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Shogun Inferno combines our award winning HDR, high bright monitor with high resolution, high frame rate recording. Designed for the world's leading cinema cameras with both QuadLink SDI* and HDMI 2.0 connections for recording up to 4K 60p (HD 240p) video, 4K 30p Raw to CDNG and 4K 60p Raw to ProRes / DNxHR.
Available in future firmware updates
AtomHDR image processing lets you shoot with the high brightness range of your camera’s Log profile while maintaining vibrant true-to-life colors. Conventional monitors lack this capability, displaying the brightness detail of Log but with a washed out image that makes judging exposure difficult. Be at the forefront of the HDR revolution by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.
1500NIT 10-BIT
The 10-bit panel resolves more colors (1.07 billion colors compared to 16.7 million for standard 8-bit panels) to ensure smooth color transitions in both HDR and SDR (standard dynamic range) shooting. The 1500nit panel brings HDR to life, accentuating high contrast scenes. While for regular SDR scenes, use the brightness slider to take advantage of the 1500nit screen for hood-free outdoor monitoring.
HDR on the big screen with PQ out
The AtomHDR engine lets you monitor a post production HDR image in the field on a 7" calibrated screen. For collaboration on set or in post, connect Shogun Inferno to HDR compatible larger screens, select the desired color space (Rec709, DCI P3 or Rec2020) and see the magic of HDR on larger screen sizes. Use the PQ input to connect from your NLE and use the Inferno as a monitor to grade HDR in Post.
4K 60P & HD 240P Recording
Shogun Inferno combines high resolution recording, high frame rate recording and playback. Record Video from both HDMI and SDI cameras direct from the sensor to 4:2:2 10-bit ProRes or DNxHR up to an amazing 4K 60p or HD 240p. Record Raw over SDI up to 4K 30p either directly to CDNG or record to ProRes or DNxHR. Playback recorded ProRes or DNxHR files via the HDMI or SDI output at the same high frame rates to supporting monitors
Log and Raw over Quadlink SDI
The QuadLink SDI connections* offer the widest camera compatibility with 1.5G/3G/6G/12G SDI inputs and a single 12G SDI output. Recording RAW* from Arri, Sony, Canon and Panasonic cameras provides 4K functionality not available in some cameras whilst also offers a far more affordable solution in terms of media costs.
Available in future firmware updates
Simple OS, Sophisticated Shots
Our flexible OS is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LOG to Rec.709 Video or upload .cube files) and options for anamorphic de-squeeze monitoring.
Continuous Power & Super Fast Charging
Inferno features our patented continuous power system - a hot swappable dual battery system that automatically swaps to the second battery when power is low. To support the dual battery system we include a blazingly fast battery charger, two 4-cell batteries and a D-Tap to DC coiled cable to ensure continuous power in the field is all but assured.
Monitor & Record XLR Audio
The Shogun Inferno has multiple audio options replacing the need for a separate audio recorder. Monitor up to 8ch of embedded HDMI audio, up to 12ch of SDI audio or use the included XLR breakout cable to connect with external microphones for balanced analogue audio with 48V phantom power.
Advanced Recording Capability
Outside of RAW and high frame rate 4:2:2 Apple ProRes / AVID DNxHR recording, the Shogun Inferno adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI or SDI popular cameras, convert interlace to progressive signals on the fly with built-in 3:2 and 2:2 pulldown or use features like Pre-roll (continuous cache recording) and Time lapse to maximise your creativity.
Battle-Ready! For the feild
Our built-in armor enhances protection & airflow whilst the raft of accessories (2 x NP series 4-cell batteries, fast battery charger, USB3 docking station, 2 x input XLR breakout cable, control cable, DC to D-Tap cable, 5 x Master Caddy cases, DC adapter & HDR sun hood) and the premium HPRC flight case ensures you're ready to hit the field immediately.
Display
Type : 7.1" / 18 cm IPS capacitive touchscreen
Resolution:
1920 x 1200
325 ppi
Bit Depth : 10-bit (8-bit plus FRC)
Video Aspect Ratio : Native: 16:9
Brightness : 1500 cd/m²
LUT Support : 3D LUT (.cube file format)
Interface
Inputs
1 x HDMI (2.0)
4 x 3G-SDI Quad/Single 12G-SDI (BNC)
1 x Genlock / LTC (BNC)
1 x 2.5 mm LANC
2 x XLR (included LEMO breakout cable required)
Outputs
1 x HDMI (2.0)
1 x 12G-SDI (BNC)
2 x XLR (included LEMO breakout cable required)
1 x 3.5 mm headphone jack
Supported Video Format
Supported Signal
Input: 10- / 8-bit 4:2:2 (dependent on video source)
Output: 10- / 8-bit 4:2:2 (dependent on video source)
Input/Output Resolutions
HDMI:
2160p: 24/25/30/50/60
1080p: 24/25/30/50/60/120/240
1080i: 50/60
720p: 50/60
SDI:
2160p: 24/25/30/50/60
1080p: 24/25/30/50/60/120
1080PsF: 24/25/30
1080i: 50/60
720p: 50/60
Video Signal Conversion
HDMI to SDI:
2160p: 24/25/30/50/60
1080p: 24/25/30/50/60/100/120/
1080i: 50/60
720p: 50/60
SDI to HDMI:
2160p: 24/25/30/50/60
1080p: 24/25/30/50/60/100/120
1080i: 50/60
720p: 50/60
Encoding Formats:
DCI Raw 4096 x 2160 from supported cameras (Sony FS700, Sony FS7, Canon C300 MK II, Canon C500):
Apple ProRes Raw and ProRes Raw HQ, ProRes HQ, 422, LT
DNxHR HQX, HQ, SQ, LB
UHD 4K (3840 x 2160):
Apple ProRes HQ, 422, LT
DNxHR HQX, HQ, SQ, LB
1920 x 1080
Apple ProRes HQ, 422, LT
DNxHD 220x, 220, 145, 36
Pulldown Conversion:
24/25/30PsF to 24/25/30p (2:2 pulldown)
60i to 24p (3:2 pulldown)
Supported Codecs:
Raw to ProRes/DNxHR
Apple ProRes: Raw, Raw HQ, HQ, 422, LT
AVID DNxHR: HQX. HQ, SQ, LB
Frame Rates
DCI / UHD 4K: 24/25/30/50/60p
PsF: 30/50/60/100/120/200/240
Video to ProRes/DNxHR
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB
Frame Rates
DCI / UHD 4K: 24/25/30/50/60p
PsF: 30/50/60/100/120/200/240
Supported Audio Formats
HDMI : 2- or 8-channel, up to 24-bit (camera dependent)
SDI : Up to 12-channel, 48 kHz, up to 24-bit (camera dependent)
Dynamic Range : >90 dB
Signal Level : Maximum: +24 dBu
Gain : Maximum Analog Gain: +52 dB
Phantom Power : +48 V phantom power for XLR inputs
Remote Operation
HDMI
Auto HDMI trigger
Supported Protocols: Canon, Sony, Atomos Open Standard
SDI : SDI trigger camera selectable
LANC : Supports slave configuration
Recording Media
Supported Media:
4K
2.5" SSD
HD High Frame Rate (50/60/120p):
2.5" SSD
2.5" HDD (7,200 rpm and up) for 1080p 50/60
HD (30p and less):
2.5" SSD
2.5" HDD (5,400 rpm and up)
Master Caddy Dock:
Interface: 2.5" SATA to USB 2.0/3.0
Supported Applications
Final Cut Pro X/7+
Avid Media Composer 5.0+
Adobe Premiere 5.5+
Grass Valley EDIUS 6.0+
Sony Vegas Pro 10+
Lightworks
Autodesk Smoke 2015
XML Support:
FCP X XML native, FCP 7 supported with conversion (Adobe compatible)
General
Power Requirements : 6.2 to 16.8 VDC (battery or DC power input)
Power Consumption : 10 to 24 W
Supported Battery Types : 2 x Sony L-series
Battery Life:
5200 mAh: Up to 1.5 hours (monitor and record 4K)
7800 mAh: Up to 2.2 hours (monitor and record 4K)
Construction : ABS polycarbonate
Dimensions : 8.4 x 5 x 1.8" / 21.4 x 12.7 x 4.5 cm
