Angle Zoom 1.5x 11-16mm T3.0 - PL mount wide angle of view coupled with 1.5x zoom capabilities for flexible shooting in fast-moving situations such as high-end documentary.

16-50mm f3.5-5.6 OSS Lens

Sony SELP1650.AE (SELP1650-AE, SELP1650_AE, SELP1650/AE, SELP1650) 16-50mm f3.5-5.6 OSS Lens  Retractable lens with powered zoom Great for travel, this lightweight, retractable mid-range zoom collapses down to just 29.9mm. It also features a power zoom for smooth, silent, effortless zooming. Powered zoom for effortless control Shooting stills or video, a powered zoom gives you maximum creative control. For added convenience, it can be operated via a zoom rocker on selected E Mount cameras. Capture smooth, blur-free images Built-in Optical SteadyShot™ image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and colour fidelity.

16mm f/2.8 Wide-Angle Alpha E-Mount Lens (sliver)

Sony SEL16F28.AE (SEL16F28/AE, SEL16F28-AE, SEL16F28_AE) 16mm f/2.8 Wide-Angle Alpha E-Mount Lens (sliver)  This lightweight and compact lens is stylishly designed to match the NEX camera series and is exceptionally portable (it will fit in your pocket). It features an internal stepping motor for smooth, accurate, and very quiet autofocusing for both photos and videos. The SEL16F28 helps to deliver clear images in low lighting situations due to its fast f/2.8 maximum aperture. This 16mm (24mm in 35mm equivalent) wide-angle lens provides an 83° angle of view and a minimum focusing distance of 9.4" (0.24m). This versatile lens provides coverage for a broad range of photo subjects including, but by no means limited to, landscapes, portraits, close-ups, and nature.

18-135mm F3.5-5.6 OSS High Magnification Zoom Lens - E-Mount

Sony SEL18135.SYX (SEL18135/SYX, SEL18135_SYX, SEL18135 SYX) 18-135mm F3.5-5.6 OSS High Magnification Zoom Lens - E-Mount  The Sony SEL18135 18-135mm lens features a compact, lightweight design measuring only 67.2mm x 88mm and weighing in at a mere 325g, as well as a high magnification 7.5x optical zoom that covers the wide-ranging focal length of 18-135mm on APS-C or 27-202.5mm in 35mm equivalent focal length. The lens is an ideal fit for Sony’s popular APS-C sensor cameras including α6500, α6300 and α6000, and is an extremely useful tool for a wide range of shooting situations ranging from daily life to portraiture, landscape, nature and travel photography. The E 18-135mm F3.5-5.6 OSS produces outstanding corner-to-corner sharpness throughout the entire zoom range thanks to its advanced design featuring one aspherical lens and two Extra-Low Dispersion glass elements that minimise aberrations. This lens also allows photographers to produce close-up images with pleasing ‘bokeh’ or background defocus as a result of its maximum magnification ratio of 0.29x and minimum focus distance of 0.45m. It also offers built-in optical image stabilisation to support handheld shooting. Lightweight and Compact Design Compact (E-mount APS-C format) and lightweight (325 grams (11.5 oz.)), this lens features an optical design optimized for short flange focal distances that makes it small and manageable on its own while also contributing to notable reductions in overall system size, weight, and portability. 7.5x High-Magnification APS-C Zoom Lens A high zoom ratio provides a versatile 27mm to 202.5mm range (35mm format equivalent, 7.5x optical zoom) that covers a broad spectrum of subjects and situations: scenery, nature, portraits, and general day-to-day photography. Optical Design Achieves High Resolution A new optical design that includes one aspherical element contributes to consistently high resolution from the image centre right out to the edges, while two ED (Extra-low Dispersion) glass elements effectively suppress chromatic aberration. Close-ups with Background Bokeh An impressive minimum focusing distance of just 0.45m (1.45ft) (0.29x max. magnification) makes it easy to shoot close-ups that take advantage of the lens’s beautiful background bokeh. Beautiful Bokeh Bokeh quality is enhanced by a circular aperture design. Built-in Optical Image Stabilisation When shooting hand-held, particularly night scenes or dimly lit interiors, built-in optical image stabilization makes it easier to shoot blur-free images handheld. Fast, Precise, Quiet Focus Advanced linear motor technology quietly drives the focus group with outstanding speed and precision, making the most of the high AF performance provided by the α6000 series. Accurate focus is more easily achieved for stills and movies, even with moving subjects.  

18-200mm f3.5-6.3 OSS LE Zoom Lens - E Mount

Sony SEL18200LE.AE (SEL18200LE/AE, SEL18200LE_AE, SEL18200LE AE) 18-200mm f3.5-6.3 OSS LE Zoom Lens - E Mount  Significantly smaller and lighter than comparable lenses, the Sony SEL18200LE high magnification zoom lens is perfect for a wide range of shooting situations. With a compact size achieved in part by downsizing the autofocus motor and optical image stabilization unit, this lens offers a powerful mix of versatility and image quality perfect for shooting scenarios where a light, compact camera and lens combination is optimal. The broad focal length coverage of the lens - from 18mm wide angle to 200mm telephoto (27mm to 300mm in 35mm equivalence) - makes it an ideal high-magnification "travel" lens for a wide range of shots. Capture expansive landscapes, charming portraits with pleasantly blurred backgrounds, even sports and nature shots. Optical SteadyShot (OSS) technology cuts down on blur caused by camera shake and reduces reliance on high ISO settings when shooting in dark environments. New compact and lightweight design Significantly smaller and lighter than the SEL18200 lens, the SEL18200LE is the perfect lens to cover a wide range of shooting situations. Achieved in part by downsizing the autofocus motor and optical image stabilization unit, this compact lens versatility and image quality will appeal to all users who desire a light, compact camera and lens combination. High imaging performance Equipped with two ED (Extra-low Dispersion) glass elements and four aspherical elements, the SAL-18200LE lens employs the same popular, circular aperture found in many a lenses, enabling photos with beautifully round defocus areas. Optical SteadyShot Equipped with Optical SteadyShot (OSS), the lens compensates for blur caused by camera shake. In addition to reducing blur for normal handheld photography, Optical SteadyShot also reduces reliance on high ISO settings when shooting in dark environments, greatly enhancing the effectiveness of Hand-held Twilight and Anti Motion Blur modes. 11x high-magnification zoom The broad focal length coverage of the lens — from 18 mm to 200 mm (27 mm to 300 mm in 35 mm equivalent) makes it an ideal high-magnification “travel” lens for a wide range of photography. Users can easily capture expansive landscapes, snapshots of expressive faces at a “human-vision” angle of view, charming portraits with softly blurred backgrounds and more. In addition, the telephoto capability of the lens makes it ideal for sports and nature photography. Capture smooth, blur-free images Built-in Optical SteadyShot™ image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and colour fidelity. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.  

18-200mm f3.5-6.3 OSS PowerZoom Lens

Sony SELP18200.AE (SELP18200_AE, SELP18200-AE, SELP18200/AE, SELP18200) 18-200mm f3.5-6.3 OSS PowerZoom Lens E PZ 18-200mm F3.5-6.3 OSS Power Zoom Lens This "Powered Zoom" lens produces smooth constant-speed zooms that can be difficult to achieve manually. Other features that make this lens an excellent choice for moviemaking as well as stills include a wide 11x zoom range and Optical SteadyShot image stabilisation that can keep your subjects sharp at all focal lengths, even when shooting handheld. Circular Aperture When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. ED (Extra-low Dispersion) glass As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower colour quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration. Lens-based optical image stabilisation Gyro sensors built into the lens detect even the slightest movement, and the stabilisation lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilisation that contributes to high-quality movies as well as stills. Internal focusing Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter. Optical image stabilisation with Active Mode Moving around while shooting movies means more camera shake that can cause blur. Although conventional image stabilisation systems were not effective at compensating for this type of movement, “Active Mode” employs a wider range of motion for the compensation lens, achieving improved stabilisation over a greater range of camera movement. Stabilisation at the wide end of the zoom range is significantly improved, facilitating handheld movie shooting with minimum image blur.

2/3inch Lens Adaptor for 1/2inch XDCAM HD Camcorders

Sony LO-32BMT (LO/32BMT, LO_32BMT, LO32BMT) 2/3inch Lens Adaptor for 1/2inch XDCAM HD Camcorders The Canon LO-32BMT adapter allows you to mount a 2/3" B4 bayonet lens onto any Sony 1/2" proprietary mount camera such as the new XDCAM HD series, PDW-F330/F350 while not affecting the optical quality of the lens. It is important to consider the following information when using a 2/3" lens with a LO-32BMT adapter mounted to a 1/2" camera: The images produced will appear visually more telephoto by a factor of 1.38x. The actual F-Number of a lens does not change when mounted on a different format size camera.  (If the lens is F1.9 in the 2/3 "format, the lens is also F1.9 in the 1/2" format.) The Focal Length and F-Stop markings on the 2/3” lens are correct in either format. It is highly recommended that HDTV lenses always be employed on HDTV cameras.  

24-70mm FE 24-70mm f2.8 GM Lens for E-Mount

Sony SEL2470GM.SYX (SEL2470GM/SYX, SEL2470GM_SYX, SEL2470GM SYX) 24-70mm FE 24-70mm f2.8 GM Lens for E-Mount  The Sony 24-70mm GM lens provides a wide maximum aperture of f/2.8 throughout zoom range for great low light performance and pleasing bokeh. Optically it also includes an XA (Extreme Aspherical) lens element for stunning corner-to-corner resolution throughout the zoom range. To add to this, there is one ED and one Super ED (Extra Low Dispersion) lens element for controlling axial and lateral chromatic aberration as well as producing the best possible subjective resolution. Nano AR (anti-reflective) coating also ensures superb contrast and prevention of flare and ghosting. A 9-blade circular aperture ensures soft bokeh even at small apertures, and the focusing mechanism uses a Direct Drive SSM (DDSSM) system for fast and quiet focusing for both stills and movies. This system also reduces spurious focus movements for the smoothest possible focus action. Other features include a Zoom Lock to prevent unwanted zooming caused by lens barrel weight, ergonomic placement of AF/MF switch and focus lock button, and tough build quality with dust and moisture protection. Additionally there is a hood lock system with a manual release button.

24mm f1.8 ZA Sonnar T* Wide Angle Lens by Carl Zeiss - E Mount

Sony SEL24F18Z.AE (SEL24F18ZAE, SEL24F18Z/AE, sel24f18z.ae) 24mm f1.8 ZA Sonnar T* Wide Angle Lens by Carl Zeiss - E Mount  The Sony Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens is a wide-angle to portrait-length zoom lens that features a constant f/4 maximum aperture to support consistent performance in regard to exposure settings and focus placement throughout the zoom range. Five aspherical elements and one extra-low dispersion element help to reduce aberrations and distortions while contributing to notable image sharpness and clarity. A Carl Zeiss T* anti-reflective coating has also been applied to lens elements to reduce lens flare and ghosting for improved contrast and color fidelity. This lens also integrates Optical SteadyShot image stabilization to lessen the appearance of camera shake when working in low-light conditions or with longer focal lengths. Additionally, a dust- and moisture-resistant construction ensures this lens' use in tough environmental conditions. The mid-range zoom 24-70mm lens covers wide-angle to portrait-length perspectives and features a constant f/4 maximum aperture for consistent performance throughout the zoom range. Five aspherical elements and one extra-low dispersion element help minimize aberrations and distortions throughout the zoom range while contributing to high overall clarity. Tessar concept enables the lens design to be compact while maintaining high image quality and sharpness. Carl Zeiss T* anti-reflective coating lessens lens flare and ghosting for contrast-rich imagery with sustained color neutrality. Optical SteadyShot image stabilization minimizes the appearance of camera shake to better suit working with longer shutter speeds and telephoto focal lengths. Dust- and moisture-resistant design enables ensured performance when working in inclement environmental conditions. Circular diaphragm enables a smooth out-of-focus quality that is well-suited to shallow depth of field imagery.

28-70mm F/3.5-5.6 OSS Standard Zoom Lens - E Mount

Sony SEL2870.AE (SEL2870AE, SEL2870/AE, sel2870.ae) 28-70mm F/3.5-5.6 OSS Standard Zoom Lens - E Mount A top pick for users looking for a lightweight all-around zoom, the FE 28-70mm f/3.5-5.6 OSS Lens from Sony is a great go-to for full-frame E-mount shooters. The lens uses a variable f/3.5-5.6 maximum aperture range in order to achieve light weight and compact size and incorporates one extra-low dispersion element and three aspherical elements to minimize aberrations throughout the range. Also, it has a linear motor and internal focus that enable fast, reliable autofocusing. On top of this, the lens offers built-in Optical SteadyShot image stabilization to combat the effects of camera shake. Additionally, it is dust and moisture resistant and is equipped with a seven-blade circular diaphragm for smooth bokeh. Designed for full-frame E-mount cameras, this 28-70mm covers a versatile wide-angle to telephoto range. It also works on APS-C format cameras where it provides a 42-105mm equivalent focal length range. One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Three aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. An internal focus mechanism and linear motor contribute to faster, more responsive system and easier handling. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur. Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

30mm f3.5 Macro Lens (Silver) - E Mount

Sony SEL30M35.AE (SEL30M35/AE, SEL30M35_AE, SEL30M35 AE) 30mm f3.5 Macro Lens (Silver) - E Mount The SEL30M35 has been designed to offer versatile, high-performance macro capabilities in a lens that is compact, lightweight and easy to use. It is a true 1:1 macro lens with a 2.4 centimeter minimum working distance that allows tiny subjects and details to be rendered with excellent resolution and contrast. 1:1 Magnification Ratio The SEL30M35 has a 1:1 magnification ratio so that subjects can be captured at full size on the camera’s image sensor. This makes it easy to shoot quality macro close-ups of flowers, insects, and small objects. Aspherical/ED Glass Elements The SEL30M35 offers excellent image quality throughout the entire image area, with high contrast and minimal chromatic aberration from infinity to 1:1 magnification at all aperture settings. ED glass is used for the G4 element, minimising chromatic aberration and colour bleeding as well as multi-coating throughout for exceptionally clean, clear rendering Smooth Manual Focusing An easy-grip focus ring on the lens barrel gives you a solid "hands-on" feel in manual focusing. Additionally, Direct Manual Focus (DMF) allows you to focus manually after AF lock-on without the need for any switching. This can be extremely useful in situations where AF can’t lock onto the subject accurately, or when AF locks onto a point that does not match your intention. Electronic manual focus technology was originally developed for professional Sony camcorders to ensure smooth, precise focus control. Made for Movies The SEL30M35 performs equally as well when shooting video. Thanks to an internal stepping motor and rear-focusing design It has optimised video performance for smooth, quiet operation essential for high-quality movie capture. Additionally, the filter mount does not rotate during focusing for hassle-free polarized filter use. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and colour fidelity. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.  

35mm E-Mount 28-135mm Zoom Lens

Sony SELP28135G.SYX (SELP28135G_SYX, SELP28135G/SYX, SELP28135G-SYX, SELP28135G) 35mm E-Mount 28-135mm Zoom Lens  The SELP28135G is a powered zoom lens that has been created to satisfy professional optical and operational requirements for high-quality movie imagery, including 4K, when matched with a 35mm full frame format camera such as the α7S or a Super 35 format camcorder such as the PXW-FS7*. Focus breathing and zoom image shift have been reduced to an absolute minimum, while aspherical elements and advanced multi-coating technology effectively suppress aberration. Quiet operation is also a priority, so an SSM (Super Sonic wave Motor) drive system has been employed for precise, quiet zooming. Independent control rings for zoom, focus, and iris using physical stops are provided for the first time into an E-Mount an lens. Built-in Optical SteadyShot image stabilization adds to the extraordinary performance of this outstanding lens which is supporting a constant F4. *Zoom range increases to 42-202.5mm when using the lens on an APS-C or Super 35 camera. 35mm full frame imagery Precision optical design supports top-quality 4K production with minimum angle of view variation while focusing and axial displacement while zooming. F4 OSS with extendable zoom range The SELP28135G has minimum focus of 0.4 m (AF) / 0.95 m (MF) and has extanded zoom range of 42-202.5mm when used on an APS-C or S35 camera. High speed operation with independent control rings High-end operation and feel inherited from Sony professional equipment. Three control rings for iris, focus and zoom offer manual control for demanding large format production. Quiet operation The world’s first SSM (Super Sonic wave Motor) drive in a lens designed for moviemaking achieves quiet zoom and extra-smooth iris control. Lightweight and compact Compact, lightweight design that is also dust and moisture resistant is ideal for situations that require mobility plus reliability.s

Blackmagic Design Zoom Demand

Blackmagic Design Zoom Demand BMD/CINSTUDMFT/H/FZD BMD-CINSTUDMFT-H-FZD BMD CINSTUDMFT H FZD BMDCINSTUDMFTHFZD Add pan handle-mounted zoom control to your Studio Plus or Studio Pro camera with this Blackmagic Design Zoom Demand. Featuring dual USB connectors, the zoom demand mounts on your pan handle with a rosette so you can adjust its position for your comfort. It features a familiar in/out toggle with a speed selection knob and a rec start/stop button.

BMD-CONVMBHS24K6G Mini Converter HDMI to SDI 6G

Blackmagic BMD-CONVMBHS24K6G ( BMDCONVMBHS24K6G, BMD/CONVMBHS24K6G, BMD CONVMBHS24K6G, bmd-convmbhs24k6g) Mini Converter HDMI to SDI 6G Blackmagic Mini Converters are the world’s most advanced converters because they include the latest 6G-SDI technology, automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards up to 2160p30. You get advanced features such as redundant SDI inputs, re-clocked loop outputs, HDMI instant lock, 33 point LUT support, and full analogue and AES/EBU audio connections so you can convert video, as well as embed or de-embed audio. Mini Converter HDMI to SDI 6G includes everything you need to convert from HDMI devices to SDI video in SD, HD and Ultra HD video formats. With independent audio connections you can also embed SDI audio from HDMI, AES/EBU or balanced analog audio inputs. Mini Converter HDMI to SDI is the perfect solution to convert HDMI consumer cameras or computers to broadcast quality SDI. The new Mini Converter SDI to HDMI 6G and Mini Converter HDMI to SDI 6G models make it possible to convert SDI to HDMI or HDMI to SDI in all formats up to 2160p30 at an even more affordable price. The Mini Converter SDI to HDMI 6G model is also dramatically more powerful with HDMI instant lock, 33 point 3D LUT support and Ultra HD to HD down conversion. HDMI instant lock can lock to a new signal in as little as 1 frame, so you get glitch free switching when changing between sources that have the same video format. New 33-point 3D LUT support lets you apply custom looks in realtime using high precision film quality look up tables. Plus you still get the same powerful Mini Converter features such as independent balanced analogue and AES/EBU digital audio connections, redundant SDI inputs to protect against cable damage and automatic switching between SD, HD and Ultra HD video standards. HDMI INSTANT LOCK Get instant image lock when using consumer HDMI TV’s HDMI televisions and projectors can take a long time to lock onto a signal when a new source is connected. HDMI Instant Lock on the Mini Converter SDI to HDMI 6G solves this problem by continuously sending an active HDMI signal to the display. When you switch to a new source that’s the same format as the previous signal it will lock in as little as 1 frame so you get glitch free clean switching. 33 POINT 3D LUT SUPPORT Create custom looks with high precision 3D LUTs Mini Converter SDI to HDMI 6G also includes a full 33 point 3D lookup table for high precision colour conversions. That means you can apply custom looks, colour and gamma changes in realtime for on set monitoring. LUTs can also be used with the SDI loop output, transforming the converter into a 3D LUT processor! The LUT’s are compatible with DaVinci Resolve so you get consistent colour on set and in post.

CineAlta 4K PL mount lens pack x6 (metric)

Sony SCL-PK6/M (SCLPK6/M, SCL/PK6/M, scl-pk6/m) CineAlta 4K PL mount lens pack x6 (metric) The PMW-F55 and PMW-F5 cameras continue Sony’s efforts to offer the most flexible lens options. A PL-mount lets users choose cinematic lenses from suppliers such as Angénieux, ARRI, Canon, Carl Zeiss, Cooke, FUJIFILM and Leica. Sony is also launching a second generation of cost-effective PL mount prime lenses. Each is certified for 4K capture, and is designed to minimize geometric distortion, vignetting and breathing. A 9-blade iris delivers beautiful bokehs and the focus rings rotate 240°. The new lens series includes focal lengths of 20, 25, 35, 50, 85 and 135 mm. For easy lens changes, each has the same T2.0 aperture, the same external diameter, matte box diameter, and gear locations for follow focus and aperture. All are the same height except for the 135 mm lens. Shooters can use stills lenses by removing the supplied PL-mount adaptor to reveal the native FZ mount. This makes it easy to accept commercially available adaptors for third-party lenses, including Canon EF, Canon FD, Nikon DX, Nikon G, Leica M and even 2/3-inch B4 lenses. A third option is the use of Sony FZ-Mount lenses with auto focus servo zoom (model SCL-Z18X140.)  

CRT Viewfinder Adapter without Large Lens for HDC Models (Black)

Sony HDLA-1507//UB (HDLA1507//UB, HDLA/1507//UB, hdla-1507//ub) CRT Viewfinder Adapter without Large Lens for HDC Models (Black) The HDLA-1507 is a highly sophisticated large viewfinder adapter for the HDC1500, HDC1550, and HDC3300. It accepts a large viewfinder - HDVF-700A/9900 - to be used with the portable camera.

Distagon T* FE 35mm f/1.4 ZA Lens

Sony SEL35F14Z.SYX (SEL35F14Z/SYX, SEL35F14Z_SYX, SEL35F14Z SYX) Distagon T* FE 35mm f/1.4 ZA Lens Fast, sharp, and loaded with the latest technology, the Distagon T* FE 35mm f/1.4 ZA Lens from Sony offers full-frame E-Mount shooters a classic wide-angle focal length with excellent optical performance. The fast f/1.4 maximum aperture provides very effective low light capability and shallow depth of field control. Its advanced optical design - including aspherical and advanced aspherical (AA) lens elements combined with ZEISS T* coating - deliver outstanding image resolution and suppresses reflections for excellent contrast and clarity. The Direct Drive Super Sonic Wave AF System employs piezoelectric elements oscillating at ultrasonic frequencies to drive the focus lens with accuracy and near-silence. The quiet AF and wide aperture make this an ideal prime lens for recording video and filmmakers will love the responsive physical aperture ring that can be changed from clicked to de-clicked with the flip of a switch on the lens barrel. The circular 9-blade aperture helps to create pleasing out-of-focus highlights and a dust and moisture resistant barrel design enable this lens to be used confidently in inclement weather. Wide Angle Prime Lens for Full-Frame E-Mount Cameras This 35mm prime lens offers a moderately wide focal length, ideal for landscapes and interiors as well as documentary photography and photojournalism. Its f/1.4 maximum aperture is effective in low light and enables shallow depth of field control. When used on APS-C E-Mount cameras, it provides a 35mm focal length equivalence of 52.5mm. Direct Drive Super Sonic Wave AF Motor The quiet and precise DDSSM focus drive employs piezoelectric elements oscillating at ultrasonic frequencies to drive the focus lens groups. The system is remarkably quiet, making it ideal for video recording. It also improves the precision of "focus wobble" employed to achieve optimum focus when shooting movies. Responsive Aperture Ring A responsive aperture ring offers positive action that will satisfy professional photographers and filmmakers alike. The aperture ring click stops can be switched on or off as required. "Off" is the preferred setting for moviemaking since it results in the least aperture operation noise. When "On" the ring provides tactile feedback that is useful when shooting stills. Aspherical and Advanced Aspherical Elements Advanced Aspherical and Aspherical lens elements minimizes spherical aberration while also reducing lens size and weight. Specially shaped "aspherical" elements near the diaphragm restore alignment of light rays at the image plane, maintaining high sharpness and contrast even at maximum aperture and can also be used at other points in the optical path to reduce distortion. ZEISS T* (T-Star) Coating This lens features the ZEISS T* (T-Star) coating that virtually eliminates lens flare, internal reflection and light scattering that can otherwise occur at glass-to-air surfaces. The T* coating contributes to outstanding image quality, with high contrast and uniformly excellent resolution from edge to edge across the image frame. Robust Build Water and dust resistant sealing enable this lens to be confidently used in outdoor setting and inclement weather.  

Dual Channel HD Fibre Optic Transmission Adapter for HDC Series

Sony HDFA-200 (HDFA200, HDFA/200, hdfa-200) Dual Channel HD Fibre Optic Transmission Adapter for HDC Series The HDFA-200 combines 1.5 Gigabit signals from two HDC-P1 or HDC-1500R cameras into a single 3G-capable fibre-optic transmission feed, reducing complexity in 3D live production. The device also incorporates a viewfinder output with multiple analytical and diagnostic modes - including several specifically for 3D use. In 3D and conventional operation, the HDFA-200 minimises the cabling required for multiple cameras in live productions. It also integrates control and intercom data into the video feed, eliminating the need for any additional cables.

E 18-200mm f/3.5-6.3 OSS Lens

Sony SEL18200.AE (SEL18200-AE, SEL18200_AE, SEL18200/AE) E 18-200mm f/3.5-6.3 OSS Lens  A versatile zoom lens, the SEL18200 features Optical SteadyShot™ with Active Mode image stabilisation – invaluable when shooting video on the move. Blur-free photos and videos Built-in Optical SteadyShot™ with Active Mode image stabilisation ensures sharp, blur-free images – even when shooting video handheld, on the move. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and colour fidelity. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.  

E 18-55mm F3.5-5.6 OSS Versatile Zoom Lens

Sony SEL1855.AE (SEL1855/AE, SEL1855-AE, SEL1855 AE) E 18-55mm F3.5-5.6 OSS Versatile Zoom Lens The SEL1855 offers comfortable framing and capture of landscapes, snapshots, portraits and more. Built-in image stabilisation enables handheld shooting in low light. Capture smooth, blur-free images Built-in Optical SteadyShot™ image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance To optimise performance, aspherical lens elements maintain high contrast (even with the aperture wide open) and minimise distortion and flatness of the image plane. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.  

E 20mm f/2.8 Pancake Lens

Sony SEL20F28.AE (SEL20F28/AE, SEL20F28-AE, SEL20F28_AE) E 20mm f/2.8 Pancake Lens The E 20mm f/2.8 Lens from Sony, a super compact "pancake" lens designed for APS-C-format E-mount cameras where it provides a 30mm equivalent focal length. It offers shooters a fast f/2.8 aperture for use in low light and for creating images with a shallow depth of field. Benefitting image quality are three aspherical elements to minimize the appearance of aberrations while a rear focusing design improves autofocus speed and helps reach a minimum focus distance of 7.9". Additionally, the lens is equipped with a seven-blade circular diaphragm for smooth, rounded bokeh. With its pancake design, the lens only extends 0.8" from the mount, resulting in a compact and lightweight camera system. Optimized for APS-C-format cameras, this compact 20mm lens offers a wide-angle 30mm equivalent focal length. The fast f/2.8 maximum aperture permits operation in less-than-ideal lighting situations and allows photographers to capture images with shallow depth of field. Three aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. The lens uses a rear focusing design that contributes to faster autofocus performance as well as a minimum focus distance of 7.9". Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.  

E 50mm f/1.8 OSS Lens (Silver)

Sony SEL50F18.AE (SEL50F18/AE, SEL50F18-AE, SEL50F18_AE) E 50mm f/1.8 OSS Lens (Silver) E 50mm F1.8 OSS Prime Lens This 50mm mid range telephoto lens offers a focal length that is perfect for portraiture and a range of other subjects, a bright F1.8 maximum aperture, Optical SteadyShot (OSS) image stabilization and impressive image quality, all in a surprisingly compact and lightweight package. Add responsive, quiet autofocus and aperture operation, and you have a lens that is ideally suited to shooting movies as well as stills. Circular Aperture When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. Lens-based optical image stabilization Gyro sensors built into the lens detect even the slightest movement, and the stabilization lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilization that contributes to high-quality movies as well as stills. Internal focusing  Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter.

E PZ 18-105mm F4 G OSS Lens

Sony SELP18105G.AE (SELP18105GAE, SELP18105G/AE, SELP18105G_AE, SELP18105G-AE) E PZ 18-105mm F4 G OSS Lens This G Lens for E-mount cameras delivers stunning still or movie imagery with the flexibility of 6x power zoom. Maximum aperture is a constant F4 from 18mm wide angle to 105mm medium telephoto, with excellent resolution and contrast throughout. A lever and ring on the lens barrel allow zoom speed to be freely adjusted as required while maintaining a sure, stable grip.

EF 16-35mm f/4L IS USM Lens

Canon, 9518B005, EF 16-35mm f/4L IS USM, EF 16-35mm, EF-16-35mm, 16-35mm, EF, f/4L, f4L, IS, USM, Lens,  ultra-wide-angle, wide lens. The EF 16-35mm f/4L IS USM is an ultra-wide-angle lens producing stunning clarity in a range of focal lengths. The zoom range combines a fixed f/4 aperture with excellent optical performance, making it ideal for landscapes, architectural shots and photojournalism – delivering sharp and expansive images with little distortion. The 4-stop Optical Image Stabilizer reduces camera shake for faster, sharper images, even in low-light and the in-built Ultra-Sonic Motor (USM) drives fast and quiet Auto Focus with optional full manual override. Part of the Canon professional L-series flagship range, its designed for robust handling and resistant to dust and moisture.      

EF 24-70mm f/2.8L II USM Lens

Canon 5175B005 (517/5B005, 517-5B005, 517 5B005, 5175B-005) EF 24-70mm f/2.8L II USM Lens Tackling virtually any subject with an extended 24-70 mm zoom range, this L-series prime lens is a go-to zoom for professional photographers. Delivering outstanding image quality with a fast f/2.8 aperture for optimum control over depth-of-field, the 9-bladed diaphragm also helps to achieve beautiful background blur. A great low-light performer – the fast and constant aperture of the EF 24-70mm f/2.8L II USM makes the most of available ambient light. Split-second moments are captured in fast, responsive Auto Focus with Ultra-Sonic Motor (USM) so it’s an excellent choice for professional, high-quality results whilst travelling light. Part of the Canon professional L-series flagship range, its designed for robust handling and resistant to dust and moisture.  

EF 70-200mm f/4L IS USM Lens

Canon 1258B005 (125/8B005, 125-8B005, 1258B/005, 1258B 005) EF 70-200mm f/4L IS USM Lens. A truly reliable, high-performance telephoto zoom lens, the L-Series EF 70-200mm f/4L IS USM Lens is lightweight enough to be taken on all assignments. Suited to wildlife, reportage and capturing fast-moving action this lens’ broad focal length and fast, constant f/4L aperture is available at all focal-length settings, ensuring consistent shutter speeds as the lens is zoomed. Get closer without disturbing the scene with the 200 mm telephoto zoom range, whilst the 8-bladed aperture diaphragm delivers beautiful out-of-focus highlights between the subject and its background elements. Part of the Canon professional L-series flagships, its designed for robust handling and resistant to dust and moisture.

EF-75-300mm-F4.0-5.6-III-USM Zoom Lens

Canon EF-75-300mm-F4.0-5.6-III-USM (EF_75-300mm-F4.0-5.6-III-USM, EF75-300mm-F4.0-5.6-III-USM, EF/75-300mm-F4.0-5.6-III-USM, EF 75-300mm-F4.0-5.6-III-USM) Zoom Lens. The lightest 4x telephoto zoom lens in its class. Ideal for sports, portraiture, animals, etc. The telephoto effect can make the picture look compressed or have excellent background blur. At the 300mm focal length, you can fill the frame with a postcard from 4.9' away. The Micro-USM autofocus motor is quick, compact and quiet.

EF-M 11-22mm f/4-5.6 IS STM Lens

Canon 7568B005 ( 75-68-B0-05, 75/68/B0/05, 75 68 B0 05, 75 68/B0-05 ) EF-M 11-22mm f/4-5.6 IS STM Lens With a compact, lightweight design that's ideal for travel, this ultra-wide-angle EF-M 11-22mm f/4-5.6 IS STM mirrorless lens shoots dramatic scenes and striking architecture with graceful precision. The 11-22mm range gives you an ultra-wide perspective, allowing you to capture expansive landscapes without having to take a step back as you fit more in the frame. With a 0.15m focusing distance you can get closer to your subjects making it great for close up shots as well as landscapes. Shoot movies in near-silent focusing with stepping motor (STM) focusing technology, and sharp stills in low light with 3-stop Image Stabilizer technology to assist with camera-shake, even when hand-held.

FE 16-35mm F2.8 GM Lens

Sony SEL1635GM.SYX (SEL1635GM/SYX, SEL1635GM-SYX, SEL1635GM_SYX) FE 16-35mm F2.8 GM Lens G Master performance in a wide-angle F2.8 16-35mm zoom offers a wealth of opportunities to capture subjects in creative new ways. No matter what zoom setting or focus distance you shoot at, this lens delivers consistently superb resolution from corner-to-corner, with stunning background bokeh when required. A compact, lightweight design makes it manageable for active shooting. The new FE 16-35mm F2.8 GM wide-angle zoom joins the acclaimed FE 24-70mm F2.8 GM and FE 70-200mm F2.8 GM OSS to round out Sony’s line-up of F2.8 large aperture zoom lenses. Equipped with a variety of Sony’s most advanced lens technologies, it is the first wide-angle G Master model, making it ideal for an extensive variety of shooting situations - landscapes, architecture, close up portraits, sports, action and much more.  It is also exceptionally lightweight and compact, maximising portability and usability. The new lens features exceptional corner-to-corner sharpness, with an optical design that includes five aspherical elements, two of which are Sony’s original XA (extreme aspherical) elements that reduce aberration and deliver ultimate resolution throughout the entire zoom range and aperture range. The front XA element on the SEL1635GM is the largest XA element ever produced, ensuring optimum quality. There are also two ED (Extra low-Dispersion) glass elements that keep chromatic aberration to a minimum while maximising resolution, and Sony’s original Nano AR coating that suppresses internal reflections to ensure excellent image contrast and clarity. The lens features a near circular aperture shape at all settings, and the combination of the aforementioned XA element with its 11 bladed aperture design produces images with sharply focused subjects and beautifully defocused backgrounds or “bokeh”.  It also has two DDSSMs (Direct Drive Super Sonic Wave Motors) that compose a floating focusing system and ensure that AF acquisition is speedy and quiet, making it an ideal choice for shooting still images as well as movies. The SEL1635GM is dust and moisture resistant , has a fluorine coating on the front lens that helps to both prevent dust or grease marks and remove them easily if they do become a trouble. There is also a customisable focus hold button and a hood release button.

FE 2.0x Teleconverter

Sony SEL20TC.SYX (SEL20TC/SYX, SEL20TC_SYX, SEL20TC SYX) FE 2.0x Teleconverter Extending the effective focal length of the Sony FE 70-200mm f/2.8 GM OSS lens, the FE 2.0x Teleconverter renders this telephoto zoom as a 140-400mm f/5.6 lens. Extending the effective focal length of the Sony FE 70-200mm f/2.8 GM OSS lens, the FE 2.0x Teleconverter renders this telephoto zoom as a 140-400mm f/5.6 lens. The dedicated design maintains full communication between the lens and E-mount mirrorless cameras, including auto-exposure metering, autofocus, and Optical SteadyShot image stabilization. Additionally, this teleconverter also features a dust- and moisture-resistant construction, matching the lens, to benefit working in harsh environmental conditions. 2.0x teleconverter doubles the reach of the 70-200mm lens with only a two-stop loss in exposure. Dedicated design maintains a high degree of image quality as well as full electronic communication to support the use of AE, AF, and OSS. Weather-resistant design matches the construction of the 70-200mm lens itself for use in inclement conditions.    

FE 24-240 mm F3.5 - 6.3 OSS Lens

Sony SEL24240.SYX (SEL24240/SYX, SEL24240_SYX, SEL24240 SYX) FE 24-240 mm F3.5 - 6.3 OSS Lens A 24mm to 240mm 10x zoom range allows this one lens to cover an extensive variety of shooting situations, making it ideal for travel where reducing luggage is a priority, for landscapes, architecture, snapshots, portraits, and much more. Switch between wide angle and telephoto without having to change lenses, so more of those fleeting moments will be captured. Advanced optics effectively subdue aberration while achieving high resolution throughout the image area, and a precision linear motor drives focus for quick, smooth response. Handheld telephoto shots and low-light photography are facilitated by built-in Optical SteadyShot (OSS) image stabilization, and the design is dust and moisture resistant for reliable operation in challenging conditions.

FE 70-200mm f/4 G OSS Lens

Sony SEL70200G.AE (SEL70200G/AE, SEL70200G-AE, sel70200g_ae) FE 70-200mm F/4 G OSS Lens The most advanced technology available has been applied in the G Master series, further refining acclaimed Sony G Lens performance. This model combines refined G Lens bokeh with new levels of resolution in an outstanding constant F2.8 telephoto zoom that offers unsurpassed rendering, blazing AF, and extraordinary image stabilization performance. Extraordinary detail and bokeh in one lens Specifically designed to resolve spatial frequencies with excellent contrast, this lens includes three aspherical elements, including one double-sided and one newly developed XA (extreme aspherical) element with 0.01 micron surface precision, to effectively control aberration for astonishing resolution plus glorious bokeh. Natural images without spurious colour Chromatic aberration that can be a problem in telephoto lenses is thoroughly suppressed by the use of four ED (Extra-low-Dispersion) glass elements and two Super ED glass elements. Colour bleeding is banished so the subject can be captured with maximum sharpness. Class-leading close-up performance Class-leading close-up performance with a minimum focusing distance of 0.96m and 0.25x maximum magnification is ideal for portraits, telephoto macro, and more. Contributing refinements include ED glass elements and a floating focus mechanism to control aberration that can be problematic in close-up applications. Fast AF optimized for stills and video Two heavy focus groups are rapidly and precisely positioned by separate actuators: a powerful ring SSM (Super Sonic wave Motor) actuator for the front group, and a double linear motor actuator for the rear group. Improved positioning precision works with real-time feedback from multiple position sensors to allow the body’s AF system to operate at full capacity. Further refinements for spot-on movie AF The focusing system’s double linear motor takes on the vital role of providing “wobbling” actuation for the AF contrast detection system when shooting video. An optical design that effectively minimizes focus breathing plus quiet mechanical operation further adds to focusing performance that is ideal for movies as well as stills. Outstanding clarity and contrast Advanced Nano AR Coating technology produces a lens coating with a precisely defined regular nano-structure that effectively suppresses reflections that can cause flare and ghosting, for notable improvements in clarity, contrast, and overall image quality.(1. Nano AR Coating / 2.Glass / 3.Transmitted light) 11 blades for luscious bokeh Sony’s circular aperture design has traditionally employed up to 9 blades, but this lens incorporates an 11-blade circular aperture that takes bokeh quality to new levels of smooth beauty with natural looking highlights. Operation and reliability optimized for fieldwork Rigid construction with constant lens length during focusing and zooming contribute to excellent handling in the widest range of shooting situations.Focus hold buttons can hold the focus point even during continuous AF operation, and a focus range limiter switch can be used to preset a focusing distance range for maximum AF speed. Stable even when panning To provide the greatest possible benefit from the built-in image stabilization system in the widest range of shooting situations, the SEL70200GM features switchable MODE 2 stabilization that allows image stabilization to be used with panned shots for greater clarity and impact. Stabilized for sharp, blur-free images High-performance image stabilization is built right into the lens for sharp, blur-free images with a wide range of subjects. The heavy stabilization lens is driven by a linear motor for fast, precise stabilization. 5-axis image stabilization becomes available when used with α series bodies that feature built-in image stabilization. Removable rotating tripod mount This versatile lens tripod mount allows the camera to be quickly removed from the tripod in shooting situations that require a rapid handheld response. It also features a revolving mechanism that allows quick changeover between landscape and portrait orientation. A lock mechanism prevents accidental detachment.  High reliability in harsh conditions A sealed dust and moisture resistant design and fluorine front element coating provide extra protection to ensure reliable operation in challenging environments.

Fisheye Converter For SEL16F28 and SEL20F28

Sony VCLECF2.SYH (VCLECF2/SYH, VCLECF2_SYH, VCLECF2 SYH) (SEL-16F28, SEL/16F28) (SEL_20F28 , SEL 20F28) Fisheye Converter For SEL16F28 and SEL20F28  Widen the perspective of your wide-angle lens even further with the Sony VCL-ECF2 Fisheye Converter. This conversion lens is for the Sony SEL16F28 16mm f/2.8 and SEL20F28 20mm f/2.8 E-mount lenses. The 16mm f/2.8 Alpha E-mount lens has a 35mm equivalent length of 24mm which becomes 15mm when used with the VCL-ECF2, and the 20mm f/2.8 lens goes from a 35mm equivalent of 30mm to 20mm. It is constructed of 4 elements in 4 groups. Front and rear lens caps and a carrying case are included to help protect the lens.

Fisheye Converter for the FE 28mm F2 Lens

Sony SEL057FEC.SYX (SEL057FEC-SYX, SEL057FEC/SYX, SEL057FEC SYX) Fisheye Converter for the FE 28mm F2 Lens This dedicated conversion lens for the FE 28mm F2 provides 16mm focal length with fisheye perspective and a full 180° angle of view (diagonally). The converter has been specifically designed for the FE 28mm F2, and therefore offers expressive fisheye perspective with excellent image quality from infinity down to the closest focusing distance, without compromising the basic image quality of the lens. The sophisticated design seamlessly matches the lens, and is dust and moisture resistant for maximum reliability.

Large Lens Adapter HD Cam for LCD Viewfinders (white)

Sony HDLA-1505 (HDLA1505, HDLA/1505, hdla-1505) Large Lens Adapter HD Cam for LCD Viewfinders (white) The HDLA-1505 allows operation of the HDC-1500 HD portable camera or HDC-3300 SuperMotion camera together with large studio/OB lenses and LCD viewfinders. Unlike traditional lens "build-up kits", the HDLA-1505 provides a very simple one-touch cable-free mounting of the camera so that it can be quickly and easily converted from hand-held to tripod configuration. Note: The HDLA-1505 is finished in a pale grey body colour, the same as the HDC-1000 studio camera. If required, a dark coloured version, is also available. One-touch instant docking mechanism The camera can be fitted quickly and easily into the adaptor. This unique mechanism allows the HDC-1500 to be attached and detached without removing the large lens. Quick mounting for portable camera head To provide efficient operation in studio or OB environments, the large lens adaptor has a unique design which allows the camera to be converted from hand-held to large lens configuration in just a few seconds. Cable-free operation with all connections contained in "hot shoe" mounting Utilizing a newly developed interlocking mechanism, power, video, and control signals are passed on directly from the HDC-1500 to the HDLA-1505, without requiring additional cable connections. Note that the HDVF-C730W viewfinder does require a conventional cable connection Built-in teleprompter power supply Utility power (200-240V AC) is available from the large lens adaptor, when used in conjunction with the HDCU-1000 camera control unit Same handling characteristic as full size camera All the control features and functionality traditionally associated with full size cameras are provided in this efficient operational package. Compatible with HDVF-C730W colour LCD viewfinder The HDLA-1505 is specifically designed to allow the HDVF-C730W to be mounted on the rear of the camera body. The 7" CRT viewfinder, HDVF-700A, cannot be used with this lens adaptor

SAL1635Z2.SYX Vario-Sonnar T 16–35mm F2.8 ZA SSM II Lens

Sony SAL1635Z2.SYX (SAL-1635Z2.SYX, SAL1635Z2, SAL-1635Z2, sal1635z2.syx) Vario-Sonnar T 16–35mm F2.8 ZA SSM II Lens The Sony 16-35mm f/2.8 ZA SSM II Vario-Sonnar T* Lens is a fast and versatile wide-angle zoom that is designed for Sony and Minolta full-frame or APS-C A-Mount cameras. Users of compatible 35mm full-frame cameras can obtain a 107 to 63° angle of view, making this lens suitable for fitting subjects ranging from landscapes to large groups into your frame. On a Sony or Minolta APS-C A-Mount camera, this lens's angle of view becomes equivalent to that of a 24-52.5mm lens on a full-frame 35mm film camera or DSLR. Wide-angle photography on an APS-C A-Mount camera is supported, as well as the ability to replicate the narrower angle of view provided when a 50mm lens is placed on a full-frame 35mm film camera or DSLR which is a useful combination for street and travel photography. An extra-low dispersion, a super extra-low dispersion, and three aspherical elements are incorporated within the lens to maintain low distortion and corner sharpness while minimizing chromatic aberrations. Carl Zeiss T* (T-Star) lens coatings provide high contrast and uniform image resolution while helping to eliminate lens flare, internal reflection, and light scattering. Silent Super Sonic Wave autofocus motor and aperture mechanisms contribute to fast lens operation and the suppression of unwanted noise when capturing still photos as well as video clips. This lens's durable dust and weather-resistant design contributes to the versatility of Sony camera bodies that also feature weather-resistant components, allowing you to photograph in places or at times where exposure to the elements could impact camera system performance. When used with a Sony A-Mount to E-Mount Lens Adapter, or a Sony A-Mount to E-Mount Lens Adapter with Translucent Mirror Technology that helps maintain autofocus performance, full-frame or APS-C Sony E-Mount cameras can also utilize this lens. 16-35mm full-frame zoom offers a versatile wide-angle focal length on both Sony A-Mount full-frame cameras and APS-C cameras. On Sony A-Mount APS-C cameras, this lens provides a 35mm-equivalent focal length of 24-52.5mm. Full-frame or APS-C Sony E-Mount cameras can work with this lens using a Sony A-Mount to E-Mount Lens Adapter, or a Sony A-Mount to E-Mount Lens Adapter with Translucent Mirror Technology that helps maintain autofocus performance. Fast f/2.8 maximum aperture benefits working in difficult lighting conditions and also aids in selective focus control. Three aspherical elements help to maintain low distortion and corner sharpness, while one extra-low dispersion element and one super extra-low dispersion element reduce chromatic aberrations. Carl Zeiss T* (T-Star) coatings provide high contrast and uniform image resolution while helping to eliminate lens flare, internal reflection, and light scattering. Weather-resistant design permits outdoor use and contributes to the versatility of Sony camera bodies that also feature weather-resistant components. Super Sonic Wave Motor produces high torque at slow rotation. Quiet, precise, and immediate start and stop responses are provided. Silent autofocus and aperture operation prevent distracting sounds during video capture. Focusing is achieved internally, keeping the length of the lens consistent. Fast autofocus speed as well as focus tracking is maintained and the front of the lens or a polarizer mounted on it is prevented from unintentionally rotating. Once focus has been set, pressing the Focus Hold Button on the lens barrel keeps the lens locked to the selected focusing distance. Built-in Distance Encoder works in conjunction with Sony's Advanced Distance Integration flash metering system. This encoder helps a connected camera and a compatible flash take into account the distance of the subject from the camera system, helping to ensure that the correct amount of flash is used. Nine rounded diaphragm blades contribute to a pleasing out-of-focus quality and benefit the use of shallow depth of field techniques.

SAL24F20Z.AE Distagon T 24mm F2 ZA SSM Lens

Sony SAL24F20Z.AE (SAL-24F20ZAE, SAL24F20Z, SAL-24F20Z, sal24f20z.ae) Distagon T 24mm F2 ZA SSM Lens Legendary Distagon wide-angle quality This first-rate 24 mm prime lens is an outstanding choice for landscapes, snapshots and more . It takes outstanding ZEISS Distagon® quality to a new level with precision aspherical and ED (Extra-low Dispersion) glass elements, and the large F2.0 maximum aperture and a circular aperture cooperate to deliver gorgeous bokeh effects. Extraordinary wide-angle rendering The ZEISS Distagon® design was created specifically to achieve excellent sharpness and contrast in wide-angle lenses, and it still excels in that field. The SAL24F20Z brings the Distagon® configuration up to date with the most advanced lens technology available, for unsurpassed corner-to-corner optical performance. Sharp, high-contrast imagery Two aspherical elements and two ED (Extra-low Dispersion) glass elements minimise aberration for superior sharpness and contrast throughout the image, while the ZEISS T* coating cuts flare and ghosting so that images are crisp and clear with well-defined blacks. That impressive performance is maintained at all apertures, right down to this lens’s bright F2.0 maximum. Outstanding colour and contrast ZEISS lenses are renowned for their outstanding colour reproduction and contrast. The ZEISS T* coating is an important contributing factor, effectively suppressing spurious reflections that can degrade overall image quality. Flare and ghosting are reduced for enhanced colour and contrast that give images a deep, three-dimensional feel. Get close for small subjects and details The SAL24F20Z can focus as close as 19 centimetres to capture small subjects and details with excellent quality. The large F2.0 maximum aperture and 9-blade circular aperture design can contribute to beautifully smooth background bokeh that supports the main in-focus subject in the most appealing way. SSM (Super Sonic wave Motor) focus drive The SSM (Super Sonic wave Motor) is a piezoelectric drive system that contributes to smooth, silent autofocus operation. Its capacity for high torque at low rotational speeds contributes to fast start and stop response as well as precise positioning. To the photographer that means quick, quiet, accurate focus. ED glass improves resolution and contrast The ED (Extra-low Dispersion) glass elements used in the SAL24F20Z are highly effective in reducing chromatic aberration. That not only minimises colour fringing, but also contributes to superior sharpness and contrast throughout the image area, even at large aperture settings.

SAL2875.AE 28–75mm F2.8 SAM Zoom Lens

Sony SAL2875.AE (SAL-2875AE, SAL-2875, SAL2875, sal2875.ae) 28–75mm F2.8 SAM Zoom Lens This 35 MM Full-Frame lens works with Sony α cameras. A versatile lens for everyday use The SAL2875 offers an ideal balance of brightness and zoom range for a variety of situations. A constant F2.8 max aperture benefits handheld and low-light shots. Say goodbye to blur Pair the lens with a camera by Sony with SteadyShot™ INSIDE and you’ll enjoy smooth, blur-free results when shooting handheld, even zoomed-in. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution and colour fidelity. Fast, smooth focusing Internal focusing enables reduced minimum focusing distances and fast autofocus response while a built-in SAM (Smooth Autofocus Motor) ensures smooth operation.

SAL35F14G.AE 35mm f/1.4 G Lens A-Mount Lens

Sony SAL35F14G.AE (SAL-35F14G.AE, SAL-35F14G, SAL35F14G, sal35f14g.ae) 35mm f/1.4 G Lens A-Mount Lens A fast wide prime for expressive freedom The fact that this 35 mm F1.4 prime G Lens delivers superb image quality is no surprise. Creative photographers will really appreciate its 35 mm focal length, considered the most versatile by many pros, and its bright, fast F1.4 maximum aperture that enables low-light shooting, makes it possible to increase shutter speed to capture fast action and achieve gorgeous background bokeh when needed. Superb prime lens quality for low light An F1.4 maximum aperture makes this superb lens ideal for snapshots and ambient-light photography while providing extended depth-of-field control. The ability to create smooth bokeh makes it great for portraits too. Another advantage of a large maximum aperture is that higher shutter speeds can be used when shooting fast action. Sharp, high-contrast imagery Premium G Lens optics, including moulded aspherical glass elements, achieve consistently high resolution and contrast right down to the lens's bright F1.4 maximum aperture. All types of aberration are effectively suppressed too, so that natural, life-reproduction of delicate gradations and details is achieved. From super sharp to gorgeous bokeh A 9-blade circular aperture works with this lens's F1.4 maximum aperture to produce beautifully smooth background bokeh with natural highlights when desired. Smooth background defocusing can make the in-focus focus really stand out in images with almost three-dimensional depth. Compact, manageable and versatile In addition to a remarkably compact, manageable design, this lens includes a convenient focus hold button on the lens barrel, and an auto-clutch that prevents the focus ring from rotating when autofocus is used.

Samyang 35mm T1.5 MK2 Cine Lens Sony FE Full Frame

VDSLR-8835 VDSLR8835 VDSLR 8835 VDSLR/8835 The Samyang VDSLR 35mm T1.5 MK2 is a compact, high quality, fast prime cine lens, available in several mounts. It has full-frame coverage and is optimised for use on video, DSLR and mirrorless cameras. Whether this is your first dedicated cine lens or you are simply looking for amazing performance from compact glass, the MK2 version inherits the superb optics and build quality from the previous model, but has several added features for enhanced performance and handling. All models in the VDSLR MK2 range have unified focus and aperture gear ring positions. This allows for easy changing of lenses without having to adjust follow-focus systems and rigs. For added convenience and professional usage, focus scales, apertures and focal lengths are visible on both sides of the lenses. The new 9-bladed aperture delivers smooth and circular bokeh, which adds a three dimensional quality to the subject and pleasing out-of-focus effects. An 18-ray starburst highlight effect can also be created by stopping down to small apertures. Weather-sealing now protects the most vulnerable gap between the lens and camera mount, to prevent dust, light rain and snow from penetrating. It provides the ability and confidence to capture stunning images in less than perfect conditions. Due their compact dimensions and light weight, Samyang VDSLR MK2 lenses are ideal for use handheld, with gimbal, on car mounts and drones. They offer an ideal way to experience the quality of genuine cine lenses on a low budget, for high quality video making. They are especially popular with YouTubers.

Samyang V-Af 35mm T1.9 Sony Fe-6854

Samyang V-Af 35mm T1.9 Sony Fe(6854) UNIFIED FORM FACTOR – COMPACT & LIGHT The V-AF increases compatibility with gimbals and drones by applying the unified form factors with its 5 different focal lengths (Ultra-Wide to Medium-tele). By providing a compact size of 73 X 70mm and a light-weight of less than 300g, there is no need to re-set the equipment when changing the lenses. TALLY LAMP - EXCELLENT USABILITY The lamp located on the front and mount index helps the user to check whether a video is recorded or not while shooting. It supports video content creation more conveniently even in a small space without a lot of equipment. SUPPORT 8K AND THE SAME COLOUR TONE The new V-AF series supports resolutions up to 8K in a small and lightweight form, which is well suited for use with handheld gimbals and drones, as well as for studios and location productions. All lenses within the new V-AF series are color-matched to avoid shifts when swapping lenses, and the 9 aperture blades allow for a natural-looking bokeh. CUSTOM SWITCH & BUTTON   Features the 'Focus save' function usually in professional cine equipment and custom mode that adds function by firmware, which provides video-specific functions for students and amateur users who dream of cinematographers.

Samyang V-Af 75mm T1.9 Sony Fe Mount-6856

Samyang V-Af 75mm T1.9 Sony Fe Mount(6856) UNIFIED FORM FACTOR – COMPACT & LIGHT The V-AF increases compatibility with gimbals and drones by applying the unified form factors with its 5 different focal lengths (Ultra-Wide to Medium-tele). By providing a compact size of 73 X 70mm and a light-weight of less than 300g, there is no need to re-set the equipment when changing the lenses. TALLY LAMP - EXCELLENT USABILITY The lamp located on the front and mount index helps the user to check whether a video is recorded or not while shooting. It supports video content creation more conveniently even in a small space without a lot of equipment. SUPPORT 8K AND THE SAME COLOUR TONE The new V-AF series supports resolutions up to 8K in a small and lightweight form, which is well suited for use with handheld gimbals and drones, as well as for studios and location productions. All lenses within the new V-AF series are color-matched to avoid shifts when swapping lenses, and the 9 aperture blades allow for a natural-looking bokeh. CUSTOM SWITCH & BUTTON   Features the 'Focus save' function usually in professional cine equipment and custom mode that adds function by firmware, which provides video-specific functions for students and amateur users who dream of cinematographers.

Samyang VDSLR 35mm T1.5 MK2 Canon EF

Samyang Vdslr 35mm T1.5 Mk2 Canon Ef (8834) The Samyang VDSLR 35mm T1.5 MK2 Canon EF is a professional full frame cine lens designed for filmmaking, video production, documentaries, interviews and cinematic content creation workflows. Featuring a fast T1.5 aperture, industry-standard geared focus and iris rings, and full frame image coverage, the 35mm MK2 delivers cinematic depth of field, low-light performance and smooth manual focus control for professional video production. The 35mm focal length is one of the most versatile and widely used focal lengths in filmmaking, ideal for interviews, handheld shooting, documentaries, gimbal work and narrative production. Designed specifically for filmmakers, the MK2 series includes de-clicked aperture control, dual-sided focus scales, weather sealing and unified gear positioning for fast professional cine workflows.   The compact lightweight construction also makes the lens ideal for handheld rigs, gimbals, Blackmagic cinema cameras, Canon cinema cameras and mirrorless filmmaking setups.

SEL-24F28G FE 24 mm F2.8 G Lens

Sony SEL-24F28G (SEL/24F28G, SEL_24F28G, SEL24F28G, SEL-24F28G.SYX, SEL24F28G.SYX) FE 24 mm F2.8 G Lens Introducing the Sony SEL24F28G 24mm F2.8 G Full Frame Lens: A wide angle prime lens ideal for stills and movies. Featuring an advanced optical design that includes three aspherical elements and one ED (Extra-low Dispersion) element for incredibly high corner-to-corner resolution, along with beautiful background defocus (bokeh). Two double linear motors provide fast, precise AF with excellent tracking performance, with quiet autofocus and tracking in this compact-sized and lightweight Sony G lens. Internal focusing ensures the angle of view is stable during focusing (focus breathing minimised). An incredible video lens, this 24mm F2.8 G Full Frame Lens delivers smooth, fast and quiet autofocus for movie shooting. INCREDIBLY SHARP State-of-the-art optics, using three aspherical elements and one ED (Extra-low Dispersion) glass element, delivers high resolution and suppresses colour fringing in all parts of the image. High corner-to-corner resolution and beautiful bokeh make this an excellent compact, lightweight, wide angle lens for cityscapes, landscapes and videography. BEAUTIFULLY SMOOTH BOKEH A large F2.8, 7-blade circular aperture on this Sony lens creates beautiful background defocus. FAST AND PRECISE Two linear motors deliver fast, precise AF with excellent tracking capability, fully utilising the continuing rapid advances in the speed performance of camera bodies. Taking maximum advantage of this performance, tracking is maintained despite instantaneous changes in subject motion, making this landscape lens ideal for situations like snap shooting of moving subjects. You'll never miss a shot with this lightweight and compact lens. SUPERB BUILD QUALITY The high-quality build uses metal (aluminium) for the exterior finish and hood, achieving a sophisticated look, contributing to increased strength and durability. The iris ring indices, focal length markings and Sony logo on the hood are engraved rather than printed, giving this FE lens a finish with a premium feel. GREAT FOR MOVIE SHOOTING The fast, precise AF with excellent tracking performance delivered by two linear motors is also very quiet, making the 24mm lens ideal for both stills and movie shooting. Intuitive operability in a compact, lightweight design.

Sonnar T FE 35mm f/2.8 ZA Lens

Sony SEL35F28Z.AE (SEL 35F28ZAE, SEL35F28Z/AE, SEL35F28Z_AE, SEL-35F28Z.AE, SEL35F28Z) Sonnar T FE 35mm f/2.8 ZA Lens  Sonnar T* FE 35mm F2.8 ZA Wide-angle Prime (SEL35F28Z) Perfect for wide-angle shooting and close-ups, this bright 35mm prime lens from ZEISS delivers outstanding edge-to-edge image quality. A supplied dedicated hood matches the lens's compact form, while its dust and moisture resistant design gives you peace of mind when shooting outdoors. Crafted by ZEISS Founded in 1846, ZEISS AG is a legend in the field of camera optics. Their lenses are renowned for exceptional clarity, brightness, resolution and contrast. This one features the acclaimed ZEISS T* coating, which subdues internal reflections to minimise flare and ghosting. 35mm Full Frame imaging This 35mm Full Frame prime lens is designed to work with the latest Full Frame E-mount cameras from Sony, delivering outstanding contrast and resolution right out to the edges of the image. Advanced aspherical lens (AA lens) technology Aspherical lens technology maximises portability without sacrificing imaging power. The lens combines three aspherical elements with one ED (Extra-low Dispersion) glass element to deliver high-precision shots and breathtaking rendering – without the bulky design usually associated with similar DSLR lenses. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance To optimise performance, aspherical lens elements maintain high contrast (even with the aperture wide open) and minimise distortion and flatness of the image plane. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.

Sonnar T FE 55mm f/1.8 ZA Lens

Sony SEL55F18Z.AE (SEL55F18Z_AE, SEL55F18Z/AE, sel55f18z-ae) Sonnar T FE 55mm f/1.8 ZA Lens This standard prime lens with a 55mm focal length and large F1.8 maximum aperture offers stunning ZEISS Sonnar contrast and resolution for full-frame E-mount bodies. It can also create gorgeous background bokeh to set off your subject when needed. The big, bright maximum aperture means you can shoot handheld in low-light conditions while still getting outstanding sharpness and clarity.

Sony ALCB1EM Replacement Body Lens Cap

Sony ALCB1EM Replacement Body Lens Cap(ALC-B1EM) The ALC-B1EM Body Cap for E-Mount Cameras from Sony protects your camera body from dust and dirt when the lens is not attached. It is also of great value when you store the camera and lens separately.  

Sony fe 14mm F1.8 gm

Sony fe 14mm F1.8 gm(SEL14F18) Introducing the SEL14F18GM Full Frame Lens: A large aperture lens for stills and movies. Featuring an advanced optical design that includes two XA (extreme aspherical) elements for incredible corner-to-corner high-resolution, along with beautiful background defocus (bokeh). Two XD (Extreme Dynamic)  Linear Motors deliver fast, precise, and quiet autofocus and tracking in this compact-sized and lightweight Sony G Master lens. An incredible lens for video, the SEL14F18GM delivers smooth, fast and continuous auto focus performance for movie shooting. Broader Perspectives Pairing an ultra wide-angle focal length with an especially bright design, the FE 14mm f/1.8 GM from Sony is a fast and dynamic lens well-suited to landscape, nature, architectural, and astrophotography applications. Its extremely wide perspective is complemented by an f/1.8 maximum aperture for excellent performance in low-light conditions and its impressively compact form factor makes it a portable and versatile option for everything from casual walkaround shooting to staged architectural shoots. Fast Design and Refined Optics As a G Master lens, optical performance is prioritized and the 14mm f/1.8 emphasizes both sharpness and bokeh quality for versatility regardless of subject distance or aperture setting. Two XA (extreme aspherical) elements, along with one standard aspherical element, promote high sharpness throughout the aperture range, even when working at the bright f/1.8 position. Aspherical elements feature superior surface precision for effective control over astigmatism, field curvature, coma, distortion and other spherical aberrations for highly accurate rendering and low distortion. The combination of several aspherical elements, along with sophisticated focusing motors, promotes a truly compact and lightweight design, especially for such an ultra-wide focal length. One Super ED element and two extra-low dispersion elements are featured in the lens design and help to reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Nano AR Coating II has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions. This updated coating is better suited for larger, curved elements and is especially adept at minimizing internal reflections. Excels in Low-Light Conditions Rare for an ultra-wide, the f/1.8 maximum aperture is a useful asset for working in low-light conditions, such as for astrophotography applications and when making timelapses where shorter shutter speeds are required. The optical design has been optimized for shooting wide open; the integrated high-curvature XA elements minimize sagittal flare for cleaner, more accurate nighttime sky and point light source rendering. Fast and Precise Focusing An XD Linear Motor system uses two separate motors to provide quick, quiet, and precise autofocus and tracking performance. This design also contributes to more natural, intuitive Linear Response manual focus control and an AF/MF switch is located on the lens barrel for quick focus mode switching. Internal focusing design offers more responsive focusing performance and maintains a consistent overall lens length during operation. Minimum focusing distance of 9.8" suits making dynamic close-up images. Despite its ultra-wide field of view, the close minimum focusing distance and bright maximum aperture enable creating shallow depth of field imagery characterized by a strong close-up subject and a soft background. Reliable Construction Beyond outstanding optics, G Master lenses are also known for durable and reliable physical constructions, including extensive weather sealing and intuitive designs for easy operability. Also, specific to this 14mm f/1.8, it features a uniquely compact and lightweight design, measuring 3.3 x 3.9" and weighing just one pound. Physical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications. The ring also incorporates a locking "A" position for use in automated exposure modes. A focus hold button is present on the lens barrel for intuitive tactile control and rapid access to select programmable settings. Integrated petal-shaped lens hood helps to block stray light from causing lens flare and also affords some physical protection to the front element. Filter holder is incorporated at the rear of the lens, within the lens mount, and accepts cut gel filters and a filter cutting template is included. Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.   Fluorine-coated front and rear elements resist dust, moisture, and fingerprints and are easy to clean.

TM TS Adapter

Sony HDCA-702 (HDCA702, HDCA/702, hdca-702) TM TS Adapter The HDCA-702 MPEG TS Adaptor is a unique new product which enhance a workflow flexibility with various interfaces in an ultra-compact design. It provides real-time encoding of HD-SDI input signals into an MPEG TS for output via a DVB-ASI connector. One of this adaptor's applications is field news gathering, using microwave and satellite transmission. The HDCA-702 encodes camcorder output signals to MPEG TS and outputs this stream via its DVB-ASI connector at the same time the camcorder is recording. The adaptor also supports output of HDV compatible MPEG streams from i.LINK connector to use with HDV-compatible HDD units and nonlinear editing systems. MPEG Transport Stream camera adapter for Sony camcorders with V-shoe mount The HDCA-702 can be docked to Sony's camcorders without cables through the use of the camcorder's 50-pin interface. Other Sony camcorders without 50-pin interface can be connected via the HD-SDI. HD-SDI input can be used to connect other non-Sony devices to the HDCA-702 Input will automatically switched if a 1080i or 720p signal is received The transport stream bitrate can be independently set to enable the deck to output a lower data rate transport stream over DVB-ASI while recording the highest quality video on disc or SxS card Outputs a 4:2:0 MP@HL MPEG-2 stream at video data rates starting from 15 - 43.25 Mbps In 1080i mode, a 1440x1080 resolution stream will be output when the video bitrate is set to less than 35 Mbps. At video bitrates 35 Mbps or above, a 1920x1080 resolution may be selected Program/Service number, Video, Audio, and PMT PIDs can be configured for use in multiprogram transport stream applications MPEG transport stream can be output via the HDCA-702 DVB-ASI (BNC) interface or as a 25 Mbps CBR HDV stream over the 6-pin i.LINK interface

Ultra Wide Converter For SEL16F28 and SEL20F28

Sony VCLECU2.SYH (VCLECU2/SYH, VCLECU2_SYH, VCLECU2 SYH) (SEL-16F28, SEL/16F28) (SEL-20F28, SEL 20F28) Ultra Wide Converter For SEL16F28 and SEL20F28  Widen the persepctive of your wide-angle lens even further with the Sony VCL-ECU2 Ultra Wide Converter. This conversion lens is for the Sony SEL16F28 16mm f/2.8 and SEL20F28 20mm f/2.8 E-mount lenses. The 16mm f/2.8 Alpha E-mount lens has a 35mm equivalent length of 24mm which becomes 18mm when used with the VCL-ECF2, and the 20mm f/2.8 lens goes from a 35mm equivalent of 30mm to 24mm. It is constructed of 3 elements in 3 groups. Front and rear lens caps and a carrying case are included to help protect the lens.

Ultra-Wide Converter for the FE 28mm F2 lens

Sony SEL075UWC.SYX (SEL075UWC/SYX, SEL075UWC_SYX, SEL075UWC SYX) Ultra-Wide Converter for the FE 28mm F2 lens This dedicated ultra-wide converter for the FE 28mm F2 lens provides an even wider 21mm focal length, and because it is specifically designed for the full-frame FE 28mm F2 it delivers imposing wide perspective with high resolution throughout the image area from infinity down to the closest focusing distance, without compromising the lens’s image quality. The sophisticated design seamlessly matches the lens, and is dust and moisture resistant for maximum reliability.

Vario-Tessar T* FE 24-70mm F4 ZA OSS E-Mount Lens

Sony SEL2470Z.AE (SEL2470ZAE, SEL2470Z/AE, sel2470z.ae) Vario-Tessar T* FE 24-70mm F4 ZA OSS E-Mount Lens The Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens from Sony, a compact full-frame option that covers wide-angle to short telephoto perspectives for working with a variety of different shooting styles and subjects. A constant f/4 aperture makes operation smooth and consistent throughout the zoom range. The lens further benefits from the use of one extra-low dispersion element and five aspherical elements to combat aberrations as well as a Zeiss T* anti-reflective coating to keep flare and ghosting to an absolute minimum. The lens is fast to focus as well due to the linear autofocus motor and an internal focus design. Additionally, the dust- and moisture-resistant lens is equipped with Optical SteadyShot image stabilization to reduce the effects of camera shake, and it has a seven-blade circular diaphragm for smooth bokeh. Based on the Zeiss Tessar optical concept, this lens uses a design with 12 elements in ten groups that helps ensure a smaller overall lens size along with reduced flaring, distortion, and chromatic aberrations. Covering wide-angle to short telephoto perspectives, this compact 24-70mm can quickly become a go-to lens for Sony's full-frame E-mount cameras. It can also be used on APS-C format cameras where it will provide a 36-105mm equivalent zoom range. A constant f/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Five aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur. A linear autofocus motor and internal focus design provide quick and precise autofocus performance and enables accurate and silent focusing while recording videos. Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

Vocas LPL to PL Lens Mount Adapter 0900-0131 for Cinema Cameras

Vocas 0900-0131 (0900_0131, 0900/0131, 09000131, 0900-0131) LPL-mount to PL Adapter Vocas LPL to PL Lens Mount Adapter 0900-0131 for Cinema Cameras The Vocas LPL to PL Adapter allows filmmakers to use industry-standard PL mount cinema lenses on LPL mount cameras, preserving lens investment while expanding compatibility. Why people buy it   Use existing PL lenses on LPL cameras Avoid costly lens upgrades Maintain flexibility across camera systems Note: This is a professional cinema accessory designed for LPL mount camera systems and PL mount lenses.