Here at DigiBroadcast, we offer a broad selection of professional microphones so that you always have access to top of the range studio equipment that is going to provide elite sound and end products. From some of the industry’s leading brands such as Sennheiser and Rode so that you can be confident that you’re buying into premium quality microphones. For our full selection of sound equipment, make sure you check out our collection of audio here at DigiBroadcast.
Connector: MEB 102: XLR-3, Pin assignment: 1 = gnd, 2 = +, 3 = − MEB 102-L: XLR-5, pin assignment: 1 = gnd, 2 = + (Mic +), 3 = − (Mic −), 4 = LED green (trigger signal), 5 = LED red (default) Current consumption: MEB 102: 3 mA , MEB 102-L: 6 mA ...
EK 100 G4 Frequency range: GB: 606 - 648 MHz Dimensions : Approx. 82 x 64 x 24 mm Compander : Sennheiser HDX THD, total harmonic distortion: ≤ 0.9 % Weight (incl. batteries): approx. 160 g Audio output: 3.5 mm jack socket: +12 dBu (mono, unbalanced) Signal-to-noise ratio: ≥ 110 dBA Switching bandwidth: up to 42...
Acoustic Principle: Line Gradient Active Electronics: JFET impedance convertor with balanced transformer output Capsule 0.50" Polar Pattern: Supercardioid Address Type: End Frequency Range: 20Hz - 20kHz Output Impedance: 250Ω Maximum SPL: 131dBSPL Maximum Output Level: 6.9mV (@ 1kHz, 1% THD into 1KΩ load) Sensitivity: -36.0dB re 1 Volt/Pascal (15.00mV @ 94 dB SPL) +/- 2...
Audio Section Capsule Type: Dynamic Frequency Response: 50 Hz to 18 kHz Directivity: Uni-Directional Sensitivity *[1]: -54 dB ±2 dB Output Impedance *[2]: 400Ω±20%, Balanced Induction Noise From External Magnetic Field *[3]: 5 dB SPL or less Wind Noise *[4]: Less than 50 dB SPL General Section Connector: XLR-3-12C (male) Power Requirements: No power required...
Material Plastic + metal Frequency 30Hz~18KHz- Sensitivity -38dB +/- 2dB (0dB=1V/Pa 1KHz)- Output impedance - Max SPL 126Db (1KHz - SNR 74dB (1KHz@1Pa)- XLR male connector- Voltage 48V Cable length 35cm
Frequency response: 10 - 60.000 Hz Audio output: XLR-3M balanced, transformerless, floating Sensitivity in free field, no load (1kHz): 31 mV/Pa (- 30 dBV/Pa) Nominal impedance: 25 Ω Min. terminating impedance: 1000 Ω Phantom powering: 48 V +/- 4V Equivalent noise level: 10 dB(A) Equivalent noise level weighted as per CCIR 468-3: 21 dB Maximum...
Frequency range: 548-572 MHz 614–638 MHz 766-790 MHz ...
Directional Pattern: Omnidirectional Principle of Operation: Pressure Cartridge Type: Pre-Polarised Condenser Frequency Range: 20Hz - 20kHz Frequency Range ±2 dB: Soft boost grid: 20 Hz - 20 kHz, 3 dB soft boost at 8 - 20 kHz. High boost grid: 20 Hz - 20 kHz, 10 dB boost at 12 kHz Sensitivity Nominal ±3 dB...
Audio Section Capsule Type: Electret Condenser Frequency Response: 40 Hz to 15 kHz Directivity: Omni-directional Sensitivity *[1]: -40.0 dB (10 mV) Output Impedance *[2]: 2.5kΩ±30%, Unbalanced Dynamic Range: 90 dB or more Signal-to-Noise Ratio *[3]: 62 dB or more Inherent Noise *[4]: 32 dB SPL or less Induction Noise From External Magnetic Field *[5]: 5...
Acoustic Principle: Line Gradient Active Electronics: JFET impedance converter with bipolar output buffer Capsule: 0.50" Polar Pattern: Supercardioid Address Type: End Frequency Range: 100Hz - 16kHz Maximum SPL: 120dBSPL Sensitivity: -35.0dB re 1 Volt/Pascal (17.80mV @ 94 dB SPL) +/- 2 dB @ 1kHz Equivalent Noise Level (A-weighted): 34dBA Weight: 73.00g Dimensions: 79.00mmH x 73.00mmW...
Compatibility: Digital Audio: Sony Cameras Equipped with Digital Multi Interface Shoe Analog Audio: Sony Cameras Equipped with Either Multi Interface Shoe or Digital Multi Interface Shoe Input Connections: 2 x XLR / TRS Combos, with 48 V Phantom Power, Switchable Mic/Line 1 x 1/8" / 3.5mm Stereo, with Plug-In Power Output Connection: Multi Interface Shoe...
Dimensions: Ø 49 x 250 mm Connector: XLR-3 Frequency response: 40 - 18000 Hz Weight: 360 g Sensitivity in free field, no load (1kHz): 2,0 mV/Pa Nominal impedance: 350 Ω Min. terminating impedance: 1000 Ω
Element: Fixed-charge back plate permanently polarized condenser Polar Pattern: Cardioid Frequency Response: 40 - 20,000 Hz Open Circuit Sensitivity: -48 dB (3.9 mV) re 1V at 1 Pa Impedance: 100 ohms Maximum Input Sound Level: 136 dB SPL, 1 kHz at 1% T.H.D. Dynamic Range: 113 dB, 1 kHz at Max SPL Signal-to-Noise Ratio: 71...
Element: Fixed-charge back plate, permanently polarized condenser Polar Pattern: Cardioid Frequency Response: 20-20,000 Hz Open Circuit Sensitivity: 37 dB (14.1 mV) re 1V at 1 Pa Impedance: 100 ohms Maximum Input Sound Level: 144 dB SPL, 1 kHz at 1% T.H.D. Dynamic Range: 124 dB, 1 kHz at Max SPL Signal to Noise Ratio: 74...
Element: Fixed-charge back plate, permanently polarized condenser Polar Pattern: Cardioid Frequency Response: 20-20,000 Hz Low Frequency Roll Off: 80 Hz, 12 dB/octave Open Circuit Sensitivity: -33 dB (22.4 mV) re 1V at 1 Pa Impedance: 120 ohms Maximum Input Sound Level: 148 dB SPL, 1 kHz at 1% T.H.D.; 158 dB SPL, with 10 dB...
Element: Externally-polarized (DC bias) condenser Frequency Response: 20-20,000 Hz Low Frequency Roll Off: 80 Hz, 12 dB/octave Open Circuit Sensitivity: 42 dB (7.9 mV) re 1V at 1 Pa Impedance: 120 ohms Maximum Input Sound Level: 149 dB SPL, 1 kHz at 1% T.H.D.; 159 dB SPL, with 10 dB pad (nominal) Dynamic Range: 132...
Element: Fixed-charge back plate, permanently polarized condenser Polar Pattern: Line + gradient Frequency Response: 90-20,000 Hz Open Circuit Sensitivity: 30 dB (31.6 mV) re 1V at 1 Pa Impedance: 100 ohms Maximum Input Sound Level: 127 dB SPL, 1 kHz at 1% T.H.D. Dynamic Range: 107 dB, 1 kHz at Max SPL Signal to Noise...
Element: Fixed-charge back plate, permanently polarized condenser Polar Pattern: Line + gradient Frequency Response: 20-20,000 Hz Low Frequency Roll Off: 80 Hz, 12 dB/octave Open Circuit Sensitivity: Phantom: -40 dB (10.0 mV) re 1V at 1 Pa Battery: -41 dB (8.9 mV) re 1V at 1 Pa Impedance: Phantom: 200 ohms Battery: 300 ohms Maximum...
Element: Fixed-charge back plate, permanently polarized condenser Polar Pattern: Cardioid Frequency Response: 80-20,000 Hz Open Circuit Sensitivity: Phantom: -46 dB (5.0 mV) re 1V at 1 Pa Battery: -48 dB (3.9 mV) re 1V at 1 Pa Impedance: Phantom: 200 ohms Battery: 250 ohms Maximum Input Sound Level: Phantom: 137 dB SPL, 1 kHz at...
Element: Dynamic Polar Pattern: Hypercardioid Frequency Response: 30-12,000 Hz Open Circuit Sensitivity: -54 dB (1.9 mV) re 1V at 1 Pa Impedance: 600 ohms Weight: 8.1 oz (230 g) Dimensions: 4.45" (113.0 mm) long, 1.97" (50.0 mm) maximum diameter Output Connector: Integral 3-pin XLRM-type Accessories: AT8471 isolation clamp for 5/8"-27 threaded stands; 5/8"-27 to 3/8"-16...
Element: Fixed-charge back plate, permanently polarized condenser Polar Pattern: Cardioid Frequency Response: 50-15,000 Hz Low Frequency Roll Off: 80 Hz, 18 dB/octave Open Circuit Sensitivity: -45 dB (5.6 mV) re 1V at 1 Pa Impedance: 250 ohms Maximum Input Sound Level: 145 dB SPL, 1 kHz at 1% T.H.D. Dynamic Range: 115 dB, 1 kHz...
Element: Fixed-charge back plate, permanently polarized condenser Polar Pattern: Cardioid Frequency Response: 30-15,000 Hz Open Circuit Sensitivity: -42 dB (7.9 mV) re 1V at 1 Pa Impedance: 200 ohms Maximum Input Sound Level: 141 dB SPL, 1 kHz at 1% T.H.D. Dynamic Range: 112 dB, 1 kHz at Max SPL Signal to Noise Ratio: 65...
Element: Fixed-charge back plate, permanently polarized condenser Polar Pattern: Cardioid Frequency Response: 100-14,000 Hz Low Frequency Roll Off: 80 Hz, 8 dB/octave Open Circuit Sensitivity: Phantom: -45 dB (5.6 mV) re 1V at 1 Pa Battery: -45 dB (5.6 mV) re 1V at 1 Pa Impedance: Phantom: 200 ohms Battery: 200 ohms Maximum Input Sound...
DPA 3506 (DPA3506 DPA-3506 DPA/3506) d:dicate™ 4006A Stereo Kit
The DPA 3506 is a complete 4006-TL Stereo Kit with two carefully factory-matched phantom powered (P48) condenser microphones. The DPA 3506 also includes a Stereo Boom and the complete range of DPA Acoustic Modification Accessories, all in a sturdy carrying case with a foam insert.
The specially selected DPA 4006-TL microphones are matched within +/- 0.5 dB on both frequency range, sensitivity and self noise. The maximum phase response difference from 50 Hz to 20 kHz is 10 degrees. The high sensitivity, the low noise-floor and the extremely linear frequency response from 15 Hz to 20 kHz (+/-2 dB) of the microphone pair makes the DPA 3506 the perfect choice for all professional A-B Stereo recordings.
DPA 4006 is one of the most popular types in the DPA microphone range and is a worldwide reference thanks to its precise, detailed and natural reproduction. For more than 20 years it has impressed studio owners and broadcasters as well as musicians and engineers thanks to its transparent sound quality. It is one of the most sought after studio microphones in the industry - and the one that gives you the most value for your money.
In striving to achieve an even cleaner sound, the 4006-TL is equipped with a state-of-the-art transformerless preamplifier and is powered via a standard 48 V Phantom Power supply. This design increases the sensitivity and provides an extended low-frequency handling capability (15 Hz to 20 kHz ±2 dB). All components in this construction are very carefully selected to fulfil the demand for optimal neutrality, accuracy and extremely low distortion even at very high sound pressure levels and at complex passages in the music.
The applications of 4006-TL are numerous: AB stereo pair for symphonic concert hall recordings, close mic on instruments such as grand piano, guitar, double bass, percussion and speech/vocals, just to mention a few examples where a 4006-TL will give more detail and more open resolution.
With the acoustic modification accessories it is possible to gain different frequency responses and directional characteristics with just one 4006-TL. You simply change a grid and it will influence the sound field acoustically without any phase shift, noise or distortion, that any electrical filter will introduce.
4006-TL is a product for sound engineers with demands for high quality. The precise reproduction, total transparency and natural-sounding clarity of this microphone will provide you with a lifetime of satisfying listening.
Find the microphone that you’ve been looking for amongst our diverse selection here at DigiBroadcast. Our professional microphones range from beginner to expert equipment so that you can find the exact piece of kit that suits your needs.
Our professional microphones that we have available here at Digibroadcast are diverse in their purpose, ensuring that there is something for everybody’s audio preferences. For clear and elite quality, make sure you shop our full range of professional microphones today.
We stock an expansive array of mic types including boundary, gooseneck, shotgun, wireless, lavalier and studio microphones. We are proud to go the extra mile here at DigiBroadcast to make sure that nobody is left behind. Make the most out of your audio by investing in something from our expansive range. If you want to explore further, check out our full range of audio equipment.