10 Key Pad Module for ICP-X7000 Control Panel

Sony MKS-X7026 (MKSX7026, MKS/X7026, mks-x7026) (ICP/X7000, ICP_X7000) 10 Key Pad Module for ICP-X7000 Control PanelThis 10 Key Pad Module from Sony is for use with the ICPX7000 Control Panel. It displays selected region names (convenient if multiple regions are assigned in one button).

16.5 Inch Full HD Trimaster EL OLED Reference Monitor

Sony BVM-E171 (BVM_E171, BVM/E171, BVM E171) 16.5 Inch Full HD Trimaster EL OLED Reference Monitor 16.5-inch TRIMASTER EL™ reference monitor, with 2nd Gen OLED. Dramatically improved viewing angle for critical picture evaluation in the studio and on-set TRIMASTER EL™ reference monitor with 2nd Gen OLED panel. Dramatically improved viewing angle for critical picture evaluation in the studio and on-set For professional applications such as colour grading, high-end editing, broadcasting and scientific research, Sony’s leading edge Organic Light-Emitting Diode (OLED) technology and signals processing technology ensures absolutely outstanding performance with the BVM-E171. The colour shift depending on the viewing angle has reduced to less than half compared to the 1st generation OLED panel. It allows several people to evaluate the image with extreme accuracy at the same time, increasing the monitor’s versatility in top end monitoring solutions. State-of-the-art product Super Top Emission technology enhances OLED’s intrinsic benefits to deliver outstanding black performance, a quick response time with virtually no motion blur, and a wide colour gamut. A 12-bit output digital signal processing engine provides a nonlinear cubic conversion colour-management system that delivers precise colour reproduction, stunning picture uniformity, smoother-than-ever gamma performance, and picture quality consistency. Flicker free mode The TRIMASTER EL OLED panel’s superb quick response and scan-driving performance deliver stunning picture quality with virtually no motion blur. However, there is a possibility that flicker is just visible especially when a lower frequency signal is displayed (24p, 24PsF, and 50i). To remove visible flicker, the BVM-E171 is equipped with Flicker-free mode. DC Operation The BVM-E171 can be DC operated. Due to its lightweight and slim design, the BVM-E171 is ideal for field applications. ITU-R BT.2020 support for 4K production BVM-E171 is surely an HD monitor that conforms to ITU-R BT.709 colour space. Responding to an increase of the demand of using an HD monitor in a 4K production, BVM-E171 newly supports ITU-R BT.2020 colour space and transfer matrix. Accepts computer signals via HDMI The BVM-E171 accepts various computer signals input up to 1920 x 1080 through its HDMI connector. It is also equipped with Digital Cinema 2048 x 1080 signals.  

17 inch LCD Monitor with BKM-PL17 Panel Protection Kit

Sony LMD-A170/R (LMDA170/R, LMD/A170/R, lmd-a170/r)(BKM/PL17, BKM_PL17) 17 inch LCD Monitor with BKM-PL17 Panel Protection Kit The monitor features an IPS LCD display with wide 178° horizontal and vertical viewing angles and provides 3G/HD/SD-SDI, HDMI, and composite inputs, which support NTSC/PAL, 720p, 1080i, and 1080p input signals with frames rates from 24p to 60p.The monitor introduces several new features and upgrades from previous LMD series monitors, including a new low latency automatic I/P conversion, new video processing engine for improved image accuracy, on screen tally, and yoke mounting screw holes. The monitor also provides a wide range of professional monitoring features, such as built-in waveform and vectorscope, focus assist with adjustable colored peaking, time code display, and a Slog2 to Rec 709 LUT.A built-in audio decoder lets you display up to 16 channels of embedded SDI audio. Audio can be monitored using the 3.5mm headphone jack on the front panel, or with the 1W built-in speaker. A composite input with loop-out provides connectivity for standard-definition analog devices and is paired with a 3.5mm stereo mini jack audio input. Two Ethernet ports provide connectivity for serial and parallel remotes; letting you control and load monitor settings via your network, as well as upgrade the monitor's software. For use in the field, there is a 12V DC power input on 4-pin XLR.The monitor is compatible with standard VESA 100 x 100mm mounting hardware. Optional rack mount brackets are also available. Monitor feet and a handle are included. Stylish lightweight and slim body with industry’s widest viewing angle Robust and stylish sharp edges chassis. Perfect for group monitoring. More than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. It provides cost savings for transportation and power consumption. It also saves space and weight in digital galleries. Latest camera-linkage functions Includes camera and lens metadata display and a Picture and Picture function with side by side, wipe, blending, difference and auto input switching. Ideal for OnSet and live production monitoring. User presets and password protection Secure your monitor settings for greater peace of mind. Five user presets are available. One colour temperature memory USER1 can also be password protected. 2K format display and Dual-Link HD-SDI mode This feature offers a cost effective 2K monitoring solution, ideal for OnSet digital cinematography. In addition, a Dual-link HD-SDI input is available. Multiple monitors firmware upgrade utility Save you time to upgrade simultaneously your monitors through your network.

17-inch Full HD LCD Monitor

Sony LMD-B170 (LMDB170, LMD/B170, lmd-b170) 17-inch Full HD LCD Monitor The LMD-B170 17-inch LMD-B Series lightweight and compact LCD monitor offers Full HD resolution. The monitor boasts similar mass and power consumption as Sony’s previous, smaller 15-inch models, as well as a 24% reduction in depth. The LMD-B Series offers convenient features, functions and the same user-interface design and operability as PVM-A Series OLED and LMD-A Series Premium LCD picture monitors. This consistency between the PVM-A, LMD-A and LMD-B Series makes it easy for users to work with all three monitors and integrate them in the same work environment.The LMD-B Series monitors are a cost-effective and versatile solution for a wide range of professional applications, including DC operation and wall-mounting. In addition, the LMD-B170 includes a natural ventilation system meaning no audio disruption from an internal cooling fan, making the monitor highly suitable for video shooting and critical audio operations. Industry standard 17-inch screen size and Full HD resolution The LMD-B170’s industry standard 17-inch screen is ideal for a wide variety of applications, from a desk-top use to wall-mounting, arm-mounting and outfield shooting. The Full HD (1920 x 1080) resolution is approximately 200% higher resolution than Wide-XG A(1366 x 768 or 1280 x 768), giving you sharp focus for pixel-by-pixel checking of a Full HD video with no scaling. Stylish lightweight and slim body The monitor has a robust and stylish sharp-edges chassis. Lighter weight and lower power consumption saves you money as well as space and weight in digital galleries. The monitor is also ideal for stand-alone applications such as basic non-linear editing, audio control room, simple video monitoring or video shooting. It's easy to carry. Simple all-in-one design style with front stereo speakers and natural ventilation system The LMD-B170 inherits its all-in-one design style from the PVM-A and LMD-A series. It has the mandatory interfaces such as SDI, HDMI and composite video with stereo analogue audio. You can monitor the embedded audio signals of an SDI signal on the audio level meters of the screen. 2W+2W front stereo speakers are more powerful than a monaural speaker or a rear speaker system and you can get a good stereophonic effect from them. It can be powered by both AC and DC with no AC adaptor. The supplied stand has a tilt function and a 100mm x 100mm wall mounting function means you can install it more flexibly. Its natural ventilation system ensures there are no distracting cooling fan noise. Easy operation in a group of Sony PVM/LMD monitors With the same operability as the PVM-A and LMD-A Series, you can easily go back and forth when using monitors from the different ranges in one system. You can easily select the best monitor for a function, according to your feature, quality and budget requirements. Selected essential functions for basic video operations LMD-B170 offers vital functions, including Markers, WFM/Vector, audio level meters, timecode display, camera focus function, side by side, Flip H/V and on-screen tally. The user reset function makes it easy to return the monitor to the default setting very quickly. This is very useful if a user is not familiar with the monitor settings. LMD-B170 can be also operated in one of 7 languages (Chinese, English, French, Germany, Italian, Japanese and Spanish). Lightweight and compact with lower power consumption The LMD-B170 offers a design that is uniquely lightweight and compact. Its weight and power consumption is much the same as the predecessor 15-inch models, despite having a 2-inch larger screen. Its depth is reduced by more than 24%. Optimised low-latency I/P conversion The I/P conversion system delivers automatically optimised signal processing according to input signals with low-latency (less than 0.5 field). This system helps users to edit and monitor for a live production. Video input versatility The LMD-B170 monitor is equipped with built-in standard input interfaces: HD/SD-SDI (x2), HDMI (HDCP) input (x1) and composite (x1). Computer input versatility Multiple computer signals can be received via an HDMI/DVI interface; the resolution range is from 640 x 480 to 1680 x 1050 pixels. Waveform monitor, vector scope and audio level meter display An input signal waveform and vector scope with an SDI-embedded 2-channel audio level meter can be displayed on screen. The waveform of a specified line can also be displayed. In conjunction with the Picture & Picture function, the waveform monitor and vector scope display can monitor two camera signals. In addition, an audio level meter can display the embedded audio signal from the SDI or HDMI input. It can display on screen the ch1 to ch8 or ch9 to ch16. Front stereo speakers 2W+2W front stereo speakers are more powerful than a monaural speaker or a rear speaker system and you can get a good stereophonic effect from them. You can select audio sources from either embedded audio or analog audio. User-friendly operability and user interface This monitor has an intuitive and appropriate user interface for a video production. You can easily choose an input and a function by a single click. Rotary encoder knob is easy to select an item and enter it. The lighted control panel has a good readability in dark. This user interface including OSD menu layout is carefully designed for a time critical operation as either a single unit or multiple units with the Sony different range of professional monitors in one system. Consistent design with PVM/LMD-A Series monitors LMD-B170 monitor offers the same functions and operability as PVM-A and LMD-A Series monitors and shares a consistent front control panel design. This means that these types of monitor can be operated and controlled in the same way. User reset, key inhibit, user short-cut to function key configuration When multiple users share the same monitor, you need to reset it in a quick operation. User reset function quickly returns the unit to the default settings. Key inhibit protects the required settings of it from any inadvertent operations For improving speed of the function key configuration, the user can take a short-cut to the settings menu screen by simply holding down one of the Function keys. Camera focus function The LMD-B170 monitor can control the aperture level of a video signal, and display images on the screen with sharpened edges to help camera focus operation. Further to this, the sharpened edges can be displayed in user-selectable colours (white, red, green, blue, and yellow) for more precise focusing. Time code function LTC and VITC time code can be displayed at the top or bottom of the picture. Side by side function The side by side function of the LMD-B170 allows simultaneous display of two input signals on the monitors screen. This function helps with colour adjustment and setting of camera frames. This function works when synchronous SDI signals are input. On-screen tally The monitor is also equipped with a three-colours red, green and yellow on-screen tally function. The position of the tally display can be changed to either the upper or lower section of the screen. Flip functions The Flip function turns the reversed image to a normal view, horizontally or vertically. DC low power indicator DC power supply is available in the range of 12V to 17V. The power indicator blinks when the DC power supply is low. Wall-mount capability There are also wall-mount 100mm pitch holes on each monitor’s rear panel. A built-in AC circuit allows you to install the monitor more easily and flexibly than a monitor with an AC adaptor. Natural ventilation system There is no cooling fan inside and making the monitor suitable for video shooting and critical audio operations.

17" LCD Production Monitor

Sony LMD-A170 (LMD_A170, LMD/A170, LMD A170) 17" LCD Production Monitor The LMD-A170 is a 17-inch LMD-A Series LCD monitor offers Full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. The LMD-A Series offers the same user-interface design, convenient features, functions and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user benefits when both types of monitor are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the field. These include DC operation, VESA mount and yoke-mount holes, and an optional protection kit. The LMD-A series offers full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. This Series also offers the same user-interface design, convenient features and functions, and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user benefits when both types of monitor are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the field: DC operation, VESA mount and yoke-mount holes, and an optional protection kit (LMD-A170 only). This broad and powerful professional LCD monitor continues to meet the broadest range of application needs for excellent cost:performance picture monitoring.

2 Channel DME Option Board

Sony MKS-6570 (MKS6570, MKS/6570, mks-6570) 2 Channel DME Option Board The MVS-6500 processor offers the option of two channels of internal digital multi-effects (DME) with installation of the MKS-6570 DME board. This switcher supports brilliant non-linear effects as well as frequently used DME patterns. For example, the following effects can be performed: Digital SPARKLE Effects*, 3D Linear Transformation, Video Modify, Freeze, Light/Trail, Input/Output Effect, Digital SKETCH, Metal, and Glow. These capabilities ensure the highly affordable MVS-6500 Series is user friendly. * These non-linear effects are supported on a single channel.

2 M/E 16 Button Control Panel

Sony ICP-3016 (ICP3016, ICP/3016, icp-3016) 2 M/E 16 Button Control Panel This 16 Button Control Panel from Sony, has  2 M/E rows and is designed to be used with the MVS-3000A Switcher. It features OLED mnemonic displays to provide optimal visibility when in use.

22-inch LCD Production Monitor

Sony LMD-A220 (LMDA220, LMD/A220, lmd-a220) 22-inch LCD Production Monitor The LMD-A220 22-inch LMD-A Series LCD monitor offers Full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. The LMD-A Series offers the same user-interface design, convenient features, functions and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user benefits when both types of monitor are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the field. These include DC operation, VESA mount and yoke-mount holes. Stylish lightweight and slim body with industry’s widest viewing angle Robust double-coated paint finish and stylish sharp edges chassis. Perfect for group monitoring. More than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. It provides cost savings for transportation and power consumption. It also saves space and weight in digital galleries. Latest camera-linkage functions Includes camera and lens metadata display and a Picture and Picture function with side by side, wipe, blending, difference and auto input switching. Ideal for OnSet and live production monitoring. User presets and password protection Secure your monitor settings for greater peace of mind. Five user presets are available. One colour temperature memory USER1 can also be password protected. 2K format display and Dual-Link HD-SDI mode This feature offers a cost effective 2K monitoring solution, ideal for OnSet digital cinematography. In addition, a Dual-link HD-SDI input is available. Multiple monitors firmware upgrade utility Save you time to upgrade simultaneously your monitors through your network.  

24-Button Control Panel for MVS-3000

Sony ICP-3000 (ICP3000, ICP/3000, icp-3000) (MVS/3000, MVS_3000) 24-Button Control Panel for MVS-3000 The ICP-3000 24-Button Control Panel from Sony is designed for the MVS-3000 switcher. It features 2 M/E rows, 24 cross-point colored buttons, OLED mnemonic displays for optimal visibility, and an intuitive menu operation (menu display sold separately).

24-Button Control Panel for MVS-6520

Sony ICP-6520 (ICP6520, ICP/6520, icp-6520) (MVS/6520, MVS_6520) 24-Button Control Panel for MVS-6520 The ICP-6520 24-Button Control Panel from Sony is designed for the MVS-6520 switcher. It features 2 M/E rows, 24 cross-point colored buttons, OLED mnemonic displays for optimal visibility, and an intuitive menu operation (menu display sold separately).

24-Button Control Panel for MVS-6530

Sony ICP-6530 (ICP6530, ICP/6530, icp-6530) (MVS/6530, MVS_6530) 24-Button Control Panel for MVS-6530 The ICP-6530 24-Button Control Panel from Sony is designed for the MVS-6530 switcher. It features 3 M/E rows, 24 cross-point coloured buttons, OLED mnemonic displays for optimal visibility, and an intuitive menu operation (menu display sold separately).

24-inch LCD Production Monitor

Sony LMD-A240 (LMD/A240, LMD_A240, LMD A240) 24-inch LCD Production Monitor The LMD-A240 24-inch LMD-A Series LCD monitor offers Full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. The LMD-A Series offers the same user-interface design, convenient features, functions and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user benefits when both types of monitor are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the field. These include DC operation, VESA mount and yoke-mount holes. Stylish lightweight and slim body with industry’s widest viewing angle Robust double-coated paint finish and stylish sharp edges chassis. Perfect for group monitoring. More than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. It provides cost savings for transportation and power consumption. It also saves space and weight in digital galleries. Latest camera-linkage functions Includes camera and lens metadata display and a Picture and Picture function with side by side, wipe, blending, difference and auto input switching. Ideal for OnSet and live production monitoring. User presets and password protection Secure your monitor settings for greater peace of mind. Five user presets are available. One colour temperature memory USER1 can also be password protected. 2K format display and Dual-Link HD-SDI mode This feature offers a cost effective 2K monitoring solution, ideal for OnSet digital cinematography. In addition, a Dual-link HD-SDI input is available. Multiple monitors firmware upgrade utility Save you time to upgrade simultaneously your monitors through your network.  

24.5 Inch Full HD Trimaster EL OLED Reference Monitor

Sony BVM-E251 (BVM_E251, BVM/E251, BVM E251) 24.5 Inch Full HD Trimaster EL OLED Reference Monitor 24.5-inch TRIMASTER EL™ reference monitor, with 2nd Gen OLED. Dramatically improved viewing angle for critical picture evaluation in the studio and on-set For professional applications such as colour grading, high-end editing, broadcasting and scientific research, Sony’s leading edge Organic Light-Emitting Diode (OLED) technology and signals processing technology ensures absolutely outstanding performance with the BVM-E251. The colour shift depending on the viewing angle has reduced to less than half compared the 1st generation OLED panel. It allows several people to evaluate the image with extreme accuracy at the same time, increasing the monitor’s versatility in top end monitoring solutions. State-of-the-art product Super Top Emission technology enhances OLED’s intrinsic benefits to deliver outstanding black performance, a quick response time with virtually no motion blur, and a wide colour gamut. A 12-bit output digital signal processing engine provides a nonlinear cubic conversion colour-management system that delivers precise colour reproduction, stunning picture uniformity, smoother-than-ever gamma performance, and picture quality consistency. Flicker free mode The TRIMASTER EL OLED panel’s superb quick response and scan-driving performance deliver stunning picture quality with virtually no motion blur. However, there is a possibility that flicker is just visible especially when a lower frequency signal is displayed (24p, 24PsF, and 50i). To remove visible flicker, the BVM-E251 is equipped with Flicker-free mode. DC Operation The BVM-E251 can be DC operated. This feature gives more flexibility and mobility to users who want the larger size screen for the on-set application. ITU-R BT.2020 support for 4K production BVM-E251 is surely an HD monitor that conforms to ITU-R BT.709 colour space. Responding to an increase of the demand of using an HD monitor in a 4K production, BVM-E251 newly supports ITU-R BT.2020 colour space and transfer matrix. Accepts computer signals via HDMI The BVM-E251 accepts various computer signals input up

31inch 4K Trimaster HX Professional Master Monitor

Sony BVM-HX310 (BVM_HX310, BVM/HX310, BVM_HX310) 31inch 4K Trimaster HX Professional Master Monitor It’s the 4K HDR monitor professional colourists have been waiting for. An optimal choice for critical colour grading and CG tasks, the BVM-HX310 offers support for industry‑leading wide colour gamuts including DCI‑P3, ITU‑R BT.2020, S‑Gamut3.cine and S‑Gamut3. With consistent, faithful colour reproduction over the entire luminance range, it’s an ideal partner for cinematography production and post production workflow with Sony’s 4K cinematography cameras. Note: BVM‑HX310 does not cover the ITU-R BT.2020, S-Gamut/S-Gamut3 and S-Gamut3.cine colour space in full. Fully realising the advanced performance of the TRIMASTER HX panel, the BVM-HX310 achieves 1,000 nits* of full-screen brightness with 1,000,000:1 contrast ratio. It’s ideal for producing High Dynamic Range (HDR) content with rich, deep black areas and accurate reproduction of bright peak highlights. Together with support for a much wider colour gamut than conventional monitors, the BVM-HX310 can reproduce high-resolution HDR images with images clarity, depth and realism. As well as conventional 2.2, 2.4, 2.6, and CRT gamma, the BVM-HX310 supports standardized Electro-Optical Transfer Functions (EOTF) for HDR such as SMPTE ST.2084 and ITU-R BT.2100 (HLG). Both standards are used to meet the demands of today’s broadcast and cinematography industries. Additional EOTF tables for live and post production environments include 2.4 (HDR), S-Log2 (HDR), S-Log3 (HDR) and S-Log3 (Live HDR) – enabling easy workflows close to that of film while delivering 4K wide dynamic range. Support for VPID (Video Payload ID) identifies EOTF, colour space and RGB source information embedded in the SDI signal. Monitor settings are adjusted automatically, cutting the risk of human error in pressured live production environments. The BVM-HX310 effortlessly keeps pace with today’s production workflows. Integration in the latest system environments is streamlined with a single-cable 12G-SDI input, plus connections for 3G-SDI, HD-SDI including Single Link/Dual Link and HDMI (HDCP2.3/1.4). Easily check the effect of different LUTs while you’re on set or in post. Load customised User LUT (Look Up Table) files from a USB stick for comparison during pre-grading or with a different EOTF. See the effect of different LUTs at the touch of a button. Quad View Display mode allows instant comparison of up to four sets of custom display settings, including EOTF, Colour Space, Transfer Matrix and Colour Temperature, Contrast, Brightness and Chroma. It’s invaluable for comparing original footage with the look of different EOTF converted images. View up to four LUTs side-by-side in Quad View display mode. Minimal processing delays are a critical factor in live production and broadcasting applications. With a processing delay of less than one video frame, the BVM-HX310 is ideally suited to the demands of real time video monitoring. Interlace Display mode offers faithful reproduction of 1080i input signals, free from artefacts and picture degradation that can often occur during I/P conversion. Anyone who’s used the BVM‑X300 master monitor will feel instantly at home with the familiar front control panel of the BVM-HX310. Seven user assignable function buttons are complemented by manual controls for aperture, chroma, brightness, and contrast. Usability is enhanced further with dimmable button lights and on/off switchable indicator lights.

3G/HD-SDI Output Board for HDCU-1700/2000/2500

Sony HKCU-2007 (HKCU2007, HKCU/2007, hkcu-2007) 3G/HD-SDI Output Board for HDCU-1700/2000/2500The easy-to-install HKCU-2007 output board provides 4x 3G-SDI / HD-SDI outputs (BNC) for the HDCU-2000 and HDCU-25000 Camera Control Units(CCUs) working with HDC-2000 and HDC-1500 Series cameras. The output board allows you to extend the network of cameras controlled by a single CCU, sending 3G bandwidth over a single coax line. HKCU-2007 is also compatible with the HDCU-1700 CCU working with the HDC-1700 camera.

55-inch Trimaster EL OLED Professional Monitor

Sony PVM-X550 (PVMX550, PVM/X550, pvm-x550) 55-inch Trimaster EL OLED Professional Monitor The Sony PVM-X550 is a 55-inch, 3840 x 2160 4K TRIMASTER EL™ OLED monitor offering high grade picture quality suitable for critical monitoring applications.  It has a thin bezel and light weight making it suitable for wall mounting. The OLED display ensures true black performance, plus quick pixel response and high colour fidelity. There is a quad view display allowing for different individual settings for each display. The display also supports HDR (High Dynamic Range) and a wide colour gamut supporting DCI-P3 and most of the ITU-R BT.2020 standard.  Designed to be an ideal companion to the standard-setting BVM-X300 monitor, the PVM-X500 provides an impressive preview client viewing platform. Its 4K OLED display gives vibrancy,colour accuracy and resolution in equal measure, with a wide choice of colour spaces depending on your application, be that broadcast or cinema. The OLED screen type lends itself well to HDR with breathtaking contrast and represents blacks in their truest form, as well as having fast refresh giving vitually no motion blur.

8-pin/8-pin Remote Control Cable, 30 meter

Sony CCA-5-30/1 (CCA-5-30-1, CCA_5_30_1, CCA-5/30/1) 8-pin/8-pin Remote Control Cable, 30 meter Remote control cable for 700 series control panels. Applicable Models: HDCU-1000/1500 Camera Control Unit; CCU-790P/590P Camera Control Unit; RCP-700/701/750/751 Remote Control Panels; MSU-900/MSU-950 Master Setup Unit.

AO-ATOMCAB004 USB to Serial LANC Cable (6.5')

Atomos AO-ATOMCAB004 (AO/ATOMCAB004, AO_ATOMCAB004, AOATOMCAB004, ATOMCAB004, ao-atomcab004) USB to Serial LANC Cable (6.5') The Atomos USB Type-A to Serial LANC Calibration Cable allows you to connect virtually any Atomos monitor or monitor/recorder to a computer for use with select calibration systems. When using the Atomos calibration software, which is provided as a free download for Windows and Mac on the Atomos website, this cable can be used with the X-Rite i1 Display Pro calibration hardware. You can also use optional third-party calibration software, in which case the cable can be used with any calibration hardware compatible with that software, such as Datacolor Spyder systems in many cases. The cable features a USB Type-A connector on one end and has a 2.5mm LANC connector on the other end, making it compatible with almost every Atomos monitor. The cable measure 6.5′ long.

AtomFlex Pro HDMI 2.0 Micro HDMI to Full HDMI 40cm (80cm extended)

Atomos AO-ATOM4K60C2 (AOATOM4K60C2, AO/ATOM4K60C2, AO ATOM4K60C2, ATOM4K60C2, ao-atom4k60c2) AtomFlex Pro HDMI 2.0 Micro HDMI to Full HDMI 40cm (80cm extended) The AtomFLEX HDMI (Type-A) Male to Micro-HDMI (Type-D) Male Coiled Cable lets you transmit HDMI 2.0 signals between devices and components. The coiled design reduces clutter, and the die-cast metal micro-HDMI (type-D) connector provides a stable connection. This cable supports 4K video at up to 60 fps and HD video at up to 240 fps.

Atomos 5" Accessory Kit for Ninja V / Shinobi – Batteries, Charger, Case

Atomos AO-ATOMACCKT2 (AO/ATOMACCKT2, AO ATOMACCKT2, ATOMACCKT2, AO_ATOMACCKT2, ao-atomacckt2) 5" Accessory Kit for Shinobi, Shinobi SDI, Ninja V Monitors Atomos 5" Accessory Kit for Ninja V / Shinobi – Batteries, Charger, Case The Atomos 5" Accessory Kit is a complete solution designed to enhance the usability of your Atomos Ninja V, Ninja V+ and Shinobi monitors. Providing essential power, protection, and outdoor visibility, this kit ensures your monitor is ready for professional on-set use straight out of the box. Everything You Need in One Kit This all-in-one package includes key accessories required for reliable operation:   2 × NP-F750 Rechargeable Batteries – Extended runtime for long शूट sessions Fast Battery Charger & AC Power Supply – Keep your batteries ready at all times Sunhood – Improves screen visibility in bright outdoor conditions Screen Protector – Helps safeguard your display from scratches Travel Case – Secure storage and easy transport Built for Professional Workflows Designed specifically for Atomos 5” monitors Ideal for filmmakers, videographers, and content creators Ensures uninterrupted monitoring and recording Key Benefits Power your monitor anywhere with dual battery support Improve usability in outdoor shooting environments Protect and transport your equipment safely Reduce setup time with a complete accessory bundle Compatibility Atomos Ninja V / Ninja V+ Atomos Shinobi / Shinobi SDI Important Information   This accessory kit is highly recommended for new Atomos users, providing all the essential components required for efficient and reliable operation in professional video production environments.  

Auxilliary Bus Remote Panel

Sony MKS-8080 (MKS8080, MKS/8080, mks-8080) Auxilliary Bus Remote Panel The Sony MKS-8080 is an Auxilliary Bus Remote Panel for MVS-8000 & DVS-9000 production switchers. This option provides a 32 source X-Y remote operation of switching functions on the main switcher. It offers four re-entry buttons with single destination capabilities. Application This remote panel can provide director control of switching functions offering the same button arrangements of the CCP-8000/9000 Series Center Control Panels.

Blank Panel for ICPX7000 Control Panel - 1/2

Sony MKS-X7041 (MKSX7041, MKS/X7041, mks-x7041) (ICPX-7000, ICPX/7000) Blank Panel for ICPX7000 Control Panel - 1/2The 1/2 Blank Panel from Sony is for use with the ICPX7000 Control Panel.

Blank Panel for ICPX7000 Control Panel - 1/3

Sony MKS-X7040 (MKSX7040, MKS/X7040, mks-x7040)(ICPX-7000, ICPX/7000) Blank Panel for ICPX7000 Control Panel - 1/3The 1/3 Blank Panel from Sony is for use with the ICPX7000 Control Panel.

BMD CINEURSANMFRCAM Camera Fiber Converter

Blackmagic BMD-CINEURSANMFRCAM ( CINEURSANMFRCAM, BMDCINEURSANMFRCAM, BMD/CINEURSANMFRCAM, BMD CINEURSANMFRCAM ) Camera Fiber Converter Connect cameras to live switchers up to 2 km away with video, talkback, control and power, all over a single cable Blackmagic Camera Fiber Converter The Blackmagic Camera Fiber Converter attaches to the back of your URSA Mini or URSA Broadcast camera. In addition to converting all of the audio, video, camera control and talkback into fiber, it also adds professional studio camera controls to the back of your camera. You get control for return feeds, dual intercom controls with the ability to mix in program audio, record, focus and iris controls, headset connectors, audio and more. The camera converter also includes a VLock mount plate on the top for attaching accessories such as a professional Blackmagic Studio Viewfinder. The Blackmagic Camera Fiber Converter has connections for your Ultra HD camera feed, 3 HD return feeds, full remote camera control, PTZ, multiple channels of talkback, tally and more. Blackmagic Fiber Converters Extend and fully power cameras up to 2 km away using an open standard SMPTE fiber cable The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work. Place Cameras Anywhere Get cameras much closer to the action If you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology. SMPTE Fiber for Industrial Strength and Safety Built in multi layer fail safe instantly cuts power to eliminate danger Blackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel. Add Studio Camera Controls Transform broadcast cameras into dedicated studio cameras Studio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras. 10G Ethernet for IP Video Super fast, low latency ethernet link for video, audio and control The Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future. Dual Channel Talkback Two dual channel talkback intercoms with backup The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator. Designed for High End Broadcast Durable metal design, high end components and professional connections The Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed.

BMD CINEURSANWFRSTUD Studio Fiber Converter

Blackmagic BMD-CINEURSANWFRSTUD ( CINEURSANWFRSTUD, BMDCINEURSANWFRSTUD, BMD/CINEURSANWFRSTUD, BMD CINEURSANWFRSTUD ) Studio Fiber Converter Connect to remote cameras up to 2 km away with multiple channels of video, talkback, control and power all over a single cable Blackmagic Studio Fiber Converter The Blackmagic Studio Fiber Converter is used at the other end of your broadcast camera chain back in the studio or outside broadcast truck. It converts signals from the remote camera back into standard television industry connections that can be used with your live production switchers, audio mixers and talkback interfaces. It features a high capacity power supply to drive the cable so it can provide enough power for your camera and any accessories that you might add. The studio fiber converter includes connections for tally, two dual channel intercoms for industry standard 3rd party talkback systems, and even a backup engineering talkback channel in case the fiber goes down. You get a main Ultra HD camera feed plus 3 independent HD return feeds with full remote camera control, PTZ, tracker talkback and ethernet, all through a single SMPTE fiber cable. Plus, there is a large 5 inch LCD screen right next to the SMPTE fiber connection on the front panel for monitoring signals from the remote camera. This allows for easy patching and verification of the remote camera function. Blackmagic Fiber Converters Extend and fully power cameras up to 2 km away using an open standard SMPTE fiber cable The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work. Place Cameras Anywhere Get cameras much closer to the action If you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology. SMPTE Fiber for Industrial Strength and Safety Built in multi layer fail safe instantly cuts power to eliminate danger Blackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel. Add Studio Camera Controls Transform broadcast cameras into dedicated studio cameras Studio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras. 10G Ethernet for IP Video Super fast, low latency ethernet link for video, audio and control The Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future. Dual Channel Talkback Two dual channel talkback intercoms with backup The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator. Designed for High End Broadcast Durable metal design, high end components and professional connections The Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed.

BMD-BDLKDVQD2 DeckLink Quad 2

Blackmagic BMD-BDLKDVQD2 ( BDLKDVQD2, BMDBDLKDVQD2, BMD BDLKDVQD2, BMD/BDLKDVQD2, bmd-bdlkdvqd2 ) DeckLink Quad 2 Eight channel configurable PCIe video capture and playback up to 1080p60 DeckLink Quad 2 features 8 independent SDI capture and playback channels in a single card! Fully compatible with the previous 4 channel model, this new model also allows 4 independent capture and playback channels but now also includes 4 extra channels that developers can use for configuring the card in any combination of up to 8 capture or 8 playback channels. This means DeckLink Quad 2 allows each of the 8 3G-SDI BNC connectors to switch direction between capture or playback in SD and HD up to 1080p60 and as a complete independent channel.

BMD-BDLKSTUDIO4K DeckLink Studio 4K

Blackmagic BMD-BDLKSTUDIO4K ( BMDBDLKSTUDIO4K, BMD BDLKSTUDIO4K, BMD/BDLKSTUDIO4K, bmd-bdlkstudio4k ) DeckLink Studio 4K. Capture and playback 6G-SDI, HDMI 4K and analogue in SD, HD and Ultra HD DeckLink capture and playback cards are used every day in the production of television commercials, music videos, episodic television programs and Hollywood feature films. With cutting edge technologies built in, you get the highest quality video and maximum reliability. No other capture cards support more applications and more platforms than DeckLink, so you can always work with your favorite software. Every DeckLink PCIe card can be installed in Mac, Windows and Linux based workstations and media servers to give you ultimate flexibility. DECKLINK STUDIO 4K If you work with a wide range of analog video and audio gear, and need to move seamlessly between SD, HD, 2K and Ultra HD, then DeckLink Studio 4K is perfect. DeckLink Studio 4K includes a massive number of analogue and digital video connections including SD/HD/Ultra HD 6G-SDI, HDMI 1.4b, SD/HD component, composite, S-video, 4 ch balanced analogue audio, 2 ch AES/EBU switchable to 6 ch out, black burst and tri-sync reference input, RS-422 deck control connections, keying in SD and a hardware down converter. Perform editing, paint and broadcast design with the ultimate future proof design. PERFECT FOR POST PRODUCTION SD, HD, 3D and Ultra HD 4K. Work with any video format and resolution that you need. Capture from cameras, decks and live feeds directly into editing, effects and design software applications. DeckLink Studio 4K and DeckLink SDI 4K feature high resolution Ultra HD, while 4K Extreme also includes 4:4:4 image quality, 3D stereoscopic for advanced feature film visual effects, editing and colour correction. There are DeckLink models to support either file or tape based workflows to precisely deliver perfect monitoring in editing and grading suites using professional SDI monitors, HDMI televisions and even video projectors. UNRIVALED VIDEO QUALITY DeckLink lets you work with compressed video formats such as ProRes and DNxHD as well as 10-bit uncompressed video. When working with uncompressed video, all images are a mathematically perfect pixel-for-pixel clone of the source, without any generational loss, so you have the confidence you’re working at the absolute highest quality possible. Get sharper keying with green screens, cleaner compositions, superior colour correction and more. Support for industry leading file formats ensures that you can maintain high quality throughout post production should you need to use video compression. ADVANCED TECHNOLOGY Get the latest 6G-SDI technology so you can capture and playback in full resolution Ultra HD video, while remaining fully compatible with all SD and HD-SDI equipment. That's 4 times the resolution of regular 1080 HD video at a massive 3840 x 2160 image size. DeckLink SDI 4K, DeckLink Studio 4K and DeckLink 4K Extreme include 6G-SDI as standard while the advanced DeckLink 4K Extreme model includes dual 6G-SDI inputs and outputs for higher colour resolution, dual stream 3D stereoscopic support and even higher frame rates! DeckLink 4K Extreme is the perfect choice for DaVinci Resolve colour correction.

BMD-CONVMAAS2 Convert from analogue HD/SD video to SDI

Blackmagic BMD-CONVMAAS2 ( BMDCONVMAAS2, BMD CONVMAAS2, BMD/CONVMAAS2, bmd-convmaas2 ) Convert from analogue HD/SD video to SDI. Mini Converter Analogue to SDI is perfect for converting from analogue video in HD/SD component, NTSC, PAL or S-Video to SDI video with the choice to embed SDI audio from balanced AES/EBU or analogue audio inputs. Now you can convert analogue devices such as Betacam SP, VHS, Set top box's and HDV cameras to SDI video. Auto Switching SD and HD  Mini Converters instantly switch between standard definition and high definition video formats and change over is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i/59.94, 1080i/50, 1080psf/23.98, 1080psf/24, 720p/59.94 and 720p/50 formats, plus new formats can be added via USB. New 3 Gb/s SDI Technology  Only Mini Converters include the latest 3 Gb/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb/s SDI is also fully compatible with all your standard definition and high definition SDI equipment. Built in AES/EBU or Analogue Audio Standard 1/4 inch jacks are built in for balanced analogue or AES/EBU audio. Because Mini Converters use standard 1/4 inch jack connectors for all audio connections, you can use standard cables commonly avalible from any pro audio store. Unlike other converters, Mini Converters don't need custom cables, as any balanced 1/4 inch jack cable can be used. Mini Converters are also unique as the same 1/4 inch jack connections can be switched between professional balanced analogue audio, or AES/EBU digital audio. This means you only need one model of Mini Converter for both analogue and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES/EBU digital audio in, a sample rate converter lets you connect to any AES/EBU source, either synchronized, or un-syncronised. On HDMI models, you also have full access to the HDMI audio embedded in the HDMI video connection. High Quality  Mini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analogue video and audio. Unlike other converters, Mini Converters don't use "low grade" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analogue audio and video electronics. In fact, Mini Converters uses the same analogue video design as our most expensive and award winning Multibridge Eclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit. International Power Supply Unlike other converters, a universal power supply is included with international socket adapters for all countries. This lets you take Mini Converters with you to any location worldwide, and plug directly into the local power sockets. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight. Blackmagic Design Mini ConvertersChanging Settings  With Blackmagic Design's Mini Converters, it's as simple as using a pen to change settings. Settings vary between models, and include settings such as AES/EBU or analog audio, analog video connections, and more. Blackmagic Design Mini ConvertersCinema Style Monitoring  With the Blackmagic Design SDI to HDMI Mini Converter you can utilize a HDMI Television for budget sensitive client monitoring. Simply connect your SDI signal into the SDI to HDMI Mini Converter and then plug your HDMI cable to either a big screen HDMI television or video projector. Can you just imagine how incredible it would be having a massive 60 inch flat screen TV for your client monitoring. Blackmagic Design Mini ConvertersGo the Distance  SDI video connects long distances up to 100m, so you can connect everyone together in your facility. Cables are simple BNC coax cables so you can easily make cables to the perfect length for your needs. Industry Standard Format  Connect to any SDI deck for all industry tape formats, from DV, Digital Betacamâ„¢, D1, up to HDCAM SRâ„¢ and HD D-5. Using capture cards such as  Blackmagic Design's DeckLink, you can capture to formats such as JPEG, DV to uncompressed 8 bit, 10 bit or RGB 10 bit. Blackmagic Design Mini ConvertersUncompressed Video Quality   SDI uses a higher data rate than DV, so its got the speed to handle full resolution video in standard definition or high definition completely uncompressed. That means you can preserve video quality until you need to compress the video - such as the final compression pass for streaming or broadcast.

BMD-CONVMASA4K Convert SDI in SD, HD or UltraHD to analogue video with down converter and audio.

Blackmagic BMD-CONVMASA4K ( CONVMASA4K, BMDCONVMASA4K, BMD CONVMASA4K, BMD/CONVMASA4K, bmd-convmasa4k) Convert SDI in SD, HD or UltraHD to analogue video with down converter and audio. The Blackmagic Mini Converter range are the worlds most advanced converters because they include the latest 6G-SDI technology, plus automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards. Simply plug in and Mini Converters will convert between your equipment all automatically. You get advanced features such as redundant SDI inputs, re-clocked loop outputs and full analog and AES/EBU audio inputs and outputs so you can convert between formats as well as embed or de-embed audio all on the one converter. SDI to Analog 4K Mini Converter SDI to Analog 4K includes everything you need to convert from SD, HD, 3G and 6G-SDI video to analogue in HD/SD component, NTSC and PAL video. The built in down converter means you can even connect Ultra HD sources to component video in SD or HD as well as NTSC and PAL video. Easily connect any analog equipment such as Betacam SP, VHS, and video monitors. Easy To Use Features Broadcast, post production and professional AV environments are built using SDI equipment and cabling. It’s essential when converting to and from SDI that you maintain the highest possible video and audio quality. Mini Converters are compact, affordable and easy-to-use. Settings can be changed quickly using built-in mini switches, and with a diagram showing pin settings printed on the back you never need to refer to a manual. Mini Converters use standard broadcast video and audio connections, so you get the convenience and cost savings of using your own cables. Ultra HD and 6G-SDI Technology Make the move to Ultra HD, the broadcast standard of the future, easy. Be prepared now by installing equipment that is fully compatible with all your SD and HD-SDI infrastructure, but will also switch over to Ultra HD via 6G-SDI when you need to run Ultra HD. This means you’re ready for the future and can build your system with full Ultra HD compatibility. Ultra HD features an incredible 4 times the resolution of regular 1080 HD video for a massive 3840 x 2160 frame size. Ultra HD is amazing. The advanced 6G-SDI design also means the new Blackmagic Mini Converters models perform better when used in SD and HD formats than simple HD only converters. Standard Audio Connections Mini Converters support embedded SDI and HDMI audio and several models let you separately embed or de-embed analogue or digital audio. Mini Converters support 24 bit analogue and AES/EBU audio and use standard 1/4" audio jacks so you don't need custom cables. Highest Quality Processing With the highest quality video processing, Mini Converters are ideal for all broadcast, post production and professional AV applications. Multiple internal power supplies ensure incredibly low noise levels when moving between analog and digital video formats. Specific models include up/down/cross conversion that lets you move easily between PAL and NTSC SD video standards and the high number of HD formats in up to 3840 x 2160 Ultra HD resolutions. Easy Settings Control Changing Mini Converter's built-in mini switch settings is as easy as using a pen. This is great when you need to change settings quickly as there are no complicated menus to navigate. You can also control settings using the included Converter Utility software. Connect a Mini Converter to any Mac OS X or Windows based laptop or desktop computer. All models can be updated via USB 2.0 by simply downloading software upgrades directly from the Blackmagic Design website.

BMD-CONVMBASA Convert from SDI to analogue in HD/SD, plus balanced AES/EBU and analogue audio

Blackamagic BMD-CONVMBASA ( BMD CONVMBASA, BMDCONVMBASA, BMD/CONVMBASA, bmd-convmbasa ) Convert from SDI to analogue in HD/SD, plus balanced AES/EBU and analogue audio. Mini Converter SDI to Analogue includes everything you need to convert from SDI to analogue in HD/SD component, NTSC and PAL video, plus balanced AES/EBU and analogue audio. Now you can easily connect equipment such as Betacam SP, VHS, and analogue video monitors to SDI based equipment. Auto Switching SD and HD  Mini Converters instantly switch between standard definition and high definition video formats and change over is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i/59.94, 1080i/50, 1080psf/23.98, 1080psf/24, 720p/59.94 and 720p/50 formats, plus new formats can be added via USB. Redundant SDI Input Mini Converters feature a unique redundant input for mission critical tasks such as broadcast or live events. You can connect a redundant cable to the second input, so if the main input is lost due to cable damage or any other cause, Mini Converter will automatically switch over to the redundant input cable. This lets you use Mini Converters in locations where crowds or the environment might cause cable damage, or lets you place Mini Converters in hard to reach locations such as roof mounted video projectors etc. A loop though SDI output is also provided for connecting to other devices. A loop-thru SDI connection is also great if you need more than 2 audio channels, as you can connect the loop-thru to another Mini Converter to de-embedd extra audio channels! New 3 Gb/s SDI Technology  Only Mini Converters include the latest 3 Gb/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb/s SDI is also fully compatible with all your standard definition and high definition SDI equipment. Built in AES/EBU or Analogue Audio Standard 1/4 inch jacks are built in for balanced analogue or AES/EBU audio. Because Mini Converters use standard 1/4 inch jack connectors for all audio connections, you can use standard cables commonly avalible from any pro audio store. Unlike other converters, Mini Converters don't need custom cables, as any balanced 1/4 inch jack cable can be used. Mini Converters are also unique as the same 1/4 inch jack connections can be switched between professional balanced analogue audio, or AES/EBU digital audio. This means you only need one model of Mini Converter for both analogue and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES/EBU digital audio in, a sample rate converter lets you connect to any AES/EBU source, either synchronized, or un-syncronised. On HDMI models, you also have full access to the HDMI audio embedded in the HDMI video connection. High Quality  Mini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analogue video and audio. Unlike other converters, Mini Converters don't use "low grade" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analogue audio and video electronics. In fact, Mini Converters uses the same analogue video design as our most expensive and award winning Multibridge Eclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit. International Power Supply Unlike other converters, a universal power supply is included with international socket adapters for all countries. This lets you take Mini Converters with you to any location worldwide, and plug directly into the local power sockets. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight. Changing Settings  With Blackmagic Design's Mini Converters, its as simple as using a pen to change settings. Settings vary between models, and include settings such as AES/EBU or analog audio, analog video connections, and more. Cinema Style Monitoring  With the Blackmagic Design SDI to HDMI Mini Converter you can utilize a HDMI Television for budget sensitive client monitoring. Simply connect your SDI signal into the SDI to HDMI Mini Converter and then plug your HDMI cable to either a big screen HDMI television or video projector. Can you just imagine how incredible it would be having a massive 60 inch flat screen TV for your client monitoring. Go the Distance  SDI video connects long distances up to 100m, so you can connect everyone together in your facility. Cables are simple BNC coax cables so you can easily make cables to the perfect length for your needs. Industry Standard Format  Connect to any SDI deck for all industry tape formats, from DV, Digital Betacamâ„¢, D1, up to HDCAM SRâ„¢ and HD D-5. Using capture cards such as Blackmagic Design's DeckLink, you can capture to formats such as JPEG, DV to uncompressed 8 bit, 10 bit or RGB 10 bit. Uncompressed Video Quality  SDI uses a higher data rate than DV, so its got the speed to handle full resolution video in standard definition or high definition completely uncompressed. That means you can preserve video quality until you need to compress the video - such as the final compression pass for streaming or broadcast.

BMD-CONVMBSH4K6G Convert SDI in SD, HD and Ultra HD to HDMI 4K with analogue and AES audio

Blackmagic BMD-CONVMBSH4K6G ( BMD CONVMBSH4K6G, BMDCONVMBSH4K6G, BMD/CONVMBSH4K6G, bmd-convmbsh4k6g ) Convert SDI in SD, HD and Ultra HD to HDMI 4K with analogue and AES audio.  Blackmagic Mini Converters are the world’s most advanced converters because they include the latest 6G-SDI technology, automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards up to 2160p30. You get advanced features such as redundant SDI inputs, re-clocked loop outputs, HDMI instant lock, 33 point LUT support, and full analogue and AES/EBU audio connections so you can convert video, as well as embed or de-embed audio. Mini Converter SDI to HDMI 6G lets you convert from SDI to HDMI in SD, HD, and Ultra HD formats while de-embeding audio to HDMI, AES/EBU or balanced analogue audio. You also get advanced features such as down conversion for monitoring Ultra HD on HD HDMI monitors as well as built in 3D LUTs plus HDMI instant lock for instant video display when an SDI input is connected. The new Mini Converter SDI to HDMI 6G and Mini Converter HDMI to SDI 6G models make it possible to convert SDI to HDMI or HDMI to SDI in all formats up to 2160p30 at an even more affordable price. The Mini Converter SDI to HDMI 6G model is also dramatically more powerful with HDMI instant lock, 33 point 3D LUT support and Ultra HD to HD down conversion. HDMI instant lock can lock to a new signal in as little as 1 frame, so you get glitch free switching when changing between sources that have the same video format. New 33-point 3D LUT support lets you apply custom looks in realtime using high precision film quality look up tables. Plus you still get the same powerful Mini Converter features such as independent balanced analogue and AES/EBU digital audio connections, redundant SDI inputs to protect against cable damage and automatic switching between SD, HD and Ultra HD video standards. HDMI INSTANT LOCK Get instant image lock when using consumer HDMI TV’s HDMI televisions and projectors can take a long time to lock onto a signal when a new source is connected. HDMI Instant Lock on the Mini Converter SDI to HDMI 6G solves this problem by continuously sending an active HDMI signal to the display. When you switch to a new source that’s the same format as the previous signal it will lock in as little as 1 frame so you get glitch free clean switching. 33 POINT 3D LUT SUPPORT Create custom looks with high precision 3D LUTs Mini Converter SDI to HDMI 6G also includes a full 33 point 3D lookup table for high precision colour conversions. That means you can apply custom looks, colour and gamma changes in realtime for on set monitoring. LUTs can also be used with the SDI loop output, transforming the converter into a 3D LUT processor! The LUT’s are compatible with DaVinci Resolve so you get consistent colour on set and in post.

BMD-CONVMCAUDS4K SD/HD/3G-SDI audio embedder from 8 ch AES/EBU or 4 ch analog audio

Blackmagic BMD-CONVMCAUDS4K ( BMDCONVMCAUDS4K, BMD CONVMCAUDS4K, BMD/CONVMCAUDS4K, bmd-convmcauds4k ) SD/HD/3G-SDI audio embedder from 8 ch AES/EBU or 4 ch analog audio. Mini Converter Audio to SDI 4K includes everything you need to embed 4 channels of analogue audio or 8 channels of AES/EBU digital audio into any SDI video connection. Now you can embed professional audio from devices such as audio mixers and analogue decks into SDI video connections for use with SDI routers and decks or to add extra audio channels to video converters. Mini Converters include the latest 6G-SDI technology, plus automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards. Simply plug in and Mini Converters will convert between your equipment all automatically. You get advanced features such as redundant SDI inputs, re-clocked loop outputs and full analog and AES/EBU audio inputs and outputs so you can convert between formats as well as embed or de-embed audio all on the one converter. Choose from a range of 13 models depending on the conversion you need. Easy To Use Features Broadcast, post production and professional AV environments are built using SDI equipment and cabling. It’s essential when converting to and from SDI that you maintain the highest possible video and audio quality. Mini Converters are compact, affordable and easy-to-use. Settings can be changed quickly using built-in mini switches, and with a diagram showing pin settings printed on the back you never need to refer to a manual. Mini Converters use standard broadcast video and audio connections, so you get the convenience and cost savings of using your own cables. Ultra HD and 6G-SDI Technology Make the move to Ultra HD, the broadcast standard of the future, easy. Be prepared now by installing equipment that is fully compatible with all your SD and HD-SDI infrastructure, but will also switch over to Ultra HD via 6G-SDI when you need to run Ultra HD. This means you're ready for the future and can build your system with full Ultra HD compatibility. Ultra HD features an incredible 4 times the resolution of regular 1080 HD video for a massive 3840 x 2160 frame size. The advanced 6G-SDI design also means the new Blackmagic Mini Converters models perform better when used in SD and HD formats than simple HD only converters. Highest Quality Processing With the highest quality video processing, Mini Converters are ideal for all broadcast, post production and professional AV applications. Multiple internal power supplies ensure incredibly low noise levels when moving between analogue and digital video formats. Specific models include up/down/cross conversion that lets you move easily between PAL and NTSC SD video standards and the high number of HD formats in up to 3840 x 2160 Ultra HD resolutions. Easy Settings Control Changing Mini Converter's built-in mini switch settings is as easy as using a pen. This is great when you need to change settings quickly as there are no complicated menus to navigate. You can also control settings using the included Converter Utility software. Connect a Mini Converter to any Mac OS X or Windows based laptop or desktop computer. All models can be updated via USB 2.0 by simply downloading software upgrades directly from the Blackmagic Design website

BMD-CONVMSDIDA4K Distribute to 8 x SDI outputs in all formats including SDI, HD-SDI, 3G-SDI and 6G-SDI.

Blackmagic BMD-CONVMSDIDA4K ( BMDCONVMSDIDA4K, BMD CONVMSDIDA4K, BMD/CONVMSDIDA4K, bmd-convmsdida4k ) Distribute to 8 x SDI outputs in all formats including SDI, HD-SDI, 3G-SDI and 6G-SDI. The Blackmagic Mini Converter range are the worlds most advanced converters because they include the latest 6G-SDI technology, plus automatically detect the input video format and instantly change between virtually all SD, HD and Ultra HD video standards! Simply plug in and Mini Converters will convert between your equipment all automatically. You get advanced features such as redundant SDI inputs, re-clocked loop outputs and full analog and AES/EBU audio inputs and outputs so you can convert between formats as well as embed or de-embed audio all on the one converter. SDI DISTRIBUTION 4K When you need to connect to multiple SDI devices, then Mini Converter SDI Distribution 4K is the perfect solution. Connect a single SDI source to 8 re-clocked SDI outputs with automatic switching between all SD-SDI, HD-SDI, 3G-SDI and 6G-SDI video formats, plus all ASI, ancillary and embedded audio formats. EASY TO USE FEATURES Broadcast, post production and professional AV environments are built using SDI equipment and cabling. It’s essential when converting to and from SDI that you maintain the highest possible video and audio quality. Mini Converters are compact, affordable and easy-to-use. Settings can be changed quickly using built-in mini switches, and with a diagram showing pin settings printed on the back you never need to refer to a manual! Mini Converters use standard broadcast video and audio connections, so you get the convenience and cost savings of using your own cables. ULTRA HD AND 6G-SDI TECHNOLOGY Make the move to Ultra HD, the broadcast standard of the future, easy! Be prepared now by installing equipment that is fully compatible with all your SD and HD-SDI infrastructure, but will also switch over to Ultra HD via 6G-SDI when you need to run Ultra HD! This means you’re ready for the future and can build your system with full Ultra HD compatibility! Ultra HD features an incredible 4 times the resolution of regular 1080 HD video for a massive 3840 x 2160 frame size! Ultra HD is amazing! The advanced 6G-SDI design also means the new Blackmagic Mini Converters models perform better when used in SD and HD formats than simple HD only converters. STANDARD AUDIO CONNECTIONS Mini Converters support embedded SDI and HDMI audio and several models let you separately embed or de-embed analogue or digital audio. Mini Converters support 24 bit analogue and AES/EBU audio and use standard 1/4" audio jacks so you don't need custom cables. HIGHEST QUALITY PROCESSING With the highest quality video processing, Mini Converters are ideal for all broadcast, post production and professional AV applications. Multiple internal power supplies ensure incredibly low noise levels when moving between analog and digital video formats. Specific models include up/down/cross conversion that lets you move easily between PAL and NTSC SD video standards and the high number of HD formats in up to 3840 x 2160 Ultra HD resolutions. EASY SETTINGS CONTROL Changing Mini Converter's built-in mini switch settings is as easy as using a pen. This is great when you need to change settings quickly as there are no complicated menus to navigate. You can also control settings using the included Converter Utility software. Connect a Mini Converter to any Mac OS X or Windows based laptop or desktop computer. All models can be updated via USB 2.0 by simply downloading software upgrades directly from the Blackmagic Design website.

BMD-CONVMSYNC Tri-Sync and Black Burst generator with 6 video reference outputs for SD and HD

Blackmagic BMD-CONVMSYNC ( BMDCONVMSYNC, BMD/CONVMSYNC, BMD CONVMSYNC, bmd-convmsync ) Tri-Sync and Black Burst generator with 6 video reference outputs for SD and HD Mini Converter Sync Generator includes 6 crystal stabilized video reference outputs for referencing all the video equipment in your studio in either high definition Tri-Sync or standard definition Black Burst television standards. Auto Switching SD and HD  Mini Converters instantly switch between standard definition and high definition video formats and change over is automatic when the video input changes. A huge range of video standards are supported including, NTSC, PAL, 1080i/59.94, 1080i/50, 1080psf/23.98, 1080psf/24, 720p/59.94 and 720p/50 formats, plus new formats can be added via USB. Redundant SDI Input Mini Converters feature a unique redundant input for mission critical tasks such as broadcast or live events. You can connect a redundant cable to the second input, so if the main input is lost due to cable damage or any other cause, Mini Converter will automatically switch over to the redundant input cable. This lets you use Mini Converters in locations where crowds or the environment might cause cable damage, or lets you place Mini Converters in hard to reach locations such as roof mounted video projectors etc. A loop though SDI output is also provided for connecting to other devices. A loop-thru SDI connection is also great if you need more than 2 audio channels, as you can connect the loop-thru to another Mini Converter to de-embedd extra audio channels! New 3 Gb/s SDI Technology  Only Mini Converters include the latest 3 Gb/s SDI technology and upgrades can be loaded via the built in USB connection for future video format compatibility. 3 Gb/s SDI is also fully compatible with all your standard definition and high definition SDI equipment. Built in AES/EBU or Analogue Audio Standard 1/4 inch jacks are built in for balanced analogue or AES/EBU audio. Because Mini Converters use standard 1/4 inch jack connectors for all audio connections, you can use standard cables commonly avalible from any pro audio store. Unlike other converters, Mini Converters don't need custom cables, as any balanced 1/4 inch jack cable can be used. Mini Converters are also unique as the same 1/4 inch jack connections can be switched between professional balanced analogue audio, or AES/EBU digital audio. This means you only need one model of Mini Converter for both analogue and digital audio. You can select the type of audio from one of the mini switches on the side of the Mini Converter unit. On modes with AES/EBU digital audio in, a sample rate converter lets you connect to any AES/EBU source, either synchronized, or un-syncronised. On HDMI models, you also have full access to the HDMI audio embedded in the HDMI video connection. High Quality  Mini Converters are built to highest quality standards with low SDI jitter so you get the longest SDI cable lengths combined with multiple internal power supplies for ultra low noise broadcast quality analogue video and audio. Unlike other converters, Mini Converters don't use "low grade" video electronics just to save cost. Mini Converters feature the highest grade broadcast quality analogue audio and video electronics. In fact, Mini Converters uses the same analogue video design as our most expensive and award winning Multibridge Eclipse! That means you get the highest quality, all in a very affordable and incredibly compact unit. International Power Supply   Unlike other converters, a universal power supply is included with international socket adapters for all countries. This lets you take Mini Converters with you to any location worldwide, and plug directly into the local power sockets. To stop power accidentally being disconnected, a cable tie point is included to lock down the power connection tight.

BMD-CONVNTRM/BA/SDIAN Teranex Mini - SDI to Analog 12G

Blackmagic BMD-CONVNTRM/BA/SDIAN ( BMDCONVNTRMBASDIAN, BMD CONVNTRM BA SDIAN, BMD/CONVNTRM/BA/SDIAN, bmd-convntrm/ba/sdian ) Teranex Mini - SDI to Analog 12G Introducing Teranex Mini, the next generation 12G-SDI converters with award winning Teranex quality and support for all SD, HD and Ultra HD formats up to 2160p60! All Teranex Minis include an internal AC power supply, professional XLR analog and AES/EBU audio connections and an ethernet connection for remote management and PoE alternate power! Teranex Mini features a user upgradable front panel that includes a color display and user controls so you can quickly monitor video and change settings right from the front of the converter! You get all of the same great features of regular mini converters and so much more. Use Anywhere The world’s most versatile converters. The all new Teranex Mini converters make building facilities and supporting all different types of video equipment easier than ever before. Teranex Mini is perfect for broadcast installations because they can be rack mounted and the optional front panel lets you see what’s being converted on the screen! They can even be remote managed over ethernet. Their compact size makes them great for portable racks at live events or in broadcast trucks, plus they have professional XLR audio connections for connecting to mixers and other audio gear! You can even use them in editing and color grading suites to drive big screen displays and projectors. Reinventing the Mini Converter The first mini converter you don’t have to hide. Teranex Minis are so small that you can use them like regular mini converters such as hiding them in cable ducts, behind equipment and attached to televisions for monitoring. Teranex Mini’s new flexible design lets you use them on the desktop where you can see them, or rack mount them in larger broadcast systems. Unlike regular mini converters, you get full size professional XLR audio connections built into the converters, plus each converter has an ethernet connection so they can be administered remotely. You get mini switches so you can change settings instantly or, when you’re doing mission critical work, you can add the optional front panel to see exactly what you’re converting. Rack Mountable The world's first 12G-SDI rack mount converters. Card based rack converters are expensive, cannot handle high SDI speeds such as 12G-SDI and you have to buy an entire rack chassis even if you only want to install one converter. Teranex Minis can be rack mounted in combinations of one or more and you can take them out and use them non rack mounted whenever you need! You get built in AC power and ethernet on every converter so there’s no single point of failure. Unlike card based converters, you can walk up and change settings from the front panel, monitor the video going through each converter, and you can also manage them remotely over ethernet! Because they’re so small you can mount them in the front or the rear of an equipment rack or road case. Advanced 12G-SDI Blazing fast 12G-SDI for SD, HD and Ultra HD. Teranex Mini converters feature cutting edge, multi rate 12G-SDI technology that’s 8 times faster than regular HD-SDI. 12G-SDI is multi rate so it will automatically detect and change between all SD, HD and Ultra HD video formats instantly, so you can connect Teranex Mini to all of your existing SD and HD equipment. 12G-SDI supports high frame rate Ultra HD up to 2160p60 on a single BNC cable so you can work in Ultra HD and keep your high frame rate production workflow for fast moving sports and action programming. Smart Thermal Design Easily handles 12G-SDI in tough environments. Teranex Mini features an innovative thermal design with crossflow cooling that keeps them running perfectly, even when rack mounted side by side and in tough environments! An intelligent thermal subsystem and internal heat pipe assist with cooling and keeps the air flowing at all times while minimizing noise. If a Teranex Mini gets too hot, you’ll instantly receive notification through the remote control ethernet utility and on the front panel. When rack mounted side by side, each Teranex Mini works together to pull air through the rack keeping them all cool and providing redundancy for each converter. Broadcast Connections True XLR audio, ethernet and built in IEC AC power connectors All Teranex Mini converters feature standard, professional broadcast quality connectors, including full size professional XLR audio connections and high speed BNC connections for handling the extremely high bandwidth of cutting edge 12G-SDI technology. All models feature a built in multi volt 90V-240V AC power supply and standard IEC AC power connector so you can use any regular power cable. The built in ethernet connection allows remote administration and can also be used to power the converter when connected to power over ethernet switch. Digital and Analog Audio Truly professional quality audio. The professional XLR connections can be switched between balanced analog or AES/EBU digital audio so you can connect to any professional analog or digital audio equipment. If you’re running pro digital audio gear, you can keep your audio digital the whole way through for perfect digital quality. With professional audio built into every converter, you can connect to pro audio gear like mixers, effects processors, compressors, limiters and more into SDI based video systems. For analog audio, Teranex Mini’s feature an extremely low noise floor of more than -115 dBFS so even analog audio background noise is virtually silent. Optical Fiber Models Build broadcast facilities using optical fiber. Optical fiber SDI is becoming more popular because it handles extremely long distances, even at the high speeds of 12G-SDI. Optical fiber cables can be installed by electricians or computer networking installers so it’s easy to use. Each model of Teranex Mini has a corresponding optical fiber model so you can run native optical fiber systems and convert directly from optical fiber to HDMI, analog video or audio. The optical fiber models still include a 12G-SDI connector so you can use them in both regular BNC or optical fiber systems. Local or Remote Control Easily control and manage your converters. Like regular Mini Converters, Teranex Mini features built in mini switches and a printed diagram on the converter so you can quickly and easily change settings. When using the optional Teranex Smart Panel, settings can be changed using the push buttons and simple on screen menus. If you’re in a larger facility using lots of converters, you can manage them over ethernet from a Mac or Windows computer using the included Converter Utility software. Highest Quality Patented Teranex Image Processing Built using high quality Teranex video processing technology, Teranex Mini is ideal for all broadcast, post production and professional video applications. You get full SDI re-clocking and low jitter so you can use longer cables and because Teranex Mini’s have been designed for 12G-SDI, you get extremely long cable lengths when running at slower SDI speeds such as 6G-SDI, 3G-SDI and HD-SDI. When converting to analog you get extremely low noise because of the high quality 12-bit video processing. When you’re running Ultra HD to analog video Teranex Mini’s will upscale or down convert to analog HD automatically.

BMD-CONVNTRM/BB/ANSDI Teranex Mini - Analog to SDI 12G

Blackmagic BMD-CONVNTRM/BB/ANSDI ( BMDCONVNTRMBBANSDI, BMD CONVNTRM BB ANSDI, BMD/CONVNTRM/BB/ANSDI, bmd-convntrm/bb/ansdi ) Teranex Mini - Analog to SDI 12G Introducing Teranex Mini, the next generation 12G-SDI converters with award winning Teranex quality and support for all SD, HD and Ultra HD formats up to 2160p60! All Teranex Minis include an internal AC power supply, professional XLR analog and AES/EBU audio connections and an ethernet connection for remote management and PoE alternate power! Teranex Mini features a user upgradable front panel that includes a color display and user controls so you can quickly monitor video and change settings right from the front of the converter! You get all of the same great features of regular mini converters and so much more. Use Anywhere The world’s most versatile converters. The all new Teranex Mini converters make building facilities and supporting all different types of video equipment easier than ever before. Teranex Mini is perfect for broadcast installations because they can be rack mounted and the optional front panel lets you see what’s being converted on the screen! They can even be remote managed over ethernet. Their compact size makes them great for portable racks at live events or in broadcast trucks, plus they have professional XLR audio connections for connecting to mixers and other audio gear! You can even use them in editing and color grading suites to drive big screen displays and projectors. Reinventing the Mini Converter The first mini converter you don’t have to hide. Teranex Minis are so small that you can use them like regular mini converters such as hiding them in cable ducts, behind equipment and attached to televisions for monitoring. Teranex Mini’s new flexible design lets you use them on the desktop where you can see them, or rack mount them in larger broadcast systems. Unlike regular mini converters, you get full size professional XLR audio connections built into the converters, plus each converter has an ethernet connection so they can be administered remotely. You get mini switches so you can change settings instantly or, when you’re doing mission critical work, you can add the optional front panel to see exactly what you’re converting. Rack Mountable The world's first 12G-SDI rack mount converters. Card based rack converters are expensive, cannot handle high SDI speeds such as 12G-SDI and you have to buy an entire rack chassis even if you only want to install one converter. Teranex Minis can be rack mounted in combinations of one or more and you can take them out and use them non rack mounted whenever you need! You get built in AC power and ethernet on every converter so there’s no single point of failure. Unlike card based converters, you can walk up and change settings from the front panel, monitor the video going through each converter, and you can also manage them remotely over ethernet! Because they’re so small you can mount them in the front or the rear of an equipment rack or road case. Advanced 12G-SDI Blazing fast 12G-SDI for SD, HD and Ultra HD. Teranex Mini converters feature cutting edge, multi rate 12G-SDI technology that’s 8 times faster than regular HD-SDI. 12G-SDI is multi rate so it will automatically detect and change between all SD, HD and Ultra HD video formats instantly, so you can connect Teranex Mini to all of your existing SD and HD equipment. 12G-SDI supports high frame rate Ultra HD up to 2160p60 on a single BNC cable so you can work in Ultra HD and keep your high frame rate production workflow for fast moving sports and action programming. Smart Thermal Design Easily handles 12G-SDI in tough environments. Teranex Mini features an innovative thermal design with crossflow cooling that keeps them running perfectly, even when rack mounted side by side and in tough environments! An intelligent thermal subsystem and internal heat pipe assist with cooling and keeps the air flowing at all times while minimizing noise. If a Teranex Mini gets too hot, you’ll instantly receive notification through the remote control ethernet utility and on the front panel. When rack mounted side by side, each Teranex Mini works together to pull air through the rack keeping them all cool and providing redundancy for each converter. Broadcast Connections True XLR audio, ethernet and built in IEC AC power connectors All Teranex Mini converters feature standard, professional broadcast quality connectors, including full size professional XLR audio connections and high speed BNC connections for handling the extremely high bandwidth of cutting edge 12G-SDI technology. All models feature a built in multi volt 90V-240V AC power supply and standard IEC AC power connector so you can use any regular power cable. The built in ethernet connection allows remote administration and can also be used to power the converter when connected to power over ethernet switch. Digital and Analog Audio Truly professional quality audio. The professional XLR connections can be switched between balanced analog or AES/EBU digital audio so you can connect to any professional analog or digital audio equipment. If you’re running pro digital audio gear, you can keep your audio digital the whole way through for perfect digital quality. With professional audio built into every converter, you can connect to pro audio gear like mixers, effects processors, compressors, limiters and more into SDI based video systems. For analog audio, Teranex Mini’s feature an extremely low noise floor of more than -115 dBFS so even analog audio background noise is virtually silent. Optical Fiber Models Build broadcast facilities using optical fiber. Optical fiber SDI is becoming more popular because it handles extremely long distances, even at the high speeds of 12G-SDI. Optical fiber cables can be installed by electricians or computer networking installers so it’s easy to use. Each model of Teranex Mini has a corresponding optical fiber model so you can run native optical fiber systems and convert directly from optical fiber to HDMI, analog video or audio. The optical fiber models still include a 12G-SDI connector so you can use them in both regular BNC or optical fiber systems. Local or Remote Control Easily control and manage your converters. Like regular Mini Converters, Teranex Mini features built in mini switches and a printed diagram on the converter so you can quickly and easily change settings. When using the optional Teranex Smart Panel, settings can be changed using the push buttons and simple on screen menus. If you’re in a larger facility using lots of converters, you can manage them over ethernet from a Mac or Windows computer using the included Converter Utility software. Highest Quality Patented Teranex Image Processing Built using high quality Teranex video processing technology, Teranex Mini is ideal for all broadcast, post production and professional video applications. You get full SDI re-clocking and low jitter so you can use longer cables and because Teranex Mini’s have been designed for 12G-SDI, you get extremely long cable lengths when running at slower SDI speeds such as 6G-SDI, 3G-SDI and HD-SDI. When converting to analog you get extremely low noise because of the high quality 12-bit video processing. When you’re running Ultra HD to analog video Teranex Mini’s will upscale or down convert to analog HD automatically.

BMD-DV/RES/BBPNLMINI Davinci Resolve Mini Panel

Blackmagic BMD-DV/RES/BBPNLMINI (BMD-DV-RES-BBPNLMINI, BMD_DV_RES_BBPNLMINI, DV-RES-BBPNLMINI, DV/RES/BBPNLMINI) Davinci Resolve Mini Panel The DaVinci Resolve Mini Panel from Blackmagic Design is a step-up in functionality from the Micro panel but without all the features of the Advanced panel. It is a portable control surface suitable for those that need to switch between editing and color grading. It can sit on your desk top, in a rack, or be bolted to a surface. As with the Micro panel, it features three high-resolution, weighted trackballs and 12 control knobs for accessing essential primary color-correction tools in the Resolve software. 18 dedicated keys on the right side also give you access to the most commonly used grading features and playback controls. However, the Mini Panel also features two LCD screens that allow you to display menus or the parameters of the tools you are working with. Eight customizable soft knobs provide precise control and a quick reset by pushing the knob. Dedicated feature buttons allow you to change tools without needing to use the mouse. The Mini panel incorporates a USB Type-C and Ethernet interface. It is compatible with Mac, Windows, and select Linux systems. You can power the panel via an AC power source, a 4-pin XLR connector, or PoE. For the panel to work with Resolve, your computer must be running DaVinci Resolve 14.3 or DaVinci Resolve Studio 14.3 or later. An included USB 3.0 Type-A to USB Type-C cable provides backward compatibility for systems that are limited to USB Type-A connectors. Small enough to take with you, so you can bring it to any Resolve system (14.3 or later) and do color correction on location or at the editor's suite Shares basic layout with both Micro and Advanced Panels Interfaces with and controls software Three track balls with outer control rings Log and Offset color-correction selection buttons Buttons are backlit and light up when actuated Two LCD display screens for displaying the menu system or the parameters of the tools you are wotking with Custom control knobs with 4096 steps per rotation and push button reset Primary Correction Creative Control Knobs Control knobs are grouped into four sets of three knobs Luminance Y Lift Control: Adjust the contrast of the image in the darker areas, specifically in the Y (luminance) channel only. This adjustment allows changing the black point without changing saturation. Y Gamma Control: Adjust the contrast of the image in the mid-tone areas, specifically in the Y (luminance) channel only. This control helps add depth and extra vibrancy to shots Y Gain: You can reduce hot spots or tweak the whites to define a look. Contrast Contrast Control: Increase contrast to make the blacks darker and the whites brighter, or decrease contrast to do the opposite. Pivot: Change the center of tonality about which dark and bright parts of the image are stretched or narrowed during a contrast adjustment. Mid-Tone Detail: Affect the contrast of regions of the image with high edge detail to increase or decrease the perception of image sharpness and definition. Often used for softening facial features making it popular for beauty shots. Detail Color Boost Control: Raise the saturation in regions of the image with low saturation while leaving properly saturated areas alone. Also known as a vibrance operation, this is useful for adding color without over-saturating the image. Shadow Control: Selectively lighten or darken shadow detail without affecting your images mid-tones. Highlight Control: Enable retrieving blown-out highlight detail in high dynamic range media by lowering this parameter. This allows you to achieve a smooth blend between the retrieved highlights and unadjusted mid tones for a natural-looking image. Saturation Increases or decreases overall image saturation — you can turn your color image into a grayscale image with this control. Hue Control: Rotates all hues of the image around 360° of the color wheel. The default setting is 50, which retains the original distribution of hues. Luminance Mix Control: Controls the balance between the YRGB adjustments and Y only adjustments made using the Y channel lift, gamma, and gain controls. The system powers from either AC power or a 12 VDC source via the 4-pin XLR connector. The Mini panel can sit on a desktop, be mounted in a rack, or mounted to a surface to prevent theft or be used in a moving vehicle or on a cart.

BMD-HDLSMTVDUO2 Dual 8-inch SDI LCD rack monitors

Blackmagic BMD-HDLSMTVDUO2 ( HDLSMTVDUO2, BMD-HDLSMTVDUO2, BMD HDLSMTVDUO2, BMD/HDLSMTVDUO2 ) Dual 8-inch SDI LCD rack monitors Affordable SDI Monitoring with the new SmartView Duo Get the ultimate in low cost SDI monitoring with SmartView Duo. Perfect for post production, broadcast or live events, SmartView Duo features two large 8 inch LCD screens in a compact rack mount design that's less than an inch thick. SmartVideo Duo handles all SD, HD and 3 Gb/s SDI video standards, and all screens can be remotely adjusted via your ethernet network. Use SmartView Duo in racks for local monitoring, for multi monitor video walls in master control rooms or for camera monitoring for production switchers. With SmartView Duo you can afford to put SDI monitoring everywhere you need. Perfect for Live Production  SmartView Duo is perfectly designed for building a video wall for monitoring all sources into live production switchers, and because it’s so incredibly thin, it’s even perfect for portable setups where you need to save space. Imagine having all your video sources displayed on large 8 inch LCD screens so you can see camera focus and quality. Now you can build full live broadcast presentation monitoring that’s small enough to be fully portable. SmartView Duo is lightweight and thin, so it’s perfect for outside broadcast vans or even installed into portable monitor racks to reduce shipping costs of flyway kits. Monitor Everywhere Good quality SDI monitoring is expensive and often makes it hard to put monitoring on all the devices in your racks, or control rooms because costs add up quickly. SmartView Duo eliminates this problem and includes two large beautiful 8 inch displays in a compact 3 rack unit size. You get full loop though SDI connections, and ethernet network connection for setup. SmartView Duo includes easy to use software for Mac and Windows so you can see all the monitors on your network for remote adjustments. That’s perfect when you want to color match all screens in a video wall remotely from your laptop. SmartView Duo even includes tally. International Power Supply If you’re traveling all over the world, SmartView Duo is perfect because it includes a standard 12 volt power supply with socket adapters for each country. Ideal for live location use where you don’t have engineering support, a standard 12 volt power socket means you can get spare power supplies from any electrical store. Smart Ethernet Control There’s nothing more complicated than trying to match all your monitors by climbing all over your equipment and using little screwdrivers. Simply connect your SmartView Duo to your Ethernet network and use the included Mac and Windows software to adjust all your monitors from one central location. Greater SDI Compatibility SmartView Duo is designed to be used for broadcast as well as post production so it includes support for more SDI video standards, including SD, HD and 3 Gb/s SDI formats. SmartView Duo allows firmware updating so it’s easy to upgrade to new SDI video formats when they are invented, and updates are free from the Blackmagic Design web site. Broadcast and Post Production  In a busy facility you can never have enough monitors, and SmartView Duo is perfect when you need monitoring for all your equipment. Install SmartView Duo into your editing desks so you can keep track of decks and other video sources and create an exciting “mission control” environment which will blow your clients’ minds. SmartView Duo is perfect for in-rack monitoring so you always know what’s going on. Now with SmartView Duo, everyone can have that exciting “broadcast experience” of monitoring wherever it’s needed. Incredible Design  SmartView Duo features two fully independent 8 inch monitors for incredible monitoring. Each monitor includes loop through SDI video, which instantly switches between any SD, HD and 3 Gb/s SDI source, even 2K video over 3 Gb/s SDI. SmartView Duo includes no mechanical controls so it won’t suffer from damage or settings drift. When matching multiple screens in master control rooms, SmartView Duo includes loop though Ethernet for remote adjustment, even from a laptop computer. If you need to mount SmartView Duo in the extreme top or bottom of an equipment rack, SmartView Duo’s LCDs can be rotated upside down for the optimum viewing angle. SmartView Duo will automatically sense the rotation and flip both onscreen images. SmartView Duo even includes a choice of red, green or blue tally inputs. Integrated Tally  SmartView Duo includes full tally features so it’s the perfect companion for live broadcasters. Unlike a simple tally light, SmartView Duo includes tally borders that can be independently displayed in red, green or blue. Each screen features an independent tally in the three colors so you can signal to the user more than a simple on air status. Tally is connected via a standard parallel pin connector on the rear of SmartView Duo so you get full compatibility with any switcher or automation system.

BMD-TERANEXEXP12GDL Teranex Express

Blackmagic BMD-TERANEXEXP12GDL ( BMDTERANEXEXP12GDL, BMD TERANEXEXP12GDL, BMD/TERANEXEXP12GDL, bmd-teranexexp12gdl ) Teranex Express 12G-SDI real time SD, HD and Ultra HD up and down converter. Introducing Teranex Express, the world’s first real time SD, HD and Ultra HD broadcast up and down converter. Featuring advanced patented algorithms, Teranex Express gives you visually transparent quality conversions and are mandated by major broadcasters and studios worldwide. You get an incredible 178 SD, HD and Ultra HD conversions in full 10-bit quality complete with audio, closed captions, timecode and more.   Use Anywhere Perfect for live events, post and broadcast power supply   Imagine converting your SD to HD all the way up to Ultra HD in real time for presentation on massive outdoor LED displays, digital signs and live concerts or sporting events. Teranex Express is perfect as a dedicated up and down converter between broadcast equipment in television studios, and for remastering older SD and HD tapes into Ultra HD. You can even use Teranex Express in outside broadcast vehicles to up or down convert and synchronize video feeds instantly for live broadcast.   Featuring the familiar Teranex 2D and 3D control panel, Teranex Express has all of the controls you need at your fingertips. The built in LCD monitor lets you easily navigate menus and see source format and frame rate with live video, so you don’t have to use an external monitor. With an elegant machined metal front panel, its compact 1RU size and built in international power supply, Teranex Express not only looks great in your studio, but is also perfect for portable racks and outside broadcast vehicles.   Use Anywhere Transparent conversions between SD, HD and Ultra HD   Teranex Express can perform an incredible 178 up/down conversions between SD, HD, and Ultra HD in real time. You can use Teranex Express for video conversions or to synchronize non genlocked, external feeds, or cameras into switchers for live production. Conversions retain timecode, include closed caption data, and always maintain perfect audio sync so your video is immediately ready for editing or broadcast.   Advanced Connections Broadcast quality connections for 24/7 reliability   Teranex Express features the most advanced broadcast connections, including the world’s first dual link 12G-SDI that is compatible with all of your existing SDI equipment. The genlock input lets you synchronize signals between equipment and for larger studios, you can install an optional fiber optic module that lets you run video from up to 28 miles away.   12G-SDI High speed multi-rate SDI for SD, HD and Ultra HD   Teranex Express is the world’s first broadcast converter to include multi-rate 12G-SDI connections. That means it can switch between 6G-SDI, 3G-SDI, HD-SDI and SD-SDI making it compatibile with all of your existing SD, HD, and Ultra HD equipment. These connections can transfer data at an amazing 12 gigabits per second, making them fast enough to support progressive Ultra HD video at up to 60fps. That means Teranex Express will be able to support emerging formats when they become available, making it the most expandable and future proof solution you can buy.   Teranex Quality Amazing detail, sharpness and clarity   Teranex Express features the advanced processing technology developed and patented by Teranex, which allows instant calculations on thousands of pixels simultaneously. You get full 10 bit processing, extremely high quality de-interlace and new optical quality Ultra HD scaling algorithms that interpolate images in real time with amazing detail, sharpness and clarity without artifacts. That’s why Teranex conversions are indistinguishable from the original source video.   High Quality Deinterlace Patented PixelMotion technology and multi direction filtering   Teranex’s proprietary and patented PixelMotion deinterlacing algorithms create perfect progressive frames for conversion by adjusting the aperture on a pixel by pixel basis. That means you get improved image quality because the vertical resolution is maintained. PixelMotion deinterlacing preserves source detail and, when combined with multi direction diagonal filters, eliminates jaggies on conversions so you get well defined edges and the sharpest images possible.   Video Control Adjust colour, aspect ratio and more.   Now you can quickly and easily find the tools you need to correct colour, convert formats or change aspect ratio. Teranex Express features a logically designed front panel and soft menus so you can adjust luminance, saturation, hue, black level, R-Y/B-Y colour difference, sharpness, and more with the built in proc amp controls. Teranex Express features an integrated LCD screen on the front panel so you can make adjustments with confidence during live broadcasts.   Ancillary Data Multi channel audio, timecode and subtitles   Video includes a lot more than images, and Teranex supports conversion of up to 16 audio channels plus timecode and closed caption VANC data. Teranex Express is also compatible with Dolby encoded audio, so it never has to be decoded or re-encoded during up and down conversions. With Teranex Express your subtitles are always retained and both audio and timecode always stay in perfect sync with your video.   Mandated By Broadcasters Teranex is asked for by name worldwide.   Teranex processing is so well known for quality that it has been mandated globally by many country’s broadcasters for converting video. Because of its patented 10-bit processing algorithms and high quality deinterlacing, Teranex conversions look perfect, making distribution simple and problem free.

Camera Control Cable - 3m

Sony CCA-5-3 (CCA5-3, CCA/5-3, cca-5-3) Camera Control Cable - 3mThe CCA5 cable has 3 shielded pairs; (1) 75ohm coax and (2) conductors for power. Cable assembly uses Hirose style 8 pin connector. (DOESN'T WORK with SONY'S RMB150 Controller, does NOT monitor Video Out)

CBKZ-SLMP MPEG2 Upgrade

Sony CBKZ-SLMP (CBKZSLMP, CBKZ/SLMP, cbkz-slmp) MPEG2 UpgradeThe CBKZ-SLMP upgrade licence adds MPEG HD422 50Mbps and MPEG HD420 35Mbps recordings to the popular PXW-X70 palm-sized camcorder.* PXW-X70 requires Version 3.0 firmware or above.

CLM-FHD5.CE7 Clip-On 5 Inch Full HD LCD On-Camera Monitor

Sony CLM-FHD5.CE7 (CLMFHD5.CE7, CLM-FHD5, CLMFHD5, clmfhd5.ce7) Clip-On 5 Inch Full HD LCD On-Camera Monitor 5" Clip-on Full HD LCD On-Camera Monitor from Sony Sony's CLM-FHD5 Clip-On 5" Full HD LCD On-Camera Monitor features a native resolution of 1920 x 1080 and an HDMI input to display the full HD signal out of your camera. The 5" screen is larger than the typical LCD screen of most DSLRs and camcorders and combined with the Full HD resolution, it provides a sharp image well suited for operating your camera. The monitor features an S-Log display function that lets you display an image recorded by your camera using S-Log to protect your highlights as if it had been captured with normal gamma. This can provide a more pleasing image to view, while the original footage is captured in S-Log. Supporting W, M, and V-type batteries, the monitor is capable of long run times and can accept an optional AC power adapter. It features colour peaking and focus magnification to aid in getting your shot in focus. It also features false colour to aid in exposure. Two assignable front panel buttons allow you to customize your workflow. The included shoe mount and sun hood allow you to mount the monitor on your camera, and the sun hood protects that monitor from veiling glare. Full HD 1920 x 1080 Resolution The 5" Full HD 1920 x 1080 LCD monitor delivers a high-resolution image that your camera is not capable of displaying. Focus Assist with Focus Magnification Function Focus magnification function lets you enlarge an image to 3x or 6x magnification, making it easier to check and confirm your focus. Focus Assist with Peaking Function Focus peaking function assists you to get sharp focus quickly while manual focusing. It highlights the areas that are in sharpest focus in red, making it easier to see if your subject is in focus at a glance. S-Log Disp. for Exposure and Contrast Control S-Log shooting provides wider dynamic range for smooth gradations with reduced blown-out highlights and blocked-up shadows. This S-Log function displays images with the brightness and contrast close to how the images appear in regular shooting mode. This allows you to capture a flat S-log image while making it easier to control focus, contrast, and exposure using the LCD monitor. S-Log Disp. Assist Gain Adjustment is selectable in values of +2, +1, 0, -1, and -2. False Colour Function for Accurate Exposure Setting. False Colour display helps you set accurate exposure levels by converting brightness to numeric figures and displays those as colours. Red = 108% or more, Yellow = 100-108%, Pink = 61-65%, Green = 41-45%, Blue = 3-10%, Violet = 3% or less. Therefore, if you want to shoot a person's skin at 61 - 65%, adjust the exposure setting so that the skin appears as pink. This display does not affect the images the camera is shooting. Video Level Marker Video Level Marker uses colour to help you achieve optimum exposure and skin tone according to your user-selected target video signal level. Chose from five video signal levels to highlight the area of your image in green that matches the level you select. The rest of your image will indicate over and underexposed areas with dark gray indicating lower video signal level (areas of lower exposure) and light gray indicates higher video signal level (areas of higher exposure). Blue indicates blocked-up shadows and red indicates blown-out highlights. For example, if you want to shoot your subject's skin at around 70% signal level, select 70% from the menu and adjust exposure setting so that the skin appears as green on the monitor. This display does not affect the images the camera is shooting. Assignable Front Panel Buttons Two customizable buttons allow you to assign frequently used functions to each: C1 and C2 buttons for fast access and easy operation. Compatible with Multiple Camera Batteries The monitor uses the same W, M and V batteries as cameras do, so you can use it for long periods of shooting without having to bring along different batteries. There's also an optional AC adaptor that's handy for long operating sessions without batteries. Various optional power sources: 1. AC adaptor AC-PW10AM / 2. NP-FW50 / 3. NP-FM500H / 4. NP-FV50 / 5. NP-FV70 / 6. NP-FV100A LCD Hood and AR Coating The CLM-FHD5 features a sturdy yet removable sun hood to shield the LCD from the sun and bright lights while shooting. The sun hood folds closed to protect your screen when not in use. The AR (anti-reflection) coating on the LCD helps minimize glare for improved image viewing quality. Speaker A built-in monaural speaker allows you to hear the audio, especially useful when checking your footage. Connector Cover The monitor's connectors are protected by a flap when not in use, which can help prevent dust build up.

CLM-V55 5 Inch HDMI On-Camera Monitor with Peaking

Sony CLM-V55 (CLM/V55, CLMV55, CLM_V55, clm-v55) 5 Inch HDMI On-Camera Monitor with Peaking 5" HDMI On-Camera Monitor with Peaking from Sony The Sony CLM-V55 5" HDMI On-Camera Monitor with Peaking is a lightweight monitor that supports input signals up to 1080p. It features a screen with 800 x 480 resolution with a 90° viewing angle. The monitor accepts power from either an optional NP-FM500H, NP=QM71D, NP-QM91D, or optional AC-PW10AM power supply. It features peaking, that helps you to determine critical focus, and the pixel-to-pixel function enables you to zoom in on the center of your image. The included removable sunhood can be used for protection from glare, and collapsed to protect the LCD screen during transport and storage. To save battery paower, the monitor will automatically shut down if no signal is input for 60 seconds. The built-in speaker allows you to share the audio with those around the monitor, while the integrated headphone jack allows you to monitor audio privately. The 1/4"-20 threaded hole allows you to use stadard accessory for mounting the monitor, or you can use the included shoe adapter to secure the monitor to your camera. Note: The monitor does not have DSLR scaling to re-scale the video from certain cameras during playback. Black stripes may appear above and below or on each side of the monitor when the camera's aspect ratio is different from that of the monitor. 5" LCD WVGA (800x480) Peaking Peaking is a real-time, focus assist tool that superimposes pulsing red lines over the area if your image that is most contrasy, and therefore most in focus. This makes it easier to confirm that subjects are in-focus or not in-focus. Pixel-to-Pixel 1:1 pixel-to-pixel mapping allows you to look at the center of your image without any scaling, so you can see the actual detail and not be fooled by scaling artifacts. Aspect Ratio The monitor features a native 15:9 aspect ratio. When displaying footage normally, this may cause black bars to appear around your image. This allows the monitor to display your footage in its natural aspect ratio. TV Marker Display Displays a grid just inside the angle of view that acts as a guide to the area shown on a LCD screen. Colour Temperature Selectable colour temperature from 9300, 7200, 6500K. The monitor defaults to 6500K. Includes a headphone jack for monitoring audio levels while recording Auto lock accessory shoe adapter is used with the Sony Alpha cameras

Control Cable for BVP and HDC Series Cameras

Sony CCA-5-10 (CCA5-10, CCA/5-10, cca-5-10) Control Cable for BVP and HDC Series CamerasThe Sony CCA-5-10 is a control cable that is specifically designed to drive Sony's line of BVP and HDC series cameras. The cable prevents multiple wires from getting tangled or tripped over, providing a clean and efficient means of connectivity.

Control Unit Attachment kit for BVM-E170/F170

Sony BKM-39H (BKM39H, BKM/39H, bkm-39h) (BVM E170, BVM/E170) (BVM/F170, BVM_F170) Control Unit Attachment kit for BVM-E170/F170The Sony BKM39H Attachment Stand is used with the BVML170 Trimaster LCD Broadcast Monitor (16.5”) and PVML1700 LCD Monitor Broadcast Applications (16.5"). It includes a cable to connect the BKM-16R to BVML170.

Control Unit Attachment Kit for BVM-E251

Sony BKM-38H/3 (BKM_38H/3, BKM/38H/3,BKM 38H/3) (BVM_E251, BVM/E251) Control Unit Attachment Kit for BVM-E251 The Sony BKM-38H/3 Attachment Stand is a fixed stand, and is used with BVM-E251 LCD monitors.

Control Unit Attachment Kit for BVM-E251

Sony BKM-39H/3 (BKM/39H/3, BKM_39H/3, BKM-39H-3) (BVM/E251, BVM_E251) Control Unit Attachment Kit for BVM-E251 The Sony BKM-39H/3 Attachment Stand is used with the BVM-E251 LCD Monitor .

Control Unit Attachment Kit with Tilt for BVM-E251

Sony BKM-37H/3 (BKM/37H/3, BKM_37H/3, BKM_37H_3) (BVM/E251, BVM_E251) Control Unit Attachment Kit with Tilt for BVM-E251 The Sony BKM-37H/3 is an optional controller attachment stand for the BVML-Series of professional monitors. The stand attaches the monitor to the BKM-16R control unit. Control Unit Attachment Kit with Tilt is for BVM-E251

DATA-DAC60 Hd/Sd-Sdi to Vga Converter

DATAVIDEO DATA-DAC60 (DATADAC60 DATA/DAC60 DATA DAC 60) DAC-60 HD/SD-SDI to VGA Converter The Datavideo DAC-60 SD/HD/3G-SDI to VGA Scaler and Converter converts SD/HD/3G-SDI video signals into VGA signals for display on computer peripherals such as projectors and monitors. The DAC-60 features a loop-through input that passes the SDI input signal downstream without changing it. This allows you to feed the same video signals to both VGA and SDI based equipment. The unit auto detects the input format and scales it to the user selected VGA output format, which is indicated by the six LEDs. With the included software you can set the built-in processing amp (proc amp) to adjust Contrast, Hue and Saturation of the VGA signal. The SDI loop-through signal is unaffected by the proc amp settings. The unit is designed to be portable as it draws only 500 mA at 12 volts and weighs less than a pound. Format The DAC-60 is compatible with NTSC/PAL SD signals, as well as HD-SDI and 3G SDI signals. The unit will automatically detect scale and convert the input video signals into VGA compatible signals for display on VGA-based equipment. Image Adjustment The DAC-60 has a built in proc amp for image adjustment which are controllable via the included Windows software. Once image adjustments to the VGA output are complete, you can disconnect the DAC-60 from the computer and the unit will retain the image adjustment settings. Only the VGA output is affected and the SDI loop-through signal is unaffected by the proc amp. Output The mode selection button allows you to manually select from 8 different VGA resolution presets that the DAC-60 can output. Six LEDs provide immediate and positive indication of which VGA output format you have selected. The loop-through SDI signal remains unaffected by the VGA output settings and is available to feed a switcher or other SDI based equipment.

DATA-DAC70 Up / Down / Cross Converter with VGA

DATAVIDEO DATA-DAC70 (DATADAC70, DATA DAC 70) DAC-70 Up / Down / Cross Converter with VGA The DAC-70 SD/HD/3G-SDI Up/Down/Cross Converter from Datavideo converts between SD, HD, and 3G formats. It supports 10-bit video processing and accepts VGA, HDMI, and SD/HD-3G-SDI video input signals and automatically converts them to the selected output format. The DAC-70 supports resolutions up to 1080p60 and up to 8 channels of embedded SDI or HDMI audio. An analog L/R audio input is also provided. Thanks to a built-in mini-USB port, the converter is firmware upgradeable for support of future video formats. A 12V / 1A power supply and cord comes included. Low SDI jitter with long cable lengths Compatible with optional RMK-2, for holding multiple converters and distribution amplifiers in a 2RU space Compatible with the MB-4 battery adapter Compatible with MB-5 strap adapter    

DATA-TP500BB DSLR Tablet Teleprompter

DATAVIDEO DATA-TP500BB (DATATP500BB DATA/TP/500/BB DATA TP 500 BB) TP-500 DSLR Tablet Teleprompter Professional teleprompting made easy Hardware built to withstand the demanding conditions of professional shoots and software with high end features, our teleprompters are designed to be simple and straight forward to operate by the talent or remote operator. We use a high-quality mirror glass with a low iron content, meaning that the mirror has no tint. Suitable for tablets up to 11.6''  The TP-500 is designed to convert a small tablet computer into a low cost and effective prompter. The teleprompter houses any tablet with a minimum width of 110mm and maximum of 210mm measured in portrait orientation. A regular 10" iPad or Android alternative works best. Optional Bluetooth and wired remote control The WR-500 can be used to control Datavideo's powerful dvPrompter Plus app in Wired or Bluetooth modes. The controller allows you to pause and resume the scroll, increase and decrease speed, increase and decrease font size, jump to specific points within the script (break markers) and switch between scripts in the playlist.

DATA-WR500 WR-500 Bluetooth Teleprompter Remote Control

Datavideo DATA-WR500 (DATAWR500, DATA WR500, DATA/WR500, data-wr500) WR-500 Bluetooth Teleprompter Remote Control Bluetooth Teleprompter Remote Control Script controller: play/pause, speed Up/show down text scroll, next/previous break marker To be used with TP-100 / TP-300 / TP-500 / TP-600 prompter rigs Compatible with Android / iOS devices Wired or wireless connection Features Bluetooth 4 – for longer battery life & enhanced range Automatic pairing (via the DV Prompter app) Tablet / Phone Compatibility Bluetooth 4 required   * check the tablet/phone manufacturers specifications

Device Control Unit Processor for MVS-8000 Series

Sony MKS-8700 (MKS8700, MKS/8700, mks-8700) Device Control Unit Processor for MVS-8000 SeriesThe Sony Device Control Unit Processor is designed for MVS-8000 Multi-Format Switcher Processor. This chassis accepts plug-in boards to add tally, GPI and/or device control capabilities to an MVS-8000 system. Each MKS-8700 chassis can hold up to 15 Device Control Unit Option cards. Up to two MKS-8700 chassis may be connected to each control panel on an MVS-8000 system.

Device Controller

Sony MKS-2700 (MKS2700, MKS/2700, mks-2700) Device Controller The module takes 1RU in any standard 19" racking system and can be fitted with optional boards indicated through its series of tally lights. Control through both RS-422A and RS-45. This specific model is compatible with the MVS8000A, DVS9000 and MFS2000 switchers.

Digital Triax to Fibre Converter

Sony HDFX-200/3T (HDFX200/3T, HDFX/200/3T, hdfx-200/3t) Digital Triax to Fibre Converter The HDFX-200 is an external converter box that allows the transmission of digital camera signals from the HDC-2400/2500/2550 system camera to the HDCU-2000/2500 Camera Control Unit (CCU) via conventional triax cable. When the system camera is fitted with the HKC-TR27 digital triax adaptor side cover, the system allowsthe transmission of 1080P or 2xSloMo signals (2x1080i) over triax. The HDFX-200 converts the triax signals to an SMPTE-Fibre cable to be accepted by the CCU. High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m. Using the HDFX-200 and HDCU-2000/-2500 Camera Control Unit (CCU), it is possible to extend the reach of the camera system up to a maximum distance of 3,700m between the CCU and the camera. Supports wide variety of frame rates The HDFX-200 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates, with no limit to the potential frame rates used, future-proofing the investment. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. Cable condition information displayed An optical indicator on the HDFX-200 displays the cable condition information. Two connectors on unit allow quick change from fibre to triax The HDFX-200features two connectors (triax and fibre) so that a quick change to the desired transmission technology is possible without changing the cabling.

Digital Triax to Fibre Converter

Sony HDFX-200/4E (HDFX200/4E, HDFX/200/4E, hdfx-200/4e) Digital Triax to Fibre Converter The HDFX-200 is an external converter box that allows the transmission of digital camera signals from the HDC-2400/2500/2550 system camera to the HDCU-2000/2500 Camera Control Unit (CCU) via conventional triax cable. When the system camera is fitted with the HKC-TR27 digital triax adaptor side cover, the system allowsthe transmission of 1080P or 2xSloMo signals (2x1080i) over triax. The HDFX-200 converts the triax signals to an SMPTE-Fibre cable to be accepted by the CCU. High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m. Using the HDFX-200 and HDCU-2000/-2500 Camera Control Unit (CCU), it is possible to extend the reach of the camera system up to a maximum distance of 3,700m between the CCU and the camera. Supports wide variety of frame rates The HDFX-200 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates, with no limit to the potential frame rates used, future-proofing the investment. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. Cable condition information displayed An optical indicator on the HDFX-200 displays the cable condition information. Two connectors on unit allow quick change from fibre to triax The HDFX-200 features two connectors (triax and fibre) so that a quick change to the desired transmission technology is possible without changing the cabling.

Digital Triax to Fibre Converter

Sony HDFX-200F (HDFX200F, HDFX/200F, hdfx-200f) Digital Triax to Fibre Converter The HDFX-200 is an external converter box that allows the transmission of digital camera signals from the HDC-2400/2500/2550 system camera to the HDCU-2000/2500 Camera Control Unit (CCU) via conventional triax cable. When the system camera is fitted with the HKC-TR27 digital triax adaptor side cover, the system allowsthe transmission of 1080P or 2xSloMo signals (2x1080i) over triax. The HDFX-200 converts the triax signals to an SMPTE-Fibre cable to be accepted by the CCU. High quality digital signal transmission over conventional triax cable Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m. Using the HDFX-200 and HDCU-2000/-2500 Camera Control Unit (CCU), it is possible to extend the reach of the camera system up to a maximum distance of 3,700m between the CCU and the camera. Supports wide variety of frame rates The HDFX-200 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates, with no limit to the potential frame rates used, future-proofing the investment. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. Cable condition information displayed An optical indicator on the HDFX-200 displays the cable condition information. Two connectors on unit allow quick change from fibre to triax The HDFX-200features two connectors (triax and fibre) so that a quick change to the desired transmission technology is possible without changing the cabling.

ELC-MVS01 Live Production Control Software Package

Sony ELC-MVS01 (ELCMVS01, ELC/MVS01, elc-mvs01) Live Production Control Software PackageSony’s new ELC-MVS01 (ELC), Live Production Control Automation system advances the state-of-the-art in automated news broadcasting. The ELC Automation system consists of a suite of software, computers, operation terminals and control panels optimized for the specific needs of a live broadcast environment. By leveraging the program sequence information already contained in the station’s newsroom computer system (NRCS), Sony’s ELC Automation system is able to tightly choreograph the news production by controlling the production switcher, playback servers, electronic graphics, camera robotics, audio console and other devices. The result is increased efficiency and consistency of the broadcast “look and feel”. In short, the ability to do more with fewer resources.Highlights: Sony and third-party hardware and the newsroom devices are integrated into a complete solution to provide event-based control of newsroom devices including camera robotics, transports, audio, switching, effects, and graphics An NRCS centric operational philosophy allows events to be created, scheduled and edited via a NRCS rundown Active-X plug-in interface. Convenient drag-and-drop operation for event scheduling and cue editing are provided via two user selectable views: Quick Cue and Cue Edit. The Quick Cue view allows convenient drag-and-drop placements of existing cues. Cues containing multiple calls can be dragged and dropped directly into the NRCS rundown, and executed upon take of the event. The Cue Edit view is used to create and edit cues. Cues can be created from scratch, or from templates Playlist Viewer is available from the NRCS plug-in interface for confirming the Playlist sequence. Resource management features based on known limitations of the system components such as camera shot conflict alarm, play-out channel conflict alarm, and switcher resource management are intended to warn operators of potential impending event conflicts To secure on-air operations, a single On-Air Playlist interface is available for taking cues and monitoring the playlist events during the live production. The MKS-8033A shot box is used to advance the playlist and provide programmable presets from a combination of the newsroom controlled devices Deliberately break away from the playlist for breaking news or other live situations, and return to the playlist seamlessly at any time The system can be configured with main and backup servers, each running identical ELC applications and a mirrored database.

ENG Monitor Field Kit

Sony VF-510 (VF510, VF/510, vf-510) ENG Monitor Field Kit The Sony VF-510 is a field monitor accessory kit for the LMD940W monitor. This kit includes a high quality monitor hood, a carry handle for transport and a cable protector for the rear of the monitor.   This kit offers the user accessories to facilitate a location production with great monitoring capabilities.

Extension Adapter for ICPX7000 Control Panel

Sony MKS-X7075 (MKSX7075, MKS/X7075, mks-x7075) (ICPX-7000, ICPX/7000) Extension Adapter for ICPX7000 Control PanelThe Extension Adapter from Sony is for use with the ICPX7000 Control Panel.

F-5A 5.5 inch IPS On-Camera Monitor with L-Series Type Plate

TV-Logic F-5A (F_5A, F/5A, F 5A) 5.5 inch IPS On-Camera Monitor with L-Series Type Plate TVLogic's F-5A 5.5" IPS On-Camera Monitor with L-Series Type Plate offers cinematic image quality in a sleek, compact form suitable for use as an EVF or onboard camera monitor. This monitor features a 1080p Full HD IPS display with 160° viewing angle and a contrast ratio of 1000:1. Monitoring functions include waveform, vectorscope, and 16-channel audio level meter displays. The versatile F-5A monitor has both 3G-SDI and HDMI inputs and outputs, enabling HDMI-to-SDI and SDI-to-HDMI conversion. The monitor supports horizontal/vertical image flip, timecode display, image zoom, auto/manual aspect ratio selection, and blue/mono-only modes. The monitor supports ARRI camera metadata as well as HDR emulation of PQ, HLG, and SLog3. Pro-style focus assist functions like peaking boost help your assistant keep your image sharp. Power the F-5A using a separately available battery and either the integrated Sony L-series type battery plate, the included D-Tap cable, or via a separately available AC power supply. Tally is supported by the connector on the back of the monitor.

Fiber to Digital Triax Converter

Sony HDTX-200/4E (HDTX200/4E, HDTX/200/4E, hdtx-200/4e) Fiber to Digital Triax Converter The HDTX-200 field converter box allows a quick change from fibre to triax transmission for HDC-1500 Series or HDC-2000 Series system cameras that do not feature HKC-TR27 digital triax adaptor technology. The HDTX-200 converts the fibre signal to digital triax, allowing the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Working with the HDFX-200 digital triax adaptor, the HDTX-200 extends a digital triax system to distances of up to 3,700m between the camera and Camera Control Unit (CCU). High quality digital signal transmission over conventional triax cable for HDC-1500/2000 fibre cameras Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m.Working with the HDFX-200 digital triax adaptor and HDCU-2000/-2500 Camera Control Unit (CCU), it is possible to extend the reach of the camera system up to a maximum distance of 3,700m between the CCU and the camera. Supports wide variety of frame rates The HDTX-200 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates, with no limit to the potential frame rates used, future-proofing the investment. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. No additional power supply necessary The HDTX-200 is powered from the HDFX-200 via the triax cable, so no additional power supply to the HDTX-200 is necessary.

Fiber to Digital Triax Converter

Sony HDTX-200F (HDTX200F, HDTX/200F, hdtx-200f) Fiber to Digital Triax Converter The HDTX-200 field converter box allows a quick change from fibre to triax transmission for HDC-1500 Series or HDC-2000 Series system cameras that do not feature HKC-TR27 digital triax adaptor technology. The HDTX-200 converts the fibre signal to digital triax, allowing the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Working with the HDFX-200 digital triax adaptor, the HDTX-200 extends a digital triax system to distances of up to 3,700m between the camera and Camera Control Unit (CCU). High quality digital signal transmission over conventional triax cable for HDC-1500/2000 fibre cameras Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m.Working with the HDFX-200 digital triax adaptor and HDCU-2000/-2500 Camera Control Unit (CCU), it is possible to extend the reach of the camera system up to a maximum distance of 3,700m between the CCU and the camera. Supports wide variety of frame rates The HDTX-200 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates, with no limit to the potential frame rates used, future-proofing the investment. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. No additional power supply necessary The HDTX-200 is powered from the HDFX-200 via the triax cable, so no additional power supply to the HDTX-200 is necessary.

Fibre to Digital Triax Converter for HDC-1500/2000

Sony HDTX-200/3T (HDTX200/3T, HDTX/200/3T, hdtx-200/3t) (HDC/1500/2000, HDC_1500/2000) Fibre to Digital Triax Converter for HDC-1500/2000 The HDTX-200 field converter box allows a quick change from fibre to triax transmission for HDC-1500 Series or HDC-2000 Series system cameras that do not feature HKC-TR27 digital triax adaptor technology. The HDTX-200 converts the fibre signal to digital triax, allowing the transmission of 1080P or 2xSloMo signals (2x1080i) over triax. Working with the HDFX-200 digital triax adaptor, the HDTX-200 extends a digital triax system to distances of up to 3,700m between the camera and Camera Control Unit (CCU). High quality digital signal transmission over conventional triax cable for HDC-1500/2000 fibre cameras Existing triax infrastructure can be used with no need to install additional cables up to distances of 1,400m.Working with the HDFX-200 digital triax adaptor and HDCU-2000/-2500 Camera Control Unit (CCU), it is possible to extend the reach of the camera system up to a maximum distance of 3,700m between the CCU and the camera. Supports wide variety of frame rates The HDTX-200 supports 1080i, 720P, 2x Slomo1080i/720P HD frame rates, with no limit to the potential frame rates used, future-proofing the investment. 2xSloMo speed (1080i or 720P) 2xSloMo signal and normal HDTV signal is available. No additional power supply necessary The HDTX-200 is powered from the HDFX-200 via the triax cable, so no additional power supply to the HDTX-200 is necessary.  

Flexipad Module for ICPX7000 Control Panel

Sony MKS-X7024 (MKSX7024, MKS/X7024, mks-x7024) (ICPX-7000, ICPX7000) Flexipad Module for ICPX7000 Control PanelThe Flexipad Module from Sony is for use with the ICPX7000 Control Panel. It features 14 assignable buttons surrounding the LCD button. The module is useful for key snapshot, key transition-type changes, and register recall such as Snapshot, Macro, and ShortBox. Up to 14 pages, each page can be named  

Format Converter Option

Sony MKS-6550 (MKS6550, MKS/6550, mks-6550) Format Converter Option The Sony MKS-6550 Format Converter Option allows for up, down, cross-conversion, or frame delay of up to 8 inputs to the MVS-3000 or MVS-6500 series switchers. This converter can be configured as 8 input and zero output or 4 input and 2 output channels.

Front Control Panel for HSCU-300R/RF and HXCU-TX70

Sony HKCU-FP2 (HKCUFP2, HKCU/FP2, hkcu-fp2) (HSCU/300R/RF,HSCU_300R_RF)(HXCU/TX70, HXCUTX70)  Front Control Panel for HSCU-300R/RF and HXCU-TX70 Sony's Front Control Panel for HSCU-300R/RF and HXCU-TX70 is an optional control panel that attaches to the front of Sony's HSCU-300R/RF or HXCU-TX70 Camera Control Unit (CCU). It provides direct access for controlling white and black balance, iris and master black, shutter and master gain. It includes function assignable buttons and a potentiometer. Basic Camera Control from the CCU Front Panel It is a very compact solution for camera control, offering space saving for small control rooms and OB vans Direct Access to Main Camera Adjustments It is a cost effective solution for camera control compared to traditional RCP-type controllers    

HD/SD Expansion Unit

Sony HKCU-1005 (HKCU1005, HKCU/1005, hkcu-1005) HD/SD Expansion UnitThe HKCU1005 is an interface expansion option board for the HDCU1000/HDCU1500. It provides four HD-SDI or SD-SDI outputs.

Hybrid Optical Fiber Cable - 250m

Sony CCFN-250//U (CCFN250//U, CCFN/250//U, ccfn-250//u) Hybrid Optical Fiber Cable - 250mThe 820.2' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits

Hybrid Optical Fiber Cable - 50m

Sony CCFN-50//U (CCFN50//U, CCFN/50//U, ccfn-50//u) Hybrid Optical Fiber Cable - 50mThe 164' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits

MAG-2211121-01 HD-One DX500 Transmitter

Magenta MAG-2211121-01 (MAG2211121-01, MAG/2211121-01, mag-2211121-01) HD-One DX500 TransmitterHDMI Video and Audio Extension Transmitter

Menu Panel for ICP-6500 Series Center Control Panel

Sony ICP-6511 (ICP6511, ICP/6511, icp-6511) (ICP_6500, ICP/6500) Menu Panel for ICP-6500 Series Center Control Panel The ICP-6511 Menu Panel from Sony works with the ICP-3000 and ICP-6000 series control panels. It features an MVS style touchscreen GUI menu, dedicated buttons for quick Menu Page recall, and dedicated rotary controls for easy adjustment.

Menu Panel for ICP-X7000 Control Panel

Sony MKS-X7011 (MKSX7011, MKS/X7011, mks-x7011)(ICP/X7000, ICP_X7000) Menu Panel for ICP-X7000 Control PanelThis Menu Panel from Sony is for use with the ICP-X7000 Control Panel.

MICRO4K Coiled HDMI to Micro-HDMI Cable (24'')

Shape SH-MICRO4K (SH_MICRO4K ,SHMICRO4K, SH/MICRO4K, SH MICRO4K) (MICRO-4K, MICRO/4K) MICRO4K Coiled HDMI to Micro-HDMI Cable (24'') Interface high-definition devices with the MICRO4K Coiled HDMI to Micro-HDMI Cable from SHAPE. For component connections, it features a full-size HDMI connector on one end and a micro-HDMI connector on the other end. This cable is 24" when coiled and can be extended up to 36". Its coiled design allows the cable to work in installations where shorter cables are desired.

Monitor Controller Attachment Stand

Sony BKM-37H (BKM37H, BKM/37H, bkm-37h) Monitor Controller Attachment Stand The Sony BKM-37H is an optional controller attachment stand for the BVML-Series of professional monitors. The stand attaches the monitor to the BKM-16R control unit. By using this attachment stand, the BVM-E250A/F250A can tilt between 5° forward and 10° backward.

Monitor Controller Attachment Stand for PVM-L2300/BVM-F250 and BVM-L231

Sony BKM-38H (BKM38H, BKM/38H, bkm-38h)(PVM/L2300,PVM_L2300)(BVM/F250, BVM_F250) (BVM/L231, BVM_L231) Monitor Controller Attachment Stand for PVM-L2300/BVM-F250 and BVM-L231 The BKM-38H/1 Controller Attachment Stand is an attachment stand for joining a Sony BVME250 or BVMF250 Trimaster OLED Monitor and a Sony BKM-16R/7 Monitor Control Unit.  

Mounting Bracket for LMDA-170 Monitor

Sony MB-L17 (MBL17, MB/L17, mb-l17) (LMDA/170, LMDA_170) Mounting Bracket for LMDA-170 Monitor  The MB-L17 is a mounting bracket specially designed for mounting the LMDA-170 Sony Professional video monitor directly on a 19-inch EIA standard rack. 7U high design for easy monitoring in operations room and OB truck.

Mounting Bracket for LMDA-220 Monitor

Sony MB-L22 (MBL22, MB/L22, mb-l22) (LMDA/220, LMDA_220) Mounting Bracket for LMDA-220 Monitor The MB-L22 is a mounting bracket specially designed for mounting the LMDA-220 Sony Professional video monitor directly on a 19-inch EIA standard rack for OB or Operations Room applications.

Mounting Bracket for PVMA-170 Monitor

Sony MB-P17 (MBP17, MB/P17, mb-p17) (PVMA_170, PVMA/170) Mounting Bracket for PVMA-170 Monitor Use this Mounting Bracket from Sony to mount your PVMA-170 monitor directly onto a 19-inch EIA standard equipement rack. The metal construction ensures durability and secure installation.

Multi Interface Unit for HDCU-Series

Sony HKCU-1003 (HKCU1003, HKCU/1003, hkcu-1003) Multi Interface Unit for HDCU-SeriesThe easy-to-install HKCU-1003 multiinterface unitconsists of three distinct variations of output signals for the HDCU-2000/-2500, HDCU-1000/-1500, HDCU-3300 Camera Control Units(CCUs) working with HDC-2000 and HDC-1500 (HDC-3300) Series cameras. The interface unitis also compatible with the HDCU-1700 CCU working with the HDC-1700 camera.Three types of interface boards for HDCU-2000/-2500, HDCU-1000/-1500, HDCU-3300 and HDCU-1700 CCU The HKCU-1003 multi interface unit consists of three typesof interface board and provides: Two analogue NTSC or PAL VBS signal outputs, a PIX output,and a WFM output (Board A) A frame reference input, output to lock 2-3 pull-downsequence, a PIX output, and a WFM output (Board B) One analogue NTSC or PAL VBS signal output and analogue component R/G/Bor Y/R-Y/B-Y outputs (Board C)    

Multi-Camera Live Producer

Sony MCX-500 (MCX500, MCX/500, mcx-500) Multi-Camera Live Producer The MCX-500 from Sony is a affordable, user-friendly and flexible Multi-Camera Live Switcher. The MCX-500 is an affordable, uniquely user-friendly and flexible production switcher that makes it simple for a single operator or small team to produce a broadcast quality live event. Multiple video inputs include professional 3G-SDI, HDMI, Composite Video plus dedicated DSK mean you can mix and match kit as needed for each production. New opportunities Live events increasingly rely on video to attract customers, enliven presentations and turn a profit via live streaming or selling recordings. The MCX-500 is ideal for a wide range of live and recorded applications from pop concerts to weddings, educational seminars to corporate presentations, and sermons at houses of worship. Using the MCX-500, you can go beyond simply capturing an event to transforming it into an experience that engages everyone. Meet any challenge Today’s event might be simply mixing together multiple video inputs to support a presenter’s on-stage presentation. Tomorrow’s event might be creating a program for distribution across multiple screens in a vast conference hall. Next week’s event might be live streaming, either via PC or Mac or directly from the MCX-500 itself using Ustream® with a router*. Whatever the event, it’s simple to give your customer an immediate recording of the event thanks to a built-in SD Card slot – no external recorder needed or time lost assembling a post-event cut. In regions where Ustream® is not available, alternative services may be supported. Please consult with your local Sony Professional Solutions Specialist Dealer. Events that excite and engage Keeping an audience’s interest during an event can be challenging. The MCX-500 puts at your fingertips a set of features to easily transform any event: cut between multiple cameras with a wide-range of broadcast quality transitions, mix in a secondary video feed with picture-in-picture, put a presenter in front of live or recorded video using Sony’s broadcast standard chroma key technology. 8 video inputs, plus a dedicated DSK channel (total 9 inputs) for on-screen graphics and a 5-channel audio mixer give you everything needed to wow an audience. Working smarter To minimise your workload, the MCX-500 offers hassle-free integration with camcorders such as the HXR-NX5R. The lightweight RM-30BP remote controller allows you to control all the key features of suitable camcorders while sitting at your control desk. It also allows tally signals to be sent to connected camcorders, so a camera operator knows when each camcorder is on-air. Work faster, more efficiently with MCX-500’s advanced workflow. Smart controls with configurable LCD Touchscreen If you’re running the show on your own, you need controls that suit the way you work – intuitive and yet somehow also fully featured. The MCX-500 achieves this by carefully thought out physical controls that you will find easy to operate without looking away from the action for a second. More advanced features can be tuned to your exact workflow requirements and mapped to an LCD touch-screen control with easily recognisable ICON buttons. Trigger the sophisticated effects you’ve pre-defined with a single touch on a user-defined ICON. It’s a robust, user-friendly system that’s easily extended to bring in additional team members as productions grow. Go solo or team work made easy The MCX-500 makes it easy for a single operator to run a professional live event. Multi-view monitoring puts all your sources on a single display. To keep your eyes on the action, all the main functions are accessible via physical controls that are easy to operate without looking away from the action for a second. More advanced features can be tuned to your exact workflow requirements and mapped to an LCD touch-screen control with customisable ICON buttons. You can even remote operate or extend the control functions of the MCX-500 via PC, Mac or Tablet over Ethernet or WiFi*. External WiFi router required. Audio mixing of up to 5 channels including XLR You can perform a sophisticated multi-channel stereo audio mix in the MCX-500 with no need for an external audio mixer. With a stereo XLR (left/right) interface for external sources, the audio mixer function allows you to mix XLR inputs and 4 channels of embedded audio. You can control all five stereo channels individually, including intuitive audio level control on the LCD touch-screen control panel, mixing channels and also linking the audio to the video. Pre-Fader Listen (PFL) allows you to monitor each audio source before executing the mix. Stream content live over the internet The MCX-500 is ideal for live streaming events and productions. The switcher allows you to live mix the output of multiple sources with direct streaming in real time using services such as Ustream®. Share scenes as they happen with high quality picture and sound, direct from the MCX-500 to a router via Ethernet – no PC required. Mix between 8 video sources + 1 Title (total 9 inputs) The switcher is designed to expand your operations for full control of a multi-camera shoot. There is no need to worry about swapping out inputs during a production – the MCX-500 features no less than 8 video inputs (plus dedicated Title input) to easily accommodate any small-to-medium sized production. Inputs include professional 3G-SDI (x4), standard HDMI (x2) and even composite video (x2), allowing you to connect a wide variety of cameras and other equipment. A dedicated RGB Title input allows you to connect a PC or Mac to use as a dedicated source of titles for your production.

Multi-format Switcher

Sony XVS-7000 (XVS_7000, XVS/7000, XVS 7000) Multi-format Switcher Flexible switcher for HD live production operations upgradable for 4K and IP at any time The latest generation XVS-7000 multi-format video switcher delivers massive benefits in terms of flexibility and operability for top end and mid-range productions, giving you the ability to realise a powerful mixed environment with SDI and IP. Utilising the flexible ICP-X7000 X-Panel assignable modular design, you can configure the control panel to suit your specific operations.  The XVS-7000 features 6 M/E, 112 inputs, 48 assignable outputs and format convertor outputs, plus up to 24 keyers in HD. According to your production environment and workflow requirements, the XVS-7000 is upgradable to 4K production switcher with powerful 4K features, as well as IP and SDI mixed production capabilities. IP Live switcher: The core of the new generation IP Live production system supports Networked Media Interface (NMI) to realise a mixed SDI and IP environment. Powerful 4K switcher: 4K production capability with 3 M/E, 28 inputs, 12 assignable outputs for 4K and format converter outputs, plus up to 6 full keyers and 6 sub keyers Evolutionary switcher controller: The XVS-7000 utilises the ICP-X7000 X-Panel for very flexible panel configuration with a modular style design, OLED display, RGB XPT buttons and LCD button pad. The button layout is also re-designed. The X-Panel has a flexible mounting style for flat or curved mounting, or even for splitting into two positions. Switcher Processor Options/ Multi-format Switcher Processor: XKS-S8110 - SDI Input Connector Board XKS-S8111 - SDI Input and FC Connector Board XKS-T8110 - IP Input Connector Board XKS-Q8111 - QSFP IP Input and FC Connector Board XKS-8160 - Output Processor Board XKS-S8165 - SDI Output Connector Board XKS-T8165 - IP Output Connector Board XKS-Q8166 - QSFP IP Output and FC Connector Board XKS-7210 - Mix Effect Board XKS-8440 - Frame Memory Board XKS-8460 - Frame Convertor Board XKS-8470 - HD DME Board XZS-7510 - Switcher Upgrade Software XZS-7520 - Switcher Upgrade Software XZS-7530 - Switcher Upgrade Software XZS-7200 - Multi Program 2 Software Switcher Control Panel/ ICP-X7000 Series: MKS-X7011 – Menu Panel MKS-X7017 – 36 XPT Module MKS-X7018 – 28 XPT Module MKS-X7019 – 20 XPT Module MKS-X7020 – Standard Transition Module MKS-X7021 – Simple Transition Module MKS-X7023 – Key Transition Module MKS-X7024 – FlexiPad Module MKS-X7026 – 10-key Pad Module MKS-X7031TB – Track Ball Module MKS-X7032 – Key Fader Module MKS-X7033 – Utility/Shot Box Module MKS-X7035 – Key Control Module MKS-X7040 – Blank Panel (1/3) MKS-X7041 – Blank Panel (1/2) MKS-X7042 – Blank Panel (1/6) MKS-X7075 – Extension Adapter PWS-110SC1 – Switcher Control Station Remote Panel: MKS-8080 – AUX BUS Remote Panel MKS-8082 – AUX BUS Remote Panel Device Control Unit: MKS-X2700 – System Interface Unit MKS-X7700 – System Interface Unit MKS-X7701 – Tally/GPI Output Board MKS-X7702 – Serial Interface Board Virtual Shot Box Software: BZPS-7020 - Virtual Shot Box Base Software BZPS-7021 - Virtual Shot Box Additional Software Switcher Data Management Software: BZPS-7010 - Switcher Data Management Software

Multi-Format Video Switcher

Sony XVS-8000 (XVS8000, XVS/8000, xvs-8000) Multi-Format Video Switcher The latest generation XVS-8000 multi-format video switcher delivers massive benefits in terms of flexibility and operability for top end production, giving you the ability to realise a powerful mixed environment with SDI and IP. Utilising the flexible ICP-X7000 X-Panel assignable modular design, you can configure the control panel to suit your specific operations.The XVS-8000 provides you with a similar 4K production capability as you get with HD. Support of Networked Media Interface (NMI) also places the switcher at the heart of the new generation IP Live production system. The advanced features and operational flexibility of the XVS-8000 make it Sony’s most advanced flagship production switcher offering ultimate quality combined with significant return on investment. IP Live switcher The core of the new generation IP Live production system supports Networked Media Interface (NMI) to realise a mixed SDI and IP environment. Powerful 4K switcher 4K production capability similar to HD production, with 5 M/E, 40 inputs, 12 assignable outputs for 4K and format converter outputs, plus up to 10 full keyers and 10 sub keyers, enabling simultaneous 4K and HD operation, and powerful 4K features. Evolutionary switcher controller The XVS-8000 utilises the ICP-X7000 X-Panel for very flexible panel configuration with a modular style design, OLED display, RGB XPT buttons and LCD button pad. The button layout is also re-designed. The X-Panel has a flexible mounting style for flat or curved mounting, or even for splitting into two positions. Flexible and scalable configurations The processors of the XVS-8000 can be configured to suit the exact needs of each particular user in terms of operation, resolution, frame rate, number of I/Os, number of M/E banks, and more. 5 M/E for large 4K production systems 5 M/E functionality enables you to operate with different video formats per M/E, allowing 4K and HD simultaneous operation. Variety of M/E mode selections Using the advanced mix effect modes in the XVS-8000, one bank can be configured to control not only the main M/E output, but also a sub mix from that M/E. This Double M/E Mode is perfect for producing multiple outputs of the same event, for example "clean" and "dirty" feeds of a soccer match from within the same M/E. Simplified live operations with programmable macros Macros are extremely useful in live environments when time is critical and there is no tolerance for making operational mistakes. Using the FlexiPad module, or the 10-key Pad module, users can simply record operational sequences, then store and assign them to any desired button. Not only can macros record complex panel operational sequences, but menu operation can also be recorded as a macro. Macros can be edited either directly from the control panel or by using the touch-screen menu display. Flexible X-Panel assignable modular design The ICP-X7000 X-Panel offers very flexible panel configuration with a modular style design, OLED display, RGB XPT buttons and LCD button pad. The button layout is also re-designed. The X-Panel has a flexible mounting style for flat or curved mounting, or even for splitting into two positions. XPT FlexiPad allows function mapping customisation according to your operators’ preferences.

MultiDock 10G

Blackmagic BMD-DISKMDOCK4/U10G (BMDDISKMDOCK4/U10G, BMD DISKMDOCK4/U10G, BMD/DISKMDOCK4/U10G, BMD-DISK/MDOCK4/U10G) MultiDock 10G Blackmagic MultiDock 10G is an advanced SSD dock that lets you access 4 separate SSDs via a single high speed 10 Gb/s USB‑C connection. Unlike cheap consumer adapters, Blackmagic MultiDock 10G has been specifically designed for the film and television industry and features a rack mount design with an independent SATA driver chip on each disk, ensuring much faster data transfer speeds. That's perfect for editors, colourists and media management on set! It can even be used for SSD compatibility on HyperDeck Extreme! Only Blackmagic MultiDock 10G gives you the industrial strength design you need for professional work. Premium All Metal Rack Mount Design Unlike cheap SSD docking cables, the Blackmagic MultiDock 10G is a compact 1 RU all metal design you can mount in any professional rack. Each disk slot features an illuminated disk indicator so you can see when disks are being accessed. The design is also repairable so you can replace the socket connector in each slot. Simply plug into any USB‑C Mac or Windows computer and there is no software to install. The rear panel features 2 USB‑C connections and a slide switch to allow selecting between using 4 disk slots on a single USB‑C connection, or 2 slots on each USB‑C connection for shared use. Plus, the built in AC power supply provides lots of power to run 4 SSDs or hard disks at the same time. Dock and Edit Blackmagic MultiDock supports up to 4 independent 2.5 inch SSDs so it’s possible to edit directly from the disks you recorded onto. Simply plug in your SSDs and they will mount on your Mac OS X and Windows computers like regular hard disks! Because Blackmagic MultiDock features 4 independent disk slots, you can mount all your media from a shoot all at the same time! Blackmagic MultiDock 10G is perfect for accessing media recorded with the URSA Mini Pro SSD Recorder. It's also the perfect solution to add SSD compatibility to HyperDeck Extreme 8K as it will let you interchange disks between HyperDeck Studio models. You can even stripe multiple disks together for a super-fast RAID array. Solid State Disks Solid state disks are the perfect storage solution for television because they are very fast and extremely large in size. Even a single solid-state disk is much faster than a disk array because the memory-based storage is accessed instantly without the mechanical lag, allowing a single SSD to record an entire event or film shoot. This means you get reliable, fast recording with the speed for the largest video files. With Blackmagic MultiDock 10G, it’s possible to plug in any brand of 2.5-inch solid state disk or if you need high capacity backup at low cost, a regular 2.5-inch laptop hard disk can be used. Best of all the driver is built into the operating system so no extra software is needed. Extreme 10GB/S USB-C Speed Blackmagic MultiDock uses advanced USB‑C technology so you get blazingly fast transfer speeds to your computer at up to 10 Gb/s with a single cable connection! That’s more than enough bandwidth to handle the highest resolution video formats including 8K in H.265 from HyperDeck Extreme 8K! MultiDock features a completely independent disk interface chip per disk slot so you never get slowdowns because of SATA bandwidth issues. Even though you get all 4 disks connected to a single USB‑C connection, you can also split Blackmagic MultiDock 10G and get 2 disks on one USB‑C connection and 2 disks on the second USB-C connection. That's perfect for dual computer use or increased speed. Flexible Raid Storage Unlike consumer disk arrays, Blackmagic MultiDock is a compact and robust 1 rack unit all metal design that can be quickly installed into equipment racks. The built-in power supply ensures no power is used from laptop batteries and it has enough power to run 4 high performance disks all at the same time for use in RAID configurations. Blackmagic MultiDock 10G even supports the RAID software built in to most operating systems, so you can customize your disk array for your needs. Each disk slot also features an attractive illuminated disk access indicator so you can see when your disks are being accessed. Use Any Software SSDs are so incredibly fast it's no longer necessary to use RAID arrays to get enough speed for editing. That means you can add up to 4 media disks to editing software such as DaVinci Resolve, Final Cut Pro X, Premiere Pro CC, Avid Media Composer, Autodesk Smoke and more. Blackmagic MultiDock 10G is also fantastic for backup as you can insert mechanical hard disks into the slots and backup direct to the disks. Mechanical hard disks are used on laptop computers and are extremely large and very low cost. If you're working with HyperDeck Extreme, you can also use Blackmagic MultiDock 10G to get compatibility with SSDs for interchange between HyperDeck models. Work with HyperDeck 8K HDR The secret to using Blackmagic MultiDock 10G with HyperDeck Extreme is the high-speed USB‑C port on the rear panel called External Disk. When you plug MultiDock into the HyperDeck External Disk port, it can see the SSDs and use them for recording. When using 2 HyperDeck Extreme units mounted side by side it’s possible to switch to 2 channel mode and use 2 disks with each HyperDeck. This also means it's possible to use 2 computers with a single MultiDock, one using each channel, or multiple rack mount servers can access the same MultiDock. When an SSD is inserted in MultiDock, it can be seen on the HyperDeck Extreme on-screen menus and you can select it for record and playback. Move Media Between Editing Systems If you're working in large facilities, then Blackmagic MultiDock allows media disks to be relocated simply by unplugging the disks and walking to a new location. That eliminates slow file copying and there is no need for complex network storage. This means you get the flexibility to change and move workflow as your client demands. You can even take your job from an editing room into a dedicated DaVinci Resolve colour correction room and then move to a larger theatre style room when your client arrives to review your job. With instant unplugging of media, you eliminate clunky devices hanging off cables plus you can always access the disks right from the front of the rack equipment.

Network RX Station for XDCAM

Sony PWS-100RX1 (PWS100RX1, PWS/100RX1, pws-100rx1) Network RX Station for XDCAM It's an advanced system for cost efficient live streaming video and audio direct from XDCAM camcorders using 4G/LTE and Wi-Fi networks. It uses Sony's unique QoS (quality of service) technology or MPEG2-TS to maintain video and audio integrity during transmission. One unit can simultaneously control two SDI outputs, which can be used to stream live from two locations at the same time. Multiple systems can be used together for greater input and output loads. The PWS-100RX1 features reference and timecode input connectors, which enable synchronized operation with broadcast systems. In addition, it can output in a variety of broadcast formats, including 1080i and 720p. It comes with pre-installed Connection Control Manager software that enables easy connection to camcorders and delivers efficient handling of the live streams. The system works with a 4G/LTE or Wi-Fi dongle, or with the CBK-WA100 and CBK-WA101 wireless LAN adapter, all sold separately. As well as live streaming, the unit enables the streaming of MP4 or MXF files for efficient recording and editing. (The PXW-X180, PXW-X200, and PXW-X500 camcorders have built-in live streaming version upgrades.) Cost efficient live streaming of 1080i and 720p over 4G/LTE or Wi-Fi direct from XDCAM camcorders Employs Sony's QoS (quality of service) technology or MPEG2-TS to maintain video and audio integrity during transmission Two SDI outputs allow you to simultaneously manage two separate streams in and out Streaming of MP4 or MXF files for recording and editing

Power Booster Kit for the CA-4000 4K Fibre

Sony SKC-PB40 (SKC_PB40, SKC/PB40, SKCPB40, SKC.PB40) Power Booster Kit for the CA-4000 4K Fibre The SKC-PB40 is an optional accessory of the 4K Live Camera System using the PMW-F55 camera. It provides power to the large Box-type lens that is often used in sports production.

PSP.A.OAPOMP.1ER 1 Year PrimeSupport Plus Extend

Sony PSP.A.OAPOMP.1ER (PSPA.OAPOMP.1ER, PSP/A.OAPOMP.1ER, psp.a.oapomp.1er) 1 Year PrimeSupport Plus ExtendTo register your Prime Support pleadse follow this link: http://response.pro.sony.eu/PS_ALL_14_CRMP_PrimeSupportRegistration_EN    This document gives You details of your PrimeSupport Agreement with Us. Please read it carefully. To activate the Support Services you must register your agreement or provide proof of purchase before any services can be provided.THE AGREEMENTWe will provide Support Services to You for the Supported Products as detailed in the Schedule of Services and Standard Terms and Conditions explained.SERVICE PERIODThe Service Period of this Agreement is for 1 year in respect of the unit and starts on the Start Date as defined in the Terms and Conditions, or, in the case of an extension of renewal of the provision of Support Services, starts on the date of payment of the Charges.SUPPORTED PRODUCTSThis Agreement covers the products you have purchased as referenced by the Contract Type/Contract ID supplied to you with the products.EXCLUSIONS & LIMITATIONSWe do not cover option cards, lamps, accessories and consumable items, or provide any cleaning or preventative maintenance services, as these will remain your responsibility unless defined otherwise in the Schedule of Services.

PSP.E.RAVRBC.2ER 2 Years Extension Repair

Sony PSP.E.RAVRBC.2ER (PSPE.RAVRBC.2ER, PSP/E.RAVRBC.2ER, psp.e.ravrbc.2er) 2 Years Extension RepairTHE AGREEMENTWe will provide Support Services to You for the Supported Products as detailed in the Schedule of Services and Standard Terms and Conditions explained.SERVICE PERIODThe Service Period of this Agreement is for 2 years in respect of the unit and starts on the Start Date as defined in the Terms and Conditions, or, in the case of an extension of renewal of the provision of Support Services, starts on the date of payment of the Charges.SUPPORTED PRODUCTSThis Agreement covers the products you have purchased as referenced by the Contract Type/Contract ID supplied to you with the products.EXCLUSIONS & LIMITATIONSWe do not cover option cards, lamps, accessories and consumable items, or provide any cleaning or preventative maintenance services, as these will remain your responsibility unless defined otherwise in the Schedule of Services.

PWS-100TD1 Tape Digitizing Station

Sony PWS-100TD1 (PWS100TD1, PWS/100TD1, pws-100td1) Tape Digitizing Station The PWS-100TD1 Tape Digitize Station provides efficient management of the digitization of legacy tape archives – video encoding, tape error checking, file quality control and control of storage are all included. Supporting a number of different codecs, it can create A/V files in your house archive format with proxy’s for integration with existing MAM/Archive systems or shelf archive systems with the direct connection of up four Sony Optical Disc Archives (ODS-D77U). Digitization of up to four VTRs can be managed concurrently with the simple user interface provided in the PWS-100TD1.Efficient digitization of legacy video tapeTransfer up to four video tapes at a time with error checkingSimple-to-use one-box solutionConnect the VTRs, connect the storage, start the workCustomers can choose Direct transfer to Optical Disc Archive or transfer to existing Archive/MAMSupports existing MAM/Archive solutions or shelf storage solutions with Sony Optical Disc Archive (ODS-D77U)Proxy Generation for network previewCreate proxies as part of the digitization process for reviewing or use in the MAM/Archive system

Remote Control Panel for MSW-2000/1 Series MPEG IMX VTRs

Sony BKMW-101 (BKMW101, BKMW/101, bkmw-101) Remote Control Panel for MSW-2000/1 Series MPEG IMX VTRs The Sony BKMW-101 is an optional remote control panel for the MSW series of MPEG/IMX VTRs. This can be incorporated into any standard 19" rack mounting system as well as the RKM-102 desktop mount for added convenience.

Replacement LEMO Type to XLR Breakout Cable for Shogun

Atomos AO-ATOMCAB016 (AOATOMCAB016, AO/ATOMCAB016, AO ATOMCAB016, ATOMCAB016, ao-atomcab016) Replacement LEMO Type to XLR Breakout Cable for Shogun Lemo to XLR breakout cable for the Shogun Monitor/Recorder.

Return Switch Remote for Studio Cameras

Sony CAC-6 (CAC_6, CAC6, CAC/6, cac-6) Return Switch Remote for Studio CamerasThe CAC-6 return video selector allows you to remotely switch the camera on and off via the headphone microphone.

RGB XPT Module - 20 Buttons

Sony MKS-X7019 (MKSX7019, MKS/X7019, mks-x7019) RGB XPT Module - 20 ButtonsThe Sony MKS-X7019 XPT Module features 20 RGB LCD buttons that can be used on the XPT Pad, OLED displays, and RGB LED indicators.

RGB XPT Module - 28 Buttons

Sony MKS-X7018 (MKSX7018, MKS/X7018, mks-x7018) RGB XPT Module - 28 ButtonsThe Sony MKSX7018 XPT Module features 28 RGB LCD buttons that can be used on the XPT Pad, OLED displays, and RGB LED indicators.

RGB XPT Module - 36 Buttons

Sony MKS-X7017 (MKSX7017, MKS/X7017, mks-x7017) RGB XPT Module - 36 ButtonsThe Sony MKSX7017 XPT Module features 36 RGB LCD buttons that can be used on the XPT Pad, OLED displays, and RGB LED indicators.

RS-422 9-pin Male to 9-pin Male Serial Control Cable - 16ft

Sony RCC-5G (RCC5G, RCC/5G, rcc-5g) (RS/422, RS_422) RS-422 9-pin Male to 9-pin Male Serial Control Cable - 16ftThe Sony RCC-5GUS is a 9-pin control cable for RS-422A control protocol. The cable is 5 meters long, or about 16 feet.

Screen Protector for Ninja V

Atomos AO-ATOMLCDP03 (AO ATOMLCDP03, AO/ATOMLCDP03, AOATOMLCDP03, ATOMLCDP03, ao-atomlcdp03) Screen Protector for Ninja V This film protects the display of the Atomos Ninja V recorder from scratches. It is exactly fitted and can be easily attached to the display.

SD Analogue Interface Unit

Sony HKCU-1001 (HKCU1001, HKCU/1001, hkcu-1001) SD Analogue Interface UnitThe easy-to-install HKCU-1001interface unit provides two analogue NTSC or PAL VBS signal outputs, a PIX (picture monitor) output, and a WFM (waveform monitor) output for the HDCU-2000/-2500, HDCU-1000/-1500 and HDCU-3300 Camera Control Units(CCUs) working with HDC-2000 and HDC-1500 (HDC-3300) Series cameras. The interface unitis also compatible with the HDCU-1700 CCU working with the HDC-1700 camera. SD analogue expansion for HDCU-2000/-2500, HDCU-1000/-1500, HDCU-3300and HDCU-1700 CCU The HKCU-1001 interface unit provides two analogue NTSC or PAL VBS signal outputs, a PIX (picture monitor) output, and a WFM (waveform monitor) output  

SD Record & Playback option PDW-HD1500

Sony PDBK-S1500 (PDBKS1500, PDBK/S1500, pdbk-s1500) SD Record & Playback option PDW-HD1500 The Sony PDBKS1500 is a software key designed specifically to work with the PDW-HD1500. The key updates and enhances the deck making it cable of recording and playing back XDCAM SD footage.

Serial Interface Board for MKS-8700 Control Unit

Sony MKS-8702 (MKS8702, MKS/8702, mks-8702) Serial Interface Board for MKS-8700 Control UnitThe MKS-8702 is a serial interface board for MVS-8000 Series in conjunction with MKS-8700 Device Control Unit and/or MKS-8701 Tally/GPI Interface Board. Up to five boards can be installed. One MKS-8700 can provide RS-422A port expansion in 6-port increments up to 30 ports in combination with the MKS-8702. It can also provide Tally/GPI port expansion in 3-port increments up to 15 ports (18 channels per one port) in combination with the MKS-8701.

Single-Mode Fiber Optic Cable - 200m

Sony CCFC-S200 (CCFCS200, CCFC/S200, ccfc-s200) Single-Mode Fiber Optic Cable - 200mThe Sony CCFC-S200 Single-Mode Fiber Optic Cable is a 656' (200m) cable designed to be used with HD pan-tilt-zoom cameras, such as the BRC-Z330, to transmit uncompressed digital data. In conjunction with an HD optical multiplex unit (such as the BRU-SF10), the CCFC-2200 cable can transmit external sync, camera control, and audio signals without deterioration.

Standard Transition Module for ICPX7000 Control Panel

Sony MKS-X7020 (MKSX7020, MKS/X7020, mks-x7020) (ICPX-7000, ICPX/7000) Standard Transition Module for ICPX7000 Control PanelThe Standard Transition Module from Sony is for use with the ICPX7000 Control Panel. It features 8 keyers that are directly controlled and key transition type such as MIX, WIPE, DME, and key snapshot that can be performed in flexipad module. 8 keyers are directly controlled Default button assign and layout may be changed Key transition type such as MIX, WIPE, DME, and key snapshot can be performed in FlexiPad module  

Straight Micro HDMI to Micro HDMI Cable (50cm)

Atomos AO-ATOMCAB012 (AOATOMCAB012, AO/ATOMCAB012, AO ATOMCAB012, ATOMCAB012, ao-atomcab012) Full HDMI to Full HDMI Straight Cable (50cm) Atomos straight micro HDMI to micro HDMI cable (50cm).

Sumo Screen Protector

Atomos AO-ATOMLCDP02 (AOATOMLCDP02, AO/ATOMLCDP02, AO ATOMLCDP02, ATOMLCDP02, ao-atomlcdp02) Sumo Screen Protector The combined monitor-recorder in the larger 19" size gives focus pullers instant on set access to footage with focus peaking, 2:1/1:1 zoom and the ability to tag footage as XML files. The high bright 1200nit monitor, sturdy built-in armor aluminium alloy design and variety of mounting options makes it a go-anywhere, do-it-all monitor-recorder for focus pullers. Matte protector sheet for 19" SUMO models

System Interface Unit

Sony MKS-X2700 (MKSX2700, MKS/X2700, mks-x2700) System Interface UnitThe Sony MKS-X2700 System Interface Unit is used in the ICP-X7000 Control Panel. It features serial tally and tally/GPI interfaces, along with a remote interface that supports various protocols.

System Interface Unit for ICP-X7000 Control Panel

Sony MKS-X7700 (MKSX7700, MKS/X7700, mks-x7700) System Interface Unit for ICP-X7000 Control PanelIt features serial tally and tally/GPI interfaces, along with a remote interface that supports various protocols. It also features six additional slots for adding more Tally/GPI outputs and serial remote interfaces.

Tally/GPI I/O Board

Sony MKS-8701 (MKS8701, MKS/8701, mks-8701) Tally/GPI I/O BoardThe MKS-8701 is a tally/GPI output board for MVS-8000 Series in conjunction with MKS-8700 Device Control Unit and/or MKS-8702 Serial Interface Board. Up to five boards can be installed. One MKS-8700 can provide Tally/GPI port expansion in 3-port increments up to 15 ports (18 channels per one port) in combination with the MKS-8701. It can also provide RS-422A port expansion in 6-port increments up to 30 ports in combination with the MKS-8702.

Track Ball Module for ICPX7000 Control Panel

Sony MKS-X7031TB (MKSX7031TB, MKS/X7031TB, mks-x7031tb) (ICPX-7000, ICPX7000) Track Ball Module for ICPX7000 Control PanelThe Sony MKSX7031TB Track Ball Module is for use with the ICPX7000 MVS Control Panel. Small-sized Trackball/Z-ring Value Adjustment and control parameters can be checked easily in Status Display, instead of menu page

TV1-AVT-3155A Scan Converter

TV One (TV1-AVT-3155A, TV1-AVT3155A, TV1-AVT 3155A) AVT-3155A converts computer signals to standard analog video. It's settings are controlled via top panel push-buttons. The AVT-3155A’s small size makes it ideal for use with laptops or desktop computers and it handles resolutions up to 1600x1200 at 60Hz vertical refresh rate. Video outputs are simultaneously provided in Composite and S-Video formats, selectable as either NTSC or PAL. Now, you can convert anything on your computer screen for viewing on a TV set or recording on a VCR.

Utility/Shotbox Module for ICPX7000 Control Panel

Sony MKS-X7033 (MKSX7033, MKS/X7033, mks-x7033) (ICPX-7000, ICPX/7000) Utility/Shotbox Module for ICPX7000 Control PanelThe Sony MKSX7033 Utility/Shotbox Module is for use with the ICPX7000 MVS Control Panel. Keyframe creation and editing can be performed in this module (key frame module not included) Run control is operated by trackball 16 assignable buttons surrounding the LCD button  

XDCAM HD422 Professional Disc Field Station Recorder

Sony PDW-HR1 (PDW/HR1, PDW HR1, PDWHR1) XDCAM HD422 Professional Disc Field Station Recorder Sonys top-of-the-line XDCAM HD422 Series is being embraced around the world for its file-based recording capability utilizing high-capacity and highly reliable Professional Disc media. Thanks to its newly developed MPEG HD422 codec, the XDCAM HD422 Series provides high-quality video and audio recording capabilities, with an image resolution of 1920 x 1080 and eight-channel 24-bit uncompressed audio. The newly developed PDW-HR1 XDCAM HD422 Field Station further enhances the operational capability of this series. The PDW-HR1 packs a large number of functions into its compact yet robust body. With a large 9-inch* WVGA LCD, material can be checked on the spot and a wide variety of GUIs offers superb operational efficiency. It provides multi-format recording capability as standard, including a frame rate of 23.98P in 1080 mode and SD recording. A wide range of signal interfaces, including baseband video (composite, HD/SD-SDI), Gigabit Ethernet, MPEG TS, DVB-ASI, and HDMI are also provided. What's more, an FTP client capability allows the PDW-HR1 to transfer files via its Ethernet connection without the need for a PC. With its great operational versatility, the PDW-HR1 further expands the operational applications of the XDCAM HD422 Series. Viewable area measured diagonally. Requires optional PDBK-202 board. Requires a software upgrade

XDCAM Juke Professional Disc Library

Sony XDJ-1000 (XDJ1000, XDJ/1000, xdj-1000) XDCAM Juke Professional Disc Library The XDJ-1000 Professional Disc Library, XDCAM Juke, enhances the XDCAM file-base operations such as ingest, distribution and archive by media. The XDJ-1000 holds multiple XDCAM disc drives, automated robotic and library control software in a compact chassis. Furthermore, by combining the network and metadata capabilities of the XDCAM system with automated robotic features, the XDJ-1000 increases the efficiency of workflows in these applications by reducing the amount of manual labour required. By integrating the XDJ-1000 XDCAM Juke into the production environment, the same Professional Disc media can be used throughout the entire production process, from acquisition to archiving, resulting in flexible and truly efficient operations. This product comes with PrimeSupport – fast, hassle-free repairs and a helpline offering expert technical advice. Which gives you the peace of mind that Sony is looking after your equipment, and your business.