1080p Desktop & Ceiling Mount Remote PTZ Camera - Black

Sony SRG-300HC (SRG/300HC, SRG_300HC, SRG 300HC) 1080p Desktop & Ceiling Mount Remote PTZ Camera - Black With a 30x optical zoom and remote control capabilities, the black Sony SRG-300H 1080p Desktop & Ceiling Mount Remote PTZ Camera, is suitable for medium to large venues such as lecture halls, auditoriums, houses of worship, and stadiums. The unit consists of the pan/tilt module and the camera head and lens. The SRG-300H captures HD video in 720p, 1080i, or 1080p at up to 59.94. It features a 1/2.8" Exmor CMOS sensor providing low light sensitivity of 1.4 lux. The camera comes with Sony's Wide-D for wide dynamic range, enhancing the image with View-DR, while XDNR provides digital noise reduction in both moving and still images. The SRG-300H is suitable for use on a desk, mounted to a tripod, or you can mount it to a ceiling using the included brackets. The camera also features an Image Flip option, which simplifies setting up the camera when it is mounted upside down. It features remote control operation of pan, tilt, zoom, focus, iris, shutter speed, and gain. Remote operation is a major component of the SRG-300H's design, and the camera supports VISCA control protocols, as well as RS-232 and RS-422. You can program the camera with up to 16 preset positions, which is useful for repetitive events and productions. The small size and remote operation capabilities of the SRG-300H allow for placement where a manually operated camera and operator can not go. Remote Operation Remote operated HD camera with pan, tilt, zoom, focus, iris, and shutter speed control Zoom Range The SRG-300H provides up to 30x optical zoom, and 12x digital zoom Camera Control VISCA over IP technology allows for control of the camera over an IP connection. RS-232 and RS-422 control of the camera The camera supports programming of up to 16 preset positions using optional controllers such as the Sony RMIP10 The included IR Remote allows you to program 6 preset positions. Wide-D/View-DR View-DR is Sony's Wide-D technology, specific to their security cameras to produce images with an extremely wide dynamic range. With View-DR, the camera uses an electronic shutter to capture multiple images, to reproduce each frame. One image is taken using a 'standard' exposure time and either one or three images are taken using very short exposure times depending on the camera type. As a result, View-DR nearly doubles the sensitivity compared to conventional Wide-D technologies. XDNR Noise Reduction XDNR utilizes 2D and 3D noise reduction methods adaptively to scenes. Under low-light conditions, XDNR provides clear images for both moving objects and still portions of the image.

1080p Desktop & Ceiling Mount Remote PTZ Camera - White

Sony SRG-300HW (SRG/300HW, SRG_300HW, SRG 300HW) 1080p Desktop & Ceiling Mount Remote PTZ Camera - White With a 30x optical zoom and remote control capabilities, the black Sony SRG-300H 1080p Desktop & Ceiling Mount Remote PTZ Camera, is suitable for medium to large venues such as lecture halls, auditoriums, houses of worship, and stadiums. The unit consists of the pan/tilt module and the camera head and lens. The SRG-300H captures HD video in 720p, 1080i, or 1080p at up to 59.94. It features a 1/2.8" Exmor CMOS sensor providing low light sensitivity of 1.4 lux. The camera comes with Sony's Wide-D for wide dynamic range, enhancing the image with View-DR, while XDNR provides digital noise reduction in both moving and still images. The SRG-300H is suitable for use on a desk, mounted to a tripod, or you can mount it to a ceiling using the included brackets. The camera also features an Image Flip option, which simplifies setting up the camera when it is mounted upside down. It features remote control operation of pan, tilt, zoom, focus, iris, shutter speed, and gain. Remote operation is a major component of the SRG-300H's design, and the camera supports VISCA control protocols, as well as RS-232 and RS-422. You can program the camera with up to 16 preset positions, which is useful for repetitive events and productions. The small size and remote operation capabilities of the SRG-300H allow for placement where a manually operated camera and operator can not go. Remote Operation Remote operated HD camera with pan, tilt, zoom, focus, iris, and shutter speed control Zoom Range The SRG-300H provides up to 30x optical zoom, and 12x digital zoom Camera Control VISCA over IP technology allows for control of the camera over an IP connection. RS-232 and RS-422 control of the camera The camera supports programming of up to 16 preset positions using optional controllers such as the Sony RMIP10 The included IR Remote allows you to program 6 preset positions. Wide-D/View-DR View-DR is Sony's Wide-D technology, specific to their security cameras to produce images with an extremely wide dynamic range. With View-DR, the camera uses an electronic shutter to capture multiple images, to reproduce each frame. One image is taken using a 'standard' exposure time and either one or three images are taken using very short exposure times depending on the camera type. As a result, View-DR nearly doubles the sensitivity compared to conventional Wide-D technologies. XDNR Noise Reduction XDNR utilizes 2D and 3D noise reduction methods adaptively to scenes. Under low-light conditions, XDNR provides clear images for both moving objects and still portions of the image.

A-Eye 4K-12X AI-powered, Auto-Tracking, Cinematic Movement PTZ Camera

Atomos AOATOMAE4K12 (AO-ATOMAE4K12, AO/ATOMAE4K12, AO_ATOMAE4K12, AO ATOMAE4K12) A-Eye 4K-12X AI-powered, Auto-Tracking, Cinematic Movement PTZ Camera A-Eye HD-20X PTZ Camera A high-performance, cost-effective PTZ solution equipped with a 1/2.8-inch CMOS sensor delivering 2.07 megapixels and full HD video up to 2K60. Ideal for educational environments, houses of worship, and budget-conscious production setups. 1/2.8” CMOS Sensor with 2.07M effective pixels, supports HD up to 2K60 resolution 20x Optical Zoom + 16x Digital Zoom for detailed close-ups NDI|HX3 License Included for efficient IP video integration Multiple Output Options: HDMI, 3G-SDI, USB 3.0, and IP streaming 3.5mm Stereo Audio In/Out, built-in mic support, RS-232 control USB 3.0 for live output (note: recording not supported via USB) UVC/RS-485 & IP VISCA protocol support for remote control Advanced H.265/H.264/MJPEG compression Power options: DC input and PoE+, with integrated tally lights Built-in AI tracking for automatic subject following  

AW-UE20KE 4K PTZ Camera with 3G-SDI, HDMI, and USB Output - Black

Panasonic PAN-AW-UE20KE (PAN/AW-UE20KE, PAN/AW/UE20KE, PANAWUE20KE, PAN AW UE20KE) 4K PTZ Camera with 3G-SDI, HDMI, and USB Output - Black ENTRY MODEL SUITABLE FOR USE IN SMALL MEETING ROOMS AND SMALL CLASSROOMS PTZ cameras play an increasingly important role in teleworking such as online meetings and online classes. The AW-UE20 offers high image quality, wide shooting angle and high-magnification zoom to provide more comfortable communication through high-quality video images and stable transmission. The AW-UE20 is compatible with a wide range of systems such as SDI, HDMI, USB and IP, thus allowing flexible camera setup and operation. The AW-UE20 is a high-quality entry model. The compact unit can be installed in a small place without getting in the way. HIGH-QUALITY VIDEO STREAMING FOR MORE COMFORTABLE ONLINE COMMUNICATION 4K resolution, wide angle and high-magnification zoom maintain “the ambience of hall” intact in streaming videos Auto Tracing Software accurately follows and captures the speaker EXCELLENT SYSTEM FLEXIBILITY TO ACHIEVE SMART WIRING AND SMOOTH OPERATION Easy installation/setup and compact system configuration Single PC or controller can manage and control multiple cameras Use as a USB camera Direct upload of videos to video live streaming services COMPACT SIZE AND EXCELLENT FUNCTIONALITY THAT DO NOT DISTURB THE EXISTING VIDEO STREAMING ENVIRONMENT Compact design blends in with the surroundings. Lightweight and small size for added installation flexibility Linkable with existing system

AW-UE80WEJ 4K PTZ camera - White

Panasonic PAN-AW-UE80WEJ (PAN/AW-UE80WEJ, PAN/AW/UE80WEJ, PANAWUE80WEJ, PAN AW UE80WEJ) 4K PTZ camera - White MODELS TO RESPOND TO A WIDE RANGE OF VIDEO PRODUCTION NEEDS, SUCH AS RECORDING OF REALITY SHOWS AND EVENTS The AW-UE80W/K is PTZ camera suitable for capturing the natural facial expressions of actors/performers and for recording events without spoiling the ambience. The dome-shape design minimizes “the feeling of being recorded on video” while the new direct-drive motor produces a very quiet operating sound so it won’t disturb the production activities or spoil the ambience. The camera offers high-image-quality 4K/60p resolution, wide 74.1° angle and optical zoom with up to 24x magnification to achieve superb video image quality. The AW-UE80W/K also offers excellent stability and security during video streaming so it can be used for any type of video production. From production of a reality show to recording of an internal business or educational event, the top-of-the-line standard model, AW-UE80W/K, can be used in a diversity of applications. COMPACT & QUIET DESIGN BLENDS IN SMOOTHLY WITH THE SURROUNDINGS Featuring compact design and quiet operating sound, the AW-UE80 can be used effectively in any shooting situations and places. The camera unit is so inconspicuous it helps capture more natural facial expressions and actions of the performers. QUIET OPERATING SOUND FOR ANYWHERE USE. The operating sound is quiet so there is no need to worry about the camera sound spoiling the ambience even when producing a reality show or recording an event. The new direct-drive motor operates quietly during panning (horizontal movement) and tilting (vertical movement) so it does not disturb the recording of crucial scenes. What’s more, the new direct-drive motor stops precisely at a desired position, returns exactly to a preset position when the preset function is used for accurate camerawork, moves smoothly to accurately follow subjects moving at different speeds and allows speed setting. Combined with the quietness of operations, these features and functions can play an active part in a diversity of video production. ORIGINAL IMAGE STABILIZERS FOR STABLE VIDEO SHOOTING Even when the camera unit is mounted on an unstable place such as a crane or rail, the two types of image stabilizer functions ensure sharp and clear images. The Electronic Image Stabilization (EIS) makes adjustment by ensuring smooth movement of the camera in the roll direction while the Optical Image Stabilization (OIS) makes fine adjustment of the lens. Together, they assure stable recording of high-quality images. Can be suspended from the ceiling or mounted on a tripod for shooting from locations too difficult for a person to enter. The AW-UE80 can be flexibly mounted at a place where it is too difficult for a person to enter, so it can be utilized in a diversity of recording situations. FLEXIBLY ADAPT TO VARIOUS VIDEO SHOOTING SITUATIONS SUCH AS LARGE-SCALE SHOOTING The wealth of functions to meet diverse shooting needs, such as reduction of required manpower at the shooting site without causing any quality degradation. 4K RESOLUTION, WIDE ANGLE AND HIGH-MAGNIFICATION ZOOM MAINTAIN “THE AMBIENCE OF HALL” INTACT IN STREAMING VIDEOS The combination of the high 4K resolution, wide angle and high-magnification zoom enables capturing of the ambiences of events and concerts as well as the facial expressions of actors/performers so that the realism and atmosphere can be conveyed in online video streaming videos. The zoom function allows the enlargement of a desired area precisely so the streaming video becomes more attractive to watch. By utilizing the wide 74.1° angle and up to 24x optical zoom, missing of important scenes at an event can be prevented with a minimal number of camera units. This makes the AW-UE80 suitable for use in a broad range of applications regardless of the size of the hall. Single controller*1 can control up to 200 camera units A single controller unit can be used to control multiple camera units. When equipment compatible with PoE++*2 is used to connect to the network, a single LAN cable can transmit the video, audio and control signals as well as the power supply. The reduced number of cables used means decreased cable connection trouble, such as cable disconnection that causes interruption of recording. It also eliminates the need for the wiring of power supply cables. Furthermore, in outdoor recording using a temporary platform, the time and effort for setting up and removing the platform can be reduced. *1: When using Remote Camera Controller AW-RP150GJ or AW-RP60GJ. *2: Abbreviation for Power over Ethernet Plus Xu. It refers to the technology for supplying power through a LAN cable. Perfect for starting AR/VR video shooting at a low cost The AW-UE80 can output commands in compliance with FreeD*1 so it can be connected to an AR/VR system. The use of the AR/VR*2 feature enables the creation of a new type of videos totally different from before. *1: FreeD: A protocol which outputs camera tracking data for use by an AR/VR system. The AW-UE80W/K outputs the camera’s pan, tilt, zoom and focus information that is necessary for creating AR/VR images. *2: AR and VR stand for Augmented Reality and Virtual Reality, respectively. HIGH-IMAGE-QUALITY VIDEOS RESISTANT TO INTERRUPTION AND WITH A LOW LATENCY The AW-UE80 realizes streaming of high-image-quality videos with a low latency even when the communication is unstable. Furthermore, it ensures excellent stability and security during streaming, so it can be used safely for any applications. SMOOTH PLAYBACK OF HIGH-IMAGE-QUALITY VIDEOS The AW-UE80 comes standard with High Bandwidth NDI®*1,2 and NDI®|HX version 2*3,4 for IP transmission of high-image-quality videos. High Bandwidth NDI® enables IP transmission of high-image-quality videos with a low latency, while NDI®|HX version 2 achieves efficient video transmission with a limited bandwidth. Since the video source is accessible from any device on the same network, even unknown IP addresses are automatically recognized. This allows for a flexible video production flow at the shooting site. *1: NDI® is a new protocol developed by NewTek, Inc. that supports IP video production workflow. *2: NDI® is a registered trademark of NewTek, Inc. in the United States. *3: In this instance, NDI® is used to indicate low latency with high bandwidth NDI®, NDI®|HX is used to indicate high efficiency low bandwidth NDI®|HX. *4: In the NDI®|HX mode, 4K video signals cannot be output. AW-UE80 supports NDI®|HX version 2 and Full HD output.

BDX5B X5 Ultra UHD PTZ Camera - Black

BirdDog BDX5B (BD-X5B, BD/X5B, BD_X5B, BD X5B) X5 Ultra UHD PTZ Camera - Black 4K60 Production PTZ Camera featuring NDI® | HX3, NDI® | HX2/3 Decoder, 12G-SDI, advanced mechanical drive, 2x e-ink display and HALO Tally - Black X5 Ultra. In every way. Productions are demanding; the X5 Ultra makes demanding a walk in the park. Featuring unparalleled capability, quality, and performance – take your PTZ game up a notch with X5 Ultra. Imagine next-level robotic controls with ultra-fine and precise movement thanks to its category-busting advanced motor drive system. Movements on air are a breeze, and acceleration/deceleration of moves look natural and slick. Sporting BirdDog’s signature Halo tally system for true audience engagement, revolutionary built-in NDI® decoding*, all the video connectors, including 12G-SDI, dual e-ink displays make branding and maintenance a snap, all wrapped up with a stunning Sony 4K60 image sensor delivering the highest performance NDI® | HX3 possible. X5 Ultra. In every way. Halo Tally. A higher order of visual queue. Professional results need professional tools. The X5 Ultra sports the most visible and effective Tally system available. Up front, with a large, daylight-visible border keeping talent looking directly at the camera. Your cast and crew will always know where to look, keeping your audience engaged. AI Tracking. Built for now and the future. We aren’t playing catch-phrase bingo here. X5 Ultra takes AI auto-tracking and framing to the next level. Featuring an order of magnitude more neural processing capabilities, the out-of-the-box X5 Ultra has incredible AI powers but also the headroom to grow as AI progresses. Magic. NDI® | HX3. Performance meets convenience The X5 Ultra delivers superior network performance via our implementation of NDI® | HX3. Significantly reducing network impact while maintaining excellent image quality, meaning it is more friendly in more network environments. BirdDog’s NDI® | HX3 surpasses certification parameters, delivering quality and performance you can count on. Connectivity for days. Video productions all look different. We love NDI® because it allows a single network cable to operate everything, but sometimes it makes sense to take a different path. X5 Ultra makes this a snap. In a world of compromise, the X5 Ultra stands proud. With 12G-SDI output, dual HDMI outputs, multiple network formats, including NDI® | HX3, SRT, RTMP and RTSP, Webcam connectivity over USB, however you work and whatever demand in quality you have, X5 Ultra has got your back for today’s production… and tomorrow’s! Integrated NDI® | HX Decoder. It can’t get much more convenient! The X5 Ultra is part of the family of PTZ cameras featuring the first simultaneous NDI® | HX* Decoder designed specifically for confidence monitoring, return feeds, or teleprompter usage. We’ve pulled all this connectivity into a single cable, radically simplifying how you interface with your equipment. Less gear. Less hassle. Less complexity. Whether you're broadcasting live or delivering a CEO address, the integrated NDI® | HX decoder enables more engagement with less setup. *NDI® | HX2 and NDI® | HX3 supported. E-ink Label. Get Inked. The dual, always-on e-ink labels on the X5 Ultra are a game-changer. From network addresses for easy access to controls to customisable logos* to complement your brand image, this cool feature ensures that your set-up is clear and each camera is easily identifiable even when the power is off.

BDX5W X5 Ultra UHD PTZ Camera - White

BirdDog BDX5W (BD-X5W, BD/X5W, BD_X5W, BD X5W) X5 Ultra UHD PTZ Camera - White 4K60 Production PTZ Camera featuring NDI® | HX3, NDI® | HX2/3 Decoder, 12G-SDI, advanced mechanical drive, 2x e-ink display and HALO Tally - White X5 Ultra. In every way. Productions are demanding; the X5 Ultra makes demanding a walk in the park. Featuring unparalleled capability, quality, and performance – take your PTZ game up a notch with X5 Ultra. Imagine next-level robotic controls with ultra-fine and precise movement thanks to its category-busting advanced motor drive system. Movements on air are a breeze, and acceleration/deceleration of moves look natural and slick. Sporting BirdDog’s signature Halo tally system for true audience engagement, revolutionary built-in NDI® decoding*, all the video connectors, including 12G-SDI, dual e-ink displays make branding and maintenance a snap, all wrapped up with a stunning Sony 4K60 image sensor delivering the highest performance NDI® | HX3 possible. X5 Ultra. In every way. Halo Tally. A higher order of visual queue. Professional results need professional tools. The X5 Ultra sports the most visible and effective Tally system available. Up front, with a large, daylight-visible border keeping talent looking directly at the camera. Your cast and crew will always know where to look, keeping your audience engaged. AI Tracking. Built for now and the future. We aren’t playing catch-phrase bingo here. X5 Ultra takes AI auto-tracking and framing to the next level. Featuring an order of magnitude more neural processing capabilities, the out-of-the-box X5 Ultra has incredible AI powers but also the headroom to grow as AI progresses. Magic. NDI® | HX3. Performance meets convenience The X5 Ultra delivers superior network performance via our implementation of NDI® | HX3. Significantly reducing network impact while maintaining excellent image quality, meaning it is more friendly in more network environments. BirdDog’s NDI® | HX3 surpasses certification parameters, delivering quality and performance you can count on. Connectivity for days. Video productions all look different. We love NDI® because it allows a single network cable to operate everything, but sometimes it makes sense to take a different path. X5 Ultra makes this a snap. In a world of compromise, the X5 Ultra stands proud. With 12G-SDI output, dual HDMI outputs, multiple network formats, including NDI® | HX3, SRT, RTMP and RTSP, Webcam connectivity over USB, however you work and whatever demand in quality you have, X5 Ultra has got your back for today’s production… and tomorrow’s! Integrated NDI® | HX Decoder. It can’t get much more convenient! The X5 Ultra is part of the family of PTZ cameras featuring the first simultaneous NDI® | HX* Decoder designed specifically for confidence monitoring, return feeds, or teleprompter usage. We’ve pulled all this connectivity into a single cable, radically simplifying how you interface with your equipment. Less gear. Less hassle. Less complexity. Whether you're broadcasting live or delivering a CEO address, the integrated NDI® | HX decoder enables more engagement with less setup. *NDI® | HX2 and NDI® | HX3 supported. E-ink Label. Get Inked. The dual, always-on e-ink labels on the X5 Ultra are a game-changer. From network addresses for easy access to controls to customisable logos* to complement your brand image, this cool feature ensures that your set-up is clear and each camera is easily identifiable even when the power is off.

Blackmagic Studio Camera 4K Pro G2

Blackmagic Studio Camera 4K Pro G2(BMD-CINSTUDMFT/G24PDFG2, BMD CINSTUDMFT/G24PDFG2, BMD/CINSTUDMFTG24PDFG2) BLACKMAGIC STUDIO CAMERA 4K PRO G2 Designed for powerful SDI switchers, Blackmagic Studio Camera 4K Pro G2 adds professional 12G‑SDI and 10G Ethernet connections. That's perfect when the camera is located a long distance from a switcher. There's a 12G‑SDI output and a 12G‑SDI program return input that includes camera control, talkback and tally. You also get the same powerful HDMI output with control features. Plus the 10G Ethernet connection allows all connections on a single cable for a SMPTE style workflow that's much lower cost. THE ULTIMATE SELF CONTAINED LIVE STUDIO CAMERAS With 3 models of Blackmagic Studio Camera, you can choose the one that’s best for your work. Even with 3 different models, each camera still has the same Blackmagic generation 5 colour science, so have the same cinematic images when mixed and matched on the same job. The distinctive design has the benefits of a large studio camera as it’s a combination of camera and viewfinder in a single lightweight design. All models offer gain from -12dB (100 ISO) up to +36dB (25,600 ISO) for amazing low light performance with low image grain and noise, as well as maximum dynamic range from the sensor. That means you can shoot in locations with limited lighting. They even have built in colour correctors. LIGHTWEIGHT CARBON FIBER POLYCARBONATE Blackmagic Studio Cameras are built from advanced carbon fiber reinforced polycarbonate, so they are light weight and very strong. That's important when you are carrying multiple cameras into venues such as old theatres, stadiums or nightclubs that have crazy stairs and hard to access backstage areas. Plus the ergonomic design has all external connections on the tripod handle side of the camera. This design and the folding sunshade makes the cameras extremely fast to set up. HIGHLY VISIBLE TALLY LIGHT Blackmagic Studio Cameras have a large built in tally light to see which camera is on-air. The light is so big, you can see it from a great distance! Plus numeric decals are included so you can number each camera. There's also a separate tally light on the rear under the sunshade, perfect when tilting the camera down. Tally is flexible as it works via SDI, HDMI or the Ethernet connection. When using Ethernet, the Blackmagic Studio Converter even includes conventional tally GPI inputs. LARGE BUILT IN VIEWFINDER The design of the Blackmagic Studio Camera is based on an incredible full HD resolution viewfinder with a bright screen and wide viewing angle. Until now, only incredibly expensive studio cameras had the advantage of such a large viewfinder for better focusing and framing of shots! For outdoor use, there's a sunshade included that folds up to protect the screen. This sunshade can also be easily unclipped and removed, or even replaced with the metal sunshade from the URSA Studio Viewfinder. TOUCHSCREEN AND MANUAL CONTROLS For fast moving live production, it's vital to have all camera controls instantly accessible. The viewfinder LCD is also a touchscreen so you can access camera settings via on screen menus. You get knobs for LCD brightness and contrast, and a focus peaking knob lets you fine tune the focus highlighting for accurate camera focus. There's also touch parameters for camera settings such as colour temp, gain, audio level and more. Plus there's even a program return and customizable function buttons. COMPATIBLE WITH POPULAR PHOTOGRAPHIC LENSES As photographic lenses are designed to handle high resolutions and are mass produced, they're great for high end television use. The MFT and EF lens mounts allow you to choose from a massive range of lenses from a wide range of different manufacturers. Often these lenses are so well built, you get broadcast style results combined with very accurate focus and zoom control. This means you can add the optional focus and zoom demands and use the camera just like a professional broadcast camera. BOTH BROADCAST AND CONSUMER CONNECTIONS The Blackmagic Studio Cameras have been designed to look attractive but still provide all the connections in a logical lay out. The connections on the right are for all video inputs and outputs and this means they can be tied to the tripod handle. On the left side are the connections for your talkback, audio inputs, USB and more. That's great for headphones as the connection on the camera is on the same side as the connection on the headphones, so you don't have to deal with any cable tangles. INCLUDES TRIPOD MOUNT Every Blackmagic Studio Camera includes a tripod mount so you don't need to purchase any accessories. The mount includes a quick release sliding plate, so you can attach the camera to the tripod just by sliding it onto the plate. That makes setup very fast when arriving on location. Plus the tripod mount includes two horizontal mounting holes so you can add optional rails when you need to support heavy items on the lens side of the camera such as prompters, matte boxes or heavy lenses. DC, XLR OR ETHERNET POWERED The Blackmagic Studio Camera features a common plug pack power connection with a locking ring so it won't get disconnected accidentally. On the Pro models, you can also connect via a 4 pin broadcast style XLR power connection, or if you use the Blackmagic Studio Converter to connect via Ethernet, the single Ethernet connection will also fully power the camera. That means when you use Ethernet, you don't need to plug in any local camera power at all.

BRC-H800 HD Pan Tilt Zoom Camera

Sony BRC-H800 (BRC/H800, BRCH800, brc-h800) HD Pan Tilt Zoom Camera HD Pan Tilt Zoom camera with 1-inch type Exmor R CMOS sensor Remotely capture broadcast quality Full HD images with smooth, silent PTZ and excellent low-light sensitivity. The BRC-H800 remote camera combines uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections. Designed for unattended operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms or sports stadiums. It's also particularly suited to efficient multi-camera set-ups, under the control of a single operator. The 1-inch type Exmor R CMOS image sensor captures crisp, low-noise Full HD images at 60p, with excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention. Speedy, near-silent PTZ operation with 12x optical zoom accommodates wide-angle scenes and tightly framed close-ups, with Clear Image Zoom 24x(HD) extending this range even further without visible loss of resolution. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting. There’s also a broad range of video interfacing and remote control possibilities - plus support for PoE+ and genlock - for smooth integration into any broadcast, professional or corporate AV environment.

BRC-X1000 4K Pan Tilt Zoom Camera

Sony BRC-X1000 4K (BRC/X1000, BRCX1000, BRC_X1000, brc-x1000) Pan Tilt Zoom Camera "Sony Brc-X1000 4K Pan Tilt Zoom Camera With 1-Inch Type Exmor R Cmos Sensor" Remotely capture broadcast quality 4K images with smooth, silent PTZ and excellent low-light sensitivity The BRC-X1000 is Sony's first 4K remote camera, combining uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections. Designed for remote operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms or sports stadiums. It's also particularly suited to efficient multi-camera set-ups, under the control of a single operator. The 1-inch type Exmor R CMOS image sensor captures detail-packed 4K footage at 30p with four times the pixel count of Full HD, and excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention. Speedy, near-silent PTZ operation with 12x optical zoom accommodates wide-angle scenes and tightly framed close-ups, with Clear Image Zoom 18x (4K), 24x(HD) extending this range even further without visible loss of resolution. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting. There’s also a broad range of video interfacing and remote control possibilities - plus support for PoE+ and genlock - for smooth integration into any broadcast, professional or corporate AV environment. Enhanced Pan/Tilt/Zoom (PTZ) operation Accurately re-frame shots or track moving subjects with smooth, speedy, near-silent remote control of pan, tilt and zoom functions. There's also low-speed zoom and a slow pan/tilt mode for precise, judder-free camera movements. PTZ Trace Memory* allows a sequence of camera movements to be memorised and followed whenever required. PTZ Motion Sync* smoothly blends separate pan, tilt and zoom movements for seamless, professional-looking transitions. Uncompromising 4K images The camera's large, back-illuminated 1-inch type Exmor R CMOS sensor delivers uncompromised broadcast quality colour pictures in detail-packed 4K 30p, with four times the resolution of Full HD. Footage can also be captured in Full HD 60p - ideal for fast-moving sports action. Cinematic 24p pictures* The camera can also operate in 24p mode, for video footage with a rich, filmic look. High quality 12x optical zoom and 18x(4K) or 24x(HD) with Clear Image Zoom The high quality Zeiss Vario-Sonnar T* lens with 12x optical zoom range covers wide angle shots as well as tight close-ups. Clear Image Zoom expands this range to 18x (4K) or 24x (HD) without sacrificing detail. Excellent low light sensitivity The BRC-X1000 can capture crisp, low noise colour video images in light levels as low as 1.7lx, making it an ideal choice for dimly lit live hall and theater. Flexible installation Integration is simplified in a wide range of environments, with PoE+ (Power over Ethernet) to reduce cabling requirements and VISCA control over IP. Remote operation Pan/tilt/zoom and other camera settings can be controlled using the supplied IR remote commander, or with the optional RM-IP10 Remote Control Unit that can control multiple cameras. Genlock Genlock simplifies integration with other systems in multi-camera broadcast environments. Versatile video outputs Enjoy greater installation flexibility in professional broadcast and AV environments with dual link 3G-SDI (x4) and HDMI video outputs. Front and rear tally lamps Ideal for on-air broadcast use, the BRC-X1000 features dual tally lamps on the front and rear of the camera body. Brightness of the front tally lamp can be adjusted in two steps. Always up to date New camera functionality and performance improvements can be added via firmware updates over IP.

Datavideo PTC-145 Pan/Tilt Camera With Auto Tracking

Datavideo PTC-145 Pan/Tilt Camera With Auto Tracking(DATA-PTC-145) Stunning Full HD resolution The PTC-145 features 1/2.8 inch CMOS sensor, 1920x1080px Full HD resolution, 60fps. 20x Optical Zoom, 10x Digital Zoom The PTC-145's 20x optical zoom and 10x digital zoom allows you to mount it near or far and still get great, sharp shots. Advanced 2D/3D noise reduction function Supports advanced digital noise reduction, even in less-than-perfect lighting conditions can shoot clear and smooth image. Wide 54° Field of View PTC-145 provides a wide Field of View of 54°, easily shooting all the scenes in the field. H.264/H.265 video compression for streaming With built-in streaming encoder, can encode up to 2 simultaneous streams to any cloud service. Simple multi-camera control at your fingertips With its ergonomic joystick and tactile button layout, the RMC-180 makes it easy to set up and control up to four Datavideo PTC-145 cameras for any live video production.   RMC-300A can control up to 24 PTC-145 cameras Designed to control up to 24 PTC-140 cameras, with preset memory for easy camera control. Able to control up to 24 Datavideo PTC-145 cameras simultaneously, 7 presets for each camera to operate with RGB backlit buttons. Dark or Light Body   The PTC-145 is available in dark gray or white to remain inconspicuous in permanent setups.

F65RS/VF F65RS Camera with HDVF-C30WR Viewfinder

Sony F65RS/VF (F65RSVF, F65RS VF, F65/RS/VF, f65rs/vf) (HDVF/C30WR, HDVF_C30WR)(f65rs)F65RS Camera with HDVF-C30WR Viewfinder Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. Digital Motion Picture Camera with Rotary Shutter & Viewfinderfrom Sony New Digital Cinematography camera which utilizes New 20 Megapixel Super 35mm CMOS imager, whose active image area is 24.7mm X 13.1mm. F65 camera has an integral PL mount which is standard for Film cameras. ARRI and Cooke Lens interface data and Metadata are recorded on SR Memory recorder. F65 camera has base sensitivity of 800EI. In this mode you have 7 stops latitude over key and 7 stops under providing phenomenal Dynamic Range. F65 covers a wider color space over any other digital cameras. This allows more headroom for color grading and future proof camera original material. The Rotary shutter has range of 11.5 degrees to 180 degrees. This eliminates CMOS motion artifacts. F65/RS also outputs shutter pulse for 3D /Motion Control rig application. With the rotary shutter you also have Built in ND filters of 0.9, 1.2, 1.5 and 1.8. In the viewfinder and monitor output from the camera, X2 and X4 magnification can be enabled for critical focusing. Ergonomics of the camera allows use of film accessories without any modification to the camera. When camera is used in 16bit RAW File mode (Digital Negative), in POST one can render multiple resolutions such as:- 4K Cinema (4096 X 2160) 3840 X 2160 2K Cinema HDTV

FR7 Cinema Line Full-Frame PTZ camera

Sony ILME-FR7 (ILME/FR7, ILME_FR7, ILMEFR7, ILME FR7) FR7 Cinema Line Full-Frame PTZ camera The FR7 provides smooth pan, tilt and zoom (PTZ) control coupled with a full-frame image sensor and a high-quality E-mount lens line-up. Focal length and shallow depth of field provide creative freedom and combine with remote PTZ control capability to open a new world of creative potential. Remote control for creative camera placement  With its integrated, remotely controllable pan and tilt mechanism, the FR7 can be mounted on the ceiling or in other out-of-the-way locations. Follow your subjects or instantly recall pre-composed shot framings, for unprecedented creative potential.  Innovative remote control  With a newly developed Web App that enables easy access via QR code or URL input, you can set up the FR7 from a tablet or a PC through a web browser. You can also use the optional RM-IP500 for precise joystick-controlled pan, tilt and zoom operation. Advanced technology for cinematic expression Bearing the Cinema Line name, the FR7 incorporates key features that support cinematic expression. The FR7 features a back-illuminated 35 mm full-frame CMOS image sensor for the first time in a pan, tilt and zoom (PTZ) camera. Also the BIONZ XR™ contributes to superb image quality with high sensitivity, smooth gradations, and true-to-life colour.  Limitless creativity with E-mount lenses The FR7 features Sony's E-mount and can be used with all E-mount lenses. These include the superlative G Master series, known for its stunning resolution and beautiful bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm gives you comprehensive creative control. Cinema Line image quality The FR7's "Cinema Line" name identifies it as part of a renowned line-up of creative tools designed to unleash the true power of visual storytelling. It provides Custom and Cine EI modes that adjust camera operation to your workflow while maintaining consistency with other Cinema Line cameras. Staggering latitude for powerful expression The FR7 offers wide 15+ stop latitude to prevent blown highlights and crushed shadows. In Cine EI mode, base sensitivity can be set to either ISO 800 or 12800 for a consistent look regardless of lighting conditions. Astounding image quality in low light  The FR7 offers cleaner images in low light by taking full advantage of the sensor’s size and high sensitivity. ISO can be expanded as far as ISO 409600 when shooting in extremely low light conditions such as live concerts. Slow motion for extensive creative possibilities  Smooth 5x slow motion provides extensive creative possibilities, making every moment clearer and more dramatic. The FR7 allows internal slow-motion capture at up to 120 fps in 4K resolution, and up to 240 fps in full HD. 4K 60p 4:2:2 10-bit output  The FR7 supports clean, high-quality output via its HDMI and SDI OUT connectors. This makes it possible to record Apple ProRes 422 or Avid DNxHR® in 4K 60p 4:2:2 10-bit format with compatible external recorders via an HDMI or SDI cable. Support for S-Log3/S-Gamut3 The optional S-Log3 gamma curve and S-Gamut3.Cine let you capture the full colour gamut and dynamic range available to the sensor. They enable the retention of information in both highlights and shadows for flexibility in post-production. All-Intra recording for precise motion capture  The FR7 is capable of 4K internal recording with 10-bit depth and 4:2:2 colour sampling with All-Intra and Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom. An instant cinematic look with S-Cinetone™ S-Cinetone produces the natural mid-tones essential to healthy-looking skin, plus soft colours and gorgeous highlights. Beautiful cinematic images can be created in-camera, without extra colour grading. A wide variety of lenses to deliver your vision The FR7 features Sony's E-mount and can be used with high-quality E-mount lenses, including the superlative G Master series, known for its stunning resolution and softly dissolving bokeh. A choice of focal lengths ranging from 12 mm to 1200 mm gives you full creative control. Exquisite, impressive bokeh Taking advantage of the camera's full-frame sensor and Sony’s extraordinary line-up of lenses, you can create expressive bokeh effects with a shallow depth of field – an impossibility with other PTZ cameras. Using a prime lens such as an F1.2 lens will help achieve cinematic-style visual effects where the subject stands out from the background dramatically.  The advantages of Sony’s lenses for video shooting  The best camera deserves the best lenses. Discover four unique advantages in using Sony’s E-mount lenses for video shooting. The combination of Sony's lenses and the FR7 will enhance your video creation experience. Lens support rods Two lens rods provided below the camera head allow attachment of standard 15 mm rod mountable accessories. Capture the scene from any angle The FR7 incorporates smooth pan, tilt and zoom functionality that can be remotely controlled, or recalled to preset positions. The pan angle range is from -170° to +170°, and the tilt angle range is from -30° to +195° when used in normal upright orientation. A full-featured dedicated Web App With a new dedicated Web App, you can use a tablet or a computer's web browser to pan, tilt, zoom, focus, record, and adjust all camera settings. You can access cameras in hard-to-reach locations with easy setup using each camera’s unique QR code. The Web App uses the same menu format as the FX6 for intuitive operation. High-performance remote controller RM-IP500 The FR7 can be paired with Sony's RM-IP500 remote controller for PTZ cameras, providing precise joystick-controlled pan, tilt and zoom operation. Speed adjustment knobs let you set the speed of pan, tilt, zoom and focus operations suitable for the subject and setting. Zoom can be controlled either via the joystick or a seesaw lever. Expand your creative options The FR7 supports multi-camera production with just a small staff. It can be mounted on a tripod, on the ceiling, or in limited-access locations so that subjects can be unobtrusively followed and recorded from a range of viewpoints. A single RM-IP5002 remote control unit can be used for a setup of up to 100 FR7 cameras (10 groups of 10 cameras) Fine-tuned control over camera movement  Pan and tilt speed can be continuously varied from 0.02 degrees per second to 60 degrees per second, for flexible subject tracking and production scenarios. Up to 100 preset camera positions The supplied remote controller, dedicated FR7 Web App and RM-IP500 can remember up to 100 camera presets (camera direction, zoom and focus). Presets can be recalled at the touch of a button. Clear Image Zoom3 to refine your angle of view  The FR7 includes Sony's Clear Image Zoom function, giving you the option to zoom into your subject with minimal image degradation even when using a non-powered zoom lens or prime lens. Reliable autofocus for remote shooting For remote setting, the FR7 locks onto fast-moving subjects quickly and tracks them tenaciously even in low light, using 627 selectable phase-detection AF points and the powerful BIONZ XR processor. Real-time Tracking for remote shooting Concentrate on composition and leave focusing up to the camera. In the FR7’s Web App, Touch Tracking starts autofocus for your chosen subject, complete with Real-time Tracking for professional and efficient production Real-time Eye AF for remote shooting  Underpinned by the BIONZ XR processor, the FR7 offers reliable AF performance, indispensable for remote shooting. Pinpoint eye focus tracks an eye even when subjects are looking up or down at a steep angle. Electronic Variable ND Filter for smooth remote operation  Sony's built-in electronic variable ND (neutral density) filter allows exposure control at a distance, for smooth operation in a remote setup. It allows seamless ND adjustment from 1/4 to 1/128 to control exposure remotely, and depth of field can be conveniently controlled while maintaining a consistent exposure. Breathing compensation The FR7 includes a Breathing Compensation function that minimises unwanted changes in angle of view, for better looking focus transitions. With compatible lenses, the angle of view is automatically kept consistent even when focusing, making it possible to achieve smooth and dramatic focusing effects Tally lights to facilitate multi-camera production The FR7's red and green tally lights make it easy to identify which camera is currently active (on-air) in a multi-camera setup. A red tally light can identify the on-air camera while a green tally light indicates the preview camera. Supplied infrared remote controller  The infrared remote controller included with the FR7 controls pan, tilt, zoom and focus (with presets available) as well as recording and playback. Dedicated ceiling mount bracket CIB-PCM The FR7 is compatible with the CIB-PCM ceiling mount bracket2 for easy overhead setup. The "Ceiling" option in the Web App flips the control directions, for natural operation even with the camera mounted upside down. Interfaces and IP transmission methods for a wide range of use cases The FR7 provides excellent connectivity for video output, IP streaming, and synchronisation with other devices. HDMI video output can be used for real-time monitoring, while SDI video output delivers a RAW signal to an external recording device. Camera control, video and audio transfer, and power supply can be carried out via a single LAN cable. Connecting to external devices Easily connect to external devices to provide timecode synchronisation, control tally light signals, and coordinate synchronisation signals in multi-camera setups.  TC IN connector Receives timecode from an external device to be used for synchronisation.  "Option" connector Connects tally light signals to an external device. GENLOCK connector Receives synchronisation signals from an external device for use in multi-camera setups. LAN and PoE++ connector The FR7 can be powered with an external PoE++ (Power over Ethernet Plus Plus) device via a standard network cable (CAT5e or higher), eliminating the need for separate power supply cabling. DC IN connector  If not using PoE++, the supplied AC adaptor connects to the FR7's "DC IN" connector to power the unit. The cord clamp on the rear panel of the FR7 can be used to prevent the power cable from being accidentally unplugged.  Support for multiple protocols to meet your streaming needs RTSP streaming allows video output from one camera to be simultaneously distributed to up to five viewers. SRT enables high-quality, low-latency video transfer even in unstable network conditions. And NDI|HX connects to NDI compatible devices such as switchers and media servers, supporting efficient live video production using Internet protocols.

Full HD remotely controlled PTZ colour video camera with IP streaming (Black)

Sony SRG-300SEC (SRG_300SEC, SRG/300SEC, SRG300SEC) Full HD remotely controlled PTZ colour video camera with IP streaming (Black)  With a 30x optical zoom and remote control capabilities, the black Sony SRG300SE 1080p Desktop & Ceiling Mount Remote PTZ Camera, is suitable for medium to large venues such as lecture halls, auditoriums, houses of worship, and stadiums. The unit consists of the pan/tilt module and the camera head and lens. The SRG300SE captures HD video in 720p, 1080i, or 1080p at up to 59.94. It features a 1/2.8" Exmor CMOS sensor providing low light sensitivity of 1.4 lux. The camera comes with Sony's Wide-D for wide dynamic range, enhancing the image with View-DR, while XDNR provides digital noise reduction in both moving and still images. The SRG300SE is suitable for use on a desk, mounted to a tripod, or you can mount it to a ceiling using the included brackets. The camera also features an Image Flip option, which simplifies setting up the camera when it is mounted upside down. It features remote control operation of pan, tilt, zoom, focus, iris, shutter speed, and gain. Remote operation is a major component of the SRG300SE's design, and the camera supports VISCA control protocols, as well as RS-232 and RS-422. You can program the camera with up to 16 preset positions, which is useful for repetitive events and productions. The small size and remote operation capabilities of the SRG300SE allow for placement where a manually operated camera and operator can not go. SRG-300SE Features The SRG-300SE provides simultaneous 3G-SDI and IP H.264 streaming. This allows you to feed an SDI infrastructure a 3G-SDI signal, while streaming web ready video stream without using an external encoder to convert your video signal to a web friendly format. Web-viewing function allows remote camera control for up to 20 clients. Up to 10 clients can receive video and audio combined streaming. Remote Operation Remote operated HD camera with pan, tilt, zoom, focus, iris, and shutter speed control Zoom Range The SRG300SE provides up to 30x optical zoom, and 12x digital zoom Camera Control VISCA over IP technology allows for control of the camera over an IP connection. RS-232 and RS-422 control of the camera The camera supports programming of up to 16 preset positions using optional controllers such as the Sony RMIP10 Wide-D/View-DR View-DR is Sony's Wide-D technology, specific to their security cameras to produce images with an extremely wide dynamic range. With View-DR, the camera uses an electronic shutter to capture multiple images, to reproduce each frame. One image is taken using a 'standard' exposure time and either one or three images are taken using very short exposure times depending on the camera type. As a result, View-DR nearly doubles the sensitivity compared to conventional Wide-D technologies. XDNR Noise Reduction XDNR utilizes 2D and 3D noise reduction methods adaptively to scenes. Under low-light conditions, XDNR provides clear images for both moving objects and still portions of the image.

Full HD remotely controlled PTZ colour video camera with IP streaming (White)

Sony SRG-300SEW (SRG_300SEW, SRG/300SEW, SRG 300SEW) Full HD remotely controlled PTZ colour video camera with IP streaming (White)  With a 30x optical zoom and remote control capabilities, the white Sony SRG300SE/W 1080p Desktop & Ceiling Mount Remote PTZ Camera, is suitable for medium to large venues such as lecture halls, auditoriums, houses of worship, and stadiums. The unit consists of the pan/tilt module and the camera head and lens. The SRG300SE/W captures HD video in 720p, 1080i, or 1080p at up to 59.94. It features a 1/2.8" Exmor CMOS sensor providing low light sensitivity of 1.4 lux. The camera comes with Sony's Wide-D for wide dynamic range, enhancing the image with View-DR, while XDNR provides digital noise reduction in both moving and still images. The SRG300SE/W is suitable for use on a desk, mounted to a tripod, or you can mount it to a ceiling using the included brackets. The camera also features an Image Flip option, which simplifies setting up the camera when it is mounted upside down. It features remote control operation of pan, tilt, zoom, focus, iris, shutter speed, and gain. Remote operation is a major component of the SRG300SE/W's design, and the camera supports VISCA control protocols, as well as RS-232 and RS-422. You can program the camera with up to 16 preset positions, which is useful for repetitive events and productions. The small size and remote operation capabilities of the SRG300SE/W allow for placement where a manually operated camera and operator can not go. SRG-300SE Features The SRG-300SE provides simultaneous 3G-SDI and IP H.264 streaming. This allows you to feed an SDI infrastructure a 3G-SDI signal, while streaming web ready video stream without using an external encoder to convert your video signal to a web friendly format. Web-viewing function allows remote camera control for up to 20 clients. Up to 10 clients can receive video and audio combined streaming. Remote Operation Remote operated HD camera with pan, tilt, zoom, focus, iris, and shutter speed control Zoom Range The SRG300SE/W provides up to 30x optical zoom, and 12x digital zoom Camera Control VISCA over IP technology allows for control of the camera over an IP connection. RS-232 and RS-422 control of the camera The camera supports programming of up to 16 preset positions using optional controllers such as the Sony RMIP10 Wide-D/View-DR View-DR is Sony's Wide-D technology, specific to their security cameras to produce images with an extremely wide dynamic range. With View-DR, the camera uses an electronic shutter to capture multiple images, to reproduce each frame. One image is taken using a 'standard' exposure time and either one or three images are taken using very short exposure times depending on the camera type. As a result, View-DR nearly doubles the sensitivity compared to conventional Wide-D technologies. XDNR Noise Reduction XDNR utilizes 2D and 3D noise reduction methods adaptively to scenes. Under low-light conditions, XDNR provides clear images for both moving objects and still portions of the image.    

HD Colour Studio Camera + Lemo Fibre Transmission with LCD Viewfinder, Microphone and Lens

Sony HXC-FB80KL//U (HXC_FB80KL//U, HXC/FB80KL//U, HXC FB80KL//U) HD Colour Studio Camera + Lemo Fibre Transmission with LCD Viewfinder, Microphone and Lens The HXC-FB80 is a cost-effective high-performance HD portable camera with three Sony 2/3-inch Exmor CMOS sensors and a 3G-SDI platform capable of 1080/50p and 59.94p signal processing while achieving low power consumption. In combination with the HXCU-FB80 4K/HD Camera Control Unit, it offers user-beneficial expandability including 4K upscale and HD HDR support (HLG, Hybrid Log-Gamma) for a future-proof solution. The optional PC-based HZC-RCP5 Remote Control Panel is available for a simpler application system. Your future proofed 4K live production solution The HXC-FB80 gives you a future proofed entry point to the benefits of 4K production. Teamed with the HXCU-FB80 Camera Control Unit, detail-packed 4K resolution (3,840 x 2,160) images are available – making the HXC-FB80 system ideal for creating content in Ultra HD.  Ready for HDR Future-proof your content for viewers to enjoy on the fast-growing choice of High Dynamic Range TV sets and display devices. A free firmware update (scheduled summer 2018) enables HD HDR production, with support for HLG (Hybrid Log-Gamma). Big on picture quality and performance The HXC-FB80 offers impressive imaging performance and functionality in a portable camera. It’s an ideal partner for our RCP-1000 series remote control panels – or team with our HZC-RCP5 remote control software for a highly convenient live 5-camera system. You’ll enjoy many advanced features like paint control that are familiar to users of our high-end HDC-series system cameras. And it’s also compatible with appealing options like our latest OLED viewfinders. Great images in any light Incorporating three 2/3-inch Exmor CMOS sensors, the HXC-FB80 offers stunning Full HD picture quality, with a sensitivity of F13 at 1080/50i and a corresponding signal-to-noise ratio of just -60 dB. It’s great for shooting in low light environments, delivering extra detail with extremely low noise. More format flexibility The camera head can comfortably output 3G-SDI signals in a range of formats right up to 1080/50p, with 4K available via the CCU’s 12G-SDI and Quad 3G-SDI interfaces. So you can enjoy maximum production convenience – and your viewers can enjoy the best Full HD picture quality.  

HD Studio Camera + Lemo Fibre Transmission (Body Only)

Sony HXC-FB80HL//U (HXC/FB80HL//U, HXC_FB80HL//U, HXC FB80HL//U) HD Studio Camera + Lemo Fibre Transmission (Body Only) The HXC-FB80 is a cost-effective high-performance HD portable camera with three Sony 2/3-inch Exmor™ CMOS sensors and a 3G-SDI platform capable of 1080/50p and 59.94p signal processing while achieving low power consumption. In combination with the HXCU-FB80 4K/HD Camera Control Unit, it offers user-beneficial expandability including 4K upscale and HD HDR support (HLG, Hybrid Log-Gamma) for a future-proof solution. The optional PC-based HZC-RCP5 Remote Control Panel is available for a simpler application system. HXC-FB80N camera model equipped with Neutrik connector interface. (Works with HXCU-FB80N CCU model) HXC-FB80L camera model equipped with Lemo connector interface. (Works with HXCU-FB80L CCU model). Requires firmware upgrade available in 2018. Full HD Exmor CMOS sensors Incorporating three 2/3-inch Exmor CMOS sensors, the HXC-FB80 offers stunning full-HD picture quality and sensitivity of F13 in 50 Hz and F12 in 59.94 Hz at 1080 mode with a signal-to-noise ratio of -60 dB. These features enhance shooting in a low light environment. 3G-SDI Platform Capable of 1080/50p and 59.94p The camera head can comfortably output 3G-SDI signals including 1080/50p and 59.94p. The new processor can also support 1080/23.98 PsF on top of 25 PsF and 29.97 PsF. Future-Proof 4K Upscalable and HD HDR Support with CCU Combined with the HXCU-FB80 CCU, this camera’s output is 4K upscalable and yet HD HDR-capable supporting HLG (Hybrid Log-Gamma).* Requires firmware upgrade available in 2018 PC-RCP (HZC-RCP5) In addition to hardware-based remote control units, PC software-based HZC-RCP5 Remote Control is also available. MCS (Multi Camera System) capabilities The HXCU-FB80 CCU provides support for up to 24 units, forming a complete MCS system. Long Cable Extension and Choice of Fiber Interface Using a hybrid cable with a power supply, the distance between the camera head and CCU can be extended up to 600 m. In case of the combination with HXC-P70, it can extend up to 1,000 m. In addition to the Neutrik connector interface, a LEMO connector interface is also available for the camera head and CCU. In the case of connection with a single-mode fibre cable (SMF), transmission can extend up to 10km using a local power supply. Wide range of image control functions The system camera is full of creative image control functions such as MultiMatrix, Skin Tone Detail, Low Key Saturation, Knee Saturation, and Auto Lens Aberration Compensation (ALAC). ND Filter by Servo Motor Along with an electrical CC filter, the ND filter can be remotely controlled either by external RCP/RM or via the CCU because of the newly adopted filter servo motor in the camera head. HD Video Trunk and HD Prompter In addition to the camera captured 1080 50i/59.94i video signal, another video signal can be passed through the same fiber connection line to the CCU side because of the 3G-SDI platform. Further to the traditional analog composite prompter support, the HD-SDI signal can be supplied from the CCU side.  

HD Studio Camera + Neutrik Fibre Transmission

Sony HXC-FB80HN//U (HXC-FB80HN//U, HXC-FB80HN//U, HXC-FB80HN//U) HD Studio Camera + Neutrik Fibre Transmission The HXC-FB80HN Studio Camera + Neutrik Fibre Transmission from Sony features three Sony 2/3" Exmor CMOS sensors offering full-HD picture quality. Built on a 3G-SDI platform, the HXC-FB80 is capable of 1080/50p, 59.94p signal processing while maintaining low power consumption. The HXC-FB80 also features 3G-SDI signals including 1080/50p and 59.94p. The processor supports 1080p/23.98sF in addition to 25psF and 29.97psF. Combined with the HXCU-FB80 CCU, the camera's output is 4K up-scalable and capable of HD HDR (HLG, Hybrid Log-Gamma). The HXCU-FB80 CCU provides support for up to 24 units, forming a complete multi camera system. The system design is based on a 3G-HD platform. The camera head can pass an additional 1080i/50, 59.94 signal to the HXCU-FB80 while operating at 1.5G (1080i/50,59.94).

HDC-2000B 3G Double-Speed Multiformat HD Studio System Camera

Sony HDC-2000B (HDC2000B, HDC/2000B, hdc-2000b) 3G Double-Speed Multiformat HD Studio System Camera Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. The HDC-2000 3G double-speed multi format studio system camera incorporates Sony’s advanced technologies for studio cameras. Three high end 2/3-inch Progressive IT CCDs and Digital Signal Processing (DSP) LSI with 16 bit A/D converter provides amazing picture quality with very little noise and high dynamic range. 3G capable, 3D and double speed slow motion capture The HDC-2000 features 3G transmission and has multi-format capability, from 1080/100i and 720/ 100p (double speed slow motion) to 1080/50p, as well as a wide range of other HD formats including 1080/50i, 720/50p, 1080/25p and 1080/24p. The camera also provides 3D production capabilities with dual camera transmission via a single hybrid fibre cable. High picture quality and high performance The HDC-2000 features a 2/3-type wide Progressive IT CCD for 2,200,000 pixels and a signal processing LSI, both newly developed to help achieve a high level of image quality via improved S/N, high resolution, and low smear compared to previous models. A 16-bit AD converter allows for optimal picture quality and enhanced black reproduction. Slow motion via 2x speed recording 1080/50i-59.94i and 720/50P-59.94P formats are supported, as well as 1080/ 23.98PsF-24PsF-25PsF-29.97PsF and 1080/ 50P-59.94P progressive formats, and 1080/ 100i-119.88i and 720/100P-119.88P slow-motion 2x speed recording formats. Standard 3G optical digital transmission unit 3G optical digital transmission of signals between the camera and camera control unit (CCU) is included and allows the following kinds of video signal transmission and system configurations: Transmission of 2Å~ speed recording signals such as 1080/100i-119.88i for production of slow motion video Transmission of HD prompter, HD TRUNK, and network TRUNK signals that utilize empty bands during 1080/50i-60i and 720/50P-60P operation Dual camera system for transmitting video signals from a second HD camera to two CCUs using just one optical fibre/multi-cable Sub-camera system for transmitting video signals from both an HDC2000 and another sub-camera - such as the HDCP1— using just one optical fibre/multi-cable and outputting their signals from one CCU Adaptive-matrix colour-reproduction function This function accurately controls calculation factors for performing accurate colour conversion when shooting. This makes precise colour conversion possible even when shooting under conditions that would otherwise exceed the colour conversion range of traditional matrix functions, such as under strong monochromatic blue light sources. Multi-matrix colour correction for matching multiple cameras In addition to the standard 6-axis matrix function, the camera has a multi-matrix function that permits you to adjust the hue and chroma for colour components in 16-axis directions independently. This is quite useful in colour matching among multiple cameras. Knee and low-key saturation for strong and low-key lighting Change of hue and decrease in chroma that occur in highlighted areas can be compensated. This enables reproduction of natural skin tones under strong lighting. Saturation in low-key zones can be compensated. Thus, compensation for colour reproduction in all zones is enabled in combination with matrix colour compensation and knee saturation functions. Selection of multiple gamma tables Seven types of standard and 4 types of hyper gamma tables are provided with this camera. The hyper gamma values enable cinema-like image creations with wide dynamic range, which are different from those achieved with conventional video gamma. Gamma tables created with CvpFileEditorTM can be saved to a “Memory Stick”, or registered to HDC-2000 from the MSU-1000/1500 or RCP-1500 series. Versatile detail control functions A skin-tone detail function/Natural skin detail function allows control (emphasis or suppression) of the detail level for specific hues or chroma areas in the image by creating a detail gate signal from colour components of your specified hue, such as skin tones. The detail levels of three kinds of hues can be adjusted in- dependently at the same time. The HDC-2000 also features the natural skin detail function, which allows for adjustment of the detail gate signal, allowing even more vivid distinction of areas like skin that you want to make smooth while selectively keeping areas like eyebrows that don’t require smoothing. Numerous viewfinder functions Along with items such as operation messages, a zebra pattern, a safety zone marker, and a centre marker, camera settings may also be displayed on the viewfinder screen. Furthermore, there are other indicators arranged above and below the viewfinder, such as a tally lamp and a warning indicator to tell you that one or more settings are other than standard. Selections and settings for viewfinder display items, a safety zone marker or centre marker, screen size marker, etc. can be made quickly and easily using setup menus displayed on the viewfinder screen or an external monitor. Assignable switches for operating the viewfinder are located on the rear panel of the camera. These switches are linked to viewfinder assignable switches, such as those featured on HDVF-EL70, and allow for using the camera’s buttons to perform functions like image zooming within the viewfinder. Wide variety of input/output interfaces In addition to 3G/HD/SD-SDI output and HD/SD-SDI input, the HDC-2000 features a wide variety of input/ output interfaces, including Network TRUNK function, HD TRUNK function and HD prompter function. User-friendly operation Featuring a stylish exterior with a low overall height, the viewfinder’s position is kept as low as possible, bringing it closer to the optical axis of the lens. The camera also has a switch to which various functions can be assigned on the rear panel. You can activate your desired function, such as electronic colour temperature conversion, instantly when shooting by as- signing it to the switch in advance. USB connector Connect a USB drive to the USB connector to save and load setup menu setting data. Function for prevention of electrical shock When the power connection is unsafe, this shuts off the power supply from the connected Camera Control Unit.  

HDC-2000W 3G Double-Speed Multi-Format HD Studio System Camera - White

Sony HDC-2000W (HDC2000W, HDC/2000W, hdc-2000w) 3G Double-Speed Multi-Format HD Studio System Camera - WhiteComes with 2 Years Sony Prime Support Warranty - Beware of grey imports.The HDC-2000 3G double-speed multi format studio system camera incorporates Sony’s advanced technologies for studio cameras. Threehigh end 2/3-inch Progressive IT CCDs and Digital Signal Processing (DSP) LSI with 16 bit A/D converter provides amazing picture quality with very little noise and high dynamic range.3G capable, 3D and double speed slow motion captureThe HDC-2000 features 3G transmission and has multi-format capability, from 1080/100i and 720/100p (double speed slow motion) to 1080/50p, as well as a wide range of other HD formats including 1080/50i, 720/50p,1080/25p and 1080/24p. The camera also provides 3D production capabilities with dual camera transmission via a single hybrid fibre cable.High picture quality and high performanceThe HDC-2000 features a 2/3-type wide Progressive IT CCD for 2,200,000 pixels and a signal processing LSI, both newly developed to help achieve a high level of image quality via improved S/N, high resolution, and low smear compared to previous models. A 16-bit AD converter allows for optimal picture quality and enhanced black reproduction.Slow motion via 2x speed recording1080/50i-59.94i and 720/50P-59.94P formats are supported, as well as 1080/23.98PsF-24PsF-25PsF-29.97PsF and 1080/ 50P-59.94P progressive formats, and 1080/100i-119.88i and 720/100P-119.88P slow-motion 2x speed recording formats.Standard 3G optical digital transmission unit3G optical digital transmission of signals between the camera and camera control unit (CCU) is included and allows the following kinds of video signal transmission and system configurations:1080/50P-60P progressive video signal transmissionTransmission of 2Å~ speed recording signals such as 1080/100i-119.88i for production of slow-motion videoTransmission of HD prompter, HD TRUNK, and network TRUNK signals that utilize empty bands during 1080/50i-60i and 720/50P-60P operationDual camera system for transmitting video signals from a second HD camera to two CCUs using just one optical fibre/multi-cableSub-camera system for transmitting video signals from both an HDC2000 and another sub-camera—such as the HDCP1— using just one optical fibre/multi-cable and outputting their signals from one CCUAdaptive-matrix colour-reproduction functionThis function accurately controls calculation factors for performing accurate colour conversion when shooting. This makes precise colour conversion possible even when shooting under conditions that would otherwise exceed the colour conversion range of traditional matrix functions, such as under strong monochromatic blue light sources.Multi-matrix colour correction for matching multiple camerasIn addition to the standard 6-axis matrix function, the camera has a multi-matrix function that permits you to adjust the hue and chroma for colour components in 16-axis directions independently. This is quite useful in colour matching among multiple cameras.Knee and low-key saturation for strong and low-key lightingChange of hue and decrease in chroma that occur in highlighted areas can be compensated. This enables reproduction of natural skin tones under strong lighting. Saturation in low-key zones can be compensated. Thus, compensation for colour reproduction in all zones is enabled in combination with matrix colour compensation and knee saturation functions.Selection of multiple gamma tablesSeven types of standard and 4 types of hyper gamma tables are provided with this camera. The hyper gamma values enable cinema-like image creations with wide dynamic range, which are different from those achieved with conventional video gamma. Gamma tables created with CvpFileEditor™ can be saved to a “Memory Stick”, or registered to HDC-2000 from the MSU-1000/1500 or RCP-1500 series.Versatile detail control functionsA skin-tone detail function/Natural skin detail function allows control (emphasis or suppression) of the detail level for specific hues or chroma areas in the image by creating a detail gate signal from colour components of your specified hue, such as skin tones. The detail levels of three kinds of hues can be adjusted independently at the same time. The HDC-2000 also features the natural skin detail function, which allows for adjustment of the detail gate signal, allowing even more vivid distinction of areas like skin that you want to make smooth while selectively keeping areas like eyebrows that don’t require smoothing.Numerous viewfinder functionsAlong with items such as operation messages, a zebra pattern, a safety-zone marker, and a centre marker, camera settings may also be displayed on the viewfinder screen. Furthermore, there are other indicators arranged above and below the viewfinder, such as a tally lampand a warning indicator to tell you that one or more settings are other than standard. Selections and settings for viewfinder display items, a safety-zone marker or centre marker, screen size marker, etc. can be made quickly and easily using setup menus displayed on the viewfinder screen or an external monitor. Assignable switches for operating the viewfinder are located on the rear panel of the camera. These switches are linked to viewfinder assignable switches, such as those featured on HDVF-EL70, and allow for using the camera’s buttons to perform functions like image zooming within the viewfinder.Wide variety of input/output interfacesIn addition to 3G/HD/SD-SDI output and HD/SD-SDI input, the HDC-2000 features a wide variety of input/output interfaces, including Network TRUNK function, HD TRUNK function and HD prompter function.User-friendly operationFeaturing a stylish exterior with a low overall height, the viewfinder’s position is kept as low as possible, bringing it closer to the optical axis of the lens. The camera also has a switch to which various functions can be assigned on the rear panel. You can activate your desired function, such as electronic colour-temperature conversion, instantly when shooting by assigning it to the switch in advance.USB connectorConnect a USB drive to the USB connector to save and load setup menu setting data.Function for prevention of electrical shockWhen the power connection is unsafe, this shuts off the power supply from the connected Camera Control Unit.

HSC-100RT/3T Digital Triaxial Studio Camera Head

Sony HSC-100RT/3T (HSC100RT3T, HSC 100RT 3T, HSC/100RT/3T, hsc-100rt/3t) Digital Triaxial Studio Camera Head The Sony HSC-100R Digital Triax Broadcast Camera is an HD/SD camera with a digital triax CCU input. The triax system integrates into conventional triax-based infrastructures, allowing upgrades from existing systems, and supports cable runs up to 3,937 ft to an optional CCU. The camera features a 2/3" type CCD sensor offering F10 sensitivity for 1080i59.94 and F11 for 1080i50, with -60dB signal-to-noise ratio. It also records in 720p and 1080PsF and down-converts to high-quality SD. An optional HZC-PSF3 software is required for 1080/29.97PsF/25PsF. The lens mount is Sony Bayonet. Inputs/outputs include XLR audio, XLR mic, HD/SD-SDI output, VF signal, return signal, SDI prompter output/genlock input/return input, and XLR intercom. An electronic color correction filter and four ND filters are built in. A 16-bit A/D converter processes images with very high color precision. A Digital Extender function expands an image by a factor of two in the center of the sensor's captured image without any decrease in sensitivity. Auto Lens Aberration Compensation 2 automatically reduces chromatic aberration by horizontal and vertical compensation when using lenses that support this function. Seven standard-gamma and four hyper-gamma tables are available for use in adjusting contrast. A Multi-Matrix function applies color adjustments over a user-specified color range, and Adaptive-Matrix enables color conversion even when shooting under excessively strong ambient light. Master White Gain allows step-less gain level adjustments. Two types of focus assist are available -- Viewfinder Detail adds dedicated edge signals to the viewfinder, allowing easy recognition of a focusing point, and Focus Assist Indicator displays an indicator for adjustment at the bottom or elsewhere within the viewfinder frame. The main chassis is made of durable magnesium-alloy casting. An integrated shoulder pad is adjustable back and forth without any tools. A protrusion on the front of the carrying handle allows added stability while shooting, and a non-slip structure on the handle's lower surface provides better grasp. Assignable switches are available on the side and rear panels and assignable buttons on the handle. Multi-Format Operation The HSC-100R records in 1080/59.94i/50i, 720/59.94p/50p, and 1080/29.97PsF/25PsF (an optional HZC-PSF3 software is required for 1080/29.97PsF/25PsF) 2/3" CCD Sensor A 2/3" type full-resolution 1920 x 1080 CCD sensor offers a high F10 sensitivity for 59.94 Hz and F11 for 50 Hz, with a signal-to-noise ratio of -60 dB. Digital Triax Operation The HSC-100R uses a digital triax CCU input/transmission system that can be integrated into conventional triax-based infrastructures. This allows an easy upgrade from existing systems. Cable runs up to 3,937 ft can be established between the camera and optional CCU via a 14.5mm diameter cable, also optional. 16-Bit A/D Conversion and DSP LSI A 16-bit A/D converter enables captured images to be processed with maximum precision, and the Auto Lens Aberration Compensation function can optimize lens performance. Digital Extender The Digital Extender function expands the size of the image by a factor of two in the center of the sensor's captured image. This function works without a decrease in sensitivity as is common with conventional optical extender functions. Auto Lens Aberration Compensation 2 The ALAC2 function automatically reduces chromatic aberration by both horizontal and vertical compensation when using lenses that support this function. Versatile Interfaces A wide range of inputs and outputs including HD/SD-SDI output, VF signal, return signal, SDI Prompter signal, and an intercom channel (ENG/PROD). Robust Design The main chassis is made of a magnesium-alloy casting, which ensures the durability and helps protect the camera's lightweight precision components, such as integrated optical elements and electronics. Position-Adjustable Shoulder Pad The integrated shoulder pad can be adjusted forwards or backwards to provide weight balance, useful when the camera is docked with a lens or camera adapter. This adjustment doesn't require any tools. Two Types of Focus Assist "Viewfinder Detail" adds dedicated image-enhancing edge signals directly to the viewfinder, enabling the camera operator to recognize a focusing point. "Focus Assist Indicator" displays an indicator for adjustment at the bottom or other position of the viewfinder frame, particularly beneficial when shooting wide. Optimized Handle Shape for Stable Shooting The designed carrying handle enhances camera operability. A protrusion positioned on the front of the handle allows holding the camera with added stability while shooting. And the non-slip structure of the handle's lower surface helps grasp the handle firmly. Function-Assignable Switches The camera features assignable switches on the side and rear panels and assignable buttons on the handle. Built-In Down Converter This down converter allows superior SD images as standard. Multiple Gamma Tables Seven types of standard-gamma and four types of hyper-gamma tables are available for handling the contrast range and look of an image in-camera. HyperGamma HyperGamma is a set of transfer functions that provide contrast handling by making maximum use of the CCD sensor's capacity and wide dynamic range. These functions are quickly accessible via the set-up menu, and four curves are available to choose from. You can, for example, enhance natural reproduction in low-key areas to achieve greater flexibility in wide dynamic scenes. Multi-Matrix The Multi-Matrix function applies color adjustments over a user-specified color range. The color spectrum is divided into 16 areas of adjustment, where the hue and/or saturation of each area can be modified. This function is especially useful when only the hue of certain colors needs to be adjusted for special-effects work. Multi-Matrix is effective for capturing images with similar color tone in a system configured with existing SD cameras or other models of camera. This function enables the picture from another model of camera to be easily matched. Adaptive-Matrix This function enables color conversion even when shooting under excessively strong ambient light, like under bright monochromatic blue light. Such a condition typically causes a conventional matrix function to exceed the color conversion range. Master White Gain The Master White Gain function allows step-less adjustment of gain levels, allowing the gain levels to be adjusted more precisely compared to conventional stepwise adjustment. Compatible CCU Models HSCU-300R and HSCU-300RF, both 1.5 RU.  

HSC-300RT/4M Digital Triax Broadcast Camera

Sony HSC-300RT/4M (HSC300RT/4M, HSC/300RT/4M, hsc-300rt/4m) Digital Triax Broadcast Camera The Sony HSC-300RT Digital Triax Broadcast Camera is an HD/SD camera with a digital triax CCU input. The triax system integrates into conventional triax-based infrastructures, allowing upgrades from existing systems, and supports cable runs up to 5,905 ft to an optional CCU. The camera features a 2/3" type CCD sensor offering F10 sensitivity for 1080i59.94 and F11 for 1080i50, with -60dB signal-to-noise ratio. It also records in 720p and 1080PsF and down-converts to high-quality SD. An optional HZC-PSF3 software is required for 1080/29.97PsF/25PsF. The lens mount is Sony Bayonet. Inputs/outputs include XLR audio, XLR mic, HD/SD-SDI output, VF signal, return signal, SDI prompter output/genlock input/return input, and XLR intercom. The HSC-300R supports large lenses via Sony HDLA-1500, HDLA-1505, and HDLA-1507 large lens adapters, and it features built-in Neutral Density and Color Correction optical servo filters that can be remotely controlled using an RCP or MSU. The adapters and controllers are sold separately.A 16-bit A/D converter processes images with very high color precision. A Digital Extender function expands an image by a factor of two in the center of the sensor's captured image without any decrease in sensitivity. Auto Lens Aberration Compensation 2 automatically reduces chromatic aberration by horizontal and vertical compensation when using lenses that support this function. Seven standard-gamma and four hyper-gamma tables are available for use in adjusting contrast. A Multi-Matrix function applies color adjustments over a user-specified color range, and Adaptive-Matrix enables color conversion even when shooting under excessively strong ambient light. Master White Gain allows step-less gain level adjustments. Two types of focus assist are available -- Viewfinder Detail adds dedicated edge signals to the viewfinder, allowing easy recognition of a focusing point, and Focus Assist Indicator displays an indicator for adjustment at the bottom or elsewhere within the viewfinder frame.The main chassis is made of durable magnesium-alloy casting. An integrated shoulder pad is adjustable back and forth without any tools. A protrusion on the front of the carrying handle allows added stability while shooting, and a non-slip structure on the handle's lower surface provides better grasp. Assignable switches are available on the side and rear panels and assignable buttons on the handle.Multi-Format Operation The HSC-300R records in 1080/59.94i/50i, 720/59.94p/50p, and 1080/29.97PsF/25PsF (an optional HZC-PSF3 software is required for 1080/29.97PsF/25PsF) 2/3" CCD Sensor A 2/3" type full-resolution 1920 x 1080 CCD sensor offers a high F10 sensitivity for 59.94 Hz and F11 for 50 Hz, with a signal-to-noise ratio of -60 dB. Digital Triax Operation The HSC-300R uses a digital triax CCU input/transmission system that can be integrated into conventional triax-based infrastructures. This allows an easy upgrade from existing systems. Cable runs up to 5,905 ft can be established between the camera and optional CCU via a 14.5mm diameter cable, also optional. 16-Bit A/D Conversion and DSP LSI A 16-bit A/D converter enables captured images to be processed with maximum precision, and the Auto Lens Aberration Compensation function can optimize lens performance. Large Lens Operation The HSC-300R supports large lenses via optional HDLA-1500, HDLA-1505, and HDLA-1507 large lens adapters. ND/CC Dual Optical Servo Filters Built-in Neutral Density and Color Correction optical servo filters can be remotely controlled via an optional RCP-1000 Series remote control panel (RCP) or MSU-1000/1500 master setup unit (MSU). Digital Extender The Digital Extender function expands the size of the image by a factor of two in the center of the sensor's captured image. This function works without a decrease in sensitivity as is common with conventional optical extender functions. Auto Lens Aberration Compensation 2 The ALAC2 function automatically reduces chromatic aberration by both horizontal and vertical compensation when using lenses that support this function. Versatile Interfaces A wide range of inputs and outputs including HD/SD-SDI output, VF signal, return signal, SDI Prompter signal, and an intercom channel (ENG/PROD). Robust Design The main chassis is made of a magnesium-alloy casting, which ensures the durability and helps protect the camera's lightweight precision components, such as integrated optical elements and electronics. Position-Adjustable Shoulder Pad The integrated shoulder pad can be adjusted forwards or backwards to provide weight balance, useful when the camera is docked with a lens or camera adapter. This adjustment doesn't require any tools. Two Types of Focus Assist "Viewfinder Detail" adds dedicated image-enhancing edge signals directly to the viewfinder, enabling the camera operator to recognize a focusing point. "Focus Assist Indicator" displays an indicator for adjustment at the bottom or other position of the viewfinder frame, particularly beneficial when shooting wide. Optimized Handle Shape for Stable Shooting The designed carrying handle enhances camera operability. A protrusion positioned on the front of the handle allows holding the camera with added stability while shooting. And the non-slip structure of the handle's lower surface helps grasp the handle firmly. Function-Assignable Switches The camera features assignable switches on the side and rear panels and assignable buttons on the handle. Built-In Down Converter This down converter allows superior SD images as standard. Multiple Gamma Tables Seven types of standard-gamma and four types of hyper-gamma tables are available for handling the contrast range and look of an image in-camera. HyperGamma HyperGamma is a set of transfer functions that provide contrast handling by making maximum use of the CCD sensor's capacity and wide dynamic range. These functions are quickly accessible via the set-up menu, and four curves are available to choose from. You can, for example, enhance natural reproduction in low-key areas to achieve greater flexibility in wide dynamic scenes. Multi-Matrix The Multi-Matrix function applies color adjustments over a user-specified color range. The color spectrum is divided into 16 areas of adjustment, where the hue and/or saturation of each area can be modified. This function is especially useful when only the hue of certain colors needs to be adjusted for special-effects work. Multi-Matrix is effective for capturing images with similar color tone in a system configured with existing SD cameras or other models of camera. This function enables the picture from another model of camera to be easily matched. Adaptive-Matrix This function enables color conversion even when shooting under excessively strong ambient light, like under bright monochromatic blue light. Such a condition typically causes a conventional matrix function to exceed the color conversion range. Master White Gain The Master White Gain function allows step-less adjustment of gain levels, allowing the gain levels to be adjusted more precisely compared to conventional stepwise adjustment. Compatible CCU Model: HSCU-300R 1.5 RU.

HXC-FB75/TRIAX 2/3" Exmor CMOS Sensor SD/HD Studio Camera - Body Only

Sony HXC-FB75/TRIAX (HXCFB75/TRIAX, HXC/FB75/TRIAX, hxc-fb75/triax) 2/3" Exmor CMOS Sensor SD/HD Studio Camera - Body Only Sony introduces an ideal solution for entry level HD & SD live production, delivering better quality and performance for live production.The HXC-FB75 is a high-performance, yet affordable, HD camera system that inherits Sony’s proven field-proven operability from the highly regarded DXC-D Series of system cameras. The camera is equipped with three 2/3-inch Full HD Exmor CMOS sensors to provide excellent sensitivity (F12 at 1080i/60) with a low noise ratio for clear images. Those sensors are common to the HXC-P70, HXC-D70 and PXW-X400, and enable perfect integration with those cameras which gives you more flexibility. In addition, a wide range of output formats are available, including 1080i/59.94,50, 1080PsF/29.97,25, 720p/59.94,50, 480i/59.94 and 576i/50. Smooth and precise focusing is enabled by focus assist function and the latest viewfinder options. Video/Audio and control signal transmission, with power, can extend up to 350m via Hybrid Type Optical Fibre Cable. The camera is also controllable from a CCU panel and remote controller.Full HDExmor CMOS sensorsThe HXC-FB75 features three 2/3-inch Exmor CMOS sensors to produce excellent HD pictures.Captures a variety of HD imagesThe HXC-FB75 produces a variety of selectable progressive and interlace HD signal formats, including 1080i/59.94,50, 1080PsF/29.97,25, 720p/59.94,50SD down-converterDown converted SD signal output from HXCU-FB70Hybrid-type optical fibre cable connection to CCU extends signal transmission with power supply to 350mConnected to the HXCU-FB70, hybrid type optical fibre cable with a Neutric connector can extend signal transmission with required power supply up to 350m. Full camera control is possible through a user-friendly operational panel designed specifically to work with the HXC series camera.Long-distance transmission up to 10km with single-mode fibre cableIn the case of connection with a single-mode fibre cable (SMF), transmission can extend up to 10km, if you are using a local power supply. In many facilities the SMF already laid as infrastructure, it enables you to install the camera system quickly and easily.HDVF interface for connecting a variety of viewfindersThe HXC-FB75 has an HDVF interface that allows the latest HD portable viewfinders to be used, as well as all types of large HDVF viewfinders.Wide range of image control functionsThe system camera is full of creative image control functions such as MultiMatrix, Skin Tone Detail, Low Key Saturation, Knee Saturation, and Auto Lens AberrationCompensation (ALAC).HXC-FB75KC variant of this model includes a digital HD viewfinder, HD lens and Monaural microphone.HDVF-L10 3.5-inch QHD colour LCD monocular viewfinder offers better and easier focusing.A x 20 HD portable lens and a monaural microphone are also included as an all-in-one camera package.

HXC-FB75PK 2/3" Exmor SD/HD Studio Camera with a Fibre CCU

Sony HXC-FB75PK (HXCFB75PK, HXC/FB75PK, hxc-fb75pk) 2/3" Exmor SD/HD Studio Camera with a Fibre CCU Sony HXC-FB75KC//U 2/3" Exmor SD/HD Studio CameraThe HXC-FB75 is a high-performance, yet affordable, HD camera system that inherits Sony’s proven field-proven operability from the highly regarded DXC-D Series of system cameras. The camera is equipped with three 2/3-inch Full HD Exmor CMOS sensors to provide excellent sensitivity (F12 at 1080i/60) with a low noise ratio for clear images. Those sensors are common to the HXC-P70, HXC-D70 and PXW-X400, and enable perfect integration with those cameras which gives you more flexibility. In addition, a wide range of output formats are available, including 1080i/59.94,50, 1080PsF/29.97,25, 720p/59.94,50, 480i/59.94 and 576i/50. Smooth and precise focusing is enabled by focus assist function and the latest viewfinder options. Video/Audio and control signal transmission, with power, can extend up to 350m via Hybrid Type Optical Fibre Cable. The camera is also controllable from a CCU panel and remote controller.The HXC-FB75KC camera package is supplied with the HDVF-L10 3.5-inch QHD colour LCD monocular viewfinder, portable HD 20x zoom lens and omni-directional monaural electret condenser microphone.Full HDExmor CMOS sensorsThe HXC-FB75 features three 2/3-inch Exmor CMOS sensors to produce excellent HD pictures.Captures a variety of HD imagesThe HXC-FB75 produces a variety of selectable progressive and interlace HD signal formats, including 1080i/59.94,50, 1080PsF/29.97,25, 720p/59.94,50SD down-converterDown converted SD signal output from HXCU-FB70Hybrid-type optical fibre cable connection to CCU extends signal transmission with power supply to 350mConnected to the HXCU-FB70, hybrid type optical fibre cable with a Neutric connector can extend signal transmission with required power supply up to 350m. Full camera control is possible through a user-friendly operational panel designed specifically to work with the HXC series camera.Long-distance transmission up to 10km with single-mode fibre cableIn the case of connection with a single-mode fibre cable (SMF), transmission can extend up to 10km, if you are using a local power supply. In many facilities the SMF already laid as infrastructure, it enables you to install the camera system quickly and easily.HDVF interface for connecting a variety of viewfindersThe HXC-FB75 has an HDVF interface that allows the latest HD portable viewfinders to be used, as well as all types of large HDVF viewfinders.Wide range of image control functionsThe system camera is full of creative image control functions such as MultiMatrix, Skin Tone Detail, Low Key Saturation, Knee Saturation, and Auto Lens Aberration Compensation (ALAC).Supplied with digital HD viewfinder HD lens and monaural microphoneThe HXC-FB75KC camera package is supplied with the HDVF-L10 3.5-inch QHD colour LCD monocular viewfinder that offers better and easier focusing. The camera is also supplied with a portable HD 20x zoom lens and monaural electret condenser microphone.Sony HXCU-FB70 Camera Control UnitSony's HXCU-FB70 optical fibre CCU for HXC-D70 and PMW-320/350/500 camcorders, allows connection to the CA-FB70 optical fibre camera adaptor. With the CCU, it is possible to control the HXC-D70 and PMW-320/350/500 up to a maximum distance of 250 meters, including the power and signals of Tally, Intercom, Video Return and also Prompter.Optical fibre connection - The HXCU-FB70 helps ensure the best picture quality and easy integration using optical fibre connection for distances up to 250m with power supply or up to 10km with single mode fibre and local power supply.Connection for all signals - The HXCU-FB70 provides flexible integration and the possibility to extend the operation with all signals (Tally, Intercom, Video Return and Prompter) in full HD.Compatible with RCP-1xxx Series remote control panels and RCP software - The HXCU-FB70 allows you to use the popular RCP-1xxx Series remote control panels that well known on all HD system cameras. You are also able to lower the cost of the system by using HZC-RCP5 (PC-RCP) to network and display your parameters on a big screen.Operates with CA-FB70 and HXCE-FB70 for greater flexibility - The HXCU-FB70 works seamlessly withthe CA-FB70 optical fibre adaptor and HXCE-FB70 power extension unit when power supply is required for the CA-FB70 attached to theHXC-D70 camera or PMW-320/350/500camcorders, or when the long distance signal transmission is requiredbetween the CA-FB20 and HXCU-FB70.Connector options - The HXCU-FB70 is supplied with an optical Neutrikoptical CON DUO connector, which accepts either a LC-Duplex connector for a cost effective single mode fibre cable, or a rugged Neutrik optical CON connector for a SMPTE-type power and fibre composite cable.Selectable outputs - The HXCU-FB70 features 4x selectable SD/HD-SDI outputs plus analogue VBS and component, HDMI and S-Video outputs.

HXC-P70H//U 3x2/3" C-MOS HD Exmor Camera Head

Sony HXC-P70H//U (HXCP70H//U, HXC/P70H//U, hxc-p70h//u) 3x2/3" C-MOS HD Exmor Camera Head Comes with 2 Years Sony Prime Support Warranty - Beware of grey imports. The HXC-P70 is a point-of-view “POV” camera developed for a wide range of more affordable applications than the HDC-P1, thanks to a longer cable distance extension and a higher sensitivity, in addition to its compact size, light weight and lower power consumption. The HXC-P70 allows direct connection to the HXCU-FB70 camera control unit by optical fibre cable, in addition to two HD/SD-SDI outputs. The hybrid type fibre cable can extend the distance from the CCU up to 500 m, while supplying the required power. If a single-mode fibre cable is connected, the distance can extend up to 10 km with a local power supply. The HXC-P70 adopts the same three 2.2-million pixels 2/3-inch type CMOS sensors as used on Sony high end camera such as the HXC-D70 and delivers high sensitivity of F12 at 59.94Hz or F13 at 50Hz. In addition, the camera uses an electrical CC filter alongside a servo motorized optical ND filter. These help to reduce the power consumption and make for an affordable total system with the CCU, cables, and remote controller. The camera is ideal for a wide variety of applications, from production studio and event hall/stadium work, to wider applications such as surveillance, conference and house of worship installations. High sensitivity and low noise Incorporates high quality three 2/3-inch Exmor CMOS sensors, plus integrated motorised ND Filter and electrical CC filter. Optical fibre transmission with direct cable connection Up to 500m by the hybrid type optical fibre cable with power supply and up to 10km by the single-mode fibre cable with local power supply. HXCU-FB70 Camera Control Unit Connects to the HXCU-FB70 for precise remote control. Low power consumption Power saving design provides low power consumption of 17W. Superb three 2/3-inch-type CMOS sensors Keeping the same compact and lightweight body as the HDC-P1, the HXC-P70 achieves a cost reduction while providing the high picture quality equivalent to the reputable HXC-D70 HD/SD system camera by using the same image sensor. It achieves high sensitivity of F12 (at 1080/59.94i) or F13 (at 1080/50i) while keeping low noise ratio. Integrated ND filter / Electrical CC filter, and TLCS The HXC-P70 is equipped with a Neutral Density (ND) optical servo filter unit and electrical Colour Correction (CC) filter. The electrical CC filter can be controlled from the remote control panel, which allows you to assign with four different colour temperatures. In addition to the filter functions, thanks to the TLCS (Total Level Control System) function, gain/iris/shutter is automatically controlled by the ambient brightness, making it very efficient for nature shooting or surveillance use from morning to night. Expandable operability with HXCU-FB70 Connecting the HXC-P70 with the HXCU-FB70 optical fibre camera control unit (CCU) enables precise remote control in picture adjustment and colour matching of cameras, while also monitoring the SDI output signal. Long-distance transmission up to 10 km The hybrid type optical fibre cable can extend the distance from the HXCU-FB70 camera control unit up to 500 m while supplying the required power. In the case of connection with a single-mode fibre cable (SMF), it can extend up to 10 km, if you are using a local power supply. Using the SMF already laid as infrastructure in many facilities enables you to install the camera system quickly and easily. Beneficial digital extender by 2x or 4x The digital extender function expands the size of the image by a factor of two or four times in the centre of the image sensor’s captured image. This function works without a decrease in sensitivity, such as an F-number drop, which typically occurs when using conventional optical extender functions.  

O4 Outdoor 4K PTZ Camera - Grey

BirdDog BDO4GR (BD-O4GR, BD/O4GR, BD_O4GR, BD O4GR) O4 Outdoor 4K PTZ Camera - Grey The BirdDog O4 is a professional-grade outdoor PTZ camera built to deliver reliable performance where conventional systems fall short. Its rugged die-cast, IP66-rated housing is engineered for extreme environments, operating flawlessly between –40 °C and +60 °C. A built-in heater prevents condensation, while hydrophobic, smudge-resistant lens coatings ensure clear optics without the need for wipers—guaranteeing uninterrupted operation in rain, dust, snow, or heat. Built for image excellence, the O4 features a 1/1.8" CMOS sensor capable of capturing 4K60 with exceptional color accuracy, flexible gamma, exposure, and wide dynamic range controls. A 30× optical zoom (extendable to 60× in HD) enables precise long-range coverage, while a 500 m infrared laser combined with automatic B/W night mode ensures visibility even in complete darkness. Installation is streamlined with a sealed undercarriage design that conceals all cabling, incorporating built-in strain relief and three weatherproof flanges. Power options include PoE++ for simplified single-cable setups or external DC input. Connectivity is versatile, offering 12G-SDI, HDMI, and SFP+ fiber to accommodate IP, hybrid, and baseband workflows. The advanced streaming architecture supports simultaneous Full NDI® and NDI® HX3, alongside dual streaming of NDI with SRT, RTMP, or RTSP for maximum workflow flexibility. AI-powered autotracking provides customizable motion profiles—fast and responsive for sports or smooth and controlled for events and worship—delivering natural, human-like framing. Fully integrated into the BirdDog ecosystem, O4 works seamlessly with BirdUI, Central, Connect, and the BirdDog Keyboard (KBD), and is firmware-ready for NDI 6.2. From stadiums and smart-city surveillance to perimeter security, outdoor worship, and large-scale live productions, the BirdDog O4 combines all-weather durability with broadcast-quality imaging and installer-friendly design. It is outdoor production, redefined.

PAN-AW-UE50WEJ 4K PTZ Camera - White

Panasonic PAN-AW-UE50WEJ (PAN/AW-UE50WEJ, PAN/AW/UE50WEJ, PANAWUE50WEJ, PAN AW UE50WEJ) 4K PTZ Camera - White PROVIDES HYBRID ONLINE/OFFLINE ENVIRONMENT STANDARD MODELS SUITABLE FOR USE IN ONLINE CLASSES AND BRIEFING SESSIONS Remote cameras enhance the visual communication in a variety of applications ranging from online classes to online seminars. The AW-UE50/UE40 supports a compact design to blend in with the surroundings and operates very quietly to permit flexible use in any video shooting locations or conditions. The AW-UE50/UE40 offers high security and it is easy to install and operate for capturing stable images, so even people unfamiliar with video shooting or camera operation can utilize it. The excellent flexibility of the product simplifies wiring and operation. Linkage with online conference software or online application is possible, so online video streaming is easy to initiate. The AW-UE50/UE40 is a standard model perfect for people who want to utilize online video streaming more frequently or enhance the quality of online video streaming. PROVIDES A STABLE HYBRID ENVIRONMENT FOR CONNECTING ONLINE AND OFFLINE 4K resolution, wide angle and high-magnification zoom for delivering “the ambience of hall.” Auto Tracking Software for reliable following and capturing of the speaker Secure and stable streaming protocol for reduced risk of communication trouble Smooth playback of high-quality videos UNIT SIZE AND QUIETNESS FOR FLEXIBLE USE AT ANY VIDEO SHOOTING SITES Compact dome-shape design blends in with the surroundings. Light weight and small size give added flexibility in camera installation Quiet operating sound allows the use of the camera in any situations Image stabilizer ensures stable video shooting EXCELLENT SYSTEM FLEXIBILITY TO ACHIEVE SMART WIRING AND SMOOTH OPERATION Easy installation and operation even for inexperienced staff or small staff Single PC or controller can manage and control multiple cameras Use as a USB camera Can upload video directly to live streaming service

PAN-AW-UE80KEJ 4K PTZ Camera - Black

Panasonic PAN-AW-UE80KEJ (PAN/AW-UE80KEJ, PAN/AW/UE80KEJ, PANAWUE80KEJ, PAN AW UE80KEJ) 4K PTZ Camera - Black MODELS TO RESPOND TO A WIDE RANGE OF VIDEO PRODUCTION NEEDS, SUCH AS RECORDING OF REALITY SHOWS AND EVENTS The AW-UE80W/K is PTZ camera suitable for capturing the natural facial expressions of actors/performers and for recording events without spoiling the ambience. The dome-shape design minimizes “the feeling of being recorded on video” while the new direct-drive motor produces a very quiet operating sound so it won’t disturb the production activities or spoil the ambience. The camera offers high-image-quality 4K/60p resolution, wide 74.1° angle and optical zoom with up to 24x magnification to achieve superb video image quality. The AW-UE80W/K also offers excellent stability and security during video streaming so it can be used for any type of video production. From production of a reality show to recording of an internal business or educational event, the top-of-the-line standard model, AW-UE80W/K, can be used in a diversity of applications. COMPACT & QUIET DESIGN BLENDS IN SMOOTHLY WITH THE SURROUNDINGS Featuring compact design and quiet operating sound, the AW-UE80 can be used effectively in any shooting situations and places. The camera unit is so inconspicuous it helps capture more natural facial expressions and actions of the performers. QUIET OPERATING SOUND FOR ANYWHERE USE. The operating sound is quiet so there is no need to worry about the camera sound spoiling the ambience even when producing a reality show or recording an event. The new direct-drive motor operates quietly during panning (horizontal movement) and tilting (vertical movement) so it does not disturb the recording of crucial scenes. What’s more, the new direct-drive motor stops precisely at a desired position, returns exactly to a preset position when the preset function is used for accurate camerawork, moves smoothly to accurately follow subjects moving at different speeds and allows speed setting. Combined with the quietness of operations, these features and functions can play an active part in a diversity of video production. ORIGINAL IMAGE STABILIZERS FOR STABLE VIDEO SHOOTING Even when the camera unit is mounted on an unstable place such as a crane or rail, the two types of image stabilizer functions ensure sharp and clear images. The Electronic Image Stabilization (EIS) makes adjustment by ensuring smooth movement of the camera in the roll direction while the Optical Image Stabilization (OIS) makes fine adjustment of the lens. Together, they assure stable recording of high-quality images. Can be suspended from the ceiling or mounted on a tripod for shooting from locations too difficult for a person to enter. The AW-UE80 can be flexibly mounted at a place where it is too difficult for a person to enter, so it can be utilized in a diversity of recording situations. FLEXIBLY ADAPT TO VARIOUS VIDEO SHOOTING SITUATIONS SUCH AS LARGE-SCALE SHOOTING The wealth of functions to meet diverse shooting needs, such as reduction of required manpower at the shooting site without causing any quality degradation. 4K RESOLUTION, WIDE ANGLE AND HIGH-MAGNIFICATION ZOOM MAINTAIN “THE AMBIENCE OF HALL” INTACT IN STREAMING VIDEOS The combination of the high 4K resolution, wide angle and high-magnification zoom enables capturing of the ambiences of events and concerts as well as the facial expressions of actors/performers so that the realism and atmosphere can be conveyed in online video streaming videos. The zoom function allows the enlargement of a desired area precisely so the streaming video becomes more attractive to watch. By utilizing the wide 74.1° angle and up to 24x optical zoom, missing of important scenes at an event can be prevented with a minimal number of camera units. This makes the AW-UE80 suitable for use in a broad range of applications regardless of the size of the hall. Single controller can control up to 200 camera units A single controller unit can be used to control multiple camera units. When equipment compatible with PoE++ is used to connect to the network, a single LAN cable can transmit the video, audio and control signals as well as the power supply. The reduced number of cables used means decreased cable connection trouble, such as cable disconnection that causes interruption of recording. It also eliminates the need for the wiring of power supply cables. Furthermore, in outdoor recording using a temporary platform, the time and effort for setting up and removing the platform can be reduced. Perfect for starting AR/VR video shooting at a low cost The AW-UE80 can output commands in compliance with FreeD so it can be connected to an AR/VR system. The use of the AR/VR feature enables the creation of a new type of videos totally different from before. HIGH-IMAGE-QUALITY VIDEOS RESISTANT TO INTERRUPTION AND WITH A LOW LATENCY The AW-UE80 realizes streaming of high-image-quality videos with a low latency even when the communication is unstable. Furthermore, it ensures excellent stability and security during streaming, so it can be used safely for any applications. SMOOTH PLAYBACK OF HIGH-IMAGE-QUALITY VIDEOS The AW-UE80 comes standard with High Bandwidth NDI® and NDI®|HX version for IP transmission of high-image-quality videos. High Bandwidth NDI® enables IP transmission of high-image-quality videos with a low latency, while NDI®|HX version 2 achieves efficient video transmission with a limited bandwidth. Since the video source is accessible from any device on the same network, even unknown IP addresses are automatically recognized. This allows for a flexible video production flow at the shooting site.

PAN-AWUE100WEJ 4K 60p/50p PTZ Camera Supporting NDI and SRT (White)

Panasonic PAN-AWUE100WEJ (PAN/AWUE100WEJ, PAN_AWUE100WEJ, AWUE100WEJ, AW-UE100WEJ, pan-awue100wej) 4K 60p/50p PTZ Camera Supporting NDI and SRT (White) Supports high bandwidth NDI for low latency transmission of high-quality 4K 60p video, and SRT for high-quality and stable transmission, and also compatible with 12G-SDI output for use in a wide range of situations, from live streaming of events to studio production. World's First 4K/60p PTZ Camera supporting NDI and SRT Supports high bandwidth NDI for low latency transmission of high-quality 4K 60p video, and SRT for high-quality and stable transmission, and also compatible with 12G-SDI output for use in a wide range of situations, from live streaming of events to studio production. Supports a wide variety of IP transmission protocols, including NDI, NDI|HX, and SRT High bandwidth NDI that can transmit 4K video at speeds of up to 250 Mbps and full HD video up to 100 Mbps is included to provide high-quality low latency live video transmission with a single LAN cable. High efficiency low bandwidth NDI|HX (HD) is also included to enable video transmission at low bitrates. SRT is also supported to maintain stability while transmitting high-quality video, even in unstable network environments. RTMP/RTMPS provides direct streaming to live broadcasting services such as YouTube Live and Facebook Live from the camera. Supports 4K 60p shooting and 12G-SDI output Supports 4K 60p/50p video at 3840 x 2160 to provide smooth and high-quality shooting of moving images, and a wide variety of output interfaces such as 12G-SDI, 3G-SDI, HDMI, and IP. The AW-UE100 PTZ camera offers PoE++ support for camera power, control and video transmission over a single cable. Additionally, a power adapter is included with the camera. Includes a wide-angle lens with a 74.1° field of view and 24x optical zoom A wide angle lens with a horizontal angle of view of 74.1 degrees enables a wide area to be shot from a limited installation space, and 24x optical zoom maintains high image quality at high zoom ratios. This allows shooting in large indoor spaces. Supports FreeD for building AR/VR systems FreeD command output enables connection with AR/VR (Augmented Reality / Virtual Reality) systems. This allows the camera tracking information (pan/tilt/zoom/focus/iris) to be output together with a synchronization signal to easily build systems without an encoder. Adopts new mechanical pan/tilt for improved responsiveness and quietness The inclusion of a Direct Drive mechanism improves the responsiveness of pan/tilt and quietness during pan/tilt operations. In addition to Optical Image Stabilization (OIS), Electronic Image Stabilisation (EIS) has been added for the roll direction. This provides stable video shooting even at locations utilizing robotics and rail systems, etc.

Panasonic HD Integrated Camera; 1-inch large MOS - White

Panasonic HD Integrated Camera; 1-inch large MOS - White, PAN-AW-HE145WEJ (PAN_AW_HE145WEJ, HE145WEJ, PAN/AW/HE145WEJ, PAN AW HE145WEJ) The HD integrated camera AW-HE145 realizes high sensitivity of F9/2000lx with the mounted 1.0-type MOS sensor, and can shoot beautifully at stage events or church services with low light. The operation mechanism is the same design as the high-end model, so the operating performance of the pan/tilt and zoom is smooth and accurate, allowing you to shoot without stress. Furthermore, it is equipped with an optical 20x zoom and horizontal 75.1° wide-angle lens to realize flexible video production.

Sony Cybershot DSC-RX100 mark VII

 Sony Cybershot DSC-RX100 mark VII(DSC-RX100M7.CE3) Mixing speed, reach, and portability, the Sony RX100 VII is a pocket-sized camera packing a wealth of stills and video versatility. This seventh-generation camera in the esteemed RX100 series is the second to feature the impressive 24-200mm-equivalent ZEISS Vario-Sonnar T* lens that covers wide-angle to telephoto focal lengths for greater shooting flexibility in a variety of conditions. Making use of the extended range is a redesigned 20.1MP 1" Exmor RS CMOS sensor, along with an improved BIONZ X image processor, for fast shooting performance, high sensitivity to ISO 12800, and UHD 4K video recording. The updated sensor design is all about speed and enables blackout-free continuous shooting up to 20 fps for easier subject tracking. Single Burst Shooting also permits shooting at an extreme 90-fps setting for working with the fastest moving subjects. The sensor's design also provides a 357-point hybrid AF system for quick and accurate focus performance and subject tracking in both stills and video modes. A stacked design and front-end LSI also contribute to quickened operation and enhanced image quality. Video performance also remains impressive with the incorporation of S-Log3 and HLG gamma settings, and High Frame Rate shooting allows you to record at up to 960 fps for slow-motion playback. Retaining the classic sleek form factor of an RX100, the VII still has a pocketable stature despite the extended zoom lens. A pop-up 2.36m-dot OLED electronic viewfinder is a sleek means for eye-level viewing or, alternatively, a 3.0" 921.6k-dot LCD touchscreen can be used. The LCD features a tilting design to support working from high and low angles and its touch capability permits the use of Touch Focus and Touch Shutter functions. The camera also sports Bluetooth and Wi-Fi connectivity for sharing imagery to a linked mobile device or for embedding location information from your smartphone. 20.1MP 1" Exmor RS CMOS Sensor & BIONZ X Image Processor Utilizing an advanced stacked structure with an integrated DRAM chip, the updated 20.1MP 1" Exmor RS CMOS sensor of the RX100 VII is able to deliver outstanding image quality from ISO 100-12800 with incredibly fast performance. This sensor stacks the pixel area, a high-speed signal processing circuit, and memory in order to increase data throughput and deliver features such as Single Burst Shooting, an Anti-Distortion shutter, UHD 4K video, and more. This 1" sensor also has 357 phase-detection AF points and 425 contrast detection areas for faster, more precise focusing. This sensor is paired with a revised BIONZ X image processor and front-end LSI, which dramatically improve the speed and throughput of the entire imaging system, enabling blackout-free continuous shooting at up to 20 fps with continuous AF/AE calculations being performed at 60 times per second. The Single Burst Shooting function also permits recording up to seven frames, in raw or JPEG, at 90 fps, 60 fps, or 30 fps for capturing the fastest of moments. The front-end LSI and enhanced sensor performance also improve overall image quality, especially at higher sensitivities, by reducing noise and offering higher perceived resolution and color definition. ZEISS Vario-Sonnar T* 24-200mm Lens Spanning an impressive 24-200mm equivalent range, the integrated ZEISS Vario-Sonnar T* lens suits photographing in a wide range of situations. Now covering wide-angle to mid-telephoto, the updated zoom range affords greater shooting versatility while still retaining a compact form factor due to the f/2.8-4.5 maximum aperture range. The optical design incorporates eight aspherical elements, including four advanced aspherical (AA) elements, to greatly reduce aberrations and distortions in order to achieve high sharpness and accurate rendering. A ZEISS T* anti-reflective coating has also been applied to suppress reflections and glare for improved contrast and color fidelity. The flexible reach is complemented by four stop-effective Optical SteadyShot image stabilization, which minimizes the appearance of camera shake to suit handheld shooting in low-light conditions. Additionally, Clear Image Zoom can also be used to further extend the effective reach of the zoom with nearly no image degradation. Fast Hybrid AF System with 315 Phase-Detection Points The RX100 VII is equipped with an on-sensor phase-detection AF system that dramatically improves autofocus speed for both stills and video. The camera uses a hybrid system with 357 phase-detection points that cover approximately 68% of the frame along with a 425-area contrast-detection system to provide fast, accurate focusing in a range of situations. The RX100 VII is able to lock onto subjects quickly, in just 0.02 seconds, and it can use Real-time Tracking for AI-based tracking on moving subjects. Real-time Eye AF, suitable for both humans and animals, also ensures critical sharpness when shooting portraits. UHD 4K Video Recording Able to record UHD 4K video at 30/24 fps, the RX100 VII, is capable of producing movies with exceptional clarity. By using a full pixel readout without binning, the camera collects about 1.7x the information needed for 4K output. This oversampling helps to increase clarity while reducing the impact of moiré and jaggies. Benefitting sharper recording, an Active SteadyShot mode can be used for recording that prioritizes smoothness when reducing the appearance of camera shake. Fast Hybrid AF is available during movie shooting for ensuring accurate, fast tracking using phase-detection AF points. The camera also offers Sony's advanced XAVC S format for recording a high bit rates up to 100 Mb/s. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling. Affording extensive customizable color and gamma controls, the RX100 VII allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image. Speed is also a huge advantage of the RX100 VII, and, in video, users will benefit from advanced High Frame Rate shooting and super slow motion. In Full HD, shooters will have access to a standard 120 fps setting that will enable outstanding slow motion when placed in editing software. In addition to this, the camera also offers a dedicated HFR mode that boosts the camera's frame rate to up to 960 fps. A Photo Capture function is built directly into the camera, allowing shooters to quickly save an 8.29MP still from their UHD 4K movies. Full HD can also benefit from this feature, where users will be able to pull a 2MP still. Additionally, the camera is NTSC/PAL switchable, making it usable around the world, vertical videos can be recorded with embedded metadata to correct for the vertical orientation during playback. Body Design and Wireless Connectivity Rear 3.0" 921.6k-dot tilting LCD features a touchscreen design for intuitive operation, including the ability for working with Touch Focus, Touch Pad AF, and Touch Shutter functions. The screen's tilting design, which goes from 180° upward to 90° downward, also suits photographing from high, low, and front-facing angles. One-push pop-up XGA OLED electronic viewfinder offers a resolution of 2.36m dots and 0.59x magnification for crisp, clear viewing. The EVF also uses a ZEISS T* coating, to ensure clarity from corner to corner, and has a one-push access design for more convenient switching between the LCD and EVF. Integrated 3.5mm external microphone port supports improved audio recording quality. A manual control ring surrounds the lens and features a smooth, click-less design for quick and quiet changing of settings. The ring can be assigned to control a variety of features, at different values, including zoom and aperture. Custom button and other programmable button can be set to one of over 40 functions for quick access to commonly used settings. Pop-up flash will help illuminate subjects in dimly lit scenes. Built-in Wi-Fi connectivity enables instant transferring of imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices, with no complex set-up required. Once connected, the linked mobile device can also display a live view image on its screen and, using Smart Remote Control, remotely control the camera's shutter release. Additionally, connection to a smartphone using a QR code is also possible. Bluetooth connectivity, via the PlayMemories Mobile app, also allows you to embed location information into both stills and movie files for geotagging.

Triple-Stream PoE+, Full HD PTZ Camera 3G-SDI, HDMI

Sony SRG-360SHE (SRG_360SHE, SRG/360SHE, SRG 360SHE) Triple-Stream PoE+, Full HD PTZ Camera 3G-SDI, HDMI With a 30x optical zoom and remote control capabilities, the Sony SRG360SHE Triple-Stream PoE+, Full HD PTZ Camera with 3G-SDI, HDMI is suitable for medium to large venues such as classrooms, courtrooms, boardrooms, and houses of worship. The unit consists of the pan/tilt module and the camera head and lens. The SRG360SHE captures HD video in 720p, 1080i, or 1080p at up to 59.94. It features a 1/2.8" Exmor CMOS sensor providing low-light sensitivity of 1.4 lux. The camera comes with Sony's Wide-D for wide dynamic range, enhancing the image with View-DR. The SRG360SHE can simultaneously output via its SDI, HDMI, and IP output, making it suitable for distance learning as well as for immediate viewing in a classroom. The PoE+ feature allows you to mount the camera anywhere you have an active PoE+ Ethernet port, without having to run additional AC or DC power. Remote operation is a major component of the SRG360SHE's design, and the camera supports VISCA control protocols, as well as RS-422. You can program the camera with up to 256 preset positions, which is useful for repetitive events and productions. The small size and remote operation capabilities of the SRG360SHE allow for placement where a manually operated camera and operator cannot go. The SRG-360SHE supports triple streaming outputs of 1080/60p baseband video through 3G-SDI, HDMI, and a H.264-compressed video/audio stream via IP. This triple streaming capability makes the camera ideal for webcasting, viewing and simultaneously recording conferences, lectures, seminars, and other live events. The SRG-360SHE supports a PoE+ (Power over Ethernet) capability that carries IP video/audio control and power over a single connection cable, making for a simpler installation anywhere you can run an Ethernet cable, without having to worry about running a dedicated power line. Please note that you will need to use a PoE+ Router (not included). With enhanced audio quality courtesy of an equalizer and auto lip-sync function, the SRG-360SHE enhances stereo audio from a connected stereo microphone (not included) or line inputs by using the onboard equalizer and auto level control. Unwanted signal delays between audio and video are compensated for by the SRG-360SHE's auto lip-sync function. Enhanced PTZ operation allows you to produce professional-looking results even with non-professional camera operators. 'Semi-Synchronous Simultaneous Motion' improves transitions between subjects, delivering smooth, coordinated camera motion that does not distract viewers. A Slow P/T setting allows for precise tracking of a speaker walking across a stage. PTZ Trace Memory provides the ability to store a sequence of camera movements as a preset. Featuring a 30x optical zoom lens with 12x digital zoom enables you to cover the room with a wide 65° viewing angle and zoom in tight for detailed shots. The SRG-360SHE supports up to 256 camera preset positions using a free plug-in viewer and ActiveX viewer. Sony View-DR and XDNR technologies provide clear images in low-light environments and reduce noise. Pan/Tilt/Zoom controls are operated by VISCA protocols through either the RS-422 (serial) connector or RJ-45 (IP) connection allowing for either local or remote operation and easy cabling.  

X1 30x HD PTZ Camera - Black

BirdDog BDX130B (BD-X130B, BD/X130B, BD_X130B, BD X130B) X1 30x HD PTZ Camera - Black X1 Series — The X-Factor in PTZ Transform your productions with the BirdDog X1, X1 30x, and X1 Ultra — PTZ cameras engineered for precision movement, cinematic image quality, and professional performance across every application. Featuring Halo Tally and advanced AI Tracking, the X1 Series elevates live production with effortless control and broadcast-ready visuals. Connectivity is designed for versatility, with NDI® HX3, HDMI, USB-C, and Wi-Fi ensuring seamless integration between IP and baseband workflows. The X1 Series also introduces the world’s first e-Ink display in a PTZ camera — always visible, even when powered off — providing instant system information or custom branding. Integrated NDI® HX decoding further streamlines operations, enabling confidence monitoring, return feeds, or teleprompter output directly from the camera. The X1 Series is Zoom Certified for flawless compatibility with UC platforms, and from August 2025, every unit will incorporate OBP plastics, reinforcing BirdDog’s commitment to sustainability by reducing ocean waste. Halo Tally Professional productions demand clear communication. The X1 Series introduces the most visible tally system in its class: a bold, daylight-visible front border combined with an interchangeable illuminated numbering system at the rear, ensuring both cast and crew know exactly where to focus. AI Tracking Powered by intelligent algorithms, X1 and X1 Ultra maintain perfect framing with real-time AI subject tracking. Whether used in concerts, conferences, or keynote presentations, the system ensures smooth and accurate camera movement without requiring additional operators. Operators can even designate which individual to follow within the frame for precise control. NDI® HX3 Optimized for efficiency, X1 and X1 Ultra deliver exceptional video quality via BirdDog’s NDI® HX3 technology. By minimizing bandwidth demands without sacrificing fidelity, these cameras adapt seamlessly to diverse network environments — meeting and exceeding certification standards for reliability and performance. Wi-Fi Connectivity For setups where cabling isn’t feasible, the X1 Series includes integrated Wi-Fi alongside Ethernet and PoE. This added flexibility allows quick deployment and smart positioning, reducing setup time while expanding creative possibilities. Integrated NDI® HX Decoder As the first PTZ cameras with a built-in NDI® HX decoder, X1 and X1 Ultra simplify workflows by handling return feeds, teleprompter output, or confidence monitoring with a single connection. The result: fewer devices, less setup, and streamlined control for both broadcast and corporate applications. Zoom Certification Fully Zoom Certified, the X1 Series integrates effortlessly into Zoom Rooms and UC environments. The result is crystal-clear video, stable connectivity, and professional performance for virtual meetings, webinars, and hybrid events — making X1 equally effective in corporate AV, education, and live production. e-Ink Label — Always On Breaking new ground, the X1 Series features an always-on e-Ink display. From IP addresses for simplified access to customizable logos* for branding, the display ensures every unit remains clearly identifiable at all times, even when powered down.

X1 30x HD PTZ Camera - White

BirdDog BDX130W (BD-X130W, BD/X130W, BD X130W, BD_X130W) X1 30x HD PTZ Camera - White X1 Series — The X-Factor in PTZ Transform your productions with the BirdDog X1, X1 30x, and X1 Ultra — PTZ cameras engineered for precision movement, cinematic image quality, and professional performance across every application. Featuring Halo Tally and advanced AI Tracking, the X1 Series elevates live production with effortless control and broadcast-ready visuals. Connectivity is designed for versatility, with NDI® HX3, HDMI, USB-C, and Wi-Fi ensuring seamless integration between IP and baseband workflows. The X1 Series also introduces the world’s first e-Ink display in a PTZ camera — always visible, even when powered off — providing instant system information or custom branding. Integrated NDI® HX decoding further streamlines operations, enabling confidence monitoring, return feeds, or teleprompter output directly from the camera. The X1 Series is Zoom Certified for flawless compatibility with UC platforms, and from August 2025, every unit will incorporate OBP plastics, reinforcing BirdDog’s commitment to sustainability by reducing ocean waste. Halo Tally Professional productions demand clear communication. The X1 Series introduces the most visible tally system in its class: a bold, daylight-visible front border combined with an interchangeable illuminated numbering system at the rear, ensuring both cast and crew know exactly where to focus. AI Tracking Powered by intelligent algorithms, X1 and X1 Ultra maintain perfect framing with real-time AI subject tracking. Whether used in concerts, conferences, or keynote presentations, the system ensures smooth and accurate camera movement without requiring additional operators. Operators can even designate which individual to follow within the frame for precise control. NDI® HX3 Optimized for efficiency, X1 and X1 Ultra deliver exceptional video quality via BirdDog’s NDI® HX3 technology. By minimizing bandwidth demands without sacrificing fidelity, these cameras adapt seamlessly to diverse network environments — meeting and exceeding certification standards for reliability and performance. Wi-Fi Connectivity For setups where cabling isn’t feasible, the X1 Series includes integrated Wi-Fi alongside Ethernet and PoE. This added flexibility allows quick deployment and smart positioning, reducing setup time while expanding creative possibilities. Integrated NDI® HX Decoder As the first PTZ cameras with a built-in NDI® HX decoder, X1 and X1 Ultra simplify workflows by handling return feeds, teleprompter output, or confidence monitoring with a single connection. The result: fewer devices, less setup, and streamlined control for both broadcast and corporate applications. Zoom Certification Fully Zoom Certified, the X1 Series integrates effortlessly into Zoom Rooms and UC environments. The result is crystal-clear video, stable connectivity, and professional performance for virtual meetings, webinars, and hybrid events — making X1 equally effective in corporate AV, education, and live production. e-Ink Label — Always On Breaking new ground, the X1 Series features an always-on e-Ink display. From IP addresses for simplified access to customizable logos* for branding, the display ensures every unit remains clearly identifiable at all times, even when powered down.

XL Ultra 4K60 UHD PTZ Camera - Black

BirdDog BDXLUB (BD-XLUB, BD/XLUB, BD_XLUB, BD XLUB) XL Ultra 4K60 UHD PTZ Camera - Black This isn’t just another PTZ — it’s a powerhouse built around a massive 4/3" CMOS sensor, the kind typically reserved for high-end cinema and DSLR cameras. Combined with a 20× optical zoom (40× in HD), OLPF, and ND filters, the XL delivers true cinematic depth, exceptional low-light performance, and razor-sharp clarity that redefines what a PTZ can do. But the XL goes beyond sensor size. Its innovative dual-camera design pairs a main PTZ with a 100° panoramic camera, both shooting in 4K60, both independently adjustable, and both capable of simultaneous output. One system, two perspectives, limitless creative freedom. AI tracking is powered by an advanced neural processor, ensuring natural framing with human-like precision. Premium-grade motors and a next-generation thermal system guarantee whisper-smooth, near-silent movement — keeping the focus on your subject, not the hardware. Connectivity leaves no compromises: 12G-SDI, HDMI, SFP+ fiber, PoE++, and balanced XLR audio. Simultaneous Full NDI® and NDI® HX3 streaming, plus dual-stream support with SRT, RTMP, or RTSP, make it ready for any workflow — broadcast, AV, XR, or virtual production. Signature BirdDog details elevate the XL Ultra even further: customizable RGB Halo Tally, dual side e-ink displays, and a rear numbering tally system. It’s a PTZ that not only performs like cinema but looks the part too. From studios and XR stages to houses of worship and arena productions — the XL Ultra is built to lead.  

XL Ultra 4K60 UHD PTZ Camera - White

BirdDog BDXLUW (BD-XLUW, BD/XLUW, BD_XLUW, BD XLUW) XL Ultra 4K60 UHD PTZ Camera - White This isn’t just another PTZ — it’s a powerhouse built around a massive 4/3" CMOS sensor, the kind typically reserved for high-end cinema and DSLR cameras. Combined with a 20× optical zoom (40× in HD), OLPF, and ND filters, the XL delivers true cinematic depth, exceptional low-light performance, and razor-sharp clarity that redefines what a PTZ can do. But the XL goes beyond sensor size. Its innovative dual-camera design pairs a main PTZ with a 100° panoramic camera, both shooting in 4K60, both independently adjustable, and both capable of simultaneous output. One system, two perspectives, limitless creative freedom. AI tracking is powered by an advanced neural processor, ensuring natural framing with human-like precision. Premium-grade motors and a next-generation thermal system guarantee whisper-smooth, near-silent movement — keeping the focus on your subject, not the hardware. Connectivity leaves no compromises: 12G-SDI, HDMI, SFP+ fiber, PoE++, and balanced XLR audio. Simultaneous Full NDI® and NDI® HX3 streaming, plus dual-stream support with SRT, RTMP, or RTSP, make it ready for any workflow — broadcast, AV, XR, or virtual production. Signature BirdDog details elevate the XL Ultra even further: customizable RGB Halo Tally, dual side e-ink displays, and a rear numbering tally system. It’s a PTZ that not only performs like cinema but looks the part too. From studios and XR stages to houses of worship and arena productions — the XL Ultra is built to lead.