12 Black urethane windshields for ECM-88 series of lavalier microphones
Sony AD-R88B (ADR88B, AD/R88B, ad-r88b)(ECM_88, ECM/88) 12 Black urethane windshields for ECM-88 series of lavalier microphones This Sony windscreen kit includes 12, replacement urethane windscreens for the Sony ECM88 lavalier microphone. Color, black.
1m 3.5mm 4 Pole TRRS male to female audio headset extension AV cable
Digibroadcast 1m 3.5mm 4 Pole TRRS male to female audio headset extension AV cable Extend the connection distance between your iPhone, mobile phone or computer headset by 1 meter Our 4-Pole 3.5mm headset extension cable (1m) features a 3.5mm (1/8" TRRS) audio connector on one end and a 3.5mm (1/8" TRRS) audio connector on the other. It makes easy to extend the reach between your hands-free headset or headphones, and your iPhone, mobile phone or a laptop computer. To ensure long-lasting performance, this high quality 3.5mm audio extension cable features molded PVC strain relief at each of the 1/8" TRRS connectors, which prevents the cable termination points from bending at sharp angles, which reduce the risk of cable damage. Important: To ensure proper hardware detection, we recommend that the external headset is plugged into the adapter first, before the adapter is connected to the computer or mobile device. Also, in some circumstances, when an extension cable is used with an in-line remote control equipped headset, the remote control functions may not operate properly. This is due to the sensitivity of the remote control circuitry and does not indicate any defect in the cable.
Digibroadcast 3METER4PIN 3 meter 4 pin cable
Sony 304848101 (30_4848101, 30 4848101, 30/4848101, 304848101) Wind Screen. Wind screen for ECM-NV1 - ECM-674 - ECM-XM1 - ECM-673 lenght 120mm diameter 19/22.
3506A d:dicate 4006A Stereo Kit
DPA 3506 (DPA3506 DPA-3506 DPA/3506) d:dicate™ 4006A Stereo Kit The DPA 3506 is a complete 4006-TL Stereo Kit with two carefully factory-matched phantom powered (P48) condenser microphones. The DPA 3506 also includes a Stereo Boom and the complete range of DPA Acoustic Modification Accessories, all in a sturdy carrying case with a foam insert. The specially selected DPA 4006-TL microphones are matched within +/- 0.5 dB on both frequency range, sensitivity and self noise. The maximum phase response difference from 50 Hz to 20 kHz is 10 degrees. The high sensitivity, the low noise-floor and the extremely linear frequency response from 15 Hz to 20 kHz (+/-2 dB) of the microphone pair makes the DPA 3506 the perfect choice for all professional A-B Stereo recordings. 4006-TL Omni Microphone, P48, Transformerless detailed and natural reproduction high sensitivity and low noise-floor excellent for concert halls and spot miking for acoustical instruments DPA 4006 is one of the most popular types in the DPA microphone range and is a worldwide reference thanks to its precise, detailed and natural reproduction. For more than 20 years it has impressed studio owners and broadcasters as well as musicians and engineers thanks to its transparent sound quality. It is one of the most sought after studio microphones in the industry - and the one that gives you the most value for your money. In striving to achieve an even cleaner sound, the 4006-TL is equipped with a state-of-the-art transformerless preamplifier and is powered via a standard 48 V Phantom Power supply. This design increases the sensitivity and provides an extended low-frequency handling capability (15 Hz to 20 kHz ±2 dB). All components in this construction are very carefully selected to fulfil the demand for optimal neutrality, accuracy and extremely low distortion even at very high sound pressure levels and at complex passages in the music. The applications of 4006-TL are numerous: AB stereo pair for symphonic concert hall recordings, close mic on instruments such as grand piano, guitar, double bass, percussion and speech/vocals, just to mention a few examples where a 4006-TL will give more detail and more open resolution. With the acoustic modification accessories it is possible to gain different frequency responses and directional characteristics with just one 4006-TL. You simply change a grid and it will influence the sound field acoustically without any phase shift, noise or distortion, that any electrical filter will introduce. 4006-TL is a product for sound engineers with demands for high quality. The precise reproduction, total transparency and natural-sounding clarity of this microphone will provide you with a lifetime of satisfying listening.
3511A d:dicate 4011A Stereo Kit
DPA 3511 (DPA3511 DPA-3511 DPA/3511) d:dicate™ 4011A Stereo Kit 2 x UA0897 Shock Mount,Includes: 2 x UA0896 Windscreen for 4011/12/15/16, 1 x UA0836 Stereo Boom with Holders, 1 x DUA0019 Spacer for Stereo Boom, 19 mm (0.75 in) plus 2 x 4011-TL The DPA 3511 is a complete stereo kit for a broad range of recording applications using two 4011-TL Cardioid Microphones, carefully matched within +/- 1 dB on frequency response, sensitivity and self-noise. These cardioids are exceptionally linear in their frequency response - also off axis, giving you the natural experience. Several standard set-ups such as ORTF and XY are possible. The 4011-TL mics handle very high SPL and will therefore allow close placement as well as more distant. Often used for piano recordings of jazz or pop with a placement closer to the hammers or as overheads for drums. The kit includes 2 windscreens, 2 very effective shock mounts, a precision-crafted stereo boom for secure mounting of microphone pairs for A-B stereo recordings and a spacer to allow XY or ORTF stereo set-ups on the boom.
3m 3.5mm jack to Female XLR Cable
3m 3.5mm jack to Female XLR cable
8-pin/8-pin Remote Control Cable, 30 meter
Sony CCA-5-30/1 (CCA-5-30-1, CCA_5_30_1, CCA-5/30/1) 8-pin/8-pin Remote Control Cable, 30 meter Remote control cable for 700 series control panels. Applicable Models: HDCU-1000/1500 Camera Control Unit; CCU-790P/590P Camera Control Unit; RCP-700/701/750/751 Remote Control Panels; MSU-900/MSU-950 Master Setup Unit.
AC 3200-II High-Power 8:1 Antenna Combiner
Sennheiser 505497 (505-497, 505/497, 50-54-97, 505 497) (AC-3200-II, AC/3200/II, AC3200II) AC 3200-II High-Power 8:1 Antenna Combiner The AC 3200-II is an active 8-channel transmitter combiner for bundling the antenna signals in large wireless monitoring systems. Designed for the 2000 Series rack-mount monitor transmitters, it is ideal for large productions where reliable transmission and long reach are key. The AC 3200-II allows up to eight signals to be transmitted from a single antenna. In multi-channel systems it is an indispensable tool for efficiently reducing intermodulation between transmission channels. Linear power amplifiers handle up to 100 mW per channel without loss, and LEDs for each channel provide the user with a reliable system overview.
AC 41-UK Antenna Combiner for G4 IEM Systems
Sennheiser 508295 (508-295, 508/295, 50-82-95, 508 295) (AC-41-UK, AC/41-UK, AC41-UK) AC 41-UK Antenna Combiner for G4 IEM Systems Active antenna combiner for evolution wireless G4 systems. The AC 41 operates up to four wireless stereo transmitters from the ew series using one shared antenna. Power is supplied to the SR IEM G4 transmitters over the BNC cables via NT 3-1 power supply (included with the AC 41), making separate power supplies for the transmitters obsolete
AD-C77B 12 x Urethane Windscreen for ECM-77
Sony AD-C77B (AD/C77B, AD_C77B, ADC77B, AD C77B, ad-c77b) 12 x Urethane Windscreen for ECM-77 This Sony ECM77 lavalier windscreen kit includes 12, replacement windscreens and case. The windscreens are effective in reducing noise caused by wind and proximity effect.
AD-KIT77 Accessory kit for ECM-77
Sony AD-KIT77 (AD/KIT77, AD_KIT77, ADKIT77, AD KIT77, ad-kit77) Accessory kit for ECM-77 The AD-KIT77B is a lavalier microphone accessory kit for the ECM-77 Series. This accessory kit includes one horizontal (black) single holder clip, one vertical (black) single holder clip, one horizontal (black) double holder clip, one safety pin clip, one (black) metal wind screen, and six coloured urethane wind screens.
AD-PCM2//C CE7 Windshield for PCM-M10 Audio Recorder
Sony AD-PCM2//C CE7 (AD-PCM2, ADPCM2, ad-pcm2__c, AD-PCM2//C) Windshield for PCM-M10 Audio RecorderA must have for field recording, this optional windscreen is designed for use with PCM-M10 built-in microphones. The windscreen reduces wind noise up to 20 dB and it's made with 15mm long synthetic fur fabric.
AD-R44B 12 x Urethane Windscreen for ECM-44B
Sony AD-R44B (AD/R44B, AD_R44B, ADR44B, AD R44B, ad-r44b) 12 x Urethane Windscreen for ECM-44B This Sony Windscreen Kit includes 12, replacement urethane windscreens for the Sony ECM44 lavalier microphone.
AD-R66B 12 x Urethane Windscreen for ECM-66B
Sony AD-R66B (AD/R66B, AD_R66B, ADR66B, AD R66B, ad-r66b) 12 x Urethane Windscreen for ECM-66B Styled in black, the Sony ADR66B is a windscreen set that accommodates the ECM-66 capsule. The set includes 12 replacement urethane windscreens and a case.
AD-R77B Metal Wind Shield for ECM-77 Microphone
Sony AD-R77B (AD/R77B, AD_R77B, ADR77B, AD R77B, ad-r77b) Metal Wind Shield for ECM-77 Microphone This set of Sony metal windscreens are designed to fit the Sony ECM77 lavalier microphone. The windscreens provide optimum rejection of wind noise and the metal enclosure provides adequate protection of the capsule. The set includes 6 windscreens case. Color, black.
AD-RV1B2//K UWP Windscreens 5 of Pack
Sony AD-RV1B2//K (AD-RV1B2-K, AD/RV1B2/K, AD_RV1B2_K, ADRV1B2K, ad-rv1b2//k) UWP Windscreens 5 of Pack The Sony ADRV1B2 UWP Windscreens are a package of 5 replacement foam windscreens for Sony UWP series microphones including the UWP-V1, UWP-V6, UTX-B2V and ECM-V1BMP.
ADH0002-500 Double-Sided Tape for Concealer, 500 pcs.
DPA ADH0002-500 (ADH0002500 ADH0002 500 ADH0002/500) Double-Sided Tape for Concealer, 500 pcs. Double-Sided Tape for Concealer, 500 pcs.
Adjustable Camera Microphone Holder
Sony CAC-12 (CAC12, CAC 12, CAC/12) Adjustable Camera Microphone Holder External mic holder. Provides two-axis adjustment of microphone arm. Includes rubber adapter for 19mm diameter mics like the ECM-672 and C-74.
AO-ATOMCAB004 USB to Serial LANC Cable (6.5')
Atomos AO-ATOMCAB004 (AO/ATOMCAB004, AO_ATOMCAB004, AOATOMCAB004, ATOMCAB004, ao-atomcab004) USB to Serial LANC Cable (6.5') The Atomos USB Type-A to Serial LANC Calibration Cable allows you to connect virtually any Atomos monitor or monitor/recorder to a computer for use with select calibration systems. When using the Atomos calibration software, which is provided as a free download for Windows and Mac on the Atomos website, this cable can be used with the X-Rite i1 Display Pro calibration hardware. You can also use optional third-party calibration software, in which case the cable can be used with any calibration hardware compatible with that software, such as Datacolor Spyder systems in many cases. The cable features a USB Type-A connector on one end and has a 2.5mm LANC connector on the other end, making it compatible with almost every Atomos monitor. The cable measure 6.5′ long.
AtomFlex Pro HDMI 2.0 Micro HDMI to Full HDMI 40cm (80cm extended)
Atomos AO-ATOM4K60C2 (AOATOM4K60C2, AO/ATOM4K60C2, AO ATOM4K60C2, ATOM4K60C2, ao-atom4k60c2) AtomFlex Pro HDMI 2.0 Micro HDMI to Full HDMI 40cm (80cm extended) The AtomFLEX HDMI (Type-A) Male to Micro-HDMI (Type-D) Male Coiled Cable lets you transmit HDMI 2.0 signals between devices and components. The coiled design reduces clutter, and the die-cast metal micro-HDMI (type-D) connector provides a stable connection. This cable supports 4K video at up to 60 fps and HD video at up to 240 fps.
AtomFlex Pro HDMI 2.0 Mini HDMI to Full HDMI 30cm (60cm extended)
Atomos AO-ATOM4K60C3 (AOATOM4K60C3, AO/ATOM4K60C3, AO ATOM4K60C3, ATOM4K60C3, ao-atom4k60c3) AtomFlex Pro HDMI 2.0 Mini HDMI to Full HDMI 30cm (60cm extended) The 12 to 24" AtomFLEX HDMI (Type-A) Male to Mini-HDMI (Type-C) Male Coiled Cable lets you transmit HDMI 2.0 signals between devices and components. The coiled design reduces clutter, and the die-cast metal mini-HDMI (type-C) connector provides a stable connection. This cable supports 4K video at up to 60 fps and HD video at up to 240 fps.
Sony BLC-BP2 (BLC/BP2, BLC_BP2, BLCBP2, BLC BP2, blc-bp2) Belt Clip for UTX-B2The BLCBP2 UWP Belt Clip from Sony comfortably holds your UTX-B2V, UTX-B2X or URX-P2 portable tuner on your belt. Keep your tuner handy, for quick adjustments
BMD CINEURSANMFRCAM Camera Fiber Converter
Blackmagic BMD-CINEURSANMFRCAM ( CINEURSANMFRCAM, BMDCINEURSANMFRCAM, BMD/CINEURSANMFRCAM, BMD CINEURSANMFRCAM ) Camera Fiber Converter Connect cameras to live switchers up to 2 km away with video, talkback, control and power, all over a single cable Blackmagic Camera Fiber Converter The Blackmagic Camera Fiber Converter attaches to the back of your URSA Mini or URSA Broadcast camera. In addition to converting all of the audio, video, camera control and talkback into fiber, it also adds professional studio camera controls to the back of your camera. You get control for return feeds, dual intercom controls with the ability to mix in program audio, record, focus and iris controls, headset connectors, audio and more. The camera converter also includes a VLock mount plate on the top for attaching accessories such as a professional Blackmagic Studio Viewfinder. The Blackmagic Camera Fiber Converter has connections for your Ultra HD camera feed, 3 HD return feeds, full remote camera control, PTZ, multiple channels of talkback, tally and more. Blackmagic Fiber Converters Extend and fully power cameras up to 2 km away using an open standard SMPTE fiber cable The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work. Place Cameras Anywhere Get cameras much closer to the action If you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology. SMPTE Fiber for Industrial Strength and Safety Built in multi layer fail safe instantly cuts power to eliminate danger Blackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel. Add Studio Camera Controls Transform broadcast cameras into dedicated studio cameras Studio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras. 10G Ethernet for IP Video Super fast, low latency ethernet link for video, audio and control The Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future. Dual Channel Talkback Two dual channel talkback intercoms with backup The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator. Designed for High End Broadcast Durable metal design, high end components and professional connections The Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed.
BMD CINEURSANWFRSTUD Studio Fiber Converter
Blackmagic BMD-CINEURSANWFRSTUD ( CINEURSANWFRSTUD, BMDCINEURSANWFRSTUD, BMD/CINEURSANWFRSTUD, BMD CINEURSANWFRSTUD ) Studio Fiber Converter Connect to remote cameras up to 2 km away with multiple channels of video, talkback, control and power all over a single cable Blackmagic Studio Fiber Converter The Blackmagic Studio Fiber Converter is used at the other end of your broadcast camera chain back in the studio or outside broadcast truck. It converts signals from the remote camera back into standard television industry connections that can be used with your live production switchers, audio mixers and talkback interfaces. It features a high capacity power supply to drive the cable so it can provide enough power for your camera and any accessories that you might add. The studio fiber converter includes connections for tally, two dual channel intercoms for industry standard 3rd party talkback systems, and even a backup engineering talkback channel in case the fiber goes down. You get a main Ultra HD camera feed plus 3 independent HD return feeds with full remote camera control, PTZ, tracker talkback and ethernet, all through a single SMPTE fiber cable. Plus, there is a large 5 inch LCD screen right next to the SMPTE fiber connection on the front panel for monitoring signals from the remote camera. This allows for easy patching and verification of the remote camera function. Blackmagic Fiber Converters Extend and fully power cameras up to 2 km away using an open standard SMPTE fiber cable The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work. Place Cameras Anywhere Get cameras much closer to the action If you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology. SMPTE Fiber for Industrial Strength and Safety Built in multi layer fail safe instantly cuts power to eliminate danger Blackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel. Add Studio Camera Controls Transform broadcast cameras into dedicated studio cameras Studio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras. 10G Ethernet for IP Video Super fast, low latency ethernet link for video, audio and control The Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future. Dual Channel Talkback Two dual channel talkback intercoms with backup The Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator. Designed for High End Broadcast Durable metal design, high end components and professional connections The Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed.
Boom Mic HSP Essential-BE and 3.5mm Connector (Beige)
Sennheiser 508480 (508-480, 508/480, 50-84-80, 508 480) (Boom-Mic-HSP-Essential-BE, Boom/Mic/HSP/Essential-BE, Boom/Mic/HSPEssential BE) Boom Mic HSP Essential-BE and 3.5mm Connector (Beige) The industry standard for productions both large and small – the HSP Essential Omni guarantees a brilliant sound that meets high expectations, has a highly durable design and is protected from sweat thanks to our ultra-light patented umbrella diaphragm.
Boom Mic HSP Essential-BE-3PIN Boom Mic HSP Essential and 3-Pin LEMO Connector (Beige)
Sennheiser 508481 (508-481, 508/481, 50-84-81, 508 481) (BoomMicHSPEssential-BE-3PIN, Boom/Mic/HSP Essential-BE-3PIN, Boom-Mic-HSP-Essential-BE-3PIN) Boom Mic HSP Essential-BE-3PIN Boom Mic HSP Essential and 3-Pin LEMO Connector (Beige) The industry standard for productions both large and small – the HSP Essential Omni guarantees a brilliant sound that meets high expectations, has a highly durable design and is protected from sweat thanks to our ultra-light patented umbrella diaphragm.
Cable II-X5 Straight Copper Cable with XLR-5 Connector
Sennheiser 505785 (505-785, 505/785, 50-57-85, 505 785) (Cable-II-X5, Cable/II/X5, Cable II X5) Cable II-X5 Straight Copper Cable with XLR-5 Connector Copper cable with short coiled part for minimum structure born noise, XLR 5 connector.
Sony CCA-5-3 (CCA5-3, CCA/5-3, cca-5-3) Camera Control Cable - 3mThe CCA5 cable has 3 shielded pairs; (1) 75ohm coax and (2) conductors for power. Cable assembly uses Hirose style 8 pin connector. (DOESN'T WORK with SONY'S RMB150 Controller, does NOT monitor Video Out)
CL 20 PP Antenna Cable for SpeechLine Digital Wireless Receiver (65.6')
Sennheiser 507428 (507-428, 507 428, 50-74-28, 507 428) (CL-20 PP, CL/20 PP, CL20 PP) CL 20 PP Antenna Cable for SpeechLine Digital Wireless Receiver (65.6') CL 20 PP 65.6 foot Antenna Cable for SpeechLine Digital Wireless Receiver.
Colour Windscreens Pack for ECM-88 Series Lavalier Mics
Sony AD-C88 (ADC88, AD C88, AD/C88) (ECM/88, ECM_88) Colour Windscreens Pack for ECM-88 Series Lavalier Mics The ADC88 Foam Windscreen Set for the Sony ECM-88 Series Lavalier Microphone (Color Mix) reduces speaking and environmental noise for the Sony ECM-88 series electret condenser omnidirectional lavalier microphone. Choose any of the following colors to make the microphone tip blend in or stand out: red, yellow, green, blue, gray, and black.
Control Cable for BVP and HDC Series Cameras
Sony CCA-5-10 (CCA5-10, CCA/5-10, cca-5-10) Control Cable for BVP and HDC Series CamerasThe Sony CCA-5-10 is a control cable that is specifically designed to drive Sony's line of BVP and HDC series cameras. The cable prevents multiple wires from getting tangled or tripped over, providing a clean and efficient means of connectivity.
CSM4000 Compact Microphone Shock Mount
DPA CSM4000 (CSM-4000, CSM/4000, CSM_4000) Compact Microphone Shock Mount The DPA Compact Microphone Shock Mount is a shock mount designed for use with compact microphones measured at 19mm in diameter (.75"). The mount features rubber isolation for optimum resistance against noise caused by shock and a threaded fitting that accommodates the most popular international threads.
CU-C31 Condenser Cardioid Mic Capsule for DWM-02
Sony CU-C31 (CU/C31, CU_C31, CUC31, CU C31, cu-c31) Condenser Cardioid Mic Capsule for DWM-02 The Sony CUC31 Condenser Cardioid Microphone Capsule is designed for vocal applications including live music performance. It is designed for use with the DWM-02 and DWZ series handheld transmitters.
CU-F31 Dynamic Super-Cardioid Microphone Capsule Unit for DWM-02
Sony CU-F31 (CU/F31, CU_F31, CUF31, CU F31, cu-f31) Dynamic Super-Cardioid Microphone Capsule Unit for DWM-02 The Sony CUF31 Dynamic Super-Cardioid Microphone Capsule is designed for vocal applications including live music performance. It is designed for use with the DWM-02 and DWZ series handheld transmitters.
CU-F32 Dynamic Wide-Cardioid Mic Capsule for DWM-02 and DWZ
Sony CU-F32 (CU/F32, CU_F32, CUF32, CU F32, cu-f32) Dynamic Wide-Cardioid Mic Capsule for DWM-02 and DWZ The CU-F32 Dynamic Wide Cardioid Mic Capsule for DWZ Handheld Transmitters from Sony is designed to work with DWZ wireless series handheld transmitters such as the DWM-02.
d:dicate 2011ER Twin Diaphragm Cardioid Mic, Rear Cable, XLR
DPA 2011ER (2011/ER, 2011 ER, 2011_ER, 2011.ER) d:dicate 2011ER Twin Diaphragm Cardioid Mic, Rear Cable, XLR The 2011ER Cardioid Microphone, Active Rear Cable from DPA is designed for capturing audio and can be used in various environments, including theater, recording studios, broadcast TV, and similar applications. It features a cardioid directional pattern and a frequency range of 20 Hz to 20 kHz. The microphone contains an MMP-E active cable preamp, which splits amplification and phantom power duties. Additionally, the microphone offers a modular capsule with high-quality directivity control and radio frequency interference rejection. The 2011ER capsule is also suitable for capturing instruments in sound reinforcement applications. The capsule's twin diaphragm is designed to provide a fast impulse response and large frequency bandwidth, resulting in low inherent noise. The microphone's modular design allows users to manually switch optional capsules for enhanced versatility and performance. The preamp terminates with a 12mm attachment at one end and an XLR connector at the other. The 2011ER features a compact appearance and includes a SM4000-C Suspension Mount.
d:dicate 2011ES Twin Diaphragm Cardioid Mic, Side Cable, XLR
DPA 2011ES (2011/ES, 2011 ES, 2011_ES, 2011.ES) d:dicate 2011ES Twin Diaphragm Cardioid Mic, Side Cable, XLR The 2011ES Cardioid Microphone, Active Side Cable from DPA is designed for capturing audio and can be used in various environments, including theater, recording studios, broadcast TV, and similar applications. It features a cardioid directional pattern and a frequency range of 20 Hz to 20 kHz. The microphone contains an MMP-E active cable preamp, which splits amplification and phantom power duties. Additionally, the microphone offers a modular capsule with high-quality directivity control and radio frequency interference rejection. The 2011ER capsule is also suitable for capturing instruments in sound reinforcement applications. The capsule's twin diaphragm is designed to provide a fast impulse response and large frequency bandwidth, resulting in low inherent noise. The microphone's modular design allows users to manually switch optional capsules for enhanced versatility and performance. The preamp terminates with a 12mm attachment at one end and an XLR connector at the other. The 2011ER features a compact appearance and includes a SM4000-C Suspension Mount.
d:sign 4011 Cardioid Mic, Black, XLR, 122 cm (48 in) Boom, Floor Stand, Twin Mic
DPA 4011-DF-F-B01-120T (4011DFFB01120T, 4011/DF/F/B01/120T, 4011 DF F B01 120T, 4011DFF/B01/120T) d:sign 4011 Cardioid Mic, Black, XLR, 122 cm (48 in) Boom, Floor Stand, Twin Mic The 4011FGT Cardioid Microphone from DPA features a twin 120cm boom floor stand and is designed for capturing professional-grade audio. It can be used in various venues such as lectures, meeting rooms, public speaking events, and similar applications. The 4011FGT features a cardioid polar pattern and linear phase with a frequency range of 20 Hz to 20 kHz. The microphone floor stand is built with an XLR-3M connector and is finished with a black non-reflective surface for use in TV-studios, OB-vans, and on stage in theaters and concert halls. Additionally, it contains an integrated shock mounting solution, allowing the long boom pole to stabilize itself after being positioned. The microphone's capsule is powered by 48V of phantom power. Suitable for floor stand applications Equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments, and vocals The cardioid capsule features linear phase and frequency response with a wide dynamic range
d:sign 4011 Cardioid Mic, Black, XLR, 20 cm 8 in Boom, full Gooseneck
A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 015 (4011-DF-G-B01-015, 4011_DF_G_B01_015, 4011/DF/G/B01/015) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand
d:sign 4011 Cardioid Mic, Black, XLR, 32 cm 13 in Boom, top and bottom Gooseneck
A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 030 (4011-DF-G-B01-030, 4011_DF_G_B01_030, 4011/DF/G/B01/030) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand
d:sign 4011 Cardioid Mic, Black, XLR, 47 cm 18 in Boom, top and bottom Gooseneck
A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 045 (4011-DF-G-B01-045, 4011_DF_G_B01_045, 4011/DF/G/B01/045) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand
d:sign 4011 Cardioid Mic, Black, XLR, 77 cm 30 in Boom, top and bottom Gooseneck
A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 075 (4011-DF-G-B01-075, 4011_DF_G_B01_075, 4011/DF/G/B01/075) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand
d:sign 4018 Supercardioid Mic, Black, XLR, 122 cm 48 in Boom, top and bottom Gooseneck
A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 120 (4018-DF-G-B01-120, 4018_DF_G_B01_120, 4018/DF/G/B01/120) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand
d:sign 4018 Supercardioid Mic, Black, XLR, 20 cm 8 in Boom, full Gooseneck
A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 015 (4018-DF-G-B01-015, 4018_DF_G_B01_015, 4018/DF/G/B01/015) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand
d:sign 4018 Supercardioid Mic, Black, XLR, 32 cm 13 in Boom, top and bottom Gooseneck
A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 030 (4018-DF-G-B01-030, 4018_DF_G_B01_030, 4018/DF/G/B01/030) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand
d:sign 4018 Supercardioid Mic, Black, XLR, 47 cm 18 in Boom, top and bottom Gooseneck
A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 045(4018-DF-G-B01-045,4018_DF_G_B01_045, 4018/DF/G/B01/045) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand
d:sign 4018 Supercardioid Mic, Black, XLR, 77 cm 30 in Boom, top and bottom Gooseneck
A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 075 (4018-DF-G-B01-075, 4018_DF_G_B01_075, 4018/DF/G/B01/075) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand
DAO4010 Microphone Cable with Flush XLR Connector, 10 m (33 ft)
DPA DAO4010 (DAO 4010 DAO-4010 DAO/4010) Microphone Cable with Flush XLR Connector, 10 m (33 ft) Cable for suspension or minimal visual appearance This brilliant installation solution uses Mogami cable and an ultra slim XLR housing, adding only a few millimeters extra length to the microphone. Most of the connector will be locked and hidden in the microphone itself. For installations like concert halls, conference rooms, TV Broadcast or live sound reinforcement these cables will give the highest visual elegance. The special DPA Microphone cable is available in three different standard lengths: 10 m (33 ft), 20 m (66 ft) and 50 m (164 ft). Custom lengths can be ordered.
DAO4020 Microphone Cable with Flush XLR Connector, 20 m (66 ft)
DPA DAO4020 (DAO 4020 DAO-4020 DAO/4020) Microphone Cable with Flush XLR Connector, 20 m (66 ft) Cable for suspension or minimal visual appearance This brilliant installation solution uses Mogami cable and an ultra slim XLR housing, adding only a few millimeters extra length to the microphone. Most of the connector will be locked and hidden in the microphone itself. For installations like concert halls, conference rooms, TV Broadcast or live sound reinforcement these cables will give the highest visual elegance. The special DPA Microphone cable is available in three different standard lengths: 10 m (33 ft), 20 m (66 ft) and 50 m (164 ft). Custom lengths can be ordered.
DEADCAT Artificial Fur Wind Shield
Rode DEADCAT (DEAD CAT, DEAD/CAT, DEAD-CAT, deadcat) Artificial Fur Wind Shield The Dead Cat windshield is designed for minimising any wind noise when recording in high wind conditions. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent.
Digital Wireless Receiver EU Version
Sony ZRX-HR50//EU8 (ZRX/HR50//EU8, ZRX_HR50//EU8, ZRX HR50//EU8) Digital Wireless Receiver EU Version The ZRX-HR50 Digital Wireless Half-Rack Receiver from Sony is designed to be used in DWZ digital wireless systems. It features Sony's Clear Channel Scan and Best Channel Selection that scan available frequencies and tunes itself to clearest channel for quick setup. It has two RF modes to select from, wide band hopping and narrow band hopping, allowing you to choose the mode that will provide the least amount of interference based upon the RF environment you are in. The ZRX-HR50 has a front-panel color LCD that provides a readout of your selected channel, audio level, and transmitter battery life. The rotary encoder allows you to make adjustments to the system, including the 5-band equalizer. The unit has a balanced XLR output that you can assign to mic or line level in additional to an unbalanced 1/4" out. A second 1/4" tuner output allows you to integrate the ZRX-HR50 into a wireless instrument system.
Dual Slots SXS Pro+ and USB 3.0 Card Reader/Writer
Sony SBAC-UT100 (SBACUT100, SBAC UT100, SBAC/UT100, sbac-ut100) Dual Slots SXS Pro+ and USB 3.0 Card Reader/Writer High speed transfers from SxS PRO+ and SxS-1 cards with dual slots and daisy-chain operation The SBAC-UT100 SxS PRO+ and SxS-1 memory card reader/writer works on both Windows-based PCs and Macintosh computers. The unit provides 2x Thunderbolt 2 (TB2) interface for Mac and USB 3.0 interface for Mac and Windows for high-speed transfer of audio-visual material. The reader is also compatible with a USB 2.0 interface. Daisy-chain connection is possible to connect up to 6 units, providing up to 12 card slots. High speed transfers Read speeds of approx. 360 Mbps for two cards simultaneously from latest SxS Pro+ and SxS-1 cards using Thunderbolt 2. Daisy-chain operation Connect up to 6 units, providing up to 12 card slots, allowing simultaneous ingest up to 1800 Mbps total (300 Mbps each slot).
DWM-02N/21 Digital Wireless Handheld Transmitter
Sony DWM-02N/21 (DWM-02N-21, DWM/02N/21, DWM_02N_21, DWM02N21, dwm-02n/21) Digital Wireless Handheld Transmitter High quality flexible microphone system with three codec modes providing short audio latency and more reliable transmission The DWM-02N digital wireless microphone forms part of the DWX series system offering high-quality full-digital operation shorter audio latency and more reliable RF transmission mode – ideal for a variety of high-quality applications, including broadcast studio, theatre and live sound. Maximising flexibility for users, the DWM-02N is not supplied with a microphone capsule as the DWM-02N Interchangeable head mechanism supports Sony and other third party capsules. Sony offers three microphone heads – the CU-C31, CU-F31 and CU-F32 - and there are also a wide variety of third-party capsules to choose from – ensuring whatever your requirements, the DWM-02N wireless handheld microphone is an ideal choice. The DWX series system delivers superb-quality wireless transmission of 24-bit digital audio. Thanks to its improved codec and new hardware, it can provide higher sound quality with lower audio latency. The DWX series works with Sony control software Wireless Studio for PC and Wireless Studio Mobile for smartphones* to give users flexible control of the system. Remote control of up to 82 transmitters can be achieved using the Cross Remote™ function combined with the RMU-01 remote control unit. NOTE: This model is available in multiple versions to support the widest possible range of operating frequencies. Please refer to product specifications for more information. * Wireless Studio Mobile supported OS: iOS Ver.8.0 or later and Android Ver.4.1 or later. Operation is not guaranteed on all smartphones. Low audio latency and high quality sound MODE2 provides higher quality sound with a 96kHz sampling rate A/D converter and very low audio latency of 1.5 msec.** Compatibility with DWX series The DWM-02N has full compatibility with its predecessor DWX series equipment. Smartphone control* Wireless Studio Mobile software gives users remote control of the DWX series system via a smartphone.
DWM-02N/33 Digital Wireless Handheld Transmitter For DWX Series
Sony DWM-02N/33 (DWM-02N-33, DWM/02N/33, DWM_02N_33, DWM02N33, dwm-02n/33) Digital Wireless Handheld Transmitter For DWX Series The DWM-02N digital wireless microphone forms part of the DWX N series system that offers high-quality full-digital operation shorter audio latency and more reliable RF transmission mode – ideal for a variety of high-quality applications, including broadcast studio, theatre and live sound. Maximising flexibility for users, the DWM-02N is not supplied with a microphone capsule as the DWM-02N Interchangeable head mechanism supports Sony and other third party capsules. Sony offers three microphone heads – the CU-C31, CU-F31 and CU-F32 - and there are also a wide variety of third-party capsules to choose from – ensuring whatever your requirements, the DWM-02N wireless handheld microphone is an ideal choice. The DWX N series system, which consists of the DWT-B01N body-pack transmitter, DWM-02N microphone and DWR-R02DN receiver, delivers superb-quality wireless transmission of 24-bit digital audio. Thanks to its improved codec and new hardware, it can provide higher sound quality with lower audio latency. The DWX N series works with Sony control software Wireless Studio 4.2 or later for PC and Wireless Studio Mobile for smartphones* to give users flexible control of the system. Remote control of up to 82 transmitters can be achieved using the Cross Remote™ function combined with the RMU-01 remote control unit.
DWM-02N/42 Digital Wireless Handheld Transmitter
Sony DWM-02N/42 (DWM-02N-42, DWM/02N/42, DWM_02N_42, DWM02N42, dwm-02n/42) Digital Wireless Handheld Transmitter DVM-02N forms part of DWX N series digital wireless microphone system, working with the DWT-B01N body-pack transmitter and DWT-R02N receiver. Compatibility with DWX series The DWM-02N has full compatibility with its predecessor DWX series equipment. Three codec modes designed for wide variety of applications MODE1 for compatibility with DWX series applications, MODE2 with higher quality sound and low latency ideal for theatre, tour and broadcast applications, and MODE3 with more reliable RF transmission ideal for speech applications. Superb quality wireless transmission and reception The digital wireless microphone system transmits and receives high-quality 24-bit digital audio in a specific frequency bandwidth that meets the Wireless Communication Regulations of each country. Utilising the Sony original codec based on Sony's years of experience in engineering audio products, the system delivers a wide dynamic range of more than 106 dB, a wide frequency response of 20 Hz to 22 kHz, and an excellent transient response. Stable and secure transmission and reception Incorporating the improved digital modulator, the digital wireless microphone system allows highly stable wireless transmission that is extremely tolerant to unwanted interference. In addition, the system transmits and receives digitally modulated and encrypted data to minimize the risk of interception, providing highly secure transmission and reception. Simultaneous multi-channel operation The digital wireless microphone system allows for large-scale multi-channel operations. Thanks to the digital modulator, the system realises an intermodulation-free, equally spaced channel allocation. The digital wireless transmission technology used in this system enables a significant increase in the number of simultaneous operations in comparison with current analogue wireless systems. For example, up to16 channels of simultaneous operation is possible in an 8-MHz operating band Three interchangeable heads and third party support The DWM-02N operates with three heads. The CU-F31 microphone head with dynamic capsule has a super cardioid pick-up and range from 60 Hz to 18 kHz. The CU-F32 microphone head with wide dynamic capsule has a wide cardioid pick-up and range from 70 Hz – 18 kHz. The CU-C31 microphone head with condenser capsule has a cardioid pick-up and range from 60 Hz to 20 kHz. The DWM-02N also supports a wide variety of third party heads. Quick open/closed mechanism for microphone heads A robust 31.3mm/pitch 1.0mm threading interchangeable mechanism allows microphone heads to be changed easily and quickly. Selectable output power Output power selectable between 1/10/50 mW. Chose the minimum power necessary for a venue, lengthening battery life, and reducing the already low possibility of interference. Allows the microphone to work effectively in a very wide range of venues. Remote control of transmitter functions from the receiver Input attenuation, RF frequency selection, RF power output, Audio Low-pass cutoff frequency and transmitter Sleep Mode can all be controlled remotely from the digital wireless receiver. Remote control of up to 82 transmitters can be achieved using the Cross Remote™ function and RMU-01 remote control unit. Smartphone control using Wireless Studio Mobile software The DWX N series works with Sony control software Wireless Studio 4.2 or later for PC and Wireless Studio Mobile for smartphones* to give users flexible control of the system.
DWR-R02DN/W DWX Series Digital Wireless Receiver
Sony DWR-R02DN/W (DWR-R02DN-W, DWR_R02DN_W, DWRR02DNW, DWR R02DN W, dwr-r02dn/w) DWX Series Digital Wireless Receiver The DWR-R02DN is a 2-channel receiver for 19 "rack installation (1 U). It is part of the DWX-N series of digital wireless microphone systems that offer high-quality, fully digital operation, shorter audio latency and a reliable mode RF transmission - ideal for a variety of demanding applications, whether in the broadcast studio, in the theater or live. The high-quality, all-digital broadband radio receiver with three new codec modes that delivers first-class audio latency and RF transmission. 19 "1U TV channel 21-50 (470-710MHz), with analogue XLR and 3x digital AES / EBU, 12 DC in, remote software. The DWX-N series system consists of the pocket radio transmitter DWT-B01N, the microphone DWM-02N and the receiver DWR-R02DN, which offer high-quality radio transmission of digital audio with 24 bits thanks to the improved codec and the new hardware it delivers higher sound quality with lower audio latency. The DWX-N series is compatible with the Sony control software Wireless Studio 4.2 or higher for PCs and with Wireless Studio Mobile for smartphones * in order to make system operation as flexible as possible for users. If the Cross Remote function is combined with the RMU-01 remote control, up to 82 transmitters can be remote-controlled.
DWR-R03D DWX Series 2-Channel Digital Wireless Receiver
Sony DWR-R03D (DWR/R03D, DWR_R03D, DWR R03D, DWRR03D, dwr-r03d) DWX Series 2-Channel Digital Wireless Receiver Superb audio quality and stable operation in a wide range of environments The third generation of Sony's acclaimed DWX series, this high performance digital wireless receiver is an ideal choice for live sound applications including theatre and concerts, as well as studio based TV production and EFP. The two-channel 1U rack-mountable wireless receiver features Sony's advanced digital audio processing, encryption and RF transmission technologies to assure secure, stable transmission and reception of very high quality audio with low latency. The DWR-R03D is ideal for use in large-scale multi-channel productions, supporting up to 21 simultaneous channels per 8MHz TV band or up to 16 simultaneous channels per 6MHz TV band. Support for the Dante® audio-over-IP standard enables networked multi-channel operation. The DWR-R03D is compatible with Sony Wireless Studio control software for PC (Ver 5.0 or later), allowing flexible remote operation. Remote control of up to 82 transmitters is possible using the Cross Remote™ function combined with the RMU-01 remote control unit (available separately).
EC-0.5X5F3M Microphone Cable 5-Pol XLR Female to 2x 3-Pol XLR Male
Sony EC-0.5X5F3M (EC/0.5X5F3M, EC_0.5X5F3M, EC 0.5X5F3M, EC0.5X5F3M, ec-0.5x5f3m) Microphone Cable 5-Pol XLR Female to 2x 3-Pol XLR Male This 5-Pin to Dual 3-pin XLR Cable is used to connect the Sony ECM-680S stereo shotgun microphone into the dual XLR inputs on camcorders. The cable measures 16" (40.64cm) in length and features a 5-pin XLR input on the single end, and dual XLR male outputs. Formally known as K-1504 5-pin female XLR on one end - two 3-pin male XLR's on the other end
DPA GM1500 (GM 1500 GM-1500 GM/1500) Gooseneck Mount Gooseneck Mount Modular GM1500
HSP ESSENTIAL OMNI-BEIGE Neckworn Microphone with 3.5mm Connector (Beige)
Sennheiser 508246 (508-246, 508/246, 50-82-46, 508 246) (HSP-ESSENTIAL-OMNI-BEIGE, HSP/ESSENTIAL/OMNI/ BEIGE, HSP _ESSENTIAL_OMNI_BEIGE) HSP ESSENTIAL OMNI-BEIGE Neckworn Microphone with 3.5mm Connector (Beige) Nothing else is needed to convince you With the HSP Essential Omni, the name is also a philosophy: it compresses professional requirements relating to quality and function down to the essentials – for a substantially lower price. For this price it combines a high level of wearing comfort with a robust frame, brilliant sound with distortion-free transmission and an inconspicuous appearance with a light-weight design. The result is a professional headset microphone to suit any budget. HSP Essential Omni. Focus on what's really important. Adaptable Thanks to its continuously adjustable neckband, the HSP Essential Omni adapts perfectly to any head size or shape. Once adjusted, it is barely felt, as the optimally distributed lightweight design of only 25 grams exerts very gentle pressure. Furthermore, the microphone boom can be positioned on either the right or left side depending on the user’s preference. Gives weight to every voice The HSP Essential Omni features Sennheiser’s tried-and-true high-quality condenser KE 4 capsule. It is omnidirectional and achieves a clear, warm and distortion-free sound, even with very loud voices. Its patented umbrella diaphragm also provides reliable protection from moisture. Inconspicuous and lightweight All the components of the HSP essential Omni, such as the particularly slim microphone boom, have been kept as small as possible so as not to be noticeable during use. Select from both black and beige for easy concealment. Its lightweight, compact form factor is exceptionally robust and is designed for a long life-span. Should anything malfunction, the components of the HSP Essential Omni can also be easily replaced.
HSP ESSENTIAL OMNI-BEIGE-3-PIN Neckworn Microphone with 3-Pin LEMO Connector (Beige)
Sennheiser 508248 (508-248, 508/248, 50-82-48, 508 248) (HSP-ESSENTIAL-OMNI-BEIGE-3-PIN, HSP/ESSENTIAL OMNI/BEIGE/3/PIN) HSP ESSENTIAL OMNI-BEIGE-3-PIN Neckworn Microphone with 3-Pin LEMO Connector (Beige) Nothing else is needed to convince you With the HSP Essential Omni, the name is also a philosophy: it compresses professional requirements relating to quality and function down to the essentials – for a substantially lower price. For this price it combines a high level of wearing comfort with a robust frame, brilliant sound with distortion-free transmission and an inconspicuous appearance with a light-weight design. The result is a professional headset microphone to suit any budget. HSP Essential Omni. Focus on what's really important. Adaptable Thanks to its continuously adjustable neckband, the HSP Essential Omni adapts perfectly to any head size or shape. Once adjusted, it is barely felt, as the optimally distributed lightweight design of only 25 grams exerts very gentle pressure. Furthermore, the microphone boom can be positioned on either the right or left side depending on the user’s preference. Gives weight to every voice The HSP Essential Omni features Sennheiser’s tried-and-true high-quality condenser KE 4 capsule. It is omnidirectional and achieves a clear, warm and distortion-free sound, even with very loud voices. Its patented umbrella diaphragm also provides reliable protection from moisture. Inconspicuous and lightweight All the components of the HSP essential Omni, such as the particularly slim microphone boom, have been kept as small as possible so as not to be noticeable during use. Select from both black and beige for easy concealment. Its lightweight, compact form factor is exceptionally robust and is designed for a long life-span. Should anything malfunction, the components of the HSP Essential Omni can also be easily replaced.
HSP ESSENTIAL OMNI-BLACK-3-PIN Neckworn Microphone with 3-Pin LEMO Connector (Black)
Sennheiser 508247 (508-247, 508/247, 50-82-47, 508 247) (HSP-ESSENTIAL-OMNI-BLACK-3-PIN, HSP/ESSENTIAL OMNI/BLACK/3/PIN) HSP ESSENTIAL OMNI-BLACK-3-PIN Neckworn Microphone with 3-Pin LEMO Connector (Black) Nothing else is needed to convince you With the HSP Essential Omni, the name is also a philosophy: it compresses professional requirements relating to quality and function down to the essentials – for a substantially lower price. For this price it combines a high level of wearing comfort with a robust frame, brilliant sound with distortion-free transmission and an inconspicuous appearance with a light-weight design. The result is a professional headset microphone to suit any budget. HSP Essential Omni. Focus on what's really important. Adaptable Thanks to its continuously adjustable neckband, the HSP Essential Omni adapts perfectly to any head size or shape. Once adjusted, it is barely felt, as the optimally distributed lightweight design of only 25 grams exerts very gentle pressure. Furthermore, the microphone boom can be positioned on either the right or left side depending on the user’s preference. Gives weight to every voice The HSP Essential Omni features Sennheiser’s tried-and-true high-quality condenser KE 4 capsule. It is omnidirectional and achieves a clear, warm and distortion-free sound, even with very loud voices. Its patented umbrella diaphragm also provides reliable protection from moisture. Inconspicuous and lightweight All the components of the HSP essential Omni, such as the particularly slim microphone boom, have been kept as small as possible so as not to be noticeable during use. Select from both black and beige for easy concealment. Its lightweight, compact form factor is exceptionally robust and is designed for a long life-span. Should anything malfunction, the components of the HSP Essential Omni can also be easily replaced.
Hybrid Optical Fiber Cable - 250m
Sony CCFN-250//U (CCFN250//U, CCFN/250//U, ccfn-250//u) Hybrid Optical Fiber Cable - 250mThe 820.2' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits
Hybrid Optical Fiber Cable - 50m
Sony CCFN-50//U (CCFN50//U, CCFN/50//U, ccfn-50//u) Hybrid Optical Fiber Cable - 50mThe 164' Hybrid Type Optical Fiber Cable from Sony is designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 power supply extension unit. This cable features opticalCON connectors, which are compatible with LC connectors and offer improved strength and protection against dust. The cable can be combined with other cables for longer cable runs with the CCFN-JC1 coupler (sold separately). Fiber cable with power supply capability opticalCON connectors Designed to connect the CA-FB70 optical fiber camera adapter to the HXCU-FB70 Compatible with the HXC-D70H/K/L SD/HD studio camera kits
INVISILAV10PACK Discreet Lavalier Mounting System (10-Pack)
Rode INVISILAV10PACK (INVISILAV-10-PACK, INVISILAV/10/PACK, INVISILAV_10_PACK, INVISI-10PK, invisilav10pack) Discreet Lavalier Mounting System (10-Pack) The 10-pack of the invisiLav Discreet Lavalier Mounting System from Rode is designed to conceal Rode smartLav microphones while reducing handling noise and vibrations. Each invisiLav features two mounting points allowing for redundant miking while its flat profile permits for versatility in mounting options. It is made of medical grade, skin-safe material so it can be mounted directly onto the skin without fear of irritation. 10 pieces of skin-safe adhesive are included for attaching the invisiLav to either skin or clothing.
MAS 133 Inline Logic Box with XLR Mic In and Out with Switch
Sennheiser 505621 (505/621, 505 621, 50-56-21, 505-621) (MAS-133 , MAS/133 , MAS133) MAS 133 Inline Logic Box with XLR Mic In and Out with Switch The MAS 133 is a versatile XLR inline switch box for integrated microphone solutions. Attached between the mic and mixing console, it powers the MAS 1 microphone button. It is able to control any XLR-attached microphone using switchable microphone activation modes (PTT, PTM, toggle ON/off, permanent on). Furthermore, the MAS 133 features a TTL logic, enabling the user to trigger e.g. camera or media control systems for various purposes.
Sennheiser 505622 (505 622 , 505/622 ,505-622 ,50-56-22 ) (MAT-133-B , MAT/133 B , MAT133 B) MAT 133 B Table Stand (Black) Featuring a rugged housing, the functionally and unobtrusively designed MAT 133 provides a solid ground for XLR3 gooseneck microphones.
MAT 133-S-B Table Stand with Programmable Mic Button (Black)
Sennheiser 505624 (505 624, 505/624, 505-624, 50-56-24) (MAT-133-S-B, MAT/133-S-B, MAT133-S-B) MAT 133-S-B Table Stand with Programmable Mic Button (Black) The rugged housing of the functionally and unobtrusively designed MAT 133-S provides a solid ground for XLR-3 gooseneck microphones. A convenient microphone button is featured with a bi color light ring for clear visual feedback. The TTL-logic output serves for various control purposes such as camera control. The MAT 133-S is as versatile as it is to operate. The table stand MAT 133 is compatible with MEG 14-40-L.
MAT 153-S Table Stand with LED Light Ring Button for 5-Pin XLR Gooseneck Microphone
Sennheiser 505626 (505-626, 505/626, 505 626, 50-56-26) (MAT/153-S, MAT-153-S, MAT 153-S) MAT 153-S Table Stand with LED Light Ring Button for 5-Pin XLR Gooseneck Microphone Featuring a rugged housing, the functionally and unobtrusively designed MAT 153 provides a solid ground for gooseneck microphones with lighting ring. Connector: MIC IN: XLR-5F, MIC OUT: XLR-3M, 3x terminal
DPA DM6000-BM (DM6000BM, DM6000/BM, DM6000_BM, DM6000.BM) Mic Base, Black, MicroDot The Microphone Base comes with a built-in shock mount system that gives very good suppression of unwanted handling noise from a table or the like. Hidden mounting holes below the top cover make it possible to permanently affix the unit to a flat surface for an exclusive appearance. The audio cables are an integral part of the Microphone Base unit.
DPA DM6000-BX (DM6000-BX, DM6000-BX, DM6000-BX, DM6000-BX) Mic Base, Black, XLR, P48 The DPA Microphone Base (DM6000) brings sleek Scandinavian design and superior audio technology seamlessly into your meeting rooms. Made of brushed aluminium and including a built-in shock mount system, The Microphone Base suppresses most all unwanted handling or vibration noise from the table or podium. Hidden mounting holes below the top cover allow for permanent mounting to any flat surface, and it looks just great. It can be ceiling-mounted upside down or positioned on top of a table.
DPA DM6000-WM (DM6000WM, DM6000/WM, DM6000 WM, DM6000.WM) Mic Base, White, MicroDot The DPA DM6000-WM Microphone Base brings sleek Scandinavian design to the meeting rooms where it's used. It offers 2 main mounting possibilities: tabletop or ceiling, and is ideal for either. This particular model comes with the MicroDot, Passive, Unbalanced interface (Note: a DPA adapter will be needed to connect this to a wireless system - sold separately). This Microphone Base comes with an onboard shock mount system that provides very good suppression of unwanted handling noise from a table or the like. Hidden mounting holes below the top cover make it possible to permanently affix the unit to a flat surface for an exclusive appearance. The audio cables are an integral part of the Microphone Base unit. It's designed specifically to work with DPA's d:screet™ SC4098 Supercardioid Podium Microphone (sold separately). Recommended for use with microphones in these lengths: 6" (16cm), 11" (28cm), and 17" (43cm) (all mics sold separately). Longer goosenecks should be avoided. Read more about our microphones for installation.
DPA DM6000-WX (DM6000WX, DM6000/WX, DM6000 WX, DM6000.WX) Mic Base, White, XLR, P48 The DPA Microphone Base (DM6000) brings sleek Scandinavian design and superior audio technology seamlessly into your meeting rooms. Made of brushed aluminium and including a built-in shock mount system, The Microphone Base suppresses most all unwanted handling or vibration noise from the table or podium. Hidden mounting holes below the top cover allow for permanent mounting to any flat surface, and it looks just great. It can be ceiling-mounted upside down or positioned on top of a table.
MICRO4K Coiled HDMI to Micro-HDMI Cable (24'')
Shape SH-MICRO4K (SH_MICRO4K ,SHMICRO4K, SH/MICRO4K, SH MICRO4K) (MICRO-4K, MICRO/4K) MICRO4K Coiled HDMI to Micro-HDMI Cable (24'') Interface high-definition devices with the MICRO4K Coiled HDMI to Micro-HDMI Cable from SHAPE. For component connections, it features a full-size HDMI connector on one end and a micro-HDMI connector on the other end. This cable is 24" when coiled and can be extended up to 36". Its coiled design allows the cable to work in installations where shorter cables are desired.
Microphone Accessory Kit for ECM-88 series of Lavalier Microphones
Sony AD-KIT88B (ADKIT88B, AD KIT88B, AD/KIT88B) (ECM_88, ECM88) Microphone Accessory Kit for ECM-88 series of Lavalier Microphones The AD-KIT88B is a lavalier microphone accessory kit for the ECM-88 Series. Includes four types of microphone clips (single/horizontal, single/vertical, double/horizontal, and safety-pin type tie clip) and six urethane windscreens (red, yellow, green, blue, gray, and black)
MMD 845-1 BK Microphone Capsule for Wireless Transmitter
Sennheiser 502576 (502-576, 502/576, 50-25-76, 502 576) (MMD-845-1 BK, MMD/845-1 BK, MMD845-1 BK) MMD 845-1 BK Microphone Capsule for Wireless Transmitter High feedback rejection and powerful sound are the main features of this microphone. Compatible to all handheld transmitters of series ewG3 and 2000. Colour: black
MMD 935-1 BK Dynamic Cardioid Capsule for SKM 2000 transmitter (black)
Sennheiser 502577 (502-577, 502/577, 50-25-77, 502 577) (MMD-935-1 BK, MMD/935-1 BK, MMD935-1 BK) MMD 935-1 BK Dynamic Cardioid Capsule for SKM 2000 transmitter (black) Designed for use with evolution wireless handheld transmitters, the cardioid MMD 935 microphone head features the excellent acoustic properties of the wired e 935 vocal microphone.
MMD 945-1 BK Supercardioid Dynamic Capsule for Handheld Transmitters (Black)
Sennheiser 502579 (502-579, 502/579, 50-25-79, 502 579) (MMD945-1 BK, MMD-945-1 BK, MMD/945-1 BK) MMD 945-1 BK Supercardioid Dynamic Capsule for Handheld Transmitters (Black) Designed for use with evolution wireless handheld transmitters, the cardioid MMD 945 microphone head features the excellent acoustic properties of the wired e 945 vocal microphone.
MME 865-1 BK Microphone Capsule for ew G3 and 2000 Handheld
Sennheiser 502581 (502-581, 502/581, 50-25-81, 502 581) (MME-865-1 BK, MME/865-1 BK, MME865-1 BK) MME 865-1 BK Microphone Capsule for ew G3 and 2000 Handheld Microphone module in condenser technique with high brillance and feedback rejection, applicable for either voice or speech. Compatible to all handheld transmitters of series ewG3 and 2000. Colour: black
DPA MMP-A (MMPA MMP A MMP/A) Microphone Preamp Ultra transparent transformerless preamplifier with active drive for impedance balancing. Combine this preamp with any capsule in the DPA d:dicate Recording Microphones series.
MMP-B Lightweight Microphone Preamp, Low Cut and High Boost Option
DPA MMP-B (MMPB MMP B MMP/B) Lightweight Microphone Preamp, Low Cut and High Boost Option Preamplifier with low cut and high boost filters. Combine this preamp with any capsule in the DPA d:dicate Recording Microphones series.
MMP-C Compact Microphone Preamp
DPA MMP-C (MMPC MMP C MMP/C) Compact Microphone Preamp Ultra-compact preamp with active drive for impedance balancing. Has a slightly softer character than the other preamps in the DPA d:dicate Recording Microphones series. Combine this preamp with any capsule in the series.
Modular Active Cable, MicroDot, Rear, 1.8 m (5.9 ft)
DPA MMP-GR (MMPGR, MMP/GR, MMP_GR, MMP.GR) Modular Active Cable, MicroDot, Rear, 1.8 m (5.9 ft) The MMP-G Modular Active Cable is an ultra-transparent preamplifier. It can be combined with any modular capsule in the d:dicate™ Recording Microphones Series. The MMP-G also features a MicroDot connector, which allows the microphone to be linked with all leading wireless miking solutions through the extensive range of DPA adapters. The MMP-G is available in two variations, MMP-GR with the cable extending from the rear or MMP-GS with the cable extending from the side.
Modular Active Cable, MicroDot, Side, 1.8 m (5.9 ft)
DPA MMP-GS (MMPGS, MMP/GS, MMP GS, MMP.GS) Modular Active Cable, MicroDot, Side, 1.8 m (5.9 ft) The MMP-G Modular Active Cable is an ultra-transparent preamplifier. It can be combined with any modular capsule in the d:dicate Recording Microphones Series. The MMP-G also features a MicroDot connector, which allows the microphone to be linked with all leading wireless miking solutions through the extensive range of DPA adapters. The MMP-G is available in two variations, MMP-GR with the cable extending from the rear or MMP-GS with the cable extending from the side. For one of the highest-quality wireless instrument miking solutions on the market, attach your favorite d:dicate Microphone Capsule to a MMP-G Modular Active Cable. Then you can seamlessly connect them to the GSM4000 Gooseneck Mount for d:dicate. This combination allows you to create a wireless solution with your favorite d:dicateMicrophone.
Modular Active Cable, XLR, Side, 3 m (9.8 ft)
DPA MMP-ES (MMPES, MMP/ES, MMP ES, MMP.ES) Modular Active Cable, XLR, Side, 3 m (9.8 ft) The d:dicate MMP-ES Modular Active Side Cable by DPA Microphones is a microphone preamp. It is used with any d:dicate modular capsule for capturing audio in applications such as with hanging mics or low-profile table or instrument mics. The MMP-ES features a high quality preamp built with a 12mm housing and a 3-pin XLR connector. The capsule attaches to a cable with a length of 3 meters or optionally up to 30 meters. The preamp features impedance balancing with active drive to reject radio frequency interference. This model is built with a side mounted cable. The preamp is ultra transparent and features the DPA designed impedance balancing with active drive to reject radio frequency interference Can be combined with any DPA d:dicate modular capsule
Sony SMF-17R20 (SMF_17R20, SMF/17R20, SMF 17R20) Monitor Interface Cable Disocver this Ethernet and DC power cable, suitable for connection between BKM-17R and BVM-E251/E171 series.
MZA 900 P-4 Phantom Power Adapter with Lockable 3-Pin
Sennheiser 500872 (50-08-72, 50/08/72, 50 08 72) MZA 900 P-4 (MZA 900 P/4, MZA 900 P 4, MZA900P-4, mza 900 p-4) Phantom Power Adapter with Lockable 3-Pin The MZA 900 P phantom power adaptor is used to connect pre-polarized condenser microphones with a 3.5mm jack plug to microphone inputs with 10 - 52 V phantom powering (P12 - P48). The connected microphone is supplied via the adaptor. The phantom power adaptor is available in two different versions: MZA 900 P with lockable 3.5 mm jack socket (as evolution wireless) MZA 900 P-4 with lockable 3-pin special socket The adaptor is also a quick and flexible solution if a microphone is to be used for both wired and wireless applications. One and the same microphone can be used together with the MZA 900 P(-4) for wired applications (e.g. in the studio) or with a transmitter of the evolution series for wireless applications. The MZA 900 P can also be used as a cable tester for XLR microphone cables.
Sennheiser 502318 (502-318, 502/318, 502 318, 50-23-18) (MZEF8060, MZEF/8060,MZEF-8060) MZEF 8060 Vertical Tube 60cm The MZEF 8060 Vertical Extension Bar (60cm) from Sennheiser is a special extension piece designed for use with select Sennheiser microphones and hardware. It allows you to vertically extend the position of your microphone to achieve perfect height placement. Use this piece to meet the unique needs of your audio setup. The bar features a 3/8" thread.
Sennheiser 502319 (502-319, 502/319, 50-23-19, 502 319) (MZEF-8120, MZEF/8120, MZEF8120) MZEF 8120 Vertical Tube 120cm The MZEF 8210 Vertical Extension Bar (120cm) from Sennheiser is a special extension piece designed for use with select Sennheiser microphones and hardware. It allows you to vertically extend the position of your microphone to achieve perfect height placement. Use this piece to meet the unique needs of your audio setup. The bar features a 3/8" thread.
MZFS 60 IS Series Wired Floor Stand with XLR Connector (23.6") (60cm)
Sennheiser 500650 (500 650, 500/650, 500-650, 50-06-50)(MZFS-60, MZFS/60, MZFS60) MZFS 60 IS Series Wired Floor Stand with XLR Connector (23.6") (60cm) The stands can be combined with the MZH goosenecks and ME microphone heads and converted to wireless operation using a SKP plug-on transmitter. While the 60 and 80 cm variants are ideal for use as "wireless" floor stands, the 30 cm version is designed for TV and panel discussions.
Sennheiser 502322 (502-322, 502-322, 502 322,50-23-22) (MZFS8000, MZFS/8000, MZFS-8000) MZFS 8000 Floor Stand The MZFS 8000 from Sennheiser is the floor stand for your MKH 8000 microphone and is resistant to structure-borne noises and vibrations.
MZFS80 IS Series Wired Floor Stand with XLR Connector (31.5") (80cm)
Sennheiser 500651 (500-651, 500/651, 500 651, 50-06-51) (MZFS 80, MZFS/80, MZFS 80) MZFS80 IS Series Wired Floor Stand with XLR Connector (31.5") (80cm) The stands can be combined with the MZH goosenecks and ME microphone heads and converted to wireless operation using a SKP plug-on transmitter. While the 60 and 80 cm variants are ideal for use as "wireless" floor stands, the 30 cm version is designed for TV and panel discussions.
MZG-8000 Swivel Joint for MKH-8000 Series Capsules
Sennheiser 502323 (502-323, 502/323, 502 323, 50-23-23) (MZG/8000, MZG8000, MZG 8000) MZG-8000 Swivel Joint for MKH-8000 Series Capsules Designed for desktop mounting in conjunction with the MZS 31 elastic suspension; carries the audio signal and provides the connector for the XLR module.
Sennheiser 504737 (504-737, 50/47 37, 50-47-37, 504-737)(MZH/80-1, MZH-80-1, MZH80-1) MZH 80-1 Hairy Cover The Sennheiser MZH 80-1 Hairy Cover is a long-hair wind muff for added protection against high-wind noise. The MZH 80-1 is used in conjunction with the MZW80-1 basket windshield. Both are well suited for use with the Sennheiser MKH 8070 and like-sized microphones.
Sennheiser 502435 (502-435, 502/435, 502 435, 50-24-35) (MZH/8000, MZH8000, MZH-8000) MZH 8000 Ceiling Mount The Sennheiser MZH-8000 Ceiling Mount is designed to mount MKH-8000 series capsules overhead. The mount is suspended from the connected cable and the angle is adjustable for perfect positioning. A cable guide takes up excess slack and secures the mount in place.
Sennheiser 502327 (502-327, 502/327, 502 327, 50-23-27) (MZL/8010, MZL-8010, MZL8010) MZL 8010 Remote cable 10 m Connects between the microphone head and the XLR module to make the microphone extremely unobtrusive (ideal for almost invisible use hanging from the ceiling); length: 10 m
Sennheiser 504738 (504 738, 50/47 38, 50-47-38, 504/738)(MZW/80-1, MZW-80-1, MZW 80-1) MZW 80-1 Basket Windshield This lightweight, rugged protective basket windshield provides excellent suppression of wind noise when used for outdoor applications.
MZW-70-1 Blimp Windscreen for MKH70/ME67 with K6 Power Module
Sennheiser 003608 (003-608, 003/608, 003 608, 00-36-08) (MZW-70 1, MZW-70/1, MZW70-1) MZW-70-1 Blimp Windscreen for MKH70/ME67 with K6 Power Module This lightweight, rugged protective basket windshield provides excellent suppression of wind noise when used for outdoor applications.
MZX 8000 XLR Module for MKH-8000 Capsules
Sennheiser 502098 (502-098, 502/098, 50-20-98, 502 098) (MZX/8000, MZX8000, MZX-8000) MZX 8000 XLR Module for MKH-8000 Capsules The Sennheiser MZX 8000 XLR Adapter is the output stage and preamplifier for all MKHC (MKH-8000 series) microphone capsules. The MZX 8000 features a standard 3-pin XLR output for connection to standard microphone inputs.
Neckband for HSP Essential (Neckband Only)
Sennheiser 508479 (508-479, 508/479, 50-84-79, 508 479) Neckband for HSP Essential (Neckband Only) Flexible and ergonomic neckband design adapts securely to a variety of head shapes and sizes.
Sennheiser 503877 (503-877, 503/877, 50-38-77, 503 877) (NT-3-1 UK, NT/3-1 UK, NT3-1 UK) NT 3-1 UK Power Supply Plug-in mains unit with country-specific adapter for antenna combiner AC 3 and charger L 2015.
NTSM5 Camera Ring-Clamp Shock Mount
Rode NTSM5 (NTS-M5, NT/SM5 NT SM5, SM5, ntsm5) Camera Ring-Clamp Shock Mount The SM5 is a suspension shock mount with ring clamp adaptor that allows the use of RØDE Microphones to be used with professional video cameras. It supports camera clamp mounts that effectively grip a 24 or 27mm barrel. Most cameras feature rubber pads inside the ring clamp to allow for some tolerance in barrel size. The design of the suspension shock mount means the microphone is physically isolated from the stand ensuring that there is no unwanted rumble or vibrations in your recording. 1/4" and 3/8" threads at the base of the mount allow for easy attachment to a boompole or other accessories.
NTSM6 Shock Mount with Detachable Pop Filter
Rode NTSM6 (NT-SM6, NT/SM6, NT SM6, ntsm6, SM6) Shock Mount with Detachable Pop FilterThe SM6 is a high quality suspension shock mount that supports many large diaphragm RØDE microphon es. It provides isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. It includes a removable pop shield with two axes of adjustment and a telescopic arm for ultimate application versatility.
PAN-AGC20003G 3m Connection Cable for AG-HCK10G
Panasonic PAN-AGC20003G ( AGC20003G, PANAGC20003G, PAN/AGC20003G, PAN AGC20003G) 3m Connection Cable for AG-HCK10G Panasonic's AG-C20003G cable is required for connection of the AG-HCK10 POVCAM to the AG-HMR10 AVCCAM recorder.
PODCASTERSUSPENSION Microphone Shock Mount
Rode PODCASTERSUSPENSION (PODCASTER-SUSPENSION, PODCASTER/SUSPENSION, PODCASTER SUSPENSION, PSM-1, PSM/1, PSM 1, psm1) Microphone Shock Mount The perfect suspension shock mount for the Procaster or Podcaster, the PSM1 provides isolation from external vibrations which can translate as low frequency noise or manipulate the microphone position. The PSM1 gives you confidence when using your microphone in environments where there is any movement that may interfere with the microphones performance.
Replacement LEMO Type to XLR Breakout Cable for Shogun
Atomos AO-ATOMCAB016 (AOATOMCAB016, AO/ATOMCAB016, AO ATOMCAB016, ATOMCAB016, ao-atomcab016) Replacement LEMO Type to XLR Breakout Cable for Shogun Lemo to XLR breakout cable for the Shogun Monitor/Recorder.
RS-422 9-pin Male to 9-pin Male Serial Control Cable - 16ft
Sony RCC-5G (RCC5G, RCC/5G, rcc-5g) (RS/422, RS_422) RS-422 9-pin Male to 9-pin Male Serial Control Cable - 16ftThe Sony RCC-5GUS is a 9-pin control cable for RS-422A control protocol. The cable is 5 meters long, or about 16 feet.
S5 Surround Microphone Mount - Five Point Microphone Mount
DPA S5 (s5) Surround Microphone Mount - Five Point Microphone Mount The DPA S5 Surround Microphone Mount accommodates up to five cardioid microphones and two omnidirectional microphones as outriggers for blending in between front and rear channels. This method was originated by NHK's Akira Fukada and is a proven method for capturing surround audio in performances, film, sound stages, etc. The microphones may be spaced up to 2 to 7' (60.96 to 213.36cm) between each other and the center disc features a cable-through hole and inscriptions for correct pole alignment. The kit includes all necessary poles, extensions and accessories, and all may be neatly packed and transported in the included road case. The S5 Surround Microphone Mount is ideal in orchestra capturing, ambiance recording, sound reinforcement, location recording and more. DPA or Third Party Microphones The S5 is optimized for use with DPA microphones but the 3/8" threaded mounts allow for any microphone to be used. Spacious Surround Perspective The five point configurations provide spacious, surround recordings of full orchestras, performances, ambiance, etc. Easy Setup and Breakdown The center disc features a cable channel and is inscribed with markings for easy pole setup. The main poles telescope and extensions are also provided for adding length.
SAD-H77B Lavalier Microphone Holder Clips x 10
Sony SAD-H77B (SAD/H77B, SAD_H77B, SADH77B, SAD H77B, sad-h77b) Lavalier Microphone Holder Clips x 10 The Sony SAD-H77B Single Horizontal Lavalier Tie Clip is a pack of (10) lavalier tie clips designed specifically for use with ECM 77B microphones. Use this practical units to perfectly position your microphone for optimum recording results.
SAD-HV1B2//K UWP Lavalier Mic Clips 4 Pack
Sony SAD-HV1B2//K (SADHV1B2K, SAD-HV1B2, SADHV1B2, SADHV1B2-K, sad-hv1b2-k) UWP Lavalier Mic Clips 4 Pack The Sony SADHV1B2 UWP Lavalier Mic Clips are a package of 4 lavalier clips for use with UWP Series models including UWP-V1, UWP-V6, UTX-B2V and ECM-V1BMP.
Sony SAD-M01//K (SAD-M01-K, SAD/M01/K, SAD_M01_K, SADM01K, sad-m01//k) Microphone Holder Sony Microphone holder for the DWM-01, DWM-02, UTX-P03 and ZTX-01 handheld microphones.
SAD-V77B 10 x Lavalier Microphone Holder Clip for ECM-77
Sony SAD-V77B (SAD/V77B, SAD_V77B, SADV77B, SAD V77B, sad-v77b) 10 x Lavalier Microphone Holder Clip for ECM-77 The Sony Vertical Clip for ECM-77 Microphone SAD-V77B (10 Pack) is a clip designed specifically for use with ECM-877 microphones. Use this practical microphone clip to perfectly position your microphone for optimum recording results. This unit is a bulk purchase and includes (10) clips.
SAD-W77B Double/Vertical Holder Clip for ECM-77
Sony SAD-W77B (SAD/W77B, SAD_W77B, SAD W77B, SADW77B, sad-w77b) Double/Vertical Holder Clip for ECM-77 This set of 6 Sony microphones clips are designed for the ECM77B lavalier microphones. The wire clasp ensures a secure fit and aids in minimizing clothing and handling noise.
DPA SB0400 (SB 0400 SB-0400 SB/0400) Stereo Boom Stereo BoomModular SB0400
SBS0400 Stereo Boom with Shock Mounts
DPA SBS0400 (SBS 0400 SBS-0400 SBS/0400) Stereo Boom with Shock Mounts Stereo Boom with Shock Mounts - Modular SBS0400
Single-Mode Fiber Optic Cable - 200m
Sony CCFC-S200 (CCFCS200, CCFC/S200, ccfc-s200) Single-Mode Fiber Optic Cable - 200mThe Sony CCFC-S200 Single-Mode Fiber Optic Cable is a 656' (200m) cable designed to be used with HD pan-tilt-zoom cameras, such as the BRC-Z330, to transmit uncompressed digital data. In conjunction with an HD optical multiplex unit (such as the BRU-SF10), the CCFC-2200 cable can transmit external sync, camera control, and audio signals without deterioration.
SL TABLESTAND 133-S DW-3 B Tablestand for Gooseneck Microphones
Sennheiser 506610 (506-610, 506/610, 50-66-10, 506 610) (SL-TABLESTAND-133-S DW-3 B, SL/TABLESTAND/133/S DW-3 B, SL TABLESTAND 133 S DW 3 B) SL TABLESTAND 133-S DW-3 B Tablestand for Gooseneck Microphones The wireless SL Tablestand 133-S DW is dedicated to speech. Because of its compatibility with all Sennheiser XLR-3 gooseneck microphones and the legendary Sennheiser capsules, the SL DW Wireless Tablestand 133-S is optimized for podium discussions, speeches and lectures. Being independent from any cables, the SL Tablestand 133-S DW offers a highly flexible solution for users. It features the most common wireless charging standard Qi. It can either be charged wirelessly or via USB. The wireless charging base CHG 2W for two mobile devices is available separately. The SL Tablestand 133-S DW comes with rechargeable accupack with up to 10 hours of operating time. The SL Tablestand 133-S DW can be monitored and controlled with the Sennheiser Control Cockpit.
SL TABLESTAND 153-S DW-3 B Tablestand for Gooseneck Microphones
Sennheiser 506612 (506-612, 506/612, 50-66-12, 506 612) (SL-TABLESTAND-153-S DW-3 B, SL/TABLESTAND/153/S DW-3 B, SL TABLESTAND 153 S DW 3 B) SL TABLESTAND 153-S DW-3 B Tablestand for Gooseneck Microphones The SL Tablestand 153-S DW is dedicated to speech. For a solid connection with the MEG 14-40-L-II B gooseneck microphone, an XLR-5 socket is featured. Being utterly wireless, the SL Tablestand 153-S DW is the perfect solution for ad hoc press conferences or podium discussions in any location. The SL Tablestand 153-S DW features the most common wireless Qi charging standard. It can either be charged wirelessly or via USB. The wireless charging base CHG 2W for two mobile devices is available separately. The SL Tablestand 153-S DW provides clear battery life indication via dedicated battery status LEDs. The SL Tablestand 153-S DW can be monitored and controlled with the Sennheiser Control Cockpit.
DPA SM1500 (SM 1500 SM-1500 SM/1500) Shock Mount Shock Mount Modular SM1500
Sony Sdhc & Sdxc Card Reader Uhs-I & Uhs-II
Sony Sdhc & Sdxc Card Reader Uhs-I & Uhs-II (MRW-S1, MRW/S1, MRW S1) One of the fastest in its class With the fast memory card reader MRW-S1, UHS-II SD cards like SF-G series can be read at a faster speed. Super-fast transfer compatibility lets you get the most of your high-speed cards. It also brings out the full performance of UHS-I and non-UHS SD memory cards. Won't slow you down The MRW-S1 card reader supports the SuperSpeed USB 3.1 Gen 1 interface to get the most from high-performance SF-G series cards. The result is copying and backing up files is far faster than through a conventional SD slot on your PC. Backups that save time and space Ideal for high-resolution still and 4K video backups from UHS-II SD cards, the MRW-S1 saves transfer time so you can get back to editing fast. Always there when you need it The pocket-size design (57 x 31 x 11mm, weight 20g) lets you take this card reader anywhere.
Straight Micro HDMI to Micro HDMI Cable (50cm)
Atomos AO-ATOMCAB012 (AOATOMCAB012, AO/ATOMCAB012, AO ATOMCAB012, ATOMCAB012, ao-atomcab012) Full HDMI to Full HDMI Straight Cable (50cm) Atomos straight micro HDMI to micro HDMI cable (50cm).
SxS Card Slot Option Board for PDW-HR1
Sony PDBK-MK1 (PDBKMK1, PDBK/MK1, pdbk-mk1) SxS Card Slot Option Board for PDW-HR1 The Sony SxS Card Slot Option Board for PDW-HR1 is an SxS Memory Card Adaptor that can be used as an option for adding 2 SxS card slots to the PDW-HR1 Professional Disc Field Station. You can use play content on SxS memory cards and copy content between professional discs and SxS memory cards via the optional board. You can directly browse files on SxS cards via the PDW-HR1 and also perform various clip transcoding and copy functions. You can copy data to and from the \UserData folder of the PDW-HR1 and thus maintain the original XDCAM EX card BPAV folder structure whenever required. Rewrapping or transcoding of XDCAM EX MP4 files to optical XDCAM MXF files during copy process is also possible using the SxS Card Slot Option Board for PDW-HR1. Consolidation of all footage on a disc using the MXF file format is also possible which is useful for XDCAM EX and optical XDCAM photographers. You can easily transcode and upconvert SD clips to HD as well as cross convert 720p material to 1080i material using the SxS Card Slot Option Board for PDW-HR1. SxS Memory Card Adaptor that can be used as an option for adding 2 SxS card slots to the PDW-HR1 Professional Disc Field Station Allow you to play content on SxS memory cards and copy content between professional discs and SxS memory cards via the optional board Allows you to directly browse files on SxS cards via the PDW-HR1 and also perform various clip transcoding and copy functions Allows copying data to and from the \UserData folder of the PDW-HR1 and thus maintaining the original XDCAM EX card BPAV folder structure whenever required Enables rewrapping or transcoding of XDCAM EX MP4 files to optical XDCAM MXF files during copy process Consolidates all footage on a disc using the MXF file format Transcodes and upconverts SD clips to HD as well as cross converts 720p material to 1080i material
DPA TSM4001 (TSM 4001, TSM/4001, TSM.4001, TSM_4001) Table Shock Mount The Table Shock Mount is a table shock mount for podium microphones. Vertical softness absorbs handling vibration. Horizontal movements are controlled to prevent the podium boom from touching the mount. Best performance is obtained with mics weighing between 140 g (5 oz) and 240 g (8.5 oz). The top part of the mount can be custom ordered with different finishes to match surrounding architectural appearance. The Table Shock Mount is easy to mount. It only requires a hole in the table plate with a diameter between 55-59 mm (2.16-2.32 in). The mount fits plate thicknesses from 8-38 mm (0.31-1.49 in).
Tuner Module for MB806A Tuner Base
Sony URX-M2/K38 (URXM2/K38, URX/M2/K38, urx-m2/k38)(MB-806A, MB/806A) Tuner Module for MB806A Tuner BaseThe Sony URX-M2 Tuner Module is a wireless microphone UHF receiver, specifically designed to install into Sony tuner bases. Among some of the compatible tuner bases are the MB-X6 and MB806A, and SRP-X700P, SRP-X500P, SRP-X351P powered mixer units. Modular Design The URX-M2 is specifically designed for direct integration with the MB806A multiple tuner base (accommodates up to 6), SRP-X700P and SRP-X351P mixer/amplifier units. Frequency Agile PLL synthesized UHF technology provides up to 188 user selectable frequencies. Comprehensive LCD The LCD display provides channel and frequency information and more.
UA0836 Stereo Boom with Holders
DPA UA0836 (UA 0836 UA-0836 UA/0836) Stereo Boom with Holders The UA0836 is a precision-crafted microphone boom for secure mounting of microphone pairs for A-B stereo recordings. It has adjustment possibilities for both microphone spacing and microphone angle. The boom can be mounted on a stand, or suspended from wires, and has centimeter graduations on the boom and angle graduations on the microphone holders for quick and easy configuration of the recording set-up. The UA0836 is supplied with two UA0961 Microphone Holders, but can also be ordered without the holders (UA0837). Any microphone holder will fit the boom.The stereo boom can be fitted with the DUA0019 19 mm spacer, which allows you to assemble an XY stereo or ORTF stereo setup with two cardioid microphones.Length: 54 cm.
UA0837 Stereo Boom excluding Holders
DPA UA0837 (UA 0837 UA-0837 UA/0837) Stereo Boom excluding Holders The UA0837 is a precision-crafted microphone boom for secure mounting of microphone pairs for A-B stereo recordings. It has adjustment possibilities for both microphone spacing and microphone angle. The boom can be mounted on a stand, or suspended from wires, and has centimeter graduations on the boom and angle graduations on the microphone holders for quick and easy configuration of the recording set-up. The UA0837 is supplied without microphone holders, but can also be ordered with two UA0961 Microphone Holders as UA0836. Any microphone holder will fit the boom.The stereo boom can be fitted with the DUA0019 19 mm spacer, which allows you to assemble an XY stereo or ORTF stereo setup with two cardioid microphones.Length: 54 cm.
DPA UA0897 (UA 0897 UA-0897 UA/0897) Shock Mount The UA0897 Shock Mount is designed for use in environments where vibration levels are unusually high. Its ultra-compact, robust design significantly reduces the amount of vibration, that reaches the microphone without having adverse acoustical effects. This shock mount was designed using modern vibration measuring techniques, using Brüel & Kjær's world famous vibration test equipment. Unlike other shock mounts, the vibration reduction is clearly specified. It can be used stand mounted in the studio, or in hand-held boom applications.Use extra soft Rubber Mounts for the more lightweight microphones and medium soft for the heavier types.The UA0897 is supplied as standard with the DDS0731 Rubber Mounts for 19 mm microphones. The UA0897 is fitted with a thread adapter, which allows usage on up to three of the most popular international standard threads used on microphone stands.
UHF Antenna:758-862 MHz, TV channel 62-69
Sony AN-820A.U (AN820AU, AN 820A U, AN/820AU) UHF Antenna:758-862 MHz, TV channel 62-69 The AN-820A is an active antenna compatible for the Sony MB-8N and MB-806A rack receiver systems. The antenna enhances the performance of the wireless microphone, extending the operating range and immunity to 'drop outs'. It is a compact unit that can be mounted on a wall bracket or a microphone stand. Normally a pair of AN-820 will be configured in the system, for diversity reception.
UN-10 Unit Cable for Canon EOS C200, C300 Mark II, C700, and XC15 (39"')
Canon 0887C001 (088/7C001, 088-7C001, 088 7C001,0887C/001) UN-10 (UN/10, UN 10, UN10, un-10) Unit Cable for Canon EOS C200, C300 Mark II, C700, and XC15 (39"') The Canon UN-10 Unit Cable allows you to connect the Canon LM-V1 4" LCD Monitor to the Canon EOS C200, C300 Mark II, and C700 cameras. It also connects the Canon MA-400 Microphone Adapter to the C300 Mark II and Canon XC15.
URX-M2/K33 UWP Series Plug-in Tuner Module
Sony URX-M2/K33 (URX/M2/K33, URX-M2-K33, URX_M2_K33, URXM2K33, URX M2 K33, urx-m2_k33) UWP Series Plug-in Tuner Module The Sony URX-M2 Tuner Module is a wireless microphone UHF receiver, specifically designed to install into Sony tuner bases. Among some of the compatible tuner bases are the MB-X6 and MB806A, and SRP-X700P, SRP-X500P, SRP-X351P powered mixer units. Modular Design The URX-M2 is specifically designed for direct integration with the MB806A multiple tuner base (accommodates up to 6), SRP-X700P and SRP-X351P mixer/amplifier units. Frequency Agile PLL synthesized UHF technology provides up to 188 user selectable frequencies. Comprehensive LCD The LCD display provides channel and frequency information and more.
URX-P03D/K21 Two-Channel Portable Receiver for UWP-D Systems
Sony URX-P03D/K21 (URX-P03D-K21, URX/P03D/K21, URX_P03D_K21, URXP03DK21, urx-p03d/k21) Two-Channel Portable Receiver for UWP-D Systems 2 channel portable receiver for high quality sound for ENG/EFP productions The URX-P03D 2-channel portable receiver forms part of a complete UWP-D audio system offering the sound quality of digital audio processing combined with the reliability of analogue FM modulation. The URX-P03D offers wide frequency coverage with up to 72 MHz bandwidth (depending on region) across a wide range of channels, with a choice of models to choose from. Easy-to-use features include a large display and small size to fit neatly on any size camcorder or DSLR camera, automatic channel setting function, headphone output, USB connection for power supply and line input availability. The receiver also has external mic input for an additional wired microphone and 3 channel mixer function. The UWP-D Series system provides superb transient response performance for all ENG / EFP production applications. 2 channel portable receiver Digital Audio Processing for high quality sound Improves transient response performance between the UWP-D transmitter and receiver, which will provide impressive natural sound quality compared to conventional analogue wireless systems. External mic input for additional wired microphone This portable receiver has an external mic input connector for additional wired microphone. It also has a 3 channel mixer function for the two wireless microphones and one wired microphone. Wide frequency coverage with choice of channels available The extra wide switching bandwidth covers a wide area, with a wide choice of channels available across multiple models - please refer to product specifications for more information. 14UC: 470.125 MHz to 541.875 MHz (UHF-TV channels 14 to 25) 25UC: 536.125 MHz to 607.875 MHz (UHF-TV channels 25-36) 42LA: 638.125 MHz to 697.875 MHz (UHF-TV channels 42-51) (not available in US or Canada) Large display and small size receiver The receiver features a large display for ease of use, while its small size means it fits neatly on any size camcorder or DSLR camera. Easy to use features Automatic channel setting function*, headphone output, USB connection for power supply and line input availability.
URX-P03D/K33 Two-Channel Portable Receiver for UWP-D Systems
Sony URX-P03D/K33 (URX-P03D-K33, URX/P03D/K33, URX_P03D_K33, URXP03DK33, urx-p03d/k33) Two-Channel Portable Receiver for UWP-D SystemsGiving you the ability to simultaneously receive audio from 2 compatible UWP-D series transmitters as well as a third wired microphone, the URX-P03D from Sony is a portable digital audio receiver that offers wide frequency coverage with up to 72 MHz bandwidth across a broad range of channels. Its integrated 3-channel mixer allows you to control your levels as well as assign outputs freely. The URX-P03D receiver can be mounted directly (without cables) onto many Sony cameras that have an MI (Multi-Interface) Shoe by using the optional SMAD-P3D two-channel shoe adapter. It can be used with any size camcorder or DSLR camera, when paired with a transmitter and microphone (sold separately), to capture audio for ENG (Electronic NewsGathering), EFP (Electronic Field Production), and other sound applications for video.It features automatic channel settings, headphone output, a USB connection for power supply, and line input availability.The UWP-D Series system provides a superb transient response performance for all ENG/EFP production applications and more. This unit transmits on the 470 to 542 MHz frequency.Digital Audio Processing The UWP-D Series wireless microphone system uses Sony Digital Audio Processing to improve sound quality and transient response performance, compared to conventional analog wireless systems External Mic Input The URX-P03D two-channel portable receiver has an external mic input connector for additional wired microphones. Sony microphones with BMP plug or plug-in power microphones (stereo/mono) are applicable by menu setting. It also has a three-channel mixer function for the two wireless microphones and one wired microphone. It can assign output 1 and/or 2 freely Large Display It is designed to fit even small camcorders or DSLR cameras, with dimensions of 2.5 x 3.2 x 1.1" (W x H x D) and a weight of approx. 7.4 oz (including batteries). The receiver also feature a bright 0.5 in x 1.1" display, significantly larger than previous UWP models, making them easily readable in all situations Easy Channel Scan With its Clear Channel Scan, Active Channel Scan function, and IR Sync features, the system detects unoccupied channels and selects the most appropriate channel automatically for fast- and-easy system setup Automatic Channel Setting Mode The Auto Set channel mode allows the user to find and set available frequencies to use within the operating frequencies of the system. The receiver will automatically set the transmitter channel using the IR Sync feature Wide Frequency Coverage The extra-wide switching bandwidth covers a large area, with a wide choice of channels available across multiple models True Diversity Reception The UWP-D system achieves an exceptionally stable audio signal being delivered from two independent receiver sections within the unit. Optimum signal quality is delivered by the two receivers sections, and a comparison circuit constantly pulls the one with the best signal to give dropout-free transmission Compatible with Sony 800 and UWP Series Analog Receivers The UWP-D Series transmitters and receivers are compatible with Sony's WL-800 Series, UWP Series, and Freedom Series, allowing users to switch between different companding modes Headphone Output for Monitoring The UWP-D system provides its own headphone output socket, which is particularly useful when working with a camera that does not have a headphone output USB External Power The URX-P03 portable receiver has a Micro-USB terminal for connection to USB external portable power sources, allowing the unit to be powered by the camcorder during use and resulting in hassle-free power. You can also load NiMh batteries into the receiver to be charged through the Micro-USB Robust Metal Body The URX-P03 portable receiver is made of strong, durable metal construction that supports reliable use in rough operating conditions Variable Output Level on Portable Receiver The system provides variable output level control of ±12 dB, for use with the various input levels of camcorders and DSLR cameras
URX-S03D/K21 UWP-D Portable Two-Channel Slot-In Receiver
Sony URX-S03D/K21 (URX-S03D-K21, URX/S03D/K21, URX_S03D_K21, URXS03DK21, urx-s03d/k21) UWP-D Portable Two-Channel Slot-In Receiver Digital Audio Processing for high quality sound The URX-S03D is the first two-channel portable receiver in the UWP-D Series that fits directly in the slot of Sony XDCAM and HDCAM camcorders. Working with the UTX-B03HR belt-pack transmitter, the system features easy channel setting functions, advanced functionality for stable RF transmission and Digital Audio Processing technology ensures high-quality sound. With advanced usability with Sony XDCAM and HDCAM camcorders, it also works seamlessly with Sony 800 and UWP Series transmitters. Digital Audio Processing for high quality sound Improves transient response performance between the UWP-D transmitter and receiver, providing impressive natural sound quality compared to conventional analogue wireless systems. Stable RF transmission True diversity reception system achieves highly stable reception from two adjustable receiving antennas, each with its own RF circuits. Great usability with Sony XDCAM and HDCAM camcorders The URX-S03D fits in the slot of Sony’s XDCAM camcorder with 2-channel digital audio connections directly from the DSP. It can also be matched with the slot of an HDCAM camcorder with single channel audio connection. Easy to use features Automatic channel setting function*, headphone output, USB connection for power supply and line input availability. *For customers in North and Latin America, when a /25 version of either transmitter or receiver is used with /14, /30 or /30A version of receiver or transmitter, AUTO SET (auto channel setting) function or frequency transferring function with IR sync cannot be used. Manual setting of matching frequencies is still available. Wide frequency coverage with choice of channels available The extra wide switching bandwidth covers a wide area, with a wide choice of channels available across multiple models – please refer to product specifications for more information. 14UC: 470.125 MHz to 541.875 MHz (UHF-TV channels 14 to 25) (not available in Brazil) 25UC: 536.125 MHz to 607.875 MHz (UHF-TV channels 25-36) 42LA: 638.125 MHz to 697.875 MHz (UHF-TV channels 42-51) (not available in US or Canada) Robust metal body The URX-P03 portable receiver is made of strong, durable metal. Metal construction supports reliable use in rough operating conditions. Weatherproof structure Waterproof structure of the URX-S03D makes it safe to use in extreme conditions Selectable squelch The squelch can be easily turned on or off in the menu. Compatible with a wide range of Sony camcorders PXW-X320, PXW-X400, PDW-850/750, PXW-X500, PMW-400/580, PDW-510/510P, PDW-530/530P, PDW-700/740/F800,PMW-TD300, PMW-500/350, PMW-320, (PMW-F5/F55 with CBK-55BK), HDW-F900R, HDW-650/680/800P, MSW-930P, DSR-400/400P, DSR-450WS/450WSP
URX-S03D/K33 UWP-D Portable Two-Channel Wireless Receiver
Sony URX-S03D/K33 (URX-S03D-K33, URX/S03D/K33, URX_S03D_K33, URXS03DK33, urx-s03d/k33) UWP-D Portable Two-Channel Wireless Receiver Digital Audio Processing for high quality sound The URX-S03D is the first two-channel portable receiver in the UWP-D Series that fits directly in the slot of Sony XDCAM and HDCAM camcorders. Working with the UTX-B03HR belt-pack transmitter, the system features easy channel setting functions, advanced functionality for stable RF transmission and Digital Audio Processing technology ensures high-quality sound. With advanced usability with Sony XDCAM and HDCAM camcorders, it also works seamlessly with Sony 800 and UWP Series transmitters. Digital Audio Processing for high quality sound Improves transient response performance between the UWP-D transmitter and receiver, providing impressive natural sound quality compared to conventional analogue wireless systems. Stable RF transmission True diversity reception system achieves highly stable reception from two adjustable receiving antennas, each with its own RF circuits. Great usability with Sony XDCAM and HDCAM camcorders The URX-S03D fits in the slot of Sony’s XDCAM camcorder with 2-channel digital audio connections directly from the DSP. It can also be matched with the slot of an HDCAM camcorder with single channel audio connection. Easy to use features Automatic channel setting function*, headphone output, USB connection for power supply and line input availability. *For customers in North and Latin America, when a /25 version of either transmitter or receiver is used with /14, /30 or /30A version of receiver or transmitter, AUTO SET (auto channel setting) function or frequency transferring function with IR sync cannot be used. Manual setting of matching frequencies is still available. Wide frequency coverage with choice of channels available The extra wide switching bandwidth covers a wide area, with a wide choice of channels available across multiple models – please refer to product specifications for more information. 14UC: 470.125 MHz to 541.875 MHz (UHF-TV channels 14 to 25) (not available in Brazil) 25UC: 536.125 MHz to 607.875 MHz (UHF-TV channels 25-36) 42LA: 638.125 MHz to 697.875 MHz (UHF-TV channels 42-51) (not available in US or Canada) Robust metal body The URX-P03 portable receiver is made of strong, durable metal. Metal construction supports reliable use in rough operating conditions. Weatherproof structure Waterproof structure of the URX-S03D makes it safe to use in extreme conditions Selectable squelch The squelch can be easily turned on or off in the menu. Compatible with a wide range of Sony camcorders PXW-X320, PXW-X400, PDW-850/750, PXW-X500, PMW-400/580, PDW-510/510P, PDW-530/530P, PDW-700/740/F800,PMW-TD300, PMW-500/350, PMW-320, (PMW-F5/F55 with CBK-55BK), HDW-F900R, HDW-650/680/800P, MSW-930P, DSR-400/400P, DSR-450WS/450WSP
URX-S03D/K42 UWP-D Portable Two-Channel Wireless Receiver
Sony URX-S03D/K42 (URX-S03D-K42, URX/S03D/K42, URX_S03D_K42, URXS03DK42, URX-S03D/K42, urx-s03d/k42) UWP-D Portable Two-Channel Wireless Receiver Digital Audio Processing for high quality sound The URX-S03D is the first two-channel portable receiver in the UWP-D Series that fits directly in the slot of Sony XDCAM and HDCAM camcorders. Working with the UTX-B03HR belt-pack transmitter, the system features easy channel setting functions, advanced functionality for stable RF transmission and Digital Audio Processing technology ensures high-quality sound. With advanced usability with Sony XDCAM and HDCAM camcorders, it also works seamlessly with Sony 800 and UWP Series transmitters. Digital Audio Processing for high quality sound Improves transient response performance between the UWP-D transmitter and receiver, providing impressive natural sound quality compared to conventional analogue wireless systems. Stable RF transmission True diversity reception system achieves highly stable reception from two adjustable receiving antennas, each with its own RF circuits. Great usability with Sony XDCAM and HDCAM camcorders The URX-S03D fits in the slot of Sony’s XDCAM camcorder with 2-channel digital audio connections directly from the DSP. It can also be matched with the slot of an HDCAM camcorder with single channel audio connection. Easy to use features Automatic channel setting function*, headphone output, USB connection for power supply and line input availability. *For customers in North and Latin America, when a /25 version of either transmitter or receiver is used with /14, /30 or /30A version of receiver or transmitter, AUTO SET (auto channel setting) function or frequency transferring function with IR sync cannot be used. Manual setting of matching frequencies is still available. Wide frequency coverage with choice of channels available The extra wide switching bandwidth covers a wide area, with a wide choice of channels available across multiple models – please refer to product specifications for more information. 14UC: 470.125 MHz to 541.875 MHz (UHF-TV channels 14 to 25) (not available in Brazil) 25UC: 536.125 MHz to 607.875 MHz (UHF-TV channels 25-36) 42LA: 638.125 MHz to 697.875 MHz (UHF-TV channels 42-51) (not available in US or Canada) Robust metal body The URX-P03 portable receiver is made of strong, durable metal. Metal construction supports reliable use in rough operating conditions. Weatherproof structure Waterproof structure of the URX-S03D makes it safe to use in extreme conditions Selectable squelch The squelch can be easily turned on or off in the menu. Compatible with a wide range of Sony camcorders PXW-X320, PXW-X400, PDW-850/750, PXW-X500, PMW-400/580, PDW-510/510P, PDW-530/530P, PDW-700/740/F800,PMW-TD300, PMW-500/350, PMW-320, (PMW-F5/F55 with CBK-55BK), HDW-F900R, HDW-650/680/800P, MSW-930P, DSR-400/400P, DSR-450WS/450WSP
Sony X25881713 (X2_5881713, X25881713, X2/5881713, X2 5881713) Audio Cover Assy. Sony Audio cover assy for PMW-300.
Sony X25923891 (X2 5923891, X2_5923891, X25923891, X2/5923891) Microphone Support. Sony Microphone support for PXW-FS7M2 (251).
Sony X31679021 (X3_1679021, X3 1679021, X3/1679021, X31679021) Windscreen Sponge. Sponge windscreen for UTX-B1 series capsule - ECM-V1BMP Ø 8,5mm snap connection.
XSW-D Mini Jack RX Mount Receiver (2.4 GHz)
Sennheiser 508500 (508/500, 508_500, 508 500) XSW-D Mini Jack RX Mount Receiver (2.4 GHz) The Sennheiser XS Wireless Digital series includes ‘plug and play’ wireless transmitters and receivers that operate on the 2.4GHz spectrum for license-free use. These compact plug-on style units include connection types of 3-pin XLR, 6.3mm jack, or 3.5mm jack and have been designed for uses including vlogging, social rooms, and educational placement. Multiple transmitters can be linked to a single receiver, and a mute function can be applied from either transmitting or receiving device. The 3.7V, 850mAh lithium-ion battery provides up to 5 hours of operational run time from a typical 3 hour charge, whilst up to five channels, which are automatically adjusted, can be simultaneously used. Under optimal conditions a 75m range can be achieved.
XSW-D XLR Female TX Plug-On Transmitter for XSW-D Digital Wireless System
Sennheiser 508494 (508-494,508/494, 50-84-94) (XSW/D, XSW_D) (XLR-Female-TX, XLR/Female/TX) XSW-D XLR Female TX Plug-On Transmitter for XSW-D Digital Wireless System Part of the Sennheiser XSW-D digital wireless system, the XSW-D XLR FEMALE TX plug-on transmitter is available as an individual component when you're ready to add an additional transmitter to your system or as a replacement unit. Exceptionally lightweight and low-profile, the XSW-D XLR FEMALE TX features an XLR input connector ready to accommodate a handheld dynamic vocal microphone or self-powered shotgun mic. The XSW-D puts world-renowned Sennheiser wireless sound quality in a miniaturized, plug-and-play, 1-button digital system that anyone can use. Plug it in, power it up, and you're immediately up and running, instantly lightening your workload so you can concentrate on your performance. Easy to Use The 1-button, 1-LED concept with single-button interface and status indicator effortlessly handles power and linking tasks for you—without the need for any additional button pressing. Step Up to Sennheiser Sound Quality Sennheiser wireless mic systems are an industry standard, prized by professionals for their clarity and reliability. The XSW-D system allows first-time and budget-conscious users to get their hands on genuine Sennheiser sound quality without breaking the bank. Clean Audio without Drop Outs Nothing ruins a take like hearing the weather report coming through your mic. Unlike traditional analog wireless systems, the XSW-D digital system operates in the 2.4 GHz ISM band, protecting the integrity of your signal from interruptions and drop outs caused by TV channels, radios, or other sources. Thanks to Sennheiser's channel allocation and interference management technology, the system selects the best operating frequency and automatically switches to a clean channel to provide reliable transmission at a distance up to 250' line of sight. License-Free Operation Worldwide Because the XSW-D system operates in the license-free 2.4 GHz band, you don't have to worry about local licensing laws, frequency coordination, and other technical hassles. Simply let the system pick a channel for you, and you're ready to go—whether you're working at home or anywhere in the world.
XSW-D-Mini-Jack-TX Transmitter for XSW-D Digital Wireless System (2.4 GHz)
Sennheiser 508495 (508-495, 508/495, 50-84-95) (XSW/D/Mini/Jack/TX, XSW_D_Mini_Jack_TX, XSW-D-Mini-Jack-TX Transmitter for XSW-D Digital Wireless System (2.4 GHz) Part of the Sennheiser XSW-D digital wireless system, the XSW-D MINI JACK TX bodypack transmitter is available as an individual component when you're ready to add an additional transmitter to your system, or as a replacement unit. The XSW-D MINI JACK TX features a 3.5mm locking microphone input connector, ready to accommodate a lavalier or headset mic. This exceptionally lightweight and compact transmitter can be easily concealed in your pocket or discreetly attached to your waist with a belt clip (available separately). The XSW-D puts world-renowned Sennheiser wireless sound quality in a miniaturized, plug-and-record, 1-button digital system that anyone can use. Plug it in, power it up, and you're immediately up and running, instantly lightening your workload so you can concentrate on creating. Easy to Use The 1-button, 1-LED concept with single-button interface and status indicator effortlessly handles power and linking tasks for you—without the need for any additional button pressing. Step Up to Sennheiser Sound Quality Sennheiser wireless mic systems are an industry standard, prized by professionals for their clarity and reliability. The XSW-D system allows first-time and budget-conscious users to get their hands on genuine Sennheiser sound quality without breaking the bank. Clean Audio without Drop Outs Nothing ruins a take like hearing the weather report coming through your mic. Unlike traditional analog wireless systems, the XSW-D digital system operates in the 2.4 GHz ISM band, protecting the integrity of your signal from interruptions and drop outs caused by TV channels, radios, or other sources. Thanks to Sennheiser's channel allocation and interference management technology, the system selects the best operating frequency and automatically switches to a clean channel to provide reliable transmission at a distance up to 250' line of sight. License-Free Operation Worldwide Because the XSW-D system operates in the license-free 2.4 GHz band, you don't have to worry about local licensing laws, frequency coordination, and other technical hassles. Simply let the system pick a channel for you, and you're ready to get started—whether you're working at home or anywhere in the world.
XSW-D-XLR-MALE-RX -Plug-On Receiver for XSW-D Digital Wireless System (2.4 GHz)
Sennheiser 508497 (508-497, 508/497, 508 497) (XSW/D/XLR/MALE/RX, XSW_D_XLR_MALE_RX) XSW-D-XLR-MALE-RX -Plug-On Receiver for XSW-D Digital Wireless System (2.4 GHz) Part of the Sennheiser XSW-D digital wireless system, the XSW-D XLR MALE RX XLR plug-on receiver is available as an individual component to be used as a backup receiver or as a replacement unit. It features an XLR-male connector, ready to plug directly into the input of a wide variety of professional audio gear, including mixing boards and portable PA systems. The XSW-D puts world-renowned Sennheiser wireless sound quality in a miniaturized, plug-and-go, 1-button digital system that anyone can use. Plug it in, power it up, and you're immediately up and running, simplifying your setup so you can concentrate on delivering your performance with confidence. Easy to Use The 1-button, 1-LED concept with single-button interface and status indicator effortlessly handles power and linking tasks for you—without the need for any additional button pressing. Step Up to Sennheiser Sound Quality Sennheiser wireless mic systems are an industry standard, prized by professionals for their clarity and reliability. The XSW-D system allows first-time and budget-conscious users to get their hands on genuine Sennheiser sound quality without breaking the bank. Clean Audio without Drop Outs Nothing ruins a take like hearing the weather report coming through your mic. Unlike traditional analog wireless systems, the XSW-D digital system operates in the 2.4 GHz ISM band, protecting the integrity of your signal from interruptions and drop outs caused by TV channels, radios, or other sources. Thanks to Sennheiser's channel allocation and interference management technology, the system selects the best operating frequency and automatically switches to a clean channel to provide reliable transmission at a distance up to 250' line of sight. License-Free Operation Worldwide Because the XSW-D system operates in the license-free 2.4 GHz band, you don't have to worry about local licensing laws, frequency coordination, and other technical hassles. Simply let the system pick a channel for you, and start performing—whether you're working at home or anywhere in the world.
ZTX-M02RC Digital Wireless Handheld Transmitter
Sony ZTX-M02RC (ZTX/M02RC, ZTX_M02RC, ZTX M02RC, ZTXM02RC, ztx-m02rc) Digital Wireless Handheld Transmitter The ZTX-MO2RC Digital Wireless Handheld Transmitter from Sony features an interchangeable unidirectional microphone capsule and is designed for use with DMZ wireless systems. The ZTX-MO2RC can transmit 24-bit linear PCM digital data in 128-bit encryption to provide secure and safe use. Its has two RF transmission modes to select from, wide band hopping and narrow band hopping, allowing you to choose the mode that will provide the least amount of interference based upon the RF environment you are in. An integrated attenuator allows you to select from 0, 6, or 12dB of reduction directly from the microphone. The ZTX-MO2RC has a metal body designed for durability.