Rycote Connbox CB3 2XLR-3F – M/S Stereo Mic Cable for Windshield Systems 016924 Connbox CB3 (2XLR-3F) (cb-3, cb/3, 2xlr3f, 2xlr/3f) An effective and ready-to-use solution to connection problems, the Connbox will enable professional sound recorders to achieve clean, high quality audio recordings. Acting as a transition connector and anchor point for the microphone tail, the lengths of cable are set to work perfectly with the microphone fitted in the windshield, without touching the internal surface of the basket. The soft cable then greatly reduces the transmission path of cable-borne noise, thus further reducing cable rumble. The Connbox is made of the highest quality components, using Gold 3-pin Neutrik X-series XLR connectors, and an ultra soft Mogami star-quad cable. What it does: Connects 2 microphones → 1 XLR output (M/S stereo) Reduces handling & cable noise Designed for Rycote windshield systems Acts as a shock-isolated cable junction
048473 Replacement X Small Modular Bar
This Rycote Replacement X Small Modular Bar is used to extend the length of the Rycote Modular Suspensions system to accommodate larger microphones.
196699413 Harness (Dpr311-lcd)
Sony 196699413 (1-966-994-13, 1/966-994-13, 1 966 994 13, 1/966/994/13) Harness (Dpr311-lcd). Sony Parts and Accessories, Sony Professional Parts and Accessories, Sony Wire Parts and Accessories.
3506A d:dicate 4006A Stereo Kit
DPA 3506 (DPA3506 DPA-3506 DPA/3506) d:dicate™ 4006A Stereo Kit The DPA 3506 is a complete 4006-TL Stereo Kit with two carefully factory-matched phantom powered (P48) condenser microphones. The DPA 3506 also includes a Stereo Boom and the complete range of DPA Acoustic Modification Accessories, all in a sturdy carrying case with a foam insert. The specially selected DPA 4006-TL microphones are matched within +/- 0.5 dB on both frequency range, sensitivity and self noise. The maximum phase response difference from 50 Hz to 20 kHz is 10 degrees. The high sensitivity, the low noise-floor and the extremely linear frequency response from 15 Hz to 20 kHz (+/-2 dB) of the microphone pair makes the DPA 3506 the perfect choice for all professional A-B Stereo recordings. 4006-TL Omni Microphone, P48, Transformerless detailed and natural reproduction high sensitivity and low noise-floor excellent for concert halls and spot miking for acoustical instruments DPA 4006 is one of the most popular types in the DPA microphone range and is a worldwide reference thanks to its precise, detailed and natural reproduction. For more than 20 years it has impressed studio owners and broadcasters as well as musicians and engineers thanks to its transparent sound quality. It is one of the most sought after studio microphones in the industry - and the one that gives you the most value for your money. In striving to achieve an even cleaner sound, the 4006-TL is equipped with a state-of-the-art transformerless preamplifier and is powered via a standard 48 V Phantom Power supply. This design increases the sensitivity and provides an extended low-frequency handling capability (15 Hz to 20 kHz ±2 dB). All components in this construction are very carefully selected to fulfil the demand for optimal neutrality, accuracy and extremely low distortion even at very high sound pressure levels and at complex passages in the music. The applications of 4006-TL are numerous: AB stereo pair for symphonic concert hall recordings, close mic on instruments such as grand piano, guitar, double bass, percussion and speech/vocals, just to mention a few examples where a 4006-TL will give more detail and more open resolution. With the acoustic modification accessories it is possible to gain different frequency responses and directional characteristics with just one 4006-TL. You simply change a grid and it will influence the sound field acoustically without any phase shift, noise or distortion, that any electrical filter will introduce. 4006-TL is a product for sound engineers with demands for high quality. The precise reproduction, total transparency and natural-sounding clarity of this microphone will provide you with a lifetime of satisfying listening.
3511A d:dicate 4011A Stereo Kit
DPA 3511 (DPA3511 DPA-3511 DPA/3511) d:dicate™ 4011A Stereo Kit 2 x UA0897 Shock Mount,Includes: 2 x UA0896 Windscreen for 4011/12/15/16, 1 x UA0836 Stereo Boom with Holders, 1 x DUA0019 Spacer for Stereo Boom, 19 mm (0.75 in) plus 2 x 4011-TL The DPA 3511 is a complete stereo kit for a broad range of recording applications using two 4011-TL Cardioid Microphones, carefully matched within +/- 1 dB on frequency response, sensitivity and self-noise. These cardioids are exceptionally linear in their frequency response - also off axis, giving you the natural experience. Several standard set-ups such as ORTF and XY are possible. The 4011-TL mics handle very high SPL and will therefore allow close placement as well as more distant. Often used for piano recordings of jazz or pop with a placement closer to the hammers or as overheads for drums. The kit includes 2 windscreens, 2 very effective shock mounts, a precision-crafted stereo boom for secure mounting of microphone pairs for A-B stereo recordings and a spacer to allow XY or ORTF stereo set-ups on the boom.
Boom Mic HSP Essential-BE and 3.5mm Connector (Beige)
Sennheiser 508480 (508-480, 508/480, 50-84-80, 508 480) (Boom-Mic-HSP-Essential-BE, Boom/Mic/HSP/Essential-BE, Boom/Mic/HSPEssential BE) Boom Mic HSP Essential-BE and 3.5mm Connector (Beige) The industry standard for productions both large and small – the HSP Essential Omni guarantees a brilliant sound that meets high expectations, has a highly durable design and is protected from sweat thanks to our ultra-light patented umbrella diaphragm.
Boom Mic HSP Essential-BE-3PIN Boom Mic HSP Essential and 3-Pin LEMO Connector (Beige)
Sennheiser 508481 (508-481, 508/481, 50-84-81, 508 481) (BoomMicHSPEssential-BE-3PIN, Boom/Mic/HSP Essential-BE-3PIN, Boom-Mic-HSP-Essential-BE-3PIN) Boom Mic HSP Essential-BE-3PIN Boom Mic HSP Essential and 3-Pin LEMO Connector (Beige) The industry standard for productions both large and small – the HSP Essential Omni guarantees a brilliant sound that meets high expectations, has a highly durable design and is protected from sweat thanks to our ultra-light patented umbrella diaphragm.
d:sign 4011 Cardioid Mic, Black, XLR, 20 cm 8 in Boom, full Gooseneck
A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 015 (4011-DF-G-B01-015, 4011_DF_G_B01_015, 4011/DF/G/B01/015) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand
d:sign 4011 Cardioid Mic, Black, XLR, 32 cm 13 in Boom, top and bottom Gooseneck
A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 030 (4011-DF-G-B01-030, 4011_DF_G_B01_030, 4011/DF/G/B01/030) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand
d:sign 4011 Cardioid Mic, Black, XLR, 47 cm 18 in Boom, top and bottom Gooseneck
A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 045 (4011-DF-G-B01-045, 4011_DF_G_B01_045, 4011/DF/G/B01/045) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand
d:sign 4011 Cardioid Mic, Black, XLR, 77 cm 30 in Boom, top and bottom Gooseneck
A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 075 (4011-DF-G-B01-075, 4011_DF_G_B01_075, 4011/DF/G/B01/075) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand
d:sign 4018 Supercardioid Mic, Black, XLR, 122 cm 48 in Boom, top and bottom Gooseneck
A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 120 (4018-DF-G-B01-120, 4018_DF_G_B01_120, 4018/DF/G/B01/120) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand
d:sign 4018 Supercardioid Mic, Black, XLR, 20 cm 8 in Boom, full Gooseneck
A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 015 (4018-DF-G-B01-015, 4018_DF_G_B01_015, 4018/DF/G/B01/015) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand
d:sign 4018 Supercardioid Mic, Black, XLR, 32 cm 13 in Boom, top and bottom Gooseneck
A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 030 (4018-DF-G-B01-030, 4018_DF_G_B01_030, 4018/DF/G/B01/030) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand
d:sign 4018 Supercardioid Mic, Black, XLR, 47 cm 18 in Boom, top and bottom Gooseneck
A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 045(4018-DF-G-B01-045,4018_DF_G_B01_045, 4018/DF/G/B01/045) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand
d:sign 4018 Supercardioid Mic, Black, XLR, 77 cm 30 in Boom, top and bottom Gooseneck
A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 075 (4018-DF-G-B01-075, 4018_DF_G_B01_075, 4018/DF/G/B01/075) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand
Digital Wireless Receiver EU Version
Sony ZRX-HR50//EU8 (ZRX/HR50//EU8, ZRX_HR50//EU8, ZRX HR50//EU8) Digital Wireless Receiver EU Version The ZRX-HR50 Digital Wireless Half-Rack Receiver from Sony is designed to be used in DWZ digital wireless systems. It features Sony's Clear Channel Scan and Best Channel Selection that scan available frequencies and tunes itself to clearest channel for quick setup. It has two RF modes to select from, wide band hopping and narrow band hopping, allowing you to choose the mode that will provide the least amount of interference based upon the RF environment you are in. The ZRX-HR50 has a front-panel color LCD that provides a readout of your selected channel, audio level, and transmitter battery life. The rotary encoder allows you to make adjustments to the system, including the 5-band equalizer. The unit has a balanced XLR output that you can assign to mic or line level in additional to an unbalanced 1/4" out. A second 1/4" tuner output allows you to integrate the ZRX-HR50 into a wireless instrument system.
DWM-02N/21 Digital Wireless Handheld Transmitter
Sony DWM-02N/21 (DWM-02N-21, DWM/02N/21, DWM_02N_21, DWM02N21, dwm-02n/21) Digital Wireless Handheld Transmitter High quality flexible microphone system with three codec modes providing short audio latency and more reliable transmission The DWM-02N digital wireless microphone forms part of the DWX series system offering high-quality full-digital operation shorter audio latency and more reliable RF transmission mode – ideal for a variety of high-quality applications, including broadcast studio, theatre and live sound. Maximising flexibility for users, the DWM-02N is not supplied with a microphone capsule as the DWM-02N Interchangeable head mechanism supports Sony and other third party capsules. Sony offers three microphone heads – the CU-C31, CU-F31 and CU-F32 - and there are also a wide variety of third-party capsules to choose from – ensuring whatever your requirements, the DWM-02N wireless handheld microphone is an ideal choice. The DWX series system delivers superb-quality wireless transmission of 24-bit digital audio. Thanks to its improved codec and new hardware, it can provide higher sound quality with lower audio latency. The DWX series works with Sony control software Wireless Studio for PC and Wireless Studio Mobile for smartphones* to give users flexible control of the system. Remote control of up to 82 transmitters can be achieved using the Cross Remote™ function combined with the RMU-01 remote control unit. NOTE: This model is available in multiple versions to support the widest possible range of operating frequencies. Please refer to product specifications for more information. * Wireless Studio Mobile supported OS: iOS Ver.8.0 or later and Android Ver.4.1 or later. Operation is not guaranteed on all smartphones. Low audio latency and high quality sound MODE2 provides higher quality sound with a 96kHz sampling rate A/D converter and very low audio latency of 1.5 msec.** Compatibility with DWX series The DWM-02N has full compatibility with its predecessor DWX series equipment. Smartphone control* Wireless Studio Mobile software gives users remote control of the DWX series system via a smartphone.
DWM-02N/33 Digital Wireless Handheld Transmitter For DWX Series
Sony DWM-02N/33 (DWM-02N-33, DWM/02N/33, DWM_02N_33, DWM02N33, dwm-02n/33) Digital Wireless Handheld Transmitter For DWX Series The DWM-02N digital wireless microphone forms part of the DWX N series system that offers high-quality full-digital operation shorter audio latency and more reliable RF transmission mode – ideal for a variety of high-quality applications, including broadcast studio, theatre and live sound. Maximising flexibility for users, the DWM-02N is not supplied with a microphone capsule as the DWM-02N Interchangeable head mechanism supports Sony and other third party capsules. Sony offers three microphone heads – the CU-C31, CU-F31 and CU-F32 - and there are also a wide variety of third-party capsules to choose from – ensuring whatever your requirements, the DWM-02N wireless handheld microphone is an ideal choice. The DWX N series system, which consists of the DWT-B01N body-pack transmitter, DWM-02N microphone and DWR-R02DN receiver, delivers superb-quality wireless transmission of 24-bit digital audio. Thanks to its improved codec and new hardware, it can provide higher sound quality with lower audio latency. The DWX N series works with Sony control software Wireless Studio 4.2 or later for PC and Wireless Studio Mobile for smartphones* to give users flexible control of the system. Remote control of up to 82 transmitters can be achieved using the Cross Remote™ function combined with the RMU-01 remote control unit.
DWM-02N/42 Digital Wireless Handheld Transmitter
Sony DWM-02N/42 (DWM-02N-42, DWM/02N/42, DWM_02N_42, DWM02N42, dwm-02n/42) Digital Wireless Handheld Transmitter DVM-02N forms part of DWX N series digital wireless microphone system, working with the DWT-B01N body-pack transmitter and DWT-R02N receiver. Compatibility with DWX series The DWM-02N has full compatibility with its predecessor DWX series equipment. Three codec modes designed for wide variety of applications MODE1 for compatibility with DWX series applications, MODE2 with higher quality sound and low latency ideal for theatre, tour and broadcast applications, and MODE3 with more reliable RF transmission ideal for speech applications. Superb quality wireless transmission and reception The digital wireless microphone system transmits and receives high-quality 24-bit digital audio in a specific frequency bandwidth that meets the Wireless Communication Regulations of each country. Utilising the Sony original codec based on Sony's years of experience in engineering audio products, the system delivers a wide dynamic range of more than 106 dB, a wide frequency response of 20 Hz to 22 kHz, and an excellent transient response. Stable and secure transmission and reception Incorporating the improved digital modulator, the digital wireless microphone system allows highly stable wireless transmission that is extremely tolerant to unwanted interference. In addition, the system transmits and receives digitally modulated and encrypted data to minimize the risk of interception, providing highly secure transmission and reception. Simultaneous multi-channel operation The digital wireless microphone system allows for large-scale multi-channel operations. Thanks to the digital modulator, the system realises an intermodulation-free, equally spaced channel allocation. The digital wireless transmission technology used in this system enables a significant increase in the number of simultaneous operations in comparison with current analogue wireless systems. For example, up to16 channels of simultaneous operation is possible in an 8-MHz operating band Three interchangeable heads and third party support The DWM-02N operates with three heads. The CU-F31 microphone head with dynamic capsule has a super cardioid pick-up and range from 60 Hz to 18 kHz. The CU-F32 microphone head with wide dynamic capsule has a wide cardioid pick-up and range from 70 Hz – 18 kHz. The CU-C31 microphone head with condenser capsule has a cardioid pick-up and range from 60 Hz to 20 kHz. The DWM-02N also supports a wide variety of third party heads. Quick open/closed mechanism for microphone heads A robust 31.3mm/pitch 1.0mm threading interchangeable mechanism allows microphone heads to be changed easily and quickly. Selectable output power Output power selectable between 1/10/50 mW. Chose the minimum power necessary for a venue, lengthening battery life, and reducing the already low possibility of interference. Allows the microphone to work effectively in a very wide range of venues. Remote control of transmitter functions from the receiver Input attenuation, RF frequency selection, RF power output, Audio Low-pass cutoff frequency and transmitter Sleep Mode can all be controlled remotely from the digital wireless receiver. Remote control of up to 82 transmitters can be achieved using the Cross Remote™ function and RMU-01 remote control unit. Smartphone control using Wireless Studio Mobile software The DWX N series works with Sony control software Wireless Studio 4.2 or later for PC and Wireless Studio Mobile for smartphones* to give users flexible control of the system.
HSP ESSENTIAL OMNI-BEIGE Neckworn Microphone with 3.5mm Connector (Beige)
Sennheiser 508246 (508-246, 508/246, 50-82-46, 508 246) (HSP-ESSENTIAL-OMNI-BEIGE, HSP/ESSENTIAL/OMNI/ BEIGE, HSP _ESSENTIAL_OMNI_BEIGE) HSP ESSENTIAL OMNI-BEIGE Neckworn Microphone with 3.5mm Connector (Beige) Nothing else is needed to convince you With the HSP Essential Omni, the name is also a philosophy: it compresses professional requirements relating to quality and function down to the essentials – for a substantially lower price. For this price it combines a high level of wearing comfort with a robust frame, brilliant sound with distortion-free transmission and an inconspicuous appearance with a light-weight design. The result is a professional headset microphone to suit any budget. HSP Essential Omni. Focus on what's really important. Adaptable Thanks to its continuously adjustable neckband, the HSP Essential Omni adapts perfectly to any head size or shape. Once adjusted, it is barely felt, as the optimally distributed lightweight design of only 25 grams exerts very gentle pressure. Furthermore, the microphone boom can be positioned on either the right or left side depending on the user’s preference. Gives weight to every voice The HSP Essential Omni features Sennheiser’s tried-and-true high-quality condenser KE 4 capsule. It is omnidirectional and achieves a clear, warm and distortion-free sound, even with very loud voices. Its patented umbrella diaphragm also provides reliable protection from moisture. Inconspicuous and lightweight All the components of the HSP essential Omni, such as the particularly slim microphone boom, have been kept as small as possible so as not to be noticeable during use. Select from both black and beige for easy concealment. Its lightweight, compact form factor is exceptionally robust and is designed for a long life-span. Should anything malfunction, the components of the HSP Essential Omni can also be easily replaced.
HSP ESSENTIAL OMNI-BEIGE-3-PIN Neckworn Microphone with 3-Pin LEMO Connector (Beige)
Sennheiser 508248 (508-248, 508/248, 50-82-48, 508 248) (HSP-ESSENTIAL-OMNI-BEIGE-3-PIN, HSP/ESSENTIAL OMNI/BEIGE/3/PIN) HSP ESSENTIAL OMNI-BEIGE-3-PIN Neckworn Microphone with 3-Pin LEMO Connector (Beige) Nothing else is needed to convince you With the HSP Essential Omni, the name is also a philosophy: it compresses professional requirements relating to quality and function down to the essentials – for a substantially lower price. For this price it combines a high level of wearing comfort with a robust frame, brilliant sound with distortion-free transmission and an inconspicuous appearance with a light-weight design. The result is a professional headset microphone to suit any budget. HSP Essential Omni. Focus on what's really important. Adaptable Thanks to its continuously adjustable neckband, the HSP Essential Omni adapts perfectly to any head size or shape. Once adjusted, it is barely felt, as the optimally distributed lightweight design of only 25 grams exerts very gentle pressure. Furthermore, the microphone boom can be positioned on either the right or left side depending on the user’s preference. Gives weight to every voice The HSP Essential Omni features Sennheiser’s tried-and-true high-quality condenser KE 4 capsule. It is omnidirectional and achieves a clear, warm and distortion-free sound, even with very loud voices. Its patented umbrella diaphragm also provides reliable protection from moisture. Inconspicuous and lightweight All the components of the HSP essential Omni, such as the particularly slim microphone boom, have been kept as small as possible so as not to be noticeable during use. Select from both black and beige for easy concealment. Its lightweight, compact form factor is exceptionally robust and is designed for a long life-span. Should anything malfunction, the components of the HSP Essential Omni can also be easily replaced.
HSP ESSENTIAL OMNI-BLACK-3-PIN Neckworn Microphone with 3-Pin LEMO Connector (Black)
Sennheiser 508247 (508-247, 508/247, 50-82-47, 508 247) (HSP-ESSENTIAL-OMNI-BLACK-3-PIN, HSP/ESSENTIAL OMNI/BLACK/3/PIN) HSP ESSENTIAL OMNI-BLACK-3-PIN Neckworn Microphone with 3-Pin LEMO Connector (Black) Nothing else is needed to convince you With the HSP Essential Omni, the name is also a philosophy: it compresses professional requirements relating to quality and function down to the essentials – for a substantially lower price. For this price it combines a high level of wearing comfort with a robust frame, brilliant sound with distortion-free transmission and an inconspicuous appearance with a light-weight design. The result is a professional headset microphone to suit any budget. HSP Essential Omni. Focus on what's really important. Adaptable Thanks to its continuously adjustable neckband, the HSP Essential Omni adapts perfectly to any head size or shape. Once adjusted, it is barely felt, as the optimally distributed lightweight design of only 25 grams exerts very gentle pressure. Furthermore, the microphone boom can be positioned on either the right or left side depending on the user’s preference. Gives weight to every voice The HSP Essential Omni features Sennheiser’s tried-and-true high-quality condenser KE 4 capsule. It is omnidirectional and achieves a clear, warm and distortion-free sound, even with very loud voices. Its patented umbrella diaphragm also provides reliable protection from moisture. Inconspicuous and lightweight All the components of the HSP essential Omni, such as the particularly slim microphone boom, have been kept as small as possible so as not to be noticeable during use. Select from both black and beige for easy concealment. Its lightweight, compact form factor is exceptionally robust and is designed for a long life-span. Should anything malfunction, the components of the HSP Essential Omni can also be easily replaced.
DPA DM6000-BM (DM6000BM, DM6000/BM, DM6000_BM, DM6000.BM) Mic Base, Black, MicroDot The Microphone Base comes with a built-in shock mount system that gives very good suppression of unwanted handling noise from a table or the like. Hidden mounting holes below the top cover make it possible to permanently affix the unit to a flat surface for an exclusive appearance. The audio cables are an integral part of the Microphone Base unit.
DPA DM6000-BX (DM6000-BX, DM6000-BX, DM6000-BX, DM6000-BX) Mic Base, Black, XLR, P48 The DPA Microphone Base (DM6000) brings sleek Scandinavian design and superior audio technology seamlessly into your meeting rooms. Made of brushed aluminium and including a built-in shock mount system, The Microphone Base suppresses most all unwanted handling or vibration noise from the table or podium. Hidden mounting holes below the top cover allow for permanent mounting to any flat surface, and it looks just great. It can be ceiling-mounted upside down or positioned on top of a table.
DPA DM6000-WM (DM6000WM, DM6000/WM, DM6000 WM, DM6000.WM) Mic Base, White, MicroDot The DPA DM6000-WM Microphone Base brings sleek Scandinavian design to the meeting rooms where it's used. It offers 2 main mounting possibilities: tabletop or ceiling, and is ideal for either. This particular model comes with the MicroDot, Passive, Unbalanced interface (Note: a DPA adapter will be needed to connect this to a wireless system - sold separately). This Microphone Base comes with an onboard shock mount system that provides very good suppression of unwanted handling noise from a table or the like. Hidden mounting holes below the top cover make it possible to permanently affix the unit to a flat surface for an exclusive appearance. The audio cables are an integral part of the Microphone Base unit. It's designed specifically to work with DPA's d:screet™ SC4098 Supercardioid Podium Microphone (sold separately). Recommended for use with microphones in these lengths: 6" (16cm), 11" (28cm), and 17" (43cm) (all mics sold separately). Longer goosenecks should be avoided. Read more about our microphones for installation.
DPA DM6000-WX (DM6000WX, DM6000/WX, DM6000 WX, DM6000.WX) Mic Base, White, XLR, P48 The DPA Microphone Base (DM6000) brings sleek Scandinavian design and superior audio technology seamlessly into your meeting rooms. Made of brushed aluminium and including a built-in shock mount system, The Microphone Base suppresses most all unwanted handling or vibration noise from the table or podium. Hidden mounting holes below the top cover allow for permanent mounting to any flat surface, and it looks just great. It can be ceiling-mounted upside down or positioned on top of a table.
Microphone Accessory Kit for ECM-88 series of Lavalier Microphones
Sony AD-KIT88B (ADKIT88B, AD KIT88B, AD/KIT88B) (ECM_88, ECM88) Microphone Accessory Kit for ECM-88 series of Lavalier Microphones The AD-KIT88B is a lavalier microphone accessory kit for the ECM-88 Series. Includes four types of microphone clips (single/horizontal, single/vertical, double/horizontal, and safety-pin type tie clip) and six urethane windscreens (red, yellow, green, blue, gray, and black)
MMD 845-1 BK Microphone Capsule for Wireless Transmitter
Sennheiser 502576 (502-576, 502/576, 50-25-76, 502 576) (MMD-845-1 BK, MMD/845-1 BK, MMD845-1 BK) MMD 845-1 BK Microphone Capsule for Wireless Transmitter High feedback rejection and powerful sound are the main features of this microphone. Compatible to all handheld transmitters of series ewG3 and 2000. Colour: black
MMD 945-1 BK Supercardioid Dynamic Capsule for Handheld Transmitters (Black)
Sennheiser 502579 (502-579, 502/579, 50-25-79, 502 579) (MMD945-1 BK, MMD-945-1 BK, MMD/945-1 BK) MMD 945-1 BK Supercardioid Dynamic Capsule for Handheld Transmitters (Black) Designed for use with evolution wireless handheld transmitters, the cardioid MMD 945 microphone head features the excellent acoustic properties of the wired e 945 vocal microphone.
MME 865-1 BK Microphone Capsule for ew G3 and 2000 Handheld
Sennheiser 502581 (502-581, 502/581, 50-25-81, 502 581) (MME-865-1 BK, MME/865-1 BK, MME865-1 BK) MME 865-1 BK Microphone Capsule for ew G3 and 2000 Handheld Microphone module in condenser technique with high brillance and feedback rejection, applicable for either voice or speech. Compatible to all handheld transmitters of series ewG3 and 2000. Colour: black
Neckband for HSP Essential (Neckband Only)
Sennheiser 508479 (508-479, 508/479, 50-84-79, 508 479) Neckband for HSP Essential (Neckband Only) Flexible and ergonomic neckband design adapts securely to a variety of head shapes and sizes.
SAD-H77B Lavalier Microphone Holder Clips x 10
Sony SAD-H77B (SAD/H77B, SAD_H77B, SADH77B, SAD H77B, sad-h77b) Lavalier Microphone Holder Clips x 10 The Sony SAD-H77B Single Horizontal Lavalier Tie Clip is a pack of (10) lavalier tie clips designed specifically for use with ECM 77B microphones. Use this practical units to perfectly position your microphone for optimum recording results.
SAD-V77B 10 x Lavalier Microphone Holder Clip for ECM-77
Sony SAD-V77B (SAD/V77B, SAD_V77B, SADV77B, SAD V77B, sad-v77b) 10 x Lavalier Microphone Holder Clip for ECM-77 The Sony Vertical Clip for ECM-77 Microphone SAD-V77B (10 Pack) is a clip designed specifically for use with ECM-877 microphones. Use this practical microphone clip to perfectly position your microphone for optimum recording results. This unit is a bulk purchase and includes (10) clips.
SAD-W77B Double/Vertical Holder Clip for ECM-77
Sony SAD-W77B (SAD/W77B, SAD_W77B, SAD W77B, SADW77B, sad-w77b) Double/Vertical Holder Clip for ECM-77 This set of 6 Sony microphones clips are designed for the ECM77B lavalier microphones. The wire clasp ensures a secure fit and aids in minimizing clothing and handling noise.
X-3605-838-2 Adaptor Assy, Tripod
Sony X-3605-838-2 (X/3605-838-2, X36058382, X 3605 838 2, X/3605/838/2) Adaptor Assy, Tripod. Sony Adaptor tripod for DXC-390P.
ZTX-M02RC Digital Wireless Handheld Transmitter
Sony ZTX-M02RC (ZTX/M02RC, ZTX_M02RC, ZTX M02RC, ZTXM02RC, ztx-m02rc) Digital Wireless Handheld Transmitter The ZTX-MO2RC Digital Wireless Handheld Transmitter from Sony features an interchangeable unidirectional microphone capsule and is designed for use with DMZ wireless systems. The ZTX-MO2RC can transmit 24-bit linear PCM digital data in 128-bit encryption to provide secure and safe use. Its has two RF transmission modes to select from, wide band hopping and narrow band hopping, allowing you to choose the mode that will provide the least amount of interference based upon the RF environment you are in. An integrated attenuator allows you to select from 0, 6, or 12dB of reduction directly from the microphone. The ZTX-MO2RC has a metal body designed for durability.