4K 12G SDI, BD-4KSDI (BD_4KSDI, BD/4KSDI, BD 4KSDI, 4KSDI) BirdDog 4K SDI - 12G SDI, 4Kp60 NDI Encoder/Decoder
4K PTZ Camera with 1in Exmor R CMOS Sensor and 12x Optical Zoom with AC Adapter (white)
Sony BRC-X1000W/AC (BRC_X1000W_AC, BRC/X1000W/AC, BRC X1000W AC) 4K PTZ Camera with 1in Exmor R CMOS Sensor and 12x Optical Zoom with AC Adapter (white) The BRC-X1000 is Sony's first 4K remote camera, combining uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections. Designed for remote operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms or sports stadiums. It's also particularly suited to efficient multi-camera set-ups, under the control of a single operator. The 1-inch type Exmor R CMOS image sensor captures detail-packed 4K footage at 30p with four times the pixel count of Full HD, and excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention. Speedy, near-silent PTZ operation with 12x optical zoom accommodates wide-angle scenes and tightly framed close-ups, with Clear Image Zoom 18x (4K), 24x(HD) extending this range even further without visible loss of resolution. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting. There’s also a broad range of video interfacing and remote control possibilities - plus support for PoE+ and genlock - for smooth integration into any broadcast, professional or corporate AV environment.
AG-CX350 4K Professional Camcorder
Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) 4K Professional Camcorder Panasonic developed the new CX Series of handheld camcorders, spearheaded by the AG-CX350, to fuse video, on-air broadcasting, and communication for the next generation. The AG-CX350 features 4K/UHD resolution, 10-bit depth, HDR-compatible image quality, and a host of recording formats for the ultimate creativity in a compact, lightweight body with low power consumption. It is also equipped with an RTMP/RTSP function for live streaming and NDI | HX-ready IP connectivity, to serve as a live camera, and clearly expands the usability of the handheld camcorder beyond conventional news gathering and recording applications to meet a wide range of professional needs. The AG-CX350’s lens is the widest-angle in the industry at 24.5mm, allowing the capture of wide-angle images with minimal distortion, whilst the optical zoom of 20x covers up to 490mm telephoto in all modes. The i.Zoom functionality enables seamless zooming of up to 32x in HD or 24x in UHD with no degradation in zoom, whilst the CX350 also comes with a digital 2x, 5x and 10x zoom. The AG-CX350 features HLG (Hybrid Log-Gamma) support for HDR capture, and can be selected from eight in-camera modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). The newly-developed 1-type MOS sensor offers a high-quality image with shallow depth of field and high sensitivity of F12 at 60Hz and F13 at Hz at 2000 TV lines. It supports multiformats, including UHD, HD and SD without cropping in all modes. The CX350 can be used to support live coverage of concerts and sports events, as well as for live streaming of breaking news with support of streaming services from Facebook and YouTube. The CX350 is also the first camera recorder that support NDI|HX, which allows for video transmission and camera control to be made via an IP connection, without having to use an external recorder.
AW-UE40KEJ 4K PTZ Camera - Black
Panasonic PAN-AW-UE40KEJ (PAN/AW-UE40KEJ, PAN/AW/UE40KEJ, PANAWUE40KEJ, PAN AW UE40KEJ) 4K PTZ Camera - Black PROVIDES HYBRID ONLINE/OFFLINE ENVIRONMENT STANDARD MODELS SUITABLE FOR USE IN ONLINE CLASSES AND BRIEFING SESSIONS Remote cameras enhance the visual communication in a variety of applications ranging from online classes to online seminars. The AW-UE50/UE40 supports a compact design to blend in with the surroundings and operates very quietly to permit flexible use in any video shooting locations or conditions. The AW-UE50/UE40 offers high security and it is easy to install and operate for capturing stable images, so even people unfamiliar with video shooting or camera operation can utilize it. The excellent flexibility of the product simplifies wiring and operation. Linkage with online conference software or online application is possible, so online video streaming is easy to initiate. The AW-UE50/UE40 is a standard model perfect for people who want to utilize online video streaming more frequently or enhance the quality of online video streaming. PROVIDES A STABLE HYBRID ENVIRONMENT FOR CONNECTING ONLINE AND OFFLINE 4K resolution, wide angle and high-magnification zoom for delivering “the ambience of hall.” Auto Tracking Software for reliable following and capturing of the speaker Secure and stable streaming protocol for reduced risk of communication trouble Smooth playback of high-quality videos UNIT SIZE AND QUIETNESS FOR FLEXIBLE USE AT ANY VIDEO SHOOTING SITES Compact dome-shape design blends in with the surroundings. Light weight and small size give added flexibility in camera installation Quiet operating sound allows the use of the camera in any situations Image stabilizer ensures stable video shooting EXCELLENT SYSTEM FLEXIBILITY TO ACHIEVE SMART WIRING AND SMOOTH OPERATION Easy installation and operation even for inexperienced staff or small staff Single PC or controller can manage and control multiple cameras Use as a USB camera Can upload video directly to live streaming service
PLAY, BD-PLAY (BD_PLAY, BD/PLAY, BD PLAY) BirdDog PLAY HDMI2.0 4K NDI HX2 Decoder with beautiful interface.
F5 Full HD 4K Camera + Wide Lens Kit
Sony PMW-F5/WIDELENS (PMW/F5/WIDELENS, PMW-F5-WIDELENS, PMW/F5_WIDELENS) F5 Full HD 4K Camera + Wide Lens Kit Sony 4K sensor for gorgeous, super-sampled HD and 2K. The PMW-F5 CineAlta allows you to shoot spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. Superior, super-sampled pictures with higher contrast, rich colour reproduction and greater clarity. Robust built-in recording modes, all with vibrant 4:2:2 colour. Irresistible options include the amazing precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping. Multiple recording formats Includes 16-bit RAW 2K/4K on AXSM media and HD/2K on SxS memory, MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD and 16-bit RAW 2K/4K**. Simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to120 fps XAVC 2K/HD* internally and 120 fps RAW 2K onto the AXS-R5. Lightweight modular design to maximise versatility in 2D and 3D. The F5 is exceptionally small, light and modular, letting you build up the right configuration for each job – or each shot. As well as the choice of formats and internal and external recording options, you can attached a variety of viewfinders, including the revolutionary optional DVF-EL100 OLED viewfinder, PL-mount, FZ-mount and still lenses, including second-generation Sony PL-mount lenses, and extra long-life Olivine – Lithium Iron Phosphate – batteries. The chassis is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. An optional shoulder rig provides for hand-held and shoulder-mounted shooting. This camcorder includes a wide-angle zoom 1.5-times 11-16mm T3.0 lens aimed at high-end cinema, drama, documentary and commercials productions. The SCL-P11X15 has been specifically designed to fit to the PMW-F3K via the camcorder’s supplied PL Mount Adapter, which also means the lens is compatible with any other PL Mount camcorder from Sony and also camcorders from many other manufacturers. PrimeSupport This product comes with PrimeSupport – fast, hassle-free repairs and a helpline offering expert technical advice. Which gives you the peace of mind that Sony is looking after your equipment, and your business.
F65RS/VF F65RS Camera with HDVF-C30WR Viewfinder
Sony F65RS/VF (F65RSVF, F65RS VF, F65/RS/VF, f65rs/vf) (HDVF/C30WR, HDVF_C30WR)(f65rs)F65RS Camera with HDVF-C30WR Viewfinder Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Digital Motion Picture Camera with Rotary Shutter & Viewfinderfrom Sony New Digital Cinematography camera which utilizes New 20 Megapixel Super 35mm CMOS imager, whose active image area is 24.7mm X 13.1mm. F65 camera has an integral PL mount which is standard for Film cameras. ARRI and Cooke Lens interface data and Metadata are recorded on SR Memory recorder. F65 camera has base sensitivity of 800EI. In this mode you have 7 stops latitude over key and 7 stops under providing phenomenal Dynamic Range. F65 covers a wider color space over any other digital cameras. This allows more headroom for color grading and future proof camera original material. The Rotary shutter has range of 11.5 degrees to 180 degrees. This eliminates CMOS motion artifacts. F65/RS also outputs shutter pulse for 3D /Motion Control rig application. With the rotary shutter you also have Built in ND filters of 0.9, 1.2, 1.5 and 1.8. In the viewfinder and monitor output from the camera, X2 and X4 magnification can be enabled for critical focusing. Ergonomics of the camera allows use of film accessories without any modification to the camera. When camera is used in 16bit RAW File mode (Digital Negative), in POST one can render multiple resolutions such as:- 4K Cinema (4096 X 2160) 3840 X 2160 2K Cinema HDTV
HD Colour Studio Camera + Lemo Fibre Transmission with LCD Viewfinder, Microphone and Lens
Sony HXC-FB80KL//U (HXC_FB80KL//U, HXC/FB80KL//U, HXC FB80KL//U) HD Colour Studio Camera + Lemo Fibre Transmission with LCD Viewfinder, Microphone and Lens The HXC-FB80 is a cost-effective high-performance HD portable camera with three Sony 2/3-inch Exmor CMOS sensors and a 3G-SDI platform capable of 1080/50p and 59.94p signal processing while achieving low power consumption. In combination with the HXCU-FB80 4K/HD Camera Control Unit, it offers user-beneficial expandability including 4K upscale and HD HDR support (HLG, Hybrid Log-Gamma) for a future-proof solution. The optional PC-based HZC-RCP5 Remote Control Panel is available for a simpler application system. Your future proofed 4K live production solution The HXC-FB80 gives you a future proofed entry point to the benefits of 4K production. Teamed with the HXCU-FB80 Camera Control Unit, detail-packed 4K resolution (3,840 x 2,160) images are available – making the HXC-FB80 system ideal for creating content in Ultra HD. Ready for HDR Future-proof your content for viewers to enjoy on the fast-growing choice of High Dynamic Range TV sets and display devices. A free firmware update (scheduled summer 2018) enables HD HDR production, with support for HLG (Hybrid Log-Gamma). Big on picture quality and performance The HXC-FB80 offers impressive imaging performance and functionality in a portable camera. It’s an ideal partner for our RCP-1000 series remote control panels – or team with our HZC-RCP5 remote control software for a highly convenient live 5-camera system. You’ll enjoy many advanced features like paint control that are familiar to users of our high-end HDC-series system cameras. And it’s also compatible with appealing options like our latest OLED viewfinders. Great images in any light Incorporating three 2/3-inch Exmor CMOS sensors, the HXC-FB80 offers stunning Full HD picture quality, with a sensitivity of F13 at 1080/50i and a corresponding signal-to-noise ratio of just -60 dB. It’s great for shooting in low light environments, delivering extra detail with extremely low noise. More format flexibility The camera head can comfortably output 3G-SDI signals in a range of formats right up to 1080/50p, with 4K available via the CCU’s 12G-SDI and Quad 3G-SDI interfaces. So you can enjoy maximum production convenience – and your viewers can enjoy the best Full HD picture quality.
HD Studio Camera + Lemo Fibre Transmission (Body Only)
Sony HXC-FB80HL//U (HXC/FB80HL//U, HXC_FB80HL//U, HXC FB80HL//U) HD Studio Camera + Lemo Fibre Transmission (Body Only) The HXC-FB80 is a cost-effective high-performance HD portable camera with three Sony 2/3-inch Exmor™ CMOS sensors and a 3G-SDI platform capable of 1080/50p and 59.94p signal processing while achieving low power consumption. In combination with the HXCU-FB80 4K/HD Camera Control Unit, it offers user-beneficial expandability including 4K upscale and HD HDR support (HLG, Hybrid Log-Gamma) for a future-proof solution. The optional PC-based HZC-RCP5 Remote Control Panel is available for a simpler application system. HXC-FB80N camera model equipped with Neutrik connector interface. (Works with HXCU-FB80N CCU model) HXC-FB80L camera model equipped with Lemo connector interface. (Works with HXCU-FB80L CCU model). Requires firmware upgrade available in 2018. Full HD Exmor CMOS sensors Incorporating three 2/3-inch Exmor CMOS sensors, the HXC-FB80 offers stunning full-HD picture quality and sensitivity of F13 in 50 Hz and F12 in 59.94 Hz at 1080 mode with a signal-to-noise ratio of -60 dB. These features enhance shooting in a low light environment. 3G-SDI Platform Capable of 1080/50p and 59.94p The camera head can comfortably output 3G-SDI signals including 1080/50p and 59.94p. The new processor can also support 1080/23.98 PsF on top of 25 PsF and 29.97 PsF. Future-Proof 4K Upscalable and HD HDR Support with CCU Combined with the HXCU-FB80 CCU, this camera’s output is 4K upscalable and yet HD HDR-capable supporting HLG (Hybrid Log-Gamma).* Requires firmware upgrade available in 2018 PC-RCP (HZC-RCP5) In addition to hardware-based remote control units, PC software-based HZC-RCP5 Remote Control is also available. MCS (Multi Camera System) capabilities The HXCU-FB80 CCU provides support for up to 24 units, forming a complete MCS system. Long Cable Extension and Choice of Fiber Interface Using a hybrid cable with a power supply, the distance between the camera head and CCU can be extended up to 600 m. In case of the combination with HXC-P70, it can extend up to 1,000 m. In addition to the Neutrik connector interface, a LEMO connector interface is also available for the camera head and CCU. In the case of connection with a single-mode fibre cable (SMF), transmission can extend up to 10km using a local power supply. Wide range of image control functions The system camera is full of creative image control functions such as MultiMatrix, Skin Tone Detail, Low Key Saturation, Knee Saturation, and Auto Lens Aberration Compensation (ALAC). ND Filter by Servo Motor Along with an electrical CC filter, the ND filter can be remotely controlled either by external RCP/RM or via the CCU because of the newly adopted filter servo motor in the camera head. HD Video Trunk and HD Prompter In addition to the camera captured 1080 50i/59.94i video signal, another video signal can be passed through the same fiber connection line to the CCU side because of the 3G-SDI platform. Further to the traditional analog composite prompter support, the HD-SDI signal can be supplied from the CCU side.
HD Studio Camera + Neutrik Fibre Transmission
Sony HXC-FB80HN//U (HXC-FB80HN//U, HXC-FB80HN//U, HXC-FB80HN//U) HD Studio Camera + Neutrik Fibre Transmission The HXC-FB80HN Studio Camera + Neutrik Fibre Transmission from Sony features three Sony 2/3" Exmor CMOS sensors offering full-HD picture quality. Built on a 3G-SDI platform, the HXC-FB80 is capable of 1080/50p, 59.94p signal processing while maintaining low power consumption. The HXC-FB80 also features 3G-SDI signals including 1080/50p and 59.94p. The processor supports 1080p/23.98sF in addition to 25psF and 29.97psF. Combined with the HXCU-FB80 CCU, the camera's output is 4K up-scalable and capable of HD HDR (HLG, Hybrid Log-Gamma). The HXCU-FB80 CCU provides support for up to 24 units, forming a complete multi camera system. The system design is based on a 3G-HD platform. The camera head can pass an additional 1080i/50, 59.94 signal to the HXCU-FB80 while operating at 1.5G (1080i/50,59.94).
HDC-2570F Multi-format HD Camera - Digital Triax version of HDC-2400DF//U-Fisher connector
Sony HDC-2570F (HDC_2570F, HDC/2570F, HDC 2570F) (HDC_2400DF//U, HDC/2400DF//U) Multi-format HD Camera - Digital Triax version of HDC-2400DF//U-Fisher connector The HDC-2570 incorporates Sony’s most advanced technologies for studio cameras. Three 2/3-inch CCD and Digital Signal Processing (DSP) with 16 bit A/D converter provides amazing picture quality with very few noise and high dynamic range. The HDC-2570 is a full feature part of the HDC-2500 Series and as such has compatibility with all the accessory items, such as viewfinders, large lens adaptors and remote control units.
HDC-4300//U 4K/HD System Camera (Body Only)
Sony HDC-4300//U (HDC/4300//U, HDC_4300//U, HDC 4300//U) 4K/HD System Camera (Body Only) Flexible, no-compromise production in 4K and HD The HDC-4300 puts you in total control of your content. For the first time, one camera platform is all you need to handle 4K, HD and super slow motion – helping you generate maximum returns on today’s production budgets. Delivering uncompromised image quality, the HDC-4300 integrates seamlessly with HD infrastructures and accessories as well as the world’s most advanced 4K live production workflows. Optional software upgrades let you add amazing HD 8x super slow motion and 4K image capture to standard HD outputs. All the flexibility and control you demand are right there in a single high-performance platform. Seamless integration with existing workflows The HDC-4300 joins Sony’s widely acclaimed HDC Series family of live production solutions. Operation is reassuringly familiar to operators and cameramen, so you’re up and running faster without expensive re-training. The HDC-4300 is fully compatible with a wide range of existing products and workflows, including viewfinders, large lens adaptors and camera control units. There’s no need for investment in additional accessories, keeping costs and inventory down. Amazing colour and imagery with next-generation innovation Featured in the HDC-4300, cutting-edge Sony technological innovation and unparalleled hands-on live production experience are crystallised in the design of the world’s first three 2/3-inch 4K imaging device. This advanced optical system supports the next-generation ITU-R BT.2020 colour gamut, enabling more precise colour reproduction in live broadcasts. You’ll see the difference with vibrant, true-to-life images that make viewers feel as if they’re actually there.
HDC-P1/A//U Full HD Compact System Camera with HD-SDI Output
Sony HDC-P1/A//U (HDC/P1/A//U, HDC P1/A//U, HDC_P1/A//U) Full HD Compact System Camera with HD-SDI Output Uncompromising, Full-HD performance from compact camera. There is an increasing demand for small "Box" type or "Point-Of -View" cameras with the flexibility to shoot from almost anywhere while still delivering highest quality full-HD pictures for use standalone or in seamless integration with content from full-size cameras. The HDC-P1 delivers unprecedented picture quality thanks to its full use of the technologies from Sony's flagship HDC Series studio cameras. Three 2/3"-inch type Power HAD FX CCDs offer a sensitivity of F11 at 1080/50i or F10 at 1080/59.94i. A wide range of formats are supported, including 720/50P, 59.94P, and 1080 50/59.94P, 23.98PsF, 24PsF, 25PsF, and 29.97PsF capabilities available via optional software upgrades. It is also the first camera of its class to feature dual ND/CC filters, both of which are servo controlled, and its ultra-narrow, 86mm body makes it ideal for applications such as 3D. Other applications include a range of unmanned and point-of-view HD applications, such as stadiums, conference rooms and schools. It can also be used as a "companion" camera in automated broadcast studios. Compromise-free HD Picture Quality - Despite its diminutive dimensions, the HDC-P1 delivers outstanding quality, full-HD images. Three 2/3-inch type full HD "Power HAD FX" CCDs offer a sensitivity of F11 at 1080 50i and a high signal-to-noise ratio of -58 dB. Shoot Anywhere - Compact and lightweight, the HDC-P1 is ideal for capturing HD-quality images in locations and from angles where bulky production HD cameras cannot be installed. Weighing only 1.7 kg (3 lb 12 oz) enables easy installation in space-constrained and awkward areas such as on a crane head or helicopter. The supplied tally unit can be easily detached from the camera body, minimizing the camera size to be fitted in, for example, a pan/tilt head or an underwater housing. Easily integrated with your existing systems - The HDC-P1 camera is fully compatible with Sony's current master set-up units (MSU) and remote control panels (RCP). This flexibility makes it easy to integrate with everything from extensive multi-camera systems or simple point-to-point systems.
Sony HDC-P43 (HDC/P43, HDC_P43, HDC P43) 4K/HD POV Camera The HDC-P43 is a lightweight Point of View (POV) style camera integrates seamlessly with existing HD infrastructure, lenses and accessories, while giving you the option to create the finest 4K and super slow motion productions. Perfect as part of a multi-camera shoot or used as a standalone device, the HDC-P43 can be mounted on a crane or operated as a fixed camera position.} As part of Sony’s flexible, no-compromise 4K/HD live system, the HDC-P43 helps you generate maximum returns on today’s production budgets. Seamless integration with existing workflows The HDC-P43 is the companion model to the HDC-4300 system camera, with the same advanced three 2/3-inch 4K imaging device and B4-mount lens mount. Operation is reassuringly familiar to operators and cameramen, so you’re up and running faster without expensive re-training. The HDC-P43 is also fully compatible with the wide range of existing products currently being used with the HDC 4300, this includes BPU-4500/BPU-4000 Baseband Processor Units, the HDCU-4300/HDCU-2000/HDCU-2500 full rack and half rack Camera Control Units, and the RCP series Remote Control Panels. Choose the level of operation you need The HDC-P43 works with the BPU-4000/4500 baseband processor units or the HDCU-4300 camera control unit via direct connection by single mode fibre cable, allowing you to activate 4K, HFR and HD Cut Out with the same optional software keys as the HDC-4300. These let you add amazing 4K x2 [*1] and HD 8x super slow motion and 4K image capture to standard HD outputs as and when you want them. All the flexibility and control you demand are right there in a single high-performance platform. Note *1: 4K x2 is available only with BPU-4000/BPU-4500. Amazing coour and imagery with next-generation innovation The HDC-P43’s advanced optical system supports the next-generation ITU-R BT.2020 colour gamut, enabling much wider and more precise colour reproduction in live broadcasts. You’ll see the difference with vibrant, true-to-life images that make viewers feel as if they’re actually there. Moreover, thanks to S-Log3 process, the High Dynamic Range operation is available for 4K and HD simultaneous live operation. Direct installation of B4-mount lenses Thanks to the 2/3-inch camera mount, the HDC-P43 works directly with B4 lenses. The B4-mount supports both HD and 4K lenses, allowing you to use B4-mount high power large lenses to capture sports scenes with a deep depth of field. Superb 4K capabilities with wide dynamic range and wide colour space With optional software key SZC-4001, the HDC-P43 has the function of capturing 4K images exactly like the HDC-4300. The HDC-P43 is equipped with the same three 2/3-inch 4K imagers and ultra-precision alignment technology used to mount the chips to an advanced prism. This optical system supports the wide colour gamut of ITU-R BT.2020*, enabling more precise colour reproduction in live broadcasts. * ITU-R BT.2020 is the specification of video format defined by ITU-R. High-frame-rate capture for 4K 2x and HD 8x super slow motion The HDC-P43’s real 4K imagers capture at four times the resolution of HD. In HD shooting, this can be used to achieve extreme high-speed image capture at a maximum of 479.52/400 fps with the optional software upgrade*. The frame rates of 59.94/50, 119.88/100 and 179.82/150 fps are available as standard. In 4K shooting, a maximum of 119.88/100 fps can be achieved. The real-time full digital process is applied to each frame even at high-frame rates in the BPU-4000/4500, producing the same quality in the images as one at the normal speed. Captured images can be recorded to the PWS-4400 or the PWS-4500 4K/HD multi-port AV storage unit for super slow motion replay**. * With optional software, SZC-4002 for BPU4000/4500. ** Some third party manufacturer servers may also be used. HD cut out function for clear images Sony’s innovative software technology enables a full HD image to be cut out from a 4K picture in real-time. Two modes are available: you can select either Zoom & Perspective mode or Simple HD mode. Keeping the camera in a fixed position, any portion of the captured image can be cropped to provide a close-up HD image to viewers as if the camera had been panned. In Zoom & Perspective mode, one portion can be cut out while performing perspective transformation, according to the lens focal length. In Simple HD mode, two portions can be cut out at the same time. With optional software, SZC-2001 for BPU-4000/4500. Smooth and easy migration from HD to 4K* The HDC-P43 is designed to fit into the growing Sony 4K live production environment alongside the HDC-4300 live camera configurations. With an optional software upgrade, the HDC-P43 enables 4K capture for multiple 4K and HD outputs, working directly with the BPU-4000/4500 baseband processor units and the HDCU-4300 camera control unit. With optional software, SZC-4001. Seamless integration into Sony HD workflows The HDC-P43 is part of Sony’s acclaimed and widely adopted HDC Series family of live production solutions and benefits from direct compatibility with the companion HDC-4300 system camera and its wide range of accessories, including viewfinders, large lens adaptors, remote control panels and camera control units. The camera is also designed to work with third-party control systems. Compact and lightweight with low power consumption The HDC-P43 is compact and lightweight, making it ideal for mounting in many applications, such as on a crane, or operated as a fixed camera position. With low power consumption* and a large fan motor, the camera benefits from lower noise levels. * The HDC-P43 is powered by local power supply only. Two remote control optical filters The HDC-P43 has the same two optical filters as the HDC-4300 – Neutral Density (ND) and Colour Correction (CC) – to provide more flexibility under changing lighting conditions. Both filters are servo driven and are easily controlled remotely via camera command through the BPU-4000/4500 or HDCU-4300.
High-Sensitivity UHD 4K Video Camera
Sony UMC-S3C//AC (UMC/S3C//AC, UMC_S3C//AC, UMC S3C//AC) High-Sensitivity UHD 4K Video Camera The UMC-S3C can capture smooth 4K/29.97P/25P colour video in almost pitch-black conditions, from night-time starlight to poorly lit rooms. It’s extremely compact size and on-board recording capability make the camera ideal for remote PoV (Point of View), documentaries, wildlife and live action shooting, plus challenging environments where cabling or space are limited. With the highest sensitivity in its class with minimum illumination of 0.004 lx, ISO 409600, the camera is ideal for environments where the human eye struggles to see. Extraordinary low-light imaging performance is delivered by the highly sensitive 35 mm full-frame Exmor CMOS sensor, advanced signal processing and interchangeable E-mount FE lenses. This UMC-S3C records crisp, clear 4K/29.97P/25P colour video using the XAVC S format at up to 100 Mbps, as well as very low-noise 12 megapixel colour still images. The high-speed electronic shutter can capture blur-less colour video of written characters, numbers and human faces. The camera is also equipped with a mechanical shutter for extremely sharp still images, even when there’s movement in a scene. A choice of interchangeable E-mount FE lenses (available separately) offers the flexibility to adjust the camera’s viewing angle to suit a wide range of applications. Long-duration video and still images can be recorded to the camera’s on-board SD memory card or output to an external recorder or monitor via HDMI. For example: with a 64 GB memory card, users can record up to 125 minutes of 4K footage with standard quality (29.97P/60 Mbps). Weighing approximately 390g (13.8 oz), the UMC-S3C is ideal for installation in mobile platforms like vehicles and robots. The camera can be controlled via multi terminal**, remote controller or a PC and compatible software. Crisp, clear 4K video and still images, even in near darkness With an ultra-high sensitivity of ISO 409600*, the UMC-S3C captures crisp, clear 4K/29.97P/25P colour video and low-noise 12 megapixel still images in minimum illumination conditions of 0.004 lx. The 35 mm full-frame Exmor sensor captures significantly more incident light than conventional cameras, while the image processing extremely enhances the high sensitivity with very low noise. Area-specific noise reduction selectively divides the image into areas based on patterns (such as edges, textures and evenly coloured areas like blue skies) to efficiently reduce noise and improve image quality. Detail reproduction technology helps to accurately depict details with a more natural sense of dimension. Standard ISO 100–102400, expandable to 50–409600 Greater shooting flexibility with choice of E-mount FE lenses The camera’s versatility in a wide range of shooting applications is enhanced by compatibility with a wide range of interchangeable E-mount FE lenses (available separately)*. These maximise the performance of the 35 mm full-frame sensor, maintaining high resolution across the entire image area from centre to edges. Compatible E mount FE lenses include the SEL35F14Z (35 mm, F1.4), SEL35F28 (35 mm, F2.8), SEL28F20 (28 mm, F2.0), and SEL55F18Z (55 mm, F1.8). Small and light enough to go anywhere Ideal for use in space-limited situations, the compact camera measures approximately 104.0 mm x 84.0 mm x 48.0 mm (4 1/8 inches x 3 3/8 inches x 1 15/16 inches). With a light weight of approximately 390 g (13.8 oz), it’s ideal for installation in mobile environments such as vehicles and robots. Easy operation even on the move 4K video or still images can be recorded internally to an SD card, or fed via HDMI to an external recorder or monitor, even when the camera is on the move. The camera’s multi terminal can connect to Micro USB-compatible devices, allowing remote control of functions such as zoom and shutter release, Rec Start/Stop, and Zoom using widely-available consumer accessories. High quality internal recording The camera can continuously record 4K/29.97P/25P colour video in the XAVC S format at up to 100 Mbps, and 12 megapixel colour still images in JPEG or RAW format at 14 bits to an SD memory card. For example, a 64 GB SD card can record up to 125 minutes of continuous 4K footage with standard quality (29.97P/60 Mbps). Recorded video files can be reviewed on a wide range of ordinary PC media players compatible with the MP4 format such as Windows Media Player. With an ultra-high sensitivity of ISO 409600* and internal recording, this compact 4K video camera is ideal for a wide range of remote shooting applications in almost total darkness. Standard ISO 100–102400, expandable to 50–409600 Supports Micro USB compatible devices
Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package a
Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package a includes: 1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming 1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic
Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package b
Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package B includes: 1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming 1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic
Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package c
Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package c includes: 1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming 1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema 1x Acebil i-605DX Tripod System *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic
Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package d
Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package d includes: 1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming 1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema 1x Acebil i-605DX Tripod System 1x Rode NTG2 shotgun microphone 1x Rode PG2R Pistol Grip Shock Mount 1x Rode WS6 deluxe windshield 1x Digibroadcast 12inch 3pin XLR male to female cable *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic
Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package e
Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package e includes: 1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming 1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema 1x Acebil i-605DX Tripod System 1x Rode NTG2 shotgun microphone 1x Rode PG2R Pistol Grip Shock Mount 1x Rode WS6 deluxe windshield 1x Digibroadcast 12inch 3pin XLR male to female cable 1x Sennheiser HD 200 PRO Studio Headphones (507182) 1x Sennheiser 507614 ew 112P G4-GB Set (507614) *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic
Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package f
Panasonic PAN-AGCX350EJ (PAN/AGCX350EJ, PAN AGCX350EJ, PANAGCX350EJ, AGCX350EJ, pan-agcx350ej) Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming package f includes: 1x Panasonic PAN-AGCX350EJ Lightweight 4K/HDR 10BIT REC Camera Recorder with Live Streaming 1x Hedbox RP-VBD78 DV Battery Pack for Panasonic 7800mAh Li-Ion Battery 7.4V 1x Sandisk 128GB Extreme Pro SDXC UHS-I 170MB/s Memory Card SDSDXXY-128G-GN4IN 1x Camrade CAM-R&GB-CINEMA run&gunBag Cinema 1x Acebil i-605DX Tripod System 1x Rode NTG2 shotgun microphone 1x Rode PG2R Pistol Grip Shock Mount 1x Rode WS6 deluxe windshield 1x Digibroadcast 12inch 3pin XLR male to female cable 1x Sennheiser HD 200 PRO Studio Headphones (507182) 1x Sennheiser 507614 ew 112P G4-GB Set (507614) 1x Atomos Ninja V 5" 4K HDMI Recording Monitor *Digibroadcast has put together some bespoke Panasonic packages for our clients based on our own research and surveys and holds the right to protect all of its content © 4K HDR Image In Your Hands Wide-Angle 24.5mm*1 Optical 20X Zoom, Plus I.Zoom The lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.*2 HDR-Compliant Hlg (Hybrid Log-Gamma) Thanks to HLG (Hybrid Log-Gamma)*3 the AG-AC350 supports HDR (High Dynamic Range) which achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG). New High-Definition, High-Sensitivity 1.0-Type 15M Mos Sensor The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60Hz) /F13 (50Hz) (in both UHD and FHD in High Sensitivity mode). Built-in 5-Axis Hybrid Image Stabilizer Intelligent AF and Focus Assist Manual Three Rings Cabled/Wireless Remote Control Capability Superb 4K Image With 10Bit Codec Up To 50/59.94P Without Cropping New HEVC CODEC for High-Image-Quality 10Bit Uhd/50 Fps Recording at low Bit Rate The camcorder can record UHD/50 fps videos in high-image-quality 10bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10bit, 4:2:0, MOV) . 10Bit Variable Frame Rate (VFR) Without Cropping In UHD, variable frame rate (VFR) recording at 1fps to 50fps is possible. In FHD, super-slow can be realized at a maximum of 100fps. Both provide high-quality 10bit, full-frame pictures with no image area cropping even at high frame rates. MOV/AVCHD/P2 MXF* File Formats Supported Freeze Frame (Still Image Capture) Double Memory Card Slots Improve Recording Reliability Enhanced Network Connectivity For Live RTMP/RTSP-Compatible Hd Streaming The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news. Facebook, YouTube, and other streaming services are supported. Easy IP Connection: Preinstalled Ndi | HX*4 The industry’s first camcorder equipped with NDI | HX mode*4, it allows video transmission and camera control via IP connection, without using an external converter. The camera can be built in to larger systems working alongside Panasonic PTZ camera systems equipped with NDI | HX and the Live Production Center AV-HLC100. Wireless Control from a Tablet or Smartphone Parallel Output of SDI and HDMI TC Synchro Multi-Camera Recording Supported Broadcast-Grade Picture Quality Adjustment Functions 24-bit PCM Supporting High-Resolution Audio Compact, Light Weight, Low Power Consumption, And Ease Of Use Design Low Power Consuming, Large-Capacity Battery, Quick Charge Simultaneous Display on High-Brightness, High-Definition LCD and High-Resolution OLED EVF Compact, lightweight body 1.9 kg In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey) When using the digital zoom, picture quality degrades as the magnification rate increases The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100. NDI: Network Device Interface, a technology of NewTek, Inc.. Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey). To use this function, an activation keycode from NewTek is required. Keycodes can be purchased from the following website: http://new.tk/ndi_panasonic
MAKI Live 4K Streaming Camera with NDI® | HX & Built-in Battery
MAKI Live- 4K Portable Live Streaming camera with NDI | HX, 3x Optical Zoom, HALO Tally, WiFi 6 and inbuilt battery MAKI Live is a compact, professional 4K portable live streaming camera designed for creators who need broadcast-quality video anywhere. Ideal for live streaming, teaching, podcasting, worship, and remote production, MAKI Live combines powerful imaging, wireless connectivity, and all-day portability in one easy-to-use system. Capture crisp, professional-grade 4K video with vibrant colour and fine detail, powered by BirdDog’s imaging expertise. The 3× optical zoom allows full-resolution framing without image degradation, while ultra-fast TOF autofocus locks onto subjects instantly—even during fast movement or changing lighting conditions. Designed for true mobility, MAKI Live features a built-in battery delivering up to 6 hours of continuous operation, eliminating the need for external power or cables. Integrated Wi-Fi and NDI® | HX support enables low-latency, high-efficiency video streaming over IP networks, making it easy to integrate into modern wireless production workflows. The signature HALO Tally system provides a bright, 360° on-air indicator, clearly showing when and which camera is live—perfect for professional multi-camera setups. AI gesture control lets you adjust framing with simple hand movements, while advanced AI noise reduction and built-in microphones ensure clear, natural audio. MAKI Live works seamlessly with the optional MAKI Studio iPad app and Control Surface, enabling intuitive multi-camera switching, streaming, and control from a single portable interface. Free MAKI Live control apps and BirdUI provide full access to camera settings and functions. With a standard 1/4″-20 mounting thread, MAKI Live can be mounted on tripods, clamps, or handheld rigs, making it adaptable to any setup. Simply power it on, connect, and go live. No cables. No clutter. Just professional 4K streaming—anywhere.
PDW-850 XDCAM HD422 Ultimate Professional Disc Camcorder
Sony PDW-850 (PDW850, PDW/850, PD-W8-50, pwd-850) XDCAM HD422 Ultimate Professional Disc Camcorder Successor to both the PDW-700 and PDW-F800, the PDW-850 combines the best of both these models into one model featuring lighter mass and lower power consumption. The latest triple PowerHAD FX CCD sensors have been included and the camera will record in both HD and SD formats including MPEG HD 422 50 Mbps onto ready-to-archive and robust Professional Disc media. Sensitivity is high at F12 at 50i and there is an excellent signal-to-noise ratio of 62dB. The PDW-850 features a high quality colour QHD 960 x 540 LCD side monitor, while also providing an HDVF interface to allow the latest optional colour and monochrome viewfinders to be attached. The ergonomically well balanced camcorder now fully supports the CBK-WA100 wireless adapter, enabling proxy recording and proxy/high resolution content transfer via Wi-Fi/3G/4G/LTE, as well as Planning Metadata management (with a future upgrade). Ethernet, USB interfaces and GPS are included. The camcorder weighs only 4.2 kg (body only), lighter than the PDW-700, and has lower power consumption compared to its predecessors. The PDW-850 can also be configured in a live production system by docking the CA-FB70 fibre adapter or CA-TX70 digital triax adapter CA-TX70 to the standard 50-pin interface. Superb Image Quality The CCDs offer the world’s top-end picture quality, with high sensitivity (F12 at 50i), wider dynamic range and the elimination of motion artefacts. On top of this, the PDW-850 offers an excellent signal-to-noise ratio of 62dB. It records the most popular broadcast MXF formats: MPEG HD 422 50 Mbps, MPEG HD 420 35 Mbps and 25 Mbps, MPEG IMX 50 Mbps and DVCAM. Lighter and more Ergonomic Weighs only 4.2 kg (body only) and offers lower power consumption than predecessor models PDW-680, PDW-700 and PDW-F800 of only 37W in normal operating conditions. Full Live Production Integration in HSC/HDC Camera Environment Full integration with Camera Control Units (CCUs) via the CA-FB70 optical fibre adapter and CA-TX70 digital triax adapter The PDW-850 shares the same CCD and Digital Signal Processing as the HSC and HDC system cameras, allowing you to perfectly match the picture output. Ideal for Field Acquisition Features CBK-WA100 wireless adapter support with USB connector and GPS included for synchronised proxy recording, low latency tablet/smartphone monitoring and proxy/high resolution content transfer over Wi-Fi/3G/4G/LTE, and better planning metadata management. High Quality LCD Side Monitor and Optional HDVF Viewfinder Interface Large, easy-to-focus, high quality colour Quarter Full HD 960 x 540 LCD monitor, plus an HDVF interface to allow the latest optional colour and monochrome eyepiece or studio viewfinders to be attached.
PMW-F5 35mm Full HD Camcorder with LCD viewfinder package B
Sony PMW-F5 HD Camcorder with LCD viewfinder Package B © includes: Sony PMW-F5 (PMWF5 PMW F5 PMW/F5) Super 35mm Full HD 4K CMOS Sensor Compact CineAlta Camcorder - Records HD/2K on SxS memory plus 16-bit RAW 2K/4K output Sony DVF-L350 (DVFL350, DVF L350, DVF/L350, dvf-l350) LCD Viewfinder for PMW-F5, PMW-F55 *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©
PMW-F5 35mm Full HD Camcorder with OLED viewfinder package a
Sony PMW-F5 HD Camcorder with OLED viewfinder Package A© includes: Sony PMW-F5 (PMWF5 PMW F5 PMW/F5) Super 35mm Full HD 4K CMOS Sensor Compact CineAlta Camcorder - Records HD/2K on SxS memory plus 16-bit RAW 2K/4K output Sony DVF-EL100 oled 0.7-inch colour hd digital viewfinder *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content ©
PMW-F5/CBK-55BK F5 Camera + ENG Shoulder Kit
Sony PMW-F5/CBK-55BK (PMWF5CBK55BK, PMW F5 CBK 55BK, PMW/F5/CBK/55BK, pmw-f5/cbk-55bk) F5 Camera + ENG Shoulder Kit The Sony PMW-F5 offers robust built-in recording modes, all with vibrant 4:2:2 colour. Further options include the wonderful precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping. The various recording formats available include MPEG-2 HD422, MPEG4 SStP, XAVC 2K/HD and 16-bit RAW 2K/4K. The Sony F5 has simultaneous recording on to internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to both the F55 and F5 cameras. High speed shooting up to120 fps XAVC 2K/HD* internally and 120 fps RAW 2K onto the AXS-R5 is also available for the PMW-F5 camera. Sony PMW-F5 - A lightweight modular design. Small and compact the Sony PMW-F5 allows you to configure the right set-up for each project – or individual shot with it’s modular design. A range of formats, both internal and external recording options and accessories are available on the F5 camera. A range of viewfinders are available, including the revolutionary optional DVF-EL100 OLED viewfinder, PL-mount, FZ-mount and still lenses, including second-generation Sony PL-mount lenses, and extra long-life Olivine – Lithium Iron Phosphate – batteries. The chassis on the Sony PMW-F5 Camera is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. An optional shoulder rig provides for hand-held and shoulder-mounted shooting with the Sony F5. CBK-55BK: Greater flexibility of shooting style for documentaries, sports and news The CBK-55BK build-up kit enables one-person operation of the PMW-F55 and PMW–F5 CineAlta cameras, making it easy to achieve a shooting style to suit a variety of needs while maintaining the familiar, easy-to-use interface features of traditional shoulder camcorders. Good weight balance The CK55BK shoulder mount pack has an ergonomic design usable with any lenses and featuring an adjustable shoulder pad and front block control. DWX Digital Wireless Audio Slot-in The Sony CBK-55BK provides a slot-in option for the DWX Series DWR-S02D 2 channel digital wireless receiver.
PMW-F55/R7 CineAlta Camcorder with Sony AXS-R7 Recorder
Sony PMW-F55/R7 (PMWF55/R7, PMW/F55/R7, pmw-f55/r7) (AXS/R7, AXS_R7) CineAlta Camcorder with Sony AXS-R7 Recorder Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony 4K sensor for gorgeous, super-sampled HD, 2K and 4K. The PMW-F55 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor, incorporating a revolutionary electronic global shutter to eliminate rolling shutter distortions. You get superb dynamic range, the widest colour gamut, and pristine image quality, whether you shoot in HD, 2K or 4K. Multiple recording formats includes HD/2K/4K on SxS memory and 16-bit RAW 2K/4K on AXSM media Multiple recording formats include MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD, XAVC QFHD*/4K and 16-bit RAW 2K/4K. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to 240 fps RAW 2K and 60 fps in RAW 4K recording onto the AXS-R5. Expected as a future upgrade. Recording onto the optional AXS-R5 recorder. Lightweight modular design to maximise versatility in 2D and 3D. The F55 is exceptionally small, light and modular, letting you build up the right configuration for each job – or each shot. As well as the choice of formats and internal and external recording options, you can attach a variety of viewfinders, including the revolutionary optional DVF-EL100 OLED viewfinder, PL-mount, FZ-mount and still lenses, including second-generation Sony PL-mount lenses, and extra long-life Olivine – Lithium Iron Phosphate – batteries. The chassis is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. An optional shoulder rig provides for hand-held and shoulder-mounted shooting. Higher resolution, higher contrast LCD digital viewfinder for CineAlta cameras The DVF-L350 colour HD digital viewfinder offers LCD quality for CineAlta cameras with a digital interface, such as the PMW-F55 and PMW-F5. Take a major step forward in operating with the incredible image of this 3.5-inch* LCD viewfinder. Compared to previous Sony viewfinders, the DVF-L350 has higher resolution (960 x 540) plus ten times the contrast. And the eyepiece flips up for direct monitoring. Viewable area, measured diagonally. AXS-R7 External Recorder The durable, dust and splash-proof AXS-R7 Portable Memory Recorder attaches seamlessly to the high end F55 and F5 CineAlta cameras, speeding up the 4K production workflow without compromising quality. The AXS-R7 doubles 4K RAW recording from 60 fps up to 120 fps for the F55 camera compared to previous Sony recorders. For shooting at higher frame rates, the recorder captures 2K RAW at up to 240 fps for the F55 and F5, for playback with 10x super slow motion. Working with high-speed AXSM™ A Series memory cards, the recorder features dual memory card slots for extra security and to extend recording times. The recorder also offers 4K RAW cache recordings up to 30 seconds while in standby mode. The tough, all-metal casing makes the AXS-R7 the ideal companion to the F55 and F5 for all kinds of high-end drama, documentary and wildlife productions.
PXW-FS7 Mark II 4K XDCAM Super 35mm Camcorder
Sony PXW-FS7M2 (PX-WFS-7M2, PXWFS7M2, PXW/FS7M2, pxw-fs7m2) Mark II 4K XDCAM Super 35mm Camcorder Expanding on the original FS7, Sony's PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The camera incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount is ideal for using heavier-long cine-zooms without the need for additional lens support. Just behind the lens mount sits an electronic variable ND system that provides a clear filter and 3 user definable presets. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps. The camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera is capable of generating when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera's functions and features an adjustable length support arm. Sensor The 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide color gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes in two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient, recording at modest bit rates and XAVC Long also substantially extends the recording time while attaining very high quality and low noise. Signal Processing The Camera supports two signal processing modes; Cine-EI and Custom. Cine-EI offers three color grading spaces for electronic cinematography production. The Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x 2160 with Y, Cb, Cr color subsampling. You can set the PXW-FS7M2 to record onboard and monitor on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with a 709 monitor LUT applied. Locking E-Mount The PXW-FS7M2 is equipped with a locking E-Mount that provides improved stability and strength compared to a standard E-Mount. It features a safety interlock system that helps prevent accidental disengagement of your lens from the camera body. The locking mount also reduces lens play compared to a standard E-Mount and the locking mount is strong enough to support long cine and ENG zooms that normally require a lens support. It accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers. The shallow flange distance of the E-Mount allows you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well as many others with simple mechanical adapters. Electronic Variable ND Behind the lens mount sits a retractable clear filter. When you engage the internal ND filters, the clear filter retracts and a stepless electronic ND filter drops into place maintaining the proper flange focal distance. You can program the electronic ND filter to act as three individual filters and rotating the filter knob will step between these presets. Additionally, you can manually adjust the density of the filter from 2 to 7 stops. One of the advantages of the electronically variable ND filter is that you can use the iris on your lens to set your depth of field, and then make exposure adjustments with the ND, as it does not introduce any color shift as the strength of the ND changes. Magnesium Construction The camera body is made from magnesium, which is lighter and stronger than aluminum. This allows the camera body to weigh only four pounds. It also incorporates a shoulder pad and is designed to sit on the operator's shoulder by extending the support arm of the SmartGrip, which allows the camera to be held in front of the operator without requiring a support rig. SmartGrip The camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start/Stop, and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility, and it has been re-designed for additional extension adjustment. Redesigned Viewfinder and Mic Holder Mount With the PXW-FS7M2 the viewfinder and mic holder mount has been repositioned. The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows you to swap out the included rod with a longer rod (not included), allowing you to move the position of the viewfinder or mic holder relative to the camera. You can adjust the position of the viewfinder so a left-eye shooter can use their left eye, while the camera is resting on their right shoulder. In addition, the viewfinder itself now rides on a square mounting rod that ensures level operation. Internal Recording The PXW-FS7M2 records internally in both DCI 4K and UHD 4K at up to 59.94 fps, and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160) can be recorded internally without the need of an external recorder. Media Card Slots The camera features two XQD media slots that support simultaneous or relay recording. The XQD card slots are shallower on the PXW-FS7M2 compared to the FS7, making inserting and removing media cards easier. Genlock and Timecode Genlock and timecode breakout is available with an optional XDCA-FS7, this also allows for raw and ProRes recording with optional recorders.
PXW-FS7M2K 4K XDCAM Super 35mm Camcorder with 18-110mm Servo Zoom Lens
Sony PXW-FS7M2K (PXW-FS7-M2K , PXWFS7M2K, PXW/FS7M2K, pxw-fs7m2k) 4K XDCAM Super 35mm Camcorder with 18-110mm Servo Zoom Lens This pairing of a PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with an 18-110mm Zoom Lens from Sony provides you with a camera and lens system ready for today's Super 35mm 4K single-camera productions. Well suited to cinema, documentaries, news magazines, or as the base of a kit to build upon for commercial production. A sturdy locking E-mount, which can support cinema-style zoom lenses, and an electronic variable ND filter highlight some of the camera's features. The camera supports recording of HD, UHD 4K, and DCI 4K to integrated XQD media card slots. The included Sony 18-110mm power zoom lens covers the Super 35mm format and supports 4K resolution. It features a Sony E-mount, which allows it to mount directly on the camera without requiring an adapter. The power zoom incorporates a mechanically linked zoom ring for precise control with no motor lag, and it features separate geared focus, zoom, and iris rings for manual image control. PXW-FS7M2 XDCAM Super 35 Camera System Expanding on the original FS7, Sony's PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The camera incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount is ideal for using heavier-long cine-zooms without the need for additional lens support. Just behind the lens mount sits an electronic variable ND system that provides a clear filter and 3 user definable presets. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps. The camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera is capable of generating when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera's functions and features an adjustable length support arm. Sensor The 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide color gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes in two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient, recording at modest bit rates and XAVC Long also substantially extends the recording time while attaining very high quality and low noise. Signal Processing The Camera supports two signal processing modes; Cine-EI and Custom. Cine-EI offers three color grading spaces for electronic cinematography production. The Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x 2160 with Y, Cb, Cr color subsampling. You can set the PXW-FS7M2 to record onboard and monitor on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with a 709 monitor LUT applied. Locking E-Mount The PXW-FS7M2 is equipped with a locking E-Mount that provides improved stability and strength compared to a standard E-Mount. It features a safety interlock system that helps prevent accidental disengagement of your lens from the camera body. The locking mount also reduces lens play compared to a standard E-Mount and the locking mount is strong enough to support long cine and ENG zooms that normally require a lens support. It accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers. The shallow flange distance of the E-Mount allows you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well as many others with simple mechanical adapters. Electronic Variable ND Behind the lens mount sits a retractable clear filter. When you engage the internal ND filters, the clear filter retracts and a stepless electronic ND filter drops into place maintaining the proper flange focal distance. You can program the electronic ND filter to act as three individual filters and rotating the filter knob will step between these presets. Additionally, you can manually adjust the density of the filter from 2 to 7 stops. One of the advantages of the electronically variable ND filter is that you can use the iris on your lens to set your depth of field, and then make exposure adjustments with the ND, as it does not introduce any color shift as the strength of the ND changes. Magnesium Construction The camera body is made from magnesium, which is lighter and stronger than aluminum. This allows the camera body to weigh only four pounds. It also incorporates a shoulder pad and is designed to sit on the operator's shoulder by extending the support arm of the SmartGrip, which allows the camera to be held in front of the operator without requiring a support rig. SmartGrip The camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start/Stop, and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility, and it has been re-designed for additional extension adjustment. Redesigned Viewfinder and Mic Holder Mount With the PXW-FS7M2 the viewfinder and mic holder mount has been repositioned. The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows you to swap out the included rod with a longer rod (not included), allowing you to move the position of the viewfinder or mic holder relative to the camera. You can adjust the position of the viewfinder so a left-eye shooter can use their left eye, while the camera is resting on their right shoulder. In addition, the viewfinder itself now rides on a square mounting rod that ensures level operation. Internal Recording The PXW-FS7M2 records internally in both DCI 4K and UHD 4K at up to 59.94 fps, and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160) can be recorded internally without the need of an external recorder. Media Card Slots The camera features two XQD media slots that support simultaneous or relay recording. The XQD card slots are shallower on the PXW-FS7M2 compared to the FS7, making inserting and removing media cards easier. Genlock and Timecode Genlock and timecode breakout is available with an optional XDCA-FS7, this also allows for raw and ProRes recording with optional recorders. E PZ 18-110mm f/4 G OSS Lens With a wide focal-length range and a constant f/4 aperture in a compact form factor, the Sony E PZ 18-110mm f/4 G OSS Lens offers videographers and cinematographers a versatile lens choice for lightweight operations. While the lens may seem small, it has professional features to back it up. The 18-110m focal-length range covers moderately wide to narrow angles-of-view. Sony's built-in Smooth Motion Optics leverage the internal mechanics of the lens to minimize focus breathing, focus shifting, and other anomalies that would otherwise be noticeable when adjusting the lens during recording. The body of the lens sports separate focus, zoom, and iris rings for complete manual control. Just pull the focus ring back and full-time manual focus is engaged. The focus ring itself has built-in cinema-standard gearing for follow-focus compatibility. Zoom functionality can be operated both manually and electronically. The zoom ring is connected to the lens mechanically, so crash-zooms can be achieved without lag. Iris operation can be done automatically, or by rotating the iris ring. By disengaging the iris click switch, manual iris adjustments can be made smoothly. For smaller, less robust cameras, a quick-release tripod foot is included. The foot secures towards the rear of the lens for tripod use. Alternatively, a conventional lens support can be attached near front of the lens for compatibility with rod-based lens supports. The filter thread will accept 95mm-diameter round filters and the included lens cap. A lens hood is also included for minimizing flare. The hood's shuttered design can be closed when the camera is not in use. Smooth Motion Optics Sony's SMO (Smooth Motion Optics) design and construction minimizes optical shifts that can have a negative impact on image quality. Focus breathing is minimized by an internal focus mechanism, focus shift while zooming is eliminated by precise focus tracking adjustment, and axial shift is minimized by a constant-length design. Versatile Zoom Control In addition to a smooth servo zoom, mechanical manual zoom ensures precise control with an immediate response. The desired angle of view can be accurately reached by preventing over or undershoot due to lag. Zoom ring direction can be easily switched as required, smooth, slow powered zoom is supported, and an inner zoom mechanism means that the length of the lens remains constant, regardless of focal length. Professional Focusing Features The focus ring slides back to quickly engage manual focusing. Cinema-standard MOD 0.8 gear teeth are built into the focus ring, enabling use of standard follow focuses without requiring cumbersome focus gear accessories. Compact Design The lightweight form-factor of this lens contributes to the kind of mobility that active movie shooting demands. Small size and low weight can be advantageous when using gimbals and other types of support as well. Optical SteadyShot Built-in Optical SteadyShot (OSS) image stabilization helps to keep recorded images stable and free of excess blur in a wide range of handheld or locked-down shooting conditions involving camera movement. Weather Resistance A dust and moisture-resistant design provides extra protection and ensures reliable operation in challenging environments and inclement weather. Shoot with confidence in light rain or windy conditions.
PXW-FX9 XDCAM 6K Full-Frame Camera System package f
Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package f © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony QDG120F XQD G-Series 120GB 440MB/s Read-400MB/s Write Memory Card 1x Core CORE-CXV-FX9 Sony PXW-FX9 V-mount Plate 1x IDX V-Mount Lithium Ion Battery with 2 x D Tap and USB Output (DUO-C150) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more. The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168. You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements. 7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.
PXW-FX9 XDCAM 6K Full-Frame Camera System package g
Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package g © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony QDG120F XQD G-Series 120GB 440MB/s Read-400MB/s Write Memory Card 1x Hawk-Woods VLM-FX9 V-Lok Camera mount 2x D-TAP for Sony FX9 1x IDX V-Mount Lithium Ion Battery with 2 x D Tap and USB Output DUO-C150 *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more. The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168. You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements. 7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.
PXW-FX9 XDCAM 6K Full-Frame Camera System package h
Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Sony PXW-FX9 (PXW_FX9, PXW/FX9, PXW FX9) XDCAM 6K Full-Frame Camera system package h © includes: 1x Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) (PXW-FX9) 1x Sony XDCA-FX9 Extension Unit for PXW-FX9 Camera (XDCA-FX9) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © Combined Sony’s technology in Digital cinema camera Venice, FS series and a (Alpha) ILC cameras. Sony’s full-frame 6K sensor camera with Fast Hybrid AF, dual base ISO and cinematic colour science and S-Cinetone. The Sony PXW-FX9 is the long awaited successor to the legendary PXW-FS7 is here and it brings some fantastic upgrades with it. The FX9 has a Full Frame 6K dual native ISO sensor, VENICE colour science, upgraded auto-focus capabilities, built in genlock and timecode and much more. The FX9 features a full frame 6K 35.7 by 18.8mm back-illuminated Exmor-R CMOS sensor. This sensor is stated to have 15 plus stops of dynamic range and has a resolution of 6008 x 3168. You will be able to shoot QFHD full frame up to 30fps, 1080p full frame at up to 120 fps and QFHD S35 up to 60fps and 1080p S35 at up to 120fps. The planned firmware updates will bring Full frame DCI 4K up to 60p, Full HD full frame up to 180fps and QFHD in Super 35 mode at up to 120fps while using an external recorder. You can also customise the autofocus, tweaking things like the AF transition between slow, for stuff like promo videos where you want slow smooth focus movements to fast which will be great for sports. You can also change the AF subject shift sensitivity which defines how easily the focus is switched to another subject. This goes from locked if you are wanting to do a walk and talk for example to responsive which you may need to keep better general focus. You can record up to four channels of audio with a range of different input options, The FX9 has an internal scratch mic, two XLR’s, you can use a dual channel receiver with the MI shoe on the handle or you can now use the DWX series of drop in receivers and transmitters with the new XDCA -FX9 back module. The FX9 does not feature SLOG2 only SLOG3 with S-Gamut3 & S-Gamut3. Cine, this is because the SLOG2 gamma curve is designed for 8-bit whereas all of the codecs on this camera are 10-bit. They have also added an S-Cinetone colour profile which is aimed to bring the colour science from the VENICE to the FX9. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the Impossible Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Shoot in Comfort, Expand your Horizons FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension kit further expands the operational possibilities of the PXW-FX9. 6K Full-Frame “Exmor R” Sensor for Stunning Picture Quality The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release. Phenomenal 15+ Stops Dynamic Range for Limitless Expression FX9 offers an exceptional 15+ stops of dynamic range – beyond the normal range of human perception – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. RAW recording requires future firmware release and external recorder. Dual Baso ISO for stunning images in any light FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you’re using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions. ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode. Cinematic Colour Science with S-Cinetone S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor. The advanced default looks delivers alluring facial tones and a softer tonal look. Selectable Frame Rates in Both Full-Frame & Super 35 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow-motion footage. FX9 creates an immersive image with a wide angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow-motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting* that maximises full HD slow motion image quality with advanced oversampling technology. Up to 120fps with Ver1.0. Full-HD 180fps will be supported with future firmware In Full-frame scanning mode: selectable at 1-30fps / In S35 scanning mode: selectable at 1-60fps Supported in future firmware update Supported in future firmware update. RAW output only Supported in the future firmware update. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal) Catch the Action with Enhanced Fast Hybrid AF Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects. Customisable AF Settings FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project. Customisable AF settings can be used for a wide range of situations, depending on your requirements. 7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama. 5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by. AF Assist You can control MF ring during AF shooting if AF Assist is set to ON. You can adjust the focus manually even in AF shooting, you can manually operate the ring to focus the person behind. One Push AF While you are shooting in MF, pushing One Push AF button enables you to change to the focus mode to AF. Autofocus with all E-Mount Lenses Experience smooth, responsive autofocus with every E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses. World’s First Electronic Variable ND Filter for Full-Frame Sensor Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breath taking artistic effects. The built-in variable ND filter, with no need to prepare multiple ND filters separately can be flexibly and immediately used for every exposure change situation; when you move from inside to outside, and when you shoot under the natural light condition where exposure changes moment by moment. Proven Ergonomics & Accessories Compatibility FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-Series batteries, chargers, E-Mount lenses, plus third-party rigs, arms and lens adapters.* The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap. 16-bit RAW Capability 16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.** RAW output will be enabled with a future firmware release. Limited to 10-bit recording during 120fps high frame rate shooting within Super35 image circle Stable, Shake-Free Handheld Footage Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal.Unlike in-camera or lens stabilisation, meta data generated by FX9’s built-in gyro allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**. Catalyst Browse/Catalyst Prepare Ver.2019.2 is required. Resolution and angle of view reduced compared to native footage. LCD Approx 1.8x higher resolution than the FS7M, with enhanced LCD with HD resolution has superb accuracy, high contrast and resolution, bringing higher visibility for focusing. Beautifully Matched Shooting Partners Optimised for professional cinematography applications, the light, compact, SELP28135G powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9. Circular aperture with full-frame image circle format Motorised servo zoom for smooth, precise zoom moves Independent three rings for focus, zoom and iris with smooth, silent drive You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K). Cinema Lens Series Explore new artistic possibilities and precise creative control with Sony’s Cinema Lens Series. Purpose-built for documentary production and digital cinematography with full-frame cameras such as the FX9 and VENICE. The first lens in the series, the FE C 16-35mm T3.1 G full-frame wide angle zoom, is due in early 2020. Adds Shoulder-Style Operation, Advanced Networking Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Genlock/Timecode for multi-camera shoots. 4-Channel Audio Input and Recording FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.
Sony PXW-X320//U (PX-WX-320//U , PXWX320//U, PXW/X320//U, pxw-x320//u) HD Shoulder Mount XDCAM Camcorder with a Three 1/2-inch type Exmor CMOS Sensor and 16x Zoom HD Lens The PXW-X320 is a high-performance SxS memory camcorder which inherits field-proven operability from the reputable PMW-320. The PXW-X320 has become a part of the XDCAM HD422 family, comes equipped with cutting-edge imaging technology – three 1/2-inch-type Full-HD Exmor CMOS sensors with an extremely high S/N ratio – with Flash Band Reducer feature to provide outstanding picture quality. The PXW-X320 supports XAVC offering high quality content creation in the HD domain. In addition to XAVC, MPEG HD422, MPEG HD, MPEG IMX, and DVCAM are supported. Two HD/SD-SDI, HDMI, i.LINK™, and composite outputs provide a wide range of AV and IT interfaces. The PXW-X320 also supports wireless operation using an optional adapter, the CBK-WA101. This enables easy and quick clip data transmission to broadcast stations, saving the time and transportation cost of shot clip delivery. With various functions inherited from Sony’s world-acclaimed XDCAM camcorders and yet highly cost effective with lens included, the PXW-X320 is an ideal choice for many different camera professionals, from those engaged in news gathering, when speed is the key concern, to those who produce TV programs and documentaries, when quality is crucial. High picture quality recording on SxS memory cards Offer high resolution, high sensitivity (F11 at 59.94 Hz / F12 at 50 Hz), low noise (60 dB), and a wide dynamic range. Selectable format and bit rates Includes Full HD (1920 x 1080) 59.94i/50i/29.97p/25p/23.98p and HD (1280 x 720) 59.94p/50p, as well as XAVC Intra at 100 Mbps, XAVC Long at up to 50 Mbps, MPEG HD422 at 50 Mbps, MPEG HD at up to 35 Mbps, MPEG IMX at 50 Mbps and DVCAM at 25 Mbps. Variety of interfaces Interfaces include 2 x SD / HD-SDI, HDMI, USB and i.Link. Wireless adaptor increases operational flexibility Supports wireless operation using an optional wireless adapter, the CBK-WA101, for live streaming via an IP network. 1/2-inch 16x HD zoom lens Supplied with a 16x high definition auto-focus optical zoom lens.
PXW-Z190 XDCAM Handheld Camcorder
Sony PXW-Z190 (PXWZ190, PXW Z190, PXW/Z190) XDCAM Handheld Camcorder Sony's PXW-Z190 4K 3-CMOS 1/3" Sensor XDCAM Camcorder continues the fine tradition of the XDCAM series of cameras. It captures 4K at up to 60p, relying on three 1/3" Exmor R sensors that provide improved low-light capability when compared to standard sensors. The camera integrates a 25x optical Sony G zoom lens and an electronic variable ND filter. The camera supports a variety of codecs out of the box, with an optional MPEG HD license enabling you to shoot HD video. The camera supports HLG (Hybrid Log Gamma), allowing you to shoot and deliver footage compatible with both HDR (high dynamic range) and SDR (standard dynamic range) without needing laborious post-production work. Dual SD card slots permit a variety of recording options including simultaneous HD and 4K recoding. The camera features built-in 2.4 and 5 GHz Wi-Fi.
PXW-Z280 4K Handheld Camcorder
Sony PXW-Z280 (PXW_Z280, PXW/Z280, PXW Z280) 4K CMOS Sensor Camcorder with Built-in Electronic Variable ND Filter Sony's PXW-Z280 4K 3-CMOS 1/2" Sensor XDCAM Camcorder continues the fine tradition of the XDCAM series of cameras. It captures 4K at up to 60p relying on three 1/2" Exmor R sensors that provide improved low-light capability when compared to standard sensors. The camera integrates a 17x optical zoom lens and an electronic variable ND filter. The camera supports modern codecs such as XAVC, as well as legacy codecs such as MPEG HD and DVCAM, allowing you to use one camera to shoot 4K, HD, or SD video. The camera supports S-Log 3 for improved performance, and HLG (Hybrid Log Gamma) which allows you to shoot and deliver footage compatible with both HDR (high dynamic range) and SDR (standard dynamic range) without needing laborious post-production work. You can record in both 4K and HD simultaneously, or output 4K 60p via the built-in 12G-SDI output. The camera features built-in 2.4 and 5 GHz Wi-Fi. World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see. 17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment. The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender. Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus. Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed. 12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else. Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon. Dual Multi-Interface (MI) Shoe MI Shoe provides power, signal connections and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light *Connectors at front and back of camcorder maximise operational flexibility. Dual XLR and 4 Channel Audio The PXW-Z280 offers superior professional audio capabilities with independent volume dials enabling precision control of external audio inputs, including an MI-shoe attached microphone. Dual SxS media slots The camcorder is equipped with two SxS memory card slots, which can record in Simul, Relay or Back up mode. Simul mode permits simultaneous recording to two memory cards, including simultaneous recordings of MPEG HD exFAT and UDF recordings, ideal for archival purposes. Relay mode automatically switches recording from the first to the second memory card when the first is full to extend recording times. In Back up mode, users can set up the two Start/Stop buttons on the PXW-Z280, one on the grip and one on the camcorder body, to independently start and stop recording on different memory cards while recording in Simul mode. High quality XAVC Intra and XAVC Long GOP recordings XAVC technology is based on the H.264 standard, which provides an exceptionally robust and efficient compression technology. XAVC Intra (frame) compression means that every frame is encoded independent of the other frames – providing a better quality picture, without compromises. XAVC Long GOP applies compression across multiple frames – reducing file sizes, which can make for fast ingest and editing as well as providing budget savings on recording media. The XAVC codec adopts 10-bit sampling for high definition recording with rich tonal expression. Broadcast-standard MPEG HD422 and MPEG HD High-quality MPEG HD422 50 Mbps is fully compliant with the latest EBU recommendations for long-form broadcast production and is widely accepted in broadcasting stations and production houses. This recording capability makes PXW-Z280 ideal for a wide range of different applications, including newsgathering and documentary production. DVCAM at 25 Mbps in MXF file format Many broadcasters and production houses still utilise the proven DVCAM format and PXW-Z280 provides support at the flick of a switch.
PXW-Z450 4K 2/3-type CMOS sensor advanced shoulder Camcorder
Sony PXW-Z450 (PXWZ450, PXW/Z450, PX-WZ-450, PXW Z450) 4K 2/3-type CMOS sensor advanced shoulder Camcorder The PXW-Z450 4K UHD Shoulder Camcorder from Sony features a single Exmor R CMOS sensor with 3840 x 2160 resolution. The PXW-Z450 camcorder supports the Sony XAVC codec up to 4K UHD, 1080/59.94p and 50p recording, in addition to MPEG and DVCAM formats. In combination with the optional PWS-100RX1 Network RX Station, this camcorder enables simple yet high-quality wireless ENG workflow, providing QoS (Quality of Service)-based live streaming that will save considerable time. The PXW-Z450 Camcorder provides a variety of AV and IT interfaces including four 3G-SDI outputs, as well as RJ-45, and USB 3.0 connection ports. Its built-in wireless function and an HD/SD-SDI input that supports a pool-feed function make it even more convenient for use. This powerful, user-oriented XDCAM Series camcorder meets a broad variety of ENG and studio applications. Image Sensor The camcorder features a single 4K UHD (3840 x 2160) EXMOR R CMOS sensor. The R designation indicates it is a backlit sensor, which means that the circuitry that normally is in the front of the sensor and can limit the light reaching the sensor's photosites, has been moved to the back of the sensor. this has the effect of increasing the sensor's low light performance. Multiple Format Recording The PXW-Z450 Camcorder offers a wide array of recording formats for a variety of applications including ENG, EFP, and studio use. Developed on MPEG-4 AVC/H.264 compression, the XAVC codec provides support for the 4K UHD and Full HD format of XAVC long 4:2:2 1080/59.94p and 50p formats. The camcorder also supports SD video in a variety of resolutions using DVCAM compression. Built-in Wireless Module and ONLINE Button To support effective wireless news production workflows, the PXW-Z450 Camcorder incorporates a built-in wireless capability. It also provides an 'ONLINE' button, located on the inside panel, which lets you instantly switch on functions like Network Client Mode, Auto Proxy Upload, and Live Streaming. Embedded RJ-45 Connector This Ethernet connector provides robust and fast connection to the network and can be utilized for file transfer, live streaming, and camera control from a web browser NFC (Near Field Communication) for Easy Wireless LAN Connection An NFC function supports easy connection for launching the CBM (Content Browser Mobile) application on a smartphone or tablet. This means you can skip cumbersome setup procedures. Optimized Weight Balance Building upon its years of camera design, Sony has shifted the camcorder's center of gravity towards the back of the body to optimize the camcorder's weight balance. Low Power Consumption This camcorder achieves power consumption as low as 24W in normal recording mode. This enables continuous recording operation for approximately 160 minutes with Sony's BP-FLX75 (sold separately) standard-type battery. Supports Full HD OLED Viewfinder Equipped with two types of connectors for a viewfinder interface, the PXW-Z450 Camcorder supports a variety of Sony's viewfinders, including the Full HD OLED HDVF-EL30 and HDVF-EL20, as well as the QHD LCD CBK-VF02. The HDVF-EL30 has a 960 x 540 resolution sub-LCD panel. ONLINE Button for Easy Network Connection The PXW-Z450 Camcorder is equipped with a dedicated ONLINE button. This delivers simple one-touch operation of ON/OFF switching for three network connection functions. Content Browser Mobile (CBM) CBM application software controls the camcorder remotely and is available on both Android and iOS. Network Client Mode You can connect Sony's PWS-100RX1 Network RX Station (sold separately) to send proxy clips or live streaming with Sony's QoS technology. The PXW-Z450 Camcorder can also be controlled remotely by the RX station. Auto Upload (Proxy) Clip files recorded on the camcorder can be transmitted via a network automatically when the recording is finished. XAVC 4:2:0 Long GOP clips are supported. Live Streaming This camcorder can transfer MPEG2-TS (UDP/RTP) to a third-party decoder Three-color LED Indicator The ONLINE button indicates the status (Disabled, Ready, Enabled) in three ways (off, orange, blue). Sony's QoS Technology Sony's unique QoS (Quality of Service) technology minimizes risk of image quality degradation, image freeze, or audio disruption, and helps maintain video and audio integrity during communications. The PWS-100RX1 Network RX Station comes with Sony-original algorithms that automatically adjust bandwidths and buffer sizes to match the characteristics of wireless communications. Sony Advanced Streaming with QoS The Sony QoS Technology improves the clarity that's possible on a single 3G/4G/LTE cellular channel or your own wireless LAN network, or limited communication band of Ethernet. You get better pictures, even given the limitations of real-world networks. The endpoint of Sony's QoS streaming is the versatile PWS-100RX1 Receiver Station. 1 Conventional MPEG2-TS Streaming For maximum flexibility, Sony's XDCAM wireless solutions also support conventional MPEG-TS streaming, so that you can stream to a wide range of receivers, including compatible third-party receivers and decoders. Sony wireless solutions will stream over a wireless LAN network, or over a 3G/4G/LTE cellular network with the appropriate carrier dongle and service. You can also enjoy wired streaming over Ethernet, using the embedded RJ-45 connector, via a router/hub. Flexible file transfer During field shooting news or other time-sensitive content, you can transfer files wirelessly. So, there's no need to wait for the delivery of physical media. The receiving server gets a bit-for-bit clone of the original camera file, with all the original audio, video, and metadata. Simultaneous Recording on Two SxS Cards The PXW-Z450 Camcorder offers a simultaneous recording capability for peace-of-mind productions. Simultaneous recording is available on both SxS card slots as a backup measure. This is within the same codec and with the same operating point in the recording formats such as XAVC-Intra, XAVC-Long, MPEG HD422, or MPEG HD (420). You can also achieve simultaneous recording with a proxy file in all combinations with the above formats recording the proxy to an SD card. GPS Functionality On activation, the built-in GPS receiver module records GPS data in an MXF file and a proxy file, and automatically imposes it on the live streaming signal. It is also useful for tracking shooting locations in post-production and when station-based staffs need to map a crew's location with the PWS-100RX1 Receiver for streaming. Flexible Camera System Operation The CA-FB70 Optical Fiber Camera Adapter or the CA-TX70 Digital Triax Camera Adapter (both sold separately) can be attached to the PXW-Z450 Camcorder for live camera operation. The CA-FB70 Adapter enables the camcorder to transmit signals via an optical fiber cable up to 820' between the CA-FB70 and HXCU-FB70 Optical Fiber Camera Control Unit (CCU) with power and signal transmission. The CA-TX70 Adapter transmits signals via triax cable up to 1968' between the CATX70 and HXCU-TX70 Digital Triax Camera Control Unit. RGB Color LCD Display The PXW-Z450 Camcorder is equipped with an RGB color LCD display on the inside panel. In addition to thumbnail and menu displays, you can see and monitor video reproduction in QHD (960 x 540 pixels) resolution. Other Features Newly developed ALAC (Automatic Lens Aberration Compensation) feature decreases specific patterns of chromatic aberration caused by the lens. The camcorder supports user gamma and Focus Assist function for easier focusing on the viewfinder and provides a graphic bar indicator, while the viewfinder can indicate Waveform, Vector Scope, or Histogram. The Digital Extender function enables images to be digitally expanded two to four times in size without any loss of F-drop image sensitivity.
Sony PXW-Z280 4K Handheld Camcorder package a
Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package a © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see. 17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment. The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender. Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows. S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus. Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed. 12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else. Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.
Sony PXW-Z280 4K Handheld Camcorder package b
Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package b © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) 1x Sony SBP-128E SxS Pro+ 128GB Read 3.5GB/s Write 2.8GB/s Memory Card (SBP-128E) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see. 17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment. The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender. Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows. S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus. Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed. 12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else. Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.
Sony PXW-Z280 4K Handheld Camcorder package c
Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package c © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) 1x Sony SBP-128E SxS Pro+ 128GB Read 3.5GB/s Write 2.8GB/s Memory Card (SBP-128E) 1x Camrade CAM-R&GB-MEDIUM run&gunBag Medium bag (CAM-R&GB-MEDIUM) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see. 17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment. The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender. Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows. S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus. Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed. 12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else. Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.
Sony PXW-Z280 4K Handheld Camcorder package d
Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package d © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) 1x Sony SBP-128E SxS Pro+ 128GB Read 3.5GB/s Write 2.8GB/s Memory Card (SBP-128E) 1x Camrade CAM-R&GB-MEDIUM run&gunBag Medium bag (CAM-R&GB-MEDIUM) 1x Rode NTG2 Multi-Powered Shotgun Microphone (NTG2) 1x Rode WS6 Deluxe Wind Shield (WS6) 1x Rode PG2R Pistol Grip Shock Mount (PG2R) 1x Digibroadcast 12inch 3Pin Male to Female Xlr Cable (12INCHXLR3PIN) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see. 17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment. The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender. Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows. S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus. Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed. 12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else. Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.
Sony PXW-Z280 4K Handheld Camcorder package e
Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package e © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) 1x Sony SBP-128E SxS Pro+ 128GB Read 3.5GB/s Write 2.8GB/s Memory Card (SBP-128E) 1x Camrade CAM-R&GB-MEDIUM run&gunBag Medium bag (CAM-R&GB-MEDIUM) 1x Rode NTG2 Multi-Powered Shotgun Microphone (NTG2) 1x Rode WS6 Deluxe Wind Shield (WS6) 1x Rode PG2R Pistol Grip Shock Mount (PG2R) 1x Digibroadcast 12inch 3Pin Male to Female Xlr Cable (12INCHXLR3PIN) 1x Acebil i-605DX Tripod System (i-605DX) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see. 17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment. The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender. Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows. S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus. Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed. 12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else. Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.
Sony PXW-Z280 4K Handheld Camcorder package f
Sony PXW-Z280 (PXW Z280, PXW_Z280) 4K Handheld Camcorder package f © includes: 1x Sony PXW-Z280 4K Handheld Camcorder (PXW-Z280) 1x Hedbox Pro Battery Pack for SONY 6700mAh Li-Ion Battery with 2x D-Tap 14.4V & USB 5V (BPU) (HED-BP95D) 1x Sony SBP-128E SxS Pro+ 128GB Read 3.5GB/s Write 2.8GB/s Memory Card (SBP-128E) 1x Camrade CAM-R&GB-MEDIUM run&gunBag Medium bag (CAM-R&GB-MEDIUM) 1x Rode NTG2 Multi-Powered Shotgun Microphone (NTG2) 1x Rode WS6 Deluxe Wind Shield (WS6) 1x Rode PG2R Pistol Grip Shock Mount (PG2R) 1x Digibroadcast 12inch 3Pin Male to Female Xlr Cable (12INCHXLR3PIN) 1x Acebil i-605DX Tripod System (i-605DX) 1x Sennheiser ew 100 ENG G4-GB Wireless Microphone Combo System (507638) 1x Sennheiser HD 200 PRO Studio Headphones (507182) *Digibroadcast has put together some bespoke Sony packages for our clients based on our own research and surveys and holds the right to protect all of its content © World-leading handheld 4K HDR performance An all-new 4K 3CMOS 1/2-type sensor with a deep depth of field and class-leading performance provides the pinnacle of 4K HDR performance in your hand. Face Detection AF keeps your subject in focus, while HLG and S-Log3 provide stunning HDR to suit any workflow. Revolutionary networking capabilities Deliver your content faster wherever you are. PXW-Z280 is the world’s first camcorder with built-in Dual Link Cellular connection for double the uplink performance and reliability. Integrated 12G-SDI supports transfers at up to 12Gbps over a standard SDI cable. The complete package for professionals Unpack and shoot from day one. Advanced XAVC-Intra and XAVC-Long for 4K QFHD and HD, plus MPEG HD422, MPEG HD and DVCAM to support any workflow. Familiar Sony control layout and operation minimise training requirements. World's first 1/2-type 3CMOS Sensor for broadcast 4K The Z280’s all-new Exmor R™ imager is custom-designed for broadcast 4K acquisition. Its three 1/2-type Exmor R™ CMOS deliver a deep depth of field with superb image quality. Red, blue, and green light are independently captured by separate image sensors, contributing to high resolution, high sensitivity of F12 (59.94p) and wide dynamic range. An advanced LSI (featuring intelligent noise reduction, enhanced detail reproduction and distortion correction technologies) delivers remarkably lifelike 4K 4:2:2 10-bit images. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors simply cannot see. 17x professional HD zoom lens with three independent rings with end-stop and large focal length The PXW-Z280 is equipped with a 17x professional zoom lens able to zoom from 30.3mm to 515mm (35mm equivalent). The 1/2-inch type lens has three independent control rings with end-stop, which allows manual control of focus, zoom and iris, making for better and faster adjustment. The image can be enlarged without any picture degradation in HD mode and 34x times zoom equivalent image is captured with sensor cropping extender. Spectacular HDR performance Demand for HDR content is increasing and Z280 offers you a choice of two powerful workflows. S-Log2/3 is the proven choice for premium applications where you wish to capture as much data as possible for the ultimate flexibility in grading Instant HDR Workflow is all about speed. Shoot, edit and view content in Hybrid Log-Gamma (HLG) to deliver content quickly without compromising on imaging expression and quality of content Amazingly fast precision auto focus The PXW-Z280 features newly developed Face detection AF. You can choose between Face Priority AF and Face Only AF. Simply keep the person in frame and and however you move to obtain a better angle, you can be confident the PXW-Z280 will keep your subject in pin-sharp focus. Built-in electronic Variable ND Filters Sony’s ground-breaking integration of electronic variable ND Filters into the body of a camcorder enables fast, agile shooting. Moving from shadowy interiors to bright sun-lit exteriors is no problem with PXW-Z280. Unlike conventional optical ND filters, the electronic ND filter on the PXW-Z280 can be controlled from 1/4ND to 1/128ND linearly while ND Filters can be set to fully auto. You can even manually adjust Depth of Field using the iris lens ring, while relying on the PXW-Z280 to maintain constant exposure without changing gain nor shutter speed. 12G-SDI accelerated workflow Revolutionise your workflow with 12Gbps content transfer – four times the bandwidth of 3G-SDI over a standard SDI cable and ideal for working with highest quality 4K content or speeding through HD content. Sony is the first broadcast manufacturer to build 12G-SDI into a compact handheld camcorder. Once you’ve tried it, you won’t want to use anything else. Accurate OLED viewfinder An expansive 0.5-inch high quality OLED viewfinder is perfectly offset for right-eye or left-eye viewing. OLED’s superb accuracy, high contrast and high resolution (2.36M dot) enables precise manual focus and eliminates any colour-breaking phenomenon.
X4 Ultra Bundle- 3x X4 Ultra Black | 1x KBD
X4 Ultra 4K60 PTZ Camera featuring NDI ® | HX3, Wi-Fi 6, 3G-SDI, HDMI, e-ink label and HALO Tally - Black KBD The Ultimate Tool for PTZ Camera Control