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Atomos SUMO 19SE Multi-Channel HD Monitor-Recorder

code: AO-ATOMSUMO19SE1
  • $1,942.92
  • RRP: $2,249.99
Status   |   Usually dispatched within 24 hours
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Features:

  • 19inch HDR, 1200nits 4K HDMI/ SDI, Multi-Channel HD Monitor, Recorder & Switcher
  • 1200 nit HDR touchscreen covering DCI-P3 colour gamut
  • Record in Apple ProRes RAW via SDI up to 6Kp30
  • 4 x HD ISO Switching & Recording + Program record via 3G SDI inputs (Level A only)
  • 10-bit 4:2:2 Apple ProRes or Avid DNxHR at 4Kp60
  • Power from A/C or use dedicated Battery XLR inputs for Continuous power from external batteries
  • BattWing included to mount your choice of V-Lock / Gold mount batteries
  • 100 x 100 VESA mount, 3/8” and 1/4”-20 mount
  • Same rugged and versatile design as the SUMO 19 and compatible with the same accessories

Atomos Sumo 19SE 19" HDR SDI HDMI Monitor Recorder Switcher (AO/ATOMSUMO19SE1, AO_ATOMSUMO19SE1, AOATOMSUMO19SE1, AO ATOMSUMO19SE1) SUMO 19SE Multi-Channel HD Monitor-Recorder

RECORD UP TO 6KP30 PRORES RAW

The Atomos Sumo 19SE is a professional 19-inch HDR touchscreen monitor, recorder and live switcher designed for broadcast, cinema production, live events and professional video workflows. 

Featuring a bright 1200nit 10-bit display with SDI and HDMI connectivity, the Sumo 19SE supports HDR monitoring, ProRes RAW recording, multi-camera live switching and advanced monitoring tools for directors, DITs, camera operators and production crews. 

 

Physical Specifications

  • Dimensions (W x H x D mm): 310mm / 12.2" x 504 mm / 19.8" x 63mm / 2.5"
  • Weight: 6.2kg / 13.7lb
  • Mount points: Top: 4 x 1/4' 20, 2 x 3/8", Bottom: 6 x 1/4' 20, 3 x 3/8" Right: 4 x 1/4' 20, 2 x 3/8", Left: 2 x 1/4' 20, 1 x 3/8"
  • VESA mount: 100 x 100

Environmental

  • Ambient operating temperature: Up to 40 Degrees Celsius

Construction and Control

  • Cooling: Actively controlled fan and Heat Sink
  • Tally light: Rear and front
  • Multi-function button: Power / lock Screen
  • Touch Screen: Yes

Power

  • Input voltage: DC 12-16.8v
  • Operating power: 75W
  • Compatible batteries: V-Lock / Anton Bauer Gold Mount via XLR terminal, (optional mounting plates available), 95Wh+ recommended
  • Battery voltage: 14.4V nominal
  • Battery Run time (Record): Depends on Watt Hours specification of battery used
  • Battery Run time (Monitor only): Depends on Watt Hours specification of battery used
  • Continuous power: Dual Battery input via dedicated 4 pin XLR
  • DC in connector: 1 x 4 pin XLR (12-16.8V)
  • Dtap: Via optional D-Tap to 4 Pin XLR cable

Display

  • Touchscreen: SuperAtom IPS panel (capacitive touch)
  • Size: 19"
  • Resolution: 1920 x 1080
  • PPI: 120
  • Bit depth: 10Bit (8+2 FRC)
  • Backlight Type: Optically bonded quantum dot
  • Brightness (cdm2 / nits): 1200nit (+/- 10% @ center)
  • Aspect ratio: 16:9 Image Display
  • De-interlace mode: Yes
  • Color Gamut: DCI P3
  • Calibration support: Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus

Color Pipeline

  • Gamma: Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-log, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm F log, PQ (HDR10), HLG, Nikon N-Log
  • Gamut: BT2020, DCI P3, DCI P3+, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, F-Gamut, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
  • 3D LUT Display: .Cube format
  • 3D LUT Output: Loop out
  • 3DLUT 50/50: Yes
  • Monitoring Modes: Native/ 709 / HLG / PQ / 3D LUT
  • HDR output Conversion: HDR to HLG / PQ

Color Management

  • Calibration: Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
  • Display Controls: Backlight, Lift, Gamma, Gain
  • AtomHDR: Built in Technical Log to HDR EOTF
  • 3D LUTs: Display, monitor and output, Record, Load via SSD
  • Legalize: Full to Legal conversion available on Input

Video Input

  • HDMI: 1 x HDMI (2.0) 4K p60
  • HDMI RAW: No - HDMI Video only
  • SDI: 4 x 3G SDI, with 2 x 12G SDI backwards compatible, auto detection
  • SDI RAW: Apple ProRes RAW up to 6Kp30
  • Bit Depth: 8/10Bit Video / RAW up to 12Bit
  • Video Chroma Subsampling: YCbCr 422
  • HDR: Yes with Auto detection

Metadata

  • SDI: File Name from Arri, RED. RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut

File Naming

  • Standard: S/S/T & Rolling
  • Via SDI: Red, Arri
  • Video Output
  • HDMI: 1 x HDMI (2.0) 4K p60
  • SDI loop out: 1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable
  • SDI Play out: 1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable
  • Video Chroma Subsampling: 422
  • Bit Depth: 10Bit Video / 12Bit RAW

Web Streaming

  • USB UVC: Optional via ZATO Connect / USB Stick

Video Signal Conversion

  • HDMI to SDI: Yes
  • SDI to HDMI: Yes - Video and RAW

Audio In/Out

  • Audio Quality: 24-Bit / 48kHz
  • Audio Codec: PCM
  • HDMI: 8ch 24Bit, input dependent
  • SDI: 12ch 24Bit, input dependent
  • Analogue Audio in: 2 x XLR
  • Analogue Audio Out: 2 x XLR
  • Speakers: 2 x 5w
  • Headphone out: 3.5mm 2ch.

Timecode / Sync

  • Embedded: SDI and HDMI
  • Time of day: Yes, Time and Date
  • LTC: LTC via BNC input in Record mode
  • Genlock: Genlock in Playback mode
  • Resolution and Frame Rates (Record, Monitor & Playback)
  • 4k DCI: up to 4Kp60
  • 4k UHD: up to 4Kp60
  • 2K DCI 2046 x 1080: up to 2Kp60
  • FHD 1920 x 1080 Progressive: up to 1080p120
  • FHD 1920 x 1080 PsF: Pull down
  • FHD 1920 x 1080 Interlaced: 1080i50 / 1080i60
  • 1280 x 720p: 60p
  • 6K RAW: up to 6Kp30 Via SDI
  • 4K RAW: up to 4Kp60 via SDI
  • 2K RAW: up to 2Kp240 via SDI

Recording CODEC

  • CDNG: For SDI RAW inputs Only
  • Apple ProRes RAW: ProRes RAW, ProRes RAW HQ up to 12bit 6Kp30 / 4Kp60
  • Apple ProRes: Apple ProRes HQ / 422 / LT up to 4Kp60
  • Avid DNxHD: up to 1080p60
  • Avid DNxHR: up to 4Kp60

Playback

  • Playlist: Yes, Create custom play lists from full or sub clips
  • Loop: Yes, with user customizable in / out markers
  • CDNG: No
  • Apple ProRes Raw: Yes, recorded clips with linear PCM
  • Apple ProRes: HQ / 422 / LT - Yes with linear PCM
  • Avid DNx: DNxHR / DNxHD - Yes with linear PCM

Monitoring

  • SDR: Native, 709, LUT
  • HDR: HLG, PQ Rec2020
  • De-Interlace: Selectable mode

Recording functions

  • Pre-roll record: Yes (HD 8s, 4K 2s) - Not available in RAW
  • ISO Record: 4 x ISO up to 1080p 60 (3G SDI Level A ONLY)
  • Switched Program Record: Yes Up to 1080p 60
  • Timelapse: Yes

Multi Input / Switching

  • SDI A/B toggle: Yes, supports up to 12G SDI per input
  • Dual Input display: Via Multi ISO input mode
  • Multiple SDI input: Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
  • Multiview Display: Via Multi ISO input mode
  • Input transitions: Auto or manual XML transition
  • Input Switching: Yes

Supported media

  • Master Caddy I: No
  • SSDmini: Yes (AtomX SSDmini handle required)
  • CFast II: Not supported
  • File System: ExFAT
  • Interface: SATA 3
  • Master Caddy III: Yes

On-screen tools

  • Waveform: 3 sizes
  • RGB parade: 3 sizes
  • Vector scope: 2 size / Position
  • 1 x Zoom: Yes. 1:1 Pixel mapping for 4K
  • 2 x Zoom: Yes
  • Focus peaking: Colour selected / threshold setting / colour/ Mono / edges only
  • False colour: Yes, with IRE scale
  • Zebra: Yes, customisable
  • Isolate color channel: Blue only
  • Cine Frame Guides: 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
  • Social Frame guides: 9:16, 1:1, 1.91:1, 4:5
  • Safe areas: SMPTE frame size – Action and Safe
  • Grid markers: 9 grid
  • Anamorphic desqueeze: Display 1.25x, 1.33x, 1.5x, 1.8x and 2x
  • Display Flip: Vertical
  • False Color: Yes, with IRE scale

Onboard Signal Processing

  • 4K UHD Downscale for HD: Loop out - 4K UHD to FHD
  • DCI Crop: Loop out - 17:9 to 16:9 Crop
  • I > P: 60i > 24p (3:2 pulldown)
  • PSF > P: 24/25/30pSF > 24/25/30p (2:2 pulldown)

Remote control

  • HDMI: Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard
  • SDI: SDI trigger, camera selectable
  • Serial 2.5mm Jack: LANC control and calibration via optional USB to serial cable

Cut & Tag

  • FCP XML: Cut tag EDL and Multicam with transitions in FCP XML

Supported Applications

  • XML: Apple Final Cut Pro
  • Apple ProRes RAW: Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH
  • Video Codecs: All applications with support for Apple ProRes and Avid DNX in .MOV wrapper

 

In The Box

  • Sumo 19SE unit
  • 1x Master Caddy II
  • 1x BattWing mounting bracket with 4x screws
  • 2x Desktop Feet with 4x 1/4” Mounting screws
  • AC power supply
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