2006A Twin Diaphragm Omni Microphone

m-Capsule technology Acoustic authenticity Linear in a large frequency bandwidth Redefining value for money The new DPA 2006 microphone has strong references to the acclaimed DPA 4006 omni microphone – by its type number 06, its overall sound character, and its industrial design. The difference is in the capsule technology that in the 2000 series features the new Twin Diaphragm Capsule technology. Comparison with its big brother, the iconic 4006, is inevitable. The relationship between the two is clearly heard from the first 2006 audio glance; the 2000 series simply performs like much more exclusive microphones from the premium class and redefines the term value for money. Modular upgradability 2006A is part of the flexible d:dicate Recording Mics series. The 2006A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound, where the 2006C MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach. At any time and with no tools necessary it is possible to transform the basic 2006 microphone into a new configuration by combining it with another DPA microphone capsule or preamp. Twin Diaphragm Capsule technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA Reference Standard league. In a 2006 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. This combines the advantages of small capsules (fast impulse response and large frequency bandwidth) with lower inherent noise achieved from a larger diaphragm area. The capsules are loaded to the supreme Reference Standard preamps instead of the tiny miniature FET preamp from the miniature mics, offering even more air and precision. Dedicated to acoustic authenticity Every engineer and musician concerned with getting the precise acoustic fingerprint on track will be pleased by the true tone delivered by the 2006. Acoustic piano, guitar, wind instruments and choirs are among the most evident applications. As main AB stereo pair the 2006s offer an impeccable combination of two ordinary frequency responses from the 4006 with specially tailored high frequency response that lies perfectly in between the responses from the near-field (silver) grid and the diffuse-field (black) grid. Also available as selected stereo pair The ST2006A stereo pair is supplied in a specially designed PeliTM Case.

2006C Twin Diaphragm Omni Microphone, Compact

DPA 2006C (2006 C 2006-C 2006/C) Twin Diaphragm Omni Microphone, Compact FEATURES: Modular flexibility Twin-Diaphragm-Capsule technology Acoustic authenticity Linear in a large frequency bandwidth Redefining value for money The new DPA 2006 microphone has strong references to the acclaimed DPA 4006 omni microphone – by its type number 06, its overall sound character, and its industrial design. The difference is in the capsule technology that in the 2000 series features the new Twin Diaphragm Capsule technology. Comparison with its big brother, the iconic 4006, is inevitable. The relationship between the two is clearly heard from the first 2006 audio glance; the 2000 series simply performs like much more exclusive microphones from the premium class and redefines the term value for money. Modular upgradability 2006C is part of the flexible DPA d:dicate Recording Microphones series. The 2006C with the MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach. The 2006A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound. At any time and with no tools necessary it is possible to transform the basic 2006 microphone into a new configuration by combining it with another DPA microphone capsule or preamp. Twin Diaphragm Capsule technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA Reference Standard league. In a 2006 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. This combines the advantages of small capsules (fast impulse response and large frequency bandwidth) with lower inherent noise achieved from a larger diaphragm area. The capsules are loaded to the supreme Reference Standard preamps instead of the tiny miniature FET preamp from the miniature mics, offering even more air and precision. Dedicated to acoustic authenticity Every engineer and musician concerned with getting the precise acoustic fingerprint on track will be pleased by the true tone delivered by the 2006. Acoustic piano, guitar, wind instruments and choirs are among the most evident applications. As main AB stereo pair the 2006s offer an impeccable combination of two ordinary frequency responses from the 4006 with specially tailored high frequency response that lies perfectly in between the responses from the near-field (silver) grid and the diffuse-field (black) grid. Also available as selected stereo pair The ST2006C stereo pair is supplied in a specially designed PeliTM Case.    

2011A Twin Diaphragm Cardioid Microphone

DPA 2011A (2011 A 2011-A 2011/A) Twin Diaphragm Cardioid Microphone FEATURES: All-round workhorse â€“ blends clarity, richness and dynamics Twin-Diaphragm-Capsule and interference tube technologies Superb stage separation and level control Modular flexibility  All-round workhorse The new DPA 2011A microphone has strong references to the acclaimed close-miking and hi-SPL handling specialist DPA 4011 cardioid microphone – not only by its type number 11, also in its all-round capture abilities. 2011 is primarily optimized for on-stage use and the technology combines the new Twin Diaphragm Capsule and DPA’s strong know-how within interference tube technology. While 4011 has gained worldwide admiration for its total linearity at all sound confrontations, the 2011 is purposely aimed differently; the off-axis response is still linear but in a smaller frequency bandwidth making stage separation and gain-to-feedback higher and mic level easier to control. Modular flexibility 2011A is part of the flexible DPA d:dicate Recording Mics series. The 2011A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound, where the 2011C with the MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach. At any time and with no tools necessary it is possible to transform the basic 2011 microphone into a new configuration by combining it with another DPA microphone capsule or preamp. Twin Diaphragm Capsule: cutting edge technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA Reference Standard league. In a 2011 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. The use and control of interference tubes has become a DPA specialty and the 2011 is no exception; the capsules are loaded to the supreme Reference Standard preamps instead of the tiny miniature FET preamp from the 4060 miniature series, offering even more air and precision. Stage addict The 2011 has found its use on numerous stages and recording sessions.  Exhibiting a previously unheard blend of clarity, richness and dynamic range, the 2011 performs like a much more exclusive microphone and redefines the term value for money. When used for stereo recording Please read the acoustic center of the MMC2011 capsule. Also available as selected stereo pair The ST2011A stereo pair is supplied in a specially designed PeliTM Case.  

2011C Twin Diaphragm Cardioid Microphone, Compact

DPA 2011C (2011 C 2011-C 2011/C) Twin Diaphragm Cardioid Microphone, Compact FEATURES: All-round workhorse â€“ blends clarity, richness and dynamics Twin-Diaphragm capsule and interference tube technologies Superb stage separation and level control Modular flexibility  All-round workhorse The new DPA 2011C microphone has strong references to the acclaimed close-miking and hi-SPL handling specialist DPA 4011 cardioid microphone – not only by its type number 11, also in its all-round capture abilities. 2011 is primarily optimized for on-stage use and the technology combines the new Twin Diaphragm Capsule and DPA’s strong know-how within interference tube technology. While 4011 has gained worldwide admiration for its total linearity at all sound confrontations, the 2011 is purposely aimed differently; the off-axis response is still linear but in a smaller frequency bandwidth making stage separation and gain-to-feedback higher and mic level easier to control. Modular flexibility 2011C is part of the flexible DPA d:dicate Recording Microphones series. The 2011C with the MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach. The 2011A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound. At any time and with no tools necessary it is possible to transform the basic 2011 microphone into a new configuration by combining it with another DPA microphone capsule or preamp. Twin Diaphragm Capsule: cutting edge technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA Reference Standard league. In a 2011 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. The use and control of interference tubes has become a DPA specialty and the 2011 is no exception; the capsules are loaded to the supreme Reference Standard preamps instead of the tiny miniature FET preamp from the 4060 miniature series, offering even more air and precision. Stage addict The 2011 has found its use on numerous stages and recording sessions. Exhibiting a previously unheard blend of clarity, richness and dynamic range, the 2011 performs like a much more exclusive microphone and redefines the term value for money. Also available as selected stereo pair The ST2011C stereo pair is supplied in a specially designed PeliTM Case.  

3109 Mkh 50-P48 Studio Directional Microphone

Sennheiser 3109 Mkh 50-P48 (MKH50-P48 MKH 50 P48 MKH-50-P48 MKH 50P48) Studio Directional Microphone Super-cardioid microphone designed for use as a soloist's or spot microphone for applications requiring a high degree of side-borne sound muting and feedback rejection. Frequency-independent directional characteristics. The super-cardioid MKH 50 offers a higher attenuation of diffuse field and lateral sound than the cardioid microphone. It is principally designed for use as a soloist's or spot microphone for applications requiring a high degree of side-borne sound muting and feedback rejection. The directional characteristics are frequency-independent. Super-cardioid pick-up pattern for higher attenuation of diffusefield and lateral sound Soloist’s or spot microphone for applications requiring a high degree of side-borne sound muting and feedback rejection Exceptionally low inherent self-noise

3506A d:dicate 4006A Stereo Kit

DPA 3506 (DPA3506 DPA-3506 DPA/3506) d:dicate™ 4006A Stereo Kit   The DPA 3506 is a complete 4006-TL Stereo Kit with two carefully factory-matched phantom powered (P48) condenser microphones. The DPA 3506 also includes a Stereo Boom and the complete range of DPA Acoustic Modification Accessories, all in a sturdy carrying case with a foam insert. The specially selected DPA 4006-TL microphones are matched within +/- 0.5 dB on both frequency range, sensitivity and self noise. The maximum phase response difference from 50 Hz to 20 kHz is 10 degrees. The high sensitivity, the low noise-floor and the extremely linear frequency response from 15 Hz to 20 kHz (+/-2 dB) of the microphone pair makes the DPA 3506 the perfect choice for all professional A-B Stereo recordings. 4006-TL Omni Microphone, P48, Transformerless detailed and natural reproduction high sensitivity and low noise-floor excellent for concert halls and spot miking for acoustical instruments  DPA 4006 is one of the most popular types in the DPA microphone range and is a worldwide reference thanks to its precise, detailed and natural reproduction. For more than 20 years it has impressed studio owners and broadcasters as well as musicians and engineers thanks to its transparent sound quality. It is one of the most sought after studio microphones in the industry - and the one that gives you the most value for your money. In striving to achieve an even cleaner sound, the 4006-TL is equipped with a state-of-the-art transformerless preamplifier and is powered via a standard 48 V Phantom Power supply. This design increases the sensitivity and provides an extended low-frequency handling capability (15 Hz to 20 kHz ±2 dB). All components in this construction are very carefully selected to fulfil the demand for optimal neutrality, accuracy and extremely low distortion even at very high sound pressure levels and at complex passages in the music. The applications of 4006-TL are numerous: AB stereo pair for symphonic concert hall recordings, close mic on instruments such as grand piano, guitar, double bass, percussion and speech/vocals, just to mention a few examples where a 4006-TL will give more detail and more open resolution. With the acoustic modification accessories it is possible to gain different frequency responses and directional characteristics with just one 4006-TL. You simply change a grid and it will influence the sound field acoustically without any phase shift, noise or distortion, that any electrical filter will introduce. 4006-TL is a product for sound engineers with demands for high quality. The precise reproduction, total transparency and natural-sounding clarity of this microphone will provide you with a lifetime of satisfying listening.

3511A d:dicate 4011A Stereo Kit

DPA 3511 (DPA3511 DPA-3511 DPA/3511)  d:dicate™ 4011A Stereo Kit 2 x UA0897 Shock Mount,Includes: 2 x UA0896 Windscreen for 4011/12/15/16, 1 x UA0836 Stereo Boom with Holders, 1 x DUA0019 Spacer for Stereo Boom, 19 mm (0.75 in) plus 2 x 4011-TL The DPA 3511 is a complete stereo kit for a broad range of recording applications using two 4011-TL Cardioid Microphones, carefully matched within +/- 1 dB on frequency response, sensitivity and self-noise. These cardioids are exceptionally linear in their frequency response - also off axis, giving you the natural experience. Several standard set-ups such as ORTF and XY are possible. The 4011-TL mics handle very high SPL and will therefore allow close placement as well as more distant. Often used for piano recordings of jazz or pop with a placement closer to the hammers or as overheads for drums. The kit includes 2 windscreens, 2 very effective shock mounts, a precision-crafted stereo boom for secure mounting of microphone pairs for A-B stereo recordings and a spacer to allow XY or ORTF stereo set-ups on the boom.    

3532-SP 4041-SP Large Diaphragm Stereo Kit, P48

DPA 3532-SP (3532SP 3532/SP 3532 SP) 4041-SP Large Diaphragm Stereo Kit, P48 FEATURES: the ultimate choice for the demanding engineer and audio purist a complete state-of-the-art A-B Stereo Kit designed for a broad range of uses The 3532-SP is a complete state-of-the-art A-B Stereo Kit with two 4041-SP microphones, carefully matched within 1dB on both frequency response, sensitivity and self-noise. It is the ultimate choice for the demanding engineer and audio purist who emphasises clarity, openness, precision, low self-noise and high sensitivity. The kit is designed for a broad range of uses, e.g. as main pair for classical, jazz and folk genres, grand pianos, guitars, overheads or close-miking drums, choirs, strings, wind instruments and much more. You get a bright and transparent sound quality with lots of headroom. With its on-axis soft boost, the 4041-SP omni microphone can be angled to use as a natural equalizer.  

4006A Omni Microphone

DPA 4006A (4006 A 4006-A 4006/A) Omni Microphone FEATURES: Neutrality Versatility Precision Recording standard Timeless transparency The versatile DPA 4006A is without doubt the most popular mic in our standard range and has rightly earned its status as a worldwide recording standard. This highly sought after omni has forged its enviable reputation over the past quarter of a century by repeatedly exhibiting its total transparency in any recording situation, and by picking up incredible detail and depth of sound. The definition of its high-frequency characteristics across a wide range of instruments is undeniably impressive for the vast majority of miking applications. Renaissance microphone With the 4006A, engineers, broadcasters and musicians alike can achieve extremely clean, natural and precise reproduction in a variety of applications. Ideal for A-B stereo pairs for symphonic concert hall recordings, the 4006A also excels on vocals and for close-miking instruments like grand piano, guitar, double bass and percussion. Several tools in one A selection of acoustic modification accessories, including nose cone and interchangeable protection grids, allows the 4006A to be acoustically transformed into different microphone versions, making it the most multifaceted mic in your collection and a tremendous value. By simply changing a grid, it is possible to gain several unique frequency responses and directional characteristics from a single mic. Furthermore, these grids and elements will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter. Also available as matched stereo pair and surround kit The ST4006A stereo pair is supplied in a specially designed PeliTM Case.  

4006C Omni Microphone, Compact

DPA 4006C (4006 C 4006-C 4006/C) Omni Microphone, Compact FEATURES: Neutrality Versatility Precision Recording standard Full-bodied sound from a small-bodied mic Wherever a small, lightweight,  inconspicuous microphone for top-quality recording is required, the compact design and clean, transparent sound of our versatile 4006C makes it the perfect choice. They are particularly popular as A-B stereo pairs in concert halls where quality recordings can sometimes be compromised by classic architecture. The 4006C can be mounted, hung or concealed to create clean, transparent recordings. It is ideal in theatres, opera and concert halls or places of worship where there is a live audience, and for film applications, both in the studio and on location. These mics are also popular with musicians for close-miking instruments such as double bass, trumpet and piano. At the same time they are wonderful for ambience miking on soundstages, in sports stadiums and other environments where audience sound needs to be recorded. Several tools in one A selection of acoustic modification accessories, including nose cone and interchangeable protection grids, allows the 4006C to be acoustically transformed into different microphone versions, making it the most multifaceted mic in your collection and a tremendous value. By simply changing a grid, it is possible to gain several unique frequency responses and directional characteristics from a single mic. Furthermore, these grids and elements will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter. Also available as matched stereo pair The ST4006C stereo pair is supplied in a specially designed PeliTM Case.  

4006ER Omni Microphone with Active Rear Cable

Dpa 4006ER Omni Microphone with Active Rear Cable When small, lightweight and barely visible microphones for top-quality recordings are required, the active cable design and clean, transparent sound of our ultra-compact d:dicate™ 4006E Omnidirectional Microphone makes them the perfect choice. The mic features an integrated cable solution with either side (4006ES) or rear (4006ER) cable entry.   These mics are particularly popular as A-B stereo or Decca Tree pairs in concert halls. This mic can be mounted, hung or concealed to create clean, transparent recordings. The SM4000 Suspension Mount is included in the package. This allows the mic to be hung from the ceiling to create precision spot-miking of orchestra sections or ambience atmosphere. The d:dicate™ 4006E Omnidirectional Microphone is ideal in theatres, opera houses, concert halls or houses of worship and for film applications, both in the studio and on location. These mics are also popular for ambience miking on soundstages, in sports stadiums and other environments where ambient sound needs to be recorded.   The microphone capsule The MMC4006 Omnidirectional Microphone Capsule offers total transparency in any recording situation. It picks up incredible detail and depth of sound. The definition of its high-frequency characteristics across a wide range of instruments is impressive. It offers natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 to 20 kHz (±2 dB). A selection of accessories is available, including acoustic pressure equalizers, a nose cone and interchangeable protection grids. These accessories can acoustically transform the mic. By changing grids, it is possible to gain several unique frequency responses and directional characteristics from the mic. Furthermore, these accessories will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter.   A truly flexible range This mic is part of the flexible d:dicate™ Microphone Series. At any time, and with no tools needed, it is possible to transform the d:dicate™ 4006E Omnidirectional Microphone into a new configuration. You can combine it with another d:dicate™ or d:facto™ Microphone Capsule or Preamplifier. The d:dicate™ 4006ER replaces the non-modular legacy 4052 Omnidirectional Condenser Microphone.   Features The product offers the following features Ultra-compact recording mic for hanging applications Full-bodied sound with minimal visual impact Legendary recording reference capsule Modular flexibility In The Box: MMC4006 OMNIDIRECTIONAL MICROPHONE CAPSULE (MMC4006) MMP-ER/ES MODULAR ACTIVE CABLE, XLR (MMP-ER/ES) FOAM WINDSCREEN FOR D:DICATE™ MICS WITH ACTIVE CABLE (DUA0041) FREE-FIELD GRID FOR D:DICATE™ 4006 (DD0251) CLOSE-MIKING GRID, TRAPEZOID, SILVER (DD DIFFUSE-FIELD GRID FOR D:DICATE™ 4003 AND 4006, BLACK (DD0297) CLIP FOR MMP-E PREAMP WITH ACTIVE CABLE (MC4001)

4006ES Omni Microphone with Active Side Cable

Dpa 4006ES Omni Microphone with Active Side Cable When small, lightweight and barely visible microphones for top-quality recordings are required, the active cable design and clean, transparent sound of our ultra-compact d:dicate™ 4006E Omnidirectional Microphone makes them the perfect choice. The mic features an integrated cable solution with either side (4006ES) or rear (4006ER) cable entry. These mics are particularly popular as A-B stereo or Decca Tree pairs in concert halls. This mic can be mounted, hung or concealed to create clean, transparent recordings. The SM4000 Suspension Mount is included in the package. This allows the mic to be hung from the ceiling to create precision spot-miking of orchestra sections or ambience atmosphere. The d:dicate™ 4006E Omnidirectional Microphone is ideal in theatres, opera houses, concert halls or houses of worship and for film applications, both in the studio and on location. These mics are also popular for ambience miking on soundstages, in sports stadiums and other environments where ambient sound needs to be recorded.   The microphone capsule The MMC4006 Omnidirectional Microphone Capsule offers total transparency in any recording situation. It picks up incredible detail and depth of sound. The definition of its high-frequency characteristics across a wide range of instruments is impressive. It offers natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 to 20 kHz (±2 dB). A selection of accessories is available, including acoustic pressure equalizers, a nose cone and interchangeable protection grids. These accessories can acoustically transform the mic. By changing grids, it is possible to gain several unique frequency responses and directional characteristics from the mic. Furthermore, these accessories will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter.   A truly flexible range This mic is part of the flexible d:dicate™ Microphone Series. At any time, and with no tools needed, it is possible to transform the d:dicate™ 4006E Omnidirectional Microphone into a new configuration. You can combine it with another d:dicate™ or d:facto™ Microphone Capsule or Preamplifier. The d:dicate™ 4006ES replaces the non-modular legacy 4051 Omnidirectional Condenser Microphone and the d:dicate™  Features The product offers the following features Ultra-compact recording mic for hanging applications Full-bodied sound with minimal visual impact Legendary recording reference capsule Modular flexibility In The Box: MMC4006 OMNIDIRECTIONAL MICROPHONE CAPSULE (MMC4006) MMP-ER/ES MODULAR ACTIVE CABLE, XLR (MMP-ER/ES) FOAM WINDSCREEN FOR D:DICATE™ MICS WITH ACTIVE CABLE (DUA0041) FREE-FIELD GRID FOR D:DICATE™ 4006 (DD0251) CLOSE-MIKING GRID, TRAPEZOID, SILVER (DD DIFFUSE-FIELD GRID FOR D:DICATE™ 4003 AND 4006, BLACK (DD0297) CLIP FOR MMP-E PREAMP WITH ACTIVE CABLE (MC4001)  

4011A Cardioid Microphone

DPA 4011A (4011 A 4011-A 4011/A) Cardioid Microphone FEATURES: Close-miking Superior for high sound levels Accuracy Colorless Improving upon a classic The DPA 4011A cardioid condenser microphone is an upgraded version of our classic 4011, renowned in recording studios and live applications around the world as an exceptional mic. State-of-the-art components have been carefully selected to provide optimal neutrality, accuracy, and extremely low distortion. Pure linear cardioid The principal appeal of the 4011A is its directional quality and attention to detail: everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources when used as a spot mic on literally any style of live music, from rock ‘n’ roll to opera. The 4011A is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels and even includes a 20 dB pad switch in the center of the XLR connector to attenuate the output of the microphone. Perfectly natural A flat on-axis frequency response and excellent phase response deliver a totally faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. The sensation of “being there” will always be more intense with the DPA 4011A than with any other cardioid. Chosen for its qualities as an all-around performer, the 4011A is a great, clean-sounding colorless mic. The variety of applications is as wide as the imagination of the user. Also available as matched stereo pair The ST4011A stereo pair is supplied in a specially designed PeliTM Case, the stereo matching is free of charge.  

4011C Cardioid Microphone, Compact

DPA 4011C (4011 C 4011-C 4011/C) Cardioid Microphone, Compact FEATURES: Close-miking Superior for high sound levels Accuracy Colorless Maximum clarity, minimum visibility DPA’s Compact Cardioid range is proof that stunning clarity and absolute neutrality are not solely the characteristics of full-sized studio condenser mics alone. Designed to be hidden from view, the diminutive design and high performance of the DPA 4011C makes it the outstanding choice for unobtrusively miking all types of television, film, theatre, concert and studio performances. Limited in size, not application Capable of handling high SPLs without distortion, the 4011C is perfectly tailored for close-miking applications, minimizing bleed from other instruments. When used to spot-mike larger orchestras, these mics are hard to beat, and in film and TV studios, they are excellent for off-camera voice recording or Foley work. For live on-camera recordings, their matte black finish gives them a classic yet inconspicuous appearance, while for sound reinforcement in concert halls, theatres and houses of worship, they provide clean, natural sound while reducing the noticeable effect of lighting reflection. Also available as matched stereo pair The ST4011C stereo pair is supplied in a specially designed PeliTM Case, the stereo matching is free of charge.  

4011ER Cardioid Microphone Rear Cable

DPA 4011ER Cardioid Microphone Rear Cable • Ultra-compact spot or hanging mic • Very linear frequency and phase response • Huge dynamic range • Low-key appearance Ideal for unobtrusive spot miking, such as hanging or table use, the 4011E is an ultra-compact cardioid microphone from the modular DPA d:dicate Recording Microphones series. With a length of only 3,5 cm, the low-key appearance of the 4011E is followed by the SM4000-C suspension mount, which is included in the package. This allows the 4011E to be hung from the ceiling and create precise and repeatable positions and angles when spot miking orchestra sections or ambience atmospheres. Capable of handling high SPLs without distortion, the 4011E is perfectly tailored for close-miking applications, minimizing bleed from other instruments. Therefore chosen for close-miking of instruments like acoustic guitar, drums or grand piano, the 4011E with its accessories can be placed for instance in the piano frame.      At any time and with no tools necessary it is possible to transform the basic 4011E microphone into a new configuration by combining it with another DPA microphone capsule or preamp.

4011ES Cardioid Microphone Side Cable

DPA 4011ES Cardioid Microphone Side Cable  4011ES Cardioid Microphone, Side cable • Ultra-compact spot or hanging mic • Very linear frequency and phase response • Huge dynamic range • Low-key appearance Ideal for unobtrusive spot miking, such as hanging or table use, the 4011E is an ultra-compact cardioid microphone from the modular DPA d:dicate Recording Microphones series. With a length of only 3,5 cm, the low-key appearance of the 4011E is followed by the SM4000-C suspension mount, which is included in the package. This allows the 4011E to be hung from the ceiling and create precise and repeatable positions and angles when spot miking orchestra sections or ambience atmospheres. Capable of handling high SPLs without distortion, the 4011E is perfectly tailored for close-miking applications, minimizing bleed from other instruments. Therefore chosen for close-miking of instruments like acoustic guitar, drums or grand piano, the 4011E with its accessories can be placed for instance in the piano frame.      At any time and with no tools necessary it is possible to transform the basic 4011E microphone into a new configuration by combining it with another DPA microphone capsule or preamp.

4015A Wide Cardioid Microphone

DPA 4015A (4015 A 4015-A 4015/A) Wide Cardioid Microphone FEATURES: Low profile – wide pickup area Natural reproduction Directional ambience pickup Exceptional for vocal Expand your horizon with a wider pattern If you are already a DPA 4011 devotee, you will discover an exciting alternative in our wide cardioid microphones. The phantom powered DPA 4015A wide cardioid differs in its polar pattern and is the perfect fill-in between an omni and a more directional microphone. Sometimes a conventional cardioid pattern just isn’t quite open enough, such as when recording instruments with complex radiation patterns. In those instances, the generous polar pattern of our Compact Wide Cardioids allows you to pick up a broader sound field and more accurately capture the full breadth of a stirring performance. Limitless applications Recording orchestras or other ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization. The wide cardioid (also known as hemispheric) design covers a greater sound angle and is an excellent choice for grand piano, guitar, marimba, and percussion, or as a spot mic for groups in a symphony orchestra. Likewise, it is an excellent speech, dubbing, or vocal mic as its enhanced richness on the bass end nicely compliments many voices. Completely linear, even off-axis The off-axis characteristics of the 4015A are totally linear, a unique quality when it comes to authentic sound reproduction. Any leakage that occurs from off-axis sound sources is still a faithful reproduction of these sounds, just softly attenuated. Specialists in extreme sound levels DPA’s wide cardioid microphones are capable of handling extremely high sound pressure levels before clipping occurs. The 4015A even includes a 20 dB pad switch in the center of the XLR connector to prevent overloading of the mic amp. Also available as matched stereo pair and surround kit The ST4015A stereo pair is supplied in a specially designed PeliTM Case, the stereo matching is free of charge. The SU4015A Surround Kit is supplied in a specially designed PeliTM Case, the surround matching is free of charge.    

4015C Wide Cardioid Microphone, Compact

DPA 4015C (4015 C 4015-C 4015/C) Wide Cardioid Microphone, Compact FEATURES: Low profile – wide pickup area Natural reproduction Directional ambience pickup Exceptional for vocal Expand your horizon with a wider pattern If you are already a DPA 4011 devotee, you will discover an exciting alternative in our wide cardioid microphones. The DPA 4015C wide cardioid differs in its polar pattern and is the perfect fill-in between an omni and a more directional microphone. Sometimes a conventional cardioid pattern just isn’t quite open enough, such as when recording instruments with complex radiation patterns. In those instances, the generous polar pattern of our Compact Wide Cardioids allows you to pick up a broader sound field and more accurately capture the full breadth of a stirring performance. Limitless applications Recording orchestras or other ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization. The wide cardioid (also known as hemispheric) design covers a greater sound angle and is an excellent choice for grand piano, guitar, marimba, and percussion, or as a spot mic for groups in a symphony orchestra. Likewise, it is an excellent speech, dubbing, or vocal mic as its enhanced richness on the bass end nicely compliments many voices. Completely linear, even off-axis The off-axis characteristics of the 4015C are totally linear, a unique quality when it comes to authentic sound reproduction. Any leakage that occurs from off-axis sound sources is still a faithful reproduction of these sounds, just softly attenuated. Small, yet wide Visually discreet, the 4015C Wide Cardioids represent an indispensably low-profile solution for audio engineers and set designers alike. Tremendously precise and natural sounding, the Compact Wide Cardioids will certainly exceed expectations when used on choirs, percussion setups, grand pianos, wind instruments, and much more. Also available as matched stereo pair The ST4015C stereo pair is supplied in a specially designed PeliTM Case, the stereo matching is free of charge.  

4017C Compact Shotgun Microphone

DPA 4017C (4017 C 4017-C 4017/C) Compact Shotgun Microphone FEATURES: Excellent RF Immunity Lightweight Uniform off-axis response Highly directional Setting new standards for compactness within shotgun microphones and their applications, the modular 4017C is an exceptionally short and lightweight interference tube microphone with high directionality. The tight polar pattern is very frequency linear and uniform. With the compact MMP-C pre-amp, booming applications such as in a car or in low ceiling rooms is uncomplicated. The total length of the microphone is as short as 15,4 cm (6.1 in), the weight at just 70 g (2.5 oz). Also available with Rycote Windshield and suspension system, the 4017C-R is a fully packed and ready solution.

4017ER Shotgun Microphone Rear Cable

DPA 4017ER Shotgun Microphone Rear Cable 4017ER Shotgun Microphone, Rear cable• Sleek shotgun for distant miking • Short and lightweight • Integrated active cable • Highly directional   With our most tiny pre-amp design, the 4017E features an integrated cable solution with either side (4017ES) or rear (4017ER) cable entry. Being the shortest professional interference tube shotgun mic available today, the 4017E will with its only 12,5 cm lenght and 30 g capsule weight (121 g in total with 3 m cable and connector) be able to boom actors or capture distant voice dialogue for broadcast and video situations.   The SM4000 suspension mount is included in the package, allowing the 4017E to be hung from the ceiling and create precision spot miking of orchestra sections or ambience atmosphere.     At any time and with no tools necessary it is possible to transform the basic 4017E microphone into a new configuration by combining it with another DPA microphone capsule or preamp.

4017ES Shotgun Microphone Side cable

DPA 4017ES Shotgun Microphone Side cable 4017ES Shotgun Microphone, Side cable • Sleek shotgun for distant miking • Short and lightweight • Integrated active cable • Highly directional With our most tiny pre-amp design, the 4017E features an integrated cable solution with either side (4017ES) or rear (4017ER) cable entry. Being the shortest professional interference tube shotgun mic available today, the 4017E will with its only 12,5 cm lenght and 30 g capsule weight (121 g in total with 3 m cable and connector) be able to boom actors or capture distant voice dialogue for broadcast and video situations. The SM4000 suspension mount is included in the package, allowing the 4017E to be hung from the ceiling and create precision spot miking of orchestra sections or ambience atmosphere.   At any time and with no tools necessary it is possible to transform the basic 4017E microphone into a new configuration by combining it with another DPA microphone capsule or preamp.

4018A Supercardioid Microphone

DPA 4018A Supercardioid Microphone d:dicateâ„¢ 4018A Supercardioid Microphone 4018A Supercardioid Microphone • Highly directional Supercardioid  • Uniform, frequency independent directionality • Low noise and high sensitivity for distant positioning • Excellent for spot miking orchestra sections or singers The 4018A is a highly directional, first-class supercardioid microphone and is a part of the modular DPA d:dicate Recording Microphones series. With its remarkably well controlled supercardioid shape and uniform off-axis frequency response, the 4018A offers high separation without odd off-axis frequency peaks and dips. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on the 4018A making it much more isolated.   Designed for a broad range of music recording and broadcast/ENG/film long-distance miking applications, such as booming, dialogue, interview and table or spot-recording use, the 4018A also offers superb expandability through modular accessories. The 4018A is ideal for use as spot or hanging mic for orchestra recording situations.

4018C Supercardioid Microphone Compact

DPA 4018C Supercardioid Microphone Compact 4018C Compact Supercardioid Microphone • Highly directional Compact Supercardioid  • Uniform directionality • Low noise and high sensitivity for distant positioning • Very sleek and compact boom, table or spot mic The 4018C is a compact supercardioid booming microphone and is part of the modular DPA d:dicate Recording Microphones series. At the length of only 6,4 cm (2,5 in), the 4018C has a highly directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on the 4018C making it much more isolated without sudden frequency dependent peaks and dips.   Designed for a broad range of broadcast/ENG/film long-distance miking applications, such as booming, dialogue, interview and table or podium use, the 4018C offers superbly flexibility through modular accessories. The 4018C is also ideal for use as spot or hanging mic for orchestra recording situations. 

4018ER Supercardioid Microphone Rear cable

DPA 4018ER Supercardioid Microphone Rear cable d:dicateâ„¢ 4018E Supercardioid Microphone, Active Cable 4018ER Supercardioid Microphone, Rear cable 4018ES Supercardioid Microphone, Side cable • Ultra-compact table or hanging mic • Frequency consistent polar pattern • Highly directional • Low-key appearance Ideal for unobtrusive or distant miking such as desktop or hanging use, the 4018E is an ultra-compact supercardioid microphone from the modular DPA d:dicate Recording Microphones series. With a length of only 3,5 cm, the low-key appearance of the 4018E is as unique as the highly directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on the 4018E making it much more isolated without sudden frequency dependent peaks and dips. Designed for a broad range of broadcast/ENG/film long-distance miking applications, such as various dialogue capturing, interview and table or podium use, the modular 4018 capsule offers superb flexibility through modular accessories. The 4018E is also ideal for use as spot or hanging mic for orchestra recording situations with the SM4000-C suspension mount, which is included in the package. This allows the 4018E to be hung from the ceiling and create precision spot miking of orchestra sections or ambience atmosphere.   At any time and with no tools necessary it is possible to transform the basic 4018E microphone into a new configuration by combining it with another DPA microphone capsule or preamp.

4018ES Supercardioid Microphone Side cable

DPA 4018ES Supercardioid Microphone Side cable d:dicateâ„¢ 4018E Supercardioid Microphone, Active Cable 4018ER Supercardioid Microphone, Rear cable 4018ES Supercardioid Microphone, Side cable • Ultra-compact table or hanging mic • Frequency consistent polar pattern • Highly directional • Low-key appearance Ideal for unobtrusive or distant miking such as desktop or hanging use, the 4018E is an ultra-compact supercardioid microphone from the modular DPA d:dicate Recording Microphones series. With a length of only 3,5 cm, the low-key appearance of the 4018E is as unique as the highly directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on the 4018E making it much more isolated without sudden frequency dependent peaks and dips. Designed for a broad range of broadcast/ENG/film long-distance miking applications, such as various dialogue capturing, interview and table or podium use, the modular 4018 capsule offers superb flexibility through modular accessories. The 4018E is also ideal for use as spot or hanging mic for orchestra recording situations with the SM4000-C suspension mount, which is included in the package. This allows the 4018E to be hung from the ceiling and create precision spot miking of orchestra sections or ambience atmosphere.   At any time and with no tools necessary it is possible to transform the basic 4018E microphone into a new configuration by combining it with another DPA microphone capsule or preamp.

4041-SP Large Diaphragm Microphone, P48

DPA 4041-SP (4041SP 4041 SP 4041/SP) Large Diaphragm Microphone, P48 FEATURES: handles high sound pressure levels with no distortion natural and transparent sound The 4041-SP is designed to work in a standard 48 V phantom power environment. Since the capsule is the same as for the high voltage alternative 4041-S, the 4041-SP offers the same superior sound quality, with very slight changes in the specifications. The cartridge MMC4041 can be unscrewed from the preamplifier which allows for the exchange of the preamplifier module. It is therefore always possible to upgrade to the high voltage preamplifier, also using the DPA mic amp HMA5000. The frequency response has a 4-6 dB soft lift around 8 kHz and matches the response of the legendary 4040 Hybrid Microphone. This microphone offers a totally transparent audio path with an exceptionally low noise floor of maximum 8 dB(A) and a SPL handling capability of 134 dB SPL peak.  

AD-KIT77 Accessory kit for ECM-77

Sony AD-KIT77 (AD/KIT77, AD_KIT77, ADKIT77, AD KIT77, ad-kit77) Accessory kit for ECM-77 The AD-KIT77B is a lavalier microphone accessory kit for the ECM-77 Series. This accessory kit includes one horizontal (black) single holder clip, one vertical (black) single holder clip, one horizontal (black) double holder clip, one safety pin clip, one (black) metal wind screen, and six coloured urethane wind screens. 

AMBEO VR Microphone

Sennheiser 507195 (50-71-95, 50/71/95, 50 71 95, 507-195) AMBEO VR Microphone The Sennheiser AMBEO VR is a microphone intended to bring the full vision of VR content creators to life in all its four-channel glory. Indeed, the microphone utilizes four KE 14 capsules situated in a tetrahedral arrangement to ensure that from wherever you're standing, the AMBEO will record the surrounding audio in a spherical manner, resulting in true Ambisonics recordings. The science behind these principles is a bit arduous to lay out in the space provided for this description (indeed, multiple dissertations have been written about the Ambisonics format—developed by the British National Research Development Council in the 1970s); the principles are, however, of interest to the VR community, which utilize the technique to capture truly immerse aspects of any given sonic picture, giving you the left, right, bottom, top and center of the image in a way especially suited to the VR experience.  To help in working with the resulting audio in post-production, the microphone comes with a format encoder that will work in AU, AAX, VST, and standalone formats. Also included are a Rycote suspension mount, a split-cable designed to connect the microphone to four separate XLR terminations, and a windshield. Convey the true experience Especially designed for 360° spatial audio recording, the easy-to-use AMBEO® VR Mic is an ambisonic microphone fitted with four matched KE 14 capsules in a tetrahedral arrangement. This special design allows you to capture the surrounding sound from one single point. As a result you get fully spherical ambisonics sound to match your VR video/spherical 360 content. A jewel in your high-end VR sound chain The AMBEO VR Mic is meant to work together with specialized high-end software and hardware. Ideal companions for the AMBEO VR Mic are, for example, field recorders like the Zoom F8, digital audio workstations like the Avid Pro Tools HD or the Cockos Reaper and binaural decoders e. g. from Noise Makers. Output is possible via HMD, VR Game Engine or 360° Social Media platforms. Ambisonics - Technology for you to shape the future of audio Ambisonics is a multi-channel technique that lets you spherically capture the sound arriving from all directions, at a single point in space. For playback this representation is rendered binaurally, allowing you to virtually rotate the orientation of the perspective in all directions, horizontally and vertically. Ambisonics is supported by all of the major post-production and playback tools on the market today. This makes ambisonics the appropriate tool for Virtual Reality and all other applications involving 3D sound. A tool to create new worlds of sound with. Benefit from a design developed with you in mind By means of the VR Creators Program Sennheiser made sure to involve the professionals of the industry in the realization of the AMBEO® VR Mic right from the beginning. Thus, we developed a comprehensive product package including many well-conceived accessories that allow for a smooth workflow ¬– not least the A-B encoder software that works as a plugin, which can be seamless embedded in your post-production process. AMBEO A-B format converter plugin The capsules of the Sennheiser AMBEO VR Mic deliver A-format, a raw 4-channel output that has to be converted into a new set of 4 channels, the Ambisonics B-format. This is done by the specifically designed Sennheiser AMBEO A-B format converter plugin, which is available as free download for VST, AU and AAX format for your preferred Digital Audio Workstation for both PC and Mac. B-format is a W, X, Y, Z representation of the sound field around the microphone. W being the sum of all 4 capsules, whereas X, Y and Z are three virtual bi-directional microphone patterns representing front/back, left/right and up/down. Thus, any direction from the microphone can be auditioned by the listener during playback of   

AN-01//K Uni-Directional UHF Antenna

Sony AN-01//K (AN-01-K, AN/01/K, AN_01_K, AN01K, an-01//k) Uni-Directional UHF Antenna The AN01 Active Directional Antenna from Sony provides 0, 10 or 18dB of gain. Two antennas are required for Diversity Tuner Operation. This unit is for use with UHF-TV channels 14 through 69. The AN-01 is a uni-directional UHF Antenna, designed to be used with Sony analogue or digital wireless microphone systems.

AT2020USBPLUS Cardioid Condenser USB Microphone

Audio-Technica AT2020USBPLUS (AT2020USB-PLUS, AT2020USB/PLUS, AT2020USB+) Cardioid Condenser USB Microphone Studio-quality microphone without needing an interface That allows you to directly monitor your microphone signal with no delay. It also offers mix control that blends microphone and pre-recorded audio. The microphones cardioid pickup pattern delivers excellent off-axis rejection, while its A/D converter with a 16-bit, 44.1/48 kHz sampling rate ensures extremely articulate sound reproduction. Audio-Technica's state-of-the-art design and manufacturing techniques ensure that the microphone complies with the company's renowned consistency and reliability standards. Features: Condenser microphone with USB output for digital recording High quality A/D converter with 16 bit, 44.1/48 kHz sampling rate for superb audio Headphone jack with volume control allows you to monitor the microphone signal with no delay Mix control allows you to blend your microphone signal and pre-recorded audio High-output internal headphone amplifier delivers superior clarity and musical detail as well as more volume overall Smooth, extended frequency response ideally suited for podcasting, home studio recording, field recording and voiceover use Compatible with Windows 7, Vista, XP, 2000 and Mac OS X Tripod desk stand with folding legs for secure and easily portable tabletop use Perfect for:   Podcasting Streaming (YouTube / Twitch) Voiceover work Home studio recording Content creators

Belt-pack Mic Package

Sony UWP-D11/K33PRO (UWP/D11/K33PRO, UWP_D11/K33PRO, UWP D11/K33PRO) Belt-pack Mic Package The UWP-D11 belt-pack wireless microphone package offers the sound quality of digital audio processing combined with the reliability of analogue FM modulation. The package includes the UTX-B03 belt-pack transmitter and URX-P03 portable receiver. Also included is a high quality omni-directional lavalier microphone and a range of accessories including windscreen, microphone holder clip, belt-clip and shoe-mount adaptor.The UWP-D11 package offers wide frequency coverage with up to 72 MHz bandwidth (depending on region) across a wide range of channels, with a choice of models to choose from. Easy-to-use features include a large display and small size receiver to fit neatly on any size camcorder or DSLR camera, automatic channel setting function, headphone output, USB connection for power supply and line input availability. The UWP-D Series system provides superb transient response performance for all ENG / EFP production applications. Digital Audio Processing for high quality sound Improves transient response performance between the UWP-D transmitter and receiver, which will provide impressive natural sound quality compared to conventional analogue wireless systems. Complete package The UWP-D11 PRO kit comes as a complete package including the UTX-B03 belt-pack transmitter, URX-P03 portable receiver, omni-directional lavalier microphone, plus an extra ECM-77BMP lavalier microphone, and everything you need to operate the wireless audio system. Wide frequency coverage with choice of channels available The extra wide switching bandwidth covers a wide area, with a wide choice of channels available across multiple models - please refer to product specifications for more information. Large display and small size receiver The transmitter and receiver both feature a large display for ease of use, while the small size receiver fits neatly on any size camcorder or DSLR camera. Easy to use features Automatic channel setting function, headphone output, USB connection for power supply and line input availability.

CU-C31 Condenser Cardioid Mic Capsule for DWM-02

Sony CU-C31 (CU/C31, CU_C31, CUC31, CU C31, cu-c31) Condenser Cardioid Mic Capsule for DWM-02 The Sony CUC31 Condenser Cardioid Microphone Capsule is designed for vocal applications including live music performance. It is designed for use with the DWM-02 and DWZ series handheld transmitters.

CU-F31 Dynamic Super-Cardioid Microphone Capsule Unit for DWM-02

Sony CU-F31 (CU/F31, CU_F31, CUF31, CU F31, cu-f31) Dynamic Super-Cardioid Microphone Capsule Unit for DWM-02 The Sony CUF31 Dynamic Super-Cardioid Microphone Capsule is designed for vocal applications including live music performance. It is designed for use with the DWM-02 and DWZ series handheld transmitters.

CU-F32 Dynamic Wide-Cardioid Mic Capsule for DWM-02 and DWZ

Sony CU-F32 (CU/F32, CU_F32, CUF32, CU F32, cu-f32) Dynamic Wide-Cardioid Mic Capsule for DWM-02 and DWZ The CU-F32 Dynamic Wide Cardioid Mic Capsule for DWZ Handheld Transmitters from Sony is designed to work with DWZ wireless series handheld transmitters such as the DWM-02.

d:facto 4018V Softboost Supercardioid Mic, SE2-ew Adapter, Black

The d:facto™ Vocal Microphone 4018V B SE2 (4018V-B-SE2, 4018V/B/SE2, 4018V_B_SE2) is engineered especially for vocal performances onstage. It captures electrifying stage performances and accurately replicates a singer's voice transparently, consistently and thrillingly. The mic is optimized for use in sound reinforcement as well as recording applications. It offers natural sound, high separation from distant sound sources and SPL handling up to 160 dB. The phantom-powered DPA handle has a sleek look and state-of-the-art electronic design. And, if you decide to go wireless, you can just switch to an adapter for wireless at a quarter of the cost of a new microphone. The modular nature of the d:facto™ seriesallows you to switch both the capsule as well as the adapter. The d:facto™ Supercardioid Capsule features an isolation-optimized supercardioid polar pattern. It is specifically designed to augment the human vocal range. It uses directional characteristic from the best of two worlds – both cardioid and supercardioid patterns. The capsule’s directional pattern and definition gives high separation and true sound color onstage. It is ideal for PA amplification and recording. Frequency response and phase, both on- and off-axis, is linear. You can remove the capsule and replace it with any other d:facto™ or d:dicate™ capsule if your needs change. The mic also features a robust three-stage pop protection grid built into the microphone that removes unwanted noise. Although this version of the d:facto™ Vocal Microphone comes with a d:facto™ Handle for a wired solution, the d:facto™ Vocal Microphone is also the perfect choice to use with your favorite wireless system.

d:facto 4018V Softboost Supercardioid Mic, SE5 Adapter, Black

The d:facto™ Vocal Microphone 4018V B SE5 (4018V-B-SE5, 4018V_B_SE5, 4018V/B/SE5) is engineered especially for vocal performances onstage. It captures electrifying stage performances and accurately replicates a singer's voice transparently, consistently and thrillingly. The mic is optimized for use in sound reinforcement as well as recording applications. It offers natural sound, high separation from distant sound sources and SPL handling up to 160 dB. The phantom-powered DPA handle has a sleek look and state-of-the-art electronic design. And, if you decide to go wireless, you can just switch to an adapter for wireless at a quarter of the cost of a new microphone. The modular nature of the d:facto™ seriesallows you to switch both the capsule as well as the adapter. The d:facto™ Supercardioid Capsule features an isolation-optimized supercardioid polar pattern. It is specifically designed to augment the human vocal range. It uses directional characteristic from the best of two worlds – both cardioid and supercardioid patterns. The capsule’s directional pattern and definition gives high separation and true sound color onstage. It is ideal for PA amplification and recording. Frequency response and phase, both on- and off-axis, is linear. You can remove the capsule and replace it with any other d:facto™ or d:dicate™ capsule if your needs change. The mic also features a robust three-stage pop protection grid built into the microphone that removes unwanted noise. Although this version of the d:facto™ Vocal Microphone comes with a d:facto™ Handle for a wired solution, the d:facto™ Vocal Microphone is also the perfect choice to use with your favorite wireless system.

d:facto 4018V Softboost Supercardioid Mic, SL1 Adapter, Black

The d:facto™ Vocal Microphone 4018V B SL1 (4018V-B-SL1, 4018V_B_SL1, 4018V/B/SL1) is engineered especially for vocal performances onstage. It captures electrifying stage performances and accurately replicates a singer's voice transparently, consistently and thrillingly. The mic is optimized for use in sound reinforcement as well as recording applications. It offers natural sound, high separation from distant sound sources and SPL handling up to 160 dB. The phantom-powered DPA handle has a sleek look and state-of-the-art electronic design. And, if you decide to go wireless, you can just switch to an adapter for wireless at a quarter of the cost of a new microphone. The modular nature of the d:facto™ seriesallows you to switch both the capsule as well as the adapter. The d:facto™ Supercardioid Capsule features an isolation-optimized supercardioid polar pattern. It is specifically designed to augment the human vocal range. It uses directional characteristic from the best of two worlds – both cardioid and supercardioid patterns. The capsule’s directional pattern and definition gives high separation and true sound color onstage. It is ideal for PA amplification and recording. Frequency response and phase, both on- and off-axis, is linear. You can remove the capsule and replace it with any other d:facto™ or d:dicate™ capsule if your needs change. The mic also features a robust three-stage pop protection grid built into the microphone that removes unwanted noise. Although this version of the d:facto™ Vocal Microphone comes with a d:facto™ Handle for a wired solution, the d:facto™ Vocal Microphone is also the perfect choice to use with your favorite wireless system.

d:facto 4018V Softboost Supercardioid Mic, WI2 Adapter (Wisycom), Black

The d:facto™ Vocal Microphone 4018V B WI2 (4018V-B-WI2, 4018V/B/WI2, 4018V_B_WI2) is engineered especially for vocal performances onstage. It captures electrifying stage performances and accurately replicates a singer's voice transparently, consistently and thrillingly. The mic is optimized for use in sound reinforcement as well as recording applications. It offers natural sound, high separation from distant sound sources and SPL handling up to 160 dB. The phantom-powered DPA handle has a sleek look and state-of-the-art electronic design. And, if you decide to go wireless, you can just switch to an adapter for wireless at a quarter of the cost of a new microphone. The modular nature of the d:facto™ seriesallows you to switch both the capsule as well as the adapter. The d:facto™ Supercardioid Capsule features an isolation-optimized supercardioid polar pattern. It is specifically designed to augment the human vocal range. It uses directional characteristic from the best of two worlds – both cardioid and supercardioid patterns. The capsule’s directional pattern and definition gives high separation and true sound color onstage. It is ideal for PA amplification and recording. Frequency response and phase, both on- and off-axis, is linear. You can remove the capsule and replace it with any other d:facto™ or d:dicate™ capsule if your needs change. The mic also features a robust three-stage pop protection grid built into the microphone that removes unwanted noise. Although this version of the d:facto™ Vocal Microphone comes with a d:facto™ Handle for a wired solution, the d:facto™ Vocal Microphone is also the perfect choice to use with your favorite wireless system.

d:facto 4018VL Linear Supercardioid Mic, Wired DPA Handle, Black

The d:facto™ series brings true studio sound to the live stage and broadcasting studio. These mics are available in an extremely linear version as well as in a version with a high-end boost. The modular nature of the d:facto™ 4018VL B B01 (4018VL-B-B01, 4018VL/B/B01, 4018VL/B/B01) series allows you to switch the capsule as well as the adapter, making it the most flexible vocal microphone available on the market. Engineered especially for vocal performances onstage, the d:facto™ holds a supercardioid capsule that is designed to reproduce every nuance of the human voice transparently, consistently and thrillingly. There are two versions available. The d:facto™ Linear Vocal Microphone (4018VL) is extremely linear. The d:facto™ Vocal Microphone (4018V) is linear but with a high-end boost. The 4018V is often chosen because it ‘cuts through’ on a broadcasting set, where the content typically ends up transmitted to built-in television speakers with limited audio quality. Besides the linearity / boost, these mics are identical. Both feature an isolation-optimized supercardioid polar pattern. This directional characteristic offers the best of two worlds – from cardioid and supercardioid patterns. These mics can handle loud vocals with three-step pop-protection grid and best-in-class low handling noise. They also offer excellent sonic reproduction with all the detail and balanced linear phase and frequency response users have grown to trust for DPA Microphones. Optimized for live performance d:facto™ Vocal Microphones are the ultimate stage mics – no matter if the performance is taking place in a cozy club or the largest concert hall. Like traditional supercardioid mics, the d:facto™ series enjoys high side- and rear rejection with a minimum of 9 dB attenuation to the sides. Yet it is not bound by the less desirable aspects of the supercardioid like the uncontrolled and nonlinear rear lobes, which can create feedback from stage wedges, because there is a sudden high frequency peak at the backside of the mic. The d:facto™ series has a wider acceptance angle at the front of the mic than most supercardioids. The acceptance angle is identical to a first-order cardioid at ±60 degrees off-center, resulting in the same work field as a cardioid — just with extremely high and uniform side and rear damping. Linear or with a high-end boost? When you choose your d:facto™ Vocal Microphone, you get to choose the microphone that best meets your need. An extremely linear version of the d:facto™ Vocal Microphone is engineered specifically for audio engineers who prefer setting their own unique impression on the final sound. A version with a pre-programmed high-end boost has a 3 dB soft boost at 12 kHz. Both versions of the d:facto™ are designed to capture electrifying live performances and accurately replicate a singer's voice transparently, consistently and thrillingly. These mics are optimized for use in sound reinforcement as well as recording applications. They offer natural sound, high separation from nearby sound sources and SPL handling up to 160 dB. A bit about supercardioids A supercardioid microphone is similar to a cardioid – it is most sensitive to sound coming in at the front and is least sensitive at the back. Supercardioid mics tend to have a much narrower angle of sensitivity – making them even more focused than a “normal” cardioid mic. This off-axis sound will be more or less colored and damped – and, due to the narrow angle of focus, the area of damped sound is increased significantly. The unique DPA capsule technique however skips the colorization of the sound coming from the sides or the rear of the mic and just reduces the sensitivity to these angles and thereby offers perfect sound stages. The amount of damping depends on the exact specifications of the mic. Due to their nature, supercardioid mics are often used on the live stage – both during concerts as well as spoken-word events, to capture the focused sound of an instrument or voice. The narrow angle of sensitivity helps to minimize the bleed from other sounds on a busy stage. One thing to note with supercardioid mics is the proximity effect, which causes an increase in bass response the closer the microphone is moved to the sound source. Also, supercardioid mics are far more sensitive to wind, pop and handling noises than omni mics, so be sure to take precautions to guard against this. Wired or wireless? - you choose You can use the d:facto™ Vocal Microphone with a sleek, state-of-the-art d:facto™ Handle for a wired solution or choose to use a d:facto™ Capsule together with your favorite wireless system. If you decide to go wireless, you can just switch to an adapter for wireless at a quarter of the cost of a new microphone. As circumstances change, you can just switch your adapter, instead of incurring the cost of a completely new microphone. When you make the switch, you won't hear any loss or change in sound quality. The d:facto™ Series of handheld microphones works with leading wireless mic solutions, such as Sennheiser, Shure, Sony, Wisycom, Lectrosonics and Line6. DPA Microphones’ ingenious adapter system is one of a kind in the industry. It protects your investment in fantastic sound for years to come. See all our d:facto™ Adapters for wireless and find an adapter that fits your wireless system. If you prefer to run via a wired system, all of our mics are available with a state-of-the-art d:facto™ Handle, ending with an XLR adapter.

d:sign 4011 Cardioid Mic, Black, XLR, 122 cm 48 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 120 (4011-DF-G-B01-120, 4011_DF_G_B01_120, 4011/DF/G/B01/120) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

d:sign 4011 Cardioid Mic, Black, XLR, 20 cm 8 in Boom, full Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 015 (4011-DF-G-B01-015, 4011_DF_G_B01_015, 4011/DF/G/B01/015) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

d:sign 4011 Cardioid Mic, Black, XLR, 32 cm 13 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 030 (4011-DF-G-B01-030, 4011_DF_G_B01_030, 4011/DF/G/B01/030) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

d:sign 4011 Cardioid Mic, Black, XLR, 47 cm 18 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 045 (4011-DF-G-B01-045, 4011_DF_G_B01_045, 4011/DF/G/B01/045) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

d:sign 4011 Cardioid Mic, Black, XLR, 77 cm 30 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4011 DF G B01 075 (4011-DF-G-B01-075, 4011_DF_G_B01_075, 4011/DF/G/B01/075) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

d:sign 4018 Supercardioid Mic, Black, XLR, 122 cm 48 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 120 (4018-DF-G-B01-120, 4018_DF_G_B01_120, 4018/DF/G/B01/120) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

d:sign 4018 Supercardioid Mic, Black, XLR, 20 cm 8 in Boom, full Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 015 (4018-DF-G-B01-015, 4018_DF_G_B01_015, 4018/DF/G/B01/015) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

d:sign 4018 Supercardioid Mic, Black, XLR, 32 cm 13 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 030 (4018-DF-G-B01-030, 4018_DF_G_B01_030, 4018/DF/G/B01/030) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

d:sign 4018 Supercardioid Mic, Black, XLR, 47 cm 18 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 045(4018-DF-G-B01-045,4018_DF_G_B01_045, 4018/DF/G/B01/045) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

d:sign 4018 Supercardioid Mic, Black, XLR, 77 cm 30 in Boom, top and bottom Gooseneck

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DF G B01 075 (4018-DF-G-B01-075, 4018_DF_G_B01_075, 4018/DF/G/B01/075) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

d:sign 4018 Supercardioid Tabletop Mic, 5 cm 2 in, Black, XLR

A complete cardioid microphone floor stand solution in the modular d:sign™ Microphone Series offering a high-quality stage voice or instrument mic. 4018 DE D B01 005 (4018-DE-D-B01-005, 4018_DE_D_B01_005, 4018/DE/D/B01/005) This floor stand solution has an elegant and exclusive design with a black, non-reflective surface specifically made to handle the, from time to time, rough life in TV-studios, OB-vans and onstage in theaters and concert halls. The Floor Base has an integrated shock mounting solution. The thread screw holds the Stand Extension and MMP-F Modular Active Boom. This unique design allows for a long stage microphone boom pole that does not swing, but rapidly stabilizes itself after being positioned. These floor stand solutions can quickly, and with no tools needed, transform into a new configuration. You can combine it with another d:dicate™ Microphone Capsule or Preamplifier. d:sign™ 4011 Floor Stand Microphones Using the MMC4011 Cardioid Microphone Capsule for its directional quality and attention to detail, this solution makes everything sounds like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound levels. A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern. d:sign™ 4011 Floor Stand Microphones comes in the following lengths: d:dicate™ 4011-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120 Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4011-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4018 Floor Stand Microphones This solution uses the MMC4018 Cardioid Microphone Capsule, which has a highly-directional supercardioid pickup pattern with a smooth and uniform off-axis frequency response. The supercardioid shape is frequency independent, securing an identical sound color around the microphone. The usual rear lobe heard on most supercardioids is minimized on this capsule. This makes it much more isolated without sudden frequency dependent peaks and dips. d:sign™ 4018 Floor Stand Microphones comes in the following lengths: d:dicate™ 4018-BX-F-075 Supercardioid Microphone, Single 77 cm (30 in) Boom, Floor Stand d:dicate™ 4018FGS Supercardioid Microphone, Single 122 cm (48 in) Boom, Floor Stand d:dicate™ 4018-BX-F-120-T Supercardioid Microphone, Twin 122 cm (48 in) Boom, Floor Stand d:sign™ 4098 Floor Stand Microphones With very low noise and a high sensitivity, d:screet™ Supercardioid Microphones offer the most clear, transparent, and natural sound available on the miniature mic market. The mics are capable of handling extremely high SPL before clipping. With a linear response, low distortion and an extremely large dynamic range, they sound great no matter how challenging the environment. This floor stand solution comes in one length: d:screet™ SC4098-BX-FGS Supercardioid Microphone, XLR, 122 cm (48 in) Boom, Floor Stand

Digital Plug-in Transmitter - Ch. 42

Sony DWT/P01/E42 (DWT_P01_E42, DWT-P01/E42, DWT/P01/E42) Digital Plug-in Transmitter - Ch. 42 The transmitter features 48V phantom power for condenser microphones, and digital audio processing for lower noise and longer, efficient range. Up to three selectable output power settings are provided for maximum results and improved battery efficiency. Two AA alkaline batteries power the DWT-P01 for up to 5 hours at the 10mW power setting. Additional features include an input attenuator, RF frequency selection, RF power output, Audio LCF frequency and a power sleep mode (in the transmitter) that can be remotely controlled from the DWR-S01D digital wireless receiver. Supports mic or line input Audio and metadata transmission operates on UHF-TV channels 42 to 51 (638 to 698 MHz) Transmitter settings can be remotely controlled from the digital wireless receiver (using 2.4 GHz IEEE802.15.4 communication technology) Compact, lightweight and built with a sturdy die-cast magnesium body 5 hr battery life using two AA alkaline batteries @ 10 mW power setting Selectable output power 1 / 10 /50mW

Digital Wireless Microphone with Interchangeable Heads

Sony DWM-02/33 (DWM0233, DWM 0233, DWM/0233) Digital Wireless Microphone with Interchangeable Heads Part of the DWX Series digital wireless microphone system, the DWM-02 is a handheld digital wireless microphone that works seamlessly with Sonys digital wireless transmitters and receivers with the same frequency range.  Interchangeable head mechanism supports Sony and third party capsules. The DVM-02 features an interchangeable head/capsule mechanism. Sony supplies three microphone heads – the CU-C31, CU-F31 and CU-F32 – that allow operators to capture sound depending on their requirements. It also supports third party microphone capsules maximising the flexibility for users.  The DVM-02 microphone is suitable for live stage performances and other events, broadcast studios, halls, and theatre applications

Digital Wireless Vocal/Speech Set

Sony DWZ-M70//CEK (DWZM70CEK, DWZ M70 CEK, DWZ/M70/CEK) Digital Wireless Vocal/Speech Set The DWZ-M70 Digital Wireless Vocal/Speech Set from Sony includes a ZTX-M02RC handheld transmitter with interchangeable cardioid dynamic microphone capsule and a ZRX-M70 half-rack wireless receiver. It operates on a 2.4GHz ISM bandwidth and can be used for speech and other vocal performances in applications requiring a wireless setup. The ZRX-M70 half-rack wireless receiver features a built-in 5-band graphic EQ and includes one XLR output and two 1/4" TS outputs. Its LCD display provides information on remaining transmitter battery life, diversity reception RF levels, audio metering, EQ status, and channel selection. The set is capable of 24-bit Linear PCM quality digital audio and features AES 128-bit encryption as well as an intelligent feedback reducer. In addition to the included dynamic cardioid mic capsule, the ZTX-M02RC handheld transmitter is compatible with the CU-C31 Cardioid Condenser capsule, the CU-F31 Super Cardioid Dynamic capsule, and the CU-F32 Wide Cardioid Dynamic capsule The ZTX-M02RC handheld transmitter has support for contactless rechargeable function with the optional BC-DWZ1 battery charger using NiMH AA batteries Includes two antennas and a mic clip    

DPA 4017B Shotgun Microphone

DPA 4017B (DPA4017B DPA-4017B DPA/4017B) Shotgun Microphone 4017B Shotgun Microphone FEATURES: Excellent RF Immunity Lightweight Uniform off-axis response Highly directional Equipped with a highly directional supercardioid pickup pattern, obtained using a supercardioid design with an interference tube that provides excellent off-axis rejection, the DPA 4017B is a short and exceptionally lightweight shotgun microphone that truly measures up to DPA’s impressive reputation for accuracy, clarity, and musicality. Designed for a broad range of applications, the phantom powered 4017B is ideal for use with camera systems, in fixed positions at sports facilities, for broadcast/ENG/film booming, and even studio recording environments. Tune out the surroundings Extensive research and development has been undertaken to optimize the sound coming from the sides and behind the microphone. Minimizing the often very un-linear response of a shotgun microphone due to its side lobes is one of the key accomplishments of the 4017B. The condenser capsule uses a high voltage pre-polarized back plate, endowing the shotgun with high output as well as wide dynamics, extremely low noise and distortion specifications. Small size, big performance At just 210 mm (8.3 in) in length and 68 g (2.4 oz) in weight, the aluminum-bodied DPA 4017B is among the smallest and lightest boom microphones available. But that’s not to say that it’s small on performance. Fully immune to RF emission, the 4017B’s 19 mm (0.75 in) condenser cartridge is capable of handling peak SPLs of 152 dB before clipping. Screwdriver-free filter access The 4017B features two onboard filters that are activated via an ingenious switching ring design. With the simple twist of two sturdy rings, engineers can implement a high-frequency boost that adds a 4 dB shelf at 8 kHz and a first-order bass roll-off below 120 Hz to minimize handling and wind noise. A permanent third-order high-pass filter at 50 Hz effectively removes unwanted low frequency disturbance from handling and wind noise.

Drum Kit 600 Drum Microphone Package

Sennheiser 504296 (504/296, 504-296, 504 296, 50-42-96) Drum Kit 600 Drum Microphone Package  The Sennheiser Drum Kit 600 Drum Microphone Package is a reliable and cost-effective drum microphone package for recording and live sound reinforcement. The package includes a Sennheiser e602 dynamic kick drum microphone, four e604 cardioid tom/snare microphones, and a pair of e614 supercardioid overhead microphones. The microphones and their associated hardware are all shipped in a custom hardshell case with die-cut foam.

DUA0710 d:facto II Microphone Grid, Complete Assembly

DPA DUA0710 (DUA 0710 DUA-0710 DUA/0710) d:facto II Microphone Grid, Complete Assembly d:facto II Microphone Grid, Complete Assembly  

DWA-01D Digital Wireless Receiver Adaptor

Sony DWA-01D (DWA/01D, DWA_01D, DWA01D, DWA 01D, dwa-01d) Digital Wireless Receiver Adaptor Sony is proud to introduce a digital wireless microphone system that offers high-quality full-digital operation and enhanced system performance - a perfect match for high-quality ENG/EFP applications. Stable and Secure Transmission Incorporating the newly developed digital modulator, the digital wireless microphone system allows highly stable wireless transmission that is extremely tolerant to unwanted interference. Simultaneous Multi-channel Operation. The digital wireless microphone system allows for large-scale multi-channel operations. Thanks to the newly developed digital modulator, the system realises an intermodulation-free, equally spaced channel allocation. The digital wireless transmission technology used in this system enables a significant increase in the number of simultaneous operations in comparison with current analogue wireless systems. For example, up to16 channels of simultaneous operation is possible in an 8-MHz operating band.

DWZ-B70HL//CEK Digital Wireless Headset and Lavalier Microphone Set

Sony DWZ-B70HL//CEK (DWZ-B70HL-CEK, DWZ/B70HL/CEK, DWZ_B70HL_CEK, DWZB70HLCEK, dwz-b70hl-cek) Digital Wireless Headset and Lavalier Microphone Set Sony's newest wireless microphone series combines ease of use, superb RF transmission reliability and high sound quality intofour affordable and highly flexible packages. The new 2.4 GHz DWZ series includes combinations of hand-held microphones, bodypack transmitters and rack-mount or compact size receivers, with the various components ideal for use by musicians, or in classroom, corporate and institutions AV applications. The new packages are distinguished by their sleek design and contemporary look, highlighted by a yellow band on each of the products as a unique identifying feature. The DWZ components share many high-performance features, including:  24-bit linear PCM digital audio transmission Two modes of 2.4GHz frequency selection (wide band frequency hopping for simple operation or narrow band frequency hopping for coordinated spectrum use) Rack-mount receiverswith integrated colour LCD and built-in digital Equalizer Interchangeable handheld capsule design supports Sony or third-party microphone capsules  Balanced and unbalanced audio outputs. The DWZ-B70HL Headset and Lavalier Kit includes a uni-directional condenser headset microphone and a uni-directional condenser Lavalier microphone with one bodypack transmitter and a half-rack size receiver with advanced DSP functions. 

DWZ-B70HL//EU PCM Digital Wireless Microphone TX Bodypack

Sony DWZ-B70HL//EU (DWZ-B70HL-EU, DWZ/B70HL/EU, DWZ_B70HL_EU, DWZB70HLEU, dwz-b70hl-eu) PCM Digital Wireless Microphone TX Bodypack Sony's newest wireless microphone series combines ease of use, superb RF transmission reliability and high sound quality intofour affordable and highly flexible packages. The new 2.4 GHz DWZ series includes combinations of hand-held microphones, bodypack transmitters and rack-mount or compact size receivers, with the various components ideal for use by musicians, or in classroom, corporate and institutions AV applications. The new packages are distinguished by their sleek design and contemporary look, highlighted by a yellow band on each of the products as a unique identifying feature. The DWZ components share many high-performance features, including:  24-bit linear PCM digital audio transmission Two modes of 2.4GHz frequency selection (wide band frequency hopping for simple operation or narrow band frequency hopping for coordinated spectrum use) Rack-mount receiverswith integrated colour LCD and built-in digital Equalizer Interchangeable handheld capsule design supports Sony or third-party microphone capsules  Balanced and unbalanced audio outputs. The DWZ-B70HL Headset and Lavalier Kit includes a uni-directional condenser headset microphone and a uni-directional condenser Lavalier microphone with onebodypack transmitter and a half-rack size receiver with advanced DSP functions. 

e 604 Microphone Dynamic Instrument Microphone (3-Pack)

Sennheiser 506667 (50-66-67, 50 66 67, 50/66-67, 506/667)(e604, e/604, e 604) e 604 Microphone Dynamic Instrument Microphone (3-Pack)  The e604 3-Pack from Sennheiser includes three high-SPL handling (more than 160dB) cardioid microphones, optimized for use on drum sets and other percussion miking applications. Each microphone actually comes with an integrated, pivoting mount that can screw directly onto mic stands or mount on the rim of a drum, making setup very efficient. A balanced, clear, low distortion signal from the e604 is similar to a high-end studio condenser microphone. A lightweight voice coil provides extended high frequency and rapid transient response. This quality drum mic is housed in a tough, reinforced glass fiber body designed to suppress impact noise. If you're looking to mic your toms or snare, the e604 is a dynamic mic ready for the job

e 835 Cardioid Handheld Dynamic Microphone Kit (3-Pack)

Sennheiser 506666 (506/666, 50-66 66, 5066-66, 50/66/66) (e/835, e-835, e835) e 835 Cardioid Handheld Dynamic Microphone Kit (3-Pack) The Sennheiser E 835 is a lead, vocal stage mic, designed to perform under pressure. Uniform frequency pick-up pattern maintains signal quality when moving on and off axis during performance. Gentle presence boost to even tonal response ensures clarity and projection. Minimal proximity effect provides consistently clear bass and performance when singing closer to or further from capsule. This is a three-pack, giving you three microphones in one package.

e 901 Half-Cardioid Boundary Condenser Mic for Kick Drum

Sennheiser 500198 (500 198, 500/198, 500-198, 50-01-98) e 901 Half-Cardioid Boundary Condenser Mic for Kick Drum The e 901 is a rugged boundary microphone that handles high sound pressure levels extraordinarily well. Tailored to give the kick drum a highly precise, very dry sound character, the e 901 makes every attack lightning fast and realistic. The positioning of the e 901 in a bass drum couldn't be simpler: just put it in – done. The integrated preamp and gold-plated XLR connector have proven themselves to be exceptionally practical on stage.  

e 902 Cardioid Dynamic Mic for Kick Drum

Sennheiser 500199 (500-199, 500/199, 500 199, 50-01-99) (e902, e/902, e-902) e 902 Cardioid Dynamic Mic for Kick Drum  The e 902 was especially designed for the low sound spectrum and convinces with firm, clearly defined bass sounds with a tight punch. The strongly contoured frequency response features a pronounced damping of the mid-range and an accentuated emphasis of the high-end and bass. The result: a clear, grainy sound with a full body and a precise kick that effortlessly asserts itself in a band context. The sound of the e 902 can be flexibly shaped by its positioning in the drum set: from warm and round to sharp and direct. The rugged housing meets the hardest of demands during live gigs.

e 904 Compact cardioid dynamic microphone

Sennheiser 500200 (500-200, 500/200, 500 200, 50-02-00) (e/904, e-904, e904) e 904 Compact cardioid dynamic microphone With its consistent frequency response, the e 904 creates a sound that is as transparent as it is harmonic and that can be wonderfully shaped. It can be cleanly embedded in the drum mix thanks to its precise attacks and voluminous body. The set receives an extremely energetic and defined sound with this microphone. The e 904 reliably withstands even the hardest direct hits. Thanks to its practical clip, it is child's play to attach to the rims of snares and tom-toms. And, with its compact form, it takes up a very small amount of space.

e 906 Supercardioid Guitar Microphone

Sennheiser 500202 (500-202, 500/202, 500 202, 50-02-02) (e906, e-906, e/906) e 906 Supercardioid Guitar Microphone The e 906 captures the guitar sound just as you want it to be: from clean to distorted, from gentle to aggressive. It provides a high-resolution, natural sound without unwanted coloration. The transient response of the e 906 convinces in every style: it even transmits riffs with an extremely hard punch directly and straightforward.  The microphone features a switchable presence filter with three sound characteristic options: one to boost the presence range, one for "normal" presence and one to attenuate the presence range. Thanks to its flat shape, it can be positioned in front of the amp hanging from its cable – completely without a stand. Not to mention its distinctly rugged design.

e 908 B Condenser Microphone for Brass Instruments

Sennheiser 500203 (500/203, 500 203, 50-02-03, 500-203) (e908B, e/908/B, e-908-B) e 908 B Condenser Microphone for Brass Instruments The high-end sound of a condenser microphone is combined with the features of professional stage equipment to make the e 908 a small, highly flexible marvel. With an open and high-definition character, it creates surprisingly forceful sounds. It transmits the attack in a very clear and defined manner while structure-borne noise is reliably suppressed. Thanks to its shock-mounted head, gooseneck and special clips, the e 908 can be quickly attached and precisely oriented to the sound source. Despite its delicate form, the microphone is ruggedly constructed and easily takes even hard hits. The e 908 is available in four models: e 908 D: for drums and percussion e 908 B: for wind instruments, congas, and drums with free-floating suspension system e 908 B ew: for wireless miking of saxophones using an evolution wireless instrument transmitter  

e 908B-EW Condenser Microphone for Brass and Wind Instruments

Sennheiser 500204 (500-204, 500/204, 500 204, 50-02-04) (e908BEW, e/908B/EW, e-908B-EW) e 908B-EW Condenser Microphone for Brass and Wind Instruments The high-end sound of a condenser microphone is combined with the features of professional stage equipment to make the e 908 a small, highly flexible marvel. With an open and high-definition character, it creates surprisingly forceful sounds. It transmits the attack in a very clear and defined manner while structure-borne noise is reliably suppressed. Thanks to its shock-mounted head, gooseneck and special clips, the e 908 can be quickly attached and precisely oriented to the sound source. Despite its delicate form, the microphone is ruggedly constructed and easily takes even hard hits. The e 908 is available in four models: e 908 D: for drums and percussion e 908 B: for wind instruments, congas, and drums with free-floating suspension system e 908 B ew: for wireless miking of saxophones using an evolution wireless instrument transmitter  

e 914 High-Performance Condenser General Instrument Microphone

Sennheiser 500206 (500 206, 500/206, 500-206, 50-02-06) (e914, e/914, e 914) e 914 High-Performance Condenser General Instrument Microphone The e 914 is a condenser microphone of the superior class with a full-bodied sound and excellent dynamics. Its silky character, never headstrong, is developed from the gentle emphasis of the sophisticated treble. Its straightforward transient response accurately captures the temperament of each set, even at very high sound pressure levels. With its detailed resolution, the e 914 makes every live drum sound more refined. The capsule has extraordinary feedback resistance and can be individually adapted to various needs: three positions of bass roll-off/cut-off and pre-attenuation can be set.    

e 965 High End Condenser Microphone

Sennheiser 500881 (500-881, 500/881, 500 881, 50-08-81) (e965, e/965, e 965) e 965 High End Condenser Microphone The advantages of high-end studio and stage microphones are perfectly combined in the e 965: high-resolution, multifaceted sound supplemented by high feedback rejection and an extremely rugged design. The flagship of the evolution series is a true condenser, large-diaphragm microphone that has been developed for professional stage use. Its balanced sound is marked by clarity and sophistication; it gives the high-end a silky gloss and reproduces the lower mids in a warm, well-defined manner. The e 965 responds extremely quickly and transmits even the finest nuances in impressive detail. Depending on the stage setting, the pick-up pattern can be switched between gentle cardioid and more direct super-cardioid. This top model leaves no wishes unanswered in terms of sound, ruggedness and handling.    

E602 II Cardioid Instrument Microphone

Sennheiser 500797 (500-797, 500/97, 500 797, 50-07-97) (E602/II, E602II, E602-II) E602 II Cardioid Instrument Microphone Don't just hear it. Feel it. Punching and vibrating, the e 602-II follows bass instruments down to the low frequencies that shake things up. The punch of the kick drum keeps its forceful volume at the bottom of the sound image; the attack remains precise throughout the mic’s entire frequency response.The e 602-II hears bass guitars and tubas with the same attention to detail: warm, dynamic, and always with substance. It sounds as solid as it looks and, thanks to its lightweight aluminum body, is easy to position – in studios, clubs, rehearsal rooms, at smaller gigs or for home recording.  

e835 Dynamic Cardioid Live Vocal Microphone

Sennheiser 004514 (004/514, 004-514, 004 514, 00-45-14) (e8-35, e/835, e 835) e835 Dynamic Cardioid Live Vocal Microphone Not plastic, metal. No muffled, mids-centric sound but tight low mids and present treble. No problem with feedback, spill or handling noise; instead, maximum flexibility for the voice: the e 835 is a solid choice for performers. Moderation and singing remain crystal clear and natural, even at varying distances from the capsule. Its extremely rugged construction and uncomplicated handling make the e 835 the first choice for rehearsal rooms, home recording or the stage. It has also become a top seller in its class everywhere that speech intelligibility is critical: lectures, presentations or conferences in auditoriums large and small alike. The S-version of the e 835 comes with a noiseless on/off switch.

e835 Live Vocal Microphone

Sennheiser 004513 (004-513, 004/513, 004 513, 00-45-13) (e-835, e/835, e 835) e835 Live Vocal Microphone Not plastic, metal. No muffled, mids-centric sound but tight low mids and present treble. No problem with feedback, spill or handling noise; instead, maximum flexibility for the voice: the e 835 is a solid choice for performers. Moderation and singing remain crystal clear and natural, even at varying distances from the capsule. Its extremely rugged construction and uncomplicated handling make the e 835 the first choice for rehearsal rooms, home recording or the stage. It has also become a top seller in its class everywhere that speech intelligibility is critical: lectures, presentations or conferences in auditoriums large and small alike.

e835-S Cardioid Vocal Microphone - 3 Pack

Sennheiser 507359 (507/359, 50 73 59, 50-73-59, 507/359) (e835S, e-835-S, e/835-S) e835-S Cardioid Vocal Microphone - 3 Pack The e835-S THREE PACK from Sennheiser is a bundle of three switched e835-S cardioid dynamic microphones in a value-added package. These rugged handheld mics offers excellent feedback rejection, minimal proximity effect, and a gentle presence boost for clarity. They can be used for speech, vocals, lectures, and more. The e835 microphone is equipped with a noiseless on/off switch and XLR output, and is a popular choice for houses of worship, stages, presentations, or conferences where speech intelligibility is critical. In addition, the e835-S THREE PACK from Sennheiser provides a mic clip for each microphone and carrying pouches.

e845 Extended High Frequency Response Supercardioid Microphone

Sennheiser 004515 (004-515, 004/515, 004 515, 00-45-15) (e-845, e/845, e 845) e845 Extended High Frequency Response Supercardioid Microphone Maximum focus, enhanced presence: the e 845 delivers differences you can hear. Its expanded high frequency range creates space for demanding dynamics with a high signal quality. Vocals become more alive and sound wider and more open - even at different speaking proximities. Designed as a super-cardioid, the e 845 easily eliminates ambient noise. A reliable, easy-to-use companion for presentations, conferences, spoken word performance, choirs as well as rehearsal rooms and on stage. The S-version of the e 845 comes with a noiseless on/off switch.

Ear-Set Electret Condenser Microphone

Sony ECM-322BMP (ECM_322BMP, ECM_322BMP, ECM 322BMP) Ear-Set Electret Condenser Microphone The ECM-322BMP electret condenser headset mic is ideal for use in a variety of multimedia presentation applications, ranging from seminars and conferences to lectures and workshops. The ECM-322BMP incorporates an omni-directional microphone capsule providing highly sensitive and clear sound pick-up. It's lightweight and ergonomic design provides a tight and secure, yet extremely comfortable fit that can be worn on the right or left ear. This headset is equipped with a slim and flexible boom, so the microphone position can easily be adjusted for optimum voice pick up.   This (BMP) model contains a 3-pole mini-jack with a stable lock mechanism for use with Sony UWP Series wireless bodypack transmitters.

ECM-166BC Uni-Directional Lavalier Electret Condenser Microphone

Sony ECM-166BC (ECM/166BC, ECM_166BC, ECM166BC, ECM 166BC, ecm-166bc) Uni-Directional Lavalier Electret Condenser Microphone Black coloured uni-directional electret condenser lavalier microphone supplied with a Sony 4-pin connector (SMC9-4P), for use with the WRT-8B/822B Sony bodypack transmitter. Resistant to howling by rejecting indirect sound Reasonably priced lavalier microphone ideal for institutional use and sound-contracting applications such as speeches, lectures and conferences This product comes with PrimeSupport – fast, hassle-free repairs and a helpline offering expert technical advice. Which gives you the peace of mind that Sony is looking after your equipment, and your business. 

ECM-44B Affordable Omni-Directional Lavalier Electret Condenser Microphone

Sony ECM-44B (ECM/44B, ECM_44B, ECM 44B, ECM44B, ECM-44-B, ecm-44b) Affordable Omni-Directional Lavalier Electret Condenser Microphone Sony has produced over five million professional ECM (Electret Condenser Microphones) microphones and the ECM-44 is the affordable, general voice model. It provides good sound quality and is widely used in business presentation systems and TV production. The ECM-44 is available in four versions, featuring different connector types. This model, ECM-44B, is the XLR version with power barrel for use as a wired microphone. Convenient to use The ECM-44 is an affordable alternative to the traditional hand held microphone and being 'hands free' it allows the presenter to concentrate on her/his performance Professional image Either 'in front of camera' or at a business presentation the ECM-44 creates a professional and tidy image. Easy to use It can often be difficult to achieve good quality voice pick-up but the ECM-44 can help get good results. The microphone's capsule is designed for general voice pick-up with a mid-frequency emphasis characteristic and a suitable frequency response. Tuned for voice pick-up The ECM-44's capsule features an emphasis curve and a suitable frequency response for voice pick-up. Compact size The capsule has a diameter of only 8.5mm and is 14.5mm long. Ready for wired applications The ECM-44B is the wired version with an XLR output and integral power supply barrel. This version can either be powered by an external microphone amp or internally by battery (LR6 or AA size). A single AA battery will provide several thousand hours of use.

ECM-44BMP Affordable Omni-Directional Lapel Microphone

Sony ECM-44BMP (ECM/44BMP, ECM_44BMP, ECM 44BMP, ECM44BMP, ecm-44bmp) Affordable Omni-Directional Lapel Microphone Sony has produced over five million professional ECM (Electret Condenser Microphones) microphones and the ECM-44 is the affordable, general voice model. It provides good sound quality and is widely used in business presentation systems and TV production. The ECM-44 is available in four versions, featuring different connector types. This model, ECM-44BMP, has a 3.5mm locking jack for use with WRT-805 wireless transmitter (excluding UTXB03HR). Convenient to use The ECM-44 is an affordable alternative to the traditional hand held microphone and being 'hands free' it allows the presenter to concentrate on her/his performance Professional image Either 'in front of camera' or at a business presentation the ECM-44 creates a professional and tidy image. Easy to use It can often be difficult to achieve good quality voice pick-up but the ECM-44 can help get good results. The microphone's capsule is designed for general voice pick-up with a mid-frequency emphasis characteristic and a suitable frequency response.

ECM-55B Omni-Directional Lavalier Electret Condenser Microphone

Sony ECM-55B (ECM/55B, ECM_55B, ECM55B, ECM 55B, ecm-55b) Omni-Directional Lavalier Electret Condenser Microphone With a black anodized finish and a frequency response tailored for enhanced presence and improved voice quality, Sony's ECM55B Omni-Directional Electret Condenser Lavalier Microphone is well suited for a wide range of applications. The microphone features a two-way powering system, meaning it will operate on a AA-size battery or an external power supply. And the head of the mic weighs only 0.23 ounces.  

ECM-77B Omni-Directional Electret Condenser Microphone

Sony ECM-77B (ECM/77B, ECM_77B, ECM77B, ECM 77B, ecm-77b) Omni-Directional Electret Condenser Microphone The ECM-77 is probably the most often seen lapel microphone on TV and it is used widely in both studio production and on location. Its popularity is based on a combination of excellent sound quality, robust construction and an attractive cosmetic design. This microphone is the ECM-77B XLR3 version with power barrel for use as a wired microphone.

ECM-77BMP Discrete Omni-Directional Lavalier Electret Condenser Microphone

Sony ECM-77BMP (ECM/77BMP, ECM_77BMP, ECM 77BMP, ECM77BMP, ecm-77bmp) Discrete Omni-Directional Lavalier Electret Condenser Microphone The ECM-77 is used widely in both studio production and on location. Its popularity is based on a combination of excellent sound quality, robust construction and an attractive cosmetic design. This microphone is the ECM-77BMP which is supplied with a 3.5 mm locking jack for use with UWP-D series wireless transmitters. Hands Free As a lavalier microphone, the ECM-77 is an alternative to the traditional hand held microphone and being 'hands free' it allows the presenter to concentrate on her/his performance. Professional Image The ECM-77 is probably the most seen microphone on TV and its compact design creates a professional image. Easy and Familiar Operation The ECM-77 is an essential tool for achieving good quality voice recording. The microphone's capsule is designed for voice pick-up with an extended frequency response and impressive sensitivity. The popularity of the microphone in TV production means that most sound people will be familiar with using the ECM-77.

ECM-FT5B Flat-Shape Electret Condenser Lavalier Microphone

Sony ECM-FT5B (ECM/FT5B, ECM_FT5B, ECMFT5B, ecm-ft5b) Flat-Shape Electret Condenser Lavalier Microphone Omni-directional flat shape lavalier microphone The ECM-FT5 is an easy-to-hide flat-shape Electret condenser lavalier microphone delivering excellent sound reproduction in a stylish, ultra-miniature unit. It is also water-resistant and supplied with useful accessories, such as a tie-clip, taping mount and windscreen, making it ideal for a variety of applications where a discreet microphone system is required.

ECM-FT5BC Flat-Shape Electret Condenser Lavalier Microphone with 4-Pin Connector

Sony ECM-FT5BC (ECM/FT5BC, ECM_FT5BC, ECMFT5BC, ECM FT5BC, ecm-ft5bc) Flat-Shape Electret Condenser Lavalier Microphone with 4-Pin Connector Omni-directional flat shape lavalier microphone for use with DWX and WL-800 Series wireless systems The ECM-FT5BC is an easy-to-hide flat-shape Electret condenser lavalier microphone delivering excellent sound reproduction in a stylist, ultra-miniature unit. The ECM-FT5BC is supplied with a Sony 4-pin connector (SMC9-4P), for use with DWX and WL-800 Series wireless systems. The water-resistant microphone is supplied with useful accessories, such as a tie clip, taping mount and windscreen, making it ideal for a variety of applications where a discreet microphone system is required. Flat shape makes it easy to hide The slim 4.9-mm profile of the ultra-miniature ECM-FT5BC is designed to be easily concealed under clothing, and its sleek contours help prevent noise pick-up from garments. Durable metal body blocks interference Unique to Sony, the metal body of Sony’s ECM-FT5BC offers increased durability and improved audio quality by blocking vibration and resonance. Another advantage of the metal construction is it shields the microphone, blocking RF noise interference. Professional quality sound reproduction The ECM-FT5BC has a frequency response of 40 Hz to 20 kHz, sensitivity of -43 dB and an inherent noise level of less than 26 dB SPL. Water-resistant design A moisture repellent screen covers the microphone aperture to help prevent sweat and dampness from entering the case. 4-pin connector The ECM-FT5BC is supplied with a Sony 4-pin connector (SMC9-4P), for use with DWX and WL-800 Series wireless systems. Tie clip and taping mount for attaching to clothing A tie clip attaches the microphone to clothing by clipping on a pocket, button-hole or other suitable parts of a garment. A taping mount can attaches the microphone directly to the fabric’s surface. Windscreen A small windscreen is used to suppress strong wind noise. Carrying case The supplied case can be used for the ECM-FT5BC and its accessories.

ECM-FT5BMP Back Electret Condenser Lavalier Microphone

Sony ECM-FT5BMP (ECM/FT5BMP, ECM_FT5BMP, ECM FT5BMP, ECM-FT5-BMP, ECMFT5BMP, ecm-ft5bmp) Back Electret Condenser Lavalier Microphone  The Sony ECM-FT5BMP Back Electret Condenser Lavalier Microphone features an omnidirectional polar pattern, wide frequency response and BMP type connection for use with compatible wireless lavalier bodypack transmitters. The capsule's unobtrusive yet rugged metal construction features a flat shape for easy concealment underneath clothing. The microphone is shipped with a windscreen, tie clip and taping mount. 

ECM-HZ1UBMP Digital Wireless Uni-directional Headset Condenser Microphone

Sony ECM-HZ1UBMP (ECM/HZ1UBMP, ECM_HZ1UBMP, ECM HZ1UBMP, ECMHZ1UBMP, ecm-hz1ubmp) Digital Wireless Uni-directional Headset Condenser Microphone The ECM-HZ1UBMP works with the ZTX-B02RC body-pack transmitter and is supplied with the DWZ-B70HL package. The lightweight headset keeps you comfortable and stress-free even when wearing it for long periods of time. The ear-clip-style design allows you to wear it on either your left or right ear.

ECM-LZ1UBMP Uni-Directional Electret Condenser Lavalier Microphone

Sony ECM-LZ1UBMP (ECM/LZ1UBMP, ECM_LZ1UBMP, ECMLZ1UBMP, ECM LZ1UBMP, ecm-lz1ubmp) Uni-Directional Electret Condenser Lavalier Microphone The ECM-HZ1UBMP works with the ZTX-B02RC body-pack transmitter and is supplied with the DWZ-B70HL package. The uni-directional electret condenser lavalier microphone is ideal for commercial sound applications such as presentations, lectures and conferences. Comes supplied with mic holder clip and windscreen.

ECM-V1BMP Lavalier Electret Condenser Microphone

Sony ECM-V1BMP (ECM/V1BMP, ECM_V1BMP, ECM V1BMP, ECMV1BMP, ecm-v1bmp) Lavalier Electret Condenser Microphone The Sony ECM-V1BMP Electret Condenser Lavalier Microphone is intended for use with the UWP series bodypack transmitters. The microphone features a 1/8" (3.5mm) mini connection and omnidirectional polar pattern.

ECM-VG1 Shotgun Electret Condenser Microphone

Sony ECM-VG1 (ECM/VG1, ECM_VG1, ECM VG1, ECMVG1, ecm-vg1) Shotgun Electret Condenser Microphone The ECM-VG1 is specifically designed for professional field and studio production applications at an affordable price. It is extremely lightweight and is supplied with an innovative windscreen that suppresses wind noise, making it a perfect choice for field sound shooting with a compact camcorder or attached to a boom pole. Outstanding Sound Quality The ECM-VG1 delivers exceptionally smooth and natural sound reproduction. It has a flat-and-wide frequency response (40 Hz to 20 kHz), excellent sensitivity of -33 dB (0 dB=1 V/Pa), and a low inherent noise level of less than 18 dB SPL. Compact and Extremely Lightweight Design with Metal Body Designed as an extremely lightweight shotgun microphone, the ECM-VG1 maintains good balance even when mounted on compact camcorders. Built-in Low-cut Filter The built-in two-position (M, V) low-cut switch provides a simple method of reducing the effects of unwanted ambient noise. External DC (40 to 52 V) Operation The ECM-VG1 provides an electronically balanced output operation on 48 V standard external power. Innovative Windscreen The ECM-VG1 is supplied with an innovative windscreen that has an internal frame to rigidly fix the windscreen, creating a space between the microphone and the outside part of the windscreen that helps suppress strong wind noise. It also protects the ECM-VG1 from contact noise in harsh operational environments such as outdoor shooting.

ECM-X7BMP Uni-Directional Lavalier Electret Condenser Microphone

Sony ECM-X7BMP (ECM/X7BMP, ECM_X7BMP, ECM X7BMP, ECMX7BMP, ecm-x7bmp) Uni-Directional Lavalier Electret Condenser Microphone The Sony ECM-X7BMP Electret Condenser Lavalier Microphone is intended for use with the UWP series bodypack transmitters. The microphone features a 1/8" (3.5mm) mini connection and cardioid polar pattern.

Electret Condenser Lavalier Wireless Microphone

Sony ECM-166BMP (ECM_166BMP, ECM/166BMP, ECM 166BMP) Electret Condenser Lavalier Wireless Microphone Black coloured uni-directional electret condenser lavalier microphone supplied with a 3-pole locking mini-plug for use with the bodypack transmitter included in UWP series Uni-directional, electret condenser microphone Reasonably priced lavalier microphone, ideal for ENG and EFP uses  

EU Power Supply Digital Wireless Microphone Presenter Pack, 2,4Ghz

Sony DWZ-M70//EU (DWZM70EU, DWZ M70 EU, DWZ/M70/EU) EU Power Supply Digital Wireless Microphone Presenter Pack, 2,4Ghz Sony's newest wireless microphone series combines ease of use, superb RF transmission reliability and high sound quality intofour affordable and highly flexible packages. The new 2.4 GHz DWZ series includes combinations of hand-held microphones, bodypack transmitters and rack-mount or compact size receivers, with the various components ideal for use by musicians, or in classroom, corporate and institutions AV applications. The new packages are distinguished by their sleek design and contemporary look, highlighted by a yellow band on each of the products as a unique identifying feature. The DWZ components share many high-performance features, including:  24-bit linear PCM digital audio transmission Two modes of 2.4GHz frequency selection (wide band frequency hopping for simple operation or narrow band frequency hopping for coordinated spectrum use) Rack-mount receiverswith integrated colour LCD and built-in digital Equalizer Interchangeable handheld capsule design supportsSony or third-party microphone capsules  Balanced and unbalanced audio outputs. The DWZ-M70 Vocal / Speech Kit includes a uni-directional dynamic interchangeable microphone capsule, handheld transmitter and half-rack size receiver with advanced DSP (Digital Signal Processing) functions. 

F-112 High Quality Dynamic Microphone

Sony F-112 (F/112, F112, F_112, F 112, f-112) High Quality Dynamic Microphone The Sony F-112 is a high-quality dynamic microphone, specifically designed for field production and newsgathering applications. The Sony F112 is a professional, omnidirectional microphone designed for Electronic New Gathering (ENG) applications. The F112's frequency response and sensitivity are optimized for accurate reproduction of vocals, accentuating the range that enhances clarity while reducing residual noise. The omnidirectional pattern results in minimal noise from wind, with even signal reproduction at the sides and direct sections of the capsule. This is particularly useful while vying for the best possible microphone placement in awkward, crowded environments. The extra-long shaft allows plenty of room for radio and TV flags, and the rugged enclosure is durable enough to withstand frequent use on location. Enhanced Sound Quality The F112 delivers a high sensitivity of -54 dB (0 dB=1 V/Pa.), allowing clear voice pickup from any direction. Wide Frequency Response The F112 has a flat-and-wide frequency response (60 Hz to 17 kHz), which provides smooth and natural sound reproduction. Omnidirectional Pattern The omnidirectional polar pattern maintains an even frequency response at off-axis and direct sections of the microphone capsule. Rugged Design The body is made of metal, offering a high level of durability to withstand severe conditions encountered in demanding sound pickup scenarios.

F-720 Uni-Directional Dynamic Microphone

Sony F-720 (F/720, F_720, F720, F 720, f-720) Uni-Directional Dynamic Microphone Quality dynamic hand-held uni-directional microphone. Rugged construction. Built-in LC switch. Efficient one-piece shock mount to protect the capsule from external noise and vibration. Integral double windscreen to prevent pop/wind noise. Reasonably priced to suit both professional and institutional applications.

FAADPA2B d:facto II Adapter Handle

DPA FAADPA2B (FA ADPA2B FA-ADPA2B FA/ADPA2B) d:facto II Adapter Handle d:facto II Adapter Handle Using original DPA adapters, the d:factoâ„¢ II Vocal Mic is compatible with several professional wireless systems.  

FAASE2-ew d:facto II Adapter SE2-ew (Sennheiser 2000/evolution)

DPA FAASE2-ew (FA ASE2-ew FA-ASE2-ew FA/ASE2-ew) d:facto II Adapter SE2-ew (Sennheiser 2000/evolution) Using original DPA adapters, the d:factoâ„¢ II Vocal Mic is compatible with several professional wireless systems. FAASE2-ewB allows for seamless integration with Sennheiser 2000/9000/evolution wireless.

FAASE5B d:facto II Adapter SE5 (Sennheiser 5000)

DPA FAASE5B (FA ASE5B FA-ASE5B FA/ASE5B) d:facto II Adapter SE5 (Sennheiser 5000) Using original DPA adapters, the d:factoâ„¢ II Vocal Mic is compatible with several professional wireless systems. FAASE5B allows for seamless integration with Sennheiser 5200.    

FAASL1B d:facto II Adapter SL1 (Shure/Sony/Lectrosonics v1)

DPA FAASL1B (FA ASL1B FA-ASL1B FA/ASL1B) d:facto II Adapter SL1 (Shure/Sony/Lectrosonics v1) Using original DPA adapters, the d:factoâ„¢ II Vocal Mic is compatible with several professional wireless systems. FAASL1B allows for seamless integration with Shure/Sony/Lectrosonics v1/Line6.  

Head Worn Electret Conenser Microphone

Sony ECM-322BC (ECM322BC, ECM 322BC, ECM/322BC) Head Worn Electret Conenser Microphone The ECM-322BC is a head worn microphone, ideal for a variety of multimedia presentation applications ranging from seminars, conferences to lectures and workshops.

MEB 102 B Omnidirectional Boundary Microphone (Black)

Sennheiser 505600 (505-600, 505 600, 50-56-00, 505/600) (MEB-102-B, MEB/102/B, MEB102B) MEB 102 B Omnidirectional Boundary Microphone (Black) Compact and unobtrusively designed, the cardioid boundary layer microphone MEB 102 (omnidirectional) fits any style of interior and can be easily installed into surfaces such as tables or ceiling tiles. It features a proven Sennheiser microphone capsule for the best speech intelligibility, and is protected by a rugged housing. Its -L variant features a bi-color LED ring for status indication.

MEB 102 W Omnidirectional Boundary Microphone (White)

Sennheiser 505601 (505 601, 505/601, 505 601, 50-56-01) (MEB/102/W, MEB102W, MEB-102-W) MEB 102 W Omnidirectional Boundary Microphone (White) Compact and unobtrusively designed, the cardioid boundary layer microphone MEB 102 (omnidirectional) fits any style of interior and can be easily installed into surfaces such as tables or ceiling tiles. It features a proven Sennheiser microphone capsule for the best speech intelligibility, and is protected by a rugged housing. Its -L variant features a bi-color LED ring for status indication.

MEB 102-L Omnidirectional Boundary Microphone (Black)

Sennheiser 505603 (505-603, 505/603, 50-56-03, 505 603) (MEB/102-L, MEB-102-L, MEB102-L) MEB 102-L Omnidirectional Boundary Microphone (Black) Compact and unobtrusively designed, the cardioid boundary layer microphone MEB 102 (omnidirectional) fits any style of interior and can be easily installed into surfaces such as tables or ceiling tiles. It features a proven Sennheiser microphone capsule for the best speech intelligibility, and is protected by a rugged housing. Its -L variant features a bi-color LED ring for status indication.    

MEB 102-L Omnidirectional Boundary Microphone (White)

Sennheiser 505604 (505-604, 505/604, 505 604, 50-56-04) (MEB/102-L, MEB-102-L, MEB102-L) MEB 102-L Omnidirectional Boundary Microphone (White)  Compact and unobtrusively designed, the cardioid boundary layer microphone MEB 102 (omnidirectional) fits any style of interior and can be easily installed into surfaces such as tables or ceiling tiles. It features a proven Sennheiser microphone capsule for the best speech intelligibility, and is protected by a rugged housing. Its -L variant features a bi-color LED ring for status indication.

MEB 104 Cardioid Boundary Microphone (Black)

Sennheiser 505606 (505-606, 505/606, 505 606, 50/56/06) (MEB/104, MEB-104, MEB104) MEB 104 Cardioid Boundary Microphone (Black) Compact and unobtrusively designed, the cardioid boundary layer microphone MEB 104 (cardioid) fits any style of interior and can be easily installed into surfaces such as tables or ceiling tiles. It features a proven Sennheiser microphone capsule for the best speech intelligibility, and is protected by a rugged housing. Its -L variant features a bi-color LED ring for status indication.

MEB 104 Cardioid Boundary Microphone (White)

Sennheiser 505607 (505/607, 505-607, 505 607, 50-56-07) (MEB104, MEB/104, MEB-104) MEB 104 Cardioid Boundary Microphone (White)  Compact and unobtrusively designed, the cardioid boundary layer microphone MEB 104 (cardioid) fits any style of interior and can be easily installed into surfaces such as tables or ceiling tiles. It features a proven Sennheiser microphone capsule for the best speech intelligibility, and is protected by a rugged housing. Its -L variant features a bi-color LED ring for status indication.  

MEB 104 L Cardioid Boundary Microphone (Black)

Sennheiser 505609 (505-609, 505 609, 50-56-09, 505/609) (MEB/104-L , MEB104L ,MEB/104/L ) MEB 104 L Cardioid Boundary Microphone (Black) Compact and unobtrusively designed, the cardioid boundary layer microphone MEB 104 (cardioid) fits any style of interior and can be easily installed into surfaces such as tables or ceiling tiles. It features a proven Sennheiser microphone capsule for the best speech intelligibility, and is protected by a rugged housing. Its -L variant features a bi-color LED ring for status indication.  

MEB 104-L Cardioid Boundary Microphone (White)

Sennheiser 505610 (505-610, 505/610, 505 610, 50-56-10)(MEB/104L, MEB-104-L, MEB104-L) MEB 104-L Cardioid Boundary Microphone (White) Compact and unobtrusively designed, the cardioid boundary layer microphone MEB 104 (cardioid) fits any style of interior and can be easily installed into surfaces such as tables or ceiling tiles. It features a proven Sennheiser microphone capsule for the best speech intelligibility, and is protected by a rugged housing. Its -L variant features a bi-color LED ring for status indication.

MEB 114 Cardioid Table Boundary Microphone (Black)

Sennheiser 505612 (50-56-12, 505/612, 505-612, 505 612) (MEB/114, MEB-114, MEB114) MEB 114 Cardioid Table Boundary Microphone (Black) The sturdy on-table boundary layer microphone MEB 114 constitutes an improvement for any conferencing system. Thanks to its rugged housing and its high-quality microphone capsule the MEB 114 ensures the best speech intelligibility.  

MEB 114 Cardioid Table Boundary Microphone (White)

Sennheiser 505613 (505-613, 505/613, 50-56-13, 505 613) (MEB/114, MEB-114, MEB114) MEB 114 Cardioid Table Boundary Microphone (White) The sturdy on-table boundary layer microphone MEB 114 constitutes an improvement for any conferencing system. Thanks to its rugged housing and its high-quality microphone capsule the MEB 114 ensures the best speech intelligibility.

MEB 114-S Cardioid Boundary Microphone (Black)

Sennheiser  505615 (505-615, 505/615, 50-56-15, 505 615) (MEB/114-S, MEB114-S, MEB-114-S) MEB 114-S Cardioid Boundary Microphone (Black) The sturdy on-table boundary layer microphone MEB 114 constitutes an improvement for any conferencing system. In its –S version it additionally features a programmable microphone button (PTT, PTM, toggle ON/off, permanent on), and a bi-color LED ring for status indication. A camera or media control system can be triggered via the TTL logic out on the bottom side. Thanks to its rugged housing and its high-quality microphone capsule the MEB 114 ensures the best speech intelligibility.

MEB 114-S Cardioid Boundary Microphone (White)

Sennheiser 505616 (505-616, 505/616, 50-56-16, 505 616) (MEB/114-S, MEB-114-S, MEB/114-S) MEB 114-S Cardioid Boundary Microphone (White) The sturdy on-table boundary layer microphone MEB 114 constitutes an improvement for any conferencing system. In its –S version it additionally features a programmable microphone button (PTT, PTM, toggle ON/off, permanent on), and a bi-color LED ring for status indication. A camera or media control system can be triggered via the TTL logic out on the bottom side. Thanks to its rugged housing and its high-quality microphone capsule the MEB 114 ensures the best speech intelligibility.

MEG 14-40 B Gooseneck microphone

Sennheiser 504791 (504 791, 504/791, 504-791, 50-47-91) (MEG14-40B, MEG-14-40-B, MEG/14-40/B) MEG 14-40 B Gooseneck microphone The MEG 14-40 features a made in Germany quality gooseneck microphone on an attractive price. It features a Sennheiser KE 10 microphone capsule with cardioid directivity for universal miking. The flexible element of the streamlined 40 cm gooseneck ensures precise alignment of the microphone. Additionally the MEG 14-40-L and MEG 14-40-L-II have an integrated light ring (L: red, L-II: green) which indicates the spokesperson that is allowed to take the floor. All versions come with XLR connector, an XLR 3M for the standard version and an XLR 5M for the MEG 14-40-L and MEG 14-40-L-II which delivers power for the light ring and connects the microphone signal.

MEG 14-40-L B Gooseneck microphone

Sennheiser 504792 (504 792, 504/792, 504 792, 50-47-92)(MEG14-40-L-B, MEG/14-40-L/B , MEG-14-40-L B) MEG 14-40-L B Gooseneck microphone The MEG 14-40 features a made in Germany quality gooseneck microphone on an attractive price. It features a Sennheiser KE 10 microphone capsule with cardioid directivity for universal miking. The flexible element of the streamlined 40 cm gooseneck ensures precise alignment of the microphone. Additionally the MEG 14-40-L and MEG 14-40-L-II have an integrated light ring (L: red, L-II: green) which indicates the spokesperson that is allowed to take the floor. All versions come with XLR connector, an XLR 3M for the standard version and an XLR 5M for the MEG 14-40-L and MEG 14-40-L-II which delivers power for the light ring and connects the microphone signal.

MEG 14-40-L-II B Gooseneck Microphone with Cardioid Directivity & Integrated Light Ring

Sennheiser 506398 (506 398, 506-398, 506/398, 50-63-98) (MEG14-40-LIIB, MEG-14-40-L-II-B, MEG/14-40-L-II/B) MEG 14-40-L-II B  Gooseneck Microphone with Cardioid Directivity & Integrated Light Ring  The MEG 14-40 features a made in Germany quality gooseneck microphone on an attractive price. It features a Sennheiser KE 10 microphone capsule with cardioid directivity for universal miking. The flexible element of the streamlined 40 cm gooseneck ensures precise alignment of the microphone. Additionally the MEG 14-40-L and MEG 14-40-L-II have an integrated light ring (L: red, L-II: green) which indicates the spokesperson that is allowed to take the floor. All versions come with XLR connector, an XLR 3M for the standard version and an XLR 5M for the MEG 14-40-L and MEG 14-40-L-II which delivers power for the light ring and connects the microphone signal.

Microphone Accessory Kit for ECM-88 series of Lavalier Microphones

Sony AD-KIT88B (ADKIT88B, AD KIT88B, AD/KIT88B) (ECM_88, ECM88) Microphone Accessory Kit for ECM-88 series of Lavalier Microphones The AD-KIT88B is a lavalier microphone accessory kit for the ECM-88 Series. Includes four types of microphone clips (single/horizontal, single/vertical, double/horizontal, and safety-pin type tie clip) and six urethane windscreens (red, yellow, green, blue, gray, and black)

Miniature Broadcast Quality Wired Lavalier (tie clip) Microphone with PSU

Sony ECM-88B (ECM88B, ECM 88B, ECM/88B) Miniature Broadcast Quality Wired Lavalier (tie clip) Microphone with PSU The Sony ECM-88B is a miniature omni-directional electret-condenser microphone ideally suited for quality-critical applications in broadcasting, theater and field production. This lavalier mic achieves high-sensitivity and has a flat-and-wide frequency response. The ECM-88B offers extremely low handling noise with unparalleled high sound quality. The ECM-88B comes with a DC-78 power supply and it has a cable length of 8.2 feet. This model is best suited for wired lav mic applications.  

MK 4 Studio Condenser Microphone

Sennheiser 504298 (50-42-98, 50/42/98, 50 42 98) MK 4 (MK/4, MK-4, MK4, mk 4) Studio Condenser Microphone The MK 4 is a large-diaphragm true condenser microphone for professional studio recordings. Featuring fine resolution and outstanding sound quality, the MK 4 is easy to handle and excellent value for money, making it an ideal choice for professional project studios and home recordists. It features a 1" true condenser capsule based on the acoustics of the e 965 high-end vocal mic, optimised for recording. The MK 4 is made in Germany, its transducer being manufactured in the same clean room as all high-end Sennheiser condenser capsules.

MK 8 Vocal Recording Microphone

Sennheiser 506195 (506195, 506195, 506195) MK 8 (MK-8, MK/8, MK8, mk 8) Vocal Recording Microphone The MK 8 offers a great solution for advanced home recording applications and project studios alike. It is the microphone for people who pour all of their passion into their audio projects. The MK 8 offers sophisticated options to sign off your sound with your own personal handwriting. The dual-diaphragm condenser microphone delivers warm and precise sound reproduction. Its five independent polar patters allow for a multitude of recording applications and sound design options.  No matter which mixing desk or recording device is used, the MK 8 matches the input sensitivity with a 3-step attenuator. Two adjustable filters compensate for the proximity effect as well as low frequency rumble or structure born noise. The MK 8 has dual one-inch diaphragms precisely spattered with 24-carat gold. The shock-mounted capsule is accommodated within a sturdy metal housing. The MK 8 will be available in late summer 2014. The MK 8. Pride in Sound - Made in Germany.

MKE 1-4 Miniature lavalier microphone Black

Sennheiser 502167 (502-167, 502/167, 502 167, 50-21-67) (MKE1-4, MKE-1-4, MKE/1-4) MKE 1-4 Miniature lavalier microphone Black Our smallest Sound Pro. Whether for musicals and live shows, or for broadcasting applications, the MKE 1 - Sennheiser's smallest clip-on microphone - performs at its best in all situations where a microphone needs to be virtually invisible and still offer outstanding sound quality. Reliability: Sweat protected by a newly developed protective membrane, the MKE 1 stands up better than other clip-on microphones to harsh live conditions. Its special gauze and multi-purpose cap offer additional protection from moisture so that it only picks up what it is meant to pick up - perfect sound. The MKE 1 is robust in every respect. The cable with moulded anti-kink sleeve minimises handling noise and makes this a microphone you can rely upon completely.

MKE 1-4-3 Miniature lavalier microphone Beige

Sennheiser 502168 (502-168, 502/168, 50-21-68, 502 168) (MKE-1-4-3, MKE/1/4/3, MKE1-4-3) MKE 1-4-3 Miniature lavalier microphone Beige Our smallest Sound Pro. Whether for musicals and live shows, or for broadcasting applications, the MKE 1 - Sennheiser's smallest clip-on microphone - performs at its best in all situations where a microphone needs to be virtually invisible and still offer outstanding sound quality. Reliability: Sweat protected by a newly developed protective membrane, the MKE 1 stands up better than other clip-on microphones to harsh live conditions. Its special gauze and multi-purpose cap offer additional protection from moisture so that it only picks up what it is meant to pick up - perfect sound. The MKE 1 is robust in every respect. The cable with moulded anti-kink sleeve minimises handling noise and makes this a microphone you can rely upon completely.

MKE 440 Microphone For Camera & Camcorder

Sennheiser 506258 (506 258, 506-258, 506/258, 50-62-58) (MKE/440, MKE-440, MKE440) MKE 440 Microphone For Camera & Camcorder The MKE 440 has two aligned and matched mini shotgun mics ensuring that the MKE 440 captures the audio you want. The stainless steel micro-mesh wind protection reduces wind noise and protects the fine high frequency details in your sound. The MKE 440 provides nicely balanced stereo ambience and amplifies the sound source in front of your camera.

MKH 800 TWIN Nx Dual Capsule Microphone

Sennheiser 502083 (502 083, 502/083, 502 083, 50-20-83) (MKH800TWINNx, MKH-800-TWIN-Nx, MKH/800/TWIN/Nx) MKH 800 TWIN Nx Dual Capsule Microphone The MKH 800 TWIN is a universal studio condenser microphone of exceptional quality. It includes a dual capsule consisting of two symmetrical push-pull transducers with high linearity. This is a "side fire" microphone with the two cardioid pick-up patterns of the transducer aligned back-to-back across the axis of the microphone. The signals of both transducers are not combined in the microphone in order to generate differing pick-up patterns but are available separately as two channels at the microphone output. This allows the pick-up patterns of the MKH 800 TWIN to be remotely adjusted. The signals can be combined in any desired way in the mixing console in order to create all pick-up patterns from omni-directional to figure-8 with an infinite number of intermediate stages. Based on the legendary MKH 800, this microphone opens up to a new dimension of studio recordings.

MKH 8020 StereoSet Compact Omnidirectional Condenser Microphone

Sennheiser 506288 (506 288, 506/288, 506-288, 50-62-88) MKH 8020 StereoSet Compact Omnidirectional Condenser Microphone The omni-directional MKH 8020 is ideal for recording large and small sound sources, for a "Decca Tree" or for use in an OSS "Jecklin Disk" array. As it does not suffer from a proximity effect, it is also a good choice for close-miking. If the acoustic ambiance is right, this microphone will provide very impressive recordings. The extra octave at the bottom end makes the MKH 8020 perfect for recording pipe organs, grand piano and acoustic double-bass.

MKH 8040 Compact Cardioid Condenser Microphone (Single Microphone)

Sennheiser 506289 (506/289, 506-289, 50-62-89, 506 289)(MKH/8040, MKH8040, MKH-8040) MKH 8040 Compact Cardioid Condenser Microphone (Single Microphone) Due to its cardioid pick-up pattern the MKH 8040 is perfectly suitable for a wide range of applications. It features a balanced frequency response throughout the whole pick-up pattern, as well as a significantly reduced pick-up of rear sound without depriving it of its natural timbre: Very valuable talents when used in rooms with poor acoustics or when disturbing sounds impinge mainly from the rear.

MKH 8060 Compact shotgun microphone

Sennheiser 506292 (506-292, 506 292, 506/292, 50-62-92) (MKH/8060, MKH-8060, MKH8060) MKH 8060 Compact shotgun microphone Whether it's a feature film, a documentary, an outdoor shoot or a studio production, the MKH 8060 will provide high quality sound to match your great pictures. Handily compact it shows its strengths as a professional shotgun microphone: The MKH 8060 delivers an absolute natural sound and outstanding off-axis linearity, attenuating sound coming from the side without coloration. Like all mics of the 8000-family it can be easily combined with the MZD 8000 digital module, turning it into a full-fledged digital microphone.

MKH-8020 Compact Omnidirectional Condenser Microphone

Sennheiser 506287 (506/287, 5062 87, 5062-87, 506-287) (MKH8020, MKH/8020, MKH 8020) MKH-8020 Compact Omnidirectional Condenser Microphone Its omni-directional pick-up pattern makes the MKH 8020 the ideal main mic for “spaced pair” and “Decca Tree” recordings or the use in an OSS “Jecklin Disk“ array. Especially in acoustically favorable ambiences this excellent microphone unfolds its outstanding quality. With a wide frequency response, which reaches deep down to 10 Hz the MKH 8020 is a perfect choice for capturing instruments like organ, grand piano or double bass in all their natural beauty. Furthermore, its capsule design is optimized for an extraordinarily even directional diagram.

MKH-8040 Compact Cardioid Condenser Microphone (Stereo Set)

Sennheiser 506290 (506-290, 506/290, 506 290, 50-62-90) (MKH/8040, MKH8040, MKH 8040) MKH-8040 Compact Cardioid Condenser Microphone (Stereo Set)  Due to its cardioid pick-up pattern the MKH 8040 is perfectly suitable for a wide range of applications. It features a balanced frequency response throughout the whole pick-up pattern, as well as a significantly reduced pick-up of rear sound without depriving it of its natural timbre: Very valuable talents when used in rooms with poor acoustics or when disturbing sounds impinge mainly from the rear.

MKH-8070 Long Shotgun Microphone

Sennheiser 506293 (506-293, 506/293, 506 293, 50-62-93) (MKH/8070, MKH8070, MKH 8070) MKH-8070 Long Shotgun Microphone  The long shotgun microphone MKH 8070 was especially designed for picking up distant sources of sound in best quality. Its very natural sound makes it the ideal choice for major broadcast and sporting events. Featuring extreme directivity and a pronounced lobar pick-up pattern it will reliably capture that magic moment from a distance, even under the toughest sonic and climatic conditions. The MKH 8070's special design ensures attenuation of off-axis sound without coloration. Like all mics of the 8000-family it can be easily combined with the MZD 8000 digital module, turning it into a full-fledged digital microphone.  

MKH-8090 Compact Wide Cardioid Condenser Microphone

Sennheiser 506294 (506-294, 506/294, 50-62-94, 506 294) (MKH/8090, MKH 8090, MKH 8090) MKH-8090 Compact Wide Cardioid Condenser Microphone The MKH 8090 is a high-end RF condenser microphone with a wide cardioid pick-up pattern. It is the ideal main microphone when less acoustic impression of space is demanded. As a support microphone it excels in capturing larger groups of instruments. The microphone operates on the RF principle that has been used by Sennheiser for more than 50 years, now brought to the highest level of perfection. Among the many advantages of this principle are an extremely low inherent self-noise, the capability to handle high sound pressure levels without distortion, and a high resistance to adverse climatic conditions.

MMC2006 Twin Diaphragm Omni Microphone Capsule

DPA MMC2006 (MMC 2006 MMC-2006 MMC/2006) Twin Diaphragm Omni Microphone Capsule Twin Diaphragm Capsule technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA d:dicate Recording Microphones series. In an MMC2006 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. This combines the advantages of small capsules (fast impulse response and large frequency bandwidth) with lower inherent noise achieved from a larger diaphragm area. The capsules are loaded to the supreme d:dicate Recording Mic preamps instead of the tiny miniature FET preamp from the miniature mics, offering even more air and precision. Comparison with its big brother, the iconic 4006, is inevitable. The relationship between the two is clearly heard; the 2000 series simply performs like much more exclusive microphones from the premium class and redefines the term value for money. Modular upgradability The MMC2006 capsule is part of the flexible DPA Reference Standard series. The 2006A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound, where the 2006C MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach.

MMC2011 Twin Diaphragm Cardioid Microphone Capsule

DPA MMC2011 (MMC 2011 MMC-2011 MMC/2011) Twin Diaphragm Cardioid Microphone Capsule Twin Diaphragm Capsule: cutting edge technology The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA d:dicate Recording Microphones series. In a 2011 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. The use and control of interference tubes has become a DPA specialty and the 2011 is no exception. The capsules are loaded to the supreme d:dicate Recording Mic preamps instead of the tiny miniature FET preamp from the 4060 miniature series, offering even more air and precision. Modular flexibility The MMC2011 capsule is part of the flexible DPA Reference Standard series. The 2011A with the MMP-A preamplifier is the audiophile’s choice with low distortion and total accurate and faithful sound, where the 2011C with the MMP-C compact preamplifier offers a subtle character alteration with a bit more “body” to the low end – in addition to its easier-to-position approach.

MMC4006 Omni Microphone Capsule

DPA MMC4006 (MMC 4006 MMC-4006 MMC/4006) Omni Microphone Capsule Modular flexibility The MMC4006 capsule is part of the flexible DPA d:dicate Recording Microphones series. The 4006A with the MMP-A preamplifier is a legendary recording classic with natural tone and dynamics, where the 4006C with the MMP-C compact preamplifier provides neutral sonic and visual design for reproducing acoustic environments. Several tools in one A wide selection of acoustic modification accessories, including nose cone and interchangeable protection grids, allows the MMC4006 capsule to be acoustically transformed into seven different microphone versions, making it the most multifaceted mic in your collection and a tremendous value. By simply changing a grid or mounting an element over the capsule, it is possible to gain several unique frequency responses and directional characteristics from a single mic. Furthermore, these grids and elements will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter.

MMC4011 Cardioid Microphone Capsule

ic on literally any style of live music, from rock ‘n’ roll to opera.  

MMC4015 Wide Cardioid Microphone Capsule

DPA MMC4015 (MMC 4015 MMC-4015 MMC/4015) Wide Cardioid Microphone Capsule Modular flexibility The MMC4015 capsule is part of the flexible DPA d:dicate Recording Microphones series. The 4015A with the MMP-A preamplifier suits acoustic instruments and voices with rich and open sound, where the 4015C with the MMP-C compact preamplifier is an excellent spot mic as a fill-in between an omni and a cardioid – and easier to position. Expand your horizon with a wider pattern If you are already a DPA 4011 devotee, you will discover an exciting alternative in our wide cardioid microphones. The MMC4015 wide cardioid capsule differs in its polar pattern and is the perfect fill-in between an omni and a more directional microphone. Sometimes a conventional cardioid pattern just isn’t quite open enough, such as when recording instruments with complex radiation patterns. In those instances, the generous polar pattern of our wide cardioids allows you to pick up a broader sound field and more accurately capture the full breadth of a stirring performance.  

MMC4017 Shotgun Microphone Capsule

DPA MMC4017 (MMC 4017 MMC-4017 MMC/4017) Shotgun Microphone Capsule The MMC4017 capsule is part of the flexible DPA d:dicate Recording Microphones series. Equipped with a highly directional supercardioid pickup pattern, obtained using a supercardioid design with an interference tube that provides excellent off-axis rejection, the DPA 4017B combined with the MMP-B preamplifier is a short and exceptionally lightweight shotgun microphone that truly measures up to DPA’s impressive reputation for accuracy, clarity, and musicality. Designed for a broad range of applications, the 4017B is ideal for use with camera systems, in fixed positions at sports facilities, for broadcast/ENG/film booming, and even studio recording environments. Tune out the surroundings Extensive research and development has been undertaken to optimize the sound coming from the sides and behind the microphone. Minimizing the often very un-linear response of a shotgun microphone due to its side lobes is one of the key accomplishments of the MMC4017. The condenser capsule uses a high voltage pre-polarized back plate, endowing the shotgun with high output as well as wide dynamics, extremely low noise and distortion specifications.  

MMC4018V Microphone Capsule for Vocal, Super Cardoid

DPA MMC4018V (MMC 4018 V MMC-4018-V MMC/4018/V) Microphone Capsule for Vocal, Super Cardoid FEATURES: • Tweaked for close miking vocals• Highly directional for high isolation• Most controlled supercardioid shape• Superb definition and natural response The MMC4018V modular microphone capsule is part of the flexible DPA d:facto vocal microphone series. Equally at home in sound reinforcement and recording applications, the DPA d:facto is a high quality stage vocal microphone with extraordinary natural sound, high separation from nearby sound sources and extreme sound level handling. Its supercardioid pattern and superb definition gives high separation and true sound color on stage, equally suitable for PA amplification and recording. The MMC4018V provides improved audio performance, as it is superbly linear in frequency and phase, both on- and off-axis, while its impressive definition and accuracy reproduces a singer’s voice effortlessly.Our recommendation for stage applications with the d:facto II is using the MMC4018V capsule. This capsule offers an applicable opening angle around the center axis comparable to a cardioid. This means that a pleasant tolerance around the center axis is obtained for the singer. Concurrently, the rear rejection is as higher than other supercardioids. The rear lobe opening normally seen on supercardioids at 180° angle is extremely uniform and controlled on the MMC4018V. For more distant placements or applications acquiring a more open characteristic, such as interviewing or certain studio performances, our standard d:dicated MMC4011 cardioid or MMC4015 wide cardioid capsules can be chosen. Combine the MMC4018V with any of the d:facto adapters for wireless systems or the DPA handle for wired use. Also, the MMC4018V fits the d:dicate Recording Microphone pre-amps.    

MMD 935-1 BK Dynamic Cardioid Capsule for SKM 2000 transmitter (black)

Sennheiser 502577 (502-577, 502/577, 50-25-77, 502 577) (MMD-935-1 BK, MMD/935-1 BK, MMD935-1 BK) MMD 935-1 BK Dynamic Cardioid Capsule for SKM 2000 transmitter (black)  Designed for use with evolution wireless handheld transmitters, the cardioid MMD 935 microphone head features the excellent acoustic properties of the wired e 935 vocal microphone.

MME 865-1 BK Microphone Capsule for ew G3 and 2000 Handheld

Sennheiser 502581 (502-581, 502/581, 50-25-81, 502 581) (MME-865-1 BK, MME/865-1 BK, MME865-1 BK) MME 865-1 BK Microphone Capsule for ew G3 and 2000 Handheld  Microphone module in condenser technique with high brillance and feedback rejection, applicable for either voice or speech. Compatible to all handheld transmitters of series ewG3 and 2000. Colour: black    

MMK 965-1 BK Condenser Microphone Module (Black)

Sennheiser 502582 (502-582, 50-25-82, 502/582, 502 582) (MMK-965-1 BK, MMK/965-1 BK, MMK965-1 BK) MMK 965-1 BK Condenser Microphone Module (Black)  Sennheiser's unrivaled experience in the fields of acoustics and stage technology is evident when listening to this large-diaphragm, true condenser capsule. Its powerful, high-definition sound makes it one of the best microphone heads of all time. Due to its dual-membrane technology, the pick-up pattern can be easily switched between cardioid and super-cardioid for extreme versatility. Compatible with all hand-held transmitters from the ew G3, 2000 as well as the Digital 9000 series, it can be installed in seconds without tools.

MZH 3062 Double Section Gooseneck Mount

Sennheiser 500652 (500 652, 500/652, 500-652, 50-06-52) (MZH/3062, MZH-3062, MZH3062) MZH 3062 Double Section Gooseneck Mount The MZH 3062 is a metal gooseneck with two flexible sections for use with the ME 34, ME 35 and ME 36 microphone heads. The rugged gooseneck is fitted with a balanced, floating XLR-3 output, enabling the microphone to be powered from 12 - 48 V phantom power and has a length of 600 mm.

MZH 3072 Double Section Gooseneck Mount

Sennheiser 500653 (500 653, 500/653, 500 653, 50-06-53) (MZH/3072, MZH-3072, MZH3072) MZH 3072 Double Section Gooseneck Mount The MZH 3072 is a metal gooseneck with two flexible sections for use with the ME 34, ME 35 and ME 36 microphone heads. The rugged gooseneck is fitted with a balanced, floating XLR-3 output, enabling the microphone to be powered from 12 - 48 V phantom power and has a length of 700 mm.  

MZH3015W Installed Sound Gooseneck Microphone (White)

Sennheiser 504608 (504-608, 504/608,50-46-08, 504 608) (MZH-3015/W,MZH 3015 W,MZH/3015/W) MZH3015W Installed Sound Gooseneck Microphone (White)   The MZH 3015 is a metal gooseneck for use with the ME 34, ME 35 and ME 36 microphone heads. The rugged gooseneck is fitted with a balanced, floating XLR-3 output, enabling the microphone to be powered from 12 - 48 V phantom power and has a length of 150 mm.  

NTG1 Microphone Package B

Rode NTG-1 PACKAGE B © includes:      Rode NTG-1 package  Rode NT-SM4R Shotgun Mount  Rode Boom Pole (3m)  Rode WS6 Deluxe windshield  5m XLR audio cable       *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

NTG1 Package A

Rode NTG-1 microphone package A  © includes:     Rode NTG-1 shotgun microphone (NTG1) Rode PG2-R pistol grip and shock mount (PG2-R) Rode WS6 Deluxe windshield (WS6) 5m XLR audio cable (5MXLR3PIN)       *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

NTG2 Microphone Package A

Rode NTG-2 PACKAGE A © includes:   Rode NTG2 shotgun microphone (NTG2) Rode WS6 Deluxe windshield (WS6)     *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

NTG2 Microphone Package B

Rode NTG-2 PACKAGE B © includes:   1x Rode NTG2 (NTG2) 1x Rode WS6 Deluxe windshield (WS6) 1x Rode PG2-R Pistol Grip and shock mount (PG2-R) 1x 12 INCH XLR CABLE (12INCH3PIN)    The new RODE NTG-2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.  The NTG-2 provides a balanced low impedance output stage and operates either from an internal 1.5 V battery (AA) or 48 V to the P48 standard. A wide bandwidth and controlled polar response coupled with low noise SMT electronics, makes the NTG-2 the perfect choice for film, video engineering and voice-over work. The NTG-2 is extremely lightweight making it ideal for mounting directly to video cameras or on boom poles. The NTG-2 comes complete with mount and windshield.The windscreen effectively suppresses wind noise when recording outdoors in moderate conditions. Included accessories: ZP2 (zip pouch), RM5 (stand mount) WSVM (windshield) The RØDE WS6 Deluxe Windshield is designed to reduce wind noise when recording in adverse environmental conditions.Suitable for the RØDE NTG-1 and NTG-2, as well as any shotgun microphone with a maximum slot length of 160.5mm (6 1/4") and a diameter of 21-22.5mm.   The RØDE PG2 Pistol Grip Shock Mount is designed to reduce handling noise when recording with shotgun microphones.It supports microphones with a diameter of 19-20mm or 21-22.5mm using the supplied interchangeable mounts, and a handy release lever on the mount allows for quick and easy adjustment of the microphone angle.Cable management is an integral design feature of the PG2 pistol grip, with the cable running through the handle assembly to minimise any handling noise or clutter. Additional cable security is provided on either side of the rubber shock mount.The PG2 can be operated by hand or attached to a boompole via the 3/8" thread attachment at the base. 12inch 3Pin Xlr Cable   *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

NTG2 Microphone Package C

Rode NTG-2 package C includes:     1x Rode NTG2 shotgun microphone (NTG2) 1x Rode WS6 Deluxe windshield (WS6) 1x Rode SM3R shock mount  with Rycote lyre suspension mount (SM3R) 1x Rode Boom Pole (3m) (BOOMPOLE) 1x Digibroadcast 5m 3 pin XLR cable (5MXLR3PIN)    The new RODE NTG-2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.  The NTG-2 provides a balanced low impedance output stage and operates either from an internal 1.5 V battery (AA) or 48 V to the P48 standard. A wide bandwidth and controlled polar response coupled with low noise SMT electronics, makes the NTG-2 the perfect choice for film, video engineering and voice-over work. The NTG-2 is extremely lightweight making it ideal for mounting directly to video cameras or on boom poles. The NTG-2 comes complete with mount and windshield.The windscreen effectively suppresses wind noise when recording outdoors in moderate conditions. Included accessories: ZP2 (zip pouch), RM5 (stand mount) WSVM (windshield) The RØDE WS6 Deluxe Windshield is designed to reduce wind noise when recording in adverse environmental conditions.Suitable for the RØDE NTG-1 and NTG-2, as well as any shotgun microphone with a maximum slot length of 160.5mm (6 1/4") and a diameter of 21-22.5mm. Suspension shock mount (cold shoe adaptor). Made for the RØDE NTG series. Features a 4-way rubber suspension system with quick release tilt mechanism, and a 3-way mounting system with 1/4"x20 and 3/8"x16 internal threads for boom pole or tripod mounting and a standard hot shoe adaptor for direct camera mounting. Will work with all similar diameter shotgun mics. Telescopic Boom Pole  Extends to 3m. Suits Videomic, NTG1 / NTG2. 5 Meter 3 Pin XLR Cable  *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

NTG2 Package E

NTG2 PACKAGE E © includes:     1x Rode NTG2 shotgun microphone (NTG2) 1x Rode BLIMP2 Windshield and pistol grip system for NTG series (BLIMP2) 1x Rode Boompole 3m (BOOMPOLE) 1x Rode SM3R shock mount with Rycote lyre suspension mount(SM3R) 1x 5M XLR CABLE (5MXLR3PIN)     *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

NTG2 Shotgun Microphone Package D

Rode NTG-2 PACKAGE D © includes:   1x Rode NTG2 (NTG2) 1x Rode BLIMP2 (BLIMP2) 1x 5M XLR CABLE (5MTR3PINXLR)      *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  

NTG3 Package A

Rode NTG-3 microphone package A © includes:       Rode NTG3 shotgun microphone (NTG3B) Rode Deluxe windshield WS7 (WS7) Digibroadcast XLR 12" CABLE (12INCH3PIN)     *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©  

NTG3 Package C

Rode NTG-3 microphone package C © includes:     Rode NTG3 shotgun microphone (NTG3B) Rode BLIMP (BLIMP2) Digibroadcast XLR 12" CABLE (12INCH3PIN)       *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

NTG4+ Directional Condenser Microphone Inbuilt Battery pack B

Rode NTG4PLUS Directional Condenser Microphone with Inbuilt Battery package B © includes:   1x Rode NTG4PLUS Directional Condenser Microphone with Inbuilt Battery (NTG4PLUS) 1x Rode WS6 Deluxe windshield (WS6) 1x Rode PG2-R Pistol Grip and shock mount (PG2-R) 1x Digibroadcast XLR 12" CABLE (12INCHXLR3PIN)   *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

NTG4+ Directional Condenser Microphone Inbuilt Battery package C

Rode NTG4PLUS Directional Condenser Microphone with Inbuilt Battery package C includes: 1x Rode NTG4PLUS Directional Condenser Microphone with Inbuilt Battery (NTG4PLUS) 1x Rode WS6 Deluxe windshield (WS6) 1x Rode SM3R Camera Shoe Shock Mount (SM3R) 1x Rode Boom Pole (3m) (BOOMPOLE) 1x Digibroadcast 5m 3 pin XLR cable (5METERXLR3PIN)      *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Podcaster Microphone Package A

Rode Podcaster Package a © includes:     1x Rode Podcaster (PODCASTER) 1x Rode Microphone Shock Mount PSM1 (PSM1)       *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

Rode NTG4+ Directional Condenser Microphone with Inbuilt Battery package A

Rode NTG4PLUS Directional Condenser Microphone with Inbuilt Battery package A includes:   1x Rode NTG4PLUS Directional Condenser Microphone with Inbuilt Battery (NTG4PLUS) 1x Rode WS6 Deluxe windshield (WS6) *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

RODENT3 3/4" Cardoid Condenser Microphone

Rode RODENT3 (RODE-NT3, RODE/NT3, RODE NT3, rode-nt3, rode nt3, rode/nt3, NT3, nt3) 3/4" Cardoid Condenser Microphone The NT3 is the definition of a studio workhorse. Featuring an end-address 3/4" gold-sputtered true-condenser transducer it provides incredible detail on almost any instrument you can imagine. Intended for studio, stage and location work, this versatile handheld, stand or boompole mounted microphone will give great results on drums, percussion, acoustic guitar, guitar amps, piano and all acoustic instruments as well as detailed voice reproduction when used as a handheld presentation microphone or indoor boom mic. For further versatility the NT3 can be powered by either P48 phantom power, or via a 9V battery for situations when power isn't available via the console or camera. Its rugged and durable all-metal body and mesh head ensure that it is well protected both in the studio and out in the field.

RODESVMP-R Stereo VideoMic Pro Rycote On-camera Microphone

Rode RODESVMP-R (RODE-SVMP-R, RODE/SVMP-R, RODE SVMP-R, rodesvmp-r, svmp-r, SVMP-R) Stereo VideoMic Pro Rycote On-camera Microphone The new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene. Based around the all new capsule with its matched pair of high sensitivity ½”cardioid condensers in a coincident XY pair, the Stereo VideoMic Pro provides a wide stereo image with natural depth. Another new addition is the integrated Rycote® Lyre® based shock mounting system, which separates the Stereo VideoMic Pro capsule and electronics from its mount, providing isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap. The Stereo VideoMic Pro, with its ergonomic form factor, make it perfectly suited to DSLR, consumer camcorders and large-sensor video cameras. The newly designed Kevlar reinforced braided cable, as well as the improved foam windscreen, provides excellent acoustic decoupling from the camera and offers significantly lower noise transference and higher sensitivity. The user friendly designed rear of the microphone body features the power and equalisation controls, including a high pass filter at 75Hz which is designed to cut out the noise generated by air conditioning, traffic and other undesirable low frequency interference. A -10dB PAD allows the user to reduce the sensitivity of the microphone, making it suitable for recording loud sound sources such as live music or at sporting events. Like the VideoMic Pro, the Stereo VideoMic Pro features a +20dB level boost specifically designed to provide a higher quality signal with DSLR cameras. When activated, the typically low quality camera preamp level can be reduced, resulting in a lower noise floor and much clearer recording.

Sennheiser ME36 Condenser Capsule for MZH Gooseneck Microphones, White

Sennheiser ME36 Condenser Capsule for MZH Gooseneck Microphones, White (005066) The ME 36 is a permanently polarized condenser microphone capsule for use with Sennheiser MZH goosenecks. This mini shotgun microphone features a hyper cardioid / lobar directivity for an outstanding background noise rejection. In combination with the 15 cm short gooseneck MZH 3015 it facilitates inconspicuous placement. The ME 36 is suitable for a very wide range of applications including: presentation, conference, public address, studio, broadcast, video and others.Ideal For: Conference rooms, boardrooms, lecterns, presentations, houses of worship, meeting facilities, broadcast installations and professional AV systems.

Sennheiser MKE 600 Camera Microphone with fluffy package A

Sennheiser MKE 600 Package A © includes:   1x Sennheiser MKE 600 Microphone - supplied with Foam Wind Shield and Shock Mount  (505453) 1x Sennheiser MZH 600 wind shield (softie style) for MKE 600 (505454)     *Digibroadcast has put together some bespoke Sennheiser packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

SL HEADMIC 1 BE SpeechLine Digital Wireless SL Headmic 1 Headworn Microphone (Beige)

Sennheiser 506272 (50-62-72, 506/272, 506 272, 506-272) (SL-HEADMIC-1/BE , SLHEADMIC1BE , SL/HEADMIC1 BE) SL HEADMIC 1 BE SpeechLine Digital Wireless SL Headmic 1 Headworn Microphone (Beige) The SL Headmic 1 is an extremely unobtrusive and comfortable-to-use headworn microphone. It features the proven omni-directional MKE 1 microphone capsule. The adjustable neck band makes its use conventient for everyone. The extremely lightweight (7 g) but robust metal frame makes long-term usage most convenient. It comes with a sturdy and sleek soft-case, which can also hold a bodypack transmitter. The microphone is available in black or beige.

SL HEADMIC 1 BK SpeechLine Digital Wireless SL Headmic 1 Headworn Microphone (Black)

Sennheiser 506271 (506-271, 506/271, 506 271, 50-62-71) (SLHEADMIC1BK, SL-HEADMIC-1-BK, SL/HEADMIC/1 BK) SL HEADMIC 1 BK SpeechLine Digital Wireless SL Headmic 1 Headworn Microphone (Black) The SL Headmic 1 is an extremely unobtrusive and comfortable-to-use headworn microphone. It features the proven omni-directional MKE 1 microphone capsule. The adjustable neck band makes its use conventient for everyone. The extremely lightweight (7 g) but robust metal frame makes long-term usage most convenient. It comes with a sturdy and sleek soft-case, which can also hold a bodypack transmitter. The microphone is available in black or beige.

SL HEADMIC 1 SB SpeechLine Digital Wireless SL Headmic 1 Headworn Microphone (Silver)

Sennheiser 506904 (506-904, 506 904, 50-69-04,506 904) (SL-HEADMIC-1-SB, SL/HEADMIC/1/SB,SLHEADMIC1 SB) SL HEADMIC 1 SB SpeechLine Digital Wireless SL Headmic 1 Headworn Microphone (Silver) The SL Headmic 1 is an extremely unobtrusive and comfortable-to-use headworn microphone. It features the proven omni-directional MKE 1 microphone capsule. The adjustable neck band makes its use conventient for everyone. The extremely lightweight (7 g) but robust metal frame makes long-term usage most convenient. It comes with a sturdy and sleek soft-case, which can also hold a bodypack transmitter. The microphone is available in black or beige. 

SL HEADMIC 1-4 BE SL Headmic 1-4 Headworn Microphone with LEMO Connector (Beige)

Sennheiser 506906 (506-906, 506/906, 506 906, 50-69-06) (SLHEADMIC 1-4BE, SL/HEADMIC/1-4/BE, SLHEADMIC 1-4BE) SL HEADMIC 1-4 BE SL Headmic 1-4  Headworn Microphone with LEMO Connector (Beige) The SL Headmic 1 is an extremely unobtrusive and comfortable-to-use headworn microphone. It features the proven omni-directional MKE 1 microphone capsule. The adjustable neck band makes its use conventient for everyone. The extremely lightweight (7 g) but robust metal frame makes long-term usage most convenient. It comes with a sturdy and sleek soft-case, which can also hold a bodypack transmitter. The microphone is available in black or beige.

SL HEADMIC 1-4 BK SL Headmic 1-4 Headworn Microphone with LEMO Connector (Black)

Sennheiser 506905 (506-905, 506 905, 50-69-05, 506/905) (SLHEADMIC 1-4BK, SL/HEADMIC 1-4-BK, SLHEADMIC 1-4-BK) SL HEADMIC 1-4 BK SL Headmic 1-4 Headworn Microphone with LEMO Connector (Black) The SL Headmic 1 is an extremely unobtrusive and comfortable-to-use headworn microphone. It features the proven omni-directional MKE 1 microphone capsule. The adjustable neck band makes its use conventient for everyone. The extremely lightweight (7 g) but robust metal frame makes long-term usage most convenient. It comes with a sturdy and sleek soft-case, which can also hold a bodypack transmitter. The microphone is available in black or beige.  

SL HEADMIC 1-4 SB SL Headmic 1-4 Headworn Microphone with LEMO Connector (Silver)

Sennheiser 506907 (506-907, 506 907, 50-69-07, 506/907) (SLHEADMIC1-4SB, SL/HEADMIC/1-4/SB, SL-HEADMIC 1-4-SB) SL HEADMIC 1-4 SB SL Headmic 1-4 Headworn Microphone with LEMO Connector (Silver) The SL Headmic 1 is an extremely unobtrusive and comfortable-to-use headworn microphone. It features the proven omni-directional MKE 1 microphone capsule. The adjustable neck band makes its use conventient for everyone. The extremely lightweight (7 g) but robust metal frame makes long-term usage most convenient. It comes with a sturdy and sleek soft-case, which can also hold a bodypack transmitter. The microphone is available in black or beige.  

SmartLav Package A

Rode smartLav Package A © includes:    Rode SmartLav Plus (Rode SmartLav +)  Digibroadcast 1m 3.5mm 4 Pole TRRS male to female audio headset extension AV cable (3.5TRRSAVCABLE) The smartLav is a professional-grade wearable microphone designed for use in a wide range of film, television and broadcast scenarios, or wherever professional quality audio is required in a discreet, portable format without the complication and expense of additional wireless equipment. With the smartLav the user simply mounts the microphone on the talent, connects it to a smartphone or tablet headset jack and records via the RØDE Rec app for iOS, or any other audio app of their choice. By employing a high quality omni-directional condenser capsule the smartLav picks up sound equally from all around the microphone, allowing for versatility when mounting and ensuring a high degree of user-friendly operation. A foam pop shield is supplied to minimise wind noise and vocal plosives (hard ‘b’, ‘t’ and ‘p’ sounds), as well as a durable mounting clip with in-built cable management. The smartLav is compatible with any audio app that accepts input from the headset connection, however it has been designed to pair perfectly with RØDE’s RØDE Rec app for Apple iOS devices. RØDE Rec turns the user’s iOS device into a fully-featured field recorder, with a wide range of equalisation presets to suit various recording situations, in addition to professional editing functions and the ability to publish to SoundCloud and Dropbox direct from the app.   1m 3.5mm 4 Pole TRRS male to female audio headset extension AV cable   Extend the connection distance between your iPhone, mobile phone or computer headset by 1 meter Our 4-Pole 3.5mm headset extension cable (1m) features a 3.5mm (1/8" TRRS) audio connector on one end and a 3.5mm (1/8" TRRS) audio connector on the other. It makes easy to extend the reach between your hands-free headset or headphones, and your iPhone, mobile phone or a laptop computer. To ensure long-lasting performance, this high quality 3.5mm audio extension cable features molded PVC strain relief at each of the 1/8" TRRS connectors, which prevents the cable termination points from bending at sharp angles, which  reduce the risk of cable damage.   Important: To ensure proper hardware detection, we recommend that the external headset is plugged into the adapter first, before the adapter is connected to the computer or mobile device. Also, in some circumstances, when an extension cable is used with an in-line remote control equipped headset, the remote control functions may not operate properly.   This is due to the sensitivity of the remote control circuitry and does not indicate any defect in the cable. *Digibroadcast has put together some bespoke Rode packages for our clients based on our own research and surveys and holds the right to protect all of its content ©

ST2006A, ST2006, A ST2006-A, ST2006/A Stereo Pair w. 2 x 2006A, Clips, Windscreens in Peli Case

DPA ST2006A (ST2006, A ST2006-A, ST2006/A) Stereo Pair w. 2 x 2006A, Clips, Windscreens in Peli Case FEATURES: Sensitivity selected pair Acoustic authenticity Linear in a large frequency bandwidth PeliTM Case transportation and protection The DPA ST2006A is a complete DPA 2006A Stereo Pair with two handpicked omni microphones, selected on sensitivity within ±1.5 dB. As main AB stereo pair the 2006As deliver precise acoustic fingerprint and true tone. Orchestra, acoustic piano, guitar, wind instruments and choirs are among the most evident applications for this high-value-for-money pair. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone and accessory inlays. Included in this kit: Two carefully matched 2006A omni microphones, sturdy PeliTM case, holders, and windscreens.  

ST2006C, ST2006 C, ST2006-C, ST2006/C Stereo Pair w. 2 x 2006C, Clips, Windscreens in Peli Case

DPA ST2006C (ST2006 C, ST2006-C, ST2006/C) Stereo Pair w. 2 x 2006C, Clips, Windscreens in Peli Case    FEATURES: Sensitivity selected pair Compact size and authentic sound Full-bodied sound from a small-bodied mic PeliTM Case transportation and protection The DPA ST2006C is a complete DPA 2006C Stereo Pair with two handpicked omni microphones, selected on sensitivity within ±1.5 dB. As a small, lightweight and inconspicuous main AB stereo pair the 2006s deliver precise acoustic fingerprint and true tone. Meeting classic architecture and installation requirements, the 2006C’s can be mounted, hung or concealed to create clean, transparent recordings. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 2006C omni microphones, sturdy PeliTM case, holders, and windscreens.  

ST2011A, ST 2011 A, ST-2011-A , ST/2011/A Stereo Pair w. 2 x 2011A, Clips, Windscreens in Peli Case

DPA ST2011A (ST 2011 A,  ST-2011-A , ST/2011/A) Stereo Pair w. 2 x 2011A, Clips, Windscreens in Peli Case FEATURES: Sensitivity selected pair Superb stage separation and level control All-round workhorses PeliTM Case transportation and protection The ST2011A is a complete DPA 2011A Stereo Pair with two handpicked cardioid microphones, selected on sensitivity within ±1.5 dB making several stereo principles like XY and ORTF easy to obtain. Finding its use on numerous stages and recording sessions, the ST2011A exhibits a previously unheard blend of clarity, richness and dynamic range, the 2011As perform close to much more exclusive microphone pairs. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 2011A cardioid microphones, sturdy PeliTM case, holders, and windscreens.  

ST2011C, ST2011 C, ST2011-C, ST2011/C Stereo Pair w. 2 x 2011C, Clips, Windscreens in Peli Case

DPA ST2011C (ST2011 C, ST2011-C, ST2011/C) Stereo Pair w. 2 x 2011C, Clips, Windscreens in Peli Case   FEATURES: Sensitivity selected pair Superb stage separation and level control Low profile mounting options PeliTM Case transportation and protection The DPA ST2011C is a complete DPA 2011C Stereo Pair with two handpicked cardioid microphones, selected on sensitivity within ±1.5 dB making several stereo principles like XY and ORTF easy to obtain. The compact design and controlled directionality of our versatile 2011Cs make them an excellent choice for spot mics for classical recording and on-stage close mics for live sound. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 2011C cardioid microphones, sturdy PeliTM case, holders, grids and windscreens.    

ST4006A, ST4006, A ST4006-A, ST4006/A Stereo Pair w. 2 x 4006A, Clips, Windscreens in Peli Case

DPA ST4006A (ST4006, A ST4006-A, ST4006/A) Stereo Pair w. 2 x 4006A, Clips, Windscreens in Peli Case FEATURES: carefully matched microphones high sensitivity, low noise-floor and extremely linear frequency PeliTM case transportation and protection The DPA ST4006A is a complete DPA 4006A Stereo Pair with two carefully factory-matched omni microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4006A microphones are matched within ±0.5 dB on both frequency response and sensitivity. The maximum phase response difference is 5°. The natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 Hz to 20 kHz (±2 dB) of the microphone pair makes the ST4006A the perfect choice for all AB Stereo recordings. The design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory foam inlays. Included in this kit Two carefully matched 4006A omni microphones, sturdy PeliTM case, holders, grids and windscreens.    

ST4006C, ST4006, C ST4006-C, ST4006/C Stereo Pair w. 2 x 4006C, Clips, Windscreens in Peli Case

DPA ST4006C (ST4006, C ST4006-C, ST4006/C) Stereo Pair w. 2 x 4006C, Clips, Windscreens in Peli Case FEATURES: carefully matched microphones compact size and natural sound full-bodied sound from a small-bodied mic PeliTM Case transportation and protection Wherever a small, lightweight, inconspicuous microphone for top-quality recording is required, the compact design and clean, transparent sound of our versatile 4006C makes it the perfect choice. Particularly popular as A-B stereo pairs in concert halls where quality recordings can sometimes be compromised by classic architecture, the 4006C’s can be mounted, hung or concealed to create clean, transparent recordings. The DPA ST4006C is a complete DPA 4006C Stereo Pair with two carefully factory-matched omni microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4006C microphones are matched within ±0.5 dB on both frequency response and sensitivity. The maximum phase response difference is 5°. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 4006C omni microphones, sturdy PeliTM case, holders, grids and windscreens.    

ST4011A, ST4011 A, ST4011-A, ST4011/A Stereo Pair w. 2 x 4011A, Clips, Windscreens in Peli Case

DPA ST4011A (ST4011 A, ST4011-A, ST4011/A) Stereo Pair w. 2 x 4011A, Clips, Windscreens in Peli Case   FEATURES: World-wide cardioid reference mic Handles very high sound pressure levels Carefully matched within ±1 dB PeliTM Case transportation and protection 4011A cardioids are exceptionally linear in their frequency response â€“ also off axis, giving you the natural experience. They handle extremely high SPL and will therefore allow for close placement and are often used for piano recordings with a placement closer to the hammers or as overheads for drums.  The DPA ST4011A is a complete DPA 4011A Stereo Pair with two carefully factory-matched first order cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4011A microphones are matched within ±1 dB on both frequency response and sensitivity. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlay. Included in this kit: Two carefully matched 4011A cardioid microphones, sturdy PeliTM case, holders, and windscreens.

ST4011C, ST4011 C, ST4011-C, ST4011/C Stereo Pair w. 2 x 4011C, Clips, Windscreens in Peli Case

DPA ST4011C (ST4011 C,  ST4011-C,  ST4011/C) Stereo Pair w. 2 x 4011C, Clips, Windscreens in Peli Case   FEATURES: Excellent for both PA/Live and recording  Carefully matched within ± 1 dB Low profile mounting options PeliTM Case transportation and protection Whenever a small, lightweight, inconspicuous microphone for top-quality sound is required, the compact design and uniform unidirectional response of our versatile 4011C makes it the perfect choice. They are particularly popular as spot mics for classical recording and on-stage close mics for live sound. The DPA ST4011C is a complete DPA 4011C Stereo Pair with two carefully factory-matched first order cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4011C microphones are matched within ±1 dB on both frequency response and sensitivity. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 4011C cardioid microphones, sturdy PeliTM case, holders, and windscreens.  

ST4015A, ST4015 A, ST4015-A, ST4015/A Stereo Pair w. 2 x 4015A, Clips, Windscreens in Peli Case

DPA ST4015A (ST4015 A, ST4015-A,  ST4015/A) Stereo Pair w. 2 x 4015A, Clips, Windscreens in Peli Case   FEATURES: Wide pickup area and natural sound Ambience pickup with some directionality Carefully matched within ±1 dB PeliTM Case transportation and protection Recording orchestras or other acoustic ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization. The wide cardioid (also known as hemispheric) design covers a greater sound angle and is also an excellent choice for grand piano, guitar, marimba, and percussion, or as a spot mic for groups in a symphony orchestra. The DPA ST4015A is a complete DPA 4015A Stereo Pair with two carefully factory-matched wide cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4015A microphones are matched within ±1 dB on both frequency response and sensitivity. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 4015A wide cardioid microphones, sturdy PeliTM case, holders, and windscreens.

ST4015C, ST4015, C ST4015-C, ST4015/C Stereo Pair w. 2 x 4015C, Clips, Windscreens in Peli Case

DPA ST4015C (ST4015, C ST4015-C, ST4015/C) Stereo Pair w. 2 x 4015C, Clips, Windscreens in Peli Case FEATURES: Natural reproduction Carefully matched within ±1 dB Low profile – wide pickup area PeliTM Case transportation and protection Visually discreet, the 4015C Wide Cardioids represent an indispensably low-profile solution for audio engineers and set designers alike. Tremendously precise and natural sounding, the compact wide cardioids will excel when used on choirs, percussion setups, grand pianos, wind instruments, and much more. Also useful as spot mics for classical recording, the 4015C blends very naturally in with the main pair. The DPA ST4015C is a complete DPA 4015C Stereo Pair with two carefully factory-matched wide cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, a stereo match is even closer. The specially selected DPA 4015C microphones are matched within ±1 dB on both frequency response and sensitivity. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit: Two carefully matched 4015C wide cardioid microphones, sturdy PeliTM case, holders, and windscreens.    

Surround Kit with 3 x 4006A 2 x 4011A Clips Windscreens in Peli Case

DPA 5006-11A (5006 11A 5006/11A 5006 11 A) Surround Kit with 3 x 4006A, 2 x 4011A, Clips, Windscreens in Peli Case FEATURES: Three + two carefully matched microphones Decca Tree front + cardioids rear Specially useful as orchestral main pair PeliTM Case transportation and protection The DPA 5006-11A is a complete surround kit combining three DPA 4006A and two 4011A, carefully factory-matched to achieve full precision. Even though the standard tolerances on DPA Reference Standard Mics are extremely low, the surround match is even closer. The specially selected DPA 4006A microphones are matched within ±0.5 dB on both frequency response and sensitivity. The maximum phase response difference is 5°. The 4011A’s are matched within ±1 dB. The natural sound, high sensitivity, low noise-floor and extremely linear frequency response from 10 Hz to 20 kHz (±2 dB) of the microphones make the 4006As the perfect choice for all AB Stereo, Decca Tree or surround main array recordings. The precise reproduction, total transparency and natural-sounding clarity of a DPA 4006A microphone will provide you with a lifetime of satisfying listening. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit:Carefully matched microphones, sturdy PeliTM case, holders, grids, and windscreens.  

Surround Kit with 5 x 4006A Clips Windscreens in Peli Case

DPA 5006A (5006 A 5006-A 5006/A) Surround Kit with 5 x 4006A, Clips, Windscreens in Peli Case   The 5006A Surround Microphone Kit from DPA Microphones includes five 4006A omnidirectional microphones, matched within 0.5dB on both frequency response and sensitivity. They can be used for AB stereo, Decca Tree, or surround main array recording techniques for orchestral settings. DPA includes mic holders, grids, and windscreens for all mics. The included Peli foam-lined case can be used for transportation and storage.

Surround Kit with 5 x 4015A Clips Windscreens in Peli Case

DPA 5015A (5015 A 5015-A 5015/A) Surround Kit with 5 x 4015A, Clips, Windscreens in Peli Case FEATURES: Wide pickup area and natural sound Five carefully matched microphones Ambience pickup with convenient directionality PeliTM Case transportation and protection The DPA 5015A is a complete DPA 4015A surround kit with five carefully factory-matched wide cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, the surround match is even closer. The specially selected DPA 4015A microphones are matched within ±1 dB on both frequency response and sensitivity from mean of set. The maximum phase response difference is 5°. Recording orchestras or other acoustic ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization. The natural response and dynamic range make the DPA 4015As an obvious choice for Precise tone quality and wide dynamic range make 5015A right for AB, Decca Tree or surround main arrays like the DPA Wide Cardioid Surround Array. The foam design in the heavy-duty transportation box allows for fast and easy exchange of microphone/accessory inlays. Included in this kit:Five carefully matched, sturdy PeliTM case, holders, and windscreens.  

Wireless Lavalier System - Ch.33

Sony UWP-X7//K33 (UWPX7K33, UWP X7 K33, UWP/X7/K33) Wireless Lavalier System - Ch.33 The Sony UWP-X7 Wireless Microphone System consists of the UT-B2X bodypack transmitter, unidirectional (cardioid) lavalier microphone and URX-M2 tuner module. The system is intended for hands-free wireless operation in broadcast, presentation, theater applications, etc. The bodypack features a mic/line selectable input and 188 selectable UHF frequencies for optimum operation. Space diversity reception further minimizes drop-out radio-frequency interference and noise. The URX-M2 tuner module features a modular design and easily installs into the UWP-X7 Tuner Base, SRPX500P and SRPX700P digital powered mixers. UHF Synthesized Frequencies Both transmitter and receiver provide 188 user selectable frequencies, providing plenty of options when interference is present. Tuner-Module Receiver The compact tuner-module is designed to interface with compatible Sony base units such as the MBX6 receiver unit. Selectable RF Output The transmitter allows selection between 5mW output power and 30mW output. 5mW is suitable for indoor, simultaneous multi-channel operation while 30mW is intended for outdoor, long-range use. Comprehensive Display Both transmitter and receiver feature a comprehensive LED display providing channel and frequency information, battery life, total usage time and more. Uni-Directional Lavalier A high-quality uni-directional lavalier microphone provides the sonic quality needed to handle professional and non-professional applications.  

XSW 1-825 DUAL-A XSW 1-825 Dual-Vocal Set with Two 825 Handheld Microphones

Sennheiser 508263 (508-263, 508/263, 50-82-63, 508 263)(XSW/1-825 DUAL-A, XSW-1-825 DUAL-A, XSW1-825 DUAL-A) XSW 1-825 DUAL-A XSW 1-825 Dual-Vocal Set with Two 825 Handheld Microphones XS Wireless 1 DUAL is a 2-channel wireless system for singers and presenters. Designed with ease of use in mind, these analog UHF systems feature a sleek dual-channel receiver with built-in antennas and the streamlined interface from Sennheiser's popular XS Wireless 1 series.

XSW 1-825 DUAL-B Band Vocal

Sennheiser 508264 (508 264, 508/264, 508-264, 50-82-64) (XSW-1-825 DUAL-B, XSW/1-825 DUAL-B, XSW1-825 DUAL-B) XSW 1-825 DUAL-B Band Vocal XS Wireless 1 DUAL is a 2-channel wireless system for singers and presenters. Designed with ease of use in mind, these analog UHF systems feature a sleek dual-channel receiver with built-in antennas and the streamlined interface from Sennheiser's popular XS Wireless 1 series.

XSW 1-825 DUAL-E Band Vocal

Sennheiser 508267 (508-267, 508/267, 508 267, 50-82-67) (XSW1-825 DUAL-E, XSW-1-825 DUAL-E ,XSW/1-825 DUAL-E)  XSW 1-825 DUAL-E Band Vocal XS Wireless 1 DUAL is a 2-channel wireless system for singers and presenters. Designed with ease of use in mind, these analog UHF systems feature a sleek dual-channel receiver with built-in antennas and the streamlined interface from Sennheiser's popular XS Wireless 1 series.

XSW 1-825 DUAL-GB Band Vocal (GB: 606-630 MHz )

Sennheiser 508268 (508-268, 508/268, 50-82-68, 508 268) (XSW-1-825 DUAL-GB, XSW/1-825 DUAL-GB, XSW1-825 DUAL-GB) XSW 1-825 DUAL-GB Band Vocal XS Wireless 1 DUAL is a 2-channel wireless system for singers and presenters. Designed with ease of use in mind, these analog UHF systems feature a sleek dual-channel receiver with built-in antennas and the streamlined interface from Sennheiser's popular XS Wireless 1 series.

XSW 1-825-A Vocal Wireless Microphone, A Range 548-572 MHz

Sennheiser 507108 (507-108, 507 108, 50-71-08, 507 108) (XSW-1-825-A, XSW/1-825-A, XSW1-825-A) XSW 1-825-A Vocal Wireless Microphone, A Range 548-572 MHz Raise your voice. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 VOCAL SET is an easy to use all-in-one wireless system for singers and presenters, excellent for live sound featuring Sennheiser’s renowned evolution microphone capsules, e825 (dynamic, cardioid) or e835 (superior dynamic, cardioid) to get started. The set includes an intuitive stationary receiver for quick setup and hassle-free handling, as well as a vocal microphone and microphone clamp.

XSW 1-825-B Vocal Wireless Microphone, B Range 614-638 MHz

Sennheiser 507109 (507-109, 507/109, 50-71-09, 507 109) (XSW-1-825-B, XSW/1-825-B, XSW1-825-B) XSW 1-825-B Vocal Wireless Microphone, B Range 614-638 MHz Raise your voice. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 VOCAL SET is an easy to use all-in-one wireless system for singers and presenters, excellent for live sound featuring Sennheiser’s renowned evolution microphone capsules, e825 (dynamic, cardioid) or e835 (superior dynamic, cardioid) to get started. The set includes an intuitive stationary receiver for quick setup and hassle-free handling, as well as a vocal microphone and microphone clamp.

XSW 1-825-E Vocal Wireless Microphone, E Range 821-832 MHz, 863-865 MHz

Sennheiser 507112 (507 112, 50 71 12, 507/112, 507-112) (XSW-1-825-E, XSW/1-825-E, XSW1-825-E) XSW 1-825-E Vocal Wireless Microphone, E Range 821-832 MHz, 863-865 MHz Raise your voice. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 VOCAL SET is an easy to use all-in-one wireless system for singers and presenters, excellent for live sound featuring Sennheiser’s renowned evolution microphone capsules, e825 (dynamic, cardioid) or e835 (superior dynamic, cardioid) to get started. The set includes an intuitive stationary receiver for quick setup and hassle-free handling, as well as a vocal microphone and microphone clamp.

XSW 1-825-GB Vocal Wireless Microphone, GB Range 606-630 MHz

Sennheiser 507113 (507-113, 507/113, 507 113, 50-71-13) (XSW-1-825-GB, XSW/1-825-GB, XSW1-825-GB) XSW 1-825-GB Vocal Wireless Microphone, GB Range 606-630 MHz  Raise your voice. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 VOCAL SET is an easy to use all-in-one wireless system for singers and presenters, excellent for live sound featuring Sennheiser’s renowned evolution microphone capsules, e825 (dynamic, cardioid) or e835 (superior dynamic, cardioid) to get started. The set includes an intuitive stationary receiver for quick setup and hassle-free handling, as well as a vocal microphone and microphone clamp.

XSW 1-835 DUAL-A XSW 1-835 Dual Wireless Dual Handheld Microphone System- A Range

Sennheiser 508270 (508 270, 508-270, 50/82/70, 508/270) (XSW-1-835 DUAL-A, XSW/1-835 DUAL/A, XSW1-835 DUAL/A) XSW 1-835 DUAL-A XSW 1-835 Dual Wireless Dual Handheld Microphone System- A Range XS Wireless 1 DUAL is a 2-channel wireless system for singers and presenters. Designed with ease of use in mind, these analog UHF systems feature a sleek dual-channel receiver with built-in antennas and the streamlined interface from Sennheiser's popular XS Wireless 1 series.

XSW 1-835 DUAL-B Band Vocal

Sennheiser 508271 (508-271, 508 271, 50-82-71, 508/271) (XSW-1-835 DUAL-B, XSW/1-835 DUAL-B, XSW1-835 DUAL/B) XSW 1-835 DUAL-B Band Vocal XS Wireless 1 DUAL is a 2-channel wireless system for singers and presenters. Designed with ease of use in mind, these analog UHF systems feature a sleek dual-channel receiver with built-in antennas and the streamlined interface from Sennheiser's popular XS Wireless 1 series.

XSW 1-835 DUAL-E Band Vocal

Sennheiser 508274 (508-274, 508/274, 50-82-74, 508 274) (XSW-1-835 DUAL-E, XSW/1-835 DUAL-E, XSW1-835 DUAL-E) XSW 1-835 DUAL-E  Band Vocal XS Wireless 1 DUAL is a 2-channel wireless system for singers and presenters. Designed with ease of use in mind, these analog UHF systems feature a sleek dual-channel receiver with built-in antennas and the streamlined interface from Sennheiser's popular XS Wireless 1 series.

XSW 1-835 DUAL-GB Band Vocal

Sennheiser 508275 (508 275, 508/275, 508-275, 50-82-75) (XSW-1-835 DUAL-GB, XSW/1-835/DUAL-GB, XSW1-835-DUAL-GB) XSW 1-835 DUAL-GB Band Vocal XS Wireless 1 DUAL is a 2-channel wireless system for singers and presenters. Designed with ease of use in mind, these analog UHF systems feature a sleek dual-channel receiver with built-in antennas and the streamlined interface from Sennheiser's popular XS Wireless 1 series.

XSW 1-835-A Wireless Handheld Microphone System - A Range

Sennheiser 507115 (507-115, 507/115, 507 115, 50-71-15) (XSW-1-835-A, XSW/1-835-A, XSW1-835-A) XSW 1-835-A Wireless Handheld Microphone System - A Range Raise your voice. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 VOCAL SET is an easy to use all-in-one wireless system for singers and presenters, excellent for live sound featuring Sennheiser’s renowned evolution microphone capsules, e825 (dynamic, cardioid) or e835 (superior dynamic, cardioid) to get started. The set includes an intuitive stationary receiver for quick setup and hassle-free handling, as well as a vocal microphone and microphone clamp.

XSW 1-835-B Wireless Handheld Microphone System - B Range

Sennheiser 507116 (507 116, 507-116, 507/116, 50-71-16)(XSW-1-835-B, XSW/1-835-B, XSW1-835-B) XSW 1-835-B Wireless Handheld Microphone System - B Range   Raise your voice. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 VOCAL SET is an easy to use all-in-one wireless system for singers and presenters, excellent for live sound featuring Sennheiser’s renowned evolution microphone capsules, e825 (dynamic, cardioid) or e835 (superior dynamic, cardioid) to get started. The set includes an intuitive stationary receiver for quick setup and hassle-free handling, as well as a vocal microphone and microphone clamp.

XSW 1-835-E Wireless Handheld Microphone System - E Range

Sennheiser 507119 (507 119, 507-119, 5071 19, 50-71-19) (XSW-1-835-E, XSW/1-835-E, XSW1-835-E) XSW 1-835-E Wireless Handheld Microphone System - E Range Raise your voice. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 VOCAL SET is an easy to use all-in-one wireless system for singers and presenters, excellent for live sound featuring Sennheiser’s renowned evolution microphone capsules, e825 (dynamic, cardioid) or e835 (superior dynamic, cardioid) to get started. The set includes an intuitive stationary receiver for quick setup and hassle-free handling, as well as a vocal microphone and microphone clamp.

XSW 1-835-GB Wireless Handheld Microphone System - GB Range

Sennheiser 507120 (507-120, 507/120, 507 120, 50-71-20) (XSW-1-835-GB, XSW/1-835-GB, XSW 1/835/GB) XSW 1-835-GB Wireless Handheld Microphone System - GB Range Raise your voice. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 VOCAL SET is an easy to use all-in-one wireless system for singers and presenters, excellent for live sound featuring Sennheiser’s renowned evolution microphone capsules, e825 (dynamic, cardioid) or e835 (superior dynamic, cardioid) to get started. The set includes an intuitive stationary receiver for quick setup and hassle-free handling, as well as a vocal microphone and microphone clamp.

XSW 1-Cl1-A Instrument Wireless Microphone, A Range

Sennheiser 506994 (506 994, 506/994, 506-994, 50-69-94) (XSW-1-Cl1A, XSW/1-Cl1A, XSW 1 Cl1 A) XSW 1-Cl1-A Instrument Wireless Microphone, A Range Amplify your tunes. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 INSTRUMENT SET is an easy to use all-inone wireless system for guitarists and bassists, excellent for live sound. The set includes an intuitive stationary receiver for quick set-up and hassle-free handling, as well as a compact bodypack transmitter and a robust instrument cable.

XSW 1-Cl1-B Instrument Wireless Microphone, B Range

Sennheiser 506995 (506-995, 506/995, 506 995, 50-69-95) (XSW-1-Cl1-B, XSW/1-Cl1/B, XSW1-Cl1/B) XSW 1-Cl1-B Instrument Wireless Microphone, B Range Amplify your tunes. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 INSTRUMENT SET is an easy to use all-inone wireless system for guitarists and bassists, excellent for live sound. The set includes an intuitive stationary receiver for quick set-up and hassle-free handling, as well as a compact bodypack transmitter and a robust instrument cable.

XSW 1-Cl1-E Instrument Wireless Microphone, E Range

Sennheiser 506998 (506 998, 506/998, 506-998, 50-69-98) (XSW-1-Cl1-E, XSW/1-Cl1-E, XSW1-Cl1/E) XSW 1-Cl1-E Instrument Wireless Microphone, E Range Amplify your tunes. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 INSTRUMENT SET is an easy to use all-inone wireless system for guitarists and bassists, excellent for live sound. The set includes an intuitive stationary receiver for quick set-up and hassle-free handling, as well as a compact bodypack transmitter and a robust instrument cable.

XSW 1-Cl1-GB Instrument Wireless Microphone, GB Range

Sennheiser 506999 (506 999, 506/999, 506-999, 50-69-99) (XSW/1-Cl1-GB, XSW-1-Cl1-GB, XSW 1-Cl1GB) XSW 1-Cl1-GB Instrument Wireless Microphone, GB Range Amplify your tunes. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 INSTRUMENT SET is an easy to use all-inone wireless system for guitarists and bassists, excellent for live sound. The set includes an intuitive stationary receiver for quick set-up and hassle-free handling, as well as a compact bodypack transmitter and a robust instrument cable.

XSW 1-ME2-A Wireless Presentation Microphone, A Range

Sennheiser 506980 (506-980, 506/980, 50-69-80, 506 980) (XSW/1-ME2-A, XSW-1-ME2-A, XSW1-ME2-A) XSW 1-ME2-A Wireless Presentation Microphone, A Range Inspire your audience. Go for XS WIRLESS 1 and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 LAVALIER MIC SET is an easy to use all-in- one wireless system for presenters and moderators, excellent for a powerful and inspiring presentation. The set includes an intuitive stationary receiver for quick set-up and hassle-free handling, as well as a lightweight bodypack transmitter and an unobstrusive clip-on microphone.

ZTX-M02RC Digital Wireless Handheld Transmitter

Sony ZTX-M02RC (ZTX/M02RC, ZTX_M02RC, ZTX M02RC, ZTXM02RC, ztx-m02rc) Digital Wireless Handheld Transmitter The ZTX-MO2RC Digital Wireless Handheld Transmitter from Sony features an interchangeable unidirectional microphone capsule and is designed for use with DMZ wireless systems. The ZTX-MO2RC can transmit 24-bit linear PCM digital data in 128-bit encryption to provide secure and safe use. Its has two RF transmission modes to select from, wide band hopping and narrow band hopping, allowing you to choose the mode that will provide the least amount of interference based upon the RF environment you are in. An integrated attenuator allows you to select from 0, 6, or 12dB of reduction directly from the microphone. The ZTX-MO2RC has a metal body designed for durability.