16.5 Inch Full HD Trimaster EL OLED Reference Monitor

Sony BVM-E171 (BVM_E171, BVM/E171, BVM E171) 16.5 Inch Full HD Trimaster EL OLED Reference Monitor 16.5-inch TRIMASTER EL™ reference monitor, with 2nd Gen OLED. Dramatically improved viewing angle for critical picture evaluation in the studio and on-set TRIMASTER EL™ reference monitor with 2nd Gen OLED panel. Dramatically improved viewing angle for critical picture evaluation in the studio and on-set For professional applications such as colour grading, high-end editing, broadcasting and scientific research, Sony’s leading edge Organic Light-Emitting Diode (OLED) technology and signals processing technology ensures absolutely outstanding performance with the BVM-E171. The colour shift depending on the viewing angle has reduced to less than half compared to the 1st generation OLED panel. It allows several people to evaluate the image with extreme accuracy at the same time, increasing the monitor’s versatility in top end monitoring solutions. State-of-the-art product Super Top Emission technology enhances OLED’s intrinsic benefits to deliver outstanding black performance, a quick response time with virtually no motion blur, and a wide colour gamut. A 12-bit output digital signal processing engine provides a nonlinear cubic conversion colour-management system that delivers precise colour reproduction, stunning picture uniformity, smoother-than-ever gamma performance, and picture quality consistency. Flicker free mode The TRIMASTER EL OLED panel’s superb quick response and scan-driving performance deliver stunning picture quality with virtually no motion blur. However, there is a possibility that flicker is just visible especially when a lower frequency signal is displayed (24p, 24PsF, and 50i). To remove visible flicker, the BVM-E171 is equipped with Flicker-free mode. DC Operation The BVM-E171 can be DC operated. Due to its lightweight and slim design, the BVM-E171 is ideal for field applications. ITU-R BT.2020 support for 4K production BVM-E171 is surely an HD monitor that conforms to ITU-R BT.709 colour space. Responding to an increase of the demand of using an HD monitor in a 4K production, BVM-E171 newly supports ITU-R BT.2020 colour space and transfer matrix. Accepts computer signals via HDMI The BVM-E171 accepts various computer signals input up to 1920 x 1080 through its HDMI connector. It is also equipped with Digital Cinema 2048 x 1080 signals.  

17 inch LCD Monitor with BKM-PL17 Panel Protection Kit

Sony LMD-A170/R (LMDA170/R, LMD/A170/R, lmd-a170/r)(BKM/PL17, BKM_PL17) 17 inch LCD Monitor with BKM-PL17 Panel Protection Kit The monitor features an IPS LCD display with wide 178° horizontal and vertical viewing angles and provides 3G/HD/SD-SDI, HDMI, and composite inputs, which support NTSC/PAL, 720p, 1080i, and 1080p input signals with frames rates from 24p to 60p.The monitor introduces several new features and upgrades from previous LMD series monitors, including a new low latency automatic I/P conversion, new video processing engine for improved image accuracy, on screen tally, and yoke mounting screw holes. The monitor also provides a wide range of professional monitoring features, such as built-in waveform and vectorscope, focus assist with adjustable colored peaking, time code display, and a Slog2 to Rec 709 LUT.A built-in audio decoder lets you display up to 16 channels of embedded SDI audio. Audio can be monitored using the 3.5mm headphone jack on the front panel, or with the 1W built-in speaker. A composite input with loop-out provides connectivity for standard-definition analog devices and is paired with a 3.5mm stereo mini jack audio input. Two Ethernet ports provide connectivity for serial and parallel remotes; letting you control and load monitor settings via your network, as well as upgrade the monitor's software. For use in the field, there is a 12V DC power input on 4-pin XLR.The monitor is compatible with standard VESA 100 x 100mm mounting hardware. Optional rack mount brackets are also available. Monitor feet and a handle are included. Stylish lightweight and slim body with industry’s widest viewing angle Robust and stylish sharp edges chassis. Perfect for group monitoring. More than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. It provides cost savings for transportation and power consumption. It also saves space and weight in digital galleries. Latest camera-linkage functions Includes camera and lens metadata display and a Picture and Picture function with side by side, wipe, blending, difference and auto input switching. Ideal for OnSet and live production monitoring. User presets and password protection Secure your monitor settings for greater peace of mind. Five user presets are available. One colour temperature memory USER1 can also be password protected. 2K format display and Dual-Link HD-SDI mode This feature offers a cost effective 2K monitoring solution, ideal for OnSet digital cinematography. In addition, a Dual-link HD-SDI input is available. Multiple monitors firmware upgrade utility Save you time to upgrade simultaneously your monitors through your network.

17-inch Full HD LCD Monitor

Sony LMD-B170 (LMDB170, LMD/B170, lmd-b170) 17-inch Full HD LCD Monitor The LMD-B170 17-inch LMD-B Series lightweight and compact LCD monitor offers Full HD resolution. The monitor boasts similar mass and power consumption as Sony’s previous, smaller 15-inch models, as well as a 24% reduction in depth. The LMD-B Series offers convenient features, functions and the same user-interface design and operability as PVM-A Series OLED and LMD-A Series Premium LCD picture monitors. This consistency between the PVM-A, LMD-A and LMD-B Series makes it easy for users to work with all three monitors and integrate them in the same work environment.The LMD-B Series monitors are a cost-effective and versatile solution for a wide range of professional applications, including DC operation and wall-mounting. In addition, the LMD-B170 includes a natural ventilation system meaning no audio disruption from an internal cooling fan, making the monitor highly suitable for video shooting and critical audio operations. Industry standard 17-inch screen size and Full HD resolution The LMD-B170’s industry standard 17-inch screen is ideal for a wide variety of applications, from a desk-top use to wall-mounting, arm-mounting and outfield shooting. The Full HD (1920 x 1080) resolution is approximately 200% higher resolution than Wide-XG A(1366 x 768 or 1280 x 768), giving you sharp focus for pixel-by-pixel checking of a Full HD video with no scaling. Stylish lightweight and slim body The monitor has a robust and stylish sharp-edges chassis. Lighter weight and lower power consumption saves you money as well as space and weight in digital galleries. The monitor is also ideal for stand-alone applications such as basic non-linear editing, audio control room, simple video monitoring or video shooting. It's easy to carry. Simple all-in-one design style with front stereo speakers and natural ventilation system The LMD-B170 inherits its all-in-one design style from the PVM-A and LMD-A series. It has the mandatory interfaces such as SDI, HDMI and composite video with stereo analogue audio. You can monitor the embedded audio signals of an SDI signal on the audio level meters of the screen. 2W+2W front stereo speakers are more powerful than a monaural speaker or a rear speaker system and you can get a good stereophonic effect from them. It can be powered by both AC and DC with no AC adaptor. The supplied stand has a tilt function and a 100mm x 100mm wall mounting function means you can install it more flexibly. Its natural ventilation system ensures there are no distracting cooling fan noise. Easy operation in a group of Sony PVM/LMD monitors With the same operability as the PVM-A and LMD-A Series, you can easily go back and forth when using monitors from the different ranges in one system. You can easily select the best monitor for a function, according to your feature, quality and budget requirements. Selected essential functions for basic video operations LMD-B170 offers vital functions, including Markers, WFM/Vector, audio level meters, timecode display, camera focus function, side by side, Flip H/V and on-screen tally. The user reset function makes it easy to return the monitor to the default setting very quickly. This is very useful if a user is not familiar with the monitor settings. LMD-B170 can be also operated in one of 7 languages (Chinese, English, French, Germany, Italian, Japanese and Spanish). Lightweight and compact with lower power consumption The LMD-B170 offers a design that is uniquely lightweight and compact. Its weight and power consumption is much the same as the predecessor 15-inch models, despite having a 2-inch larger screen. Its depth is reduced by more than 24%. Optimised low-latency I/P conversion The I/P conversion system delivers automatically optimised signal processing according to input signals with low-latency (less than 0.5 field). This system helps users to edit and monitor for a live production. Video input versatility The LMD-B170 monitor is equipped with built-in standard input interfaces: HD/SD-SDI (x2), HDMI (HDCP) input (x1) and composite (x1). Computer input versatility Multiple computer signals can be received via an HDMI/DVI interface; the resolution range is from 640 x 480 to 1680 x 1050 pixels. Waveform monitor, vector scope and audio level meter display An input signal waveform and vector scope with an SDI-embedded 2-channel audio level meter can be displayed on screen. The waveform of a specified line can also be displayed. In conjunction with the Picture & Picture function, the waveform monitor and vector scope display can monitor two camera signals. In addition, an audio level meter can display the embedded audio signal from the SDI or HDMI input. It can display on screen the ch1 to ch8 or ch9 to ch16. Front stereo speakers 2W+2W front stereo speakers are more powerful than a monaural speaker or a rear speaker system and you can get a good stereophonic effect from them. You can select audio sources from either embedded audio or analog audio. User-friendly operability and user interface This monitor has an intuitive and appropriate user interface for a video production. You can easily choose an input and a function by a single click. Rotary encoder knob is easy to select an item and enter it. The lighted control panel has a good readability in dark. This user interface including OSD menu layout is carefully designed for a time critical operation as either a single unit or multiple units with the Sony different range of professional monitors in one system. Consistent design with PVM/LMD-A Series monitors LMD-B170 monitor offers the same functions and operability as PVM-A and LMD-A Series monitors and shares a consistent front control panel design. This means that these types of monitor can be operated and controlled in the same way. User reset, key inhibit, user short-cut to function key configuration When multiple users share the same monitor, you need to reset it in a quick operation. User reset function quickly returns the unit to the default settings. Key inhibit protects the required settings of it from any inadvertent operations For improving speed of the function key configuration, the user can take a short-cut to the settings menu screen by simply holding down one of the Function keys. Camera focus function The LMD-B170 monitor can control the aperture level of a video signal, and display images on the screen with sharpened edges to help camera focus operation. Further to this, the sharpened edges can be displayed in user-selectable colours (white, red, green, blue, and yellow) for more precise focusing. Time code function LTC and VITC time code can be displayed at the top or bottom of the picture. Side by side function The side by side function of the LMD-B170 allows simultaneous display of two input signals on the monitors screen. This function helps with colour adjustment and setting of camera frames. This function works when synchronous SDI signals are input. On-screen tally The monitor is also equipped with a three-colours red, green and yellow on-screen tally function. The position of the tally display can be changed to either the upper or lower section of the screen. Flip functions The Flip function turns the reversed image to a normal view, horizontally or vertically. DC low power indicator DC power supply is available in the range of 12V to 17V. The power indicator blinks when the DC power supply is low. Wall-mount capability There are also wall-mount 100mm pitch holes on each monitor’s rear panel. A built-in AC circuit allows you to install the monitor more easily and flexibly than a monitor with an AC adaptor. Natural ventilation system There is no cooling fan inside and making the monitor suitable for video shooting and critical audio operations.

17" LCD Production Monitor

Sony LMD-A170 (LMD_A170, LMD/A170, LMD A170) 17" LCD Production Monitor The LMD-A170 is a 17-inch LMD-A Series LCD monitor offers Full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. The LMD-A Series offers the same user-interface design, convenient features, functions and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user benefits when both types of monitor are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the field. These include DC operation, VESA mount and yoke-mount holes, and an optional protection kit. The LMD-A series offers full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. This Series also offers the same user-interface design, convenient features and functions, and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user benefits when both types of monitor are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the field: DC operation, VESA mount and yoke-mount holes, and an optional protection kit (LMD-A170 only). This broad and powerful professional LCD monitor continues to meet the broadest range of application needs for excellent cost:performance picture monitoring.

22-inch LCD Production Monitor

Sony LMD-A220 (LMDA220, LMD/A220, lmd-a220) 22-inch LCD Production Monitor The LMD-A220 22-inch LMD-A Series LCD monitor offers Full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. The LMD-A Series offers the same user-interface design, convenient features, functions and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user benefits when both types of monitor are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the field. These include DC operation, VESA mount and yoke-mount holes. Stylish lightweight and slim body with industry’s widest viewing angle Robust double-coated paint finish and stylish sharp edges chassis. Perfect for group monitoring. More than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. It provides cost savings for transportation and power consumption. It also saves space and weight in digital galleries. Latest camera-linkage functions Includes camera and lens metadata display and a Picture and Picture function with side by side, wipe, blending, difference and auto input switching. Ideal for OnSet and live production monitoring. User presets and password protection Secure your monitor settings for greater peace of mind. Five user presets are available. One colour temperature memory USER1 can also be password protected. 2K format display and Dual-Link HD-SDI mode This feature offers a cost effective 2K monitoring solution, ideal for OnSet digital cinematography. In addition, a Dual-link HD-SDI input is available. Multiple monitors firmware upgrade utility Save you time to upgrade simultaneously your monitors through your network.  

24-inch LCD Production Monitor

Sony LMD-A240 (LMD/A240, LMD_A240, LMD A240) 24-inch LCD Production Monitor The LMD-A240 24-inch LMD-A Series LCD monitor offers Full HD resolution, along with a lightweight and compact design. There is more than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. The LMD-A Series offers the same user-interface design, convenient features, functions and operability as PVM-A Series OLED picture monitors. This consistency between the PVM-A and LMD-A Series brings great user benefits when both types of monitor are used in the same network. Furthermore, LMD-A Series monitors provide versatility for a wide range of user applications both in the studio and in the field. These include DC operation, VESA mount and yoke-mount holes. Stylish lightweight and slim body with industry’s widest viewing angle Robust double-coated paint finish and stylish sharp edges chassis. Perfect for group monitoring. More than a 12% to 22% reduction in mass, 30% reduction in depth, and more than 25% reduction in power consumption, compared to Sony’s previous models. It provides cost savings for transportation and power consumption. It also saves space and weight in digital galleries. Latest camera-linkage functions Includes camera and lens metadata display and a Picture and Picture function with side by side, wipe, blending, difference and auto input switching. Ideal for OnSet and live production monitoring. User presets and password protection Secure your monitor settings for greater peace of mind. Five user presets are available. One colour temperature memory USER1 can also be password protected. 2K format display and Dual-Link HD-SDI mode This feature offers a cost effective 2K monitoring solution, ideal for OnSet digital cinematography. In addition, a Dual-link HD-SDI input is available. Multiple monitors firmware upgrade utility Save you time to upgrade simultaneously your monitors through your network.  

24.5 Inch Full HD Trimaster EL OLED Reference Monitor

Sony BVM-E251 (BVM_E251, BVM/E251, BVM E251) 24.5 Inch Full HD Trimaster EL OLED Reference Monitor 24.5-inch TRIMASTER EL™ reference monitor, with 2nd Gen OLED. Dramatically improved viewing angle for critical picture evaluation in the studio and on-set For professional applications such as colour grading, high-end editing, broadcasting and scientific research, Sony’s leading edge Organic Light-Emitting Diode (OLED) technology and signals processing technology ensures absolutely outstanding performance with the BVM-E251. The colour shift depending on the viewing angle has reduced to less than half compared the 1st generation OLED panel. It allows several people to evaluate the image with extreme accuracy at the same time, increasing the monitor’s versatility in top end monitoring solutions. State-of-the-art product Super Top Emission technology enhances OLED’s intrinsic benefits to deliver outstanding black performance, a quick response time with virtually no motion blur, and a wide colour gamut. A 12-bit output digital signal processing engine provides a nonlinear cubic conversion colour-management system that delivers precise colour reproduction, stunning picture uniformity, smoother-than-ever gamma performance, and picture quality consistency. Flicker free mode The TRIMASTER EL OLED panel’s superb quick response and scan-driving performance deliver stunning picture quality with virtually no motion blur. However, there is a possibility that flicker is just visible especially when a lower frequency signal is displayed (24p, 24PsF, and 50i). To remove visible flicker, the BVM-E251 is equipped with Flicker-free mode. DC Operation The BVM-E251 can be DC operated. This feature gives more flexibility and mobility to users who want the larger size screen for the on-set application. ITU-R BT.2020 support for 4K production BVM-E251 is surely an HD monitor that conforms to ITU-R BT.709 colour space. Responding to an increase of the demand of using an HD monitor in a 4K production, BVM-E251 newly supports ITU-R BT.2020 colour space and transfer matrix. Accepts computer signals via HDMI The BVM-E251 accepts various computer signals input up

31inch 4K Trimaster HX Professional Master Monitor

Sony BVM-HX310 (BVM_HX310, BVM/HX310, BVM_HX310) 31inch 4K Trimaster HX Professional Master Monitor It’s the 4K HDR monitor professional colourists have been waiting for. An optimal choice for critical colour grading and CG tasks, the BVM-HX310 offers support for industry‑leading wide colour gamuts including DCI‑P3, ITU‑R BT.2020, S‑Gamut3.cine and S‑Gamut3. With consistent, faithful colour reproduction over the entire luminance range, it’s an ideal partner for cinematography production and post production workflow with Sony’s 4K cinematography cameras. Note: BVM‑HX310 does not cover the ITU-R BT.2020, S-Gamut/S-Gamut3 and S-Gamut3.cine colour space in full. Fully realising the advanced performance of the TRIMASTER HX panel, the BVM-HX310 achieves 1,000 nits* of full-screen brightness with 1,000,000:1 contrast ratio. It’s ideal for producing High Dynamic Range (HDR) content with rich, deep black areas and accurate reproduction of bright peak highlights. Together with support for a much wider colour gamut than conventional monitors, the BVM-HX310 can reproduce high-resolution HDR images with images clarity, depth and realism. As well as conventional 2.2, 2.4, 2.6, and CRT gamma, the BVM-HX310 supports standardized Electro-Optical Transfer Functions (EOTF) for HDR such as SMPTE ST.2084 and ITU-R BT.2100 (HLG). Both standards are used to meet the demands of today’s broadcast and cinematography industries. Additional EOTF tables for live and post production environments include 2.4 (HDR), S-Log2 (HDR), S-Log3 (HDR) and S-Log3 (Live HDR) – enabling easy workflows close to that of film while delivering 4K wide dynamic range. Support for VPID (Video Payload ID) identifies EOTF, colour space and RGB source information embedded in the SDI signal. Monitor settings are adjusted automatically, cutting the risk of human error in pressured live production environments. The BVM-HX310 effortlessly keeps pace with today’s production workflows. Integration in the latest system environments is streamlined with a single-cable 12G-SDI input, plus connections for 3G-SDI, HD-SDI including Single Link/Dual Link and HDMI (HDCP2.3/1.4). Easily check the effect of different LUTs while you’re on set or in post. Load customised User LUT (Look Up Table) files from a USB stick for comparison during pre-grading or with a different EOTF. See the effect of different LUTs at the touch of a button. Quad View Display mode allows instant comparison of up to four sets of custom display settings, including EOTF, Colour Space, Transfer Matrix and Colour Temperature, Contrast, Brightness and Chroma. It’s invaluable for comparing original footage with the look of different EOTF converted images. View up to four LUTs side-by-side in Quad View display mode. Minimal processing delays are a critical factor in live production and broadcasting applications. With a processing delay of less than one video frame, the BVM-HX310 is ideally suited to the demands of real time video monitoring. Interlace Display mode offers faithful reproduction of 1080i input signals, free from artefacts and picture degradation that can often occur during I/P conversion. Anyone who’s used the BVM‑X300 master monitor will feel instantly at home with the familiar front control panel of the BVM-HX310. Seven user assignable function buttons are complemented by manual controls for aperture, chroma, brightness, and contrast. Usability is enhanced further with dimmable button lights and on/off switchable indicator lights.

55-inch Trimaster EL OLED Professional Monitor

Sony PVM-X550 (PVMX550, PVM/X550, pvm-x550) 55-inch Trimaster EL OLED Professional Monitor The Sony PVM-X550 is a 55-inch, 3840 x 2160 4K TRIMASTER EL™ OLED monitor offering high grade picture quality suitable for critical monitoring applications.  It has a thin bezel and light weight making it suitable for wall mounting. The OLED display ensures true black performance, plus quick pixel response and high colour fidelity. There is a quad view display allowing for different individual settings for each display. The display also supports HDR (High Dynamic Range) and a wide colour gamut supporting DCI-P3 and most of the ITU-R BT.2020 standard.  Designed to be an ideal companion to the standard-setting BVM-X300 monitor, the PVM-X500 provides an impressive preview client viewing platform. Its 4K OLED display gives vibrancy,colour accuracy and resolution in equal measure, with a wide choice of colour spaces depending on your application, be that broadcast or cinema. The OLED screen type lends itself well to HDR with breathtaking contrast and represents blacks in their truest form, as well as having fast refresh giving vitually no motion blur.

7" 1000-nit Touchscreen Monitor with HDMI In/Out

Portkeys 7" 1000-nit Touchscreen Monitor with HDMI In/Out The Portkeys LH7C is a 7-inch monitor designed for content creators seeking a lightweight, rugged on-camera monitor that doesn’t compromise on advanced camera control for Sony, Canon, and Panasonic cameras. Extremely thin and weighing only 245g/8.6oz (without battery), the polycarbonate and ABS construction helps keep the weight low, fitting naturally into any rig without weighing down your setup. The 7.0″ FullHD touchscreen LCD offers 1,000 nits of brightness, making it daylight-viewable. Designed for modern workflows, the LH7C combines an HDMI video signal and wired camera control via a single cable using the TA03Y USB-C/HDMI adapter. This two-in-one solution simplifies cabling, reduces clutter, and improves reliability on set. To set up, simply connect the TA03Y cable to your camera’s HDMI and USB-C ports, then attach the other end to the monitor. Power the LH7C using either a Sony L-Series battery or an external DC input. Once powered and connected, the monitor will automatically recognize supported cameras. Within moments, you can adjust key camera settings such as ISO, aperture, shutter speed, white balance, autofocus, and trigger recording directly from the LH7C touchscreen, with intuitive on-screen controls making configuration smooth and fast. The LH7C supports the operation of various Sony, Canon, and Panasonic cameras. It is compatible with well-known models, including the Sony FX3/FX30, the A7S III/A7 IV/A7V/A9 III mirrorless cameras; the Canon EOS R1, R5 Mark II, R6 Mark III; and Panasonic S1/S1R and S5II/S5IIX, to name a few. The LH7C runs on MOVNORM OS, a fast and minimalist interface offering all the essential professional tools

AO-ATOMCAB018 USB-C to Serial Calibration & Control Cable

Atomos AO-ATOMCAB018 (AO/ATOMCAB018, AO_ATOMCAB018, AOATOMCAB018, ATOMCAB018, ao-atomcab018) USB-C to Serial Calibration & Control Cable The Atomos USB Type-C to Serial LANC Calibration Cable is 13″ long end-to-end and allows you to connect virtually any Atomos monitor or monitor/recorder to a computer for use with select calibration systems. When using the Atomos calibration software, which is provided as a free download for Windows and Mac on the Atomos website, this cable can be used with the X-Rite i1 Display Pro calibration hardware. But you can also use optional third-party calibration software, in which case the cable can be used with any calibration hardware compatible with that software, such as Datacolor Spyder systems in many cases. The cable features a USB Type-C computer interface and has a 2.5mm LANC connector on the other end. Almost every Atomos monitor has a matching 2.5mm LANC port.

AO-ATOMNJAU01 Ninja Ultra 5inch HDR Monitor-Recorder

Atomos AO-ATOMNJAU01 (AO/ATOMNJAU01, AO_ATOMNJAU01, AOATOMNJAU01, AO ATOMNJAU01) Ninja Ultra 5inch HDR Monitor-Recorder Ninja Ultra is a leap forward in filmmaking technology that captures your vision in ProRes RAW up to 8K 30P, 6K 60P & 4K 120P with full codec flexibility choice between ProRes RAW, ProRes, DNxHD & H.265 (HEVC). Ninja Ultra has been built with a new operating system AtomOS 11 that hosts new and exclusive monitoring and recording features that bring creativity to life in every project, from cinematic to social media. RecordAssist and PlayBackAssist cover pre-arranged or remote shots, while improved false colour tools like ARRI False Colour or EL Zone fit with today's creators needs. In conjunction with the Atomos Connect, it opens up ultra-efficient cloud workflows, including dual record ProRes RAW/H.265 for Camera to Cloud and 4K H.265 for instant publishing from the cloud, and the SDI Cine feature for automated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI cameras. Share what’s on your Atomos screen with other Atomos Connect users, as well as with Shogun Connect, iPads, Macs and Apple TVs wirelessly in the same premises or anywhere in the world with full audio communication between devices in the included feature Atomos RemoteView*. These new features bring even more versatility to the Ninja Ultra, providing professional I/O options for a multitude of cameras 12G-SDI, AirGlu wireless timecode and control and up to 4K NDI– from entry level mirrorless cameras through to the latest compact cinema and high-end professional cameras. Ninja Ultra supports WiFi 6E that boosts cloud video workflows offering more a stable connection. Atomos’ close partnerships with major camera manufacturers ensure that Ninja Ultra works flawlessly with an increasing range of DSLR, mirrorless and cinematic cameras. CAPTURE YOUR VISION WITH THE NINJA ULTRA Ninja Ultra brings your creativity to life in every project, from cinematic to social media, HDR and SDR. It pairs flawlessly with a huge range of HDMI-equipped cameras, from professional cinema to mirrorless. RECORD WITH THE ULTIMATE MONITOR-RECORDER Ninja Ultra is the ultimate field monitor for on-the-go film and video creators who value high-quality industry-standard codecs like ProRes and ProRes RAW. The Ninja’s state-of-the-art screen maintains clarity and colour in the brightest conditions and displays bright, clear HDR images for on-set or on-location monitoring. COMPACT MONITOR-RECORDER MADE PERFECT The Atomos Ninja Ultra features a stunningly bright 5.2-inch 10-bit HDR monitor with 1000nits brightness. Sleek and durable, the aluminium body weighs just 360g and is only 25mm deep for easy mounting on any rig. NEW ATOMOS, NEW LOOK, NEW POSSIBILITIES Introducing a new version of our operating system, AtomOS 11. Built uniquely for the new Ninja Ultra, it not only looks amazing but introduces a host of great new features. We’ve made the tools more visible and improved the look of the icons so you know exactly what you’re selecting. It’s easier to use, more logical and feels more professional. ENDLESS FEATURES WITH OS11 The Ninja Ultra offers a huge range of features that can enhance your workflow, including AtomOS Monitor Assist features like Focus Peaking, Zoom, Vectorscopes & Atomos and ARRI False Colour, EL Zone colourized exposure through to Safe Areas, Cine Guides and our AtomHDR processing engine that allows realtime Log>PQ/HLG previewing and more. UNLOCK THE FULL POTENTIAL OF YOUR CAMERA WITH NINJA ULTRA Ninja Ultra’s wide range of codecs makes it compatible with all major editing software packages. Virtually any HDMI or SDI source is supported, including cameras from Nikon, FujiFilm, Canon, Panasonic, Sony, Z-Cam, Sigma, Olympus, RED and ARRI. NINJA ULTRA & UP TO 8K PRORES RAW Over 55 cameras now support RAW recording over HDMI on the Ninja and this list is still growing. Apple ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes. It gives filmmakers enormous latitude to adjust the look of their images, making it ideal for HDR workflows. The new Apple ProRes RAW plug-in adds camera-specific characteristics to the mix. NINJA ULTRA & ATOMOS CONNECT MODULE Add an Atomos Connect module to the Ninja Ultra to access to cloud workflows like C2C, Atomos Edit and Atomos RemoteView via Atomos Cloud Studio. Connect also features 12G-SDI, AirGlu wireless timecode and control, Wi-Fi 6E and GigE Ethernet. Access to Atomos RemoteView with a subscription to Atomos Cloud Services, using Atomos Credits for a simple 'pay as you go service'. Atomos RemoteView is a unique new service that lets you share what’s on your Atomos screen with other Atomos users, as well as with iPads, Macs and Apple TVs wirelessly. You can monitor what’s happening on-set and look through the camera taking the shot. What’s more, you can do this remotely from anywhere in the world. It’s a new degree of creative freedom for filmmakers. NDI is a way to send video over ordinary networks (including Wi-Fi and Mobile) in high quality but with remarkably low bandwidth requirements. It’s increasingly used in live production, and now your Ninja Ultra can take part in an NDI network. The NDI 4K TX option turns your Connect-enabled Ninja Ultra into an NDI 4K source, visible to all other NDI compatible devices on the local network. 4K 60P PRORES RAW AND HD 60P H.265 DUAL RECORD CODECS WITH ATOMOS CONNECT Now you can record your primary file at up to 4Kp60 in ProRes RAW. Parallel recording with RAW and H.265 has always been a major request from users, especially for scripted work and dailies. Now you can record up to 4K 60p ProRes RAW to the SSD in the Ninja Ultra while simultaneously recording and uploading HDp60 H.265 files to Camera to Cloud. It’s the best of both worlds. NEW 4K C2C MODE LETS YOU UPLOAD H.265 FILES UP TO 4KP60 WITH AN ATTACHED ATOMOS CONNECT With the new 4K C2C mode you can record and upload much higher resolution and frame rate clips to C2C than ever before. Save crucial time by uploading high quality 4Kp60 H.265 files up to 30mbps (ACS subscription tier dependent) to C2C as your primary working file. Think sports or events to get HQ content edited and published as fast as possible. No longer do you have to wait for a near instantaneous 4K C2C edit. Using Atomos Progressive Upload technology ensures no time is wasted. ATOMOS SDICINE WITH ATOMOS CONNECT Automated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI cameras. Previously, Camera to Cloud relied on matching filenames with hero and proxy files made by AtomOS. Now, thanks to cooperation with ARRI, Canon, RED and Sony, Atomos Camera to Cloud files are matched back to the original in-camera (OCF) filenames, enabling a seamless process when conforming C2C or SSD proxy files in the edit with camera files. Total flexibility of recording files wherever makes sense for your workflow. On camera or on Atomos, the choice is yours. RAW SDI FOR NINJA ULTRA WITH ATOMOS CONNECT Ninja Ultra owners can now benefit from the ability to record RAW over SDI with compatible cameras using the Atomos Connect module. Enhanced metadata support from ARRI, Canon, RED and Sony Cine cameras, with a dual record codec for a Proxy workflow. These new features bring even more versatility to the Ninja Ultra, providing professional I/O options for a multitude of cameras – from entry level mirrorless cameras through to the latest compact cinema and high-end professional cameras. 4K NDI WITH ATOMOS CONNECT NDI is a way to send video over ordinary networks (including Wi-Fi and Mobile) in high quality but with remarkably low bandwidth requirements. It’s increasingly used in live production, and now your Ninja can take part in an NDI network. The NDI 4K TX option turns your Connect-enabled Ninja Ultra into an NDI 4K source, visible to all other NDI compatible devices on the local network. SUPERCHARGE YOUR WI-FI CONNECTION TO ATOMOS CLOUD STUDIO WITH ATOMOS CONNECT With lower latency, higher throughput and a more stable connection, WiFi 6E boosts cloud video workflows. All other Wi-Fi variants share the same two radio frequency bands: 2.4 GHz and 5GHz, but Wi-Fi 6E also occupies 6GHz. Only Wi-Fi 6E devices use this frequency, so they have no competition from legacy Wi-Fi formats. Wi-Fi 6E is less prone to interference and works over a longer range. All things being equal, users will have at least twice the bandwidth available at a given distance from the transmitter. The new format also offers lower latency and can make more simultaneous connections to Wi-Fi 6E routers. Wi-Fi 6E is backwards compatible with previous Wi-Fi versions, but its extended capabilities will only be available when connecting to other Wi-Fi 6E equipment.

AOATOMSHG701C Shogun Classic 7-inch 4K HDR HDMI/SDI Pro/Cinema Monitor-Recorder-Switcher

Atomos AOATOMSHG701C (AO-ATOMSHG701C, AO/ATOMSHG701C, AO ATOMSHG701C, AO_ATOMSHG701C) Shogun Classic Shogun Classic 7-inch 4K HDR HDMI/SDI Pro/Cinema Monitor-Recorder-Switcher Apple ProRes and ProRes RAW recording and playback Crafted for professionals who push the boundaries of video quality, this 7-inch screen enhances the visuals from any HDMI or SDI camera. With an impressive contrast ratio of 1,000,000:1 and peak brightness of 3000 nits, the Shogun Classic is the ultimate all-in-one tool for video production and creative storytelling. The Shogun Classic supports high production standards with RAW and 4K HDR, giving you full control during production and post-production. Monitor every detail of SDR or HDR footage in real-time, and record up to 5.7K Apple ProRes RAW* or 4K Apple ProRes directly to affordable SSD drives, bypassing the high costs and limitations of SD memory cards. You can even shoot RAW at high frame rates up to HDp240**. Additionally, with asynchronous multicamera switching and support for a variety of codecs, you’ll have unprecedented power to bring your creative vision to life. *Panasonic EVA1 **Sony FS Series and EVA1 Multicamera touchscreen switching Live mix & record up to 5 streams Leverage the power of 4 x SDI inputs with the Shogun Classic, transforming it into a portable, quad-view live switcher and recorder for your multicamera shoots. Capture up to four 1080p60 streams simultaneously as separate ISOs, and seamlessly cue and switch between them in real-time with a simple tap on the screen. The mixed output can be displayed live on set via HDMI or SDI, or even streamed live for online audiences. The asynchronous switching feature eliminates the need for expensive, locked camera sources, making it possible to use more budget-friendly cameras. You can either view all streams at once in a quad-view layout or switch to a full-screen display of any of the four input streams. A simple tap on a stream in quad-view instantly switches to that feed, which becomes the program output. Each stream is recorded as a separate ISO with embedded audio in either Apple ProRes or Avid DNx, allowing for easy re-editing after the shoot. All switching decisions are saved as metadata, with transition types embedded in an FCPX .xml file. Once filming wraps, importing your ISOs into your editing software will ensure all streams and transitions are perfectly aligned with synced audio and video. Perfect exposure and colour Fine tune every detail, while you shoot A premium viewing experience allows you to make confident, informed decisions on set. With the Shogun Classic’s dynamic zoned backlight, you'll enjoy deeper blacks, brighter whites, and crystal-clear highlight details. See every nuance of what your camera sensor captures with unmatched precision. Leverage advanced HDR waveform tools, whether you're working with log or RAW footage, to achieve perfect exposure, color accuracy, and white balance. Shogun Classic provides full control to optimize HDR exposure while ensuring you're ready for SDR finishing in post-production. Intuitive monitoring tools put every aspect of the image at your fingertips. Customize 3D LUTs, apply false color profiles, adjust focus peaking, and zoom with movable 1:1 or 2:1 pixel magnification. For color accuracy, RGB parade and vectorscopes guarantee precise color reproduction on your calibrated monitor. The Shogun Classic is at home on practically any camera With its ProRes RAW recording capabilities, the Shogun Classic pairs seamlessly with industry powerhouses like the Canon C300 mkII, Panasonic EVA 1, and Sony FS5 II, delivering stunning images with maximum detail and post-production flexibility. It also revitalizes older models like the Sony FS700R, turning them into cinematic RAW shooting machines with advanced features like 4Kp60 and 2Kp240 RAW capture. For DSLR or mirrorless cameras, connect via HDMI to unlock up to 4Kp60 recording in Apple ProRes or AVID DNx formats, ensuring easy editing and archival-quality footage. When paired with high-end cameras such as ARRI, RED, or Sony Venice, the Shogun Classic offers precise HDR monitoring and all the professional tools needed to get the job done efficiently. Unlock the true potential of your camera Preserve your sensor's pristine pixels in ProRes RAW at up to 5.7kp30, 4kp60 DCI/HD and 2kp240 DCI/HD Amplify the creative advantages of shooting RAW The Shogun Classic captures RAW data directly from the camera’s sensor, preserving the unprocessed image and giving you the flexibility to fine-tune every aspect of your video during post-production. By applying ProRes compression to RAW image data, the Shogun Classic enhances your creative workflow. ProRes RAW files are more compact than most proprietary RAW formats, enabling faster and more efficient importing, editing, and grading. ProRes RAW is supported by major editing platforms such as Final Cut Pro X, Adobe Premiere, and Avid Media Composer*. In addition to ProRes RAW, the Shogun Classic offers a wide range of codec options, making it compatible with all major editing software. It records in Apple ProRes, Avid DNxHD and HR, and Adobe CinemaDNG, providing maximum versatility. With support for virtually any HDMI, SDI, Dual, or Quad Link SDI source, the Shogun Classic opens up possibilities for both new and existing cameras. Atomos proudly supports industry-standard cameras from brands like Nikon, Canon, Panasonic, Sony, RED, Arri, and Z-CAM. Dolby Vision Give on-set HDR monitoring to your client and creatives Experience your footage through your audience's eyes even before filming is complete with the Shogun Classic. It enables real-time content delivery via Dolby Vision live HDMI output from any HDR camera to a compatible Dolby Vision HDR TV or monitor. This ensures you see an accurate, high-brightness, full-color representation of your video while still on set. By providing a precise reference, the Shogun Classic allows you to adjust exposure and lighting with confidence, optimizing your footage for modern HDR displays. This gives the crew greater assurance in what they’re capturing and accelerates the finishing process, streamlining your entire production workflow. User-friendly AtomOS Intuitive touch screen operation With one-touch operation, the Shogun Classic offers instant access to a comprehensive suite of tools, including scopes, exposure controls, zoom, calibration, and focus aids. This intuitive interface ensures that you capture high-quality recordings every time, with precise control over every aspect of your footage. Shot tagging Easily tag your footage with metadata as you shoot, marking favorites, rejects, and more with just a few taps. Once you import your footage into your editing timeline, you can quickly filter and organize clips based on these tags, streamlining the post-production process and helping you find the best takes faster. Balanced audio Add 48V stereo microphones using an XLR breakout cable and choose between mic or line input levels for flexible audio recording. Capture up to 12 channels of digital audio from HDMI or SDI sources, and conveniently monitor your audio through the 3.5mm headphone jack to ensure top-quality sound throughout your production. High speed connections Easily cross-convert between HDMI 2.0 and 1.5G/3G/6G/12G single-link SDI or Dual/Quad Link in nearly any combination, eliminating the need for additional specialist converters. This flexibility allows seamless integration of various cameras and devices, streamlining your workflow and reducing complexity on set. Quad SDI & HDMI 2.0 In/Out Connect any SDI or HDMI device for both monitoring and recording with ease. The Shogun Classic allows you to cross-convert between HDMI 2.0 and 1.5G/3G/6G/12G Quadlink SDI, eliminating the need for specialized converters and ensuring smooth integration across different devices, making your workflow more efficient and adaptable.  

Atomos 7" Shogun Monitor-Recorder package a

Atomos 7" Shogun Monitor-Recorder(AO-ATOMSHG002) package a includes: 1x Atomos 7" Shogun Monitor-Recorder AO-ATOMSHG002 1x AngelBird AB-ATOMXMINI1000PK AtomX SSDmini (1TB)   *Digibroadcast has put together some bespoke Atomos packages for our clients based on our own research and surveys and holds the right to protect all of its content © The 7" Shogun Monitor-Recorder, one of the latest in the ATOMOS line of Shogun onboard camera video monitor-recorders, brings built-in network connectivity to your mirrorless, DSLR, and cine-style capture, enabling fast and productive workflows. Efficient cloud-based workflow options include ProRes Raw and H.265 recording for Camera to Cloud and 4K H.265 capture for instant publishing from the cloud. Partnering with industry-leading camera manufacturers ensures that the Shogun will work seamlessly with an increasingly wide range of cameras. Atomos 11 The 7" Shogun features the new AtomOS 11 operating system with EL Zone exposure-referenced colorized images, ARRI false color, and new scheduled recording and playback tools. An increased number of standard codecs include up to 6K Apple ProRes Raw, DNxHD, and H.265. Complete Connectivity More Codecs: the 7" Shogun's additional standard codecs include 6K Apple ProRes Raw, DNxHD, and H.265. Improved Monitoring: improved monitoring functions include EL Zone System exposure and ARRI false color. Remote View: this new feature enables you to share live views from your screen over the internet. NDI TX Option Use the optional NDI transmission function to send high-quality video over ordinary networks (including Wi-Fi and mobile) using remarkably low bandwidth requirements. NDI is increasingly being used in live production, and now your Shogun can be part of an NDI environment. The NDI TX option turns your Shogun into an NDI source, visible to all other authorized devices on the network. Ultrabright Screen The Shogun’s super-bright, large 7" screen is viewable in almost every kind of light: indoors, outdoors, or anywhere you need critical, instantly viewable feedback on your images. 2000 cd/m² brightness makes the Shogun ideal for checking your HDR footage while you’re still on set. Play back your recently captured shots on the same pristine screen for reviewing or even uploading to the cloud. Durable Build The Shogun's durable housing is suitable for use in all environments. Use the built-in tally light to quickly see the recording status. The solid Wi-Fi and AirGlu RF antennas ensure stable transmission. Power the Shogun using the L-series battery plate on the back of each monitor or optional DC power input. Mount this monitor-recorder using the 3/8”-16 threads on the top and bottom, or use the included 1/4”-20 adapter. The Shogun Ultra has a built-in slot for the included Master Caddy III, an SD card slot that supports cards up to 4TB, and  CFast II card compatibility using an SSDmini adapter to record as long as your media allows.   The USB-C port can be used to add options and for future AtomOS updates.

Atomos 7" Shogun Monitor-Recorder package b

Atomos 7" Shogun Monitor-Recorder(AO-ATOMSHG002) package b includes: 1x Atomos 7" Shogun Monitor-Recorder AO-ATOMSHG002 1x AngelBird AB-ATOMXMINI1000PK AtomX SSDmini (1TB) 1x Atomos AO-ATOMXMMQR1 AtomX 5 and 7 Inch Monitor Mount *Digibroadcast has put together some bespoke Atomos packages for our clients based on our own research and surveys and holds the right to protect all of its content © The 7" Shogun Monitor-Recorder, one of the latest in the ATOMOS line of Shogun onboard camera video monitor-recorders, brings built-in network connectivity to your mirrorless, DSLR, and cine-style capture, enabling fast and productive workflows. Efficient cloud-based workflow options include ProRes Raw and H.265 recording for Camera to Cloud and 4K H.265 capture for instant publishing from the cloud. Partnering with industry-leading camera manufacturers ensures that the Shogun will work seamlessly with an increasingly wide range of cameras. Atomos 11 The 7" Shogun features the new AtomOS 11 operating system with EL Zone exposure-referenced colorized images, ARRI false color, and new scheduled recording and playback tools. An increased number of standard codecs include up to 6K Apple ProRes Raw, DNxHD, and H.265. Complete Connectivity More Codecs: the 7" Shogun's additional standard codecs include 6K Apple ProRes Raw, DNxHD, and H.265. Improved Monitoring: improved monitoring functions include EL Zone System exposure and ARRI false color. Remote View: this new feature enables you to share live views from your screen over the internet. NDI TX Option Use the optional NDI transmission function to send high-quality video over ordinary networks (including Wi-Fi and mobile) using remarkably low bandwidth requirements. NDI is increasingly being used in live production, and now your Shogun can be part of an NDI environment. The NDI TX option turns your Shogun into an NDI source, visible to all other authorized devices on the network. Ultrabright Screen The Shogun’s super-bright, large 7" screen is viewable in almost every kind of light: indoors, outdoors, or anywhere you need critical, instantly viewable feedback on your images. 2000 cd/m² brightness makes the Shogun ideal for checking your HDR footage while you’re still on set. Play back your recently captured shots on the same pristine screen for reviewing or even uploading to the cloud. Durable Build The Shogun's durable housing is suitable for use in all environments. Use the built-in tally light to quickly see the recording status. The solid Wi-Fi and AirGlu RF antennas ensure stable transmission. Power the Shogun using the L-series battery plate on the back of each monitor or optional DC power input. Mount this monitor-recorder using the 3/8”-16 threads on the top and bottom, or use the included 1/4”-20 adapter. The Shogun Ultra has a built-in slot for the included Master Caddy III, an SD card slot that supports cards up to 4TB, and  CFast II card compatibility using an SSDmini adapter to record as long as your media allows.   The USB-C port can be used to add options and for future AtomOS updates.

Atomos 7" Shogun Ultra Monitor-Recorder package a

Atomos 7" Shogun Ultra Monitor-Recorder (AO-ATOMSHGU01) package a includes: 1x Atomos 7" Shogun Ultra Monitor-Recorder AO-ATOMSHGU01 1x AngelBird AB-ATOMXMINI1000PK AtomX SSDmini (1TB) *Digibroadcast has put together some bespoke Atomos packages for our clients based on our own research and surveys and holds the right to protect all of its content © The 7" Shogun Ultra Monitor-Recorder, the latest in the ATOMOS line of Shogun onboard camera video monitor-recorders, brings built-in network connectivity to your mirrorless, DSLR, and cine-style capture, enabling fast and productive workflows. Efficient cloud-based workflow options include dual ProRes RAW/H.265 recording for Camera to Cloud, automated matching file names with popular cine-style cameras, and 4K H.265 capture for instant publishing from the cloud. Partnering with industry-leading camera manufacturers ensures that the Shogun Ultra will work seamlessly with an increasingly wide range of cameras. Atomos 11 The 7" Shogun Ultra features the new AtomOS 11 operating system with EL Zone exposure-referenced colorized images, ARRI false color, and new scheduled recording and playback tools. An increased number of standard codecs include up to 8K Apple ProRes Raw, DNxHD, and H.265.  Complete Connectivity More Codecs: the 7" Shogun Ultra's additional standard codecs include 8K Apple ProRes Raw, DNxHD, and H.265. Dual Recording: the ability to record full-quality Apple ProRes Raw files at rates up to UHD 4K 60p while at the same time recording 1080p 60 to H.265 makes the 7" Shogun Ultra ideal for use with cine-style cameras. Matched Files: file name matching provides easier workflows with ARRI, Canon, RED, and Sony cameras. Improved Monitoring: improved monitoring functions include EL ZONE System exposure and ARRI false color. RemoteView: this new feature enables you to share live views from your screen over the internet. NDI TX Option Use the optional NDI transmission function to send high-quality video over ordinary networks (including Wi-Fi and mobile) using remarkably low bandwidth requirements. NDI is increasingly being used in live production, and now your Shogun can be part of an NDI environment. The NDI TX option turns your Shogun into an NDI source, visible to all other authorized devices on the network. Ultrabright Screen The Shogun Ultra's super-bright, large 7" screen is viewable in almost every kind of light: indoors, outdoors, or anywhere you need critical, instantly viewable feedback on your images. I2000 cd/m² brightness makes the Shogun Ultra ideal for checking your HDR footage while you’re still on set. Play back your recently captured shots on the same pristine screen for reviewing or even uploading to the cloud. Durable Build The Shogun Ultra's durable housing is suitable for use in all environments. Use the built-in tally light to quickly see the recording status. The solid Wi-Fi and AirGlu RF antennas ensure stable transmission. Power the Shogun Ultra using the L-series battery plate on the back of each monitor or optional DC power input. Mount this monitor-recorder using the 3/8”-16 threads on the top and bottom or use the included 1/4”-20 adapter. The Shogun Ultra has a built-in slot for the included Master Caddy III, an SD card slot that supports cards up to 4TB, and  CFast II card compatibility using an SSDmini adapter to record as long as your media allows. The USB-C port can be used to add options and for future AtomOS updates.

Atomos 7" Shogun Ultra Monitor-Recorder package b

Atomos 7" Shogun Ultra Monitor-Recorder (AO-ATOMSHGU01) package b includes: 1x Atomos 7" Shogun Ultra Monitor-Recorder AO-ATOMSHGU01 1x AngelBird AB-ATOMXMINI1000PK AtomX SSDmini (1TB) 1x Atomos AO-ATOMXMMQR1 AtomX 5 and 7 Inch Monitor Mount   *Digibroadcast has put together some bespoke Atomos packages for our clients based on our own research and surveys and holds the right to protect all of its content © *Digibroadcast has put together some bespoke Atomos packages for our clients based on our own research and surveys and holds the right to protect all of its content © The 7" Shogun Ultra Monitor-Recorder, the latest in the ATOMOS line of Shogun onboard camera video monitor-recorders, brings built-in network connectivity to your mirrorless, DSLR, and cine-style capture, enabling fast and productive workflows. Efficient cloud-based workflow options include dual ProRes RAW/H.265 recording for Camera to Cloud, automated matching file names with popular cine-style cameras, and 4K H.265 capture for instant publishing from the cloud. Partnering with industry-leading camera manufacturers ensures that the Shogun Ultra will work seamlessly with an increasingly wide range of cameras. Atomos 11 The 7" Shogun Ultra features the new AtomOS 11 operating system with EL Zone exposure-referenced colorized images, ARRI false color, and new scheduled recording and playback tools. An increased number of standard codecs include up to 8K Apple ProRes Raw, DNxHD, and H.265.  Complete Connectivity More Codecs: the 7" Shogun Ultra's additional standard codecs include 8K Apple ProRes Raw, DNxHD, and H.265. Dual Recording: the ability to record full-quality Apple ProRes Raw files at rates up to UHD 4K 60p while at the same time recording 1080p 60 to H.265 makes the 7" Shogun Ultra ideal for use with cine-style cameras. Matched Files: file name matching provides easier workflows with ARRI, Canon, RED, and Sony cameras. Improved Monitoring: improved monitoring functions include EL ZONE System exposure and ARRI false color. RemoteView: this new feature enables you to share live views from your screen over the internet. NDI TX Option Use the optional NDI transmission function to send high-quality video over ordinary networks (including Wi-Fi and mobile) using remarkably low bandwidth requirements. NDI is increasingly being used in live production, and now your Shogun can be part of an NDI environment. The NDI TX option turns your Shogun into an NDI source, visible to all other authorized devices on the network. Ultrabright Screen The Shogun Ultra's super-bright, large 7" screen is viewable in almost every kind of light: indoors, outdoors, or anywhere you need critical, instantly viewable feedback on your images. I2000 cd/m² brightness makes the Shogun Ultra ideal for checking your HDR footage while you’re still on set. Play back your recently captured shots on the same pristine screen for reviewing or even uploading to the cloud. Durable Build The Shogun Ultra's durable housing is suitable for use in all environments. Use the built-in tally light to quickly see the recording status. The solid Wi-Fi and AirGlu RF antennas ensure stable transmission. Power the Shogun Ultra using the L-series battery plate on the back of each monitor or optional DC power input. Mount this monitor-recorder using the 3/8”-16 threads on the top and bottom or use the included 1/4”-20 adapter. The Shogun Ultra has a built-in slot for the included Master Caddy III, an SD card slot that supports cards up to 4TB, and  CFast II card compatibility using an SSDmini adapter to record as long as your media allows. The USB-C port can be used to add options and for future AtomOS updates.

Atomos Ninja RAW 5" HDMI Recorder with CFexpress

Atomos Ninja RAW HDMI & CFexpress 5-inch monitor-recorder with camera control Atomos Ninja RAW is a compact 5-inch HDR monitor-recorder built for high-quality capture and precise on-set monitoring in filmmaking, broadcast, and content creation. Featuring a bright 1500-nit HDR touchscreen, it delivers excellent visibility in both indoor and outdoor environments. Direct HDMI recording enables Apple ProRes and ProRes RAW capture straight from the camera sensor to CFexpress Type B or external USB-C storage for fast, reliable performance. Ninja RAW supports professional codecs including ProRes RAW, ProRes RAW HQ, ProRes 422, ProRes 422 HQ, and ProRes LT, with seamless compatibility across leading NLE platforms. USB-C camera control (for supported models) provides access to start/stop, ISO, shutter, aperture, and white balance directly from the touchscreen. Advanced monitoring tools include EL Zone™ false colour, waveform, vectorscope, and focus peaking, while creative features such as Onion Skin overlay enable frame-accurate alignment for VFX, animation, and continuity-critical production.   With dual USB-C ports for storage or network adaptors, flexible power options for studio or field use, and a rugged production-ready design, Ninja RAW combines professional monitoring and advanced ProRes RAW recording in a compact, next-generation device.

Atomos Ninja TX GO HDMI & CFexpress 5-inch monitor-recorder

Atomos Ninja TX GO HDMI & CFexpress 5-inch monitor-recorder Ninja TX GO combines HDMI I/O with Apple ProRes/RAW recording to ultra-fast CFexpress cards or external USB media, and includes a full suite of advanced monitoring tools, camera control, and touch-to-focus functionality. Built with integrated camera-to-cloud workflows, NDI 6 streaming support, and the ultra-responsive AtomOS Linux platform, it’s the ideal solution for creators using HDMI-based DSLRs and mirrorless cameras. Designed as an affordable, all-in-one monitor-recorder for HDMI workflows, Ninja TX GO features a bright 1500-nit, 10-bit HDR touchscreen for clear, accurate monitoring even under direct sunlight. It supports ProRes RAW recording to CFexpress or USB media and offers comprehensive monitoring tools alongside intuitive camera control. With built-in NDI 6 streaming and Wi-Fi connectivity, the Ninja TX GO enables direct uploads to ATOMOSphere, Dropbox, and Frame.io. Three USB-C ports support power delivery, storage, calibration, and additional accessories—streamlining production from capture through post and helping creators work more efficiently.   For productions that require expanded capabilities, Ninja TX adds SDI connectivity, AirGlu™ wireless timecode, and extended RAW support up to 8Kp30. Together, Ninja TX GO and Ninja TX offer creators the flexibility to choose the right tool for their workflow—Ninja TX GO for compact HDMI-based mirrorless rigs, and Ninja TX for high-end cinematic setups. On-Screen Monitoring Tools   Waveform: 3 sizes, adjustable opacity & brightness RGB Parade: 3 sizes, adjustable opacity & brightness Vectorscope: 2 sizes, adjustable opacity & brightness 1x Zoom: 1:1 pixel mapping for 4K 2x Zoom: Yes Focus Peaking: Adjustable threshold, selectable colours, mono, or edges-only modes Atomos False Color: Yes, with scale ARRI False Color: Yes EL ZONE: Yes Zebra: Adjustable Isolate Colour Channel: Blue only Cine Frame Guides: 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 presets Social Frame Guides: 9:16, 1:1, 19:1, 4:5 presets Onion Skin: Yes Safe Areas: Action & graphic Grid Markers: 9-grid Anamorphic Desqueeze: 1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x Display Flip: Vertical only

Atomos Ninja TX Wi-Fi enabled, 5-inch HDR monitor-recorder

Atomos Ninja TX Wi-Fi enabled, 5-inch HDR monitor-recorder(AOATOMNJTX01) Ninja TX combines SDI and HDMI inputs and outputs, Apple ProRes/RAW recording to ultra-fast CFexpress or external USB media, with a full suite of professional monitoring tools. It features built-in camera-to-cloud with free ATOMOSphere membership, supports NDI 6 streaming, and runs on the lightning-fast AtomOS Linux platform. No other monitor-recorder packs so much performance and compatibility into such a compact, connected device. Wireless connectivity built in Camera to Cloud Camera to Cloud (C2C) is a revolutionary new workflow that allows you to upload your video files directly from your Atomos monitor-recorder to the cloud, right from wherever you’re shooting. There’s no time lost transporting and copying drives. Ninja TX has everything you need to do C2C built in. Atomos supports direct progressive upload to our own cloud platform - ATOMOSphere - as well Adobe Frame.io and Dropbox. NDI 6 HX3 over Wi-Fi NDI is a way to send and receive video over ordinary networks (including Wi-Fi and mobile) in high quality, but with remarkably low bandwidth requirements. It’s increasingly used in live production and events. Ninja TX can be fully integrated into an NDI environment, either as an NDI source, visible to all other authorized devices on the network, or as an NDI receiver, with all the professional monitoring functionality you expect from an Atomos field monitor. Timecode Timecode is a unique digital timestamp assigned to each frame of video. It ensures that all your devices–cameras, audio recorders, and monitors – are in perfect sync. Ninja TX includes AirGlu timecode sync over RF or Bluetooth to act as a powerful timecode hub. Ninja TX - our best Ninja yet More cameras When it comes to connectivity, there’s never been a more versatile Ninja. With HDMI 2.0 I/O and 12G-SDI I/O packed into a new, lightweight 5-inch screen form factor, Ninja TX has got all bases covered. Brighter display With its bright 1500nit, 10-bit HDR touchscreen, Ninja TX provides rich, accurate color with “what you see is what you get” precision, even in bright sunlight. Next-gen media CFexpress and USB-C support blazinglyfast data transfer rates, based on PCIe and NVMe protocols—making Ninja TX scalable for future data needs. Wireless C2C & NDI HX3 With integrated Wi-Fi you can upload your content directly to ATOMOSphere, Dropbox or Frame.io or, from anywhere in the world. Ninja TX streamlines the production workflow from capture to edit, helping creators to work faster and smarter. Futureproof   USB-C is fast becoming the universal standard for connectivity. Ninja TX has not one but three USB-C ports - one for power and two for attaching direct storage, screen calibration devices and, with future firmware updates, audio devices and more.

Atomos Ninja Ultra 5" HDR monitor-recorder package a

Atomos Ninja Ultra 5"  HDR monitor-recorder for mirrorless and cinematic cameras(AO-ATOMNJAU01) package a includes: 1x Atomos Ninja Ultra 5" HDR monitor-recorder for mirrorless and cinematic cameras AO-ATOMNJAU01   1x AngelBird AB-ATOMXMINI1000PK AtomX SSDmini (1TB) *Digibroadcast has put together some bespoke Atomos packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Atomos Ninja Ultra 5" HDR monitor-recorder package b

Atomos Ninja Ultra 5"  HDR monitor-recorder for mirrorless and cinematic cameras(AO-ATOMNJAU01) package b includes: 1x Atomos Ninja Ultra 5" HDR monitor-recorder for mirrorless and cinematic cameras AO-ATOMNJAU01 1x AngelBird AB-ATOMXMINI1000PK AtomX SSDmini (1TB) 1x Atomos AO-ATOMACCKT2 5" Accessory Kit for Shinobi, Shinobi SDI, Ninja V Monitors *Digibroadcast has put together some bespoke Atomos packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  

Atomos SUMO PRO-19 Production Monitor

Atomos Sumo PRO-19 4K Production Monitor On-set multi-camera monitoring Take control of demanding productions with a large, colour-accurate 19” 4K HDR display, designed for directors, technical directors, and camera operators. Advanced monitoring with confidence Benefit from precise visual and technical monitoring with tools such as EL Zone™ false colour, focus peaking, waveform, and more—ensuring accurate exposure and focus at all times.   Integrated live switching & recording Built-in live switching allows you to manage, record, and play back up to four ISO camera feeds, making it ideal for live events and broadcast environments.

Atomos Z-Mount Desk Monitor Mount

Atomos Z-Mount Desk Monitor Mount(AO-ATOMZMT001) Z-Mount provides unmatched mounting flexibility for 5-inch & 7-inch Atomos monitors or third-party devices that need to be utilized in a variety of different scenarios or mounting positions. Sleek and durable, crafted from aluminum, Z-Mount boasts a revolutionary design that sets it apart as unparalleled among monitor mounts available in the market. It utilizes a Quick Release base plate to make attaching and taking off gear a breeze. Its additional 1/4"20 mounting holes can be used to attach accessories like cable management clips from Sprig or as loops for Zip ties. A versatile and compact accessory that seamlessly integrates into any creator’s toolkit.

BlackMagic Design BMDSMTV4K12G3 SmartView 4K G3

BlackMagic Design BMDSMTV4K12G3 SmartView 4K G3 SmartView 4K G3 features built in optical and copper SMPTE‑2110 IP video connections so you can connect directly to IP based broadcast systems. You also get two 12G-SDI inputs for connecting to a wide range of professional video equipment. Plus both the 12G-SDI and 2110 video inputs can output to a 12G-SDI loop output connection. The design still features a lightweight machined aluminum chassis and a full resolution Ultra HD LCD. The on screen overlays include focus peaking, framing guides, safe area and more. You also get built in 3D LUTs for adding creative looks, converting log film gamma or handling custom HDR profiles.   The Perfect Video Monitoring Solution Broadcast SmartView 4K is ideal for broadcast as it supports both 12G-SDI and 2110 IP up to 2160p60. Switch between SDI and IP at the push of a button. SmartView 4K follows the video input so will switch between all SD, HD or Ultra HD standards automatically.   Live Production For live production, it's vital to get a solution with features to accurately monitor cameras. Powerful camera features include focus peaking, zoom, aspect ratio markers and tally. Plus the 4K display lets you see incredibly fine camera image detail.   Fly Away Kits Fly away kits need to be portable and tough. SmartView 4K is lightweight aluminium so it's light, plus it's only a few inches deep, so allows great rack ventilation via natural convection. Plus it has lots of camera and technical monitoring features.   Anodized Machined Metal Design in Deep Black SmartView 4K features an incredibly strong machined aluminium metal design with crisp clean lines. The design is anodized in deep black, so it looks fantastic mounted in equipment racks with other Blackmagic Design equipment. Plus SmartView 4K is only a few inches deep. Because monitors are often installed at the top of equipment racks, this thin design allows a large area behind the monitor to better ventilate the whole rack and keep all the equipment cool. Along the bottom of the SmartView 4K is a range of button controls that are tilted slightly so they're easier to press. On the rear of the monitor are all the video connections, plus there's even a VESA mounting point.   Bright High Resolution Display The LCD used on SmartView 4K features an extremely high resolution so it will display every pixel in an Ultra HD image. That means you get an incredibly clean image with deep colour fidelity. To avoid messy fingerprints on the LCD screen, SmartView 4K has a row of buttons along the bottom of the screen so you can adjust all the monitor controls without touching the screen. SmartView 4K is designed for broadcast so it will instantly lock to a new video source, which is very common when the monitor is connected to a router and the input can change constantly to different timed sources. Unlike TVs, the video is not over scanned so you get all image pixels right to the edge of the LCD.   Front Panel Buttons for Monitor Control The SmartView 4K front panel includes a wide range of monitoring controls. The input button selects between the two 12G-SDI video inputs and the 2110 IP video input. The display button allows you to adjust display brightness. The H/V display is a traditional broadcast monitor function that lets you look into the image blanking. Blue only is great for checking hue from SD archive content. The zoom button lets you zoom the image in for adjusting camera focus. Peaking highlights sharp image detail and is also perfect for adjusting camera focus. The 3D LUT buttons let you enable and switch between 3D LUTs. The H and V marker buttons let you display and adjust up to 4 on screen markers.   Includes Frame Guides and Focus Peaking When you're working with cameras, SmartView 4K has everything you need to assist in framing and focus with its on screen graphic overlays. Overlays include safe area and safe title markers. Plus there are 4 separate frame guides, 2 vertical and 2 horizontal, which can be displayed simultaneously and are perfect for social media and feature film framing. The markers are all individually adjustable so you can create any aspect ratio you like. You also get on screen focus peaking, which can be turned on and off with a dedicated front panel button. Focus peaking is perfect when using SmartView 4K for remote camera monitoring, as you can ensure your remote camera has perfect focus at all times.   Get Colour Accurate Monitoring with 3D LUTs Broadcasters and feature film productions often work with SDI sources that are encoded with log film gamma or an HDR profile. This means the images can look washed out or have incorrect colours. SmartView 4K solves this problem because it includes support for 3D LUTs. This means you can use a 3D LUT to re-map the SDI or 2110 input colourspace to the SmartView 4K screen. Plus you could also use 3D LUTs for exciting creative looks. 3D LUTs are easy to use and are uploaded using the SmartView utility. You can also export DaVinci Resolve colour grades as custom 3D LUTs. Because DaVinci Resolve can be downloaded free, it costs absolutely nothing to start creating a library of exciting 3D LUTs.   Supports SD, HD and 2K DCI Film The high performance 12G-SDI and 10G Ethernet based 2110 IP inputs are multi rate so they support lower resolution SD for archive, plus HD for broadcast and 2K for feature film use. These include 525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60, 1080PsF25, 1080PsF29.97, 1080PsF30, 1080i50, 1080i59.94, 1080i60, 2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI and 2Kp60 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI and 2KPsF30 DCI. When connected to 3G-SDI sources, both level A and B video standards are supported.   Supports Ultra HD and 4K DCI Film SmartView 4K also supports Ultra HD video standards on both its 12G-SDI and the 10G Ethernet based 2110 IP video inputs. Ultra HD video standards include 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p47.95, 2160p48, 2160p50, 2160p59.94 and 2160p60. Supported 4K film standards include 4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp47.95 DCI, 4Kp48 DCI, 4Kp50 DCI, 4Kp59.94 DCI and 4Kp60 DCI, 4KPsF25 DCI, 4KPsF29.97 DCI and 4KPsF30 DCI. This means SmartView 4K is the ideal monitor because it allows you to migrate to Ultra HD and 4K work now. Plus SmartView 4K can be software updated, so new television standards can be added when they are invented.   Connect Directly to SMPTE 2110 IP Networks Now you can build modern IP video systems because SmartView 4K fully conforms to the SMPTE‑2110 standard for IP video with both optical fiber and copper 10G Ethernet connections. SMPTE‑2110 specifies the transport, synchronization and description of video, audio and ancillary data over IP networks for broadcast. This includes support for SMPTE‑2110-20 uncompressed video, the Blackmagic IP codec for high frame rate Ultra HD as well as SMPTE‑2110-21 traffic shaping/timing, SMPTE‑2110-30 audio and SMPTE‑2110-40 support for ancillary data. Plus the selected video input can be sent out via the 10G Ethernet SMPTE‑2110 IP connection with full support for multicast out to multiple destinations.   Includes NMOS Protocol for Virtual Routing SmartView 4K supports the NMOS interface specifications so all your 2110 IP video devices can operate together as a large virtual router. Plus Videohub Smart Control can route sources to destinations on 2110 IP networks because it can act as an NMOS controller. The NMOS interface specification describes how SMPTE 2110 devices are discovered and controlled on IP networks. SmartView 4K supports IS-04 for discovery and registration of IP video devices and IS-05 for connection management between IP video devices. This means you can make connections between sources and destinations just like a traditional SDI router.   Built-in Tally Border for On Air Status When you’re working with live production, SmartView 4K supports the Blackmagic SDI Tally Protocol and illuminates a coloured border around the image, in red for on air or green for preview. This SDI tally standard is used on all ATEM live production switchers so you can simply connect the monitor to the switcher SDI outputs to get the image and the tally with a single BNC cable. This means that a director can cut between cameras and the tally information will be sent back to the SmartView 4K via the SDI video feed. This totally eliminates complex cabling and the Blackmagic SDI Tally Protocol helps you set up for jobs much faster.   Remote Control Software for Mac and Windows When you need to change settings or update the software on your SmartView 4K, then you can simply download and run the SmartView Utility software which is available free of charge on the Blackmagic Design support site. This software is available for both Mac and Windows computers and it connects via the USB connection or Ethernet when you have the SmartView 4K Ethernet connected. You can use the utility to change the monitor custom name for identifying monitors in larger systems. You can also select between 3G-SDI level A and level B formatting. To protect against unauthorized network access, Ethernet is disabled by default, but can be enabled when connecting via USB.   Develop Custom Remote Control Solutions Videohub includes a powerful remote control protocol so you can create custom remote control solutions for integrating SmartView 4K into your broadcast systems. It's extremely easy to learn because it's a simple text based protocol you can even play with using a Telnet client. This means you can create custom control solutions on all computer platforms and from embedded hardware such as Raspberry Pi and Arduino. You get full control of LCD brightness, contrast, saturation, tally, input selection and you can even activate a 3D LUT. The best way to learn the protocol is to log in using a simple Telnet app and then use the documentation in the SmartView 4K manual to try out each command.   Flexible and Redundant Power The all in one design of SmartView 4K includes a built in power supply so you don’t have to carry around an external power brick. Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240V AC, so you can use it anywhere in the world. Plus, for safety, SmartView 4K includes both AC and 12V DC power connections. The mini converter style 12V DC power connection is perfect for backup power or for running on batteries. Running on batteries means you can use it in extremely remote locations. Plus, if the internal power supply should ever malfunction, then you can connect a DC power supply to keep running.

BM5 III 5.5-inch On-camera Monitor

Portkeys PK-BM5-III (PK/BM5-III, PK/BM5/III, PKBM5III, PK BM5 III) BM5 III 5.5-inch On-camera Monitor The Portkeys BM5 III is a robust 5.5-inch on-camera monitor ready for all your next creative adventures thanks to its compact form factor, daylight-viewable touchscreen, four user function buttons, a full suite of professional monitoring tools, and the capability to control your camera. The housing of the BM5 III is entirely made of rugged aluminum and has toughened glass in front of the display. However, with a weight of only 351g/12.3oz (without battery), you’ll easily forget it on your camera rig. With a high brightness of 2,200 nits, shooting outside in bright sunlight is no longer a problem. Each BM5 III WLED display is factory color-calibrated and passes strict hardware controls to ensure the most accurate colors. In addition, the 10-bit (8+2 FRC) panel makes color reproduction more accurate with a rich level of color details and no color banding. This 5.5-inch monitor has a FullHD 1920 x 1080 resolution, a large 178° viewing angle, and a 1000:1 contrast ratio. When it comes to power, with a low power draw of only 16W despite the highly bright 2,200 nits display, the built-in Sony NP-F-style battery plate at the back of the Portkeys BM5 III can power it for hours.  Furthermore, if an external battery powers your camera rig, the monitor features a 4-pin aviation 7.4V-24V power input, so you can use the included D-Tap to 4-pin aviation cables (40cm and 100cm) to power your monitor infinitely. Also, the 4-pin aviation 7.4V power output can power small camera accessories, such as a wireless follow focus motor. With both SDI and HDMI video inputs, the BM5 III is a future-proof monitor. Also, the SDI video output with HDMI cross-conversion ensures perfect video continuity no matter where the monitor is placed in the video signal chain. The SDI Output can output a clean video feed, but you can also output a 3D LUT and peaking if needed. Despite its compact form factor, the BM5 III is packed with all the monitoring features you can expect from a professional on-camera monitor, including: A high-precision Waveform that you can display in various modes, including full-screen. Also, you can output the Waveform via the SDI output port. In addition, Histogram and Zebra tools are also here to help you judge your exposure. 3D LUT monitoring and 3D LUT SDI output. You can load custom LUTs via the USB-A port at the bottom of the monitor and the included USB key. ARRI False Color mode and user-defined mode. When you use the user-defined mode, you can freely set the IRE values. A new Peaking algorithm to help you nail focus easily. A Zooming feature is also available. Framing guides, grids, aspects. Image Capture and Image Overlay. Image Capture takes a snapshot of the HDMI or SDI video input (combined with a LUT if desired) and saves it to the monitor’s memory. Then, you can set the transparency/opacity of the Image Overlay. This feature is helpful for shot matching (continuity) or a quick overview of the day’s shots. Anamorphic image de-squeeze. Sharpness, chroma, brightness, backlight, tint, and color temperature adjustments. On top of all the professional monitoring features, the Portkeys BM5 III also has wired camera control capabilities. The monitor can control multiple RED, Sony, Canon, Panasonic, BMD, and ZCAM E2 cameras. Furthermore, the BM5 III supports wired control of your TILTA Nucleus N/M wireless follow focus motors, and the focus scale can even be displayed. Lastly, the optional REC Key can be connected to the Portkeys BM5 III, which gives you an extended recording switch.

BM5IV 5.5" 2000nit Touchscreen Wide Color Gamut On-camera Monitor

Portkeys PK-BM5-IV (PK/BM5-IV, PK/BM5/IV, PKBM5IV, PK BM5 IV) Portkeys BM5IV 5.5" 2000nit Touchscreen Wide Color Gamut On-camera Monitor Portkeys BM5IV 5.5" 2000nit SDI HDMI Touchscreen Monitor The Portkeys BM5IV is a professional 5.5-inch high-bright on-camera monitor designed for filmmakers, camera operators, focus pullers and content creators. Featuring a 2000-nit daylight-viewable touchscreen display, wide colour gamut, HDMI and 3G-SDI input/output, the BM5IV provides accurate monitoring for cinema, broadcast, ENG and production workflows.   Built with a durable aluminium housing, the BM5IV is ideal for use on cinema cameras, DSLR, mirrorless rigs, handheld setups and gimbals. It also supports professional monitoring tools including waveform, vectorscope, peaking, false colour and 3D LUT monitoring. Suitable For   Filmmaking Broadcast production Cinema cameras DSLR & mirrorless cameras Director monitoring Focus pulling ENG production Gimbal setups

BM5IV WR 5.5-inch Wide Color Gamut On-camera Monitor

Portkeys PK-BM5-IV-WR (PK/BM5-IV-WR, PK/BM5/IV/WR, PKBM5IVWR, PK BM5 IV WR) BM5IV WR 5.5-inch Wide Color Gamut On-camera Monitor Portkeys BM5IV WR – 5.5" Ultra-Bright On-Camera Monitor with Wired & Wireless Camera Control The Portkeys BM5IV WR is a robust 5.5-inch on-camera monitor built for professionals who demand precision, durability, and versatility. Powered by the latest CINENORM OS, it offers both wired and wireless camera control, a daylight-viewable touchscreen, and an extensive set of monitoring tools—all in a rugged, compact design. Built to Withstand the Demands of the Field Constructed entirely from rugged aluminum with a toughened front glass, the BM5IV WR is designed for harsh shooting environments. Thin bezels provide a sleek profile, and at just 358g (12.62oz) without battery, it remains lightweight and easy to mount on any rig. Vibrant, Accurate Display The 2,000-nit ultra-bright display is clearly visible even in direct sunlight, while the 10-bit (8+2 FRC) panel ensures smooth gradations, vivid colors, and no banding. The 1920 x 1080 Full HD resolution, 178° viewing angle, and 1000:1 contrast ratio deliver rich visuals for precise monitoring. Each unit is factory-calibrated, and users can load custom calibration LUTs via USB with an X-Rite color probe if needed. Professional-Grade Monitoring Tools The BM5IV WR is packed with high-end monitoring features, including: Exposure tools: Zebra, False Color, ARRI False Color, LOG False Color, User-defined modes, full-screen waveform, histogram Image analysis: Luma/RGB waveform, vectorscope, histograms, audio meters Focus assist: Advanced peaking algorithm, edge enhance, grayscale/color peaking, zoom-in focus Color tools: 3D LUT monitoring/output via SDI, HDR (HLG) mode, USB LUT loading Framing tools: Guides, grids, crosshair, check field, rectangle crop, aspect ratio markers Anamorphic de-squeeze: Standard (1.33x, 1.5x, 2.0x) and custom ratios (0.25x to 4.0x) Image Capture & Overlay: Save a snapshot from HDMI or SDI input and overlay it with adjustable opacity Flexible I/O and Video Processing The monitor includes: 2 x HDMI input/output (up to 4K DCI 60p) 1 x 3G-SDI input 1 x 3G-SDI output (clean feed or with LUT/peaking) It supports HDMI↔SDI cross-conversion and dual video signal monitoring with multiple viewing modes: Picture-in-Picture Dual horizontal/vertical Left horizontal & right vertical Left vertical & right horizontal Perfect for multi-camera shoots or simultaneous framing in 16:9 and 9:16 for social media content. Camera Control Capabilities More than just a monitor, the BM5IV WR provides camera control for over 80 models from 8 major brands, including: RED (DSMC2, KOMODO, KOMODO-X, V-RAPTOR, V-RAPTOR XL) – RED-approved; wireless control with full camera settings and touch-to-focus ARRI Alexa Mini – Wireless control Nikon Z8/Z9 – Wireless control This makes it an ideal solution for cinematographers, DPs, directors, focus pullers, and solo creators who need powerful control and high-end monitoring in a single device.

BM7 II DS 7-inch High-Bright Monitor

Portkeys PK-BM7-II-DS (PK/BM7-II-DS, PK/BM7/II/DS, PKBM7IIDS, PK BM7 II DS) BM7 II DS 7-inch High-Bright Monitor The Portkeys BM7 II DS is a rugged 7-inch on-camera monitor that builds on the legacy of the popular BM5 III WR, offering an expanded feature set in a larger format. It retains key professional tools like a bright, daylight-viewable touchscreen, four customizable function buttons, wired and wireless camera control, and now adds a larger screen, more I/O options, and advanced monitoring capabilities. Constructed from durable aluminum and protected with reinforced glass, the BM7 II DS is designed to withstand the rigors of demanding sets. Weighing just 460g (16.2oz), it’s lighter than many 5-inch monitors on the market, while offering a larger viewing area. 1/4″-20 mounting points with ARRI locating holes on the top and bottom ensure flexible rigging options. With a brightness of 2,200 nits and a Full HD 1920x1080 resolution, the BM7 II DS excels in outdoor environments. The 10-bit (8+2 FRC) display delivers rich color reproduction without banding and supports 100% Rec.709 and 85% DCI-P3 color space coverage. Each unit is factory-calibrated for accurate color fidelity. Despite its size and brightness, the monitor consumes only 15W of power and features a dual NP-F battery plate with hot-swapping support—only one battery is required to run the monitor at full capacity. It also includes two power input options: a 2-pin LEMO and a locking 5.5mm barrel connector (with D-Tap cable included). Connectivity is comprehensive: two 3G-SDI inputs, one SDI output, and HDMI input/output. HDMI-to-SDI cross-conversion ensures seamless signal routing. Both SDI and HDMI outputs can deliver a clean feed or a video signal with a 3D LUT applied. The BM7 II DS supports dual-input monitoring with various split-screen modes: horizontal, vertical, and hybrid layouts. You can even view a single source cropped in 16:9 and 9:16 simultaneously—perfect for creating content for both traditional and social platforms. Advanced Camera Control: Wireless Control (2.4GHz WiFi): Compatible with RED Komodo, V-RAPTOR, and various Sony models (A7S III, A7 IV, FX3, FX30, etc.) Bluetooth Control: Supported for Blackmagic BMPCC 4K/6K/6K Pro Wired Control: Available for cameras from Sony, Canon, Panasonic, Blackmagic, and Z CAM Follow Focus Integration: Direct motor control via TILTA Nucleus N/M, with on-screen focus scale display  

BVM-E171-HDR 16.5 Inch TRIMASTER EL OLED Monitor with HDR License

Sony BVM-E171-HDR (BVM/E171/HDR, BVM_E171_HDR, BVME171HDR, BVM E171 HDR, BVM-E171/HDR) 16.5 Inch TRIMASTER EL OLED Monitor with HDR License Sony BVM E171 HDR Licence included 16.5" TRIMASTER EL OLED Critical Reference Monitor from Sony features a wide viewing angle for critical picture evaluation in the studio and on-set for professional applications such as color grading, high-end editing, broadcasting and scientific research. Sony?s leading edge Organic Light-Emitting Diode (OLED) technology and signal processing technology ensures high performance with the BVM-E171. It allows several people to evaluate the image with accuracy at the same time, increasing the monitor?s versatility in top end monitoring solutions. Technology Top Emission technology enhances OLED's benefits to deliver outstanding black performance, a quick response time with virtually no motion blur, and a wide color gamut. A 12-bit output digital signal processing engine provides a non-linear cubic conversion color-management system that delivers precise color reproduction, picture uniformity, gamma performance, and picture quality consistency. Flicker Free Mode The TRIMASTER EL OLED panel's quick response and scan-driving performance delivers remarkable picture quality with virtually no motion blur. However, there is a possibility that flicker is just visible especially when a lower frequency signal is displayed (24p, 24PsF, and 50i). To remove visible flicker, the BVM E171 is equipped with flicker-free mode. DC Operation The BVM E171 can be DC operated. This feature gives more flexibility and mobility to users who want the larger size screen for the on-set application. Support for 4K Production The BVM E171 is an HD monitor that conforms to ITU-R BT.709 color space. Responding to an increase of the demand of using an HD monitor in a 4K production, the monitor supports ITU-R BT.2020 color space and transfer matrix. Accepts Computer Signals via HDMI The BVM E171 accepts various computer signals input up to 1920 x 1080 through its HDMI connector. It is also equipped with Digital Cinema 2048 x 1080 signals. Picture Performance Sony TRIMASTER EL technology combines the ultimate performance of Sony OLED display with the TRIMASTER technology to provide the highest level of picture performance: Wide viewing angle Accurate Black Reproduction High purity and accurate color reproduction Quick response time with virtually no motion blur Very high contrast ratio Sony Display Engine High-precision signal processing engine has been developed to fulfill the reference monitor criteria and is optimized to maximize OLED panel performance. This engine incorporates 12-bit output accuracy at each process, and provides both a high quality I/P conversion algorithm and a highly accurate color management system. Multi-Format Signal Support The BVM E171 monitor can accept almost any SD or HD video format, such as analog composite video, HDMI and SDI, and variable computer signals through HDMI. Auto White Balance The color temperature and white balance of BVM Series monitors can be automatically adjusted by the Auto White Balance function using specified color temperature probes, such as: Konica Minolta: CA-210, CA-310, CS-200 DK-Technologies: PM5639/06 X-Rite: i1 (Eye-One) Pro and i1Pro2 Photo Research: PR-655, PR-670 Klein: K-10 Jeti: Specbos 1211

CineView M7 7inch 4K60 Smart Touchscreen Monitor

Accsoon ACSMITX1 (AC-SMITX1, AC/SMITX1, AC SMITX1, AC_SMITX1) CineView M7 7inch 4K60 Smart Touchscreen Monitor The Accsoon CineView M7 is a rugged 7″ smart touchscreen monitor powered by a robust Android-based OS, featuring a sharp 1920 × 1200 Gorilla Glass Victus display with 100% Rec.709 color accuracy, 1000-nit brightness, 1500:1 contrast, and Delta E < 2 precision—ideal for accurate on-set monitoring. It offers professional HDMI and 3G‑SDI I/O, internal recording up to 4K60 (H.264/H.265 to SD, USB‑C, or SSD), and can function as a LUT box with 1D/3D LUT support (up to 4096 points) for real-time color grading. Built for versatility and mobile workflows, the M7 includes False Color, Histogram, Zebras, Waveform, Vectorscope, SDI‑HDMI cross/up/down‑conversion, Wi‑Fi 6 streaming (RTMP/SRT), dual NP‑F slots, USB‑C PD, DC power inputs, plus mic/headphone jacks and Bluetooth audio support—all in a heat-dissipating aluminum housing with multiple mounting options.    

CLM-FHD5.CE7 Clip-On 5 Inch Full HD LCD On-Camera Monitor

Sony CLM-FHD5.CE7 (CLMFHD5.CE7, CLM-FHD5, CLMFHD5, clmfhd5.ce7) Clip-On 5 Inch Full HD LCD On-Camera Monitor 5" Clip-on Full HD LCD On-Camera Monitor from Sony Sony's CLM-FHD5 Clip-On 5" Full HD LCD On-Camera Monitor features a native resolution of 1920 x 1080 and an HDMI input to display the full HD signal out of your camera. The 5" screen is larger than the typical LCD screen of most DSLRs and camcorders and combined with the Full HD resolution, it provides a sharp image well suited for operating your camera. The monitor features an S-Log display function that lets you display an image recorded by your camera using S-Log to protect your highlights as if it had been captured with normal gamma. This can provide a more pleasing image to view, while the original footage is captured in S-Log. Supporting W, M, and V-type batteries, the monitor is capable of long run times and can accept an optional AC power adapter. It features colour peaking and focus magnification to aid in getting your shot in focus. It also features false colour to aid in exposure. Two assignable front panel buttons allow you to customize your workflow. The included shoe mount and sun hood allow you to mount the monitor on your camera, and the sun hood protects that monitor from veiling glare. Full HD 1920 x 1080 Resolution The 5" Full HD 1920 x 1080 LCD monitor delivers a high-resolution image that your camera is not capable of displaying. Focus Assist with Focus Magnification Function Focus magnification function lets you enlarge an image to 3x or 6x magnification, making it easier to check and confirm your focus. Focus Assist with Peaking Function Focus peaking function assists you to get sharp focus quickly while manual focusing. It highlights the areas that are in sharpest focus in red, making it easier to see if your subject is in focus at a glance. S-Log Disp. for Exposure and Contrast Control S-Log shooting provides wider dynamic range for smooth gradations with reduced blown-out highlights and blocked-up shadows. This S-Log function displays images with the brightness and contrast close to how the images appear in regular shooting mode. This allows you to capture a flat S-log image while making it easier to control focus, contrast, and exposure using the LCD monitor. S-Log Disp. Assist Gain Adjustment is selectable in values of +2, +1, 0, -1, and -2. False Colour Function for Accurate Exposure Setting. False Colour display helps you set accurate exposure levels by converting brightness to numeric figures and displays those as colours. Red = 108% or more, Yellow = 100-108%, Pink = 61-65%, Green = 41-45%, Blue = 3-10%, Violet = 3% or less. Therefore, if you want to shoot a person's skin at 61 - 65%, adjust the exposure setting so that the skin appears as pink. This display does not affect the images the camera is shooting. Video Level Marker Video Level Marker uses colour to help you achieve optimum exposure and skin tone according to your user-selected target video signal level. Chose from five video signal levels to highlight the area of your image in green that matches the level you select. The rest of your image will indicate over and underexposed areas with dark gray indicating lower video signal level (areas of lower exposure) and light gray indicates higher video signal level (areas of higher exposure). Blue indicates blocked-up shadows and red indicates blown-out highlights. For example, if you want to shoot your subject's skin at around 70% signal level, select 70% from the menu and adjust exposure setting so that the skin appears as green on the monitor. This display does not affect the images the camera is shooting. Assignable Front Panel Buttons Two customizable buttons allow you to assign frequently used functions to each: C1 and C2 buttons for fast access and easy operation. Compatible with Multiple Camera Batteries The monitor uses the same W, M and V batteries as cameras do, so you can use it for long periods of shooting without having to bring along different batteries. There's also an optional AC adaptor that's handy for long operating sessions without batteries. Various optional power sources: 1. AC adaptor AC-PW10AM / 2. NP-FW50 / 3. NP-FM500H / 4. NP-FV50 / 5. NP-FV70 / 6. NP-FV100A LCD Hood and AR Coating The CLM-FHD5 features a sturdy yet removable sun hood to shield the LCD from the sun and bright lights while shooting. The sun hood folds closed to protect your screen when not in use. The AR (anti-reflection) coating on the LCD helps minimize glare for improved image viewing quality. Speaker A built-in monaural speaker allows you to hear the audio, especially useful when checking your footage. Connector Cover The monitor's connectors are protected by a flap when not in use, which can help prevent dust build up.

CLM-V55 5 Inch HDMI On-Camera Monitor with Peaking

Sony CLM-V55 (CLM/V55, CLMV55, CLM_V55, clm-v55) 5 Inch HDMI On-Camera Monitor with Peaking 5" HDMI On-Camera Monitor with Peaking from Sony The Sony CLM-V55 5" HDMI On-Camera Monitor with Peaking is a lightweight monitor that supports input signals up to 1080p. It features a screen with 800 x 480 resolution with a 90° viewing angle. The monitor accepts power from either an optional NP-FM500H, NP=QM71D, NP-QM91D, or optional AC-PW10AM power supply. It features peaking, that helps you to determine critical focus, and the pixel-to-pixel function enables you to zoom in on the center of your image. The included removable sunhood can be used for protection from glare, and collapsed to protect the LCD screen during transport and storage. To save battery paower, the monitor will automatically shut down if no signal is input for 60 seconds. The built-in speaker allows you to share the audio with those around the monitor, while the integrated headphone jack allows you to monitor audio privately. The 1/4"-20 threaded hole allows you to use stadard accessory for mounting the monitor, or you can use the included shoe adapter to secure the monitor to your camera. Note: The monitor does not have DSLR scaling to re-scale the video from certain cameras during playback. Black stripes may appear above and below or on each side of the monitor when the camera's aspect ratio is different from that of the monitor. 5" LCD WVGA (800x480) Peaking Peaking is a real-time, focus assist tool that superimposes pulsing red lines over the area if your image that is most contrasy, and therefore most in focus. This makes it easier to confirm that subjects are in-focus or not in-focus. Pixel-to-Pixel 1:1 pixel-to-pixel mapping allows you to look at the center of your image without any scaling, so you can see the actual detail and not be fooled by scaling artifacts. Aspect Ratio The monitor features a native 15:9 aspect ratio. When displaying footage normally, this may cause black bars to appear around your image. This allows the monitor to display your footage in its natural aspect ratio. TV Marker Display Displays a grid just inside the angle of view that acts as a guide to the area shown on a LCD screen. Colour Temperature Selectable colour temperature from 9300, 7200, 6500K. The monitor defaults to 6500K. Includes a headphone jack for monitoring audio levels while recording Auto lock accessory shoe adapter is used with the Sony Alpha cameras

Control Unit Attachment kit for BVM-E170/F170

Sony BKM-39H (BKM39H, BKM/39H, bkm-39h) (BVM E170, BVM/E170) (BVM/F170, BVM_F170) Control Unit Attachment kit for BVM-E170/F170The Sony BKM39H Attachment Stand is used with the BVML170 Trimaster LCD Broadcast Monitor (16.5”) and PVML1700 LCD Monitor Broadcast Applications (16.5"). It includes a cable to connect the BKM-16R to BVML170.

Control Unit Attachment Kit for BVM-E251

Sony BKM-38H/3 (BKM_38H/3, BKM/38H/3,BKM 38H/3) (BVM_E251, BVM/E251) Control Unit Attachment Kit for BVM-E251 The Sony BKM-38H/3 Attachment Stand is a fixed stand, and is used with BVM-E251 LCD monitors.

Control Unit Attachment Kit for BVM-E251

Sony BKM-39H/3 (BKM/39H/3, BKM_39H/3, BKM-39H-3) (BVM/E251, BVM_E251) Control Unit Attachment Kit for BVM-E251 The Sony BKM-39H/3 Attachment Stand is used with the BVM-E251 LCD Monitor .

Control Unit Attachment Kit with Tilt for BVM-E251

Sony BKM-37H/3 (BKM/37H/3, BKM_37H/3, BKM_37H_3) (BVM/E251, BVM_E251) Control Unit Attachment Kit with Tilt for BVM-E251 The Sony BKM-37H/3 is an optional controller attachment stand for the BVML-Series of professional monitors. The stand attaches the monitor to the BKM-16R control unit. Control Unit Attachment Kit with Tilt is for BVM-E251

DJI RC Plus (Inspire 3)

DJI RC Plus (Inspire 3)(CP.IN.00000046.01) The 7-inch 1,200-nit high-bright monitor provides an extraordinary outdoor monitoring experience. There are several buttons and dials on the front, back, and top of the remote controller for fast operation. Button functions can be customized. When used together, the built-in battery of RC Plus and an external battery provide an operating time of up to six hours. RC Plus also supports battery hot-swapping. DJI Inspire 3 comes with professional accessories such as a strap and waist support for more comfortable and efficient long-duration use.

ENG Monitor Field Kit

Sony VF-510 (VF510, VF/510, vf-510) ENG Monitor Field Kit The Sony VF-510 is a field monitor accessory kit for the LMD940W monitor. This kit includes a high quality monitor hood, a carry handle for transport and a cable protector for the rear of the monitor.   This kit offers the user accessories to facilitate a location production with great monitoring capabilities.

F-5A 5.5 inch IPS On-Camera Monitor with L-Series Type Plate

TV-Logic F-5A (F_5A, F/5A, F 5A) 5.5 inch IPS On-Camera Monitor with L-Series Type Plate TVLogic's F-5A 5.5" IPS On-Camera Monitor with L-Series Type Plate offers cinematic image quality in a sleek, compact form suitable for use as an EVF or onboard camera monitor. This monitor features a 1080p Full HD IPS display with 160° viewing angle and a contrast ratio of 1000:1. Monitoring functions include waveform, vectorscope, and 16-channel audio level meter displays. The versatile F-5A monitor has both 3G-SDI and HDMI inputs and outputs, enabling HDMI-to-SDI and SDI-to-HDMI conversion. The monitor supports horizontal/vertical image flip, timecode display, image zoom, auto/manual aspect ratio selection, and blue/mono-only modes. The monitor supports ARRI camera metadata as well as HDR emulation of PQ, HLG, and SLog3. Pro-style focus assist functions like peaking boost help your assistant keep your image sharp. Power the F-5A using a separately available battery and either the integrated Sony L-series type battery plate, the included D-Tap cable, or via a separately available AC power supply. Tally is supported by the connector on the back of the monitor.

HS8 8-inch Director Monitor

Portkeys PK-HS8 (PK/HS8, PK_HS8, PKHS8, PK HS8) HS8 8-inch Director Monitor Portkeys HS8 – 8" High-Bright Director Monitor with Rugged Build and Wireless Receiver Integration The Portkeys HS8 is a robust and feature-rich 8-inch director monitor, built to meet the demanding needs of filmmakers and video professionals. With its rugged all-aluminum housing and removable protective display glass, the HS8 is engineered to endure challenging shooting environments while delivering high-performance monitoring. Compact and practical, the HS8 measures 208 x 133.7 x 50.5mm and weighs just 675g (1.48 lbs)—perfect for directors, focus pullers, camera crews, or clients to share on set. Stunning Visual Performance The monitor boasts a 1920 x 1200 resolution, 10-bit (8+2 FRC) color depth, 1,100 nits brightness, and a 1000:1 contrast ratio, making it suitable for both studio and outdoor use. Its color-accurate display ensures rich detail without banding, right out of the box. Professional Connectivity & I/O All input/output ports are neatly recessed at the bottom for added protection. Key video ports include: 1x 4K DCI 60p HDMI input 1x 3G-SDI 1080p60 input 1x HDMI output 1x 3G-SDI output Both outputs support up to 1080p60 and feature cross-conversion (HDMI to SDI and vice versa), with 3D LUT output through both. Additional I/O features: 3.5mm headphone jack USB-A port for LUTs and firmware updates Locking 7–20V DC input (via included D-Tap to 5.5mm barrel cable) Dual Power Options At the rear, the HS8 includes a dual Sony NP-F battery plate with hot-swap capability, providing up to five hours of runtime with two NP-F970 batteries. It also supports extended use via external DC power input. Unique Power Output Feature A standout feature of the HS8 is its rotatable, removable NP-F dummy battery power output, allowing you to directly power a wireless video receiver (8V/10W passthrough). This patented design lets you rotate the dummy battery 360° tool-free, using a large yellow knob—ideal for keeping your setup clean and integrated. Mounting Flexibility Equipped with VESA 100 x 100 mounting holes, the monitor easily mounts to C-stands or light stands using standard monitor arms. Additionally, four 1/4"-20 threaded mounting points with locating pins allow for versatile rigging, tripod mounting, or direct attachment of side handles. Intuitive Controls On the top panel: 4 customizable function buttons Power switch Input switch (HDMI/SDI) Menu scroll wheel with push function Thanks to its large 8" screen, the HS8 can display multiple monitoring tools simultaneously with partial overlays for quick access. Advanced Monitoring Tools The HS8 comes packed with tools to ensure precise monitoring and decision-making on set, including: 3D LUT monitoring and output via SDI/HDMI LUT loading via USB-A Waveform, RGB & Luma Histograms Adjustable Zebra Customizable False Color (13 presets including ARRI) Anamorphic De-Squeeze (1.33x, 1.5x, 2.0x + custom ratios 0.25x–4.0x) Focus Assist (Peaking & Zoom) SDI Level A/B auto output and progressive-to-interlaced conversion Framing tools: crosshair, check field, guides, grids, crop Audio meters Extensive display settings: black level, backlight, contrast, sharpness, chroma, tint, HDR HLG, OSD Flip, color temp

Hyperdeck Extreme 4K Hdr

HYPERDECK EXTREME 4K HDR BMD HYPERD RSTEX4KHDR BMDHYPERDRSTEX4KHDR BMD-HYPERD-RSTEX4KHDR BMD/HYPERD/RSTEX4KHDR Powerful Ultra HD touchscreen HyperDeck records and plays H.265 and ProRes files in all SD, HD and Ultra HD standards up to 2160p60. Includes scopes, upgradable cache plus SDI, HDMI and analogue video. HyperDeck Extreme features the trusted reliability of HyperDeck combined with new innovations such as space saving H.265 files, optional internal cache, 3D LUTs and HDR support! With the ability to record up to native 8K in H.265, you get reduced storage costs and amazing image quality. The large touch screen ensures a perfect view of your recording as well as control over all deck settings. You can then add HyperDeck Extreme Control to transform it into a traditional broadcast deck! This means HyperDeck Extreme is the perfect solution for the next generation of broadcast, live production and digital signage. MODERN DESIGN WITH TRADITIONAL CONTROLS HyperDeck Extreme has an innovative touch screen user interface with deck controls as well as a large screen to view your recording. Then add a HyperDeck Extreme Control for traditional broadcast deck controls and a large shuttle knob that feels incredibly luxurious to use. You can even rack mount the HyperDeck and the controller. HyperDeck Extreme also includes 2 media slots, 12G‑SDI, analogue connections for archiving, USB‑C external disk recording, plus a front panel speaker and headphone jack. There's also an optional cache that eliminates dropped frames if your media becomes full or is too slow. Both AC and DC power connections are also included for studio or on location use. PERFECT FOR LIVE PRODUCTION, DIGITAL SIGNAGE AND ARCHIVE With its amazing versatility, HyperDeck Extreme is also great for live production as a master recorder, clip player and for recording ISO cameras. The analogue inputs allow you to record from old video tapes, so legacy programming can be used on the latest streaming services or for use in editing. Digital signage is easy with HyperDeck Extreme as it has 10G Ethernet for fast media uploads, plus it features a simple remote control protocol. You can even use it as a field recorder as it includes HDMI, SDI and analogue inputs with built in scopes and 3D LUTs. The scopes also help you QA masters to ensure compliance with broadcast standards before streaming and broadcast. CONVERT LEGACY PROGRAMMING FOR STREAMING As streaming services have become common, preserving cultural diversity through maintaining localized content is increasingly important. The solution is to get each country’s legacy programs onto streaming services at an affordable cost. HyperDeck Extreme Control lets you connect to legacy broadcast decks, set an in and an out point, then edit. Just add HyperDeck Extreme and HyperDeck Extreme Control to each legacy deck to keep them all archiving constantly with just one operator. It’s even possible to edit across formats by using Teranex Express to convert tapes from SD to HD in one step. You can control a wide range of decks, including Digital Betacam, 1 inch C format, and Betacam SP. BIG BRIGHT SCREEN FOR EASY TOUCH CONTROL The innovative touch LCD user interface provides incredible control. On screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog. The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus you can load and save 3D LUTs. You also get direct buttons for transport control, enabling the 3D LUT and remote enable. Then you can always add traditional deck controls with HyperDeck Extreme Control. TRADITIONAL BROADCAST DECK CONTROLS HyperDeck Extreme Control extends your HyperDeck Extreme to add traditional broadcast deck controls. It works like a traditional broadcast deck with a familiar layout. You can control up to 8 decks via industry standard RS‑422 control. You can even rack mount to the HyperDeck Extreme to create a single "broadcast deck" unit. Because it uses standard RS‑422, you can control old broadcast decks and perform edits using set in and out points. That's perfect for archiving work. Plus you can even edit between frame rates if standards converting between formats. Even the controls have been developed in-house by Blackmagic Design to ensure a premium feel with traditional styling. DUAL CFAST MEDIA FOR NON STOP RECORDING CFast media support allows you to record to commonly available flash memory cards. The H.265 files are small enough to allow long recordings on standard CFast cards. Plus there are 2 CFast card slots so you can swap out any full cards even during recording, allowing infinite length recording. CFast cards are perfect for broadcast because they are small, high speed and affordable. You can even use a Blackmagic MultiDock 10G to add SSD compatibility. With H.265, you can record up to 1,398 minutes at 8Kp60 on a 1 TB card, 3,530 minutes in 2160p60 Ultra HD and 9,446 minutes in 1080p59.94 on a 1 TB card. That’s over 23 hours in 8K and over 6 days in HD. RECORD DIRECT TO EXTERNAL USB‑C MEDIA DISKS If recording to other media types is required, then the USB‑C Expansion port lets you plug in an external flash disk for recording. USB‑C flash disks have massive capacity as they don't suffer from any size constraint. Plus, it’s possible to record to the same disk you are using or editing, so you don't need to waste time copying files before starting post production. Flash disks are so fast, they can record high data rate formats that are too big for CFast cards, such as real time ProRes in 4K or 8K. Adding a Blackmagic MultiDock 10G also makes it easy to use SSDs for compatibility with other HyperDeck models. You even get on screen menus for managing external disks using the touch screen. OPTIONAL MEDIA CACHE ELIMINATES DROPPED FRAMES Sometimes your media can fill before you change to a blank card, or if the card is too slow, then you can get dropped frames in your recording. To eliminate this problem, you can install a PCIe flash disk into HyperDeck Extreme to use as a record cache. This eliminates problems with CFast media or external disks, as the cache will automatically take over and record any content the media could not capture. Even if a card fills, recording will continue to the cache until it’s swapped. The cache even lets you record formats that are too fast for the media card or external disk. Common PCIe flash disks are used and a thermal pad is included to allow user installation. SUPPORTS 12G‑SDI, HDMI AND LEGACY ANALOGUE HyperDeck Extreme features a wide range of video and audio connections such as multi-rate 12G-SDI for SD, HD, Ultra HD and 8K devices. The 12G-SDI outputs support fill and key when playing RGBA 4:4:4:4 files. HDMI is included for consumer televisions and video projectors. For archiving work, HyperDeck also includes both balanced analogue, HiFi audio plus timecode connections. For monitoring there's even a down converted monitor SDI output that includes overlays. The USB‑C connection lets you plug in flash disks or disk arrays for recording. The latest 10G Ethernet is included for high speed upload using FTP protocols. HyperDeck even includes both AC and XLR 12V DC power connections. ADVANCED HDR SUPPORT AND BRIGHT WIDE GAMUT LCD You'll be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide colour gamut. The built in scopes even change to HDR scopes when working in HDR formats. Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider colour gamut so can handle both Rec. 2020 and Rec. 709 colourspaces. The built in HyperDeck Extreme HDR LCD colour gamut can even handle 100% of the DCI‑P3 format. BUILT IN SCOPES ENSURE COMPLIANCE TO BROADCAST STANDARDS HyperDeck Extreme features full internal waveform monitoring so you can ensure compliance to broadcast standards when used on high end work. The waveform display provides a traditional luminance (brightness) levels view of your input or playback signal. The vectorscope display allows you to see the intensity of colour at 100% SDI reference levels. You also get RGB and YUV parade displays which are ideal for colour correction and checking for illegal levels. Histogram shows the distribution of white to black detail in your images and highlights or shadows clipping. The built in scopes can be overlaid on live video, or as a small picture in picture view at the top right of the scope. LATEST MULTIRATE 12G-SDI FOR SD, HD AND ULTRA HD You get full support for the most popular video standards. The SDI and HDMI connections are multi-rate, so handle SD, HD and Ultra HD. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. You can even do 1080 PsF formats. Ultra HD is supported up to 2160p59.94. 2K and 4K DCI rates are available up to 25p. STANDARD H.265 AND PRORES FILES FOR WIDE COMPATIBILITY H.265 files are extremely small and range from 60:1 to 285:1 compression ratios which means much lower file sizes. Plus H.265 is now supported on all major operating systems. HyperDeck Extreme even supports ProRes 422 HQ, ProRes 422, ProRes 422 LT for recording and playback plus ProRes 4444 for playback to fill and key out. This means files will be compatible with software such as DaVinci Resolve, Media Composer, Premiere Pro or Final Cut Pro. PROFESSIONAL MULTI CHANNEL SDI AND ANALOGUE AUDIO HyperDeck Extreme includes professional audio for modern broadcasters or archiving from older broadcast decks. When working in SDI formats, you can record 2, 4, 8 or 16 channels of audio in real time. For capturing legacy programming there are 4 XLR analogue audio inputs that let you record all 4 channels from Betacam SP decks. You can monitor using 4 on screen audio meters with user selectable VU or PPM ballistics. For consumer devices such as VHS, DVD and set top boxes, there are also direct HiFi audio inputs. HyperDeck Extreme models use the latest broadcast technology, however the analogue connections have also been designed to low noise and low distortion broadcast specifications. LOCALIZED FOR POPULAR LANGUAGES Multiple languages are fully supported so you don't need to learn another language to use it. Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish. At first start, HyperDeck Extreme will display a menu for selecting a language, plus you can still use the menus to change languages any time you need. When a language is selected, the on screen text overlays will change, as well as all menus and the overlays on the SDI monitoring output will also be displayed with the selected language. All this means HyperDeck is perfect for doing international location work with different crews. THE FASTEST NETWORKING WITH MODERN 10G ETHERNET With 10G Ethernet, HyperDeck Extreme is perfect for digital signage because remote uploads are extremely fast. What's amazing is the ethernet uploads on HyperDeck Extreme are much faster than CFast card transfer speeds. Both models use an easy text based protocol plus you can use Telnet to test control commands. Simply log into HyperDeck and then type "play" or "record" and it will execute the command. It's that simple. To upload media files remotely, you can use FTP, or even use simple FTP client software. When the ethernet protocol and FTP is used with large USB-C disk arrays, HyperDeck Extreme becomes a great broadcast server for ingest, media management and play out. TRADITIONAL RS-422 BROADCAST DECK CONTROL The most popular control connection used on broadcast decks since the early 1980s is the RS‑422 protocol. Originally developed by Sony, RS‑422 is used on almost all broadcast gear. HyperDeck Extreme features wide protocol support so you can connect it direct to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS‑422 control solutions, you'll know you’re connected to a HyperDeck Extreme when you see the ID 0xF0E0 in 30/60p, 0xF1E0 in 25/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our web site. COMPATIBLE WITH CONTROLLERS, SWITCHERS, CONVERTERS AND MORE   There's a wide range of Blackmagic Design products you can use with HyperDeck Extreme, including the HyperDeck Extreme Control for adding traditional broadcast deck controls. Plus it uses the industry standard RS‑422 deck control protocol so it works with any broadcast deck. Add the Blackmagic MultiDock 10G to use regular SSDs for compatibility with media from other HyperDeck models. HyperDeck Extreme is also a perfect mastering recorder with the ATEM Constellation 8K, or for clip playback and ISO recording. For monitoring, the Teranex SDI to HDMI 8K allows broadcast monitoring on a television and it also has monitor calibration, 3D LUTs and on screen scopes.

LEYE III 2.4-inch LCD Electronic Viewfinder

Portkeys PK-LEYE-III (PK/LEYE-III, PK/LEYE/III, PKLEYEIII, PK LEYE III) LEYE III 2.4-inch LCD Electronic Viewfinder The LEYE III from Portkeys is a compact 4K HDMI EVF designed for professional filmmakers. Featuring a 2.4" LCD with 1440 x 900 resolution, 450 cd/m² brightness, and a 1100:1 contrast ratio, it delivers sharp, vibrant visuals even in bright environments. The EVF supports video input up to DCI 4K30 via HDMI. Its diopter adjustment range of -3 to +8 accommodates various eyesight needs. The LEYE III includes essential software tools such as waveform, histogram, scaling, image flip, zoom, guides, and crop. You can import 3D LUTs via the USB Type-A port, with optional waveform detection pre- or post-LUT application. Built with a rugged metal housing, the unit offers versatile mounting options: ARRI-style anti-twist mount, NATO rail, or a 1/4"-20 thread. A passive heatsink ensures efficient heat dissipation during extended use. Power options include a self-locking 4-pin aviation-grade D-Tap cable and a built-in Canon LP-E6 battery plate. Accessories include an HDMI right-angle adapter, USB drive for firmware updates, and a soft flat eye sponge ideal for eyeglass wearers. 2.4" LCD, 1440 x 900 resolution, 8-bit color, 450 cd/m² brightness, 1100:1 contrast Supports up to DCI 4K30 video input via HDMI USB Type-A port for 3D LUT import and firmware updates Advanced tools: image flip, false color, histogram, scaling, peaking, crop, zebra, grids -3 to +8 adjustable diopter ARRI-style, NATO, and 1/4"-20 mounting options Durable all-metal construction Passive cooling system Power via included D-Tap cable or Canon LP-E6 battery

LH7H 7" inch High-Bright Touchscreen Monitor - White

Portkeys PK-LH7H-W (PK/LH7H-W, PK/LH7H/W, PKLH7HW, PK LH7H W) LH7H 7" inch High-Bright Touchscreen Monitor - White The Portkeys LH7H is a compact, entry-level 7-inch monitor featuring a daylight-viewable touchscreen, professional-grade monitoring tools, and a durable yet lightweight polycarbonate/ABS housing weighing just 245g (8.6oz, without battery). With multiple 1/4”-20 mounting points, it easily attaches to your camera or rig. Delivering up to 1,000 nits of brightness, the LH7H ensures clear visibility even in bright outdoor conditions. Its 10-bit (8+2 FRC) Full HD (1920x1080) panel offers accurate color reproduction, a wide viewing angle, and a 1000:1 contrast ratio. It includes a 4K HDMI input and Full HD HDMI output, supporting up to 4K DCI 24p, 4K UHD 30p, or Full HD 1080p at 60p. The HDMI input also enables 4K-to-1080p oversampling for enhanced image detail. Power options include a built-in Sony NP-F battery plate with a low 8W power draw, as well as a 7–24V 5.5mm barrel DC input for continuous operation from external batteries (V-Lock/Gold Mount). A versatile USB-A port allows you to load 3D LUTs, update firmware, or use it as a 5V/2A power I/O. Despite its compact size, the LH7H offers an impressive range of monitoring features: 3D LUT support for both monitoring and HDMI output, with USB key support for custom LUTs ARRI False Color mode and customizable IRE settings Enhanced Peaking algorithm with Peaking Frame for UI clarity Cropping tool for precise image zooming Framing tools: guides, grids, aspect ratios, and auto image flip Image Capture & Overlay: snapshot HDMI input with LUT (optional), adjustable opacity—ideal for continuity and shot matching Anamorphic de-squeeze: supports 1.33x, 1.5x, 2.0x, and custom ratios (0.25x–4.0x) Vertical “Stretch Leg” mode, applicable to HDMI output Manual adjustments: sharpness, chroma, brightness, backlight, tint, and color temperature The LH7H combines professional functionality with an intuitive interface and lightweight design—perfect for filmmakers seeking performance on a budget.

LH7P 7" inch High-Bright Touchscreen Monitor - White

Portkeys PK-LH7P-W (PK/LH7P-W, PK/LH7P/W, PKLH7PW, PK LH7P W) LH7P 7" inch High-Bright Touchscreen Monitor -  White The Portkeys LH7P is an affordable 7-inch monitor designed for Sony and Blackmagic Design users, offering wireless camera control and professional-grade monitoring features. Built from durable yet lightweight ABS and polycarbonate, it weighs just 245g (8.6oz) without a battery—ideal for portable rigs and field use. With a daylight-viewable touchscreen, four customizable function buttons, and three 1/4"-20 mounting points (bottom, left, and right), the LH7P integrates seamlessly into any camera setup, enhancing your efficiency on set. The LH7P delivers a Full HD 1920 x 1080 resolution, 10-bit (8+2 FRC) color depth, and 1000:1 contrast ratio, with a wide viewing angle and 1,000 nits of brightness—perfect for outdoor visibility. It supports 4K HDMI input (DCI 24p, UHD 30p) and Full HD 1080p up to 60p, with 4K-to-1080p oversampling for improved image detail. A Full HD HDMI output is also included. Power options include a built-in Sony NP-F battery plate and a 5.5mm barrel input (7–24V) for continuous external power. With only 9W of power draw, the monitor can run for hours on a single battery. Professional Monitoring Tools: 3D LUT support with HDMI output; load custom LUTs via the USB port and included USB key. False Color modes including ARRI and customizable IRE values. Advanced Peaking algorithm with Peaking Frame to maintain a clear camera UI. Cropping, Framing Guides, Aspect Markers, Grids, and Auto Image Flip. Image Capture & Overlay: save and overlay screenshots for continuity or shot reference. Anamorphic De-Squeeze: standard (1.33x, 1.5x, 2.0x) and custom (0.25–4.0x) ratios. Stretch Leg Tool for vertical shooting, with HDMI output support. Manual Adjustments: sharpness, chroma, brightness, backlight, tint, and color temperature. Built-in Wireless Camera Control: The LH7P includes a built-in 2.4GHz WiFi module (no external antenna required) for wireless control of select Sony cameras, such as the A7S III, A7 IV, A7R V, A1, FX3, FX30, ZV-1, and more. Adjust ISO, aperture, shutter, zoom, and frame rate directly on the touchscreen, start/stop recording, and tap to focus. A built-in Bluetooth module allows camera control of Blackmagic Design BMPCC 4K, 6K, and 6K Pro models. Note: Wireless camera control refers only to settings and triggering. Video signal must still be transmitted via HDMI.

LMD-2050W 20 Inches High-Grade LCD

Sony LMD-2050W (LMD_2050W, LMD/2050W, LMD 2050W, LMD2050W) 20 Inches High-Grade LCD. The Sony LUMA LMD-2050W is a 20" professional LCD monitor designed for high definition studio editing workstations. The display is capable of tackling almost any critical viewing scenario. The unit is ideal for industry professionals interested in achieving CRT-level performance while still taking advantage of the space saving attributes afforded by a flat panel screen. Equipped with a wide array of video inputs both analog and digital, the unit provides unparalleled performance. Inputs such as component, composite, and DVI ensure the panel will perform in almost any environment. Additional SD-SDI/HD-SDI, RGB/DVI, and NTSC/PAL analog card modules can be easily installed for even more versatility. The back of the LCD has a VESA standard mount with a 100mm pattern, allowing simple installation by using a wall mount hanger or arm stand. LUMA Professional LCD Series: The LMD-2050W is designed for broadcast and multimedia applications where performance and reliability are critical. It offers the significant breakthroughs in flat screen display technology that the LUMA series represents. Luma monitors have extended lifespans over conventional LCD panels as well as consuming less power. ChromaTRU: LCD displays can often produce inaccurate colors when compared to their CRT counterparts. Sony combats this phenomenon with enhanced color reproduction accomplished by ChromaTRU technology. ChromaTRU produces precise color accuracy over an unmatched range, making sure you see the right picture every time. Modular Design: The LMD-2050W allows users to customize their configuration by adding extra input boards. The boards include extra connectivity for SDI, Analog, and VGA/DVI devices. Wide Angle Range of Vision: The display offers an exceptionally broad viewing angle of over 178°. This lets you view the screen in crystal clarity from anywhere in the room. Multiple Mounting Options: The LCD can be used in a variety of applications and mounting scenarios complying with VESA wall mounting as well as any standard 19" racking system.

LVM-096A 1O" FHD Multi-Purpose Monitor

1O" FHD Multi-Purpose Monitor, Full HD Resolution (1920x1200), Waveform / Vectorscope, 16ch Audio Level Meter, Focus Assist, Marker, Timecode display This professional 10-inch Full HD (1920×1200) monitor is designed for broadcast, production, and on-set monitoring, offering a comprehensive suite of advanced tools to support accurate image evaluation. With built-in waveform and vectorscope, it ensures precise exposure and colour monitoring, while the 16-channel audio level meter provides real-time audio feedback for multi-source workflows. Focus Assist and zoom functions help operators achieve critical focus with ease, and multiple marker and user-defined aspect ratio options support a wide range of shooting formats. The monitor features timecode display, dynamic UMD, closed caption support (CC-608/708), and tally indicators, making it ideal for studio and live production environments.   Additional professional features include Blue/Mono Only, H/V Delay, Luma Zone Check, Range Error warnings, and pixel-to-pixel viewing for accurate image analysis. With various scan modes and GPI control compatibility, this monitor integrates seamlessly into complex broadcast setups, delivering reliable performance and versatile monitoring for any production.   LCD Panel Size: 10.1”  Resolution: 1920 x 1200 (16:10)  Pixel Pitch: 0.1128(H) x 0.1128(V) mm  Color Depth: 16.7M Colors (8 bit) Viewing Angle: 170°(H) / 170°(V)  Brightness: 1000 cd/m2 / 1000 nits  Contrast Ratio: 1000 : 1  Display Area: 216.58 (H) x 135.36 (V) mm  Input 1 x 3G-SDI A Input 1 x 3G-SDI B Input 1 x HDMI input 1 x CVBS input (shared with SDI-B)  Output  1 x 3G-SDI Out

Monitor Controller Attachment Stand

Sony BKM-37H (BKM37H, BKM/37H, bkm-37h) Monitor Controller Attachment Stand The Sony BKM-37H is an optional controller attachment stand for the BVML-Series of professional monitors. The stand attaches the monitor to the BKM-16R control unit. By using this attachment stand, the BVM-E250A/F250A can tilt between 5° forward and 10° backward.

Monitor Controller Attachment Stand for PVM-L2300/BVM-F250 and BVM-L231

Sony BKM-38H (BKM38H, BKM/38H, bkm-38h)(PVM/L2300,PVM_L2300)(BVM/F250, BVM_F250) (BVM/L231, BVM_L231) Monitor Controller Attachment Stand for PVM-L2300/BVM-F250 and BVM-L231 The BKM-38H/1 Controller Attachment Stand is an attachment stand for joining a Sony BVME250 or BVMF250 Trimaster OLED Monitor and a Sony BKM-16R/7 Monitor Control Unit.  

Mounting Bracket for LMDA-170 Monitor

Sony MB-L17 (MBL17, MB/L17, mb-l17) (LMDA/170, LMDA_170) Mounting Bracket for LMDA-170 Monitor  The MB-L17 is a mounting bracket specially designed for mounting the LMDA-170 Sony Professional video monitor directly on a 19-inch EIA standard rack. 7U high design for easy monitoring in operations room and OB truck.

Mounting Bracket for LMDA-220 Monitor

Sony MB-L22 (MBL22, MB/L22, mb-l22) (LMDA/220, LMDA_220) Mounting Bracket for LMDA-220 Monitor The MB-L22 is a mounting bracket specially designed for mounting the LMDA-220 Sony Professional video monitor directly on a 19-inch EIA standard rack for OB or Operations Room applications.

Mounting Bracket for PVMA-170 Monitor

Sony MB-P17 (MBP17, MB/P17, mb-p17) (PVMA_170, PVMA/170) Mounting Bracket for PVMA-170 Monitor Use this Mounting Bracket from Sony to mount your PVMA-170 monitor directly onto a 19-inch EIA standard equipement rack. The metal construction ensures durability and secure installation.

PL5 5.4" inch 4K HDMI/USB Monitor

Portkeys PK-PL5 (PK-PL5, PK-PL5, PK-PL5, PK-PL5) PL5 5.4" inch 4K HDMI/USB Monitor The Portkeys PL5 is a compact 5.4-inch on-camera monitor that also functions as a live-streaming capture card. Constructed from lightweight ABS and polycarbonate, it weighs just 154.5g (5.45oz) and measures 135.1 x 82.5 x 22mm—making it an ideal choice for portable shooting setups. The PL5 features a 5.4-inch 10-bit (8+2 FRC) touchscreen display with a 1920 x 1152 resolution, 500 nits brightness, 1000:1 contrast ratio, and a wide 178° viewing angle. Powered by the intuitive MOVNORM OS, it offers a full suite of professional monitoring tools, including: 3D LUT support with HDMI and USB-C output capabilities; custom LUTs can be loaded via the bottom USB-A port. Advanced False Color with 13 presets, including ARRI False Color. RGB and Luma Waveform/Histogram tools, plus adjustable Zebra settings. Anamorphic de-squeeze options for standard (1.33x, 1.5x, 2.0x) and custom (0.25–4.0x) aspect ratios. Stretch Leg tool for vertical shooting, with HDMI output compatibility. On the left side, the PL5 includes a 4K DCI 30p HDMI input, 3.5mm headphone output, and 3.5mm mic input. On the right, you'll find HDMI and USB-C outputs (up to 1080p60). The USB-C port also serves as a video output for live streaming via OBS when connected to a computer. As a true all-in-one device, it also offers: 3D LUT application on output video. A 360° color grading tool for selective hue and saturation adjustments. The rear of the PL5 houses a built-in Sony NP-F battery plate. With only a 7W power draw, a small NP-F550 battery can run the monitor for over two hours. For extended use, it can also be powered via the USB-C port. A USB-A port at the bottom allows for firmware updates and LUT loading. Mounting options include two 1/4”-20 threads with locating pins on the bottom and right sides—ideal for attaching to cameras, rigs, tripods, or gimbals.

Portkeys LH7P 7" High-Bright Touchscreen Monitor w/ Wireless Control

Portkeys LH7P 7" High-Bright Touchscreen Monitor w/ Wireless Control (PK/LH7P, PKLH7P, PK LH7P, PK_LH7P)  The Portkeys LH7P is a professional 7-inch high-bright touchscreen camera monitor designed for filmmaking, broadcast, content creation and professional video production workflows. Featuring a bright 1000-nit display, HDMI connectivity and responsive touchscreen operation, the LH7P provides reliable on-camera monitoring for directors, camera operators, focus pullers and content creators working in studio or outdoor shooting environments. The monitor supports wireless camera control functionality and professional monitoring tools, making it ideal for cinema cameras, mirrorless cameras, DSLR rigs and broadcast production setups.   Compact and lightweight, the LH7P is suitable for handheld rigs, gimbals, cinema production, ENG workflows and mobile filmmaking applications. * Wireless control does not mean wireless video transmission; the video signal cable must still be connected. Suitable For   Filmmaking Cinema production Broadcast workflows Content creation Focus pulling Director monitoring Gimbal setups DSLR & mirrorless camera rigs

Portkeys Wireless control SDL Monitor

Portkeys Wireless control SDL Monitor(PK-LS7P) The Portkeys LS7P is a rugged 7-inch on-camera monitor featuring 1,000 nits of brightness, HDMI/SDI video input and output ports, and wireless camera control capabilities. The Portkeys LS7P features a 7-inch touchscreen panel with a resolution of 1920 x 1080. With a maximum brightness of 1,000nits and a contrast ratio of 1000:1, this daylight-viewable monitor is usable in all shooting conditions, whether outdoors under bright sunlight or indoors in a murky studio. Trusting your on-camera monitor’s colors and image is essential for making creative decisions on set, which is why the LS7P features a 10-bit (8+2 FRC) panel, and every monitor is factory color-calibrated. With a weigh of only 409 grams (14.42 ounces) and measuring 176.2 x 103.8 x 39.3 mm (6.93 x 4.08 x 1.54 inches), this monitor is a compact and comfortable choice for camera operators and focus pullers. With a wide viewing angle of 80° from all sides, the display is easy to see, and it comes with two screen protectors to safeguard the touchscreen from accidental damage. The LS7P features one 4K DCI 30P/1080P60 HDMI input port and one 1080P60 HDMI output port, conveniently located on the bottom left side of the monitor. On the right-hand side of the monitor, you will find 3G-SDI 1080P60 video input and output ports. Additionally, cross-conversion from SDI input to HDMI output is possible, and the monitor supports 3D LUTs for both HDMI and SDI outputs.   At the top of the monitor, you will find four user-assignable buttons that allow you to activate or deactivate your favorite monitor tools quickly. Additionally, there is an on/off switch, a touchscreen lock switch, and a 1/4″-20 mounting point with locating pins. The LS7P also includes two more 1/4″-20 mounting points located on the bottom and right sides, providing filmmakers with multiple options for mounting the monitor. For future firmware updates and loading custom LUTs, a USB-A port is located at the bottom, along with a 3.5mm headphone jack. The Portkeys LS7P monitor can be powered using a single Sony NP-F battery. With a low power draw of just 13W, a single Sony NP-F970 battery can power the monitor for up to 3.5 hours. Additionally, the monitor features a DC 7-24V power input with a locking DC 5.5×2.1mm barrel connector. This allows you to extend the monitor’s usage time by powering it via a V-Mount or Gold Mount battery using the included D-TAP to screw-in DC power cable. Furthermore, the LS7P features a patented design that includes a built-in Sony NP-F power output dummy battery plate. This rotatable battery plate can be adjusted both horizontally and vertically. It also offers power pass-through capabilities (8V/10W), enabling you to connect and power a wireless video receiver directly at the back of the LS7P. This design allows for a sleek and minimalist setup.

PT5 II 5-inch Touchscreen On-camera Monitor

Portkeys PK-PT5-II (PK/PT5-II, PK/PT5/II, PKPT5II, PK PT5 II) PT5 II 5-inch Touchscreen On-camera Monitor The Portkeys PT5 II is a compact, ultra-lightweight 5-inch on-camera monitor designed for content creators and filmmakers seeking an affordable yet capable monitoring solution. Weighing just 125g (4.41oz) thanks to its durable polycarbonate body, it offers excellent portability without compromising on features. Toughened glass protects the touchscreen display from scratches, while its slim profile (136 x 72 x 18.3mm) makes it feel as compact as a smartphone on your rig. The PT5 II delivers vivid and accurate visuals with its 5-inch Full HD (1920 x 1080) panel, 500-nit brightness, 1000:1 contrast ratio, and wide 178° viewing angle. Its 10-bit (8+2 FRC) color processing ensures smooth gradients and rich detail without color banding. Despite its entry-level positioning, the PT5 II includes a full suite of professional monitoring tools: Exposure tools: Luma & RGB waveform, histogram, false color, zebra Focus assist: Enhanced peaking algorithm LUT support: Load 3D LUTs via USB for precise color monitoring Framing tools: Grids, guides, image flip, and custom aspect ratios (0.25x to 4.0x) Anamorphic de-squeeze: Supports standard and custom squeeze ratios Audio monitoring: On-screen meters and a 3.5mm headphone jack Image controls: Adjust sharpness, chroma, brightness, tint, and color temperature The monitor features a 4K HDMI input and output, supporting signals up to 4K DCI 24p, 4K UHD 30p, and 1080p 60p. A 3.5mm headphone jack on the left side allows direct audio monitoring. For power, the PT5 II offers excellent flexibility with a dual battery plate supporting both Sony NP-F and Canon LP-E6 batteries. Its low power consumption (only 7W) enables long runtimes on a single battery. Additionally, a 5.5mm barrel connector (7.4–24V) on the right side allows continuous operation with external power sources. Compact, capable, and budget-friendly, the Portkeys PT5 II is an ideal companion for anyone needing reliable on-camera monitoring in a lightweight package.

PT5-III 5.4-inch Touchscreen Monitor

Portkeys PK-PT5-III (PK/PT5-III, PK/PT5/III, PKPT5III, PK PT5 III) PT5-III 5.4-inch Touchscreen Monitor The Portkeys PT5 III is a compact and ultra-lightweight 5.4-inch on-camera monitor made from durable ABS and polycarbonate materials. Weighing just 154.5g (5.45oz) and measuring only 135.1 x 82.5 x 22mm, it’s ideal for mounting on cameras, rigs, or gimbals without adding bulk. Its 8-bit touchscreen display features a crisp 1920 x 1152 resolution, 800nits of brightness, a 1000:1 contrast ratio, and a wide 178° viewing angle. Running on the intuitive MOVNORM OS, the PT5 III offers a user-friendly interface along with a comprehensive suite of professional monitoring tools: 3D LUT Support: Load and monitor custom LUTs via the USB-A port. LUT output through HDMI is supported. Anamorphic De-squeeze: Includes standard ratios (1.33x, 1.5x, 2.0x) and custom aspect ratios from 0.25x to 4.0x. Stretch Leg Tool: For vertical shooting, stretch only the bottom part of the image—output supported via HDMI. Customizable False Color: 13 modes, including ARRI False Color. Exposure Tools: RGB and Luma waveform, histogram, adjustable zebra. Image Capture & Overlay: Snapshot your video feed (with or without LUTs) for continuity or shot matching. 360° Color Grader: Isolate and adjust hue/saturation for specific image areas. Image Flip: Built-in for versatile monitor placement. Rectangle Cropping: Zoom into specific areas with custom presets—ideal for live streaming. Peaking: Define focus zones and zoom for precise focusing. Framing Tools: Crosshair, guides, grids, check field, rectangle crop. Image Adjustments: Contrast, brightness, sharpness, color temperature, and tint. Audio Monitoring: On-screen audio meters. Advanced Display Settings: Includes HDR HLG mode, OSD flip, and backlight controls. Connectivity & Power Inputs: HDMI (up to 4K DCI 30p), 3.5mm headphone jack, 3.5mm mic input. Outputs: HDMI (up to 1080p60), USB-C for external power, USB-A for LUTs and firmware updates. Battery: Integrated Sony NP-F battery plate; a low-power NP-F550 battery can last over two hours (7W power draw). Mounting: Dual 1/4"-20 mounting points with locating pins (bottom and right sides). On the left side of the PT5 III is one HDMI video input port that supports resolutions up to 4K DCI at 30p, along with a 3.5mm headphone jack and a 3.5mm microphone input. The HDMI output port that supports resolutions up to 1080P60 is situated on the right side of the monitor. Above the HDMI output port is one USB-C port which can be used to power the monitor externally via a power bank or V-Mount/Gold Mount battery, for example On the back of the Portkeys PT5 III is an integrated battery plate compatible with Sony NP-F style batteries. With a low power consumption of just 7W, a compact and lightweight Sony NP-F 550 battery can power the monitor for over two hours. For extended usage, you can connect the PT5 III to an external power source using its USB-C port. Additionally, there is a USB-A port located at the bottom of the monitor for performing firmware updates and uploading custom LUTs.  

Shinobi 7 RX 7" 2200nit HDR Monitor with Camera Control & Wireless

Shinobi 7 RX: 7-inch, 2200nit HDR video photo monitor with camera control and integrated wireless video receiver (AOATOMSHBRX1, ATOMSHBRX1) Shinobi 7 RX combines a larger 7-inch HDR screen with a calibrated peak brightness of 2200nits and the lightweight monitor-only functions of Shinobi. Can be used in the brightest of environments to monitor signals up to 4Kp60 via HDMI or HDp60 via 3G-SDI. Take control of Canon, Fujifilm, Nikon, Panasonic, and Sony cameras via USB-C, plus Z CAM cameras via optional USB-C to serial cable. The addition of Wi-Fi connectivity provides a stable link between the Shinobi 7 RX and the TX component of Atomos’ TX-RX wireless video system, or a RTSP H.264 stream. An ideal director’s monitor, focus puller’s monitor, program or preview display for video switchers.

Shogun AV-19 19-inch, 4K HDR DCI-P3 7RU rack-mounted monitor

Shogun AV19 is a powerful 19?inch 4K HDR monitor-recorder-switcher designed for professional live production, broadcast, and video village environments. With 4 SDI inputs, ISO recording, live multi-camera switching, NDI HX3 over Ethernet, ProRes/DNx/ProRes RAW, XLR audio, and advanced monitoring tools, it delivers a complete Monitor-Record-Switch workflow for modern studio and outside broadcast environments. Its rugged, rack?mountable design and crisp DCI?P3 display make it an ideal central hub for multi?camera monitoring, with built?in switching that supports four ISO feeds plus a fifth program channel for smooth, real?time operation. Shogun AV?19 includes the monitoring tools professionals expect - EL Zone™, waveform, vectorscope, focus peaking, and full LUT support, and records Apple ProRes, ProRes RAW, and Avid DNx up to 10?bit 4:2:2 from SDI or HDMI. It offers flexible media options via CFexpress or USB?C, and integrated camera control provides direct access to key exposure settings on supported mirrorless systems. With native NDI HX3 and built?in Ethernet, Shogun AV?19 delivers high?quality, low?latency IP video over a single RJ45 cable, making it ideal for those transitioning to IP?based production. Professional calibration support and a fully integrated audio system - including balanced XLR I/O with 48V phantom power, embedded SDI/HDMI audio, speakers, and headphone monitoring - round out a complete, ready?to?deploy solution for broadcast and event environments. Use cases On-set monitoringConfidently manage complex productions with a large, colour-accurate 4K HDR display that’s ideal for directors, technical directors, and camera operators Technical & confidence monitoringBright, 19-inch 4K HDR display with comprehensive technical monitoring tools including EL Zone™ false colour, focus peaking, waveform & more Live switching & routingLive switcher capable of playing and recording up to four ISO camera feeds, for broadcasts and live events

Sony PVM-X1800 18" HDR TRIMASTER 4K Monitor

Sony PVM-X1800 18" HDR TRIMASTER 4K Monitor(PVM-X1800) 4K HDR picture monitor colour-matched with BVM-HX310 master monitor, ideal for various 4K productions - The PVM-X1800 is an 18.4-inch 4K HDR high grade picture monitor, incorporating a Sony-specified premium LCD panel that offers 1000 cd/m2 luminance and colour matching with the BVM-HX310 4K HDR master monitor. This makes group monitoring easy in on-set, studio and OB van walls, and in 19” EIA racks for editing, audio mixing etc. TRIMASTER assures accurate colour reproduction, precise imaging and consistent picture quality - Sony’s acclaimed TRIMASTER architecture delivers accurate picture reproduction, precise imaging and quality picture consistency. There are many advantages in the panel control and signal processing system such as fast processing, accurate linearizing of an input signal with Optical Electrical Transfer Function, accurate colour reproduction, etc. HDR-SDR conversion support - With V2.0 firmware and optional PVML-HSX1 HDR-SDR conversion license, the PVM-X1800 supports HDR-SDR conversion in live production environments. The license activates 4K to HD down-conversion, colour space conversion and OETF conversion. It also allows output of converted pictures to another 4K or HD monitor from the Enhanced Monitor Output. This function can be used at a remote sites fed only by an HDR signal. Live production metadata* - The PVM-X1800 offers support for live production metadata, allowing confirmation if input source settings and monitor settings are matched. * Supported with V2.0. Live production metadata includes SR Live metadata. Dynamic Contrast Drive and Black Detail High/Mid/Low - Dynamic contrast drive adapts backlight luminance to suit the scene, achieving a 1,000,000:1 dynamic contrast ratio. Total balance of highlights and low lights can be confirmed at a glance. Due to the mechanism of LCD panels, backlight leaking from the panel surface is unavoidable. Black Detail mode provides more accurate monitoring of black details in dark, low-APL (average picture level) images. Inputs for 12G-SDI and Quad-Link 3G-SDI to HD-SDI as well as HDMI - The PVM-X1800 can accept 12G-SDI from latest sources, and can input quad-link 3G-SDI and a single HD-SDI from traditional devices. This input utility is HDMI supports from 640x480/60P PC signal to 4096 x 2160/60P 4:2:2 YCBCR 12bit. Various scopes - Waveform monitor and vector scope can be simultaneously displayed with scales for both HDR and SDR, allowing conveniently checking of both input signal level and output luminance by the HDR scales of the waveform monitor. There are three different displays for luminance, RGB/YCBCR parade or RGB overlay with the gamut error display. The waveform of a specified line can also be displayed. Unique quad view display with User 3D LUT - The PVM-X1800 provides a quad view display, with individual settings for EOTF (SDR/HDR), colour space, transfer matrix, colour temperature, contrast, brightness, SDI/HDMI, RGB/YCBCR, as well as User 3D LUTs for each display view. Enhanced user interface and channel select button - The monitor’s OSD has been signiciantly enhanced to make operation even quicker and more intuitive. Design of the menu allow review and quick adjustment of settings. The Channel select button protects users from making inadvertent setting errors. Optimised features for field operation - DC 24V operation allows field-based operation, despite the monitor’s 18.4” screen size and very high 1000 cd/m2 luminance. An optional protection panel* protects the premium LCD screen from inadvertent shocks. User 3D LUTs and yoke-mounting are also supported. Dynamic Contrast Drive is particularly valuable when shooting night scenes. Field operation is further enhanced by false colour and camera focus functions**. * Optional protection panel cannot be used during monitor operation to protect screen from backlight heat. ** Supported with V2.0. Various mount capabilities - The PVM-X1800 can be installed to 19-inch EIA standard rack in studio and OB van environments. Yoke-mount and VESA mount options are also convenient for installation in a C stand for field use, or on a desktop arm for editing. Powerful stereo sound with audio muting - The PVM-X1800 incorporates stereo speakers (2W+2W) with audio muting.

Sumo Screen Protector

Atomos AO-ATOMLCDP02 (AOATOMLCDP02, AO/ATOMLCDP02, AO ATOMLCDP02, ATOMLCDP02, ao-atomlcdp02) Sumo Screen Protector The combined monitor-recorder in the larger 19" size gives focus pullers instant on set access to footage with focus peaking, 2:1/1:1 zoom and the ability to tag footage as XML files. The high bright 1200nit monitor, sturdy built-in armor aluminium alloy design and variety of mounting options makes it a go-anywhere, do-it-all monitor-recorder for focus pullers. Matte protector sheet for 19" SUMO models

TVLogic 18.5″ FHD High-End LCD Monitor

TVLogic 18.5″ FHD High-End LCD Monitor(TVL-LVM-181S, TVLLVM181S, TVL/LVM/181S) The LVM-181S is TVLogic’s top grade 18.5” model with a 18.5 inch IPS LCD panel with 1920×1080 native resolution, high brightness 500 nit, enhanced contrast ratio and wide viewing angle all unmatched by other LCD monitors. A completely redesigned video processing unit provides powerful dual-channel performance and artifact-free image reproduction. Support for various cinema camera log-to-linear LUTs, easy field upgradability and a full array of image processing features are standard. HDR Emulation A true HDR monitor must employ a special display panel with high dynamic range and a wide color gamut, along with being calibrated for PQ and HLG. For example, the LUM-310X (dual layer LCD system) and LUM-310R (LCD with local dimming backlight system) are capable of reproducing a peak luminance of 1,000 nit and 2,000 nit respectively, and a contrast ratio of 1,000,000 : 1; in addition, they cover 99% of the DCI color gamut. Ember+ control protocol ‘Ember+’ from LAWO group is a non-proprietary TCP/IP interface protocol for broadcast equipment. An Ember+ provider can “publish” parameters which may then be used by an Ember+ consumer. Please visit GITHUB site for more information. Audio Level Meter Display Displays the level of the embedded sound signal together with the video signal input through the terminal such as SDI or HDMI. Blue Only / Mono Red and Green channels are not used and only Blue or Monochrome channel is used to display the screen. This function is used to adjust the color tones (tones and saturation) of the screen using the SMPTE Color Bar. For example, after displaying the Blue channel, adjust the Color (or Saturation) and Tint (or Hue) so that the original Magenta and Cyan are of the same brightness, and the original Gray and Blue are of the same brightness. Custom 3D LUT Import Allows you to load your making 3D-LUT files at NLE software like Davinci Resolve by USB flash memory and displays your LUT on VFM-055A or F-7H. Once you synchronize LUTs in the monitor, you will easily change them on production. Fast Mode Fast Mode is to reduce the internal video processing time of the monitor to reduce the video latency and lip sync., usually by sacrificing the de-interlacing quality in the scaler IC. Focus AssistAssigns a color to the pixels on the boundaries of the image to inform the user to achieve the best focus. With this function, user can easily differentiate the focused area from out-focused area especially when shooting with a shallow depth of field. H/V Delay Allows you to check the Blanking area and synchronize signals by displaying the horizontal and vertical intervals in the center of the screen. Key Lock Key Lock is a password-protection function of the OSD menu so that non-authorized users cannot change the setting of the monitor. Marker Displays various kinds of aspect ratios on the screen. Wide range of markers and security areas are available with line color and curtain transparency selection. A User Marker is available if any of standard markers fits your requirements. Range Error Analyzes the input signal’s Luma (Y’) and chroma (C’) information. If the input signal exceeds the designated minimum and maximum values, the pixel will blink. This function allows for the user to easily identify any issues with exposure. Various Scan Modes Controls the size of the image. Overscan: Extra area around the four edges of the image that may not be seen reliably by the viewer. Underscan: Constrains the size of the image so the monitor shows everything the camera is seeing. 1:1 pixel: Displays the original image resolution without scaling to match a certain resolution or an aspect ratio. Waveform/Vector Scope   Waveform Y: Displays the Luma(Y’), Cb, Cr component of the input signal into waveform.Vector Scope: Displays the color components ‘B-Y’ and ‘R-Y’of the input signals onto the X-Y axis.

TVLogic CC-F10A

TVLogic CC-F10A TVL CC F10 TVLCCF10 TVL-CC-F10 TVL/CC/F10 Illuminium Carrying Case for F-10A

TVLogic F-7hs 7" Lcd Field Monitor

TVLogic F-7hs 7" Lcd Field Monitor(F 7HS F7HS F-7HS F/7HS) 7" LCD Field Monitor (1920×1080) (Max Luminance = 1,500cd/㎡)  Pre-set Touch Key pad, Excellent Sharpness, Peaking Boost, H/V Flip, Auto Flip, HDR Emulation, Custom 3D-LUT import, Camera LUT, Waveform/Vector, Cross conversion (3G/HD/SD-SDI, HDMI)

TVLogic Hood-F10

TVLogic Hood-F10 TVL HOOD F10 TVLHOODF10 TVL-HOOD-F10 TVL/HOOD/F10 For F-10A Field Monitor

TVLogic Lum-550m3 Monitor

TVLogic Lum-550m3 Monitor(TVL-LUM-550M3 TVLLUM550M3 TVL/LUM/550M3 TVL LUM 550M3) 55" True UHD 4K LCD Monitor with 3840 x 2160 10 bit panel 700cd/m², DCI-P3 Coverage 86%, 2 x 12G/6G/3G/HD-SDI Input, 2 x 3G/HD-SDI Input, 4x3G-SDI Quad-link Input support, 1 x 12G/6G/3G/HD-SDI Output, 1 x HDMI 2.0 Input, HDR Emulation(PQ, HLG, SLog3), Wav

TVLogic Lxm-240u Monitor

TVLogic Lxm-240u Monitor (TVL-LXM-240U, TVLLXM-240U, TVL LXM-240U) Add a professional-grade UHD 4K monitor to your production environment with this LXM-240U 23.8" DCI/UHD 4K Monitor from TVLogic. This bright and vivid monitor supports HDR emulation including a wide color gamut, wide dynamic range, PQ, HLG, and SLog3 gamma, and 10-bit color support, and its native resolution is 3840 x 2160. It accepts video up to UHD 4K via its HDMI 2.0 input or four 12G-SDI inputs, and up to 1080p60 via two 3G-SDI input. It also features 12G-SDI and 3G-SDI quad-link loop outputs to send the signals to additional monitors or switchers for quad-view or dual-view displays.   The monitor has approximately 1200 cd/m² brightness for clear viewing in daylight conditions and a wide 178° angle of view, as well as a sharp 1200:1 contrast ratio. Its internal tools and features include closed caption support, SFP-to-SDI conversion, a color calibration utility, 3D LUT support, waveform, vectorscope, timecode display, markers, check field, and many other image monitoring tools. The monitor also supports control via GPI and Ethernet, and it can have its firmware updated using a USB flash drive.

TVLogic Lxm-320p Monitor

TVLogic Lxm-320p Monitor (TVL-LXM-320P, TVLLXM-320P, TVL LXM-320P) Add a professional-grade monitor to your production environment with this LXM-320P 31.5" DCI/UHD 4K Monitor from TVLogic. This bright and vivid monitor supports HDR emulation including a wide color gamut, wide dynamic range, PQ, HLG, and SLog3 gamma, 10-bit color, up to 4K input, and its native resolution is 3840 x 2160. It accepts video up to UHD 4K via its HDMI 2.0 input or four 12G-SDI inputs, and quad-link 3G-SDI inputs. It also features 12G-SDI and 3G-SDI quad-link loop outputs to send the signals to additional monitors or switchers for quad-view or dual-view displays.   The monitor has 1000 cd/m² brightness for clear viewing in daylight conditions and a wide 178° angle of view, as well as a sharp 1000:1 contrast ratio. Its internal tools and features include closed caption support, SFP-to-SDI conversion, a color calibration utility, 3D LUT support, waveform, vectorscope, timecode display, markers, check field, and many other image monitoring tools. The monitor also supports control via GPI and Ethernet, and it can have its firmware updated using a USB flash drive.

TVLogic RKM-290A

TVLogic RKM-290A TVL RKM 290A TVLRKM290A TVL-RKM-290A TVL/RKM/290A HD/SD Multi-Channel LCD Rack Monitors from TVlogic A brand-new rack-mount monitor with 2 × 9" LCD screens. which has the same high performance display as LVM-095W-N with full HD resolution and wide viewing angle capability. It supports SDI in/out and HDMI input. Key Features: Features 2 x 9" LCD Screens Full HD Resolution Wide Viewing Angle Easy to set-up and use Features SDI In/Out and HDMI Input  

Xmac studio/Echo III rackmount enclosure with Thunderbolt

Sonnet XMAC STUDIO/ECHO III Pro 3U Rackmount Enclosure with Thunderbolt to PCIe Card Expansion System for Mac Studio with Echo III Module Pro 3U Rackmount Enclosure with Thunderbolt to PCIe Card Expansion System for Mac Studio Connects PCIe Card Slots to Mac Studio Use high-performance PCIe cards with the Mac Studio Makes Your Mac Studio Road-ready 3U rackmount enclosure with firm rubber cushions securely holds the Mac Studio and Thunderbolt expansion module in place, adding mobility to your workflow Ideal for Use in Server Rooms Standard mounting holes and included adjustable rack rails enable easy installation into any standard server rack up to 24” deep Front to Back Airflow Management Supports direct airflow through the enclosure, Mac Studio, and Thunderbolt expansion module to keep them operating as cool in a rack as on a desk, even when the xMac Studio is mounted between two other rack-mounted components Front Panel Power Switch and Integrated USB-A Ports Front panel button enables operation of the computer’s rear-mounted power switch; integrated USB-A hub enables connection of four USB peripherals to the Mac Studio Easy Access No tools required – removable front panel secured with thumbscrews allows easy installation of and access to the Mac Studio. Secured with three thumbscrews on the back, the Thunderbolt expansion module can be removed and reinstalled through the front of the enclosure without removing the front plate Space for Storage Behind a covered opening beneath the computer is a space to place up to three USB or Thunderbolt SSDs (sold separately); an included adhesive-backed magnet secures them in place Open Slot and Port Access Provides access to the computer’s SD card slot and front and back panel ports, enabling you to connect and disconnect cables easily