Used

RED Gemini DSMC2 5K S35, 765 Hours, used

code: FMP60059LPBR

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Red Gemini DSMC2 5K S35, 765 Hours, used (FMP60059LPBR)

Great Condition, 3 Months warranty

For flexibility in any situation, GEMINI is RED's highest sensitivity sensor to date and offers significantly increased performance in low-light settings and improved performance in shadows. A DSMC2 BRAIN is capable of data write speeds of 300 MB/s, and can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD. With features like cable-free peripherals, integrated media bay, wireless control, and more—DSMC2 is also compatible with a growing arsenal of modules and accessories—from RED and other Third-Party manufacturers. Tack on interchangeable OLPFs and lens mounts and DSMC2 gives you the ultimate control over your footage.

Sensor Type

GEMINI® 15.4 Megapixel Dual Sensitivity CMOS

Effective Pixels

5120 x 3000

Sensor Size

30.72 mm x 18.00 mm (Diagonal: 35.61 mm)

Dynamic Range

16.5+ stops (Both Sensitivities)

Max Data Rates

Up to 300 MB/s using RED MINI-MAG® (480GB, 512GB, 960GB & 1TB)

Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

REDCODE® RAW Max Frame Rates1

75 fps at 5K Full Height 1.7:1 (5120 x 3000)

96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)

120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)

150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)

240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)

Playback Frame Rates (Project Time Base)

23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

Best Available REDCODE Settings1

3:1 REDCODE at 5K Full Height (5120 x 3000) and 24 fps

6:1 REDCODE at 5K Full Height (5120 x 3000) and 60 fps

2:1 REDCODE at 5K Full Format (5120 x 2700) and 24 fps

8:1 REDCODE at 5K Full Format (5120 x 2700) and 96 fps

2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps

6:1 REDCODE at 4K Full Format (4096 x 2160) and 120 fps

REDCODE RAW Acquisition Formats2

5K Full Height 1.7:1 (5120 x 3000), 6:5 and Ana 2x, 1.3x

5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

Apple® ProRes

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps

ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

Avid® Codecs

DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps

DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps

DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps

DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps

DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

Construction

Aluminum Alloy

Weight

3.35 lbs (BRAIN® with Integrated Media Bay)

Operating Temperature

0°C to 40°C (32°F to 104°F)

Storage Temperature

–20°C to 50°C (–4°F to 122°F)

Relative Humidity

0% to 85% non-condensing

Color Management

Improved in-camera color science

Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs

Variable number of 3D LUT outputs with DSMC2® expander module

User programmable shaper 1D LUTs

Tetrahedral interpolation, 16-bit processing

Audio

Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz

Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

Remote Control

Integrated R.C.P.™ WiFi antenna

Ethernet, RS232, and GPI Trigger with DSMC2 expander module

Monitor Outputs

3G-SDI (HD-SDI) and HDMI® with DSMC2 expander module

1080p RGB or 4:2:2, 720p RGB or 4:2:2

480p RGB or 4:2:2 (HDMI only)

SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

Monitor Options

DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.

RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF® (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO® Adaptor A and LCD/EVF cable.

REDCINE-X PRO® Delivery Formats

4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

1080p RGB 4:2:2, 720p 4:2:2 : QuickTime®, JPEG, Avid AAF, MXF

1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

Video Editing Software Compatibility3

Adobe® Premiere® Pro, Avid Media Composer®, DaVinci Resolve®, Edius Pro®, Final Cut Pro®, Vegas Pro®

In The Box:

RED DSMC2 Gemini

4-inch touch screen

Side handle

2x 2TB Kippertie mags with hard case

Mag reader

EF and PL mounts (EF mount is dumb and won't communicate with stills lenses)

2x Pogo cables

Wooden Camera A-Box

Pass through top plate and trigger handle

Power cable

Tentacle timecode cable

Low Light OLPF

V-lock I/O expander

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