11-15mm / T3.0 Wide Angle Zoom PL Mount Lens

Sony SCL-P11X15 (SCLP11X15, SCL/P11X15, scl-p11x15) 11-15mm / T3.0 Wide Angle Zoom PL Mount Lens Sony's SCL-P11X15 is a new PL mount lens for the PMW-F3 Camcorder. This wide-angle zoom 1.5x 11-16mm T3.0 aimed at high-end cinema, drama, documentary and commercial productions. The The SCL-P11X15 has been specifically designed to fit to the PMW-F3K via the camcorder’s supplied PL Mount Adapter, which also means the lens is compatible with any other PL Mount camcorder. Wide Angle Zoom 1.5x 11-16mm T3.0 - PL mount wide angle of view coupled with 1.5x zoom capabilities for flexible shooting in fast-moving situations such as high-end documentary.

16-50mm f3.5-5.6 OSS Lens

Sony SELP1650.AE (SELP1650-AE, SELP1650_AE, SELP1650/AE, SELP1650) 16-50mm f3.5-5.6 OSS Lens  Retractable lens with powered zoom Great for travel, this lightweight, retractable mid-range zoom collapses down to just 29.9mm. It also features a power zoom for smooth, silent, effortless zooming. Powered zoom for effortless control Shooting stills or video, a powered zoom gives you maximum creative control. For added convenience, it can be operated via a zoom rocker on selected E Mount cameras. Capture smooth, blur-free images Built-in Optical SteadyShot™ image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution, and colour fidelity.

18-200mm f3.5-6.3 OSS PowerZoom Lens

Sony SELP18200.AE (SELP18200_AE, SELP18200-AE, SELP18200/AE, SELP18200) 18-200mm f3.5-6.3 OSS PowerZoom Lens E PZ 18-200mm F3.5-6.3 OSS Power Zoom Lens This "Powered Zoom" lens produces smooth constant-speed zooms that can be difficult to achieve manually. Other features that make this lens an excellent choice for moviemaking as well as stills include a wide 11x zoom range and Optical SteadyShot image stabilisation that can keep your subjects sharp at all focal lengths, even when shooting handheld. Circular Aperture When changing your aperture to defocus the background, the light sources appear blurred. This ‘bokeh’ effect of the blurred background can be enhanced with circular aperture blades used in this lens. Conventional aperture blades have flat sides creating unappealing polygonal shaped defocussed points of light. α lenses overcome this problem through a unique design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. ED (Extra-low Dispersion) glass As focal lengths get longer, lenses built with conventional optical glass have difficulties with chromatic aberration, and as a result images suffer from lower contrast, lower colour quality, and lower resolution. ED glass dramatically reduces chromatic aberration at telephoto ranges, and provides superior contrast across the entire image, even at large aperture settings. Super ED glass provides enhanced compensation for chromatic aberration. Lens-based optical image stabilisation Gyro sensors built into the lens detect even the slightest movement, and the stabilisation lens is precisely shifted to counteract any image blur that might occur. The use of precision, quiet linear motors and technology inherited from high-end Sony professional camcorders results in exceptionally quiet, effective image stabilisation that contributes to high-quality movies as well as stills. Internal focusing Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change. Other important benefits include fast autofocusing and a short minimum focusing distance. Also, the filter thread at the front of the lens does not rotate, which is convenient if you’re using a polarizing filter. Optical image stabilisation with Active Mode Moving around while shooting movies means more camera shake that can cause blur. Although conventional image stabilisation systems were not effective at compensating for this type of movement, “Active Mode” employs a wider range of motion for the compensation lens, achieving improved stabilisation over a greater range of camera movement. Stabilisation at the wide end of the zoom range is significantly improved, facilitating handheld movie shooting with minimum image blur.

24mm f1.8 ZA Sonnar T* Wide Angle Lens by Carl Zeiss - E Mount

Sony SEL24F18Z.AE (SEL24F18ZAE, SEL24F18Z/AE, sel24f18z.ae) 24mm f1.8 ZA Sonnar T* Wide Angle Lens by Carl Zeiss - E Mount  The Sony Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens is a wide-angle to portrait-length zoom lens that features a constant f/4 maximum aperture to support consistent performance in regard to exposure settings and focus placement throughout the zoom range. Five aspherical elements and one extra-low dispersion element help to reduce aberrations and distortions while contributing to notable image sharpness and clarity. A Carl Zeiss T* anti-reflective coating has also been applied to lens elements to reduce lens flare and ghosting for improved contrast and color fidelity. This lens also integrates Optical SteadyShot image stabilization to lessen the appearance of camera shake when working in low-light conditions or with longer focal lengths. Additionally, a dust- and moisture-resistant construction ensures this lens' use in tough environmental conditions. The mid-range zoom 24-70mm lens covers wide-angle to portrait-length perspectives and features a constant f/4 maximum aperture for consistent performance throughout the zoom range. Five aspherical elements and one extra-low dispersion element help minimize aberrations and distortions throughout the zoom range while contributing to high overall clarity. Tessar concept enables the lens design to be compact while maintaining high image quality and sharpness. Carl Zeiss T* anti-reflective coating lessens lens flare and ghosting for contrast-rich imagery with sustained color neutrality. Optical SteadyShot image stabilization minimizes the appearance of camera shake to better suit working with longer shutter speeds and telephoto focal lengths. Dust- and moisture-resistant design enables ensured performance when working in inclement environmental conditions. Circular diaphragm enables a smooth out-of-focus quality that is well-suited to shallow depth of field imagery.

28-70mm F/3.5-5.6 OSS Standard Zoom Lens - E Mount

Sony SEL2870.AE (SEL2870AE, SEL2870/AE, sel2870.ae) 28-70mm F/3.5-5.6 OSS Standard Zoom Lens - E Mount A top pick for users looking for a lightweight all-around zoom, the FE 28-70mm f/3.5-5.6 OSS Lens from Sony is a great go-to for full-frame E-mount shooters. The lens uses a variable f/3.5-5.6 maximum aperture range in order to achieve light weight and compact size and incorporates one extra-low dispersion element and three aspherical elements to minimize aberrations throughout the range. Also, it has a linear motor and internal focus that enable fast, reliable autofocusing. On top of this, the lens offers built-in Optical SteadyShot image stabilization to combat the effects of camera shake. Additionally, it is dust and moisture resistant and is equipped with a seven-blade circular diaphragm for smooth bokeh. Designed for full-frame E-mount cameras, this 28-70mm covers a versatile wide-angle to telephoto range. It also works on APS-C format cameras where it provides a 42-105mm equivalent focal length range. One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Three aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. An internal focus mechanism and linear motor contribute to faster, more responsive system and easier handling. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur. Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

2K Optical Low Pass Filter for Sony PMW-F5/F55

Sony CBK-55F2K (CBK55F2K, CBK/55F2K, cbk-55f2k) 2K Optical Low Pass Filter for Sony PMW-F5/F55The Sony 2K Optical Low Pass Filter for Sony PMW-F5/F55 is a replacement filter that softens the image your camera produces, creating a more organic look. Installing the filter does not require a service call, and will not void your warranty if properly installed. Designed to compensate for the camera's image processing when shooting at high frame rates that renders your camera's original OLPF ineffective, this filter can also be used when shooting 2K, and 4K at normal frame rates to reduce the effect of motion judder, or lend a softer look to your images. You can switch between the original OLPF that came with your camera, and the 2K OLPF to suit the needs of your production.

35mm E-Mount 28-135mm Zoom Lens

Sony SELP28135G.SYX (SELP28135G_SYX, SELP28135G/SYX, SELP28135G-SYX, SELP28135G) 35mm E-Mount 28-135mm Zoom Lens  The SELP28135G is a powered zoom lens that has been created to satisfy professional optical and operational requirements for high-quality movie imagery, including 4K, when matched with a 35mm full frame format camera such as the α7S or a Super 35 format camcorder such as the PXW-FS7*. Focus breathing and zoom image shift have been reduced to an absolute minimum, while aspherical elements and advanced multi-coating technology effectively suppress aberration. Quiet operation is also a priority, so an SSM (Super Sonic wave Motor) drive system has been employed for precise, quiet zooming. Independent control rings for zoom, focus, and iris using physical stops are provided for the first time into an E-Mount an lens. Built-in Optical SteadyShot image stabilization adds to the extraordinary performance of this outstanding lens which is supporting a constant F4. *Zoom range increases to 42-202.5mm when using the lens on an APS-C or Super 35 camera. 35mm full frame imagery Precision optical design supports top-quality 4K production with minimum angle of view variation while focusing and axial displacement while zooming. F4 OSS with extendable zoom range The SELP28135G has minimum focus of 0.4 m (AF) / 0.95 m (MF) and has extanded zoom range of 42-202.5mm when used on an APS-C or S35 camera. High speed operation with independent control rings High-end operation and feel inherited from Sony professional equipment. Three control rings for iris, focus and zoom offer manual control for demanding large format production. Quiet operation The world’s first SSM (Super Sonic wave Motor) drive in a lens designed for moviemaking achieves quiet zoom and extra-smooth iris control. Lightweight and compact Compact, lightweight design that is also dust and moisture resistant is ideal for situations that require mobility plus reliability.s

B4 2/3" to Micro 4/3 Adaptor

B4 2/3" to Micro 4/3 Adaptor Lens Type  :   Mag. FactorNA     NASpec Build Quality:HE30 aluminium body, stainless steel Micro 4/3 mountWeight: 190 g

BMD-6GBIOPT Adapter - 6G BD SFP Optical Module

Blackmagic BMD-6GBIOPT (BMD6GBIOPT, BMD 6GBIOPT, BMD/6GBIOPT, bmd-6gbiopt) Adapter - 6G BD SFP Optical Module  Blackmagic 6G BD SFP Optical Module suitable for the Studio Handheld 4K Camera

CCD Extension Block Adaptor

Sony HKC-T1500 (HKCT1500, HKC/T1500, hkc-t1500) CCD Extension Block Adaptor The HKC-T1500 "split" adapter for the HDC1500 and HDC1550 multi-format high-definition cameras increases the flexibility of Sony's multi-format high-definition cameras, by allowing the image sensor assembly to be physically separated from the camera body, using up to 50 metres of multicore cable. This results in a very compact imaging assembly which may be hand held, or located to provide unique "point of view" shots. Designed for the HDC-1500 and HDC-1550 models, it supports 1080/50p operation as well as colour viewfinders such as Sony's new HDVF-C35W. The HDC1500 and HDC1550 (triax interface) portable cameras feature high-performance 2.2-megapixel 1920x1080 progressive scan CCDs, which provide enhanced image quality and stability. This CCD technology combines native 1080/60P image acquisition with a newly developed video image processor, utilizing the latest 0.11um semiconductor technology. The new cameras operate across the entire spectrum of HD standards including: Interlace 1080i mode @1080/59.94i, 50i Progressive 1080P mode @1080/23.98p, 29.97p, 24p, 25p, 50p*, 60p* Progressive 720P mode @720/59.94p, 50P * Camera head output only via dual link. Compact Imaging Assembly When the CCD block is fitted to the split adaptor, it provides a very compact unit, ideal for shooting in tight spaces, such as in a car, or for use on a motorbike. It may be hand held, or fitted to any traditional camera mounts. Light Weight The imaging assembly is also ideal where weight is critical, such as for prolonged hand-held shooting. Maximum Performance The HDC-1500 retains full performance when used in the split adaptor, giving much higher resolution than can be obtained from other dedicated compact cameras. Quick Conversion between modes The HDC-1500 optical assembly can be quickly converted between normal and "split" operation, avoiding the need for a specialist compact camera. The HKC-T1500 can be used with any HDC-1500 or 1550 camera head. Full Range of Shooting Formats There is no limitation to the operating format when the camera is fitted to the HKC-T1500 - all the HD format standards are available Interlace 1080i modes - 1080/59.94i, 50i Progressive 1080P modes - 1080/23.98p, 29.97p, 24p, 25p, 50p*, 60p* Progressive 720P mode - 720/59.94p, 50p * Camera head output only via dual link

CCU Extension Adapter

Sony HKCU-SM100 (HKCUSM100, HKCU/SM100, hkcu-sm100) CCU Extension Adapter The HKCU-SM100 CCU extension adaptor works with the HDCE-100 camera extension adaptor to meet the fast-growing demand for an affordable total system solution for long-distance transmission with single mode fibre cable (SMF). The HKCU-SM100 and the HDCE-100 are designed for easily converting the cable format between the camera head and base station Camera Control Unit (CCU) from SMPTE optical fibre to SMF. The HDCE-100 on its own extends the distance between camera head and CCU. With the HKCU-SM100, the maximum distance extends to 10 km. In 4K camera systems, the HDCE-100 and HKCU-SM100 can be utilised with the BPU-4000 baseband processor unit to supply power to the CA-4000 camera system adaptor or HDC-4300 camera. Easy conversion from optical fibre to single mode fibre Easy conversion of the cable format between the camera head and base station Camera Control Unit (CCU) from SMPTE optical fibre to single mode fibre cable (SMF). Long-distance transmission Provides transmission on single mode fibre between CCU and 4K, HSC and HDC series cameras of up to 10 km.

CineAlta 4K PL mount lens pack x6 (metric)

Sony SCL-PK6/M (SCLPK6/M, SCL/PK6/M, scl-pk6/m) CineAlta 4K PL mount lens pack x6 (metric) The PMW-F55 and PMW-F5 cameras continue Sony’s efforts to offer the most flexible lens options. A PL-mount lets users choose cinematic lenses from suppliers such as Angénieux, ARRI, Canon, Carl Zeiss, Cooke, FUJIFILM and Leica. Sony is also launching a second generation of cost-effective PL mount prime lenses. Each is certified for 4K capture, and is designed to minimize geometric distortion, vignetting and breathing. A 9-blade iris delivers beautiful bokehs and the focus rings rotate 240°. The new lens series includes focal lengths of 20, 25, 35, 50, 85 and 135 mm. For easy lens changes, each has the same T2.0 aperture, the same external diameter, matte box diameter, and gear locations for follow focus and aperture. All are the same height except for the 135 mm lens. Shooters can use stills lenses by removing the supplied PL-mount adaptor to reveal the native FZ mount. This makes it easy to accept commercially available adaptors for third-party lenses, including Canon EF, Canon FD, Nikon DX, Nikon G, Leica M and even 2/3-inch B4 lenses. A third option is the use of Sony FZ-Mount lenses with auto focus servo zoom (model SCL-Z18X140.)  

CRT Viewfinder Adapter without Large Lens for HDC Models (Black)

Sony HDLA-1507//UB (HDLA1507//UB, HDLA/1507//UB, hdla-1507//ub) CRT Viewfinder Adapter without Large Lens for HDC Models (Black) The HDLA-1507 is a highly sophisticated large viewfinder adapter for the HDC1500, HDC1550, and HDC3300. It accepts a large viewfinder - HDVF-700A/9900 - to be used with the portable camera.

Custom Rack Mounting Kit CCU-590P and CCU-TX50

Sony RMM-301 (RMM301, RMM/301, rmm-301)(CCU/590P, CCU_590P)(CCU TX50, CCU/TX50) Custom Rack Mounting Kit CCU-590P and CCU-TX50The Sony RMM-301 is the custom rack mounting kit for both the HDFX-100/S Triax adapters and CCU-550D Triax camera controller. This kit allows the camera controller to be mounted on a standard 19" wide equipment rack system.

Digital Triax Adapter

Sony HKC-TR27/4E (HKCTR27/4E, HKC/TR27/4E, hkc-tr27/4e) Digital Triax Adapter The HKC-TR27 digital triax adaptor side cover for the HDC-2400/2500/2550 system cameras permits digital triax transmission with a bandwidth that allows the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Furthermore, digital triax transmission does not suffer from a decrease of SNR (Signal to Noise Ratio) over longer extensions, so the high performance signal quality can be kept over the maximum extension of 1,400m (using 14.5mm triax cable). Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the HDCU-2000/2500 or HDC-1000/1500Camera Control Unit (CCU). High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m (using 14.5mm triax cable). Supports wide variety of frame rates The HKC-TR27 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the Camera Control Unit (CCU).  

Digital Triax Adapter

Sony HKC-TR27F (HKCTR27F, HKC/TR27F, hkc-tr27f) Digital Triax AdapterThe HKC-TR27 digital triax adaptor side cover for the HDC-2400/2500/2550 system cameras permits digital triax transmission with a bandwidth that allows the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Furthermore, digital triax transmission does not suffer from a decrease of SNR (Signal to Noise Ratio) over longer extensions, so the high performance signal quality can be kept over the maximum extension of 1,400m (using 14.5mm triax cable). Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the HDCU-2000/2500 or HDC-1000/1500Camera Control Unit (CCU). High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m (using 14.5mm triax cable). Supports wide variety of frame rates The HKC-TR27 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the Camera Control Unit (CCU).

Digital Triax Adaptor for HDC-2400/2500/2550

Sony HKC-TR27/3T (HKCTR27/3T, HKC/TR27/3T, hkc-tr27/3t) Digital Triax Adaptor for HDC-2400/2500/2550 The HKC-TR27 digital triax adaptor side cover for the HDC-2400/2500/2550 system cameras permits digital triax transmission with a bandwidth that allows the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Furthermore, digital triax transmission does not suffer from a decrease of SNR (Signal to Noise Ratio) over longer extensions, so the high performance signal quality can be kept over the maximum extension of 1,400m (using 14.5mm triax cable). Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the HDCU-2000/2500 or HDC-1000/1500Camera Control Unit (CCU). High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m (using 14.5mm triax cable). Supports wide variety of frame rates The HKC-TR27 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. Camera connects with HDFX-200 to HDCU-2000/2500 CCUs The digital triax transmission requires the use of an HDFX-200 converter to convert the triax signals to an SMPTE-Fibre cable to be accepted by the Camera Control Unit (CCU).  

Dual Channel HD Fibre Optic Transmission Adapter for HDC Series

Sony HDFA-200 (HDFA200, HDFA/200, hdfa-200) Dual Channel HD Fibre Optic Transmission Adapter for HDC Series The HDFA-200 combines 1.5 Gigabit signals from two HDC-P1 or HDC-1500R cameras into a single 3G-capable fibre-optic transmission feed, reducing complexity in 3D live production. The device also incorporates a viewfinder output with multiple analytical and diagnostic modes - including several specifically for 3D use. In 3D and conventional operation, the HDFA-200 minimises the cabling required for multiple cameras in live productions. It also integrates control and intercom data into the video feed, eliminating the need for any additional cables.

Dual Servo Optical Filter Wheel for HDC-2400

Sony HKC-DF20 (HKCDF20, HKC/DF20, hkc-df20) (HDC_2400, HDC/2400) Dual Servo Optical Filter Wheel for HDC-2400 This Dual Optical Filter from Sony is compatible with the HDC-2400 and HDC-1700 cameras.Dual Optical Filter for HDC-2400, HDC-1700 and HDC 2000 Series cameras Supports a range of different shooting scenes and requirements.

E PZ 18-105mm F4 G OSS Lens

Sony SELP18105G.AE (SELP18105GAE, SELP18105G/AE, SELP18105G_AE, SELP18105G-AE) E PZ 18-105mm F4 G OSS Lens This G Lens for E-mount cameras delivers stunning still or movie imagery with the flexibility of 6x power zoom. Maximum aperture is a constant F4 from 18mm wide angle to 105mm medium telephoto, with excellent resolution and contrast throughout. A lever and ring on the lens barrel allow zoom speed to be freely adjusted as required while maintaining a sure, stable grip.

FE 70-200mm f/4 G OSS Lens

Sony SEL70200G.AE (SEL70200G/AE, SEL70200G-AE, sel70200g_ae) FE 70-200mm F/4 G OSS Lens The most advanced technology available has been applied in the G Master series, further refining acclaimed Sony G Lens performance. This model combines refined G Lens bokeh with new levels of resolution in an outstanding constant F2.8 telephoto zoom that offers unsurpassed rendering, blazing AF, and extraordinary image stabilization performance. Extraordinary detail and bokeh in one lens Specifically designed to resolve spatial frequencies with excellent contrast, this lens includes three aspherical elements, including one double-sided and one newly developed XA (extreme aspherical) element with 0.01 micron surface precision, to effectively control aberration for astonishing resolution plus glorious bokeh. Natural images without spurious colour Chromatic aberration that can be a problem in telephoto lenses is thoroughly suppressed by the use of four ED (Extra-low-Dispersion) glass elements and two Super ED glass elements. Colour bleeding is banished so the subject can be captured with maximum sharpness. Class-leading close-up performance Class-leading close-up performance with a minimum focusing distance of 0.96m and 0.25x maximum magnification is ideal for portraits, telephoto macro, and more. Contributing refinements include ED glass elements and a floating focus mechanism to control aberration that can be problematic in close-up applications. Fast AF optimized for stills and video Two heavy focus groups are rapidly and precisely positioned by separate actuators: a powerful ring SSM (Super Sonic wave Motor) actuator for the front group, and a double linear motor actuator for the rear group. Improved positioning precision works with real-time feedback from multiple position sensors to allow the body’s AF system to operate at full capacity. Further refinements for spot-on movie AF The focusing system’s double linear motor takes on the vital role of providing “wobbling” actuation for the AF contrast detection system when shooting video. An optical design that effectively minimizes focus breathing plus quiet mechanical operation further adds to focusing performance that is ideal for movies as well as stills. Outstanding clarity and contrast Advanced Nano AR Coating technology produces a lens coating with a precisely defined regular nano-structure that effectively suppresses reflections that can cause flare and ghosting, for notable improvements in clarity, contrast, and overall image quality.(1. Nano AR Coating / 2.Glass / 3.Transmitted light) 11 blades for luscious bokeh Sony’s circular aperture design has traditionally employed up to 9 blades, but this lens incorporates an 11-blade circular aperture that takes bokeh quality to new levels of smooth beauty with natural looking highlights. Operation and reliability optimized for fieldwork Rigid construction with constant lens length during focusing and zooming contribute to excellent handling in the widest range of shooting situations.Focus hold buttons can hold the focus point even during continuous AF operation, and a focus range limiter switch can be used to preset a focusing distance range for maximum AF speed. Stable even when panning To provide the greatest possible benefit from the built-in image stabilization system in the widest range of shooting situations, the SEL70200GM features switchable MODE 2 stabilization that allows image stabilization to be used with panned shots for greater clarity and impact. Stabilized for sharp, blur-free images High-performance image stabilization is built right into the lens for sharp, blur-free images with a wide range of subjects. The heavy stabilization lens is driven by a linear motor for fast, precise stabilization. 5-axis image stabilization becomes available when used with α series bodies that feature built-in image stabilization. Removable rotating tripod mount This versatile lens tripod mount allows the camera to be quickly removed from the tripod in shooting situations that require a rapid handheld response. It also features a revolving mechanism that allows quick changeover between landscape and portrait orientation. A lock mechanism prevents accidental detachment.  High reliability in harsh conditions A sealed dust and moisture resistant design and fluorine front element coating provide extra protection to ensure reliable operation in challenging environments.

GP3038 hero3 lens replacement kit

GoPro GP3038 (GP 3038, GP-3038, GP/3038) Hero3 Lens Replacement KitOnly compatible with the Dive Housing.Glass lens replacement for HERO3 housing. Includes 2 lenses and seals, replacement screws and screwdriver for hassle-free repairs.

Hybrid Optical Fiber Cable - 100m

Sony CCFN-100//U (CCFN100//U, CCFN/100//U, ccfn-100//u) Hybrid Optical Fiber Cable - 100m The 328' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits

Hybrid Optical Fiber Cable - 150m

Sony CCFN-150//U (CCFN150-U, CCFN/150_U, ccfn-150-u) Hybrid Optical Fiber Cable - 150m The 492' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits

Hybrid Optical Fiber Cable - 200m

Sony CCFN-200//U (CCFN200//U, CCFN/200//U, ccfn-200//u) Hybrid Optical Fiber Cable - 200m The 656.2' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits  

Hybrid Optical Fiber Cable - 25m

Sony CCFN-25//U (CCFN25//U, CCFN/25//U, ccfn-25//u) Hybrid Optical Fiber Cable - 25mThe 82' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits

Interconnection Adapter

Sony HKC-CN20 (HKCCN20, HKC/CN20, hkc-cn20) Interconnection Adapter The HKC-CN20 is an internal attachment kit for HDC-2500 series cameras to receive exchangeable side panel. The HKC-FB20 allows the camera to benefit from fibre transmission, while the HKC-TR20 allows the camera to use triax transmission. The HKC-CN20 fits both side panels securely to the camera. Provides fibre or triax transmission options Operates with the HKC-FB20 or HKC-TR20 side panels. Allows HDC-2500 Series system cameras to operate with fibre or triax transmission Operates with the HKC-FB20 or HKC-TR20 side panels.

LA-EA4.AE 35mm Full-Frame A-Mount Adaptor

Sony LA-EA4.AE (LA-EA4.AE, LA-EA4, LAEA4, la-ea4.ae) 35mm Full-Frame A-Mount Adaptor A-mount adapter for E-mount cameras Fit A-mount lenses on a Full Frame or APS-C camera Get more from your Full Frame or APS-C E-mount camera with this A-mount lens adapter. An aperture mechanism supports auto exposure for sharp images. Smooth, responsive autofocus Crisp images with Translucent Mirror Technology Shoot stills or movies in sharp detail with a built-in 15 TTL AF system and three cross sensors. Continuous phase detection keeps shooting smooth and focused.

LANC Remote Zoom Controller

Sony RM-1BP (RM1BP, RM 1BP, RM/1BP, rm-1bp) LANC Remote Zoom Controller The RM-1BP Remote Commander controller is a small hard-wired controller designed to work with any Sony HDV and DVCAM camcorders that have a LANC port. The RM-1BP Remote Commander unit attaches to the handle of most standard tripods and enables the user to remotely control focus and zoom of the camcorder, as well as offering Start-Stop record and Record/Review control. The RM-1BP Remote Commander unit offers three different zoom speed ranges, for enhanced creativity and precise control.

Large Lens Adapter HD Cam for LCD Viewfinders (white)

Sony HDLA-1505 (HDLA1505, HDLA/1505, hdla-1505) Large Lens Adapter HD Cam for LCD Viewfinders (white) The HDLA-1505 allows operation of the HDC-1500 HD portable camera or HDC-3300 SuperMotion camera together with large studio/OB lenses and LCD viewfinders. Unlike traditional lens "build-up kits", the HDLA-1505 provides a very simple one-touch cable-free mounting of the camera so that it can be quickly and easily converted from hand-held to tripod configuration. Note: The HDLA-1505 is finished in a pale grey body colour, the same as the HDC-1000 studio camera. If required, a dark coloured version, is also available. One-touch instant docking mechanism The camera can be fitted quickly and easily into the adaptor. This unique mechanism allows the HDC-1500 to be attached and detached without removing the large lens. Quick mounting for portable camera head To provide efficient operation in studio or OB environments, the large lens adaptor has a unique design which allows the camera to be converted from hand-held to large lens configuration in just a few seconds. Cable-free operation with all connections contained in "hot shoe" mounting Utilizing a newly developed interlocking mechanism, power, video, and control signals are passed on directly from the HDC-1500 to the HDLA-1505, without requiring additional cable connections. Note that the HDVF-C730W viewfinder does require a conventional cable connection Built-in teleprompter power supply Utility power (200-240V AC) is available from the large lens adaptor, when used in conjunction with the HDCU-1000 camera control unit Same handling characteristic as full size camera All the control features and functionality traditionally associated with full size cameras are provided in this efficient operational package. Compatible with HDVF-C730W colour LCD viewfinder The HDLA-1505 is specifically designed to allow the HDVF-C730W to be mounted on the rear of the camera body. The 7" CRT viewfinder, HDVF-700A, cannot be used with this lens adaptor

MTB4SEM B4 2/3" to Sony E Mount Adaptor

MTF MTB4SEM  B4 2/3" to Sony E Mount Adaptor The B4 2/3" broadcast lens to Sony E mount adaptor is a useful way of utilizing all of your B4 mounted lenses on the Sony FS7 This adaptor is designed specifically to be used on the FS7 in 2k mode only. Can only be used on B4 2/3" lenses with built in 2X extender engaged, HD lenses recomended

MTCANFDFZ CANON FD to SONY FZ Adaptor

MTF MTCANFDFZ (MT CANFDFZ, MT-CANFDFZ, MT/CANFDFZ, mtcanfdfz) CANON FD to SONY FZ Adaptor The worlds first Canon FD to Sony FZ adaptor. This adaptor allows you to Fit any Canon FD lens to Sony's new FZ-mount cameras, such as the F3, F5 and F55. (Please note. Using this adaptor will introduce a magnification factor of 1.5X with full frame lenses)     Original design for intuitive operation     Compatible with any current and future Sony FZ-mount cameras, such as the F3, F5 and F55     Built-in aperture activation pin     Flat black coated internal baffle     Impossible to damage lens during fitting and operation Other Camera Fits: Sony PMW-F3, Sony PMW-F5, Sony PMW-F55 Other Lens Fits:   Canon FD

Optical Fiber Transmission Connector

Sony HKC-LC01//U (HKCLC01//U, HKC/LC01//U, hkc-lc01//u) Optical Fiber Transmission Connector The Sony HKC-LC01 Optical Fiber Transmission Connector is designed to provide Sony's CA-FB70 or HXCE-FB70 with a LEMO connector for optical fiber transmission.

Optical Fiber Transmission Connector

Sony HKC-LC02//U (HKCLC02//U, HKC/LC02//U, hkc-lc02//u) Optical Fiber Transmission Connector The Sony HKC-LC02 Optical Fiber Transmission Connector is designed to provide Sony's HXCU-FB70 camera control unit or HXCE-FB70 power supply extension unit with a LEMO connector.

Rackmount Kit for Betacam SP VCRs

Sony RMM-110 (RMM110, RMM/110, rmm-110) Rackmount Kit for Betacam SP VCRsDesigned specifically for the PVW line of Betacam SP VTRs. This kit provides all the necessary parts to connect the VTR to any standard 19 inch racking system.Fits VTR to standard racking system This Rackmounting kit works with SRW-5000/5500/5800/5100 HDCAM-SR studio VTR.

Rackmount Kit for PFV-L10 Interface Unit

Sony RMM-10 (RMM10, RMM/10, rmm-10) (PFV/L10, PFV_L10) Rackmount Kit for PFV-L10 Interface Unit The RMM-10 rack mount kit is designed to work with the MVS Series switchers and PFV-L10 interface unit. Standard rack mounting Allows the units to be rack mounted in all standard racks.

Remote Commander with Focus, Iris and Zoom Control

Sony RM-30BP (RM30BP, RM30BP, rm-30bp) Remote Commander with Focus, Iris and Zoom Control The RM-30BP is the successor to the RM-1000BP, the industry’s first comprehensive, multifunctional remote commander.  Ideal for freelancers and small-budget productions, the lightweight remote can be handheld, placed on a table or attached to a tripod arm for operation. The RM-30BP can control most camera functions including: Lens control: one push auto / manual focus, iris and zoom control  Camera control: recording / display functions, shutter speed, white balance - including six assignable buttons  Playback and multi camera control (up to 3 cameras)  The RM-30BP can also be connected to the new MCX-500 for multi camera control directly from the switcher, and is compatible with the HXR-NX5R and PXW-FS7 v4.0, with plans to introduce compatibility for other Sony camcorders.

RM-VPR1.CE7 Remote Control with Multi-Terminal Cable

Sony RM-VPR1.CE7 (RMVPR1.CE7, RM-VPR1, RMVPR1, rm-vpr1.ce7) Remote Control with Multi-Terminal Cable The RM-VPR1 Remote Control with Multi-terminal Cable for Select Sony Cameras and Camcorders from Sony is a wired remote commander that allows various remote control operations to be performed without handling the camera, therefore eliminating camera shake and providing self-portrait and other control applications. When using the RM-VPR1 with most Sony cameras, you are able to control shutter, optical zoom, digital zoom and bulb function. You are also able to control video recording. The remote is also functional with the Alpha a99, a77, a65, a57 and a37 cameras but only for photo (not video) functions. Both a multi-terminal cable and remote terminal cable are included for comprehensive compatibility.

SAL1635Z2.SYX Vario-Sonnar T 16–35mm F2.8 ZA SSM II Lens

Sony SAL1635Z2.SYX (SAL-1635Z2.SYX, SAL1635Z2, SAL-1635Z2, sal1635z2.syx) Vario-Sonnar T 16–35mm F2.8 ZA SSM II Lens The Sony 16-35mm f/2.8 ZA SSM II Vario-Sonnar T* Lens is a fast and versatile wide-angle zoom that is designed for Sony and Minolta full-frame or APS-C A-Mount cameras. Users of compatible 35mm full-frame cameras can obtain a 107 to 63° angle of view, making this lens suitable for fitting subjects ranging from landscapes to large groups into your frame. On a Sony or Minolta APS-C A-Mount camera, this lens's angle of view becomes equivalent to that of a 24-52.5mm lens on a full-frame 35mm film camera or DSLR. Wide-angle photography on an APS-C A-Mount camera is supported, as well as the ability to replicate the narrower angle of view provided when a 50mm lens is placed on a full-frame 35mm film camera or DSLR which is a useful combination for street and travel photography. An extra-low dispersion, a super extra-low dispersion, and three aspherical elements are incorporated within the lens to maintain low distortion and corner sharpness while minimizing chromatic aberrations. Carl Zeiss T* (T-Star) lens coatings provide high contrast and uniform image resolution while helping to eliminate lens flare, internal reflection, and light scattering. Silent Super Sonic Wave autofocus motor and aperture mechanisms contribute to fast lens operation and the suppression of unwanted noise when capturing still photos as well as video clips. This lens's durable dust and weather-resistant design contributes to the versatility of Sony camera bodies that also feature weather-resistant components, allowing you to photograph in places or at times where exposure to the elements could impact camera system performance. When used with a Sony A-Mount to E-Mount Lens Adapter, or a Sony A-Mount to E-Mount Lens Adapter with Translucent Mirror Technology that helps maintain autofocus performance, full-frame or APS-C Sony E-Mount cameras can also utilize this lens. 16-35mm full-frame zoom offers a versatile wide-angle focal length on both Sony A-Mount full-frame cameras and APS-C cameras. On Sony A-Mount APS-C cameras, this lens provides a 35mm-equivalent focal length of 24-52.5mm. Full-frame or APS-C Sony E-Mount cameras can work with this lens using a Sony A-Mount to E-Mount Lens Adapter, or a Sony A-Mount to E-Mount Lens Adapter with Translucent Mirror Technology that helps maintain autofocus performance. Fast f/2.8 maximum aperture benefits working in difficult lighting conditions and also aids in selective focus control. Three aspherical elements help to maintain low distortion and corner sharpness, while one extra-low dispersion element and one super extra-low dispersion element reduce chromatic aberrations. Carl Zeiss T* (T-Star) coatings provide high contrast and uniform image resolution while helping to eliminate lens flare, internal reflection, and light scattering. Weather-resistant design permits outdoor use and contributes to the versatility of Sony camera bodies that also feature weather-resistant components. Super Sonic Wave Motor produces high torque at slow rotation. Quiet, precise, and immediate start and stop responses are provided. Silent autofocus and aperture operation prevent distracting sounds during video capture. Focusing is achieved internally, keeping the length of the lens consistent. Fast autofocus speed as well as focus tracking is maintained and the front of the lens or a polarizer mounted on it is prevented from unintentionally rotating. Once focus has been set, pressing the Focus Hold Button on the lens barrel keeps the lens locked to the selected focusing distance. Built-in Distance Encoder works in conjunction with Sony's Advanced Distance Integration flash metering system. This encoder helps a connected camera and a compatible flash take into account the distance of the subject from the camera system, helping to ensure that the correct amount of flash is used. Nine rounded diaphragm blades contribute to a pleasing out-of-focus quality and benefit the use of shallow depth of field techniques.

SAL24F20Z.AE Distagon T 24mm F2 ZA SSM Lens

Sony SAL24F20Z.AE (SAL-24F20ZAE, SAL24F20Z, SAL-24F20Z, sal24f20z.ae) Distagon T 24mm F2 ZA SSM Lens Legendary Distagon wide-angle quality This first-rate 24 mm prime lens is an outstanding choice for landscapes, snapshots and more . It takes outstanding ZEISS Distagon® quality to a new level with precision aspherical and ED (Extra-low Dispersion) glass elements, and the large F2.0 maximum aperture and a circular aperture cooperate to deliver gorgeous bokeh effects. Extraordinary wide-angle rendering The ZEISS Distagon® design was created specifically to achieve excellent sharpness and contrast in wide-angle lenses, and it still excels in that field. The SAL24F20Z brings the Distagon® configuration up to date with the most advanced lens technology available, for unsurpassed corner-to-corner optical performance. Sharp, high-contrast imagery Two aspherical elements and two ED (Extra-low Dispersion) glass elements minimise aberration for superior sharpness and contrast throughout the image, while the ZEISS T* coating cuts flare and ghosting so that images are crisp and clear with well-defined blacks. That impressive performance is maintained at all apertures, right down to this lens’s bright F2.0 maximum. Outstanding colour and contrast ZEISS lenses are renowned for their outstanding colour reproduction and contrast. The ZEISS T* coating is an important contributing factor, effectively suppressing spurious reflections that can degrade overall image quality. Flare and ghosting are reduced for enhanced colour and contrast that give images a deep, three-dimensional feel. Get close for small subjects and details The SAL24F20Z can focus as close as 19 centimetres to capture small subjects and details with excellent quality. The large F2.0 maximum aperture and 9-blade circular aperture design can contribute to beautifully smooth background bokeh that supports the main in-focus subject in the most appealing way. SSM (Super Sonic wave Motor) focus drive The SSM (Super Sonic wave Motor) is a piezoelectric drive system that contributes to smooth, silent autofocus operation. Its capacity for high torque at low rotational speeds contributes to fast start and stop response as well as precise positioning. To the photographer that means quick, quiet, accurate focus. ED glass improves resolution and contrast The ED (Extra-low Dispersion) glass elements used in the SAL24F20Z are highly effective in reducing chromatic aberration. That not only minimises colour fringing, but also contributes to superior sharpness and contrast throughout the image area, even at large aperture settings.

SAL2875.AE 28–75mm F2.8 SAM Zoom Lens

Sony SAL2875.AE (SAL-2875AE, SAL-2875, SAL2875, sal2875.ae) 28–75mm F2.8 SAM Zoom Lens This 35 MM Full-Frame lens works with Sony α cameras. A versatile lens for everyday use The SAL2875 offers an ideal balance of brightness and zoom range for a variety of situations. A constant F2.8 max aperture benefits handheld and low-light shots. Say goodbye to blur Pair the lens with a camera by Sony with SteadyShot™ INSIDE and you’ll enjoy smooth, blur-free results when shooting handheld, even zoomed-in. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Aspherical lens elements minimise distortion while ED (Extra-low Dispersion) glass elements provide superior contrast, resolution and colour fidelity. Fast, smooth focusing Internal focusing enables reduced minimum focusing distances and fast autofocus response while a built-in SAM (Smooth Autofocus Motor) ensures smooth operation.

SAL35F14G.AE 35mm f/1.4 G Lens A-Mount Lens

Sony SAL35F14G.AE (SAL-35F14G.AE, SAL-35F14G, SAL35F14G, sal35f14g.ae) 35mm f/1.4 G Lens A-Mount Lens A fast wide prime for expressive freedom The fact that this 35 mm F1.4 prime G Lens delivers superb image quality is no surprise. Creative photographers will really appreciate its 35 mm focal length, considered the most versatile by many pros, and its bright, fast F1.4 maximum aperture that enables low-light shooting, makes it possible to increase shutter speed to capture fast action and achieve gorgeous background bokeh when needed. Superb prime lens quality for low light An F1.4 maximum aperture makes this superb lens ideal for snapshots and ambient-light photography while providing extended depth-of-field control. The ability to create smooth bokeh makes it great for portraits too. Another advantage of a large maximum aperture is that higher shutter speeds can be used when shooting fast action. Sharp, high-contrast imagery Premium G Lens optics, including moulded aspherical glass elements, achieve consistently high resolution and contrast right down to the lens's bright F1.4 maximum aperture. All types of aberration are effectively suppressed too, so that natural, life-reproduction of delicate gradations and details is achieved. From super sharp to gorgeous bokeh A 9-blade circular aperture works with this lens's F1.4 maximum aperture to produce beautifully smooth background bokeh with natural highlights when desired. Smooth background defocusing can make the in-focus focus really stand out in images with almost three-dimensional depth. Compact, manageable and versatile In addition to a remarkably compact, manageable design, this lens includes a convenient focus hold button on the lens barrel, and an auto-clutch that prevents the focus ring from rotating when autofocus is used.

SMAD-P2 Shoe Mount Adaptor

Sony SMAD-P2 (SMAD/P2, SMAD_P2, SMADP2, SMAD P2, smad-p2) Shoe Mount Adaptor The Sony SMAD-P2 UWP Shoe Mount Adapter is used to mount the URX-P2 receivers onto camera accessory shoes.

Sonnar T FE 35mm f/2.8 ZA Lens

Sony SEL35F28Z.AE (SEL 35F28ZAE, SEL35F28Z/AE, SEL35F28Z_AE, SEL-35F28Z.AE, SEL35F28Z) Sonnar T FE 35mm f/2.8 ZA Lens  Sonnar T* FE 35mm F2.8 ZA Wide-angle Prime (SEL35F28Z) Perfect for wide-angle shooting and close-ups, this bright 35mm prime lens from ZEISS delivers outstanding edge-to-edge image quality. A supplied dedicated hood matches the lens's compact form, while its dust and moisture resistant design gives you peace of mind when shooting outdoors. Crafted by ZEISS Founded in 1846, ZEISS AG is a legend in the field of camera optics. Their lenses are renowned for exceptional clarity, brightness, resolution and contrast. This one features the acclaimed ZEISS T* coating, which subdues internal reflections to minimise flare and ghosting. 35mm Full Frame imaging This 35mm Full Frame prime lens is designed to work with the latest Full Frame E-mount cameras from Sony, delivering outstanding contrast and resolution right out to the edges of the image. Advanced aspherical lens (AA lens) technology Aspherical lens technology maximises portability without sacrificing imaging power. The lens combines three aspherical elements with one ED (Extra-low Dispersion) glass element to deliver high-precision shots and breathtaking rendering – without the bulky design usually associated with similar DSLR lenses. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 7-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance To optimise performance, aspherical lens elements maintain high contrast (even with the aperture wide open) and minimise distortion and flatness of the image plane. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances.

Sonnar T FE 55mm f/1.8 ZA Lens

Sony SEL55F18Z.AE (SEL55F18Z_AE, SEL55F18Z/AE, sel55f18z-ae) Sonnar T FE 55mm f/1.8 ZA Lens This standard prime lens with a 55mm focal length and large F1.8 maximum aperture offers stunning ZEISS Sonnar contrast and resolution for full-frame E-mount bodies. It can also create gorgeous background bokeh to set off your subject when needed. The big, bright maximum aperture means you can shoot handheld in low-light conditions while still getting outstanding sharpness and clarity.

TER-BIT056 18 Watt AC Adapter 2M Cable to 2-Pin Power

Teradek TER-BIT056 ( TERBIT056, TER/BIT056, TER BIT056 , BIT056  )18 Watt AC Adapter 2M Cable to 2-Pin Power Features: 18 Watt AC Adapter 2M Cable to 2-Pin Lemo

TM TS Adapter

Sony HDCA-702 (HDCA702, HDCA/702, hdca-702) TM TS Adapter The HDCA-702 MPEG TS Adaptor is a unique new product which enhance a workflow flexibility with various interfaces in an ultra-compact design. It provides real-time encoding of HD-SDI input signals into an MPEG TS for output via a DVB-ASI connector. One of this adaptor's applications is field news gathering, using microwave and satellite transmission. The HDCA-702 encodes camcorder output signals to MPEG TS and outputs this stream via its DVB-ASI connector at the same time the camcorder is recording. The adaptor also supports output of HDV compatible MPEG streams from i.LINK connector to use with HDV-compatible HDD units and nonlinear editing systems. MPEG Transport Stream camera adapter for Sony camcorders with V-shoe mount The HDCA-702 can be docked to Sony's camcorders without cables through the use of the camcorder's 50-pin interface. Other Sony camcorders without 50-pin interface can be connected via the HD-SDI. HD-SDI input can be used to connect other non-Sony devices to the HDCA-702 Input will automatically switched if a 1080i or 720p signal is received The transport stream bitrate can be independently set to enable the deck to output a lower data rate transport stream over DVB-ASI while recording the highest quality video on disc or SxS card Outputs a 4:2:0 MP@HL MPEG-2 stream at video data rates starting from 15 - 43.25 Mbps In 1080i mode, a 1440x1080 resolution stream will be output when the video bitrate is set to less than 35 Mbps. At video bitrates 35 Mbps or above, a 1920x1080 resolution may be selected Program/Service number, Video, Audio, and PMT PIDs can be configured for use in multiprogram transport stream applications MPEG transport stream can be output via the HDCA-702 DVB-ASI (BNC) interface or as a 25 Mbps CBR HDV stream over the 6-pin i.LINK interface

Vario-Tessar T* FE 24-70mm F4 ZA OSS E-Mount Lens

Sony SEL2470Z.AE (SEL2470ZAE, SEL2470Z/AE, sel2470z.ae) Vario-Tessar T* FE 24-70mm F4 ZA OSS E-Mount Lens The Vario-Tessar T* FE 24-70mm f/4 ZA OSS Lens from Sony, a compact full-frame option that covers wide-angle to short telephoto perspectives for working with a variety of different shooting styles and subjects. A constant f/4 aperture makes operation smooth and consistent throughout the zoom range. The lens further benefits from the use of one extra-low dispersion element and five aspherical elements to combat aberrations as well as a Zeiss T* anti-reflective coating to keep flare and ghosting to an absolute minimum. The lens is fast to focus as well due to the linear autofocus motor and an internal focus design. Additionally, the dust- and moisture-resistant lens is equipped with Optical SteadyShot image stabilization to reduce the effects of camera shake, and it has a seven-blade circular diaphragm for smooth bokeh. Based on the Zeiss Tessar optical concept, this lens uses a design with 12 elements in ten groups that helps ensure a smaller overall lens size along with reduced flaring, distortion, and chromatic aberrations. Covering wide-angle to short telephoto perspectives, this compact 24-70mm can quickly become a go-to lens for Sony's full-frame E-mount cameras. It can also be used on APS-C format cameras where it will provide a 36-105mm equivalent zoom range. A constant f/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques. Zeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and color fidelity. One extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and color fringing for improved clarity and color neutrality. Five aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with select camera's sensor-shift type image stabilization for more effective control of camera blur. A linear autofocus motor and internal focus design provide quick and precise autofocus performance and enables accurate and silent focusing while recording videos. Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures. Rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.