Arri Ultra Wide set of 9 (6,8,9.5,12,14,18,25,35 & 50mm) used

Arri Ultra Wide set of 9 (6,8,9.5,12,14,18,25,35 & 50mm) used(FMP60873LPBR)

Good Condition, 3 Months warranty

The art of cinematography is closely tied to the art of creating the cinematographer's tools. The art of successful lens design has been advanced with a new, complete set of high speed close focus lenses: the Ultra 16 lenses. Like the Master Primes, the Ultra 16 lenses combine high speed with outstanding optical performance. With a widest stop of T1.3 they create shallow depth of field and allow shooting on tight lighting

budgets or under severe time pressure. Equaled by no other Super 16 lenses in optical performance, they join the other ARRI lenses in elevating the Super 16 image to its highest possible quality.

The speed of the new Ultra 16 lenses is a super fast T1.3, which allows the creation of a shallow depth of field, a look that is often sought after in other formats. Especially for wide angle lenses in Super 16, a maximum aperture of T1.3 helps in creating a cinematic look. In addition, T1.3 facilitates shooting on tight lighting

budgets or under a lot of time pressure, common in TV drama or independent feature films. The fast speed is one of the outstanding features of these new lenses, unmatched by any other Super 16 cine lens.

 Fast lenses are nothing new, but cinematographers used to pay dearly for high speed with reduced optical performance and a greater propensity to flaring. The Ultra 16 lenses, like the Master Primes, change all that by combining fast speed with outstanding optical performance at all T-stops across the whole focus range.

This previously unattainable goal was made possible through new manufacturing techniques, the use of exotic glass materials and large diameter aspherical and radically shaped spherical glass surfaces. The Ultra 16 lenses exhibit high contrast, high resolution, almost no chromatic aberration (color fringes) and a great resistance to flaring. They are designed as close focus lenses, and so retain their outstanding optical qualities even at minimum object distances.

Incorporating aspherical glass surfaces in a lens design requires ultra-high precision in manufacturing and a complex holographic measuring process which was developed specifically for the Master Primes, now benefiting all new ARRI lens designs. The aspherical glass surface located close to the iris inside the 12, 14, 18

and 25 mm Ultra 16 lenses helps in reducing spherical aberration (the inability to focus all light rays from a point source onto a point on film). The aspherical front surface of the 6, 8 and 9.5 mm keeps the image free of geometrical distortions; straight lines stay straight, from infinity to close focus.

High Speed - T1.3

 · for complete control over depth of field

 · for shooting in low or available light

 · for natural looking images

 · for fast paced production environments

 · for tight lighting budgets

n Highest Optical Performance

 · high contrast and resolution

 · T* XP coating ensures flare resistance

 · image geometry free of distortions

even at wide angles

 · minimized chromatic aberration

 · minimal breathing

n Smooth & Robust Mechanics

n Matches other ARRI Lenses

 · same size & ergonomics as Ultra Primes

 · Super Color Matched to Ultra Primes,

Master Primes, Variable Primes &

Lightweight Zoom LWZ-1

In The Box:-

Ultra 16 6mm

Ultra 16 8mm

Ultra 16 9.5mm

Ultra 16 12mm

Ultra 16 14mm

Ultra 16 18mm

Ultra 16 25mm

Ultra 16 35mm

Ultra 16 50mm