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Atomos Sumo 19" HDR/High Brightness Monitor Recorder

code: AO-ATOMSUMO19
  • £1,769.00
  • RRP: £1,995.00
Item Available | Usually dispatched within 24 hours
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Features:

  • 1920 x 1080 Touchscreen Display
  • 10-Bit FRC Monitor Processing
  • HDMI 2.0 and 12G-SDI Inputs/Outputs
  • ProRes Raw / Raw HQ via Select Cameras
  • 1200 cd/m² Brightness
  • HDR Mode with 10-Stop Dynamic Range
  • High Bright Mode for Rec. 709 Viewing
  • 4K up to 60p / 1080p up to 240 fps
  • 10-Bit 4:2:2 ProRes & DNxHR Encoding
  • Records to 2.5" Master Caddy Media

Atomos AO-ATOMSUMO19 (AOATOMSUMO19, AO/ATOMSUMO19, AO ATOMSUMO19, ao-atomsumo19) Atomos Sumo 19" HDR/High Brightness Monitor Recorder

BUILT FOR PRODUCTIONThe first production monitor that also records 4K 12bit Raw, 10bit ProRes/DNxHR, plus 1080p60 live switching and recording

Rugged construction. Flexible mounting

The Aluminium alloy chassis with built-in armor houses ten mounting points around the top/bottom/side, a rear panel VESA mount and an included stand for a variety of mounting configurations. Alongside of the XLR connections for power and balanced audio, there is a 3.5mm stereo headphone jack and built-in speakers. The optional mounting plates connect dual V-Lock or Anton Bauer batteries work in tandem with our patent pending continuous power system. This allows batteries to be hot swapped to ensure you are never without power in the field.

QUAD SDI & HDMI 2.0 IN/OUT

Seamlessly connect any SDI or HDMI device and convert between HDMI 2.0 and SDI (3G QuadLink/6G/12G) in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G SDI outputs without the need for converters. HDMI 2.0 supports up to 4Kp60 input/output along with the very latest Atomos open protocol that supports HDR automation including importing of camera settings. There is also support for Genlock and LTC timecode.

Professional Recording

12-bit Raw, 10-bit ProRes/DNxHR up to 4Kp60

Capture the RAW output from Sony FS5/FS7/FS700, Canon C300MKII/ C500 or Panasonic Varicam LT over SDI up to 12-bit 4Kp30 as CDNG or 10-bit Apple ProRes / Avid DNxHR up to 4Kp60 / 2Kp240 depending on the camera’s capability. The processing power of Sumo preserves pristine quality direct from the sensor with data rates of up to 3.2 Gbps.

Monitor. Switch. Record

Live Switch and Record up to four 1080/60p channels, 4 x ISO record and playback

Make working with multi-cam a breeze. Switch and mix a live record and stream or record 4 x HD ISO recordings using the QuadLink SDI connections. Switch between feeds on screen with cueing, cross fade and hard cuts from the locked sources or tag and adjust final edits with advanced metadata tagging preserving ISO feeds, with the desired final result infinitely editable.

XLR Monitor & Record

Balanced XLR Monitor & Record with 48V Phantom

Eliminate the need for a separate audio recorder by using the full size XLR connections to connect and power external microphones for balanced analogue audio with dedicated meters and adjustments for frame delay and gain. 48V phantom mics or line level audio are all seamlessly synchronized for the most advanced audio feature set in a monitor today. There is also a 3.5mm stereo headphone jack and built-in speakers for on set instant immersive review or complete internal recording review anytime anywhere with clients or production team.

Go HDR Today.

In the field & the studio

Sumo’s 19” 1920x1080 10-bit LCD panel is driven by the AtomHDR engine which precisely maps the Log/PQ/HLG from popular cameras, game consoles or TV makers to perfectly resolve 10+ stops of HDR in real time. The brightness range and vivid colors of HDR bring scenes to life either on the monitor itself, or when output to larger HDR/Rec709 displays for on set review. It can also be used with popular NLE or grading suites for affordable HDR or SDR editing or grading in the studio.

High Bright for REC709 Outdoor shooting

1200nit 19” calibrated 1920x1080 monitor

The extremely bright 1200nit display means you can accurately monitor, even when outside in full daylight. Additionally, for the ultimate low light performance an optional hood is available. The simplicity of AtomOS means its only a single tap on screen to bring up focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, Vectorscope, Anamorphic desqueeze and a flexible 3D LUT implementation to upload your own LUTs as .cube files.

Trust what you see

Calibrate for accurate color

Like all high-end monitor’s, Sumo also has optional calibration to compensate for the natural color and brightness drift that monitors exhibit over time. Sumo’s calibration input lets you use X-Rite’s i1DisplayPro to always ensure accurate HDR and Rec709 monitoring.

Continuous Power

Never go without power

The optional mounting plates connect dual V-Lock or Anton Bauer batteries that work in tandem with our patent pending continuous power system. Sumo automatically swaps to the second battery when power is low, allowing the drained battery to be hot swapped to ensure you are never without power in the field

Choose the SSD to suit your workflow

Media solutions that are affordable, time saving and convenient

Sumo records using our patented Master Caddy system. High capacity and widely available 2.5" SSD's provide an affordable solution for long recording times. We've tested and approved over 20 drives for Sumo (atomos.com/drives) that neatly slot into the provided Master Caddy or use the custom Atomos caddy from G-Technology to integrate directly into their EV series of Raid and desktop solutions for the ultimate in workflow efficiency.

Weight:

  • Without batteries, media & stand : 5.6kg / 12.3lb
  • With stand : 6.2kg / 13.7lb

Dimensions (W x H x D mm):

  • 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) 
  • 504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand)

Construction:

  • Aluminium alloy chassis with built in armor protection

Mounting Points:

  • 1/4-20 screw; 4 x top, 4 x bottom, 2 x side 
  • 3/8-16 screw; 2 x top, 2 x bottom, 1 x side 
  • VESA mount rear

Power

  • Operating power : 75W
  • Compatible batteries : V-Lock / Anton Bauer via XLR terminal (optional mounting plates available)
  • Input voltage (battery) : 14.4V nominal
  • Battery time (based on 7.4V) : Depends on Watt Hours speci cation of battery used
  • DC In : 1 x DC in (6.2 - 16.8V)
  • Continuous power : Primary-secondary battery system. 

* Patent pending

  • Change batteries without losing power 
  • Loop batteries continuously

Touchscreen:

  • Size : 19”
  • Resolution : 1920 x 1200
  • PPI : 120
  • Aspect ratio : 16:9 native
  • Colour Gamut : REC709 HDTV
  • Look up table (LUT) support : 3D LUT (.cube format)
  • Anamorphic de-squeeze : 2x, 1.5x, 1.33x, Panasonic 8:3

Technology:

  • SuperAtom IPS panel (capacitive touch), 
  • calibration to Rec.709 with optional calibration unit
  • HDR
  • AtomHDR : Yes

Supported Log formats:

  • Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
  • Panasonic Vlog, JVC JLog, Red LogFilm

Supported Gamuts:

  • Sony SGamut / SGamut3 / SGamut3.cine
  • Canon Cinema / BT2020 / DCI P3 / DCI P3+
  • Panasonic V Gamut

Arri Alexa Wide Gamut

  • Bit depth : 10-bit (8+2 FRC)
  • Brightness : 1200nit (+/- 10%)
  • HDR input (PQ/HLG) : Yes / Yes
  • HDR output (PQ/HLG) : Yes / Yes

Video Input/Loop Out

  • HDMI : 1 x HDMI (2.0)
  • SDI : Quad link 4 x 3G SDI* or up to 12G single link SDI
  • Signal : Uncompressed true 10-bit or 8-bit 422 (camera dependent)

Video Output (Play Out)

  • HDMI : 1 x HDMI (2.0)
  • SDI : 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
  • Signal : Uncompressed true 10-bit or 8-bit 422 (playback file dependent)

Supported Loop Out Formats

HDMI to HDMI:

  • 720p 50/60, 1080i 50/60,
  • 1080p 24/25/30/50/60/100/120 
  • 2160p 24/25/30/50/60

SDI to SDI:

  • 720p 50/60, 1080i 50/60 
  • 1080pSF 24/25/30 
  • 1080p 24/25/30/50/60/100/120 
  • 2160p 24/25/30/50/60

Video Signal Conversion

HDMI to SDI:

  • 720p 50/60, 1080i 50/60,
  • 1080p 24/25/30/50/60/100/120/200*/240*
  • 2160p 24/25/30/50/60

SDI to HDMI:

  • 720p 50/60, 1080i 50/60,
  • 1080p 24/25/30/50/60/100/120/200*/240*
  • 2160p 24/25/30/50/60

Supported Codecs & Frame Rates (Record & Playback)

Raw Record:

Sony FS5/FS7^^/FS700 CDNG

  • 4K DCI; 24/25/30p 4K UHD; 2K;24/25/30/50/60/100/120p 1080; 

Canon C300MKII/C500 CDNG

  • 4K DCI; 24/25/30p  4K UHD; 24/25/30p 2K; 1080;

Panasonic VaricamLT / Varicam35* CDNG

  • 4K DCI; 24/25/30p  4K UHD; 24/25/30p 2K; 1080; 

Arri Alexa Mini .ARI*

  • 2880x1620; 24/25/30/50/60p 
  • 2880x2160; 24/25/30/50/60p 

Raw to ProRes / DNxHR:

Sony FS5/FS7/FS700 

  • ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB) 4K DCI; 24/25/30/50/60p 4K UHD; 2K; 24/25/30/50/60/100/120/200/240p 1080; 

Canon C300MKII/C500 

  • ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB) 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; 1080; 

Panasonic VaricamLT / Varicam35* 

  • ProRes (HQ, 422, LT) DNxHR (HQX, HQ, SQ, LB) 4K DCI; 24/25/30/50*/60p* 4K UHD; 24/25/30/50*/60p* 2K; not supported in camera 1080; not supported in camera

Video to ProRes / DNxHR : Codecs 

(DNx utilizes a .MOV wrapper):

  • Apple ProRes HQ, 422, LT
  • AVID DNxHR HQX. HQ, SQ, LB

Frame rates 

  • 4K DCI; 24/25/30/50/60p
  • 4K UHD; 24/25/30/50/60p 
  • 2K; N/A 
  • 1080p; 24/25/30/50/60/100^/120^/200/240p 
  • 1080i; 50/60i 
  • 720p; 50/60p

Onboard Processing

Pulldown removal:

  • 24/25/30pSF 24/25/30p (2:2 pulldown)
  • 60i 24p (3:2 pulldown)
  • 4K UHD downscale for HD monitoring : Yes - Loop-out and playback (Not available in RAW)

Audio In/Out (48kHz PCM Audio)

  • HDMI : 2 or 8ch 24-bit, camera dependent
  • SDI : 12ch 48kHz 24-bit
  • Audio : 2ch balanced XLR analogue in/out (direct XLR connection)

Dynamic range 90dB

  • Max signal level +24dBu
  • Max analog gain +52dB

48V Phantom Power for Mic

  • Headphone Out : 3.5mm
  • Built-in Speakers : Yes

Remote Start/Stop

  • HDMI : Auto HDMI Trigger
  • Supported Protocols - Canon, Sony, Atomos Open Standard
  • SDI : SDI trigger camera selectable
  • Other : LANC control - Slave

Playback

  • Playlist / Genlock / LTC : Yes / Yes / Yes
  • CDNG (Recorded content) : No support
  • ProRes (Recorded content) : All recorded files can playback. Playback in slow motion = 100fps
  • DNxHR / DNxHD (recorded content) : All recorded files can playback. Playback in slow motion = 100fps

Recording

  • Pre-roll record : Yes (HD 8s, 4K 2s)
  • Custom timelapse : Yes
  • Meta data tagging : Yes (10 tags available)
  • Supported media : 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives

Master caddy case:

  • Master Caddy II (included)
  • 75mm x 105mm x 12mm
  • Master caddy dock:
  • 2.5” SATA to USB 2.0/3.0

Supported applications:

  • Supported Applications FCPX/FCP7+ / Media Composer
  • 5.0+ / Premiere 5.5+
  • EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
  • Autodesk Smoke 2015

XML support:

  • FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools

Accessories included:

  • Sumo unit, Master Caddy II x 1, AC power supply

Optional extras:

  • Sunhood, VESA battery adapter plate, Atomos HDMI  cable, X-Rite i1DisplayPro calibration

In the Box

  • Atomos Sumo 4K Monitor & Recorder
  • Master Caddy II
  • AC Power Supply
  • Feet
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