Note: For RED EPIC® and SCARLET® cameras, the DSMC Fan 2.0 (Bottom) and the DSMC S35 Mg PL Mount 2.0 are not natively compatible with each other, since the fan grill prevents the lens mount locking ring from rotating. To use these devices together, remove the lower tabs from the locking ring using a T8...
The RED® CAN COMMAND CABLE connects your RED T.H.C. (TACTICAL HAND CONTROLLER) to your RED W.M.D. (WIRELESS MOTOR DRIVER) for hard-wired, reliable lens control communication.
Red Can Command Cable 50ft 790-0408, New
3 month warranty
Excellent Condition - New In Packaging
The RED® CAN COMMAND CABLE connects your RED T.H.C. (TACTICAL HAND CONTROLLER) to your RED W.M.D. (WIRELESS MOTOR DRIVER) for hard-wired, reliable lens control communication.
RED Can Command Cable 50ft 790-0408, New
3 month warranty
Excellent Condition - New In Packaging
The RED® CAN COMMAND CABLE connects your RED T.H.C. (TACTICAL HAND CONTROLLER) to your RED W.M.D. (WIRELESS MOTOR DRIVER) for hard-wired, reliable lens control communication.
Provides color correction while capturing footage in green water at depths of 15' to 70' (4.5m to 21.3m) Ideal for freshwater lakes and reservoirs, or salt water that appears green due to algae Allows a broader light spectrum to reach the camera sensor for more vibrantly colored footage Snaps into place...
Angle of view (horzntl, vertl, diagnl) 24°, 16°, 28°30' Lens construction (elements/groups) 9/7 No. of diaphragm blades 8 Minimum aperture 22 Closest focusing distance (m) 0.85 Maximum magnification (x) 0.13 AF actuator USM¹ Filter diameter (mm) 58 Max. diameter x length (mm) 75 x 71.5 Weight...
Mount Stainless steel ARRI-PL Focal Length 18mm 25mm 35mm 50mm 75mm 100mm Coverage >34mm diameter image circle Aperture T2.0-22 + closed Rotation Iris Scale: 77° Focus Range: 300° Close Focus Marked: 18mm: 12" (30.5 cm) 25mm: 12" (20.5 cm) 35mm: 14.4" (36.6 cm) 50mm: 24" (60.96 cm) 75mm: 31" (78.7 cm) 100mm: 39" (99.1 cm)...
18mm T-Stop Range T2-T22 Angular Rotation of Iris Scale 96° Min. Marked Object Distance 250 mm 9 in Close Focus from Lens Front 60 mm 2.5 in Angular Rotation to MOD Endstop 300° Max. Diagonal Angle of View for Super 35 Format 80° Length from Front of Lens to Lens Mount 113 mm 4.5 in...
Mount PL Focal Length 25mm Aperture T2.1 to T22 Close Focus Distance 10" / 26 cm Image Circle 43.2 mm Focus Rotation 300° Iris Blades 15 Front Lens Diameter 95 mm Focus Scales Feet Length 3.3" / 83.7 mm Weight 1.8 lb / 0.82 kg
Item Weight: 227 g The Digital Series.55X Reversible Wide Angle Adapter is the first dual purpose lens accessory. When attached to the lens front in one direction, the.55X performs like Century's other high-quality wide angle adapter offering a significantly wider angle of view with minimal distortion. Used with the Sony VX-2000, the.55X provides a...
USED Sony 28-135mm F4 Lens, used
3 months warranty
Excellent condition
Sony technology delivers advanced optical performance and operation for professional 4K moviemaking
The Sony 28-135mm F4 is a powered zoom lens that has been created to satisfy professional optical and operational requirements for high-quality movie imagery, including 4K, when matched with a 35mm full frame format camera such as the 7S or a Super 35 format camcorder such as the PXW-FS7*. Focus breathing and zoom image shift have been reduced to an absolute minimum, while aspherical elements and advanced multi-coating technology effectively suppress aberration. Quiet operation is also a priority, so an SSM (Super Sonic wave Motor) drive system has been employed for precise, quiet zooming. Independent control rings for zoom, focus, and iris using physical stops are provided for the first time into an E-Mount an lens. Built-in Optical SteadyShot image stabilization adds to the extraordinary performance of this outstanding lens which is supporting a constant F4
A full frame lens for serious moviemaking
This powered zoom lens has been created to satisfy professional optical and operational requirements for high-quality movie imagery, including 4K and future formats, when matched with a high-performance 35mm full frame format camera or Super 35 format camcorder. Focus breathing, image shift, and all types of aberration have been minimized.
Smooth Motion Optics satisfy pro needs
SMO (Smooth Motion Optics) is a Sony optical design concept for large-aperture interchangeable lenses that is specifically aimed at achieving the highest possible image quality and resolution for motion images. SMO design addresses three main issues that are critical for moviemaking: focus breathing, focus shifts that can occur while zooming, and lateral movement of the optical axis while zooming.
Smooth, quiet powered zoom
The world’s first SSM (Super Sonic wave Motor) drive in a lens designed for moviemaking achieves exceptionally smooth, quiet zoom. Iris operation is smooth and quiet too. Independent control rings for zoom, focus, and iris are provided. Zoom speed can be precisely controlled over a wide range, with zoom rotation direction reversal capability.
Small and light for better handling
Sony α mount lenses are notably compact and lightweight, painstakingly designed to match the widest possible range of α mount bodies in both form and function. Compact dimensions and reduced weight are an advantage in shooting situations that demand maximum mobility.
Reliable and easy in any conditions
Reliable operation in a variety of conditions is ensured by a design that prevents dust and moisture from entering the lens.
Kowa Anamorphic Rehoused by PS Technik, Lens Set, used
The KOWA Anamorphic lenses have been produced until the 1970's. P+S TECHNIK has four different focal lengths available for lens
rehousing:
KOWA Anamorphic 40mm
KOWA Anamorphic 50mm
KOWA Anamorphic 75mm
KOWA Anamorphic 100 mm
The KOWA Anamorphic lenses are rare and popular because of their small and compact form factor. That's why they are ideal for handheld, Steadicam or drone camera work. They are low in contrast, warm in color, and can be made to flare easily. The flare is warmer in color rather than the standard blue anamorphic flare.
But the original KOWA anamorphic lenses are built with very fragile mechanics which tend to wear out. With the formerly offered rebarreling since 2014, P+S TECHNIK made the first step to improve the mechanics of these valuable lenses.
The rehousing now offered by P+S TECHNIK replaces the original mechanics completely and equips the lens with more durable parts while keeping the same compact form factor. Thus, the stability of the whole mechanism is ensured and the lenses are less prone to service. And as an additional benefit P+S TECHNIK now has the spare parts for the entire mechanism in stock.
The CINE-ZOOM 17-120mm T2.95 lens provides cinematographers and broadcast operations with a compact, lightweight design (only 2.9 kg) using Canon optical elements, while offering outstanding performance and reliability in professional shooting environments. The new lens is fully 4K-ready, with a high optical resolution and support for Super35mm large-format cameras. An 11-blade aperture diaphragm helps ensure...
Arri Zeiss Ultra Prime lenses, Set of 4, used
ARRI / ZEISS Ultra Prime Lenses have the widest focal range of prime lenses giving you the flexibility to get the coverage you want. The Ultra Prime lenses are lightweight standard speed lenses that are a perfect optical match to the high speed ARRI / ZEISS Master Prime lenses. They have been developed in a cooperation of ARRI and ZEISS.
Zeiss Zoom 10-100mm, T1.8, PL Mount Lens, used
Great condition, 3 month warranty,
Lomo Anamorphic Set, PL Mount, T2.3-T4.0, Super 35mm, used
This rehoused Lomo Anamorphic set is practically equal to the first Vantage Hawk-C lenses. These lenses are known for their beautiful vintage look, distinct flares, and a nice warm atmosphere.
The rehousing solves the mechanical problems that the Lomos are known for and makes them similar to the Hawks in terms of exterior. Be aware; the focus mechanism works so that the lenses slide out on the front so you can't use a clip on Mattebox.
T26x7.8 BESMD HD angenieux HDTV ENG long Lens with Extender, 2/3" B4 mount semi Servo - remotes zoom and focus possible
Sigma 20mm T2 FF High Speed Prime Cine Lens, used
3 month warranty, good working condition
T2 brightness throughout the zoom range. Outstanding resolution ready for 6K-8K.These lenses combine top performance with superior compactness. The High Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.
Sigma 14mm T2 FF High Speed Prime Cine Lens, used
Good condition, 3 month warranty, has a small blemish, from rubbing on the lens cap, and a small scratch both on the front element.
Neither mark seem to affect the optical quality of the lens but I’ve reduced the price to reflect this.
The Sigma 14mm T2 FF Prime Cine Lens is compatible with full frame, and while being more compact, it can offer superior resolution than other high-end prime sets do. With the five prime lenses from FF High Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts, and it is possible to meet the demands that professional movie creation requires.
The high speed prime lenses are compatible with full frame sensors and, while being more compact, can offer higher resolution than other high-end prime sets do.
Leitz Thalia, 7 Lens Cine set, used
Amazing quality, 3 month warranty
The Leica Thalia prime lenses offer a consistently cinematic look and feel throughout the range of the 7 lenses.
The lenses are incredibly lightweight and compact with a matched from diameter of 95mm and are available in PL mount with /i Technology metadata contacts. The unique always-round iris design creates a bokeh that is smooth, distinct and full of character. And although these are not vintage lenses, the Leica Thalias offer many of the characteristics that have led cinematographers to pair older lenses with digital sensors.
They are smooth, forgiving, and clear without being overly sharp.
The Leica Thalia is a prime cine lens with a PL mount that is compatible with the ARRI Alexa 65.
Weight: 208g (0.5 lbs) Dimensions: 142.8 x 40.9 x 34.6 mm (5.6 x 1.6 x 1.4 in)
Key Features: 20x Zoom Ratio and 2x Extender Fast f/1.8 Max Aperture at 8.5-113mm Manual Focus and Servo Zoom Innerfocus and QuickZoom
Lens comes with: . feet scale . meters scale (separate) . 1.4x extender Optimo . 2.0x extender Optimo . calibration shims . lens holder (2 parts) vertical . zoom stick . NO lens horizontal holder (bridge) neither rods (15 or 19)
Mount Type PL Image Circle 31.5 mm diameter (supports 27.45 x 15.44 mm sensors) Focal Length 19 - 90mm Zoom Ratio 4.7x Aperture Max: T2.9 Min: T22 Iris Blades 9 Gear Pitch 0.8 Focus Rotation 200° Zoom Rotation 120° Barrel Markings Metric/Imperial switchable M.O.D....
