Here at DigiBroadcast, we offer a broad selection of professional microphones so that you always have access to top of the range studio equipment that is going to provide elite sound and end products. From some of the industry’s leading brands such as Sennheiser and Rode so that you can be confident that you’re buying into premium quality microphones. For our full selection of sound equipment, make sure you check out our collection of audio here at DigiBroadcast.
Audio Section Capsule Type: Electret Condenser Frequency Response: 40 Hz to 20 kHz Directivity: Omni-directional Sensitivity *[1] [7]: -39.0 dB Output Impedance *[2] [7]: 6.3k Ω ± 30%, Unbalanced Dynamic Range: 95 dB or more Signal-to-Noise Ratio *[3]: 64dB (typ.) Inherent Noise *[4]: 32 dB SPL or less Induction Noise From External Magnetic Field *[5]:...
Receivers Dimensions: approx. 200 x 42 x 127 mm Weight: approx. 340g Power supply: 12 V DC nom. / 300 mA AF frequency response: 50 to 16,000 Hz (–3 dB) Transmitter Dimensions: approx. 71 x 96 x 28 mm Weight: approx. 95g Power supply: 2 AA size batteries, 1.5 V Adjustment Range Transmitter: 0 to...
Oscillator Type: Crystal-controlled PLL synthesizer Antenna Type: 1/4 λ wavelength wire antenna Carrier Frequencies: 14UC : 33CE : 566.025 MHz to 630.000 MHz(UHF-TV channels 33 to 40) RF Output Power: 40 mW/5 mW selectable (UC, U, LA models) 30 mW/5 mW selectable (CE, CN models) 10 mW/2 mW selectable (J, E, KR models) Input Connector: XLR-3-11C...
Microphone: dynamic Frequency response: 50 to 16,000 Hz (–3 dB) THD, total harmonic distortion: ≤ 0.9% Pick-up pattern: cardioid Signal-to-noise ratio: ≥ 103 dBA RF output power: 10 mW Switching bandwidth: up to 24 MHz Operating time: approx. 10 hrs Modulation: wideband FM Output voltage: 1/4“ (6.3 mm) jack socket (unbalanced): +6 dBu, XLR socket...
Compatibility: Digital Audio: Sony Cameras Equipped with Digital Multi Interface Shoe Analog Audio: Sony Cameras Equipped with Either Multi Interface Shoe or Digital Multi Interface Shoe Input Connections: 2 x XLR / TRS Combos, with 48 V Phantom Power, Switchable Mic/Line 1 x 1/8" / 3.5mm Stereo, with Plug-In Power Output Connection: Multi Interface Shoe...
Receivers Dimensions: approx. 200 x 42 x 127 mm Weight: approx. 680g Power supply: 12 V DC nom. / 300 mA Housing: metal, microphone: robust ABS AF frequency response: 50 to 16,000 Hz (–3 dB) Microphone Dimensions: approx. 260 x 50 mm Weight: approx. 245g Operating time: approx. 10 hrs Power supply: 2 AA size...
System Modulation: Wideband FM Frequency Range: E: 821 - 832 MHz, 863 - 865 MHz Switching Bandwidth: Up to 24 MHz Signal to Noise Ratio: ≥ 103 dBA Total Harmonic Distortion: ≤ 0.9% Temperature Range: Operation: 32 to 104°F (0 to +40°C) Storage: -4 to 158°F (-20 to 70°C) Transmitter Synchronization: 2.4 GHz, Low Power OQPSK...
Analog Performance Sound Field: Mono Operating Principle: Pressure Gradient Transducer: Condenser Polar Pattern: Cardioid Frequency Range: 20 Hz to 20 kHz Signal to Noise Ratio: 68 dB A-Weighted Equivalent Noise Level: 28 dB A-Weighted Maximum SPL: 144 dB SPL Peak THD: < 1% Sensitivity: 6 mV/Pa at 1 kHz CMRR: 60 dB Dynamic Range: 111...
Oscillator type: Crystal controlled PLL synthesizer Antenna type: Wire antenna with 1/4 lambda wavelength Carrier frequencies: 33CE: 566.025 MHz to 630.000 MHz (UHF TV channels 33 to 40) RF output power: 30 mW / 5 mW selectable Capsule type: Dynamic Characteristic: Unidirectional Reference audio input level: -55 dBV (gain mode set to NORMAL, 0 dB...
Output impedance: 1 kΩ or less Voice delay: 1.16 ms (Digital) Operating temperature: 0 °C to 50 °C (32 °F to 122 °F) Storage temperature: –20 °C to +55 °C (–4 °F to +131 °F) Dimensions (W/H/D): Approx. 34 mm × 35 mm × 65 mm (1 3/8 in. × 1 7/16 in. × 2...
Dimensions: Ø 25 x 153 mm Frequency response (Microphone): 40 - 20000 Hz Max. sound pressure level: 134 (142) dB / 1 kHz Sensitivity in free field, no load (1kHz): 25 mV/Pa +- 1 dB Nominal impedance: 150 Ω Min. terminating impedance: 1000 Ω Equivalent noise level: 12 (18) dB Equivalent noise level weighted as...
Element: Fixed-charge back plate permanently polarized condenser Polar Pattern: Cardioid Frequency Response: 40 - 20,000 Hz Open Circuit Sensitivity: -48 dB (3.9 mV) re 1V at 1 Pa Impedance: 100 ohms Maximum Input Sound Level: 136 dB SPL, 1 kHz at 1% T.H.D. Dynamic Range: 113 dB, 1 kHz at Max SPL Signal-to-Noise Ratio: 71...
Element: Fixed-charge back plate, permanently polarized condenser Polar Pattern: Cardioid Frequency Response: 20-20,000 Hz Open Circuit Sensitivity: 37 dB (14.1 mV) re 1V at 1 Pa Impedance: 100 ohms Maximum Input Sound Level: 144 dB SPL, 1 kHz at 1% T.H.D. Dynamic Range: 124 dB, 1 kHz at Max SPL Signal to Noise Ratio: 74...
Element: Fixed-charge back plate, permanently polarized condenser Polar Pattern: Cardioid Frequency Response: 20-20,000 Hz Low Frequency Roll Off: 80 Hz, 12 dB/octave Open Circuit Sensitivity: -33 dB (22.4 mV) re 1V at 1 Pa Impedance: 120 ohms Maximum Input Sound Level: 148 dB SPL, 1 kHz at 1% T.H.D.; 158 dB SPL, with 10 dB...
Element: Externally-polarized (DC bias) condenser Frequency Response: 20-20,000 Hz Low Frequency Roll Off: 80 Hz, 12 dB/octave Open Circuit Sensitivity: 42 dB (7.9 mV) re 1V at 1 Pa Impedance: 120 ohms Maximum Input Sound Level: 149 dB SPL, 1 kHz at 1% T.H.D.; 159 dB SPL, with 10 dB pad (nominal) Dynamic Range: 132...
Element: Fixed-charge back plate, permanently polarized condenser Polar Pattern: Line + gradient Frequency Response: 90-20,000 Hz Open Circuit Sensitivity: 30 dB (31.6 mV) re 1V at 1 Pa Impedance: 100 ohms Maximum Input Sound Level: 127 dB SPL, 1 kHz at 1% T.H.D. Dynamic Range: 107 dB, 1 kHz at Max SPL Signal to Noise...
Element: Fixed-charge back plate, permanently polarized condenser Polar Pattern: Line + gradient Frequency Response: 20-20,000 Hz Low Frequency Roll Off: 80 Hz, 12 dB/octave Open Circuit Sensitivity: Phantom: -40 dB (10.0 mV) re 1V at 1 Pa Battery: -41 dB (8.9 mV) re 1V at 1 Pa Impedance: Phantom: 200 ohms Battery: 300 ohms Maximum...
Element: Fixed-charge back plate, permanently polarized condenser Polar Pattern: Cardioid Frequency Response: 80-20,000 Hz Open Circuit Sensitivity: Phantom: -46 dB (5.0 mV) re 1V at 1 Pa Battery: -48 dB (3.9 mV) re 1V at 1 Pa Impedance: Phantom: 200 ohms Battery: 250 ohms Maximum Input Sound Level: Phantom: 137 dB SPL, 1 kHz at...
Element: Dynamic Polar Pattern: Hypercardioid Frequency Response: 30-12,000 Hz Open Circuit Sensitivity: -54 dB (1.9 mV) re 1V at 1 Pa Impedance: 600 ohms Weight: 8.1 oz (230 g) Dimensions: 4.45" (113.0 mm) long, 1.97" (50.0 mm) maximum diameter Output Connector: Integral 3-pin XLRM-type Accessories: AT8471 isolation clamp for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16...
Element: Fixed-charge back plate, permanently polarized condenser Polar Pattern: Cardioid Frequency Response: 50-15,000 Hz Low Frequency Roll Off: 80 Hz, 18 dB/octave Open Circuit Sensitivity: -45 dB (5.6 mV) re 1V at 1 Pa Impedance: 250 ohms Maximum Input Sound Level: 145 dB SPL, 1 kHz at 1% T.H.D. Dynamic Range: 115 dB, 1 kHz...
Element: Fixed-charge back plate, permanently polarized condenser Polar Pattern: Cardioid Frequency Response: 30-15,000 Hz Open Circuit Sensitivity: -42 dB (7.9 mV) re 1V at 1 Pa Impedance: 200 ohms Maximum Input Sound Level: 141 dB SPL, 1 kHz at 1% T.H.D. Dynamic Range: 112 dB, 1 kHz at Max SPL Signal to Noise Ratio: 65...
Element: Fixed-charge back plate, permanently polarized condenser Polar Pattern: Cardioid Frequency Response: 100-14,000 Hz Low Frequency Roll Off: 80 Hz, 8 dB/octave Open Circuit Sensitivity: Phantom: -45 dB (5.6 mV) re 1V at 1 Pa Battery: -45 dB (5.6 mV) re 1V at 1 Pa Impedance: Phantom: 200 ohms Battery: 200 ohms Maximum Input Sound...
DPA 3506 (DPA3506 DPA-3506 DPA/3506) d:dicate™ 4006A Stereo Kit
The DPA 3506 is a complete 4006-TL Stereo Kit with two carefully factory-matched phantom powered (P48) condenser microphones. The DPA 3506 also includes a Stereo Boom and the complete range of DPA Acoustic Modification Accessories, all in a sturdy carrying case with a foam insert.
The specially selected DPA 4006-TL microphones are matched within +/- 0.5 dB on both frequency range, sensitivity and self noise. The maximum phase response difference from 50 Hz to 20 kHz is 10 degrees. The high sensitivity, the low noise-floor and the extremely linear frequency response from 15 Hz to 20 kHz (+/-2 dB) of the microphone pair makes the DPA 3506 the perfect choice for all professional A-B Stereo recordings.
DPA 4006 is one of the most popular types in the DPA microphone range and is a worldwide reference thanks to its precise, detailed and natural reproduction. For more than 20 years it has impressed studio owners and broadcasters as well as musicians and engineers thanks to its transparent sound quality. It is one of the most sought after studio microphones in the industry - and the one that gives you the most value for your money.
In striving to achieve an even cleaner sound, the 4006-TL is equipped with a state-of-the-art transformerless preamplifier and is powered via a standard 48 V Phantom Power supply. This design increases the sensitivity and provides an extended low-frequency handling capability (15 Hz to 20 kHz ±2 dB). All components in this construction are very carefully selected to fulfil the demand for optimal neutrality, accuracy and extremely low distortion even at very high sound pressure levels and at complex passages in the music.
The applications of 4006-TL are numerous: AB stereo pair for symphonic concert hall recordings, close mic on instruments such as grand piano, guitar, double bass, percussion and speech/vocals, just to mention a few examples where a 4006-TL will give more detail and more open resolution.
With the acoustic modification accessories it is possible to gain different frequency responses and directional characteristics with just one 4006-TL. You simply change a grid and it will influence the sound field acoustically without any phase shift, noise or distortion, that any electrical filter will introduce.
4006-TL is a product for sound engineers with demands for high quality. The precise reproduction, total transparency and natural-sounding clarity of this microphone will provide you with a lifetime of satisfying listening.
DPA 3511 SPECIFICATION: High SPL Capability - 158dB Great for spot-miking on every kind of live music Often used for A-B stereo recordings (pair), close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals Principle of operation: Pressure gradient Cartridge type: 19 mm (0.75 in) pre-polarised condenser Power supply: 48 V Phantom...
Find the microphone that you’ve been looking for amongst our diverse selection here at DigiBroadcast. Our professional microphones range from beginner to expert equipment so that you can find the exact piece of kit that suits your needs.
Our professional microphones that we have available here at Digibroadcast are diverse in their purpose, ensuring that there is something for everybody’s audio preferences. For clear and elite quality, make sure you shop our full range of professional microphones today.
We stock an expansive array of mic types including boundary, gooseneck, shotgun, wireless, lavalier and studio microphones. We are proud to go the extra mile here at DigiBroadcast to make sure that nobody is left behind. Make the most out of your audio by investing in something from our expansive range. If you want to explore further, check out our full range of audio equipment.
