DZOFILM Gnosis 24mm T2.8 Macro Prime Lens

DZOFilm DZO-G2428LPLI (DZO/G2428LPLI, DZOG2428LPLI, DZO G2428LPLI, DZO_G2428LPLI) (DZO Gnosis 24mm T2.8 FT, DZO/Gnosis/24mm/T2.8/FT, DZOGnosis24mmT2.8FT, DZO_Gnosis_24mm-T2.8_FT) Gnosis 24mm T2.8 Macro Prime Lens.

Gnosis 24mm Macro Lens: Expanding the Boundaries of Wide-Angle and Macro Filmmaking

Combining the versatility of a wide-angle lens with the precision of creative macro, the Gnosis 24mm macro lens is designed to handle a broader range of cinematic shooting scenarios with ease.

With an 83.8° field of view on Full Frame and an even wider 88° on Vista Vision, it captures more of the environment and background detail—enhancing depth and immersing the viewer in every frame. The result is a dynamic visual experience that fuels creative storytelling.

1.25:1 True Macro with Ultra-Close Focusing

Engineered for close-up and macro cinematography, the Gnosis 24mm delivers a 1.25:1 magnification ratio at a minimum focusing distance of just 0.155 meters. Its sibling lenses—Gnosis 32mm, 65mm, and 90mm—achieve 1:1, 1.33:1, and 1.5:1 magnification at 0.167m, 0.237m, and 0.258m respectively. These extremely close focus distances unlock exquisite detail, revealing the microcosmic beauty and tangible texture of your subject with cinematic clarity.

Constant T2.8 Aperture Across the Series

All lenses in the Gnosis series feature a fast, constant T2.8 aperture, ensuring bright, sharp images even in low-light environments. This consistent aperture reduces light loss, improving efficiency during multi-lens shoots on set.

Each lens is built with a high-end optical structure: a 12-blade aperture for smooth, attractive bokeh; three high refractive index (HRI) elements; and two low-dispersion elements to minimize chromatic aberrations. The result? Vivid color reproduction, smooth tonal transitions, and a true cinematic aesthetic.

A Complete Toolkit for Filmmakers and Commercial Creators

Together, the Gnosis 24mm, 32mm, 65mm, and 90mm lenses span wide-angle, standard, and telephoto focal lengths. This makes the series a versatile solution for macro production across various subjects and creative needs, offering flexibility in composition and perspective.

Stunning Detail from Edge to Edge

Whether focusing up close or at infinity, Gnosis lenses maintain outstanding sharpness across the entire image. The color rendering is clean and consistent, with smooth focus transitions that give your footage a rich, nuanced look.

Designed for Professional Film Sets

With an industry-standard 114mm front diameter, all Gnosis lenses are compatible with matte boxes and common accessories—minimizing setup time and maximizing workflow efficiency. Built for reliability on set, these lenses deliver both performance and practicality.

• Focal Length: 24mm
• Lens Mount: ARRI LPL
• Lens Format Coverage: Full Frame
• Image Circle: 46.5 mm
• Maximum Aperture: T2.8
• Minimum Aperture: T22
• Horizontal Angle of View: Full Frame: 83.8°
• Minimum Focus Distance From Camera Sensor: 6.1" / 15.5 cm
• Optical Design: 12 Elements in 10 Groups
• Diaphragm Blades: 16
• Gear MOD & Pitch: Focus: 0.8 MOD / 32 Pitch
• Iris: 0.8 MOD / 32 Pitch
• Front Diameter: 114 mm
• Filter Thread: 105 mm

In The Box

• 1x DZO Gnosis 24mm Prime Lens
• 1x PL Mount Bayonet
• 1x EF Mount Bayonet