Canon CN-E 14mm T3.1 L F Cine Prime Lens - Used
Canon CN-E 14mm T3.1 L F Cine Prime Lens - EF Mount The Canon CN-E 14mm T3.1 L F Cinema Prime Lens is an ultra wide-angle prime lens for the full-frame sensor format, which makes it an ideal lens for the Cinema EOS series and all Canon DSLRs. The maximum aperture is T3.1, and the
11 blade iris ensures beautiful, rounded bokeh. The lens features markings on both sides of the barrel, making it easy to read settings from behind or on either side of the camera. In order to make lens changes quicker and easier, the 14mm T3.1 is designed to share similar dimensions with other CN-E lenses.
Canon SS-41-IASD Digital Full Servo Kit, Used
Comprises of: Canon ZSD 300D and Canon FPD 400D
3 months warranty.
Paint missing and one bar on the focus module slightly bent but all working.
The Canon SS-41-IASD is a full-servo controller kit for Canon digital ISAD and IASE lenses. The kit includes focus controller, digital servo zoom demand, and cables.
The system provides full servo zoom control and is useful in a variety of professional broadcast applications, including live event coverage and sports.
• Suitable for digital ISAD & IASE Lenses
Canon CJ25ex7.6B IASE-S, lens, used
3 months warranty, great condition
High grade 4K optical performance
Capture broadcast quality high resolution footage with sharpness assured all the way from screen centre to screen edge
25x zoom and built-in 2x extender
A versatile focal length of 7.6 to 190mm is further enhanced by the built-in 2x extender, boosting the lens maximum focal length to 380mm with no loss of 4K performance.
Light weight and compact size
A magnesium alloy body for lightness and exceptional durability is further enhanced by superior ergonomics for maximum operator comfort.
Canon CJ12ex4.3B IASE-S, lens, used
3 month warranty, great condition
Canon's first 2/3" 4K portable lens
The CJ12ex4.3B is the first in Canon's 2/3" 4K lens range. A lightweight portable wide-angle lens featuring a 12x zoom, its exceptionally short focal length is just 4.3mm at the wide end, enabling users to capture impressive wide-angle shots like car interiors. Focal length extends to 52mm with full zoom applied (104mm using the built-in 2x extender) to create even more shooting options and possibilities. Current HD lens users will find the CJ12ex4.3B integrates seamlessly with 2/3"4K broadcast cameras and setups while delivering consistently stunning performance in a wide range of ENG and studio environments.
Breathtaking optical performance
Striking 4K resolution and high contrast are sustained uniformly from the centre to the edge of the image thanks to Canon's proprietary optical design technologies. Contrast and resolution remain consistent throughout the focus and zoom ranges, in both the HDTV and 4K frequency bands. The lens features a host of clever features that prevent colour bleeding and minimise ghosting and flare: leaving you with stunning quality right to the edge of the image.
Canon CJ20ex7.8B IASE-S, lens, used
High grade 4K optical performance Capture broadcast quality high resolution footage with sharpness assured all the way from screen centre to screen edge
20x zoom and built-in 2x extender
A versatile focal length of 7.8 to 156mm is further enhanced by the built-in 2x extender, boosting the lens maximum focal length to 312mm with no loss of 4K performance.
Light weight and compact size
A magnesium alloy body for lightness and exceptional durability is further enhanced by superior ergonomics for maximum operator comfort.
Specifications: Zoom Ratio 14x Built-in Extender 2.0x Range of Focal Length (with Extender) 4.3 - 60mm 8.6 - 120mm (2.0x) Maximum Relative Aperture (with extender) 1:1.8 at 4.3 - 40mm 1:2.7 at 60mm 1:3.6 at 8.6 - 80mm (2.0x) 1:5.4 at 120mm (2.0x) Angular field of...
SUMMARY Focal Length: 7.6-168mm Lens Type: Telephoto Zoom, Wide Zoom Lens Mount: 2/3 Bayonet Type: Video
Canon called these lenses variable primes and they are optically to the standard you would expect from prime lenses. At the time, I spoke to somebody from Canon and they admitted they lost money on every lens made, they did it just to prove they could make a top end film lens.
