Arri Alexa Mini Camera Kit 4:3 & RAW 216 Hours, Used

ARRI Alexa Mini Camera Kit 4:3 & RAW 216 Hours, Used

Good condition

3 months warranty 

Compact, lightweight, and self-contained - ARRI ALEXA Mini is the small and versatile allrounder in the ARRI camera family.

The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, ALEXA Mini comes with a series of interchangeable lens mount, allowing the use of B4 video, EF mount stills lenses, or with the even ARRI Signature Primes with the LPL mount for ALEXA Mini.

An ALEXA Mini can be operated in number of ways: by wireless remote control, as an A-camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body.

Designed with new-generation brushless gimbals, multicopters and other specialized rigs in mind, ALEXA Mini is light enough to be comfortably held at arm’s length in a hand rig, while its compact size also makes it ideal for tight shooting conditions, as well as underwater, aerial, car, action, and 3D shoots.

With an ALEXA Mini you can literally shoot everywhere with the best image quality.

The compact and lightweight ALEXA Mini is a highly versatile tool on set. In some productions it is used as a second or third camera, while in others it is the main camera throughout a shoot. As a result, it is frequently moved from one configuration to another. Any time savings that can be made during these transitions will have a big impact on the daily shooting schedule. 

Therefore, ARRI has developed a studio set for ALEXA Mini. It's core is the ARRI Compact Bridge Plate CBP-1, a base plate with integrated sliding bridge plate and shoulder pad. This allows for rapid, tool-less transitions between configurations - for example from TRINITY, MAXIMA, or Steadicam stabilizers to tripod heads or an operator’s shoulder. 

The Rear Accessory Bracket RAB-1 offers flexible attachment options for the Power Splitting Box Mk II, a power distribution unit available in Gold Mount and V-Mount versions, while the Side Accessory Bracket SAB-1 provides a simple interface for mounting accessories towards the rear of the camera. Many previously released ARRI camera accessories for the ALEXA Mini are fully compatible with the studio set.

Three ALEXA Mini license upgrades are available, allowing users to get the most out of the camera’s 4:3 ALEV 3 sensor.

The 4:3 License Key enables ALEXA Mini to record ProRes in 4:3, 4:3 cropped or 16:9 anamorphic and to de-squeeze both the viewfinder image and HD-SDI signal.

The ARRIRAW License Key allows for 2.8K 16:9 ARRIRAW recording. Open Gate ARRIRAW recording is possible with cameras that have both license keys installed.

The ARRI Look Library License Key offers 87 predefined creative color gradings, each in three intensities.

ALEXA Mini

Sensor Type

Super 35 format ARRI ALEV III CMOS sensor with Bayer pattern color filter array

Sensor Maximum Number of Photosites and Size

3424 x 2202

28.25 x 18.17 mm / 1.112 x 0.715"

⌀ 33.59 mm / 1.322"

Sensor Frame Rates

0.75 - 200 fps

Weight

∼2.3 kg / ∼5 lbs

(camera body with titanium PL lens mount)

Photosite Pitch

8.25 μm

Sensor Active Image Area (photosites)

S16 HD: 1600 x 900

HD: 2880 x 1620

2K: 2868 x 1612

3.2K: 3200 x 1800

4K UHD: 3200 x 1800

4:3 2.8K: 2880 x 2160

2.39:1 2K Ana.: 2560 x 2145

HD Ana.: 1920 x 2160

ARRIRAW 16:9 2.8K: 2880 x 1620

Open Gate 3.4K: 3424 x 2202

Sensor Active Image Area (dimensions)

S16 HD: 13.20 x 7.43 mm / 0.520 x 0.292"

HD: 23.76 x 13.37 mm / 0.935 x 0.526"

2K: 23.66 x 13.30 mm / 0.932 x 0.524"

3.2K: 26.40 x 14.85 mm / 1.039 x 0.585"

4K UHD: 26.40 x 14.85 mm / 1.039 x 0.585"

4:3 2.8K: 23.76 x 17.82 mm / 0.935 x 0.702"

2.39:1 2K Ana.: 21.12 x 17.70 mm / 0.831 x 0.697"

HD Ana.: 15.84 x 17.82 mm / 0.624 x 0.702"

ARRIRAW 16:9 2.8K: 23.76 x 13.37 mm / 0.935 x 0.526"

Open Gate 3.4K: 28.25 x 18.17 mm / 1.112 x 0.715"

Recording File Container Size (pixel)

S16 HD: 1920 x 1080

HD: 1920 x 1080

2K: 2048 x 1152

3.2K: 3200 x 1800

4K UHD: 3840 x 2160

4:3 2.8K: 2944 x 2160

2.39:1 2K Ana.: 2048 x 858

HD Ana.: 1920 x 1080

ARRIRAW 16:9 2.8K: 2880 x 1620

Open Gate 3.4K: 3424 x 2202

Recording File Image Content (pixel)

ProRes S16 HD: 1920 x 1080

ProRes HD: 1920 x 1080

ProRes 2K: 2048 x 1152

ProRes 3.2K: 3200 x 1800

ProRes 4K UHD: 3840 x 2160

ProRes 4:3 2.8K: 2880 x 2160

ProRes HD Anamorphic: 1920 x 1080

ProRes 2.39:1 2K Anamorphic: 2048 x 858

ARRIRAW 16:9 2.8K: 2880 x 1620

ARRIRAW Open Gate 3.4K: 3424 x 2202

ARRIRAW 4:3 2.8K (OG 3.4K): 3424 x 2202

ARRIRAW 2.39:1 2K Ana. (OG 3.4K): 3424 x 2202

ARRIRAW 16:9 HD Ana. (OG 3.4K): 3424 x 2202

Dynamic Range

14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)

Exposure Index

Adjustable from EI 160-3200 in 1/3 stops

EI 800 base sensitivity

Shutter

Electronic shutter, 5.0°- 356° or 1s - 1/8000s

Recording Formats

MXF/ARRIRAW

Apple ProRes 4444 XQ

Apple ProRes 4444

Apple ProRes 422 HQ

Apple ProRes 422

Apple ProRes 422 LT

Recording Media

CFast 2.0 Cards

Recording Frame Rates

ProRes HD: 0.75 - 200 fps

ProRes S16 HD: 0.75 - 200 fps

ProRes 2K: 0.75 - 200 fps

ProRes 3.2K: 0.75 - 60 fps

ProRes UHD: 0.75 - 60 fps

ProRes 4:3 2.8K: 0.75 - 50 fps

ProRes 2:39:1 2K Ana.: 0.75 - 120 fps

ProRes HD Ana.: 0.75 - 120 fps

MFX/ARRIRAW 16:9 2.8K: 0.75 - 48 fps

MFX/ARRIRAW 3.4K Open Gate: 0.75 - 30 fps

Recording Modes

Standard real-time recording

Pre-recording

Intervalometer

Stop Motion

Viewfinder Type

Multi Viewfinder MVF-1 with 3,2" flip-out monitor

Camera Control Panel (CCP-1) with option to daisy-chain MVF-1

Viewfinder Technology

OLED viewfinder display

LCD flip-out monitor

Viewfinder Resolution (pixel)

1280 x 720

Viewfinder Diopter

Adjustable from -5 to +5 diopters

Color Output

Rec 709

Rec 2020

Log C

Custom Look (ARRI Look File ALF-2)

Look Control

Import of custom 3D LUT

ASC CDL parameters (slope, offset, power, saturation)

Knee, gamma, saturation, black gamma, saturation by hue

Support of ARRI Look Library

White Balance

Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps

Color correction adjustable range from -16 to +16 CC

1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values

Filters

Built-in motorized ND filters 0.6, 1.2, 2.1

Fixed optical low pass, UV, IR filter

Image Outputs

1x proprietary signal output for MVF-1 viewfinder

2x SDI Out: 1,5G (SMPTE ST292-1), 3G (SMPTE ST425-1, ST425-3), 6G & DL 6G (SMPTE ST2081-10, ST2081-11)

uncompressed video with embedded audio and metadata

Lens Squeeze Factors

1.00, 1.30, 2.00

Exposure and Focus Tools

False Color

Zebra

Zoom

Waveform

Aperture and Color Peaking

 

Audio Input

1x LEMO 5pin balanced stereo line in

(Line input max. level +24dBu correlating to 0dBFS)

Audio Output

SDI (embedded)

Audio Recording

2 channel linear PCM, 24 bit 48 kHz

Remote Control Options

Web-based remote control from phones, tablets and laptops via WiFi & Ethernet

Camera Access Protocol via Ethernet & WiFi

GPIO interface for integration with custom control interfaces

WCU-4 hand-unit with control over lens motors and operational parameters via built-in white radio

Interfaces

1x LEMO 5pin LTC Timecode In/Out

1x LEMO 10pin Ethernet for remote control and service

1x BNC Sync In (optional activation through ARRI Service)

1x LEMO 7pin EXT multi purpose accessory interface w. RS pin and unregulated power output (outputs battery voltage)

1x LEMO 4pin LBUS (on lens mount) for lens motors, daisy chainable

1x USB 2.0 (for user setups, look files etc)

Wireless Interfaces

Built-in WiFi module (IEEE 802.11b/g)

Built-in White Radio for ARRI lens and camera remote control

Lens Mounts

Titanium PL lens mount with LBUS connector

LPL lens mount with LBUS connector

PL lens mount with Hirose connector

EF Mount (LBUS)

EF lens mount

B4 lens mount with Hirose connector

Leitz Cine Wetzlar M lens mount

Flange Focal Depth

PL mount: 52 mm

LPL mount: 44 mm

Power Input

1x LEMO 8pin (10.5-34 V DC)

Power Consumption

min. 43 W

max. 84 W

(Camera body with MVF-1)

Power Outputs

1x LEMO 7pin EXT unregulated power output (outputs battery voltage) with max. 1.1 A

Measurements (HxWxL)

140 x 125 x 185 mm / 5.5 x 4.9 x 7.3"

(camera body with PL lens mount)

Operating Temperature

-20° C to +45° C / -4° F to +113° F @ 95% relative humidity max, non condensing, splash and dust proof through sealed electronics

Storage Temperature

-30° C to +70° C / -22° F to +158° F

Sound Level

< 20 dB(A) at 24fps

Software Licenses

ARRI RAW

ARRI 4:3

In the box:

 1 x ARRI Alexa Mini Camera Body 218 Hours

• Licenses: 4:3, RAW, Log-C, Lut Library
• 1 x ARRI MVF-1 Viewfinder
• 1 x Bebop Cine VMM-ALM V-Lock Battery Plate Adapter
• 1 x ARRI Battery Plate Adapter BAP-1
• 2 x ARRI Mini Side Brackets MSB-1
• 1 x ARRI Mini Adapter Plate MAP-2
• 1 x ARRI Camera Centre Handle CCH-2
• 1 x ARRI Broadcast Plate